- published: 09 Apr 2017
- views: 2539
Create your page here
-
remove the playlist16mm
- remove the playlist16mm
back to playlist
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness.
Press the CC button for film titles.
Sources-
Digital Bolex clip used- http://bit.ly/2oVO2sU
Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT
8mm Red Bull BMX video- http://bit.ly/1pN91v5
Kodak 16mm Stock Prices- http://bit.ly/2nY7O64
Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS
Texcam 16mm Rentals- http://bit.ly/2phAuHx
Texcam Digital Rentals- http://bit.ly/2oPjYma
Abelcine Camera Rentals- http://bit.ly/2oVKgzB
Further Reading-
Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM
DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3
The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876
Official Website- http://theroyaloceanfilmsociety.com/
Music by Chillhop: youtube.com/chillhopdotcom
Homebound by L'Indécis: soundcloud.com/lindecis
Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale
So In Love by Brock Berrigan: soundcloud.com/brockberrigan
Listen on Spotify: http://bit.ly/ChillhopSpotify
Dreams by Joakim Karud https://soundcloud.com/joakimkarud
Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0
http://creativecommons.org/licenses/b...
Music provided by Audio Library https://youtu.be/VF9_dCo6JT4
Learn how to shoot on the 16mm film format in this in-depth beginners guide.
Topics covered in this video are...
1) Difference between 16mm and Super 16mm
2) Learning about the Russian K-3 16mm camera
3) Loading 16mm film
4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone.
Some additional tips and notes that I didn't mention in this video...
- You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight.
- If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that.
- http://K3camera.com is a great website to go to and is filled with tons of great info on learning more about the K3 camera.
- When your 16mm camera is not in-use its best to hold down the trigger and run out the drive spring so camera isn't wound.
- If your light meter doesn't go all the way down to "0" when sensor is covered, there is a flathead screw on the back that you can turn and fine tune your meter.
- If you are shooting outside with lots of light, you will insert the "high" slide plate found on the back of light meter into the light sensor. You will then line everything up with the "red arrow" instead of the "white arrow".
I will share a link of what I capture at the fair in a couple weeks !!!
Special thanks again to Ruben Marrufo for his help and also recommending the K3 camera. I'm very happy with my K3 and don't think I would have purchased it without his strong recommendation.
Music by: Big Fok
In Association with: PBS Digital Studios
- published: 03 Oct 2016
- views: 18697
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard
Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley.
http://www.youtube.com/watch?v=6U--rFrTgVE
- published: 15 Jan 2013
- views: 42603
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm.
WEBSITE (http://www.rayrobertsfilms.com)
TWITTER (http://www.twitter.com/rayrobertsfilms)
Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey.
Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2)
I would just like to once again thank the outside talent I brought to help with our film
Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic)
Title Designer, Kate Binns (http://youtube.com/kebammmm)
Illustrator, Maria B. (https://instagram.com/mariamumbles)
Music by Dumbo Gets Mad (http://www.dumbogetsmad.com)
and by vik (https://vktrstn.bandcamp.com)
Shot on a Sony A7S and graded with FilmConvert and DeLuts.
Get a 10% discount on FilmConvert when you use the code 'RayRob10'.
- published: 29 Jun 2015
- views: 20388
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort
A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover.
WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/
WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts.
Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film.
WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award.
Nominated for "Best Experimental Film" at Ffresh Awards 2013.
Nominated for "Best Student Film" at St Albans Film Festival 2013.
Nominated for "Best Fiction Film of the Year Award" at Watersprite: The Cambridge International Student Film Festival. And shortlisted for Best Cinematography, Best Editing and Best Production Design.
Shortlisted for "Best Experimental & Thriller Film" at Freshly Squeezed International Film Festival.
WON "Best Overall Film Of The Festival" and "Best Experimental Short" at Carmarthenshire Bay Film Festival in April 2013.
A film created for a second year University project with a brief to create an experimental film inspired by a poem or piece of art.
Inspired by Gute Nacht.
