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{{infobox aircraft begin | name	SGU 1-6 | image | caption }}

{{infobox aircraft type | type	Open-class sailplane | national originUnited States | manufacturerSchweizer Metal Aircraft Company | designerErnst and Paul Schweizer | first flight1937 | introduced | retired | status | primary user | number built1 | developed from | variants with their own articles }}

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The Schweizer SGU 1-6 was a United States Open Class, single-seat, high-wing, pod-and-boom glider built by Schweizer Metal Aircraft Company of Elmira, New York.

The sole SGU 1-6 built was completed in 1937 as an experimental aircraft and registered N17897. The design was never certified.

Design and development

Schweizer Aircraft started construction of the 1-6 prototype in 1937. The aircraft was built to compete in the Eaton Design Contest held in conjunction with the 8th US National Gliding Championships. This competition was open to any new American glider design that had not been flown at a previous National Championship. The rules required drawings and stress analysis data to be presented with the completed aircraft. The intention was that the winning design would be made available as drawings and kits for amateur construction and that Bureau of Air Commerce design approval would be eventually obtained as well.

The winners of the contest and the cash prizes won were:

First - USD$700 - ABC Sailplane, Arthur B Schultz, designer

Second - USD$500 - Ross RS-1 Zanonia Sailplane, Harland Ross, designer

Third - USD$300 - SGU 1-6 Utility Glider, Ernst and Paul Schweizer, designers

The SGU was the first all-metal glider built. It was an unusual design with a high-mounted strut-braced wing and a tube-style boom ending in a cruciform tail. The design was intended to be simple and cheap to produce.

None of the winning designs in the Eaton Contest proved to be as easy to construct as was envisioned by the contest organizers and the lessons learned from the contest lead the Schweizer brothers to start with a clean sheet design for their next effort. This new design would achieve the aims that the 1937 Eaton Contest gliders failed to make.

The subsequent Schweizer SGU 1-7 lead to the successful Schweizer SGU 1-19 which, with two seats installed, grew into the Schweizer SGU 2-22 trainer and finally the Schweizer SGS 2-33.

Operational history

The SGU 1-6 was not actually flown in competition, despite being designed for the 1937 US Nationals and being present at the competition.

The Schweizer brothers were all pilots of low experience in 1937 and had hoped to have a well-known pilot fly the 1-6 in the US Nationals. Top soaring pilot Jack O'Meara was attending the competition and did not have a sailplane to fly. The Schweizers offered O'Meara the use of the 1-6 for the contest, hoping that he would score well flying it and thus promote the design.

O'Meara declined the loan of the 1-6, hoping to secure a higher performing aircraft instead, in more keeping with his status as a competitive pilot and so the 1-6 did not fly in the Nationals.

The sole SGU 1-6 built no longer exists. Its FAA registration number, N17897, now belongs, appropriately enough, to a Schweizer SGS 2-33. {{aerospecs |ref= |met or eng?=

|crew= |capacity= |length m= |length ft= |length in= |span m= |span ft= |span in= |swept m= |swept ft= |swept in= |rot number= |rot dia m= |rot dia ft= |rot dia in= |dia m= |dia ft= |dia in= |width m= |width ft= |width in= |height m= |height ft= |height in= |wing area sqm= |wing area sqft= |swept area sqm= |swept area sqft= |rot area sqm= |rot area sqft= |volume m3= |volume ft3= |aspect ratio= |wing profile= |empty weight kg= |empty weight lb= |gross weight kg= |gross weight lb= |lift kg= |lift lb=

|eng1 number= |eng1 type= |eng1 kw= |eng1 hp= |eng1 kn= |eng1 lbf= |eng1 kn-ab= |eng1 lbf-ab= |eng2 number= |eng2 type= |eng2 kw= |eng2 hp= |eng2 kn= |eng2 lbf= |eng2 kn-ab= |eng2 lbf-ab=

|max speed kmh= |max speed mph= |max speed mach= |cruise speed kmh= |cruise speed mph= |range km= |range miles= |endurance h= |endurance min= |ceiling m= |ceiling ft= |glide ratio= |climb rate ms= |climb rate ftmin= |sink rate ms= |sink rate ftmin=

|armament1= |armament2= |armament3= |armament4= |armament5= |armament6= }}

See also

{{aircontent |see also= |related= |similar aircraft= |lists=

List of gliders

}}

References

Category:United States sailplanes 1930-1939 Category:Schweizer aircraft

name	Derren Victor Brown
birth name	Derren Victor Brown
birth date	February 27, 1971
birth place	Purley, London, England,United Kingdom
occupation	Psychological illusionist, mentalist, artist, painter, writer, sceptic, television presenter
years active	1992-present
nationality	British
website	}}

Derren Victor Brown (born 27 February 1971) is a British illusionist, mentalist, painter, writer and sceptic. He is known for his appearances in television specials, stage productions and British television series such as ''Trick of the Mind'' and ''Trick or Treat''. Since the first broadcast of his show ''Derren Brown: Mind Control'' in 2000, Brown has become increasingly well known for his "mind-reading" act. He has written books for magicians as well as the general public. His caricature artwork has received gallery exhibition and is available in a single volume documenting his portrait collection.

Though his performances of mind-reading and other feats of mentalism may appear to be the result of psychic or paranormal practices, he claims no such abilities and frequently denounces those who do. Brown states at the beginning of his ''Trick of the Mind'' programmes that he achieves his results using a combination of "magic, suggestion, psychology, misdirection and showmanship". Using his knowledge and skill, he appears to be able to predict and influence people's thoughts with subtle suggestion, manipulate the decision making process and read the subtle physical and psychological signs or body language that indicate what a person is thinking.

Early life

Brown was born to Bob and Chris Brown in Purley, South London, England. He has a brother, who is nine years his junior. Brown was educated at Whitgift School (where his father coached swimming), and studied Law and German at the University of Bristol. While there, he attended a hypnosis show by Martin S Taylor, which inspired him to turn to illusion and hypnosis as a career. Whilst an undergraduate, he started working as a conjuror, performing the traditional skills of close-up magic in bars and restaurants. In 1992, he started performing stage hypnosis shows at the University of Bristol under the stage name Darren V. Brown.

Television series

''Mind Control (1999–2000)''

Brown began his television work with three sixty-minute specials produced over two years. In 1999 he was asked by Channel 4 to put a mind-reading programme together. The six part series ''Mind Control'' incorporated new footage with the best of his hour long shows. Selected highlights from the first series were later made available on DVD as ''Derren Brown — Inside Your Mind''.

Andy Nyman was originally intended to front the programme but he wanted to concentrate on acting so Brown was recommended to the producers by comedian and close-up magician Jerry Sadowitz.

''Trick of the Mind (2004–2006)''

''Trick of the Mind'' was the title for Brown's next series, which ran for three consecutive series. Unlike ''Mind Control'' it is all completely new material. The second series started on E4 on 11 April 2005 and was repeated on Channel 4. The third series started on 26 March 2006. Trick of the Mind series 1 and 2 are also available to buy on DVD.

''Waking Dead''

In an episode first broadcast on Friday 6 May Brown claimed to have created a video game called "Waking Dead" which "is able to put roughly 1/3 of the people who play it into a catatonic trance". The video game is then placed in a pub. Brown then "kidnaps" the catatonic "victim" and places him in a real-life recreation of the video game, having him fire an air gun at actors pretending to be zombies and outfitted with explosive squibs.

The episode raised considerable controversy. Mick Grierson, credited in the episode as "Zombie Game Designer", put up a website linking to various articles about the episode.

''Trick or Treat (2007–2008)''

''Trick or Treat'' started on Channel 4 in 2007. The focus of the show is on one volunteer who receives either a good experience or a bad experience. The experience the volunteers receive is decided by which card they choose. If they choose the card that says 'Trick' they receive a bad experience, and if they choose the card that says 'Treat' they receive a good experience. In the first series of 'Trick or Treat', the volunteer had no choice over the matter as the cards were ambigrams; however, in the second series, they were replaced by two more clearly defined cards that were no longer ambigrams.

Episodes of ''Trick or Treat'' are not preceded by Brown's usual claim that no actors or stooges were used in the filming of the shows. Indeed, some participants (such as the ambulance crew in the last episode) are declared to be actors.

The second series of "Trick or Treat" began on 2 May 2008 at 22.00 on Channel 4. The third episode showed a slight change from the previous format, as actor David Tennant became the first celebrity to be used for the show. The two had met at a party where Tennant expressed interest in Brown's work. While writing the second season Brown "thought it would be fun if one of the participants was well known".

The last episode of the second series featured all volunteers of the series who had previously received a trick or treat. This episode highlighted the belief in superstition and the degree to which it can be applied.

''Mind Control with Derren Brown (2007)''

On 26 July 2007, the US based SCI FI Channel began showing six one-hour episodes of a series titled ''Mind Control with Derren Brown''. Andrew O'Connor and Anthony Owen were executive producers, and the show was produced by Simon Mills who had produced the two previous series of Trick Or Treat as well as The Heist and The System for Objective Productions. Journalists in New York at the press announcement were shown preview clips of Brown "manipulating human behaviour" and given the promise of more surprises to come. Sci Fi's press release described the show as an "original US produced version". The show was a mix of new segments filmed in the US and older clips shown in earlier UK TV shows. The first showing release schedule was:

Episode 1: "Shopping Mall Carpark" 26 July

Episode 2: "Lying Car Salesman" 2 August

Episode 3: "Exotic Dancers" 8 August

Episode 4: "Receptive Children" 15 August (with Simon Pegg as a guest star)

Episode 5: "Assault Course" 22 August

Episode 6: "Disappearing Sun" 29 August

''Derren Brown: The Events (2009)''

Filmed for Channel 4 in front of a live studio audience, this new series, (the first episode of which aired on 11 September 2009 at 21:00) was made up of four one-hour specials, during which Brown attempted what he described as "some of the most incredible feats to date". The show consisted of a mixture of pre-recorded location pieces connected by theatre-based segments, with each of the four one-hour programmes building up to a major stunt performance. The first teasers broadcast were shown backwards. When played forwards, Brown explained that in his new series he would be revealing the "inner workings" of his tricks and "showing you how to get away with it". Stunts included a live TV broadcast in which he suggested that he had successfully predicted the winning National Lottery, and incapacitating viewers, making them feel that they were stuck to their sofa, using a subliminal video. He has also projected an image into viewers' minds and had them draw it on paper. His final event was an attempt to predict the outcome of a roulette wheel, staking £5,000 of a chosen viewer's money on the outcome. The ball landed in the pocket numbered 30 just next to Brown's choice of 8.

''Derren Brown Investigates (2010)''

Derren Brown Investigates began a run of three programs on Channel 4 on 10 May 2010. During the first program, Brown met with British psychic medium Joe Power. A second program concerns a Ukrainian system of human development that claims to teach people to see without the use of their eyes, and in a third he met a ghosthunter from the US. With these people he discussed their claims to have evidence of the paranormal.

#	Title	Original airdate

Television specials

''Derren Brown Plays Russian Roulette Live'' (2003)

On 5 October 2003, Brown performed Russian roulette, live on Channel 4. The stunt was performed at an undisclosed location, supposedly in Jersey, due to laws in mainland Britain restricting the firing of live rounds to qualified armourers. The majority of the episode focused upon the nomination of the final volunteer, James, who was chosen from 12,000 who applied for the task, and whittled down to five by the day of the stunt. As a prize, James was chosen to be the only person in the room when Brown performed the stunt. James was required to load a single shot into a revolver with six numbered chambers. The bullet was located in chamber number 1, which Brown fired at a sand bag hanging on the wall.

The programme was initially condemned by senior British police officers, apparently fearful of copycat acts. In addition Jersey police stated that "There was no live ammunition involved and at no time was anyone at risk" and "There is absolutely no way that the States of Jersey police would allow anybody to put themselves at risk and shoot themselves dead." When asked about the possible use of blanks in the act Brown responded, "But the frustrating and kind of ironic part of it was that even if it had been a blank that wouldn’t have made it any less dangerous. You shoot a blank next to your head and it will still kill you.”

Brown himself defended the programme, saying, "It probably sounds odd. But as a magic-related performer, to have that even being asked: Was it real? Was it not real? That lifts it to a level that I'm very comfortable with. What's left is the fact that it was a terrific piece of television."

''Derren Brown: Séance'' (2004)

Brown's next project, ''Derren Brown: Séance,'' aired on Channel 4 on 31 May 2004. In Séance, he brought students from Roehampton University together for a live séance. He held the event at Elton Hall in east London, claiming the location had a history of paranormal activity after 12 people killed themselves in a suicide pact in 1974. Brown then proceeded to demonstrate the methods used by spiritualists.

The show attempted to involve the television audience with interactive activities, the first being to identify one of the members of the suicide pact by looking at photographs. The 12 pictures were shown on screen in a set pattern, with half of them in colour and half black and white. The viewer was instructed to choose one of the colour images that they "feel a connection with". Brown then directed the viewers in a movement pattern between the photographs (for example, move left or right to one of the adjacent black and white photographs). The positioning and movement instructions were carefully planned to ensure that no matter which photograph was initially chosen the viewer would finish on the picture of "Jane". Ten of the students also chose Jane. During the following Ouija board scene, the "spirit" guided the students to spell the name ''Jane''.

