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![Ivana SPAGNA - Easy Lady - [ Festivalbar 1986 ]](http://web.archive.org./web/20110519152454im_/http://i.ytimg.com/vi/EPDY5h_jtjg/0.jpg "Ivana SPAGNA - Easy Lady - [ Festivalbar 1986 ]")
__NOTOC__ 1986 (MCMLXXXVI) was a common year that started on a Wednesday, in accordance with the Gregorian calendar. It was designated the International Year of Peace by the United Nations.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Peter Gabriel |
|---|---|
| Background | solo_singer |
| Birth name | Peter Brian Gabriel |
| Born | February 13, 1950 |
| Origin | Chobham, Surrey, England |
| Instrument | Vocals, keyboards, flute, drums, piano, guitar, bass guitar, harmonica, oboe |
| Genre | Progressive rock, experimental rock, pop rock, art rock, world music | |
| Occupation | Musician, record producer |
| Voice type | Baritone |
| Years active | 1967–present |
| Label | Geffen (US & Canada)Real WorldVirginCharismaAtlantic (US & Canada)EMI (Brazil) |
| Associated acts | Genesis |
| Url | petergabriel.com |
Gabriel was influenced by many different sources in his way of singing, such as Family lead singer Roger Chapman. In 1970, he played the flute on Cat Stevens' album, Mona Bone Jakon.
Genesis drew some attention in England and eventually also in Italy, Belgium, Germany and other European countries, largely due to Gabriel's flamboyant stage presence, which involved numerous bizarre costume changes and comical, dreamlike stories told as the introduction to each song (originally Gabriel developed these stories solely to cover the time between songs that the rest of the band would take tuning their instruments and fixing technical glitches). The concerts made extensive use of black light with the normal stage lighting subdued or off. A backdrop of fluorescent white sheets and a comparatively sparse stage made the band into a set of silhouettes, with Gabriel's fluorescent costume and make-up providing the only other sources of light.
In an Australian-aired television documentary (The Seven Ages of Rock), Steve Hackett recalled the first appearance of Gabriel 'in costume'. It was the dress-wearing, fox-headed entity immortalised on the cover of Foxtrot. Hackett and the rest of the band had no inkling that Gabriel was going to do this, and at the time Hackett worried that it would ruin the performance. However, it was a success, encouraging Gabriel to continue wearing costumes while singing.
Among Gabriel's many famous costumes, which he developed to visualise the musical ideas of the band as well as to gain press coverage, were "Batwings" for the band's usual opening number, "Watcher of the Skies".
Other costumes included "The Flower" and "Magog", which were both alternately worn for "Supper's Ready" from the album Foxtrot.
"Britannia" was worn for "Dancing with the Moonlit Knight", and "The Reverend" was worn for "The Battle of Epping Forest" from Selling England by the Pound.
"The Old Man" was worn for "The Musical Box" from Nursery Cryme.
"The Slipperman" and "Rael" were worn during "The Colony of Slippermen", in which "Rael" was the protagonist of the album The Lamb Lies Down on Broadway.
The backing vocals during Gabriel's tenure in Genesis were usually handled by bassist/guitarist Mike Rutherford, keyboardist/guitarist Tony Banks, and (most prominently) drummer Phil Collins, who, after a long search for a replacement, eventually became Genesis's lead singer---after Gabriel had left the band in 1975.
Tensions were heightened by the ambitious album and tour of the concept work The Lamb Lies Down on Broadway, a Gabriel-created concept piece which saw him taking on the lion's share of the lyric writing. During the writing and recording of The Lamb Lies Down on Broadway, Gabriel was approached by director William Friedkin, allegedly because Friedkin had found Gabriel's short story in the liner notes to Genesis Live interesting. Gabriel's interest in a film project with Friedkin was another contributing factor in his decision to leave Genesis. The decision to quit the band was made before the tour supporting The Lamb Lies Down on Broadway, but Gabriel stayed with the band until the conclusion of that tour. Although tensions were high, both Gabriel and the remaining members of Genesis have stated publicly that Gabriel left the band on good terms, supported by the fact that he officially left eight months after telling the band it was time for him to move on.
The breaking point came with the difficult pregnancy of Gabriel's wife, Jill, and the subsequent birth of their first child, Anna. When he opted to stay with his sick daughter and wife, rather than record and tour, the resentment from the rest of the band led Gabriel to conclude that he had to leave the group. "Solsbury Hill", Gabriel's début single as a solo artist, was written specifically about his departure from Genesis. The song also charted on the Billboard Hot 100 in 1978, reaching the Top 70, though it was recorded in 1976, and appeared on the 'Car' album in 1977. In 1982, Gabriel reunited with his former Genesis colleagues for the one-off concert, Six of the Best.
After acquiescing to distinctive titles, Gabriel used a series of 2-letter words to title his next three albums: So, Us, and Up. His most recent greatest hits compilation is titled Hit; within the two-CD package, disc one is labelled "Hit" and disc two is labelled "Miss".
Gabriel recorded his first self-titled solo album in 1976 and 1977 with producer Bob Ezrin. His first solo success came with the single "Solsbury Hill", an autobiographical piece expressing his thoughts on leaving Genesis. Although mainly happy with the music, Gabriel felt that the album, and especially the track "Here Comes the Flood" was over-produced. Sparser versions can be heard on Robert Fripp's Exposure, and on Gabriel's greatest hits compilation Shaking the Tree (1990).
Gabriel worked with guitarist Fripp as producer of his second solo LP, in 1978. This album was leaner, darker and more experimental, and yielded decent reviews, but no major hits.
Gabriel developed a new interest in world music (especially percussion), and for bold production, which made extensive use of recording tricks and sound effects. Gabriel's interest in music technology is considered by many people to be the spark of his success as it inspired his third album. The third album is often credited as the first LP to use the now-famous "gated drum" sound. Collins played drums on several tracks, including the opener, "Intruder", which featured the reverse-gated, cymbal-less drum kit sound which Collins would also use on his single "In the Air Tonight" and through the rest of the 1980s. Gabriel had requested that his drummers use no cymbals in the album's sessions, and when he heard the result he asked Collins to play a simple pattern for several minutes, then built "Intruder" around it. The album achieved some chart success with the songs "Games Without Frontiers" (#4 U.K, #48 U.S.), "I Don't Remember", and "Biko".
Arduous and occasionally damp recording sessions at his rural English estate in 1981 and 1982, with co-producer/engineer David Lord, resulted in Gabriel's fourth LP release, on which Gabriel took more production responsibility. It was one of the first commercial albums recorded entirely to digital tape (using a Sony mobile truck), and featured the early, extremely expensive, Fairlight CMI sampling computer, which had already made its first brief appearances on the previous album. Gabriel combined a variety of sampled and deconstructed sounds with world-beat percussion and other unusual instrumentation to create a radically new, emotionally charged soundscape. Furthermore, the sleeve art consisted of inscrutable, video-based imagery. Despite the album's peculiar sound, odd appearance, and often disturbing themes, it sold very well. This album featured his first Top 40 hit in the U.S., "Shock the Monkey", as well as the song "I Have the Touch". The music video for "Shock the Monkey", which featured Gabriel in white face paint and a caged macaque, held the #1 spot on "MTV" for 9 weeks. Geffen records forced Peter to give his fourth self-titled album a name in the US - Security - to mark his arrival on the label and to differentiate his fourth album from the other three.