Orpheus |ˈôrfēəs|Greek Mythology
a poet who went to the underworld after the death of his wife and secured her release from the dead, but lost her because he failed to obey the condition that he must not look back at her until they had reached the world of the living.
Shot on 16mm film on a budget of £300.
Starring JASON GODDARD.
Created by JAMES BUTTON - KRISTAPS KAZAKS - PETER WOLFE - GABRIELLA LEWIS - JO HAZELL - GARETH JONES
Special thanks to KRISTIAN DOMINGO - TOM GREGORY - ANDREA ESCUDER - RHYDIAN JAMES-YEOMAN
- published: 13 Dec 2011
- views: 96806
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO
Perfil no facebook : www.facebook.com/maycoln.tarasevic
Siga no Instagram : instagram.com/maycoln_tarasevic
O estudio Maycoln Tattoo e Piercing fica localizado proximo a metro Republica e Anhagabau no Centro de São Paulo !
Endereço : Av. São João N° 439 - Centro -
Rua : 24 de maio N° 62
Conheça tambem a pagina do estudio no facebook : www.facebook.com/MaycolnTattooEPiercing
Trabalho realizados por Maycoln Tarasevic
Piercing - Tatuagem - Microdermais - Alargadores - Sombrancelha Def
Entre em contato pelo chat do facebook ou ligue e agende já o seu trabalho !
(11) 2621-8966 (11) 9 8208 3388 tim - Whatsapp - São paulo
Se você gostou do video se inscreva no canal acima para receber novos videos do canal e curta o video para ajudar na divulgação dele
Obrigado por ter assistido meu video - se gostou clique em gostei e compartilhe . sz - Maycoln Tarasevic
- published: 10 May 2014
- views: 288968
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's.
Posted with permission by Marty Stouffer.
- published: 06 Feb 2015
- views: 3124
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys!
love you all =^.^=
http://www.customplugs.com/collections/plugs-all
music:
kirbys dreamland ripple field 3.
8bit Dungeon Level - Video Classica by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200066
Artist: http://incompetech.com/
- published: 29 Feb 2016
- views: 31965
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structural film making, 16mm plays with the footage roll used to film it as constitutive base of its form and content. A 16 mm film standard roll of 200 feet (60.96 meters) gives an approximate duration of 5' 33" (333"). That means 1 meter of film is consumed every 5.46 seconds or 18.3 cm. every second.
To make this work I modified a 16mm film camera with the help of the engineer Stefan Knauer: we built a special traveling car, replaced the camera engine and built a transmission system that allows the camera to move along a tensioned steel cable as a traveling rail while shooting the film. The special thing of this modification is that a single engine runs, simultaneously and to the same speed, the film on the reel and the camera along the cable. That is, the same engine runs and moves the camera along the dolly at a time, so that the two movements and the two "distances" are directly, mechanically and indivisibly connected to each other because of the mechanism:
each meter of shot film correspond exactly to a meter advanced through the woods, and the speed of this movement corresponds to the speed the film achieved inside the camera.
To film the movie a traveling cable was tensioned suspended about 3 meters above the forest soil: a perfectly straight line through the winding jungle – a sharp cut. The length of this rail was the same as the roll of film to be filmed with the traveling: for 61 meters of reel that were filmed, the camera advanced another 61 meters.
The result is a continuous single take, a long shot traveling with constant speed through the jungle, going deeper and deeper inside it, for the duration of the roll of film, feet by feet . 16mm is both an essay on cinema and on the forest and the crossings that occur in it. A film about time and the nature of the creative act. An exercise of penetration that is not without psychological connotations. A tactile look. A conceptual and physical work.
This structural analysis of the medium was made in the jungle because even today it is one of the ultimate depths and is from the impact felt entering the forest that the whole idea emerges. But this impact is not only physical or psychological: the Mata Atlântica rainforest is also, geopolitically, one of the densest places in the world. Since the time of the "discovery" to the "post"-colonial day of today, in the jungle happen a succession of conflicts: economic, ecological, geographic, human, scientific, historical, territorial, etc ... crossing each other, creating a network of relationships as complex as the geometry of the vines, branches and trunks, and so difficult to equilibrate as it is to penetrate its natural thickness.