Two of the students, along with the television viewers, were asked to write the name of a city. Both students chose London.

The final scene, the séance itself, saw the group "contact" Jane. One of the students spoke as if she were Jane, giving details of her life. A letter and short film confirmed the accuracy of the details.

Brown went on to explain some of the manipulations he had used, including the photograph positioning/instructions and the use of the ideomotor effect during the Ouija board scene. The suicide pact had not taken place and "Jane" was introduced to the students at the end of the show. In his book, ''Tricks of the Mind'', Brown reveals that, contrary to claims when the show was aired, ''Séance'' did not go out live. He said it was necessary to make people believe that it did at the time.

Channel 4 received 700 complaints, most before the episode was aired. Viewers who felt "something unusual" were invited to call a telephone number, and callers were told that the show was carefully planned, and that no paranormal activities were taking place. Brown also warned viewers about the impending Ouija board scene, advising those who objected for "religious reasons or otherwise" to stop watching the show.

''Derren Brown: Messiah'' (2005)

Shown on 7 January 2005, Brown travelled to the United States to try to convince five leading figures that he had powers in their particular field of expertise: Christian evangelism, alien abduction, psychic powers, New Age theories and contacting the dead.

Using a false name each time, he succeeded in convincing all of the "experts" that he had powers, and four openly endorsed him as a true practitioner. The fifth expert, the Christian evangelist Curt Nordhielm, whilst impressed by Brown's performance, asked to meet him again before giving an endorsement. The concept of the show was to highlight the power of suggestion with regard to beliefs and people's abilities, and failure to question them. Brown made it quite clear with each experiment that if any of the subjects accused him of trickery he would immediately come clean about the whole thing, a rule similar to one of the self-imposed rules of the perpetrators of the Project Alpha hoax. His conclusion was that people tend to hear only things that support their own ideas and ignore contradictory evidence; this is known in psychology as confirmation bias. During the section concerned with religious belief, he 'converted' people to Christian belief with a touch. Afterwards, he 'deprogrammed' them of any such belief.

''Derren Brown: The Gathering'' (2005)

''The Gathering'' was a specially recorded as-live show at a secret location (hidden from the audience) with an invited audience of students from Roehampton University, celebrities, psychologists, psychics, taxi drivers and magicians. It was filmed on 18 May 2005 and broadcast on 29 May. As part of the show Brown recalled streets, page numbers and grid references from the Greater London A-Z map. Pseudo-psychic "mind reading" and "remote viewing" activities were also recreated.

During the show, Brown hypnotised the audience as a group and convinced them that for approximately half an hour after leaving the room they would have no memory of the events. Furthermore, the word "forget" was intermittently flashed very briefly on the backdrop throughout the performance. A variety of audience members were interviewed afterward; some of them couldn't recollect anything (but were nevertheless very impressed); brief clips of these interviews were shown. One of the most memorable stunts was getting a London taxi driver to choose a street in London and then choose and mentally drive a random route. This was achieved by drawing a line on a map of London made of stuck together A-Z pages. An envelope, which had been visible on-stage throughout the entire show, was then opened. This contained a card listing the page number and coordinate of the destination, an acetate with the route marked on it and a receipt for £8 (the estimated cost of the journey by the driver). He started at Buckingham Palace and ended up at Shepherd's Bush Green, the street where the secret performance took place.

''Derren Brown: The Heist'' (2006)

''The Heist'' was shown on 4 January 2006 at 21:00, on Channel 4. In the show, Brown used his skills on selected participants who answered an advertisement. Under the guise of a "motivational seminar" (where they would allegedly learn Brown's skills) Brown recruited a number of participants, eventually manipulating a number of them into robbing a security van in broad daylight. "The Heist" has been described by Brown as one of the stunts of which he is most proud.

The robbery involved holding up a security van and guard (played by an actor) using a realistic-looking toy pistol that Brown had given the subjects earlier, and stealing a case filled with real money. Four people were selected to carry out the robbery from an initial field of thirteen, with three of them actually carrying out the "robbery". The idea was that, after the conditioning they received, they would voluntarily rob the van of their own accord. There was no mention of the "crime" to the participants, and they were not (directly) instructed to do it. The "robbery" was carried out as a result of the conditioning they received and was their own choice, not because of instructions from any third party, including Brown.

Brown associated colour, music and phrases to build the participants into a highly motivated state, converging all of those psychological empowerment tools into a single set-up. The seminar subliminally anchored freedom, childhood, opportunity and romance into various criminal acts. After having previously been convinced to steal sweets from a shop based in Codicote High Street in Hertfordshire, they experienced the euphoria that could be gained from criminal acts.

This programme also contained a re-enactment of the Milgram experiment carried out by Stanley Milgram in the 1960s with the aim of selecting four of the most obedient of the group. Sixty-five percent of the subjects in this experiment were willing to administer lethal electric shocks to another person on the instruction of an authoritative figure (unbeknownst to the subjects, the electric shocks were not actually real). These were the same results as Milgram himself experienced.

''Derren Brown: The System'' (2008)

''The System'', a Channel 4 special in which Brown shared his "100 percent guaranteed" method for winning on the horses, was first shown on 1 February 2008.

The show was based around the idea that a system could be developed to "guarantee a winner" of horse races. Cameras followed a member of the public, Khadisha, as Brown anonymously sent her correct predictions of five races in a row, before encouraging her to place as much money as she could on the sixth race.

To demonstrate the system to the viewer, Brown tossed a coin showing ten heads in a row to prove it was not impossible, just highly improbable.

After Brown had placed a bet of £4,000 of Khadisha's money on a horse in the final race, he explained that "The System" did not really exist. He had started by contacting 7,776 people and split them into six groups, giving each group a different horse. As each race had taken place ⁵⁄₆ of the people had lost and were dropped from the system. Brown had a different person backing each horse in each race, and one individual, Khadisha, won five times in a row. This was similar to the coin flipping earlier: rather than having a predictive technique, Brown had tossed a coin repeatedly until ten heads had come up in a row, taking over nine hours to produce the required film. Brown expressed the opinion that the principle behind "The System" (essentially confirmation bias or survivorship bias) is what is behind belief in spiritualism or homeopathic and alternative medicine.

After the selected horse in the final race lost, and Khadisha was convinced that she had lost all her borrowed money, Brown told Khadisha to look again at the betting slip in her hand. The ticket showed the winning horse's name, meaning Khadisha kept her stake and received winnings of £13,000. Brown claimed that he had decided to bet on a different horse when he got to the booth.

At the end of the show, a title card explained that "at each stage of the process, participants who did not make it to the next round were offered a complete refund of any bets they had placed."

''Derren Brown: Hero at 30,000 Feet'' (2010)

On 8 September 2010, Brown presented a new special on Channel 4 entitled "Derren Brown: Hero at 30,000 Feet". The programme consisted of Brown taking a man called Matt Galley, a normal person stuck in a rut in his life, and throughout the programme coaches him to take control of life and achieve his aspirations. The programme was divided into chapters to introduce different stages in the transformation, many of which were undertaken without the subject knowing of Brown's involvement (via cooperation with Galley's parents and girlfriend to set up cameras in his house). At one stage Brown visits Galley in the middle of the night, but leaves him believing it was a dream.

During the program Galley is put through a series of challenges, including being the victim of an armed robbery, touching a live crocodile, illicitly entering a policeman's home, lying on a train track in a straitjacket strapped to the line whilst a train approached him (the first challenge when he knew he was awake and that Brown was involved in this). The show culminated in Galley travelling on a plane where the pilot had supposedly been incapacitated.

Galley, who had not been on a plane in 10 years and had a fear of flying, joined a flight travelling from Leeds to Jersey (where he has been told that a fake game-show presented by Brown was to be filmed). The plane flight crew, stewards and stewardesses were real, but the rest of the passengers were actors. During the flight the cabin crew announced that the captain had been taken ill and asked for a volunteer to land the plane. At the last minute Galley volunteered, whilst walking up to the front of the plane he was placed into a trance by Brown. After landing Galley was placed into a cockpit flight simulator and woken up. He was talked through how to land the plane by a person claiming to be ground control. Galley completed the challenge successfully and then emerged from the simulator, to meet Brown and all the actors involved in the programme plus his family and friends.

Brown responded to skepticism about the show on his blog, noting many aspects of the show's production that were edited from the televised version simply due to time constraints. He also confirms Donnie Darko, Fight Club, The Game and Watchmen as influences for the show. He went on to say, "this has been my favourite show to work on – most ambitious, most involved, most demanding and by far the most joyful. I consider it my fondest and best...."

''Derren Brown: Miracles for Sale'' (2011)

''Derren Brown: Miracles for Sale'' is a feature length program about the controversial practice of faith healing. In the show Brown attempted to turn a member of the British public into a "faith healer" and to convincingly give a faith healing show to church goers in Texas. The show premièred 25 April 2011 on Channel 4.

Other television appearances

An interview with Brown was featured in Richard Dawkins' two-part documentary series "The Enemies of Reason". Brown explained various psychological techniques used by alleged psychics and spiritual mediums to manipulate their audiences. The most notable is cold reading, a technique about which Brown talked extensively in his book "Tricks of the Mind". Some video footage was also used from Brown's TV special "Messiah".

As part of Channel 4's 3D season, Brown presented "Derren Brown's 3D Magic Spectacular". The show was not a new special from Brown, rather he was the presenter for a number of other magicians and clips that were shown. However, he did include one clip in which he found an object that had been hidden in the streets of Venice by a volunteer.

In January 2011, to celebrate 10 years since the his first television appearance, Channel 4 held a special Derren Brown Night. Along with re-showing The Heist (which won a recent poll of favourite specials) and one of his Enigma Live shows the channel screened a special documentary; ''Derren Brown: Behind The Mischief'', a personal and candid film about Brown. The documentary included the story of how he met his co-writer (who featured in Seance), his mother's feelings about his involvement in Russian Roulette, and an emotional visit back to his old school, university and Bristol bars where he first began his close-up magic. Celebrities contributors included Matt Lucas, Jo Whiley, Stephen Merchant and Simon Pegg.

Stage shows

''Derren Brown Live (2003–2004)''

Brown's first live stage show was ''Derren Brown Live'', which he performed in the UK in 2003. The tour was then extended into 2004.

''Something Wicked This Way Comes (2005–2006)''

Brown's second live stage show, ''Something Wicked This Way Comes'', toured around the UK following its success in the West End. The tour began in March 2005 at the Cambridge Theatre and finished in May at the Hammersmith Apollo. The run was then once more extended into the following year, being performed and filmed for a final time at the Old Vic Theatre in mid-June 2006.

A 90-minute edit of this show was broadcast on 29 December 2006 and 10 June 2007, on Channel 4, on 10 May 2008 and 17 Jan 2009 on E4 and once more on 17 June 2008 on Channel 4; a longer, unedited version was released on DVD in May 2008. The show won the Laurence Olivier Award for Best Entertainment Show 2006. The show was co-written and directed by his long time collaborator Andy Nyman. The title is a direct quote from William Shakespeare's ''Macbeth''; Act 4, scene 1, line 45.

''Mind Reader – An Evening of Wonders (2007–2008)''

Brown's third live stage show toured the United Kingdom in 2007 and 2008. "Derren Brown, Mind Reader — An Evening of Wonders", began 29 April 2007 in Blackpool, and ended 17 June in Bristol.

The show toured again from February until April 2008 throughout the UK, and concluded with a West End run at the Garrick Theatre during May and early June. The West End run was a strictly limited season of 32 performances only. A performance from the last week of the tour at the Garrick Theatre was filmed for Channel 4 and aired on 13 January 2009.

''Derren Brown – Enigma (2009–2010)''

Enigma is the name of Brown's 2009/10 stage tour, directed by Andy Nyman. It began in Chatham on Friday 17 April 2009, visiting various UK towns before ending in London with a month at the Adelphi Theatre starting Monday 15 June 2009. The show includes Brown attempting to put the entire audience into a trance (he makes it clear this is ''not'' hypnotism and will ''not'' affect everyone). At the end of the show Brown requests that audience members, particularly reviewers and the press, do not reveal the show's secrets and surprises to others to avoid spoiling the fun. The show toured the UK again during the first half of 2010. Enigma was nominated for an Olivier award on the 8th of February 2010, Brown's second nomination for an Olivier following his 2006 show Something Wicked This Way Comes. It was announced on Brown's blog that Enigma will be released on DVD as part of a box set containing three of his live shows ''Something Wicked This Way Comes'', ''An Evening of Wonders'' and ''Enigma'' ready for a January 2011 release. ''Enigma'' was shown on Channel 4 on 6 January 2011 before the release of the box set. It also aired on both 7 and 8 January 2011, the latter forming a part of 'Derren Brown Night'.

''Svengali''

Derren Brown's 5th tour, entitled Svengali, opened on 9 March 2011 in Brighton and is planned to run until April 2012. It is Brown's first show that is not written in collaboration with Andy Nyman.