Alternate versions of Gabriel's third and fourth albums were also released with German lyrics. Peter Gabriel 3 consisted of basically the same recording overdubbed with new vocals, while Security was also remixed and several tracks were extended or altered in slight ways.
Gabriel toured extensively for each of his albums. Initially, he pointedly eschewed the theatrics that had defined his tenure with Genesis. For his second solo tour, his entire band shaved their heads. By the time of Security he began involving elaborate stage props and acrobatics which had him suspended from gantries, distorting his face with Fresnel lenses and mirrors, and wearing unusual make-up. His 1982–83 tour included a section opening for David Bowie. Recordings of this tour were released as the double LP Plays Live.
The stage was set for Gabriel's critical and commercial breakout with his next studio release, which was in production for almost three years. During the recording and production of the album he also found time to develop the film soundtrack for Alan Parker's 1984 feature Birdy, which consisted of new material as well as remixed instrumental tracks from his previous studio album.
Gabriel's song "Sledgehammer", which dealt specifically with the themes of sex and sexual relations, was accompanied by a much-lauded music video, which was a collaboration with director Stephen R. Johnson, Aardman Animations, and the Brothers Quay. The video won numerous awards at the 1987 MTV Music Video Awards, and set a new standard for art in the music video industry. A follow-up video for the song "Big Time" also broke new ground in music video animation and special effects. The song is a story of "what happens to you when you become a little too successful", in Gabriel's words. The success of the album earned Peter Gabriel two awards at The Brit Awards in 1987: Best British Male Solo Artist and Best British Video for "Sledgehammer".
In 1989, Gabriel released , the soundtrack for Martin Scorsese's movie The Last Temptation of Christ. For this work he received his first Grammy Award, in the category of Best New Age Performance. He also received a Golden Globe nomination for Best Original Score - Motion Picture.
Following this, Gabriel released Us in 1992 (also co-produced with Daniel Lanois), an album in which he explored the pain of recent personal problems; his failed first marriage, and the growing distance between him and his first daughter.
Gabriel's introspection within the context of the album Us can be seen in the first single release "Digging in the Dirt" directed by John Downer. Accompanied by a disturbing video featuring Gabriel covered in snails and various foliage, this song made reference to the psychotherapy which had taken up much of Gabriel's time since the previous album. Gabriel describes his struggle to get through to his daughter in "Come Talk To Me" directed by Matt Mahurin, which featured backing vocals by Sinéad O'Connor. O'Connor also lent vocals to "Blood of Eden", directed by Nichola Bruce and Michael Coulson, the third single to be released from the album, and once again dealing with relationship struggles, this time going right back to Adam's rib for inspiration. The result was one of Gabriel's most personal albums. It met with less success than So, reaching #2 in the album chart on both sides of the Atlantic, and making modest chart impact with the singles "Digging in the Dirt" and the funkier "Steam", which evoked memories of "Sledgehammer". Gabriel followed the release of the album with a world tour (with Paula Cole or Joy Askew filling O'Connor's vocal role) and accompanying double CD and DVD Secret World Live in 1994.
Gabriel employed an innovative approach in the marketing of the Us album. Not wishing to feature only images of himself, he asked artist filmmakers Nichola Bruce and Michael Coulson to coordinate a marketing campaign using contemporary artists. Artists such as Helen Chadwick, Rebecca Horn, Nils Udo, Andy Goldsworthy, David Mach and Yayoi Kusama collaborated to create original artworks for each of the 11 songs on the multi-million-selling CD. Coulson and Bruce documented the process on Hi-8 video. Bruce left Real World and Coulson continued with the campaign, using the documentary background material as the basis for a promotional EPK, the long-form video All About Us and the interactive CD-ROM Xplora1.
Gabriel won three more Grammy Awards, all in the Music Video category. He won the Grammy Award for Best Short Form Music Video in 1993 and 1994 for the videos to "Digging in the Dirt" and "Steam" respectively. Gabriel also won the 1996 Grammy Award for Best Long Form Music Video for his Secret World Live video.
In September 2002, Gabriel released Up, his first full-length studio album in a decade. Entirely self-produced, Up returned to some of the themes of his work in the late 1970s and early 1980s. Three singles failed to make an impression on the charts—in part because almost every track exceeded six minutes in length, with multiple sections—but the album sold well globally, as Gabriel continued to draw from a loyal fan base from his almost forty years in the music business. Up was followed by a world tour featuring his daughter Melanie Gabriel on backing vocals, and two concert DVDs, Growing Up Live (2003) and (2004).
In 2008, Gabriel contributed to the WALL-E soundtrack with several new songs with Thomas Newman, including the film's closing song, "Down to Earth", for which they received the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media. The song was also nominated for the Golden Globe for Best Original Song - Motion Picture and the Academy Award for Best Original Song.
In 2010, Gabriel released Scratch My Back. The album is made up entirely of cover songs including material written by David Bowie, Lou Reed, The Arcade Fire, Radiohead, Regina Spektor, Neil Young, and more. The concept for the record is that Gabriel covers songs by various artists and those artists in turn will cover Gabriel songs to be released on a future follow-up album called I'll Scratch Yours. Scratch My Back features only orchestral instrumentation; there are no guitars, drums, or electronic elements that are usual attributes of Gabriel records. A very brief tour followed the album's release where Gabriel performed with a full orchestra and two female backup singers, his daughter Melanie Gabriel and Norwegian singer-songwriter Ane Brun.
Over the years, Gabriel has collaborated with singer Kate Bush several times; Bush provided backing vocals for Gabriel's "Games Without Frontiers" and "No Self Control" in 1980, and female lead vocal for "Don't Give Up" (a Top 10 hit in the UK) in 1986, and Gabriel appeared on her television special. Their duet of Roy Harper's "Another Day" was discussed for release as a single, but never appeared.
He also collaborated with Laurie Anderson on two versions of her composition "Excellent Birds" – one for her 1984 album Mister Heartbreak, and a slightly different version called "This is the Picture (Excellent Birds)", which appeared on cassette and CD versions of So. In 1987, when presenting Gabriel with an award for his music videos, Anderson related an occasion in which a recording session had gone late into the night and Gabriel's voice had begun to sound somewhat strange, almost dreamlike. It was discovered that he had fallen asleep in front of the microphone, but had continued to sing.
Gabriel sang (along with Jim Kerr of Simple Minds) on "Everywhere I Go", from The Call's 1986 release, Reconciled. On Toni Childs' 1994 CD, The Woman's Boat, Gabriel sang on the track, "I Met a Man".
In 1998 Gabriel appeared on the soundtrack of , not as a composer, but as the singer of the song "That'll Do", written by Randy Newman. The song was nominated for an Academy Award, and Gabriel and Newman performed it at the following year's Oscar telecast. He performed a similar soundtrack appearance for the 2004 film Shall We Dance?, singing a cover version of "The Book of Love" by The Magnetic Fields.
Gabriel has also appeared on Robbie Robertson's self-titled album, singing on "Fallen Angel"; co-written two Tom Robinson singles; and appeared on Joni Mitchell's 1988 album Chalk Mark in a Rainstorm, on the track "My Secret Place".
In 2001 Gabriel contributed lead vocals to the song "When You're Falling" on Afro Celt Sound System's . In the summer of 2003, Gabriel performed in Ohio with a guest performance by Uzbek singer Sevara Nazarkhan.