Credits:
Design and camera modification: Stefan Knauer / Effektum, Berlin
Cinematography: Pedro Urano and Daniel Steegmann
Photography direction: Pedro Urano
sound desingn, recordings and audio mixing: Dan Zimmermann
Producction: Daniela Santos
Set assistants: Amilcar Packer, Bruno Caracol
Producction assistant: Vinicius Pereira
Telecine Rio: Victor Lamas, Casablancas laboratórios, Rio de Janeiro
Telecine Barcelona: Pepe Alonso, Imagefilm, Barcelona
development and offline telecine Lab: Casablanca laboratorios, Rio de Janeiro
positive prints: Andec Filmtechnik, Berlín
scan 2k: Imagefilm, Barcelona
I want to thank: Cleber Tumasonis from Casablanca, David Serra and Irma Arrieta from ImageFilm, Susanne Pfeffer, Juliana Zimmermann, Bernardo Issa y Luana Cunha from parque nacional da Tijuca, Agustín Perez Rubio, Carlos Ordás, and maria Inés Rodrígues from Musac, Helmut Batista, Denise Milfont and Oto Milfont Batista, Sergio Martins and Ana Wambier, and specially to Renata Lucas.
This project was realized with the help of CoNCA, Generalitat de Catalunya, produced with The Musac Grants for Artistic Creation.
- published: 07 Jan 2015
- views: 5610
16 mm film
16 mm film is a popular, economical gauge of film. 16 mm is the width of the film. Other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational) film making or for low budget motion pictures. It also existed as a popular amateur or home movie making format for several decades, alongside 8 mm film and, later, Super 8 mm film. In 1923, Eastman Kodak released the first 16 mm "outfit" consisting of a camera, projector, tripod, screen and splicer for $335. RCA-Victor introduced a 16 mm sound movie projector in 1932 and developed an optical sound-on-film 16 mm camera, released in 1935.
History
Eastman Kodak introduced 16 mm film in 1923 as a less expensive amateur alternative to 35 mm film. During the 1920s, the format was often referred to as sub-standard by the professional industry.
Kodak hired Willard Beech Cook from his 28 mm Pathescope of America company to create the new 16 mm Kodascope Library. In addition to making home movies, people could buy or rent films from the library, a key selling aspect of the format.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/16_mm_film
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Film festival
A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events. Some film historians do not consider Film Festivals as official releases of film, like Jerry Beck. The best known film festivals are the Venice Film Festival, the Cannes Film Festival, the Toronto Film Festival, Sundance Film Festival, and the Berlin International Film Festival, the latter being the largest film festival worldwide, based on attendance. The Venice Film Festival is the oldest major festival. The Melbourne International Film Festival is the largest film festival in the Southern Hemisphere and one of the oldest in the world. A 2013 study found 3,000 active films festivals worldwide—active defined as having held an event in the previous 24 months.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Film_festival
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Film
A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.