Books

Brown has written four books on magic: ''Absolute Magic'', ''Pure Effect,'' ''Tricks of the Mind,'' and ''Confessions of a Conjuror.'' The first two books he penned are intended solely for practitioners of magic and mentalism, whilst his books ''Tricks of the Mind'' and ''Confessions of a Conjuror'' are aimed at the general public.

''Absolute Magic'', subtitled ''A Model for Powerful Close-Up Performance'', is not so much about magical methodology as about how magicians can make their performances magical; it is written in a variety of styles: sometimes humorous, sometimes serious. He warns against an act that conveys the feeling of "Here are some tricks I've bought" and urges magicians to make their performances experiential and memorable by involving the audience. In some respects a lot of what he says is evocative of the content of Darwin Ortiz's ''Strong Magic'' but his book expresses it in the context of his experiences, performance style and theories of how performance should be. ''(Out of print)''

''Pure Effect'' is a more traditional book of trickery and technique and offers an insight into some of the methods that Brown employs, and offers a starting point for development for the reader's own use. ''(Out of print)''

''Tricks of the Mind'' is Brown's first book intended for the general public. It is a wide-ranging book in which Brown reveals some of the techniques he uses in his performances, delves into the structure and psychology of magic and discusses hypnosis. He also applies his insight to the paranormal industry, looking at the structure of beliefs and how psychology can explain why people become 'true believers'. He also offers autobiographical stories about his own experiences as a former Christian, and discusses his scepticism about religion, allegedly 'psychic' mediums and sundry other belief systems.

''Confessions of a Conjuror'' was published by Channel 4 Books in October 2010. (ISBN 978-1-905-02657-9)

Other productions and publications

Brown has recorded some audio extracts from ''Tricks of the Mind''. In them he expounds on the three subjects essential to his performance—Magic, Memory and Hypnosis. The extracts last around 40 minutes each, disclosing tips and techniques Brown uses in his acts (as well as day-to-day) and narrating the highlights of his book.

''The Devil's Picturebook'' is a near 3 hour home-made video. The first half explains in detail some classic card routines from his earlier career as a conjurer, all of which rely on sleight of hand, misdirection and audience management. The second looks at psychological card routines and shows a distinct move towards mentalism, for which he is now known. It is an instructional video for aspiring magicians and not an entertainment piece. For this reason, it was available only to practitioners through a password-protected "magicians only" area of his website. The clue to the password tells you that the word itself begins with T and is a type of palming trick.

''International Magic Presents: The Derren Brown Lecture'' is an 80-minute lecture DVD of close-up mentalism and subsequent discussion of various aspects of Brown's performance. Again, this product is not intended for general consumption but is directed at magicians and mentalists only.

In 2007, Brown performed in the short film ''Medium Rare''.

In 2008, Brown made a guest acting appearance in BBC Four's ''Crooked House'' as Sir Roger Widdowson.

In 2008, Brown provided caricatures for "The QI "F" annual".

In 2009, a book, ''Portraits'', was released containing a selection of Brown's paintings and bizarre caricatures of celebrities.

In 2010, Brown appeared in a special Comedy Gala for Channel four and Great Ormond Street Hospital. He appeared with Kevin Bishop, who played his jealous annoying twin 'Darren'.

DVD releases

! Title	! Release Date	! Information
''Derren Brown: Inside Your Mind''	6 October 2003 (re-released 16 April 2007)	Footage and some unused footage from Brown's ''Mind Control'' series.
''Trick of the Mind: Series 1''	25 April 2005	The first series of the Channel 4 show ''Trick of the Mind''.
''Trick of the Mind: Series 2''	27 March 2006	The second series of the Channel 4 show ''Trick of the Mind''
''Something Wicked This Way Comes''	5 May 2008	A DVD release of the stage show with the same name, including segments not shown on Channel 4.
''Derren Brown: The Specials''	3 November 2008	A collection of four of Derren Brown's one-off television specials: The Heist, The System, Séance, and Russian Roulette.
''Derren Brown: An Evening Of Wonders''	18 May 2009	A DVD release of the stage show with the same name.
''Derren Brown: Enigma''	17 January 2011	A DVD release of the stage show with the same name.
''Derren Brown: Live Collection''	17 January 2011	A collection of three of Derren Brown's stage shows: Something Wicked This Way Comes, An Evening Of Wonders, and Enigma.

Criticism

In a ''Daily Telegraph'' article published in 2003 Simon Singh criticised Brown's early TV appearances, arguing that he presented standard magic and mentalism effects—such as the classic Ten Card Poker Deal trick—as genuine psychological manipulation. On Brown's television and live shows he often appears to show the audience how a particular effect was created—claiming to use techniques such as subliminal suggestion, hypnosis, and body language reading. Singh's suggestion is that these explanations are dishonest. Furthermore, Singh took exception to the programme's website being categorised under Channel 4's "Science" section. The mini-site was moved to Entertainment for later series. In his book ''Tricks of the Mind'', Brown writes,

Brown claims to never use actors or "stooges" in his work without informing the viewers. In ''Tricks of the Mind'', Brown writes that to use such a ploy is "artistically repugnant and simply unnecessary"; furthermore, he "would not want any participant to watch the TV show when it airs and see a different or radically re-edited version of what he understood to have happened".

Methods

Brown claims to use a variety of methods to achieve his illusions including traditional magic/conjuring techniques, memory techniques, hypnosis, body language reading, cognitive psychology, cold reading and psychological, subliminal (specifically the use of PWA – "perception without awareness") and ideomotor suggestion.

Psychological illusions

In an interview published in New Scientist, Brown says that he first developed many of his "psychological illusion" skills through his training in hypnotherapy before he was involved in learning close-up magic. When asked how he was able to produce various psychological illusions such as apparent mind-reading, lie detection and hypnotic induction, Brown claimed to be able to read on subtle cues such as a micro-muscle movements that indicate to him if someone is lying or holding something back. He also states that his participants are carefully selected based on their suggestibility and responsiveness which is common in stage hypnosis. He believes that the presence of a television camera also increases responsiveness.

Neuro-linguistic programming

Several authors have claimed that Brown uses neuro-linguistic programming (NLP) in his act which "consists of a range of magical 'tricks', misdirection and, most intriguing, setting up audiences to provide the response that he wishes them to provide by using subtle subliminal cues in his conversation with them." In response to the accusation that he unfairly claims to be using NLP whenever he performs, Brown writes "The truth is I have never mentioned it outside of my book". Brown does have an off-stage curiosity about the system, and discusses it in the larger context of hypnotism and suggestion. In his book "Tricks of the Mind" he mentions that he attended an NLP course with Richard Bandler, co-creator of NLP and mentor of Paul McKenna, but suggests that the rigid systems of body language interpretation employed by NLP are not as reliable as its practitioners imply. He also mentions the NLP concept of eye accessing cues as a technique of "limited use" in his book "Pure Effect". The language patterns which he uses to suggest behaviours are very similar in style to those used by Richard Bandler and by the hypnotist from whom Bandler learned his skill, Milton H. Erickson. Brown also mentions in his book 'Tricks of the Mind' that NLP students were given a certificate after a four-day course, certifying them to practice NLP as a therapist. A year after Brown attended the class, he received a number of letters saying that he would receive another certificate, not for passing a test (as he discontinued practising NLP following the course), but for keeping in touch. After ignoring their request, he later received the new certificate for NLP in his mailbox, unsolicited.

Personal life

Brown was an evangelical Christian in his teens, but became an atheist in his twenties. This is discussed by Brown in the Messiah special, and in his book ''Tricks of the Mind''. In an interview with Professor Richard Dawkins, Brown explained he sought to strengthen his belief and provide answers to common criticisms of religion by reading the Bible and other Christian religious texts, but upon doing so found none of the answers he sought and came to the conclusion that his belief (in Christianity) had no basis.

Big Issue website described Brown as being "playfully mendacious". Although it has been said that Brown is banned from every casino in Britain, other sources report that casinos welcome the publicity from his visits.

In an interview with the Independent in 2007 Brown stated that he is gay.

In an interview with the Radio Times in 2011 Brown talked more about his sexuality, stating that he is blissfully happy in a relationship. He said, "I spent a lot of time thinking about me and working on what I wanted to be before I came into a relationship. In some ways, it’s bad because you come into relationship quite late without a lot of experience and you have a lot to learn. But that can also be exciting. Certainly, it’s lovely to have somebody love you and it’s lovely to love someone else."

Since 2004 Brown has been the patron of the registered charity the Parrot Zoo Trust at Friskney in eastern Lincolnshire near Boston, England.

References

External links

Derren Brown at Channel 4

Category:Article Feedback Pilot Category:1971 births Category:Alumni of the University of Bristol Category:Derren Brown Category:English atheists Category:English sceptics Category:Hypnotists Category:Gay writers Category:LGBT people from England Category:LGBT television personalities Category:Living people Category:Magician of the year Award winner Category:Mentalists Category:Old Whitgiftians Category:People from Purley, London

cs:Derren Brown cy:Derren Brown de:Derren Brown fr:Derren Brown lt:Derren Brown nl:Derren Brown no:Derren Brown pl:Derren Brown ro:Derren Brown ru:Браун, Деррен simple:Derren Brown fi:Derren Brown sv:Derren Brown

name	Richard Dawkins
birth name	Clinton Richard Dawkins
birth date	March 26, 1941
birth place	Nairobi, Kenya Colony
nationality	British
education	MA, DPhil (Oxon)
alma mater	Balliol College, Oxford
doctoral advisor	Nikolaas Tinbergen
doctoral students	Alan Grafen, Mark Ridley
occupation	Ethologist
years active	1967–present
employer	University of California, BerkeleyUniversity of Oxford
organization	Fellow of the Royal SocietyFellow of the Royal Society of Literature
known for	Gene-centered view of evolution, concept of the meme, as well as advocacy of atheism and science.
notable works	''The Selfish Gene'' (1976)''The Extended Phenotype'' (1982)''The Blind Watchmaker'' (1986)''The God Delusion'' (2006)
influences	Charles Darwin, Ronald Fisher, George C. Williams, W. D. Hamilton, Daniel Dennett, Bertrand Russell
spouse	Marian Stamp Dawkins (m. 1967–1984)Eve Barham (m. 1984–?)Lalla Ward (m. 1992–present)
children	Juliet Emma Dawkins (born 1984)
parents	Clinton John DawkinsJean Mary Vyvyan (née Ladner)
awards	Faraday Award (1990)Kistler Prize (2001)
website	The Richard Dawkins Foundation
footnotes	}}

Clinton Richard Dawkins, FRS, FRSL (born 26 March 1941), known as Richard Dawkins, is a British ethologist, evolutionary biologist and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008.

Dawkins came to prominence with his 1976 book ''The Selfish Gene'', which popularised the gene-centered view of evolution and introduced the term ''meme''. In 1982 he introduced an influential concept into evolutionary biology, presented in his book ''The Extended Phenotype'', that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment, including the bodies of other organisms.

Dawkins is an atheist and humanist, a Vice President of the British Humanist Association and supporter of the Brights movement. He is well known for his criticism of creationism and intelligent design. In his 1986 book ''The Blind Watchmaker'', he argued against the watchmaker analogy, an argument for the existence of a supernatural creator based upon the complexity of living organisms. Instead, he described evolutionary processes as analogous to a ''blind'' watchmaker. He has since written several popular science books, and makes regular television and radio appearances, predominantly discussing these topics. In his 2006 book ''The God Delusion'', Dawkins contends that a supernatural creator almost certainly does not exist and that religious faith is a delusion—a fixed false belief. As of January 2010 the English-language version has sold more than two million copies and had been translated into 31 languages, making it his most popular book to date.

Biography

Dawkins was born in Nairobi, Kenya. His father, Clinton John Dawkins (1915–2010), returning to England in 1949, when Dawkins was eight. His father had inherited Over Norton Park, which he turned from a country estate into a commercial farm. Both his parents were interested in natural sciences; they answered Dawkins' questions in scientific terms.

Dawkins describes his childhood as "a normal Anglican upbringing". Though he began having doubts about the existence of a god when he was about nine years old, he was persuaded by the argument from design, an argument for the existence of a god or a creator based on perceived evidence of order, purpose, or design in nature, and embraced Christianity.

He attended Oundle, a Church of England school, Dawkins' research in this period concerned models of animal decision-making.

From 1967 to 1969, he was an assistant professor of zoology at the University of California, Berkeley. During this period, the students and faculty at UC Berkeley were largely opposed to the ongoing Vietnam War, and Dawkins became heavily involved in the anti-war demonstrations and activities. He returned to the University of Oxford in 1970 taking a position as a lecturer, and in 1990, as a reader in zoology. In 1995 he was appointed Simonyi Professor for the Public Understanding of Science at Oxford, a position that had been endowed by Charles Simonyi with the express intention that the holder "be expected to make important contributions to the public understanding of some scientific field", and that its first holder should be Richard Dawkins.