Gabriel collaborated on tracks with electronic musician BT. The tracks were never released, as the computers they were contained on were stolen from BT's home in California. He also sang the lyrics for Deep Forest on their theme song for the movie Strange Days. In addition, Gabriel has appeared on Angelique Kidjo's 2007 album Djin Djin, singing on the song "Salala".
Gabriel has recorded a cover of the Vampire Weekend single "Cape Cod Kwassa Kwassa" with Hot Chip, where his name is mentioned several times in the chorus. He substitutes the original line "But this feels so unnatural / Peter Gabriel too / This feels so unnatural/ Peter Gabriel too" with "It feels so unnatural / Peter Gabriel too / and it feels so unnatural / to sing your own name."
In the 1990s, with Steve Nelson of Brilliant Media and director Michael Coulson, he developed advanced multimedia CD-ROM-based entertainment projects, creating the acclaimed Xplora (the world's largest selling music CD-ROM), and subsequently the EVE CD-ROM. EVE was a music and art adventure game directed by Michael Coulson and co-produced by the Starwave Corporation in Seattle; it won the prestigious Milia d'Or award Grand Prize at the Cannes in 1996 and featured themes and interactivity well in advance of its time. Xplora and EVE can no longer be played on modern PCs, due to changes to their operating systems.
In 1994, Gabriel starred in the Breck Eisner short film "Recon" as a detective who enters the minds of murder victims to find their killer's identity.
Gabriel helped pioneer a new realm of musical interaction in 2001, visiting Georgia State University's Language Research Center to participate in keyboard jam sessions with bonobo apes from the Democratic Republic of the Congo. (This experience inspired the song "Animal Nation," which was performed on Gabriel's 2002 "Growing Up" tour and was featured on the Growing Up Live DVD and The Wild Thornberrys Movie soundtrack.) Gabriel's desire to bring attention to the intelligence of primates also took the form of ApeNet, a project that aimed to link great apes through the internet, enabling the first interspecies internet communication.
He was one of the founders of On Demand Distribution (OD2), one of the first online music download services. Its technology is used by MSN Music UK and others, and has become the dominant music download technology platform for stores in Europe. OD2 was bought by US company Loudeye in June 2004 and subsequently by Finnish mobile giant Nokia in October 2006 for $60 million.
Additionally, Gabriel is also co-founder (with Brian Eno) of a musicians union called Mudda, short for "magnificent union of digitally downloading artists."
In 2003, Gabriel's song "Burn You Up, Burn You Down" was featured in Cyan Worlds' video game . In 2004, Gabriel contributed another song ("Curtains") and contributed voice work on another game in the Myst franchise, .
During the latter part of 2004, Gabriel spent time in a village in eastern Nepal with musician Ram Sharan Nepali, learning esoteric vocal techniques. Gabriel subsequently invited Nepali to attend and perform at the Womad festival in Adelaide, Australia.
In June 2005, Gabriel and broadcast industry entrepreneur David Engelke purchased Solid State Logic, a leading manufacturer of mixing consoles and digital audio workstations. SSL is among the top 2 or 3 recording console manufacturers in the world of recording.
In May 2008, Gabriel's Real World Studios, in partnership with Bowers & Wilkins, started the Bowers & Wilkins Music Club - now known as Society of Sound - a subscription-based music retail site. Albums are currently available in either Apple Lossless or Flac format.
Inspired by the social activism he encountered in his work with Amnesty, in 1992 Gabriel co-founded WITNESS, a non-profit group that equips, trains and supports locally-based organizations worldwide to use video and the internet in human rights documentation and advocacy.
In 1995 he was one of the two winners of the North-South Prize in its inaugural year.
In the late 1990s, Gabriel and entrepreneur Richard Branson discussed with Nelson Mandela their idea of a small, dedicated group of leaders, working objectively and without any vested personal interest to solve difficult global conflicts.
On 18 July 2007, in Johannesburg, South Africa, Nelson Mandela announced the formation of a new group, Global Elders, in a speech he delivered on the occasion of his 89th birthday. The present members of this group are Desmond Tutu, Graça Machel, Kofi Annan, Ela Bhatt, Lakhdar Brahimi, Gro Harlem Brundtland, Fernando Henrique Cardoso, Jimmy Carter, Mary Robinson, Muhammad Yunus, and Aung San Suu Kyi (with an empty chair for her).
The Elders will be independently funded by a group of "Founders", including Branson and Gabriel.
Desmond Tutu serves as the chair of the Elders, who will use their collective skills to catalyse peaceful resolutions to long-standing conflicts, articulate new approaches to global issues that are causing or may later cause immense human suffering, and share wisdom by helping to connect voices all over the world. They will work together over the next several months to consider carefully which specific issues they will confront.
In November 2007 Gabriel's non-profit group WITNESS launched The Hub, a participatory media site for human rights.
In September 2008 Gabriel was named as the recipient of Amnesty International’s 2008 Ambassador of Conscience Award. In the same month, he received Quadriga United We Care award of Werkstatt Deutschland along with Boris Tadić, Eckart Höfling and Wikipedia. The award was presented to him by Queen Silvia of Sweden.
Gabriel lent his support to the campaign to release Sakineh Mohammadi Ashtiani, an Iranian woman sentenced to death by stoning after being convicted of committing adultery.
In 1998, Gabriel was named in a list of the biggest private financial donors to the Labour Party. In 2003, he revealed he had voted for Labour and admired what they had done for health and education but distanced himself from the Labour government over Tony Blair’s support for George W. Bush and Britain’s involvement in the Iraq War, which he strongly opposed, although he continued to believe Blair was a man of conscience. Quoted in The Mirror newspaper, he said:
This is a fundamental issue of life and death and I very much think the Prime Minister is in the wrong. I'm also sure George W. Bush is an affable bloke but he's highly dangerous and I wish America was in the hands of someone else. To put oil interests ahead of human life is appalling. War is always terrible but unjustified war is obscene and on present evidence that is what we are facing. People want peace and I think it's great that the Mirror is leading this campaign. I think the consequences of this war would be the biggest threat to world peace in my lifetime. Blair has got to get it right. To take action without UN backing would be inviting disaster by setting the Muslim world against the West. If we are taking a moral position why did we arm Iraq when they were killing the Kurds? If it's because of weapons of mass destruction why isn't North Korea higher on the list? Not that I'd support action there. And if it's a principle of what Iraq has done to its own people why do we bend over for China? I'm sure Bush believes he is removing a scourge but he has never done one thing in office against the interests of the oil lobby who paid for a large part of the election. I don't actually believe Tony Blair is focused on oil but if he knows more than we do I wish he would tell us because there's no justification so far for taking life. War with Iraq would be an aggressive, uncalled for action. It's good the Prime Minister is prepared to stick to his principles, going against public opinion, because you elect leaders in part for their conscience. I just think it's terrible that on this of all issues he is making a stand which separates him from the nation. I think Tony Blair is following his conscience but I believe he is misguided. It could cost him the next election and I think he's aware of that. I'd personally be sad if they lost because Labour has done a lot for health and education, but an unjust war would be enough to lose my vote. I'd like to see a reinforced UN weapons inspection team in Iraq and disarmament much more in line with the French and German proposals. There is a slogan which says: 'Peace is what happens when you respect the rights of others'. Iraqis have rights too.
In 2005, Gabriel gave a Green Party of England and Wales general election candidate special permission to record a cover of his song "Don't Give Up" for his campaign.
