Lording it up like Jerry and Margo two days of the week

It's my usual line: I don't normally do poetry . . . unless it's got a tune behind it but Tracey K. Smith's The Good Life poem caught my eye last night when I was trying to avoid eye contact on the F Train. (If you knew the F Train, you'd understand that statement.)

Click to enlarge.

It's part of the Poetry in Motion series undertaken by the MTA to bring a bit of culture to those of us on the subway who've forgotten their book or their mp3 listening device or their knitted balaclava and who need somewhere to stare whilst their five year old proclaims in a loud voice: 'That seat's not orange, it's yellow. I want the orange seat'. (I'm paraphrasing but you get the gist.)

Monday Toonage #5

The wonders of discovering a cracking song via an acclaimed American television drama about two meth manufacturers in New Mexico. From episode six of the first season of Breaking Bad, The Silver Seas 'Catch Yer Own Train':

Downton Abbey doesn't deliver the goods like this.

The video? Looks like a student project. Talented swines.

Sicknote #2

Following on from this post, the Derry Pele's wonder goal for Barnsley against Middlesbrough:



Paddy McCourt, I think I love you.

Sicknote

Paddy McCourt scores for Barnsley  . . . and then goes off injured three minutes later. I think that's his career in a nutshell.

90 Minute Zombie

Thank christ all that International guff is done and dusted for a few months. Any fool knows that Internationals are only good for the Summer months, and only then to help a helpless spectator get by without his or her fix of club football.

Brother Kemal by Jakob Arjouni (Melville International Crime 2012)

The Book Fair wasn't hell, it just smelled a bit like it. Huge halls over several stories, each with a floor area about the size of two football fields, were filled partition after partition with the stands of millions of publishing houses, right to the last corner. A sweating, unwashed, perfumed crowd of humanity, drenched in alcohol, hungover and smeared with hair gel, pushed its way along aisles and past stands, up and down escalators, into toilets and through entrance doors, never stopping. The greasy vapours of sausages, pizza, Chinese food, Thai curry and chips wafted overhead, invisible radiators seemed to be turned up to maximum - or maybe it was just all those bodies producing such heat - and only the few doors opening and closing brought any fresh air into the place.

Is this an old Monty Python joke?

I'm easily amused:

The Flemish Shop by Georges Simenon (Beadley Brothers 1932)

She cut the tart and handed Maigret a slice with such authority that there was no question of his refusing. Madame Peeters entered the room, her hands clasped in front of her, greeting the guest with a timid smile, a smile full of sadness and resignation.

“Anna told me you were coming. It’s very kind of you…”

She was more Flemish than her daughter, and she spoke with a decided accent. Her features, however, were of considerable refinement, and her strikingly white hair invested her with a certain distinction. She sat on the edge of her chair, like a woman who never sits for more than a few minutes at a time.

“You must be hungry after your journey. For my part, I’ve lost all appetite since…”

Maigret thought of the old man by the kitchen stove. Why didn’t he come for a cup of coffee and a slice of tart? At the same moment Madame Peeters said to her daughter:

“Take a slice to your father.”

And to the inspector:

“He hardly ever leaves his chair. In fact, he doesn’t realize…”

The atmosphere was so far from being dramatic that it was hard to believe that anything could disturb it. The impression one had on entering was that even the most fearsome events outside could make little headway against the peace and quiet of this Flemish house, where there was not a particle of dust, not a breath of air, and no sound but the gentle snoring of the stove.

And Maigret, while starting on his thick slice of tart, began asking questions.

“When did it happen, exactly?”

“On January 3rd.”

“And it’s now the 20th.”

“Yes. They didn’t think of accusing us at the beginning.”

“This girl—what do you call her? Germaine…”

“Germaine Piedbœuf,” answered Anna, who was now back in the room. “She came about eight in the evening. My mother went into the shop to see what she wanted.”

“What did she want?”

Madame Peeters brushed away a tear as she answered:

“The same as usual… She complained that Joseph never came to see her or even sent her a word… And to think of all the work he has to do! It’s wonderful how he does it, with all this trouble hanging over our heads…”

Two Pints by Roddy Doyle (Alfred A. Knopf 2012)

18-5-12

— SEE DONNA SUMMER died?

— Did she?

— Yeah.

— That’s bad. Wha’ was it?

— Cancer.

— Ah well. Cancer of the disco. It gets us all in the end.