Since 1970 he has been a fellow of New College. He has delivered a number of inaugural and other lectures, including the Henry Sidgwick Memorial Lecture (1989), first Erasmus Darwin Memorial Lecture (1990), Michael Faraday Lecture (1991), T.H. Huxley Memorial Lecture (1992), Irvine Memorial Lecture (1997), Sheldon Doyle Lecture (1999), Tinbergen Lecture (2004) and Tanner Lectures (2003). In 1991 he gave the Royal Institution Christmas Lectures for Children. He has also served as editor of a number of journals, and has acted as editorial advisor to the ''Encarta Encyclopedia'' and the ''Encyclopedia of Evolution''. He is a senior editor of the Council for Secular Humanism's ''Free Inquiry'' magazine, for which he also writes a column. He has been a member of the editorial board of ''Skeptic'' magazine since its foundation.

He has sat on judging panels for awards as diverse as the Royal Society's Faraday Award and the British Academy Television Awards, and has been president of the Biological Sciences section of the British Association for the Advancement of Science. In 2004 Balliol College, Oxford instituted the Dawkins Prize, awarded for "outstanding research into the ecology and behaviour of animals whose welfare and survival may be endangered by human activities". In September 2008, he retired from his professorship, announcing plans to "write a book aimed at youngsters in which he will warn them against believing in 'anti-scientific' fairytales."

Personal life

On 19 August 1967, Dawkins married fellow ethologist Marian Stamp in Annestown, County Waterford, Ireland; they divorced in 1984. Later that same year, on 1 June, he married Eve Barham (19 August 1951–28 February 1999) in Oxford. They had a daughter, Juliet Emma Dawkins (born 1984, Oxford). Dawkins and Barham divorced; she died of cancer. In 1992 he married actress Lalla Ward in Kensington and Chelsea, London. Dawkins met her through their mutual friend Douglas Adams, who had worked with her on the BBC's ''Doctor Who''.

Work

Evolutionary biology

In his scientific works, Dawkins is best known for his popularisation of the gene-centred view of evolution. This view is most clearly set out in his books ''The Selfish Gene'' (1976), where he notes that "all life evolves by the differential survival of replicating entities", and ''The Extended Phenotype'' (1982), in which he describes natural selection as "the process whereby replicators out-propagate each other". In his role as an ethologist, interested in animal behaviour and its relation to natural selection, he advocates the idea that the gene is the principal unit of selection in evolution.

Dawkins has consistently been sceptical about non-adaptive processes in evolution (such as spandrels, described by Gould and Lewontin) and about selection at levels "above" that of the gene. He is particularly sceptical about the practical possibility or importance of group selection as a basis for understanding altruism. This behaviour appears at first to be an evolutionary paradox, since helping others costs precious resources and decreases one's own fitness. Previously, many had interpreted this as an aspect of group selection: individuals were doing what was best for the survival of the population or species as a whole, and not specifically for themselves. British evolutionary biologist W. D. Hamilton had used the gene-centred view to explain altruism in terms of inclusive fitness and kin selection − that individuals behave altruistically toward their close relatives, who share many of their own genes. Similarly, Robert Trivers, thinking in terms of the gene-centred model, developed the theory of reciprocal altruism, whereby one organism provides a benefit to another in the expectation of future reciprocation. Dawkins popularised these ideas in ''The Selfish Gene'', and developed them in his own work.

He has also been strongly critical of the Gaia philosophy theory of the independent scientist James Lovelock.

Critics of Dawkins' approach suggest that taking the gene as the unit of ''selection'' − of a single event in which an individual either succeeds or fails to reproduce − is misleading, but that the gene could be better described as a unit of ''evolution'' − of the long-term changes in allele frequencies in a population. In ''The Selfish Gene'', Dawkins explains that he is using George C. Williams' definition of the gene as "that which segregates and recombines with appreciable frequency." Another common objection is that genes cannot survive alone, but must cooperate to build an individual, and therefore cannot be an independent "unit". In ''The Extended Phenotype'', Dawkins suggests that because of genetic recombination and sexual reproduction, from an individual gene's viewpoint all other genes are part of the environment to which it is adapted.

Advocates for higher levels of selection such as Richard Lewontin, David Sloan Wilson, and Elliot Sober suggest that there are many phenomena (including altruism) that gene-based selection cannot satisfactorily explain. The philosopher Mary Midgley, with whom Dawkins clashed in print concerning ''The Selfish Gene'', has criticised gene selection, memetics and sociobiology as being excessively reductionist and suggests that the popularity of Dawkins' work is due to factors in the Zeitgeist such as the increased individualism of the Thatcher/Reagan decades.

In a set of controversies over the mechanisms and interpretation of evolution (the so-called 'Darwin Wars'), one faction was often named after Dawkins and its rival after the American paleontologist Stephen Jay Gould, reflecting the pre-eminence of each as a populariser of pertinent ideas. In particular, Dawkins and Gould have been prominent commentators in the controversy over sociobiology and evolutionary psychology, with Dawkins generally approving and Gould generally being critical. A typical example of Dawkins' position was his scathing review of ''Not in Our Genes'' by Steven Rose, Leon J. Kamin and Richard C. Lewontin. Two other thinkers on the subject often considered to be allied to Dawkins are Steven Pinker and Daniel Dennett; Dennett has promoted a gene-centred view of evolution and defended reductionism in biology. Despite their academic disagreements, Dawkins and Gould did not have a hostile personal relationship, and Dawkins dedicated a large portion of his 2003 book ''A Devil's Chaplain'' posthumously to Gould, who had died the previous year.

Dawkins' book ''The Greatest Show on Earth: The Evidence for Evolution'' expounds the evidence for biological evolution. All of his previous works dealing with evolution had assumed its truth, and not explicitly provided the evidence to this effect. Dawkins felt that this represented a gap in his oeuvre, and decided to write the book to coincide with Darwin's bicentennial year.

Meme

Dawkins coined the word ''meme'' (the behavioral equivalent of a gene) to describe how Darwinian principles might be extended to explain the spread of ideas and cultural phenomena. This has spawned the field of memetics. Dawkins' ''memes'' refer to any cultural entity that an observer might consider a replicator of a certain idea or a complex of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through exposure to humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Memes are not always copied perfectly, and might indeed become refined, combined or otherwise modified with other ideas, resulting in new memes, which may themselves prove more, or less, efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution, analogous to the theory of biological evolution based on genes. Since originally outlining the idea in his book ''The Selfish Gene'', Dawkins has largely left the task of expanding upon it to other authors such as Susan Blackmore.

Although Dawkins invented the specific term ''meme'' independently, he has not claimed that the idea itself was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904 Semon published ''Die Mneme'' (which appeared in English in 1924 as ''The Mneme''). This book discussed the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term ''mneme'' used in Maurice Maeterlinck's ''The Life of the White Ant'' (1926), and has highlighted the similarities to Dawkins' concept.

Criticism of creationism

Dawkins is a prominent critic of creationism (the religious belief that humanity, life and the universe were created by a deity, without recourse to evolution). He has described the Young Earth creationist view that the Earth is only a few thousand years old as "a preposterous, mind-shrinking falsehood," and his 1986 book, ''The Blind Watchmaker'', contains a sustained critique of the argument from design, an important creationist argument. In the book, Dawkins argued against the watchmaker analogy made famous by the 18th-century English theologian William Paley in his book ''Natural Theology''. Paley argued that, just as a watch is too complicated and too functional to have sprung into existence merely by accident, so too must all living things, with their far greater complexity, be purposefully designed. Dawkins shares the view generally held by scientists that natural selection is sufficient to explain the apparent functionality and non-random complexity of the biological world, and can be said to play the role of watchmaker in nature, albeit as an automatic, nonintelligent, ''blind'' watchmaker.

thumb|left|Dawkins at the 34th annual conference of American Atheists, 2008In 1986 Dawkins participated in a Oxford Union debate, in which he and English biologist John Maynard Smith debated Young Earth creationist A. E. Wilder-Smith and Edgar Andrews, president of the Biblical Creation Society. In general, however, Dawkins has followed the advice of his late colleague Stephen Jay Gould and refused to participate in formal debates with creationists because "what they seek is the oxygen of respectability", and doing so would "give them this oxygen by the mere act of ''engaging'' with them at all." He suggests that creationists "don't mind being beaten in an argument. What matters is that we give them recognition by bothering to argue with them in public."

In a December 2004 interview with American journalist Bill Moyers, Dawkins said that "among the things that science does know, evolution is about as certain as anything we know". When Moyers questioned him on the use of the word ''theory'', Dawkins stated that "evolution has been observed. It's just that it hasn't been observed while it's happening." He added that "it is rather like a detective coming on a murder after the scene... the detective hasn't actually seen the murder take place, of course. But what you do see is a massive clue... Huge quantities of circumstantial evidence. It might as well be spelled out in words of English."

Dawkins has ardently opposed the inclusion of intelligent design in science education, describing it as "not a scientific argument at all, but a religious one". He has been referred to in the media as "Darwin's Rottweiler", a reference to English biologist T. H. Huxley, who was known as "Darwin's Bulldog" for his advocacy of Charles Darwin's evolutionary ideas. He has been a strong critic of the British organisation Truth in Science, which promotes the teaching of creationism in state schools, and he plans—through the Richard Dawkins Foundation for Reason and Science—to subsidise the delivery of books, DVDs and pamphlets to schools, in order to counteract what he has described as an "educational scandal".

Advocacy of atheism

Dawkins is an outspoken atheist and a prominent critic of religion. In an interview with Thomas Bass for a book published in 1994 he described himself as a 'fairly militant atheist'. In 1996, when asked if he'd prefer to be known as a scientist or a militant atheist, he replied "Bertrand Russell called himself the Passionate Sceptic. It's aiming high, but I'll shoot for that." Dawkins is an Honorary Associate of the National Secular Society, a vice-president of the British Humanist Association (since 1996), a Distinguished Supporter of the Humanist Society of Scotland, a member of the Secular Coalition for America advisory board, a Humanist Laureate of the International Academy of Humanism, and a fellow of the Committee for Skeptical Inquiry. In 2003 he became a signatory of the humanist manifesto ''Humanism and Its Aspirations'', published by the American Humanist Association. As a result of his advocacy of atheism, Dawkins has sometimes been described as a vocal, militant rationalist, and as "the UK's Chief Atheist".

Dawkins believes that his own atheism is the logical extension of his understanding of evolution and that religion is incompatible with science. In his 1986 book ''The Blind Watchmaker'', Dawkins wrote:

{{blockquote| An atheist before Darwin could have said, following Hume: "I have no explanation for complex biological design. All I know is that God isn't a good explanation, so we must wait and hope that somebody comes up with a better one." I can't help feeling that such a position, though logically sound, would have left one feeling pretty unsatisfied, and that although atheism might have been logically tenable before Darwin, Darwin made it possible to be an intellectually fulfilled atheist. }}

In his 1991 essay "Viruses of the Mind" (from which the term ''faith-sufferer'' originated), he suggested that memetic theory might analyse and explain the phenomenon of religious belief and some of the common characteristics of religions, such as the belief that punishment awaits non-believers. According to Dawkins, faith − belief that is not based on evidence − is one of the world's great evils. He claims it to be analogous to the smallpox virus, though more difficult to eradicate. Dawkins is well-known for his contempt for religious extremism, from Islamist terrorism to Christian fundamentalism; but he has also argued with liberal believers and religious scientists, from biologists Kenneth Miller and Francis Collins to theologians Alister McGrath and Richard Harries. Dawkins has stated that his opposition to religion is twofold, claiming it to be both a source of conflict and a justification for belief without evidence. However, he describes himself as a "cultural Christian", and proposed the slogan "Atheists for Jesus".

Following the 11 September 2001 attacks, when asked how the world might have changed, Dawkins responded:

{{blockquote| Many of us saw religion as harmless nonsense. Beliefs might lack all supporting evidence but, we thought, if people needed a crutch for consolation, where's the harm? September 11th changed all that. Revealed faith is not harmless nonsense, it can be lethally dangerous nonsense. Dangerous because it gives people unshakeable confidence in their own righteousness. Dangerous because it gives them false courage to kill themselves, which automatically removes normal barriers to killing others. Dangerous because it teaches enmity to others labelled only by a difference of inherited tradition. And dangerous because we have all bought into a weird respect, which uniquely protects religion from normal criticism. Let's now stop being so damned respectful! }}

Dawkins has especially risen to prominence in contemporary public debates relating science and religion since the publication of his 2006 book ''The God Delusion'', which has achieved greater sales figures worldwide than any of his other works to date. Its success has been seen by many as indicative of a change in the contemporary cultural zeitgeist, central to a recent rise in the popularity of atheistic literature. ''The God Delusion'' was praised by among others the Nobel laureates Sir Harold Kroto and James D. Watson and by psychologist Steven Pinker. In the book, Dawkins suggested that atheists should be proud, not apologetic, because atheism is evidence of a healthy, independent mind. He sees education and consciousness-raising as the primary tools in opposing what he considers to be religious dogma and indoctrination. These tools include the fight against certain stereotypes, and he has adopted the term ''Bright'' as a way of associating positive public connotations with those who possess a naturalistic worldview. Dawkins notes that feminists have succeeded in arousing widespread embarrassment at the routine use of "he" instead of "she". Similarly, he suggests, a phrase such as "Catholic child" or "Muslim child" should be considered just as socially absurd as, for instance, "Marxist child": children should not be classified based on their parents' ideological beliefs. According to Dawkins, there is no such thing as a Christian child or a Muslim child, as children have about as much capacity to make the decision to become Christians or Muslims as they do to become Marxists. Critics have said that the programme gave too much time to marginal figures and extremists, and that Dawkins' confrontational style did not help his cause and exhibited similarities with the approaches of religious fundamentalists more than with the approaches of the dispassionate, analytic approach of 'hard' science; Dawkins rejected these claims, citing the number of moderate religious broadcasts in everyday media as providing a suitable balance to the extremists in the programmes. He further remarked that someone who is deemed an "extremist" in a religiously moderate country may well be considered "mainstream" in a religiously conservative one. The unedited recordings of Dawkins' conversations with Alister McGrath and Richard Harries, including material unused in the broadcast version, have been made available online by the Richard Dawkins Foundation for Reason and Science.