In 2010, The Guardian described Gabriel as "a staunch advocate of proportional representation".
Anna-Marie is a filmmaker and Melanie is a musician. Anna-Marie filmed and directed the Growing Up On Tour: A Family Portrait and DVDs. Melanie has been a backing vocalist in her father's band since 2002.
In the late 1980s and early 1990s, Gabriel lived with actress Rosanna Arquette but they never married.
Gabriel also has two sons with Meabh Flynn: Isaac Ralph (born 27 September 2001) and Luc (born 5 July 2008). Gabriel and Flynn have been married since 9 June 2002.
Gabriel has resided for many years in the county of Wiltshire in England, where he also runs his Real World Studios. He previously lived in the Woolley Valley near Bath, Somerset. In 2010 he joined a campaign to stop an agricultural development at the valley, which had also inspired his first solo single "Solsbury Hill" in 1977.
A double DVD set, , was released in October 2005.
FIFA asked Gabriel and Brian Eno to organise an opening ceremony for the 2006 FIFA World Cup finals in Germany, planned to take place a couple of days before the start of the tournament. Gabriel had recently become a fan of the game and 2005 champions league winners Liverpool, and worked on songs for the show in Berlin's Olympic Stadium; however, the show was cancelled in January 2006 by FIFA after going over budget with an apparent lack of interest in the project. The official explanation was potential damage to the pitch.Rumours of a possible reunion of the original Genesis line-up began circulating in 2004 after Phil Collins stated in an interview that he was open to the idea of sitting back behind the drums and "let Peter be the singer." The classic line-up has only reformed for a live performance once before, in 1982. However, the group did work together to create a new version of the 1974 song "The Carpet Crawlers", ultimately released on the album as "The Carpet Crawlers 1999". Gabriel later met with other Genesis band members, to discuss a possible reunion tour of The Lamb Lies Down on Broadway. He chose to opt out of a reunion tour, and his former bandmates, Collins, Banks, and Rutherford chose to tour as Genesis without him.
At the opening ceremonies of the Winter Olympics in Torino, Italy, Gabriel performed John Lennon's "Imagine" during the opening of the festivities on 10 February 2006.
In October 2006, Gabriel was given the first Pioneer Award at the BT Digital Music Awards, an award presented in recognition of his "profound and lasting influence on the development of digital music."
In November 2006, the Seventh World Summit of Nobel Peace Laureates in Rome presented Gabriel with the Man of Peace award. The award, presented by former President of the USSR and Nobel Peace Prize winner Mikhail Gorbachev and Walter Veltroni, Mayor of Rome, was an acknowledgement of Gabriel's extensive contribution and work on behalf of human rights and peace. The award was presented in the Giulio Cesare Hall of the Campidoglio in Rome. At the end of the year, he was awarded the Q Magazine Lifetime Achievement Award, presented to him by American musician Moby. In an interview published in the magazine to accompany the award, Gabriel's contribution to music was described as "vast and enduring."
Gabriel took on a project with the BBC World Service's competition "The Next Big Thing" to find the world's best young band. Gabriel is judging the final six young artists with William Orbit, Geoff Travis and Angelique Kidjo.
The Times reported on 21 January 2007, that Peter Gabriel had announced that he planned to release his next album in the U.S. without the aid of a record company. Gabriel, an early pioneer of digital music distribution, had raised £2 million towards recording and 'shipping' his next album, Big Blue Ball in a venture with investment boutique Ingenious Media. Gabriel is expected to earn double the money that he would through a conventional record deal. Commercial director Duncan Reid of Ingenious explains the business savvy of the deal, saying, "If you're paying a small distribution fee and covering your own marketing costs, you enjoy the lion's share of the proceeds of the album. Gabriel is expected to outsource CD production for worldwide release through Warner Bros. Records. The new album deal covers the North America territory, where Gabriel is currently out of contract.
The album Big Blue Ball was launched in America thanks to a venture capital trust initiative. Bosses at London-based firm Ingenious raised more than $4 million (GBP 2 million) to help promote the release in the United States. The venture capitalists, Gabriel and his Real World Limited partners, have created a new joint venture company, High Level Recordings Limited, to oversee the release of the album, which took place in 2008. Gabriel appeared on a nationwide tour for the album in 2009.
On 24 May 2007, he was honoured with the Ivor Novello Award for lifetime achievement.
Gabriel was a judge for the 6th and 8th annual Independent Music Awards to support independent artists.
He also appears in Strange Powers, the 2009 documentary by Kerthy Fix and Gail O'Hara about Stephin Merritt and his band, the Magnetic Fields.
In February 2009, Gabriel announced that he would not be performing on the Academy Awards telecast because producers of the show were limiting his performance of "Down to Earth" from WALL-E to 65 seconds.
Gabriel's 2009 tour of Mexico and South America included visiting Mexico, Argentina, Chile, Peru, and Venezuela. His first ever performance in Peru was held in Lima on 20 March 2009, during his second visit to the country. His concert in Mexico City, on 27 March 2009, attracted more than 38,000 fans.
On 25 July 2009, he played at WOMAD Charlton Park, his only European performance of the year, to promote Witness. The show included two tracks from the forthcoming "Scratch My Back" album: Paul Simon's 'The Boy in the Bubble' and The Magnetic Fields' 'The Book of Love'.
Category:1950 births Category:Living people Category:Charisma Records artists Category:Atlantic Records artists Category:BRIT Award winners Category:English film score composers Category:English male singers Category:English rock keyboardists Category:English rock singers Category:English singer-songwriters Category:Genesis (band) members Category:Grammy Award winners Category:Ivor Novello Award winners Category:International opponents of apartheid in South Africa Category:Old Carthusians Category:People from Chobham Category:Real World artists Category:Honorary Members of the Royal Academy of Music
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Birth name | Rodney Mullen |
|---|---|
| Birth date | August 17, 1966 |
| Birth place | Gainesville, Florida, U.S. |
| Website | rodneymullen.net |
| Sport | Skateboarding |
| Country |
Rodney began practicing in full pads. He spent time with his sister's surfer friends who would skateboard on the week days. In 1978, having owned a skateboard for less than a year, Rodney placed 4th out of a group of older and more experienced professional skateboarders.
As the popularity of freestyle skateboarding declined, Mullen was often urged to move his style toward street skating. This is hinted at in the World Industries video Rubbish Heap, where Mullen's sequence ends with team member Jeremy Klein breaking Rodney's freestyle skateboard, and handing him a note from Steve Rocco, symbolizing the end of freestyle.
In 1991 Mullen joined the high-profile skateboarding team Plan B. Mike Ternasky, the owner of Plan B, influenced Rodney to transition from freestyle to street skating, and showcased the results in the 1992 Plan B video Questionable. Mullen's segment begins with traditional freestyle tricks done on flat ground, but quickly accelerates across public terrain to shift into standard street skating. In relation to obstacles, he sequences tricks, mixes flip tricks with grinds and board slides. In the video, Mullen introduced two newly invented tricks, the Kickflip Underflip and the Casper slide.
Mullen's Questionable performance may have marked the beginning of a new era in street skateboarding. His reluctant departure from freestyle to become a street skater was a symbol that legitimized the technical direction street skating had taken over the previous few years. Mullen specialized at this progression in subsequent Plan B videos; noteworthy is 1993's Virtual Reality where Mullen showcases the newly-mastered darkslide.