The process of filmmaking is both an art and an industry.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Film
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
7:49In Praise of 16mm
In Praise of 16mmIn Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness. Press the CC button for film titles. Sources- Digital Bolex clip used- http://bit.ly/2oVO2sU Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT 8mm Red Bull BMX video- http://bit.ly/1pN91v5 Kodak 16mm Stock Prices- http://bit.ly/2nY7O64 Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS Texcam 16mm Rentals- http://bit.ly/2phAuHx Texcam Digital Rentals- http://bit.ly/2oPjYma Abelcine Camera Rentals- http://bit.ly/2oVKgzB Further Reading- Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3 The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6 You can follow me through: Twitter- https://twitter.com/andymsaladino Vimeo- https://vimeo.com/user45324876 Official Website- http://theroyaloceanfilmsociety.com/ Music by Chillhop: youtube.com/chillhopdotcom Homebound by L'Indécis: soundcloud.com/lindecis Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale So In Love by Brock Berrigan: soundcloud.com/brockberrigan Listen on Spotify: http://bit.ly/ChillhopSpotify Dreams by Joakim Karud https://soundcloud.com/joakimkarud Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0 http://creativecommons.org/licenses/b... Music provided by Audio Library https://youtu.be/VF9_dCo6JT4 -
10:42Shooting on 16mm Film | Shanks FX | PBS Digital Studios
Shooting on 16mm Film | Shanks FX | PBS Digital StudiosShooting on 16mm Film | Shanks FX | PBS Digital Studios
Learn how to shoot on the 16mm film format in this in-depth beginners guide. Topics covered in this video are... 1) Difference between 16mm and Super 16mm 2) Learning about the Russian K-3 16mm camera 3) Loading 16mm film 4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone. Some additional tips and notes that I didn't mention in this video... - You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight. - If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that. - http://K3camera.com is a great website to go to and is filled with tons of great info on learning more about the K3 camera. - When your 16mm camera is not in-use its best to hold down the trigger and run out the drive spring so camera isn't wound. - If your light meter doesn't go all the way down to "0" when sensor is covered, there is a flathead screw on the back that you can turn and fine tune your meter. - If you are shooting outside with lots of light, you will insert the "high" slide plate found on the back of light meter into the light sensor. You will then line everything up with the "red arrow" instead of the "white arrow". I will share a link of what I capture at the fair in a couple weeks !!! Special thanks again to Ruben Marrufo for his help and also recommending the K3 camera. I'm very happy with my K3 and don't think I would have purchased it without his strong recommendation. Music by: Big Fok In Association with: PBS Digital Studios -
4:26Bolex 16mm Film Test: Desert New Year (in Slab City)
Bolex 16mm Film Test: Desert New Year (in Slab City)Bolex 16mm Film Test: Desert New Year (in Slab City)
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley. http://www.youtube.com/watch?v=6U--rFrTgVE -
6:34Shooting on 16mm
Shooting on 16mmShooting on 16mm
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm. WEBSITE (http://www.rayrobertsfilms.com) TWITTER (http://www.twitter.com/rayrobertsfilms) Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey. Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2) I would just like to once again thank the outside talent I brought to help with our film Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic) Title Designer, Kate Binns (http://youtube.com/kebammmm) Illustrator, Maria B. (https://instagram.com/mariamumbles) Music by Dumbo Gets Mad (http://www.dumbogetsmad.com) and by vik (https://vktrstn.bandcamp.com) Shot on a Sony A7S and graded with FilmConvert and DeLuts. Get a 10% discount on FilmConvert when you use the code 'RayRob10'. -
1:28Go No Further - 16mm Film
Go No Further - 16mm Film -
7:00ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
ORPHEUS (2011) - Award Winning Experimental 16mm Short FilmORPHEUS (2011) - Award Winning Experimental 16mm Short Film