Dawkins' work has been controversial, and a number of Christian thinkers have responded to it. For example, Oxford theologian Alister McGrath (author of ''The Dawkins Delusion'' and ''Dawkins' God'') maintains that Dawkins is ignorant of Christian theology, and therefore unable to engage religion and faith intelligently. In reply, Dawkins asks "do you have to read up on leprechology before disbelieving in leprechauns?", and − in the paperback edition of ''The God Delusion'' − he refers to the American biologist PZ Myers, who has satirised this line of argument as "The Courtier's Reply". Dawkins had an extended debate with McGrath at the 2007 ''Sunday Times'' Literary Festival.

Dawkins argues that "the existence of God is a scientific hypothesis like any other". He disagrees with Stephen Jay Gould's principle of nonoverlapping magisteria. In an interview with ''Time'' magazine, Dawkins said:

I think that Gould's separate compartments was a purely political ploy to win middle-of-the-road religious people to the science camp. But it's a very empty idea. There are plenty of places where religion does not keep off the scientific turf. Any belief in miracles is flat contradictory not just to the facts of science but to the spirit of science.

Astrophysicist Martin Rees, who has described himself as an unbeliever who identifies with Christianity from a cultural perspective, has suggested that Dawkins' attack on mainstream religion is unhelpful. Regarding Rees' claim in his book ''Our Cosmic Habitat'' that "such questions lie beyond science", Dawkins asks "what expertise can theologians bring to deep cosmological questions that scientists cannot?" Elsewhere, Dawkins has written that "there's all the difference in the world between a belief that one is prepared to defend by quoting evidence and logic, and a belief that is supported by nothing more than tradition, authority or revelation." He has said that the publication of ''The God Delusion'' is "probably the culmination" of his campaign against religion.

In 2007 Dawkins founded the Out Campaign to encourage atheists worldwide to declare their stance publicly and proudly. Inspired by the gay rights movement, Dawkins hopes that atheists' identifying of themselves as such, and thereby increasing public awareness of how many people hold these views, will reduce the negative opinion of atheism among the religious majority.

In September 2008, following a complaint by Islamic creationist Adnan Oktar, a court in Turkey blocked access to Dawkins' website ''richarddawkins.net''. The court decision was made due to "insult to personality". As of 8 July 2011, ''richarddawkins.net'' is no longer blocked in Turkey.

In October 2008, Dawkins officially supported the UK's first atheist advertising initiative, the Atheist Bus Campaign. Created by Guardian journalist Ariane Sherine and administered by the British Humanist Association the campaign aimed to raise funds to place atheist adverts on buses in the London area, and Dawkins pledged to match the amount raised by atheists, up to a maximum of £5,500. However, the campaign was an unprecedented success, raising over £100,000 in its first four days, and generating global press coverage. The campaign, started in January 2009, features adverts across the UK with the slogan: "''There's probably no God. Now stop worrying and enjoy your life.''" Dawkins said that "this campaign to put alternative slogans on London buses will make people think — and thinking is anathema to religion."

In 2010 Dawkins supported legal efforts to charge Pope Benedict XVI with crimes against humanity. Dawkins and fellow anti-religion campaigner Christopher Hitchens were believed to have explored the option of attempting to have the Pope arrested under the same legal principle that saw Chilean dictator Augusto Pinochet arrested during a visit to Britain in 1998. Dawkins has given support to the idea of an atheists' "free thinking" school, that would teach children to "ask for evidence, to be sceptical, critical, open-minded".

On 15 September 2010, Dawkins, along with 54 other public figures, signed an open letter published in ''The Guardian'', stating their opposition to Pope Benedict XVI making a ''State'' visit to the United Kingdom.

Richard Dawkins Foundation

In 2006 Dawkins founded the Richard Dawkins Foundation for Reason and Science (RDFRS), a non-profit organisation. The foundation is in developmental phase. It has been granted charitable status in the United Kingdom and the United States. RDFRS plans to finance research on the psychology of belief and religion, finance scientific education programs and materials, and publicise and support secular charitable organisations. The foundation also offers humanist, rationalist and scientific materials and information through its website.

Other fields

In his role as professor for public understanding of science, Dawkins has been a critic of pseudoscience and alternative medicine. His 1998 book ''Unweaving the Rainbow'' takes John Keats' accusation that, by explaining the rainbow, Isaac Newton had diminished its beauty, and argues for the opposite conclusion. He suggests that deep space, the billions of years of life's evolution, and the microscopic workings of biology and heredity contain more beauty and wonder than do "myths" and "pseudoscience". Dawkins wrote a foreword to John Diamond's posthumously published ''Snake Oil'', a book devoted to debunking alternative medicine, in which he asserted that alternative medicine was harmful, if only because it distracted patients from more successful conventional treatments, and gave people false hopes. Dawkins states that "there is no alternative medicine. There is only medicine that works and medicine that doesn't work."

Dawkins has expressed concern about the growth of the planet's human population, and about the matter of overpopulation. In ''The Selfish Gene'', he briefly mentions population growth, giving the example of Latin America, whose population, at the time the book was written, was doubling every 40 years. He is critical of Roman Catholic attitudes to family planning and population control, stating that leaders who forbid contraception and "express a preference for 'natural' methods of population limitation" will get just such a method in the form of starvation.

As a supporter of the ''Great Ape Project'' – a movement to extend certain moral and legal rights to all great apes – Dawkins contributed the article "Gaps in the Mind" to the ''Great Ape Project'' book edited by Paola Cavalieri and Peter Singer. In this essay, he criticises contemporary society's moral attitudes as being based on a "discontinuous, speciesist imperative".

Dawkins also regularly comments in newspapers and weblogs on contemporary political questions; his opinions include opposition to the 2003 invasion of Iraq, the British nuclear deterrent and the actions of U.S. President George W. Bush. Several such articles were included in ''A Devil's Chaplain'', an anthology of writings about science, religion and politics. He is also a supporter of the Republic campaign to replace the British monarchy with a democratically elected president. Dawkins has described himself as a Labour voter in the 1970s and voter for the Liberal Democrats since the party's creation. In 2009 he spoke at the party's conference in opposition to blasphemy laws, alternative medicine and faith schools. In the UK general election of 2010, Dawkins officially endorsed the Liberal Democrats, in support of their campaign for electoral reform and for their "refusal to pander to 'faith'."

In the 2007 TV documentary ''The Enemies of Reason'', Dawkins discusses what he sees as the dangers of abandoning critical thought and rationale based upon scientific evidence. He specifically cites astrology, spiritualism, dowsing, alternative faiths, alternative medicine and homeopathy. He also discusses how the Internet can be used to spread religious hatred and conspiracy theories with scant attention to evidence-based reasoning.

Continuing a long-standing partnership with Channel 4, Dawkins participated in a five-part television series ''The Genius of Britain'', along with fellow scientists Stephen Hawking, James Dyson, Paul Nurse, and Jim Al-Khalili. The five-episode series was broadcast in June 2010. The series focussed on major British scientific achievements throughout history.

Dawkins presented a More4 documentary entitled 'Faith School Menace' in which he argued for "us to reconsider the consequences of faith education, which... bamboozles parents and indoctrinates and divides children."

In 1998 Dawkins expressed his appreciation for two books, famous for their criticism of postmodernism in US universities, in departments like literary studies, anthropology and other cultural studies; the two books are ''Higher Superstition: The Academic Left and Its Quarrels with Science'' (by Gross and Levitt) and ''Intellectual Impostures'' (by Sokal and Bricmont), both related to the Sokal affair hoax. In the same occasion Dawkins also criticised Cambridge University for awarding philosopher Jacques Derrida an honorary doctorate.

In 2011 Dawkins joined the professoriate of the New College of the Humanities, a new private university in London established by A. C. Grayling, which is scheduled to open in September 2012.

Awards and recognition

Dawkins was awarded a Doctor of Science by the University of Oxford in 1989. He holds honorary doctorates in science from the University of Huddersfield, University of Westminster, Durham University, the University of Hull, and the University of Antwerp, and honorary doctorates from the University of Aberdeen, Open University, the Vrije Universiteit Brussel, and the University of Valencia. He also holds honorary doctorates of letters from the University of St Andrews and the Australian National University (HonLittD, 1996), and was elected Fellow of the Royal Society of Literature in 1997 and the Royal Society in 2001. He is one of the patrons of the Oxford University Scientific Society.

In 1987 Dawkins received a Royal Society of Literature award and a ''Los Angeles Times'' Literary Prize for his book, ''The Blind Watchmaker''. In the same year, he received a ''Sci. Tech'' Prize for Best Television Documentary Science Programme of the Year, for the BBC ''Horizon'' episode ''The Blind Watchmaker''.

His other awards have included the Zoological Society of London Silver Medal (1989), Finlay innovation award (1990), the Michael Faraday Award (1990), the Nakayama Prize (1994), the American Humanist Association's Humanist of the Year Award (1996), the fifth International Cosmos Prize (1997), the Kistler Prize (2001), the Medal of the Presidency of the Italian Republic (2001), the Bicentennial Kelvin Medal of The Royal Philosophical Society of Glasgow (2002) and the Nierenberg Prize for Science in the Public Interest (2009).

Dawkins topped ''Prospect'' magazine's 2004 list of the top 100 public British intellectuals, as decided by the readers, receiving twice as many votes as the runner-up. He has been short-listed as a candidate in their 2008 follow-up poll. In 2005 the Hamburg-based Alfred Toepfer Foundation awarded him its Shakespeare Prize in recognition of his "concise and accessible presentation of scientific knowledge". He won the Lewis Thomas Prize for Writing about Science for 2006 and the Galaxy British Book Awards Author of the Year Award for 2007. In the same year, he was listed by ''Time'' magazine as one of the 100 most influential people in the world in 2007, and he was ranked 20th in ''The Daily Telegraph'''s 2007 list of 100 greatest living geniuses. He was awarded the Deschner Award, named after German anti-clerical author Karlheinz Deschner.

Since 2003, the Atheist Alliance International has awarded a prize during its annual conference, honouring an outstanding atheist whose work has done most to raise public awareness of atheism during that year. It is known as the Richard Dawkins Award, in honour of Dawkins' own work.

In February 2010 he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.

Media

Selected publications

(Scheduled to publish on 4 October 2011)

Documentary films

''Nice Guys Finish First'' (1986)

''The Blind Watchmaker'' (1987)

''Growing Up in the Universe'' (1991)

''Break the Science Barrier'' (1996)

''The Root of All Evil?'' (2006)

''The Enemies of Reason'' (2007)

''The Genius of Charles Darwin'' (2008)

''Faith School Menace'' (2010)

Other appearances

''Doctor Who: The Stolen Earth'' (2008) – as himself

''Doctor Who: The Big Bang'' (2010) – as himself

Notes

b. The debate ended with the motion "That the doctrine of creation is more valid than the theory of evolution" being defeated by 198 votes to 115.

References

External links

General

Official website

Richard Dawkins' page on Academia.edu

The Richard Dawkins Foundation for Reason and Science

Video

National Geographic Interviews – A series of video interviews with National Geographic Channel with Richard Dawkins on Darwin, Evolution and God.

TED Talks: Richard Dawkins on militant atheism at TED in 2002

TED Talks: Richard Dawkins on our "queer" universe at TED Global in 2005

Video interview with Riz Khan for Al Jazeera English

Video interview at Big Think

Selected writings

Viruses of the Mind (1993) – Religion as a mental virus.

The Real Romance in the Stars (1995) – A critical view of astrology.

The Emptiness of Theology (1998) – A critical view of theology. (Alternative link at RDFRS.)

Snake Oil and Holy Water (1999) – Suggests that there is no convergence occurring between science and theism.

What Use is Religion? (2004) – Suggests that religion may have no survival value other than to itself.

Race and Creation (2004) – On race, its usage and a theory of how it evolved.

The giant tortoise's tale, The turtle's tale and The lava lizard's tale (2005) – A series of three articles written after a visit to the Galápagos Islands.