I can't wait to wake up in the morning... A lot of times I can't sleep because I can't wait to try something new. How many people ever really experience that feeling? Rodney Mullen, 2003
Mullen's participation in Plan B dissolved after Mike Ternasky died unexpectedly in 1994. In 1997, Mullen started another company, A-Team, with the intent of forming a super team with the defection of Plan B from the World Industries empire. and experimental and composite deck constructions for Dwindle brands.
In 2002 the World Industries companies, under the holding name Kubic Marketing, were bought out by Globe International for $46 million. Kubic's management remained intact and Mullen began working for Globe International under the Dwindle Distribution brand.
In 2003, Mullen wrote and released his autobiography, entitled The Mutt: How to skateboard and not kill yourself. In late 2003 he was voted as the all-time greatest action sports athlete on the Extreme Sports Channel's Legends of the Extreme countdown.
Mullen is the main "skate double" for Christian Slater in the 1989 movie Gleaming the Cube.
Mullen is also featured in Globe's United By Fate episodic skate video series.
He also made a brief appearance in Episode 10 of the 2007 HBO series John from Cincinnati. He appears in a few cut scenes towards the end, wearing a red shirt and freestyle skateboarding in the background.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Spagna |
|---|---|
| Background | solo_singer |
| Birth name | Ivana Spagna |
| Born | December 16, 1956 |
| Origin | Verona, Italy |
| Instruments | Vocals, piano, keyboard |
| Genre | Dance rock |
| Occupation(s) | singer-songwriter |
| Years active | 1986 - present |
| Label | CBS, Groove Srl |
| Url | Official Spagna Site |
Her first dance song "Easy Lady" (1986) was a hit throughout Europe. In 1987 she released her third hit, "Call Me". The single made no.1 in the European Chart, and reached no.2 in Italy and in the UK Singles Chart. It also made no.13 in the U.S. Billboard Dance Chart.
Her first album, Dedicated To The Moon, was released the same year and sold over 500,000 copies.
After the minor UK hit "Every Girl And Boy" and a dance-rock album, You Are My Energy (1988), Spagna moved to Santa Monica, California, and created her new pop album No Way Out (1991). This album featured a song written by Diane Warren ("There's A Love"), the two singles "Love At First Sight" and "Only Words", peaked at #5 on the Italian chart, and was certified Platinum (over 100.000 copies sold).
In 1993, Spagna moved back to Europe, and recorded Matter Of Time, featuring the two successful eurodance singles "Why Me" (#10 in Italy) and "I Always Dream About You" (#5 in Italy).
In 1995, after the release of her last dance hit ("Lady Madonna", #4 in Italy), she started singing in her native Italian. After achieving a great success in Italy with the Italian version of Elton John's Circle of Life (Il cerchio della vita), featured in the Italian soundtrack of the Disney film The Lion King, she took part in the Sanremo Festival, the most important Italian song contest, ranking 3rd in 1995 with the song "Gente Come Noi". Her first album in Italian, Siamo in due, sold over 350.000 copies and became the best-selling album by a female singer in Italy that year.
From that year onwards, Spagna released many successful albums sung in Italian (including hit singles such as "Siamo in due", "E io penso a te", "Lupi solitari", "Indivisibili", "Dov'eri", "Il bello della vita-World Cup Song", "Con il tuo nome") until 2003, when she left Sony Music in order to sing in English again. She signed to an independent Swiss record label (B&G;), and recorded Woman, a dance-pop album featuring eight new songs in English, two in Spanish and one in French. The album spawned the three singles Never Say You Love Me, Woman and Do It With Style. In 2004 a new remixed version of "Easy Lady" was released. In 2009 a new remix of "Easy Lady" again, produced with DJ Nicola Fasano.
Spagna's albums and singles have sold a total of over 10 millions copies worldwide, for which she has been awarded the "Disco d'oro alla carriera" (Gold certification for the career) by the Italian Federation of the Music Industry (FIMI) in 2006.
In February 2006 she took part in the Sanremo Festival again, with the song Noi Non Possiamo Cambiare, and in May 2006 ranked third in the Italian reality television program, Music Farm.
In February 2009 the new EP Lola & Angiolina Project, in collaboration with the Italian rockstar Loredana Berté, was released: the first single has been the rock ballad Comunque vada.
In 2010, Dedicated To The Moon was re-released on Cherry Pop Records.
Category:1956 births Category:Living people Category:People from Verona Category:Italian singer-songwriters Category:Italian dance musicians Category:Italian female singers
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| Name | Henri Toivonen |
|---|---|
| Caption | Henri Toivonen during his Martini Racing era |
| Birth date | August 25, 1956 |
| Death date | May 02, 1986 |
| Nationality | Finnish |
| Years | 1975–1986 |
| Teams | Talbot, Opel, Porsche, Lancia |
| Races | 40 |
| Championships | 0 |
| Wins | 3 |
| Podiums | 9 |
| Stagewins | 185 |
| Points | 194 |
| First race | 1975 1000 Lakes Rally |
| First win | 1980 Lombard RAC Rally |
| Last win | 1986 Monte Carlo Rally |
| Last race | 1986 Tour de Corse |
Henri Pauli Toivonen (25 August 1956 – 2 May 1986) was a Finnish rally driver born in Jyväskylä, the home of Rally Finland. His father, Pauli Toivonen, was the 1968 European Rally Champion for Porsche and his brother, Harri Toivonen, became a professional circuit racer.
Toivonen's first World Rally Championship victory came with a Talbot Sunbeam Lotus at the 1980 Lombard RAC Rally in Great Britain, just after his 24th birthday. He had the record of being the youngest driver ever to win a world rally until his countryman Jari-Matti Latvala won the 2008 Swedish Rally at the age of 22. After driving for Opel and Porsche, Toivonen was signed by Lancia. Despite nearly ending up paralysed at the Rally Costa Smeralda early in 1985, he returned to rallying later that year. He won the last event of the season, the RAC Rally, as well as the 1986 season opener, the Monte Carlo Rally, which his father had won exactly 20 years earlier.
Toivonen, driving a Lancia Delta S4, died in an accident on 2 May 1986 while leading the Tour de Corse rally in Corsica. His American co-driver, Sergio Cresto, also died when the Lancia plunged down a ravine and exploded. The fatal accident had no close witnesses and the only remains of the car were the merely blackened spaceframe, making it impossible to determine the cause of the accident. Within hours of the accident, Jean-Marie Balestre, then President of the FISA, had banned the powerful Group B rally cars from competing the following season, ending rallying's popular supercar era.
Toivonen started his career in circuit racing and was also very competitive on tarmac. He raced successfully in two World Sportscar Championship events and achieved praise from Eddie Jordan, in whose Formula Three team Toivonen made a few guest appearances. In his Formula One test for March Grand Prix, Toivonen managed to lap over a second quicker than the team's regular driver. It is often reported that during the 1986 Rally Portugal, he drove his Delta S4 at the Estoril track, and recorded a lap time which would have qualified him in sixth position at that year's Formula One Portuguese Grand Prix. The annual Race of Champions, originally organised in Toivonen's memory, awards the winning individual driver the Henri Toivonen Memorial Trophy.
Due to Finnish legislation, which at that time limited new drivers to a top speed of on open roads, Toivonen was unable to compete in rallying until he was 19 years old. While still focusing on his circuit racing career, he competed in his second world rally two years later and finished fifth in the 1977 1000 Lakes in a Chrysler Avenger.