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover. WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/ WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts. Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film. WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award. Nominated for "Best Experimental Film" at Ffresh Awards 2013. Nominated for "Best Student Film" at St Albans Film Festival 2013. Nominated for "Best Fiction Film of the Year Award" at Watersprite: The Cambridge International Student Film Festival. And shortlisted for Best Cinematography, Best Editing and Best Production Design. Shortlisted for "Best Experimental & Thriller Film" at Freshly Squeezed International Film Festival. WON "Best Overall Film Of The Festival" and "Best Experimental Short" at Carmarthenshire Bay Film Festival in April 2013. A film created for a second year University project with a brief to create an experimental film inspired by a poem or piece of art. Inspired by Gute Nacht. Orpheus |ˈôrfēəs|Greek Mythology a poet who went to the underworld after the death of his wife and secured her release from the dead, but lost her because he failed to obey the condition that he must not look back at her until they had reached the world of the living. Shot on 16mm film on a budget of £300. Starring JASON GODDARD. Created by JAMES BUTTON - KRISTAPS KAZAKS - PETER WOLFE - GABRIELLA LEWIS - JO HAZELL - GARETH JONES Special thanks to KRISTIAN DOMINGO - TOM GREGORY - ANDREA ESCUDER - RHYDIAN JAMES-YEOMAN -
5:55Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
Alargando a orelha de 10mm á 16mm - Com Maycoln TarasevicAlargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO Perfil no facebook : www.facebook.com/maycoln.tarasevic Siga no Instagram : instagram.com/maycoln_tarasevic O estudio Maycoln Tattoo e Piercing fica localizado proximo a metro Republica e Anhagabau no Centro de São Paulo ! Endereço : Av. São João N° 439 - Centro - Rua : 24 de maio N° 62 Conheça tambem a pagina do estudio no facebook : www.facebook.com/MaycolnTattooEPiercing Trabalho realizados por Maycoln Tarasevic Piercing - Tatuagem - Microdermais - Alargadores - Sombrancelha Def Entre em contato pelo chat do facebook ou ligue e agende já o seu trabalho ! (11) 2621-8966 (11) 9 8208 3388 tim - Whatsapp - São paulo Se você gostou do video se inscreva no canal acima para receber novos videos do canal e curta o video para ajudar na divulgação dele Obrigado por ter assistido meu video - se gostou clique em gostei e compartilhe . sz - Maycoln Tarasevic -
6:30Super 16mm skate video
Super 16mm skate video -
2:29CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild AmericaCinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's. Posted with permission by Marty Stouffer. -
7:3216mm-20mm Plug collection
16mm-20mm Plug collection16mm-20mm Plug collection
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys! love you all =^.^= http://www.customplugs.com/collections/plugs-all music: kirbys dreamland ripple field 3. 8bit Dungeon Level - Video Classica by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200066 Artist: http://incompetech.com/ -
4:5316mm
16mm16mm
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structural film making, 16mm plays with the footage roll used to film it as constitutive base of its form and content. A 16 mm film standard roll of 200 feet (60.96 meters) gives an approximate duration of 5' 33" (333"). That means 1 meter of film is consumed every 5.46 seconds or 18.3 cm. every second. To make this work I modified a 16mm film camera with the help of the engineer Stefan Knauer: we built a special traveling car, replaced the camera engine and built a transmission system that allows the camera to move along a tensioned steel cable as a traveling rail while shooting the film. The special thing of this modification is that a single engine runs, simultaneously and to the same speed, the film on the reel and the camera along the cable. That is, the same engine runs and moves the camera along the dolly at a time, so that the two movements and the two "distances" are directly, mechanically and indivisibly connected to each other because of the mechanism: each meter of shot film correspond exactly to a meter advanced through the woods, and the speed of this movement corresponds to the speed the film achieved inside the camera. To film the movie a traveling cable was tensioned suspended about 3 meters above the forest soil: a perfectly straight line through the winding jungle – a sharp cut. The length of this rail was the same as the roll of film to be filmed with the traveling: for 61 meters of reel that were filmed, the camera advanced another 61 meters. The result is a continuous single take, a long shot traveling with constant speed through the jungle, going deeper and deeper inside it, for the duration of the roll of film, feet by feet . 