Dawkins' ''Huffington Post'' articles

Audio

Richard Dawkins on RadioLIVE's Weekend Variety Wireless – Richard Dawkins appears live on New Zealand's RadioLIVE, taking calls from the audience.

Category:1941 births Category:Living people Category:20th-century biologists Category:21st-century biologists Category:Alumni of Balliol College, Oxford Category:Atheism activists Category:British republicans Category:Criticism of religion Category:English atheists Category:English biologists Category:English humanists Category:English sceptics Category:English science writers Category:Ethologists Category:Evolutionary biologists Category:Fellows of New College, Oxford Category:Fellows of the Royal Society of Literature Category:Fellows of the Royal Society Category:Gifford Lecturers Category:New College of the Humanities Category:Old Oundelians Category:People from Nairobi Category:Presenters of the Royal Institution Christmas Lectures Category:Recipients of the Medal of the Presidency of the Italian Republic Category:Statutory Professors of the University of Oxford Category:University of California, Berkeley faculty

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name	Jorge Luis Borges
alt	Jorge Luis Borges in 1951
language	Spanish
birth name	Jorge Francisco Isidoro Luis Borges Acevedo
birth date	August 24, 1899
birth place	Buenos Aires, Argentina
death date	June 14, 1986
death place	Geneva, Switzerland
occupation	Writer, poet, critic, librarian
influences	Schopenhauer, G. K. Chesterton, Stevenson, De Quincey, Kipling, Cervantes, Gustav Meyrink, Swift, Kafka, H. P. Lovecraft, Herman Melville, Oscar Wilde, Walt Whitman, William Wordsworth, Hugo, Paul Valéry, Poe, Swedenborg, Plato, Virgil, Shakespeare, Heraclitus, H. G. Wells, De Quevedo, Euclides da Cunha, Nathaniel Hawthorne, Macedonio Fernández, One Thousand and One Nights, Casares, Rafael Cansinos-Assens, William Blake
influenced	César Aira, Paul Auster, Paulo Coelho, Ricardo Piglia, Jean Baudrillard, Adolfo Bioy Casares, Roberto Bolaño, Giannina Braschi, Italo Calvino, Julio Cortázar, Philip K. Dick, Umberto Eco, Michel Foucault, Carlos Fuentes, Danilo Kis, Gilles Deleuze, Stanisław Lem, Orhan Pamuk, Georges Perec, Thomas Pynchon, José Saramago, W. G. Sebald, Enrique Vila-Matas, Gene Wolfe, William Gibson, David Foster Wallace, Mark Z. Danielewski, Harlan Ellison, Kyle Muntz, John Barth, Jeff VanderMeer}}

Jorge Francisco Isidoro Luis Borges Acevedo (24 August 1899 – 14 June 1986), known as Jorge Luis Borges (), was an Argentine writer, essayist, poet and translator born in Buenos Aires. In 1914 his family moved to Switzerland where he attended school and traveled to Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in surrealist literary journals. He also worked as a librarian and public lecturer. In 1955 he was appointed director of the National Public Library (''Biblioteca Nacional'') and professor of Literature at the University of Buenos Aires. In 1961 he came to international attention when he received the first International Publishers' Prize, the ''Prix Formentor''. In 1971 he won the Jerusalem Prize. His work was translated and published widely in the United States and in Europe. Borges himself was fluent in several languages. He died in Geneva, Switzerland, in 1986.

His work embraces the "character of unreality in all literature". His most famous books, ''Ficciones'' (1944) and ''The Aleph'' (1949), are compilations of short stories interconnected by common themes such as dreams, labyrinths, libraries, animals, fictional writers, religion and God. His works have contributed to the genre of science fiction as well as the genre of magic realism, a genre that reacted against the realism/naturalism of the nineteenth century. In fact, critic Angel Flores, the first to use the term, set the beginning of this movement with Borges's ''Historia universal de la infamia (A Universal History of Infamy)'' (1935). Scholars also have suggested that Borges's progressive blindness helped him to create innovative literary symbols through imagination. His late poems dialogue with such cultural figures as Spinoza, Camões, and Virgil.

His international fame was consolidated in the 1960s, aided by the "Latin American Boom" and the success of Gabriel García Márquez's ''Cien Años de Soledad'' (''One Hundred Years of Solitude''). Writer and essayist J. M. Coetzee said of him: "He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish American novelists."

Life and career

Early life and education

Jorge Luis Borges was born in an educated middle-class family in August 1899. They were in comfortable circumstances but not wealthy enough to live in downtown Buenos Aires. They resided in Palermo, then a poorer suburb of the city. Borges's mother, Leonor Acevedo Suárez, came from a traditional Uruguayan family of "pure" criollo (Spanish) descent. Her family had been much involved in the European settling of South America, and she spoke often of their heroic actions. Borges's 1929 book ''Cuaderno San Martín'' includes the poem "Isidoro Acevedo," commemorating his grandfather, Isidoro de Acevedo Laprida, a soldier of the Buenos Aires Army. A descendant of the Argentine lawyer and politician Francisco Narciso de Laprida, Acevedo fought in the battles of Cepeda in 1859, Pavón in 1861, and Los Corrales in 1880. Isidoro de Acevedo Laprida died of pulmonary congestion in the house where his grandson Jorge Luis Borges was born. Borges grew up hearing about the faded family glory. On the other side, Borges's father, Jorge Guillermo Borges Haslam, was part Spanish, part Portuguese, and half English, also the son of a colonel. Borges Haslam, whose mother was English, grew up speaking English at home and took his own family frequently to Europe. England and English pervaded the family home.

At nine, Jorge Luis Borges translated ''The Happy Prince'' by Oscar Wilde into Spanish. It was published in a local journal, but his friends thought the real author was his father. Borges Haslam was a lawyer and psychology teacher who harboured literary aspirations. Borges said his father "tried to become a writer and failed in the attempt." He wrote, "as most of my people had been soldiers and I knew I would never be, I felt ashamed, quite early, to be a bookish kind of person and not a man of action."

Borges was taught at home until the age of 11, bilingual, reading Shakespeare in English at the age of twelve. The family lived in a large house with an English library of over one thousand volumes; Borges would later remark that "if I were asked to name the chief event in my life, I should say my father's library." His father gave up practicing law due to the failing eyesight that would eventually afflict his son. In 1914, the family moved to Geneva, Switzerland, and spent the next decade in Europe. Borges Haslam was treated by a Geneva eye specialist, while his son and daughter Norah attended school, where Borges junior learned French. He read Carlyle in English, and began to read philosophy in German. In 1917, when he was 18, he met Maurice Abramowicz and began a literary friendship that would last the rest of his life. He received his baccalauréat from the Collège de Genève in 1918. The Borges family decided that, due to political unrest in Argentina, they would remain in Switzerland during the war, staying until 1921. After World War I, the family spent three years living in various cities: Lugano, Barcelona, Majorca, Seville, and Madrid.

At that time, Borges discovered the writing of Arthur Schopenhauer and Gustav Meyrink's ''The Golem'' (1915) which became influential to his work. In Spain, Borges fell in with and became a member of the avant-garde, anti-Modernist Ultraist literary movement, inspired by Apollinaire and Marinetti, close to the Imagists. His first poem, "Hymn to the Sea," written in the style of Walt Whitman, was published in the magazine ''Grecia''. While in Spain, he met noted Spanish writers, including Rafael Cansinos Assens and Ramón Gómez de la Serna.

Early writing career

In 1921, Borges returned with his family to Buenos Aires. He had little formal education, no qualifications and few friends. He wrote to a friend that Buenos Aires was now "overrun by arrivistes, by correct youths lacking any mental equipment, and decorative young ladies". He brought with him the doctrine of Ultraism and launched his career, publishing surreal poems and essays in literary journals. In 1930, Nestor Ibarra called Borges the "Great Apostle of Criollismo," celebrating Latin American regionalism. Borges published his first published collection of poetry, ''Fervor de Buenos Aires'', in 1923 and contributed to the avant-garde review ''Martín Fierro''. Borges co-founded the journals ''Prisma'', a broadsheet distributed largely by pasting copies to walls in Buenos Aires, and ''Proa''. Later in life, Borges regretted some of these early publications, and attempted to purchase all known copies to ensure their destruction.

By the mid-1930s, he began to explore existential questions and fiction. He worked in a style that Ana María Barrenechea has called "Irreality." Many other Latin American writers, such as Juan Rulfo, Juan José Arreola, and Alejo Carpentier, were also investigating these themes, influenced by the phenomenology of Husserl and Heidegger and the existentialism of Jean-Paul Sartre. In this vein, his biographer Williamson underlines how careful readers must be not to infer a biographical basis for Borges's work as books, philosophy and imagination were as much a source of real inspiration to him as personal experience, if not more so. From the first issue, Borges was a regular contributor to ''Sur'' (''South''), founded in 1931 by Victoria Ocampo. It was then Argentina's most important literary journal and helped Borges find his fame. Ocampo introduced Borges to Adolfo Bioy Casares, another well-known figure of Argentine literature, who was to become a frequent collaborator and close friend. Together they wrote a number of works, some under the nom de plume H. Bustos Domecq, including a parody detective series and fantasy stories. During these years, a family friend Macedonio Fernández became a major influence on Borges. The two would preside over discussions in cafés, country retreats, or Fernández' tiny apartment in the Balvanera district. He appears explicitly in Borges's "Dialogue about a Dialogue," in which the two discuss the immortality of the soul.

In 1933, Borges gained an editorial appointment at the literary supplement of the newspaper ''Crítica'', where he first published the pieces later collected as the ''Historia universal de la infamia'' (''A Universal History of Infamy'', 1936). The book included two types of writing. The first lay somewhere between non-fictional essays and short stories, using fictional techniques to tell essentially true stories. The second consisted of literary forgeries, which Borges initially passed off as translations of passages from famous but seldom-read works. In the following years, he served as a literary adviser for the publishing house ''Emecé Editores'' and wrote weekly columns for ''El Hogar'', which appeared from 1936 to 1939. In 1938, Borges found work as first assistant at the Buenos Aires Municipal Library in Miguel Cané, a working class area. There were so few books that cataloguing more than one hundred books per day, he was told, would leave little to do for the other staff and so look bad. The task took him about an hour each day and the rest of his time he spent in the basement of the library, writing articles, short stories and translations.

Later career

Borges's father died in 1938. This was a tragedy for the writer as the two were very close. On Christmas Eve that year, Borges suffered a severe head injury; during treatment, he nearly died of septicemia. While recovering from the accident, Borges began playing with a new style of writing, for which he would become famous. His first story written after his accident, "Pierre Menard, Author of The ''Quixote''" came in May 1939, examining the father-son relationship and the nature of authorship. His first collection of short stories, ''El jardín de senderos que se bifurcan'' (''The Garden of Forking Paths''), appeared in 1941, composed mostly of works previously published in ''Sur''. The title story concerns a Chinese professor in England, Dr. Yu Tsun, who spies for Germany during World War I, in an attempt to prove to the authorities that an Asian person is able to obtain the information that they seek. A combination of book and maze, it can be read in many ways. Through it, Borges arguably invented the hypertext novel and went on to describe a theory of the universe based upon the structure of such a novel. Eight stories over sixty pages, the book was generally well received, but ''El jardín de senderos que se bifurcan'' failed to garner for him the literary prizes many in his circle expected. Victoria Ocampo dedicated a large portion of the July 1941 issue of ''Sur'' to a "Reparation for Borges." Numerous leading writers and critics from Argentina and throughout the Spanish-speaking world contributed writings to the "reparation" project.

With his vision beginning to fade in his early thirties and unable to support himself as a writer, Borges began a new career as a public lecturer. He became an increasingly public figure, obtaining appointments as President of the Argentine Society of Writers, and as Professor of English and American Literature at the Argentine Association of English Culture. His short story "Emma Zunz" was made into a film (under the name of ''Días de odio'', ''Days of Hate'', directed in 1954 by the Argentine director Leopoldo Torre Nilsson). Around this time, Borges also began writing screenplays.

By the late 1950s, he had become completely blind. In 1955, he was nominated to the directorship of the National Library. Neither the coincidence nor the irony of his blindness as a writer escaped Borges:

:''Nadie rebaje a lágrima o reproche'' :''esta declaración de la maestría'' :''de Dios, que con magnífica ironía'' :''me dio a la vez los libros y la noche.'' :No one should read self-pity or reproach :Into this statement of the majesty :Of God; who with such splendid irony, :Granted me books and blindness at one touch.

The following year, Borges was awarded the National Prize for Literature from the University of Cuyo, and the first of many honorary doctorates. From 1956 to 1970, Borges also held a position as a professor of literature at the University of Buenos Aires, while frequently holding temporary appointments at other universities. As his eyesight deteriorated, Borges relied increasingly on his mother's help. When he was not able to read and write anymore (he never learned to read Braille), his mother, to whom he had always been close, became his personal secretary. When Perón returned from exile and was re-elected president in 1973, Borges immediately resigned as director of the National Library.