Toivonen started his 1978 season at the Arctic Rally, the second round of both the European Rally Championship and World Rally Championship's "FIA Cup for Drivers", the predecessor to the official drivers' world championship which was established in 1979. He finished second, 3:41 minutes behind Ari Vatanen, and over seven minutes ahead of Markku Alén, who would go on to win the Cup. Toivonen went on to compete in two world championship rallies for Citroën. Although he did not finish either event, his driving attracted attention; a private Porsche team offered Toivonen a car for the 1000 Lakes Rally, as did Chrysler for the Lombard RAC Rally. At his home event, Toivonen had to retire due to an engine failure, but he finished ninth at the RAC Rally. These performances led to a contract with the factory Talbot Competition team for the 1980 season.
"I don’t think that I have done enough events to win the rally just by driving skill, for instance. If I win, it will be because I have a little bit of luck and some of the others have trouble. I mean, Hannu Mikkola knows the forests like the back of his hand so there is no use trying to drive to beat him. You have to wait for him to have trouble. Then you are in with a chance." Latvala stated that "It's a super feeling, it's almost unbelievable. Henri (Toivonen) was one of my idols and secretly I've always wanted to beat his record as the youngest winner." Over 20 years after the 1980 RAC, Paul White (nicknamed "Chalkie" by Toivonen) commented that he still receives questions about the rally and Henri Toivonen. He noted that the Talbot team, run by Des O'Dell and 15 full-time personnel, was much smaller than other works teams and "had to draft in 'mercenary' mechanics to help." Toivonen's results led to another year in the Talbot squad. In the 1981 season, he was signed up for a larger WRC programme and had a new co-driver, Fred Gallagher, who would later partner Juha Kankkunen and Björn Waldegård in a Toyota Celica Twincam Turbo. Toivonen's rear-wheel drive Group 2 Sunbeam Lotus was now less competitive against the Group 4 cars and the all-wheel-drive Audi Quattro, but despite four retirements, the second places at Rally Portugal and Sanremo, as well as a fifth place at the Monte Carlo Rally, resulted in a seventh place overall in the drivers' world championship. Together with more consistent team mate Guy Fréquelin, he brought Talbot a surprise manufacturers' title. He also competed in the last round of the British Open Rally Championship, the Audi Sport International Rally, and won the event. Toivonen's team mates were Ari Vatanen, who had won the previous year's championship (with Richards as his co-driver), the 1980 and 1982 world champion Walter Röhrl and Jimmy McRae, the previous year's British Rally Champion and father of future rally star Colin McRae. In his Ascona 400 debut in Portugal, Toivonen surprised the event favourites by leading the rally before retiring five stages from the finish. He competed in only four more WRC events, but finished on the podium twice, at the Acropolis Rally and at the RAC Rally.Toivonen continued with Opel into the 1983 season, now driving the Manta 400, which took advantage of the new Group B regulations. Although the Manta was a Group B car, it was underpowered against the likes of the Audi Quattro A2 and Lancia 037, which were controlling the world rally scene at the time. Toivonen achieved a win at the Manx International Rally, a round of the British Open Rally Championship and the European Rally Championship, in the Isle of Man, at his first attempt. He also finished first at the Mille Pistes rally in France, but the organisers decided to ban the Group B cars halfway through the event. Toivonen and his co-driver, Ian Grindrod, received only a consolation trophy. In late October, Toivonen again competed on the circuits. This time he entered two sportscar races, driving a Porsche 956 for Richard Lloyd Racing in the World Sportscar Championship. Partnered with Derek Bell and Jonathan Palmer, he finished fourth at Imola and third in the next race at Mugello.
Porsche (1984)
at the Goodwood Festival of Speed]] After a score of ten starts, two podiums, three other top six finishes and five retirements, Toivonen left Opel Team Europe for the 1984 season. He was linked to the lead drive at the Peugeot Talbot Sport, Peugeot's new factory World Rally Championship team, but eventually signed to drive a Porsche 911 SC RS for the Rothmans-sponsored Porsche factory team in the European Rally Championship. The team was run by Prodrive, a new motorsport group set up by David Richards, Toivonen's former boss at Opel. His European season with Porsche turned out to be a success. He started with two retirements, a third and a second place, but went on to win five rallies in a row and led the championship from Italian Lancia driver Carlo Capone. As Toivonen had a contract with Lancia for the World Rally Championship, and Lancia boss Cesare Fiorio wanted Capone to win the European title, it was suggested that Fiorio might enter Toivonen in WRC events to keep him away from important ERC rounds. However, Toivonen's title campaign ended in a back injury and a resulting enforced rest that was expected to take up to two months. He missed several events and finished second in the championship behind Capone.Toivonen's WRC contract with Lancia Martini consisted of five events. Fiorio stated that the team needed another top driver as "Audi will have four top drivers next year so it would be very difficult competing with only two." Toivonen had his Lancia 037 debut in Portugal with very limited testing experience: "It has been snowing in Italy every time I have been to try this car, so I don't know its limits." However, similarly to his Opel Ascona 400 debut at the same event two years ago, Toivonen immediately took the lead and set several fastest stage times before retiring. This time the retirement was not caused by a broken clutch, but a mistake and a crash by Toivonen. After a retirement also in Greece, he finished third in his home event, the 1000 Lakes Rally. These three remained Toivonen's only WRC events of the season as his back injury forced him to miss the Sanremo and RAC rallies. Before Sanremo, Markku Alén re-signed with Lancia and Fiorio stated he wanted to sign Toivonen with a similar two-year contract, depending on the condition of his back and his contractual situation with Rothmans Porsche, who had claimed Toivonen had already re-signed with them. Toivonen made his comeback from his injuries at the 1000 Lakes Rally in August and finished fourth. He finished third at the next rally in Sanremo, his final event with the car. The 037 did not suit Toivonen's driving style and had fallen well behind Audi and Peugeot in terms of performance, as it was rear-wheel drive and had only compared to the 440 of Peugeot and 500 of Audi. It was replaced by the Lancia Delta S4 for the final event of the season: the RAC Rally. The Delta S4 had all-wheel drive and was both supercharged and turbocharged, the former increasing power in the middle of the engine's speed range and the latter boosting power at higher engine speeds. The car could reportedly accelerate from 0 to in 2.3 seconds, on a gravel road. The Delta S4 turned out to be a success. Toivonen won the rally and Alén finished second only 56 seconds behind. Although Toivonen competed in only four world rallies in 1985, his results placed him career-best sixth overall in the championship.
The 1986 season started with a dominant win for Toivonen at the Monte Carlo Rally with new co-driver Sergio Cresto. Fellow Flying Finns Timo Salonen and Hannu Mikkola finished second and third. Toivonen's father, Pauli Toivonen, had won the event 20 years earlier after ten cars, including the first four to cross the finishing line, were disqualified due to having non-standard headlights. The disqualification had caused an uproar and Prince Rainier of Monaco refused to attend the prize-giving ceremony. Henri Toivonen's victory caused his father to comment "now the name of Toivonen has been cleared". The Monte Carlo win made Toivonen the favourite for the title. However, at the Swedish Rally he retired from the lead due to an engine failure. At the next rally in Portugal, Joaquim Santos lost control of his Ford RS200 on a special stage and plunged into the crowd. The accident killed three spectators and injured more than 30. Toivonen along with all the other factory team drivers decided to withdraw from the event, but Lancia disapproved of the retirement. Despite the setbacks, Toivonen remained the title favourite with no driver seeming able to match his pace.