16mm is both an essay on cinema and on the forest and the crossings that occur in it. A film about time and the nature of the creative act. An exercise of penetration that is not without psychological connotations. A tactile look. A conceptual and physical work. This structural analysis of the medium was made in the jungle because even today it is one of the ultimate depths and is from the impact felt entering the forest that the whole idea emerges. But this impact is not only physical or psychological: the Mata Atlântica rainforest is also, geopolitically, one of the densest places in the world. Since the time of the "discovery" to the "post"-colonial day of today, in the jungle happen a succession of conflicts: economic, ecological, geographic, human, scientific, historical, territorial, etc ... crossing each other, creating a network of relationships as complex as the geometry of the vines, branches and trunks, and so difficult to equilibrate as it is to penetrate its natural thickness. Credits: Design and camera modification: Stefan Knauer / Effektum, Berlin Cinematography: Pedro Urano and Daniel Steegmann Photography direction: Pedro Urano sound desingn, recordings and audio mixing: Dan Zimmermann Producction: Daniela Santos Set assistants: Amilcar Packer, Bruno Caracol Producction assistant: Vinicius Pereira Telecine Rio: Victor Lamas, Casablancas laboratórios, Rio de Janeiro Telecine Barcelona: Pepe Alonso, Imagefilm, Barcelona development and offline telecine Lab: Casablanca laboratorios, Rio de Janeiro positive prints: Andec Filmtechnik, Berlín scan 2k: Imagefilm, Barcelona I want to thank: Cleber Tumasonis from Casablanca, David Serra and Irma Arrieta from ImageFilm, Susanne Pfeffer, Juliana Zimmermann, Bernardo Issa y Luana Cunha from parque nacional da Tijuca, Agustín Perez Rubio, Carlos Ordás, and maria Inés Rodrígues from Musac, Helmut Batista, Denise Milfont and Oto Milfont Batista, Sergio Martins and Ana Wambier, and specially to Renata Lucas. This project was realized with the help of CoNCA, Generalitat de Catalunya, produced with The Musac Grants for Artistic Creation. -
7:1416mm ausfallschritt
16mm ausfallschritt -
7:49In Praise of 16mm
In Praise of 16mmIn Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness. Sources- Digital Bolex clip used- http://bit.ly/2oVO2sU Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT 8mm Red Bull BMX video- http://bit.ly/1pN91v5 Kodak 16mm Stock Prices- http://bit.ly/2nY7O64 Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS Texcam 16mm Rentals- http://bit.ly/2phAuHx Texcam Digital Rentals- http://bit.ly/2oPjYma Abelcine Camera Rentals- http://bit.ly/2oVKgzB Further Reading- Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3 The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6 You can follow me through: Twitter- https://twitter.com/andymsaladino YouTube- https://youtube.com/c/theroyaloceanfilmsociety Music by Chillhop: youtube.com/chillhopdotcom Homebound by L'Indécis: soundcloud.com/lindecis Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale So In Love by Brock Berrigan: soundcloud.com/brockberrigan Listen on Spotify: http://bit.ly/ChillhopSpotify Dreams by Joakim Karud https://soundcloud.com/joakimkarud Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0 http://creativecommons.org/licenses/b... Music provided by Audio Library https://youtu.be/VF9_dCo6JT4 -
3:12K-3 super 16mm anamorphic test
K-3 super 16mm anamorphic testK-3 super 16mm anamorphic test
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031 First two test rolls through my new super 16mm K-3. Transferred to 2K Cineform RAW. Transcoded to Apple ProRes 4444 for cutting/grading. Camera: Krasnogorsk-3, s16mm, PL mount Lenses: 35mm, 50mm Lomo 2x anamorphic Film: Expired Fuji Eterna 250D and Kodak V2 200T Processing: Niagara Custom Lab - www.niagaracustomlab.com/ Transfer: Frame Discreet - www.framediscreet.com/
16mm
ALBUMS
- The Terminator released: 1991
- 16mm EP released:
The Terminator
Released 1991- add to main playlist Play in Full Screen The Terminator Theme
- add to main playlist Play in Full Screen Terminator Arrival
- add to main playlist Play in Full Screen Tunnel Chase
- add to main playlist Play in Full Screen Love Scene
- add to main playlist Play in Full Screen Future Remembered
- add to main playlist Play in Full Screen Factory Chase
- add to main playlist Play in Full Screen You Can't Do That
- add to main playlist Play in Full Screen Burnin' in the Third Degree
- add to main playlist Play in Full Screen Pictures of You
- add to main playlist Play in Full Screen Photoplay
- add to main playlist Play in Full Screen Intimacy
16mm EP
- add to main playlist Play in Full Screen Reverend Nightlife
- add to main playlist Play in Full Screen Beg
- add to main playlist Play in Full Screen Diseases for Kisses
- add to main playlist Play in Full Screen Ghosts
- add to main playlist Play in Full Screen Dante's Peak
- add to main playlist Play in Full Screen XOX
-
In Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness. Press the CC button for film titles. Sources- Digital Bolex clip used- http://bit.ly/2oVO2sU Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT 8mm Red Bull BMX video- http://bit.ly/1pN91v5 Kodak 16mm Stock Prices- http://bit.ly/2nY7O64 Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS Texcam 16mm Rentals- http://bit.ly/2phAuHx Texcam Digital Rentals- http://bit.ly/2oPjYma Abelcine Camera Rentals- http://bit.ly/2oVKgzB Further Reading- Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3 The Power ...
