- published: 23 Dec 2014
- views: 116545
San Sebastián (Spanish: [san seβasˈtjan]) or Donostia (Basque: [doˈnos̺tia]) is a city and municipality located in the north of Spain, on the coast of the Bay of Biscay and 20 km away from the French border. The city is the capital of Gipuzkoa, in the autonomous community of the Basque Country. The municipality’s population is 186,122 (2011), and its metropolitan area reaches 413,617 (2010). Locals call themselves donostiarras, in Spanish, and donostiarrak, in Basque.
The main economic activities are commerce and tourism, being one of the most famous tourism destinations in Spain. Despite the city’s small size, international events such as the San Sebastián International Film Festival have given it an international dimension. San Sebastián, along with Wrocław, Poland, will be the European Capital of Culture in 2016.
In spite of the apparent difference, both the Basque form Donostia and the Spanish form San Sebastián share the same meaning of Saint Sebastian. The dona/dono/doni element in Basque place-names signifies "saint" and is derived from Latin domine; the second part of Donosti(a) contains a shortened form of the saint's name.
Sonata Arctica is a Finnish power metal band from the town of Kemi, originally assembled in 1995. Their later works (most notably The Days of Grays, Unia and a few tracks on Reckoning Night and Winterheart's Guild) contain several elements typical of progressive metal.
The band was founded by Marko Paasikoski, Jani Liimatainen and Tommy Portimo in Kemi at the end of 1995 (Tony Kakko and Pentti Peura joined in early 1996). Originally named Tricky Beans, they played hard rock rather than the power metal with which they grew to fame. During their early career, they recorded three demos which were never sent to any recording label — Friend 'till the End, Agre Pamppers and PeaceMaker.
In 1997 the band changed their name to Tricky Means, and from that point until 1999 their style was thoroughly worked upon and ultimately was drastically changed, acquiring strong emphasis on the keyboard melodies and relying on an easily distinguishable rhythm line maintained both by the bass and the guitar. Vocalist Tony Kakko developed a clean singing style which relies both on falsetto and tenor voices and second guitarist Marko Paasikoski left the band. Kakko has stated that the change of sound was influenced by fellow Finnish power metal band Stratovarius.