Death
.]] The 1986 Tour de Corse, a world rally around the island of Corsica, began on Thursday, May 1. Toivonen had a sore throat and was suffering from flu, but he insisted on driving after having lost his championship lead in the last two rallies. According to several sources, he was also taking medicine to treat fever. Despite his ill health, he was taking stage win after stage win and leading the rally by a large margin.
During the second leg, on Friday, 2 May, at the seventh kilometre of the 18th stage, Corte–Taverna, Toivonen's Lancia went off the side of the road at a tight left corner with no guardrail. The car plunged down a ravine and landed on its roof. The aluminium fuel tank underneath the driver's seat was ruptured by the trees and exploded. The planned Group S was also cancelled and manufacturers got stuck with cars they could not race. Audi and Ford withdrew from Group B racing immediately, but other teams competed until the end of the season. The Tour de Corse continued the next day and Bruno Saby won with his Peugeot 205 Turbo 16 E2. Prior to Santos' and Toivonen's crashes, many commentators and drivers had warned of accidents resulting from drivers simply being unable to control their powerful cars. FISA was criticised for recognising the problem too late. Group B cars have been described as "too fast to race."
at Wembley Stadium.]] Toivonen was buried in Espoo, where his family moved from Jyväskylä when Toivonen was still very young. In Corsica, a marble slab dedicated to him and Sergio Cresto was placed at the curve where Toivonen drove out. The memorial place always has an unopened bottle of Martini, which is a reference to Toivonen's Martini-sponsored Lancia factory team. A local resident puts new flowers by the slab every day. In July, the Rally Marca Trevigiana in Italy was titled "Memorial Henri Toivonen" in honour of Toivonen. The rally was stopped after a fatal accident on the fourth stage. In 1988, former rally driver and arguably the most successful female race car driver in history, Michèle Mouton, organised the first Race of Champions to commemorate Toivonen's death. The Race of Champions was originally restricted to rally drivers, but became even more popular with the introduction of Formula One and NASCAR stars. The Henri Toivonen Memorial Trophy is still awarded to the winner of the individual event every year.
Another trophy bearing Toivonen's name was the Henri Toivonen Grand Attack Trophy, which was awarded by Peugeot's Rally Challenge, organised by Des O'Dell, "to the driver who most embodied the spirit shown by the young Finn." In 2006, Toivonen was honoured at the Neste Oil Rally Finland. An exhibition in memory of him was opened on August 17 in the Rally HQ Jyväskylä Paviljonki. The interviewing event was attended by his former team mate Markku Alén, former co-driver Juha Piironen, current Ford factory team boss Malcolm Wilson and his brother Harri Toivonen. Harri Toivonen quit his racing career in 2002, ending the 40-year racing history of the Toivonen family.
: From the World Rally Championship's conception in 1973 until 1976, there was no championship for drivers. Only a manufacturers' championship was awarded. : For the 1977 and 1978 seasons, the FIA Cup for Drivers was awarded. This took into account all of the WRC events, plus 10 events that were not part of the WRC.
Category:1956 births Category:1986 deaths Category:People from Jyväskylä Category:Finnish rally drivers Category:World Rally Championship drivers Category:British Formula Three Championship drivers Category:Racecar drivers killed while racing Category:Sport deaths in France
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| Name | Frank Zappa |
|---|---|
| Background | solo_singer |
| Birth name | Frank Vincent Zappa |
| Born | December 21, 1940Baltimore, Maryland, U.S. |
| Died | December 04, 1993Los Angeles, California, U.S. |
| Instrument | Guitar, vocals, bass, keyboards, drums, synclavier |
| Genre | Progressive rock, jazz fusion, classical, avant-garde, | Occupation = Composer, musician, conductor, producer |
| Years active | 1950s–1993 |
| Label | Verve, Bizarre, Straight, DiscReet, Barking Pumpkin |
| Associated acts | The Mothers of InventionCaptain BeefheartSteve Vai |
| Url | Zappa.com |
| Notable instruments | Hagström VikingGibson ES-5 SwitchmasterGibson SGGibson Les PaulFender StratocasterSynclavier }} |
Frank Vincent Zappa (; December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer, and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, electronic, orchestral, and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist.
While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands—he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.
Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.
Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the Zappa Family Trust.
During his childhood, Zappa was often sick, suffering from asthma, earaches and sinus problems. A doctor treated the latter by inserting a pellet of radium into each of Zappa's nostrils; little was known at the time about the potential dangers of being subjected to even small amounts of therapeutic radiation. Nasal imagery and references appear both in his music and lyrics, as well as in the collage album covers created by his long-time visual collaborator, Cal Schenkel.
Many of Zappa's childhood diseases may have arisen from exposure to mustard gas. His health worsened when he lived in the Baltimore area. They next moved to Monterey, California, where Zappa's father taught metallurgy at the Naval Postgraduate School. Shortly afterward, they moved to Claremont, then to El Cajon before finally moving to San Diego.
Zappa joined his first band, the Ramblers, at Mission Bay High School in San Diego. He was the band's drummer. About the same time his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. R&B; singles were early purchases, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age 12, he had obtained a snare drum and began learning the basics of orchestral percussion. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as "a weird jumble of drums and other unpleasant sounds". Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the "mad scientist" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. and local pachuco groups), and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards "mainstream" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works.
At Antelope Valley High School, Zappa met Don Vliet (who later expanded his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B; records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, The Blackouts. (In the 1970s and '80s, he invited Watson to perform on several albums.) Zappa considered soloing as the equivalent of forming "air sculptures", He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. He left community college after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college.
Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After meeting Kathryn J. "Kay" Sherman during his short stay at Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising. His sojourn in the commercial world was brief, but gave him valuable insights into how it works. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos.
During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their "Memories of El Monte" was recorded by The Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. With Captain Beefheart, Zappa recorded some songs under the name of The Soots. They were rejected by Dot Records for having "no commercial potential", a verdict Zappa subsequently quoted on the sleeve of Freak Out!
In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This set a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James "Motorhead" Sherwood. Zappa started performing as guitarist with a power trio, The Muthers, in local bars in order to support himself.
An article in the local press describing Zappa as "the Movie King of Cucamonga" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. Zappa was charged with "conspiracy to commit pornography". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His entrapment and brief imprisonment left a permanent mark, and was key in the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police only returned 30 out of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966.
Wilson signed The Mothers to the Verve Records division of MGM Records, which had built up a strong reputation in the music industry for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially re-title themselves "The Mothers of Invention" because "Mother", in slang terminology, was short for "motherfucker"—a term that apart from its profane meanings can denote a skilled musician.
During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. He labeled people on drugs "assholes in action", and he only tried cannabis a few times without any pleasure. He was a regular tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within "a couple of minutes", and she moved into the house over the summer. Examples are "Plastic People" and "Brown Shoes Don't Make It", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, "[W]e're satirists, and we are out to satirize everything." At the same time, Zappa had recorded material for a self-produced album based on orchestral works to be released under his own name. Due to contractual problems, the recordings were shelved and only made ready for release late in 1967. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue to finalize what became his first solo album (under the name Francis Vincent Zappa It is an "incredible ambitious musical project", a "monument to John Cage", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques.