International renown

Eight of Borges's poems appear in the 1943 anthology of Spanish American Poets by H. R. Hays. "The Garden of Forking Paths", one of the first Borges stories to be translated into English, appeared in the August 1948 issue of ''Ellery Queen's Mystery Magazine'', translated by Anthony Boucher. Though several other Borges translations appeared in literary magazines and anthologies during the 1950s, his international fame dates from the early 1960s. In 1961, he received the first International Publishers' Prize, the ''Prix Formentor'', which he shared with Samuel Beckett. While Beckett had garnered a distinguished reputation in Europe and America, Borges was still largely unknown and untranslated in the English-speaking world and the prize stirred interest in his work. The Italian government named Borges ''Commendatore'' and the University of Texas at Austin appointed him for one year to the Tinker Chair. This led to his first lecture tour in the United States. In 1962, two major anthologies of Borges's writings were published in English by New York presses: ''Ficciones'' and ''Labyrinths''. In that year, Borges began lecture tours of Europe. In 1980, he was awarded the Balzan Prize (for Philology, Linguistics and literary Criticism) and the Prix mondial Cino Del Duca; numerous other honors were to accumulate over the years, such as the French Legion of Honour in 1983, the Cervantes Prize, and a Special Edgar Allan Poe Award from the Mystery Writers of America, "for distinguished contribution to the mystery genre".

In 1967, Borges began a five-year period of collaboration with the American translator Norman Thomas di Giovanni, through whom he became better known in the English-speaking world. He also continued to publish books, among them ''El libro de los seres imaginarios'' (''Book of Imaginary Beings'', (1967, co-written with Margarita Guerrero), ''El informe de Brodie'' (''Dr. Brodie's Report'', 1970), and ''El libro de arena'' (''The Book of Sand'', 1975). He also lectured prolifically. Many of these lectures were anthologized in volumes such as ''Siete noches'' (''Seven Nights'') and ''Nueve ensayos dantescos'' (''Nine Dantesque Essays'').

Later personal life

In 1967, Borges married the recently widowed Elsa Astete Millán. Friends believed that his mother, who was 90 and anticipating her own death, wanted to find someone to care for her blind son. The marriage lasted less than three years. After a legal separation, Borges moved back in with his mother, with whom he lived until her death at age 99. Thereafter, he lived alone in the small flat he had shared with her, cared for by Fanny, their housekeeper of many decades. From 1975 until the time of his death, Borges traveled internationally. He was often accompanied in these travels by his personal assistant María Kodama, an Argentine woman of Japanese and German ancestry. In April 1986, a few months before his death, he married her via an attorney in Paraguay.

Jorge Luis Borges died of liver cancer in 1986 in Geneva and was buried there in the ''Cimetière des Rois''. After years of legal wrangling about the legality of the marriage, Kodama, as sole inheritor of a significant annual income, gained control over his works. Her administration of his estate was denounced by the French publisher Gallimard, by ''Le Nouvel Observateur'', and by intellectuals such as Beatriz Sarlo, as an obstacle to the serious reading of Borges's works. Under Kodama, the Borges estate rescinded all publishing rights for existing collections of his work in English, including the translations by Norman Thomas di Giovanni, in which Borges himself cooperated, and from which di Giovanni received fifty percent of the royalties. The estate commissioned new translations by Andrew Hurley.

Political opinions

Anti-Communism

In an interview with Richard Burgin during the late 1960s, Borges stated that his opposition to Marxism and Communism was absorbed in his childhood. "Well, I have been brought up to think that the individual should be strong and the State should be weak. I couldn't be enthusiastic about theories where the State is more important than the individual." After the overthrow by a military coup of the democratically elected second term of Peron in 1955, Borges supported efforts to purge Argentina's Government of Peronists and dismantle the former President's welfare state. He was enraged that the Communist Party of Argentina opposed these measures and sharply criticized them in lectures and in print. Borges' opposition to the Party in this matter ultimately led to a permanent rift with his longtime lover, Argentine Communist Estela Canto. In later years, Borges frequently expressed contempt for Communists within the Latin American intelligentsia. In an interview with Burgin, Borges referred to Chilean Pablo Neruda as "a very fine poet," but a "very mean man" for unconditionally supporting the Soviet Union and demonizing the United States. During the 1970s, Borges expressed support for Argentina's military junta, but was scandalized by the mass killings of suspected Communists during the Dirty War.

Opposition to Peronism

When President Juan Domingo Perón began transforming Argentina into a populist regime, in 1946, with the assistance of his wife Evita, the spoils system was the rule of the day, as ideological critics of the new order were dismissed from government jobs. During this period, Borges was informed that he was being "promoted" from his position at the Miguel Cané Library to a post as inspector of poultry and rabbits at the Buenos Aires municipal market. Upon demanding to know the reason, Borges was told, "Well, you were on the side of the Allies, what do you expect?" The following day, Borges resigned from Government service in response to an insult he would never forget, or forgive.

Peron's treatment of Borges became a cause célèbre for the Argentine intelligentsia. The Argentine Society of Writers (SADE) held a formal dinner in his honour. At the dinner, a speech was read which Borges had written for the occasion. It said,

"Dictatorships breed oppression, dictatorships breed servility, dictatorships breed cruelty; more loathsome still is the fact that they breed idiocy. Bellboys babbling orders, portraits of caudillos, prearranged cheers or insults, walls covered with names, unanimous ceremonies, mere discipline usurping the place of clear thinking... Fighting these sad monotonies is one of the duties of a writer. Need I remind readers of ''Martín Fierro'' or ''Don Segundo'' that individualism is an old Argentine virtue."

In the aftermath, Borges found himself much in demand as a lecturer and one of the intellectual leaders of the Argentine opposition. In 1951 he was asked by Anti-Peronist friends to run for president of SADE. Borges, then suffering from depression caused by a failed romance, reluctantly accepted. He later recalled that he would awake every morning and remember that Peron was President and feel deeply depressed and ashamed. Peron's government had seized control of the Argentine mass media and regarded SADE with indifference. Borges later recalled, however, "Many distinguished men of letters did not dare set foot inside its doors." Meanwhile, SADE became an increasing refuge for critics of the regime. SADE official Luisa Mercedes Levinson noted, "We would gather every week to tell the latest jokes about the ruling couple and even dared to sing the songs of the French Resistance, as well as 'La Marseillaise'."

After Evita's death on July 26, 1952, Borges received a visit from two policemen, who ordered him to put up two portraits of the ruling couple on the premises of SADE. Borges told them he would do nothing of the sort and that it was a ridiculous demand. The policemen retorted that he would soon face the consequences. The regime placed Borges under 24-hour surveillance and sent policemen to sit in on his lectures; in September it ordered SADE to be permanently closed down. Like much of the Argentine opposition to Peron, SADE had become marginalized due to persecution by the State and very few active members remained.

According to Edwin Williamson,

Borges had agreed to stand for the presidency of the SADE in order [to] fight for intellectual freedom, but he also wanted to avenge the humiliation he believed he had suffered in 1946, when the Peronists had proposed to make him an inspector of chickens. In his letter of 1950 to Attilio Rossi, he claimed that his infamous promotion had been a clever way the Peronists had found of damaging him and diminishing his reputation. The closure of the SADE meant that the Peronists had damaged him a second time, as was borne out by the visit of the Spanish writer Julián Marías, who arrived in Buenos Aires shortly after the closure of SADE. It was impossible for Borges, as president, to hold the usual reception for the distinguished visitor; instead, one of Borges' friends brought a lamb from his ranch, and they had it roasted at a tavern across the road from the SADE building on Calle Mexico. After dinner, a friendly janitor let them into the premises, and they showed Marías around by candlelight. That tiny group of writers leading a foreign guest through a dark building by the light of gutering candles was vivid proof of the extent to which the SADE had been diminished under the rule of Juan Peron.

In 1955, after General Pedro Eugenio Aramburu's Anti-Peronist coup d'etat, or "Revolución Libertadora", forced Peron into exile, Borges was overjoyed. The new regime appointed Borges as the Director of the National Library. However, Peron's fall did not in any way alter Borges' animosity. In an interview with Richard Burgin in 1967, he said "Peron was a humbug, and he knew it, and everybody knew it. But Peron could be very cruel. I mean, he had people tortured, killed. And his wife was a common prostitute."

When Peron returned from exile in 1973 and regained the Presidency, Borges was enraged. In a 1975 interview for ''National Geographic'', he said "Damn, the snobs are back in the saddle. If their posters and slogans again defile the city, I'll be glad I've lost my sight. Well, they can't humilate me as they did before my books sold well." After being accused of being unforgiving, Borges quipped, "I resented Peron's making Argentina look ridiculous to the world... as in 1951, when he announced control over thermonuclear fusion, which still hasn't happened anywhere but in the sun and the stars. For a time, Argentinians hesitated to wear bandaids for fear friends would ask, 'Did the Atomic Bomb go off in your hand?' A shame, because Argentina really has world class scientists."

After Borges' death in 1986, the Peronist ''Partido Justicialista'' declined to send a delegate to the writer's memorial service in Buenos Aires. A spokesman for the Party stated that this was in reaction to, "certain declarations he had made about the country." One Peronist declared that Borges had made statements about Evita Peron which were, "unacceptable." Later, at the City Council of Buenos Aires, a storm raged when Peronist politicians decided to give only conditional support for a condolence on the writer's death.

Works

Wardrip-Fruin and Montfort argue that Borges "may have been the most important figure in Spanish-language literature since Cervantes. But whatever his particular literary rank, he was clearly of tremendous influence, writing intricate poems, short stories, and essays that instantiated concepts of dizzying power."

In addition to short stories for which he is most noted, Borges also wrote poetry, essays, screenplays, literary criticism, and edited numerous anthologies. His longest work of fiction was a 14-page story, "The Congress", first published in 1971. His late-onset blindness strongly influenced his later writing. Borges wrote: "When I think of what I've lost, I ask, 'Who know themselves better than the blind?' – for every thought becomes a tool." Paramount among his intellectual interests are elements of mythology, mathematics, theology, integrating these through literature, sometimes playfully, sometimes with great seriousness.

Borges composed poetry throughout his life. As his eyesight waned (it came and went, with a struggle between advancing age and advances in eye surgery), he increasingly focused on writing poetry, since he could memorize an entire work in progress. His poems embrace the same wide range of interests as his fiction, along with issues that emerge in his critical works and translations, and from more personal musings. For example, his interest idealism is reflected in the fictional world of Tlön in "Tlön, Uqbar, Orbis Tertius", in his essay "A New Refutation of Time", "On Exactitude in Science", and in his poem "Things". Similarly, a common thread runs through his story "The Circular Ruins" and his poem "El Golem" ("The Golem").

Borges was a notable translator. He translated works of literature in English, French, German, Old English, and Old Norse into Spanish. His first publication, for a Buenos Aires newspaper, was a translation of Oscar Wilde's story ''The Happy Prince'' into Spanish when he was nine. At the end of his life he produced a Spanish-language version of Snorri Sturluson's ''Prose Edda''. He also translated (while simultaneously subtly transforming) the works of, among others, Edgar Allan Poe, Kafka, Hesse, Kipling, Faulkner, Gide, Whitman and Woolf. Borges wrote and lectured extensively on the art of translation, holding that a translation may improve upon the original, may even be unfaithful to it, and that alternative and potentially contradictory renderings of the same work can be equally valid. Borges also employed the devices of literary forgery and the review of an imaginary work, both forms of modern pseudo-epigrapha.

Hoaxes and forgeries

Borges's best-known set of literary forgeries date from his early work as a translator and literary critic with a regular column in the Argentine magazine ''El Hogar''. Along with publishing numerous legitimate translations, he also published original works, for example, in the style of Emanuel Swedenborg In the introduction to his first published volume of fiction, ''The Garden of Forking Paths'', Borges remarks, "It is a laborious madness and an impoverishing one, the madness of composing vast books, setting out in five hundred pages an idea that can be perfectly related orally in five minutes. The better way to go about it is to pretend that those books already exist, and offer a summary, a commentary on them." He then cites both ''Sartor Resartus'' and Samuel Butler's ''The Fair Haven'', remarking, however, that "those works suffer under the imperfection that they themselves are books, and not a whit less tautological than the others. A more reasonable, more inept, and more lazy man, I have chosen to write notes on ''imaginary'' books."

On the other hand, Borges was wrongly attributed some works, like the poem ''Instantes''.

Criticism of Borges' work

Borges's change in style from regionalist ''criollismo'' to a more cosmopolitan style brought him much criticism from journals such as ''Contorno'', a left-of-centre, Sartre-influenced Argentine publication founded by the Viñas brothers, Noé Jitrik, Adolfo Prieto, and other intellectuals. In the post-Peronist Argentina of the early 1960s, ''Contorno'' met with wide approval from the youth who challenged the authenticity of older writers such as Borges and questioned their legacy of experimentation. Magic realism and exploration of universal truths, they argued, had come at the cost of responsibility and seriousness in the face of society's problems. The ''Contorno'' writers acknowledged Borges and Eduardo Mallea for being "doctors of technique" but argued that their work lacked substance due to their lack of interaction with the reality that they inhabited, an existentialist critique of their refusal to embrace existence and reality in their artwork.