— I met the wife durin’ ‘Love To Love You Baby’.

— You asked her up.

— No.

— No?

— I asked another young one an’ she said, Fuck off an’ ask me friend.

— An’ tha’ was the wife.

— Her sister. An’ she told me to fuck off as well. So. Annyway. Here we are.

— Grand. She’d a few good songs, but – Donna.

— ‘MacArthur Park’. That was me favourite.

— A classic. Until Richard fuckin’ Harris took it an’ wrecked it.

— It’s all it takes, isn’t it? Some cunt from Limerick takes a certified disco classic an’ turns it into some sort o’ bogger lament.

— Someone left the cake out in the rain.

— They wouldn’t know wha’ cake was in Limerick. They’d be puttin’ it in their fuckin’ hair.

— An’anyway, they’d’ve robbed the fuckin’ cake long before it started rainin’.

— Is she upset about Donna – the wife?

— Stop. Jesus, man, we were just gettin’ over Whitney. An’ now this.

— Will she go over for the funeral?

— She’s headin’ down to the fuckin’ credit union.

The Killer Inside Me by Jim Thompson (Vintage Crime/Black Lizard1952)

He glanced up into the rear-view mirror, then squinted ahead through the windshield. He spat and rubbed his hand against his pants, wiped it slowly against the soiled black cloth. "Still got quite a little ride ahead of us, Mr. Ford. About thirty miles isn't it?"

"About that. Maybe a little more."

"I wonder if you'd like to tell me about it. You don't need to, you understand, but it might be helpful. I might be able to help someone else."

"Do you think I could--that I'm able to tell you?"

"Why not?" he said. "I had a client years ago, Mr. Ford, a very able doctor. One of the most pleasant men you'd want to meet, and he had more money than he knew what to do with. But he'd performed about fifty abortions before they moved in on him, and so far as the authorities could find out every one of the abortion patients had died. He'd deliberately seen that they did die of peritonitis about a month after the operation. And he told me why--and he could've told anyone else why, when he finally faced up to the facts--he'd done it. He had a younger brother who was 'unfinished,' a prematurely born monstrosity, as the result of an attempted late-pregnancy abortion. He saw that terrible half-child die in agony for years. He never recovered from the experience--and neither did the women he aborted... Insane? Well, the only legal definition we have for insanity is the condition which necessitates the confinement of a person. So, since he hadn't been confined when he killed those women, I reckon he was sane. He made pretty good sense to me, anyhow."

He shifted the cud in his jaw, chewed a moment and went on. "I never had any legal schooling, Mr. Ford; picked up my law by reading in an attorney's office. All I ever had in the way of higher education was a couple years in agricultural college, and that was pretty much a plain waste of time. Crop rotation? Well, how're you going to do it when the banks only make crop loans on cotton? Soil conservation? How're you going to do terracing and draining and contour plowing when you're cropping on shares? Purebred stock? Sure. Maybe you can trade your razorbacks for Poland Chinas.... I just learned two things there at that college, Mr. Ford, that was ever of any use to me. One was that I couldn't do any worse than the people that were in the saddle, so maybe I'd better try pulling 'em down and riding myself. The other was a definition I got out of the agronomy books, and I reckon it was even more important than the first. It did more to revise my thinking, if I'd really done any thinking up until that time. Before that I'd seen everything in black and white, good and bad. But after I was set straight I saw that the name you put to a thing depended on where you stood and where it stood. And... and here's the definition, right out of the agronomy books: 'A weed is a plant out of place.' Let me repeat that. 'A weed is a plant out of place.' I find a hollyhock in my cornfield, and it's a weed. I find it in my yard, and it's a flower.

"You're in my yard, Mr. Ford."

... So I told him how it had been while he nodded and spat and drove, a funny pot-bellied shrimp of a guy who really had just one thing, understanding, but so much of it that you never missed anything else. He understood me better'n I understood myself.

"Yes, yes," he'd say, "you had to like people. You had to keep telling yourself you liked them. You needed to offset the deep, subconscious feelings of guilt." Or, he'd say, he'd interrupt, "and, of course, you knew you'd never leave Central City. Overprotection had made you terrified of the outside world. 

More important, it was part of the burden you had to carry to stay here and suffer."

He sure understood.

I reckon Billy Boy Walker's been cussed more in high places than any man in the country. But I never met a man I liked more.

I guess the way you felt about him depended on where you stood.