Situated in New York, and only interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. The cover photo parodied that of The Beatles' Sgt Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a life-long collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums.
Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa has noted that the album was conceived in the way Stravinsky's compositions were in his neo-classical period: "If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?" A theme from Stravinsky's The Rite of Spring is heard during one song.
In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track "King Kong" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process "xenochrony" (strange synchronizations)—reflecting the Greek "xeno" (alien or strange) and "chrono" (time).
Zappa and the Mothers of Invention returned to Los Angeles in the summer of 1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive in the autumn. This was to be Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music". but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', Several members would, however, play for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).
After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. and had a major influence on the development of the jazz-rock fusion genre.
Later in 1970, Zappa formed a new version of The Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of The Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".
This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring The Mothers, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. co-director Palmer tried afterwards to have his name removed from the film. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process which allowed for novel visual effects. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.
After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East - June 1971 and Just Another Band From L.A.; the latter included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on 200 Motels scenes as well as new situations often portraying the band members' sexual encounters on the road.
, Germany in 1971]] In December 1971, there were two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song "Smoke on the Water", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After a week's break, The Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member pushed Zappa off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. Musically, the albums were akin to Hot Rats. Zappa began touring again in late 1972.
In the mid-1970s Zappa prepared material for Läther (pronounced "leather"), a four-LP project. Läther encapsulated all the aspects of Zappa's musical styles—rock tunes, orchestral works, complex instrumentals, and Zappa's own trademark distortion-drenched guitar solos. Wary of a quadruple-LP, Warner Bros. Records refused to release it. Zappa managed to get an agreement with Mercury-Phonogram, and test pressings were made targeted at a Halloween 1977 release, but Warner Bros. prevented the release by claiming rights over the material. Zappa responded by appearing on the Pasadena, California radio station KROQ, allowing them to broadcast Läther and encouraging listeners to make their own tape recordings. A lawsuit between Zappa and Warner Bros. followed, during which no Zappa material was released for more than a year. Eventually, Warner Bros. issued major parts of Läther against Zappa's will as four individual albums with limited promotion. Läther was released posthumously in 1996.
Although Zappa eventually gained the rights to all his material created under the MGM and Warner Bros. contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece "The Purple Lagoon". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's song, "I'm the Slime", was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced "Peaches En Regalia" on the same airing.
Zappa's band at the time, with the additions of Ruth Underwood and a horn section (featuring Michael and Randy Brecker), performed during Christmas in New York, recordings of which appear on one of the albums released by Warner Bros., Zappa in New York (1978). It mixes intense instrumentals such as "The Black Page" and humorous songs like "Titties and Beer". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure, radical changes of tempo and meter, and short, densely arranged passages.
Zappa in New York featured a song about sex criminal Michael H. Kenyon, "The Illinois Enema Bandit", which featured Don Pardo providing the opening narrative in the song. Like many songs on the album, it contained numerous sexual references, Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: "What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?" The remaining albums released by Warner Bros. Records without Zappa's consent were Studio Tan in 1978 and Sleep Dirt in 1979, which contained complex suites of instrumentally-based tunes recorded between 1973 and 1976, and whose release was overlooked in the midst of the legal problems. Also released by the label without the artist's consent was Orchestral Favorites in 1979, which featured recordings of a concert with orchestral music from 1975.
On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was "A movie about people who do stuff that is not normal". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which later become available on the video The Dub Room Special (1982)). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. The Zappa Family Trust released it on DVD, and it has been available since 2003. Miami Vice and The Ren and Stimpy Show.
After spending most of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). the political and sociological satire in songs like the title track and "The Blue Light" have been described as a "hilarious critique of the willingness of the American people to believe anything". The album is also notable for the presence of guitar virtuoso Steve Vai, who joined Zappa's touring band in the fall of 1980.
The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, The album included one complex instrumental, "Theme from the 3rd Movement of Sinister Footwear", but focused mainly on rock songs with Zappa's sardonic social commentary—satirical lyrics targeted at teenagers, the media, and religious and political hypocrisy. "Dumb All Over" is a tirade on religion, as is "Heavenly Bank Account", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the US administration as well as their use of religion as a means of raising money. In 1981, Zappa also released three instrumental albums, Shut Up 'N Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through the CBS label due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979–1980; they highlight Zappa's improvisational skills with "beautiful performances from the backing group as well". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006.
For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier as a compositional and performance tool. Even considering the complexity of the music he wrote, the Synclavier could realize anything he could dream up. The Synclavier could be programmed to play almost anything conceivable, to perfection: "With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time". Zappa viewed the Synclavier and real-life musicians as separate. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.
The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian "what-if" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; "the work is an extraordinary example of bricolage". Finally, in 1984, Zappa released Francesco Zappa, a Synclavier rendition of works by 18th century composer Francesco Zappa (no known relation), and Them or Us, a two-record set of heavily edited live and session pieces.
The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow "J" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?
Zappa set excerpts from the PMRC hearings to Synclavier music in his composition "Porn Wars" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released on Congress Shall Make No Law.... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who claimed, at the hearing, to be a Zappa fan), and in an exchange with Florida Senator Paula Hawkins over what toys Zappa's children played with. Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. Zappa's passion for American politics was becoming a bigger part of his life. He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for President of the United States.
Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis), The Best Band You Never Heard in Your Life (Zappa "standards" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's "Stairway to Heaven"), and Make a Jazz Noise Here (mostly instrumental and avant-garde music). Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.
In 1991, Zappa was chosen to be one of four featured composers at the world-acclaimed Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen and Alexander Knaifel). Zappa was approached by the German chamber ensemble, Ensemble Modern, which was interested in playing his music for the event. Although ill, Zappa invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. In addition to being satisfied with the ensemble's performances of his music, Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for the fall. It would become his last professional public appearance, as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found "exhilarating". next to the grave of actor Lew Ayres. On Monday, December 6 his family publicly announced that "Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday".
Zappa earned widespread critical acclaim in his lifetime and after his death. The Rolling Stone Album Guide (2004) writes: "Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable". Even though his work drew inspiration from many different genres, Zappa was seen establishing a coherent and personal expression. In 1971, biographer David Walley noted that "The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: "It was all one; all part of his 'conceptual continuity. Guitar Player devoted a special issue to Zappa in 1992, and asked on the cover "Is FZ America's Best Kept Musical Secret?" Editor Don Menn remarked that the issue was about "The most important composer to come out of modern popular music". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said "I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music." Conductor Kent Nagano remarked in the same issue that "Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that". Pierre Boulez stated in Musician magazine's posthumous Zappa tribute article that Zappa "was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive." Many music scholars acknowledge Zappa as one of the most influential composers of his generation. As an electric guitarist, he has become highly regarded.
In 1994, jazz magazine Down Beat
In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brozek, and the citation for its naming says that "Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia".
In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in the Lithuanian capital Vilnius. A replica was offered to the city of Baltimore in 2008, and on September 19, 2010—the twenty-fifth anniversary of Zappa's testimony to the US senate—a ceremony dedicating the replica was held. Speakers at the event included Gail Zappa and Baltimore Mayor Stephanie Rawlings-Blake. In 2002, a bronze bust was installed in German city Bad Doberan, since 1990 location of the Zappanale, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district "Frank-Zappa-Straße" in 2007. The same year, Baltimore's mayor Sheila Dixon proclaimed August 9 as the city's official "Frank Zappa Day" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.
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