Sexuality

With a few notable exceptions, women are almost entirely absent from the majority of Borges's fictional output. There are, however, some instances in Borges's writings of romantic love, for example the story "Ulrikke" from ''The Book of Sand''. The protagonist of the story "El muerto" also lusts after the "splendid, contemptuous, red-haired woman" of Azevedo Bandeira and later "sleeps with the woman with shining hair". The plot of ''La Intrusa'' was based on a true story of two friends. Borges turned their fictional counterparts into brothers, excluding the possibility of a homosexual relationship.

Nobel Prize omission

Borges was never awarded the Nobel Prize in Literature, something which continually distressed the writer. He was one of several distinguished authors who never received the honour. Borges commented "Not granting me the Nobel Prize has become a Scandinavian tradition; since I was born they have not been granting it to me." Some observers speculated that Borges did not receive the award because of his conservative political views; or more specifically, because he had accepted an honour from dictator Augusto Pinochet.

Fact, fantasy and non-linearity

Many of Borges's most popular stories concern the nature of time ("The Secret Miracle"), infinity ("The Aleph"), mirrors ("Tlön, Uqbar, Orbis Tertius") and Labyrinths ("The Two Kings and the Two Labyrinths", "The House of Asterion", ''The Immortal'', "The Garden of Forking Paths"). Williamson writes, "His basic contention was that fiction did not depend on the illusion of reality; what mattered ultimately was an author’s ability to generate 'poetic faith' in his reader." His stories often have fantastical themes, such as a library containing every possible 410-page text ("The Library of Babel"), a man who forgets nothing he experiences ("Funes, the Memorious"), an artifact through which the user can see everything in the universe ("The Aleph"), and a year of still time given to a man standing before a firing squad ("The Secret Miracle"). Borges also told realistic stories of South American life, of folk heroes, streetfighters, soldiers, gauchos, detectives, historical figures. He mixed the real and the fantastic: fact with fiction. His interest in compounding fantasy, philosophy, and the art of translation are evident in articles such as "The Translators of ''The Book of One Thousand and One Nights''". In the ''Book of Imaginary Beings'', a thoroughly (and obscurely) researched bestiary of mythical creatures, Borges wrote, "There is a kind of lazy pleasure in useless and out-of-the-way erudition." Borges's interest in fantasy was shared by Adolfo Bioy Casares, with whom he coauthored several collections of tales between 1942 and 1967, often under different pseudonyms including H. Bustos Domecq. Often, especially early in his career, the mixture of fact and fantasy crossed the line into the realm of hoax or literary forgery.

"The Garden of Forking Paths" (1941) presents the idea of forking paths through networks of time, none of which is the same, all of which are equal. Borges uses the recurring image of "a labyrinth that folds back upon itself in infinite regression" so we "become aware of all the possible choices we might make." The forking paths have branches to represent these choices that ultimately lead to different endings. Borges saw man's search for meaning in a seemingly infinite universe as fruitless and instead uses the maze as a riddle for time, not space. Borges also examined the themes of universal randomness and madness (''The Lottery in Babylon'') and (''The Zahir''). Due to the success of the "Forking Paths" story, the term "Borgesian" came to reflect a quality of narrative non-linearity.

Culture and Argentine literature

''Martín Fierro'' and Argentine tradition

Along with other young Argentine writers of his generation, Borges initially rallied around the fictional character of Martín Fierro. ''Martín Fierro'', a poem by José Hernández, was a dominant work of 19th century Argentine literature. Its eponymous hero became a symbol of Argentine sensibility, untied from European values – a gaucho, free, poor, ''pampas''-dwelling. The character Fierro is illegally drafted to serve at a border fort to defend against the Indians but ultimately deserts to become a ''gaucho matrero'', the Argentine equivalent of a North American western outlaw. Borges contributed keenly to the avant garde ''Martín Fierro magazine'' in the early 1920s.

As Borges matured, he came to a more nuanced attitude toward the Hernández poem. In his book of essays on the poem, Borges separates his admiration for the aesthetic virtues of the work from his mixed opinion of the moral virtues of its protagonist. In his essay "The Argentine Writer and Tradition" (1951), Borges celebrates how Hernández expresses the Argentine character. In a key scene in the poem, Martín Fierro and El Moreno compete by improvising songs on universal themes such as time, night, and the sea, reflecting the real-world gaucho tradition of ''payadas'', improvised musical dialogues on philosophical themes. Borges points out that Hernández evidently knew the difference between actual gaucho tradition of composing poetry, versus the "gauchesque" fashion among Buenos Aires literati.

In his works he refutes the arch-nationalist interpreters of the poem, and disdains others as critic Eleuterio Tiscornia, for their Europeanising approach. Borges denies that Argentine literature should distinguish itself by limiting itself to "local colour", which he equates with cultural nationalism. Racine and Shakespeare's work, he says, looked beyond their countries' borders. Neither, he argues, need the literature be bound to the heritage of old world Spanish or European tradition. Nor should it define itself by the conscious rejection of its colonial past. He asserts that Argentine writers need to be free to define Argentine literature anew, writing about Argentina and the world from the point of view of those who have inherited the whole of world literature. Williamson says "Borges's main argument is that the very fact of writing from the margins provides Argentine writers with a special opportunity to innovate without being bound to the canons of the centre, [...] at once a part of and apart from the centre which gives them much potential freedom".

Argentine culture

Borges focused on universal themes, but also composed a substantial body of literature on themes from Argentine folklore and history. His first book, the poetry collection ''Fervor de Buenos Aires'' (''Passion for Buenos Aires''), appeared in 1923. Borges's writings on things Argentine, include Argentine culture ("History of the Tango"; "Inscriptions on Horse Wagons"), folklore ("Juan Muraña", "Night of the Gifts"), literature ("The Argentine Writer and Tradition", "Almafuerte"; "Evaristo Carriego") and national concerns ("Celebration of The Monster", "Hurry, Hurry", "The Mountebank", "Pedro Salvadores"). Ultra-nationalists, however, continued to question his Argentine identity.

Borges's interest in Argentine themes reflects, in part, the inspiration of his family tree. Borges had an English paternal grandmother who, around 1870, married the ''criollo'' Francisco Borges, a man with a military command and a historic role in the civil wars in what is now Argentina and Uruguay. Spurred by pride in his family's heritage, Borges often used those civil wars as settings in fiction and quasi-fiction (for example, "The Life of Tadeo Isidoro Cruz," "The Dead Man," "Avelino Arredondo") as well as poetry ("General Quiroga Rides to His Death in a Carriage"). Borges's maternal great-grandfather, Manuel Isidoro Suárez, was another military hero, whom Borges immortalized in the poem "A Page to Commemorate Colonel Suárez, Victor at Junín." The city of Coronel Suárez in the south of Buenos Aires Province is named after him.

His non-fiction explores many of the themes found in his fiction. Essays such as "The History of the Tango" or his writings on the epic poem Martín Fierro explore Argentine themes, such as the identity of the Argentine people and of various Argentine subcultures. The varying genealogies of characters, settings, and themes in his stories, such as "La muerte y la brújula", used Argentine models without pandering to his readers or framing Argentine culture as 'exotic'. In his essay "El escritor argentino y la tradición", Borges notes that the very absence of camels in the Qur'an was proof enough that it was an Arabian work. He suggested that only someone trying to write an "Arab" work would purposefully include a camel. He uses this example to illustrate how his dialogue with universal existential concerns was just as Argentine as writing about gauchos and tangos.

Mutlicultural Influences

At the time of Argentine independence in 1816, the population was predominantly ''criollo'' (of Spanish ancestry). The Argentine Declaration of Independence in 1816 led to waves of immigration from Europe, Asia, and the Middle East, and in the following decades and the Argentine national identity diversified. Borges therefore was writing in a strongly European literary context, and worked immersed in Spanish, English, French, German, Italian, Anglo-Saxon and Old Norse literature. He also read translations of Near Eastern and Far Eastern works. Borges's writing is also informed by scholarship of Christianity, Buddhism, Islam, and Judaism, including prominent religious figures, heretics, and mystics. Religion and heresy are explored in such stories as "Averroes's Search", "The Writing of the God", "The Theologians" and "Three Versions of Judas". The curious inversion of mainstream Christian concepts of redemption in the latter story is characteristic of Borges's approach to theology in his literature.

In describing himself, he said, "I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities that I have visited, all my ancestors." As a young man, he visited the frontier ''pampas'' which extend beyond Argentina into Uruguay and Brazil. Borges said that his father wished him "to become a citizen of the world, a great cosmopolitan," in the way of Henry and William James. Borges lived and studied in Switzerland and Spain as a young student. As Borges matured, he traveled through Argentina as a lecturer and, internationally, as a visiting professor; he continued to tour the world as he grew older, finally settling in Geneva where he had spent some of his youth. Drawing on the influence of many times and places, Borges's work belittled nationalism and racism. Portraits of diverse coexisting cultures characteristic of Argentina are especially pronounced in the book ''Six Problems for don Isidoro Parodi'' (co-authored with Adolfo Bioy Casares) and the story "Death and the Compass", which may or may not be set in Buenos Aires. Borges wrote that he considered Mexican essayist Alfonso Reyes "the best prose-writer in the Spanish language of any time."

Borges was also an admirer of some Oriental culture, e.g the ancient Chinese board game of Go, about which he penned some verses.

Influences

Modernism

Borges lived through most of the 20th century, and was rooted in the Modernism pre-dominant in its early years. He was especially influenced by Symbolism. Like contemporary novelists Vladimir Nabokov and the older James Joyce, he combined an interest in his native culture with broader perspectives. He also shared their multilingualism and their inventiveness with language. However, while Nabokov and Joyce tended toward progressively larger works as they grew older, Borges remained a miniaturist. Borges's work progressed ''away'' from what he referred to as "the baroque", while Joyce's and Nabokov's moved towards it: his later style is far more transparent and naturalistic than his earlier works. Borges represented the humanist view of media that stressed the social aspect of art driven by emotion. If art represented the tool, then Borges was more interested in how the tool could be used to relate to people.

Existentialism saw its apogee during the years of Borges's greatest artistic production. It has been argued that his choice of topics largely ignored existentialism's central tenets. Critic Paul de Man notes, "Whatever Borges's existential anxieties may be, they have little in common with Sartre's robustly prosaic view of literature, with the earnestness of Camus' moralism, or with the weighty profundity of German existential thought. Rather, they are the consistent expansion of a purely poetic consciousness to its furthest limits."

Political influences

As a political conservative, Borges "was repulsed by Marxism in theory and practice. Abhorring sentimentality, he rejected the politics and poetics of cultural identity that held sway in Latin America for so long." As a universalist, his interest in world literature reflected an attitude that was also incongruent with the Perónist Populist nationalism. That government's confiscation of Borges's job at the Miguel Cané Library fueled his skepticism of government. He labeled himself a ''Spencerian anarchist'', following his father.

In 1934, extreme Argentine nationalists, sympathetic to the growing Nazi ideology of the time, asserted Borges was secretly Jewish, and by implication, not a full Argentine. Borges responded with the essay "Yo Judío" ("I, a Jew"), a reference to the old "Yo, Argentino" ("I, an Argentine"), a phrase used during nationalistic beatings of Argentine Jews to make it clear to approaching attackers that one was a "true" Argentine, and not a Jew. In the essay he notes, that he would be proud to be a Jew, with a backhanded reminder that any "pure" Castilian might be likely to have Jewish ancestry from a millennium ago.

Mathematics

The essay collection ''Borges y la Matemática'' (Borges and Mathematics, 2003) by Argentine mathematician and writer Guillermo Martínez, outlines how Borges used concepts from mathematics in his work. Martínez states that Borges had, for example, at least a superficial knowledge of set theory, which he handles with elegance in stories such as "The Book of Sand". Other books such as ''The Unimaginable Mathematics of Borges' Library of Babel'' by William Goldbloom Bloch (2008) and ''Unthinking Thinking: Jorge Luis Borges, Mathematics, and the New Physics'' by Floyd Merrell (1991) also explore this relationship.

Notes

References

Further reading

Burgin, Richard (1969) ''Conversations with Jorge Luis Borges''. Holt Rhinehart Winston

Manovich, Lev, New Media from Borges to HTML, 2003

Murray, Janet H., Inventing the Medium, 2003

Documentaries

External links

BBC Radio 4 discussion programme from ''In our time''. (Audio 45 mins)

''The Norton Lectures'', delivered at Harvard University in the fall of 1967, by Borges

Jorge Luis Borges at The Modern Word

Borges Center, University of Pittsburgh.

The Friends of Jorge Luis Borges Worldwide Society & Associates

"Jorge Luis Borges: Can a great writer be blind to the world around him?" February 7, 2007. ''Slate''.

02/14/08 "A Conversation with Jorge Luis Borges". University of Buenos Aires from ''Habitus: A Diaspora Journal''. 14 February 2008

Small Iridescent Sphere of Brilliance: Describing Jorge Luis Borges". ''Sounds and colours'' 7 April 2011

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