published: 09 Apr 2017 -
Shooting on 16mm Film | Shanks FX | PBS Digital Studios
Learn how to shoot on the 16mm film format in this in-depth beginners guide. Topics covered in this video are... 1) Difference between 16mm and Super 16mm 2) Learning about the Russian K-3 16mm camera 3) Loading 16mm film 4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone. Some additional tips and notes that I didn't mention in this video... - You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight. - If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that. - http://K3camera.com is a great website to go to an...
published: 03 Oct 2016 -
Bolex 16mm Film Test: Desert New Year (in Slab City)
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley. http://www.youtube.com/watch?v=6U--rFrTgVE
published: 15 Jan 2013 -
Shooting on 16mm
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm. WEBSITE (http://www.rayrobertsfilms.com) TWITTER (http://www.twitter.com/rayrobertsfilms) Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey. Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2) I would just like to once again thank the outside talent I brought to help with our film Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic) Title Designer, Kate Binns (http://youtube.com/kebammmm) Illustrator, Maria B. (https://instagram.com/mariamumbles) Music by Dumbo Gets Mad (h...
published: 29 Jun 2015 -
-
ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover. WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/ WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts. Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film. WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award. Nominated for "Best Experimental Film" at Ffresh Awards 2...
published: 13 Dec 2011 -
Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO Perfil no facebook : www.facebook.com/maycoln.tarasevic Siga no Instagram : instagram.com/maycoln_tarasevic O estudio Maycoln Tattoo e Piercing fica localizado proximo a metro Republica e Anhagabau no Centro de São Paulo ! Endereço : Av. São João N° 439 - Centro - Rua : 24 de maio N° 62 Conheça tambem a pagina do estudio no facebook : www.facebook.com/MaycolnTattooEPiercing Trabalho realizados por Maycoln Tarasevic Piercing - Tatuagem - Microdermais - Alargadores - Sombrancelha Def Entre em contato pelo chat do facebook ou ligue e agende já o seu trabalho ! (11) 2621-8966 (11) 9 8208 3388 tim - Whatsapp - São paulo Se você gostou do video se inscreva no canal acima para receber novos videos do canal e ...
published: 10 May 2014 -
-
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's. Posted with permission by Marty Stouffer.
published: 06 Feb 2015 -
16mm-20mm Plug collection
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys! love you all =^.^= http://www.customplugs.com/collections/plugs-all music: kirbys dreamland ripple field 3. 8bit Dungeon Level - Video Classica by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200066 Artist: http://incompetech.com/
published: 29 Feb 2016 -
16mm
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structural film making, 16mm plays with the footage roll used to film it as constitutive base of its form and content. A 16 mm film standard roll of 200 feet (60.96 meters) gives an approximate duration of 5' 33" (333"). That means 1 meter of film is consumed every 5.46 seconds or 18.3 cm. every second. To make this work I modified a 16mm film camera with the help of the engineer Stefan Knauer: we built a special traveling car, replaced the camera engine and built a transmission system that allows the camera to move along a tensioned steel cable as a traveling rail while shooting the film. The special thing of this modification is that a si...
published: 07 Jan 2015 -
-
In Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness. Sources- Digital Bolex clip used- http://bit.ly/2oVO2sU Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT 8mm Red Bull BMX video- http://bit.ly/1pN91v5 Kodak 16mm Stock Prices- http://bit.ly/2nY7O64 Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS Texcam 16mm Rentals- http://bit.ly/2phAuHx Texcam Digital Rentals- http://bit.ly/2oPjYma Abelcine Camera Rentals- http://bit.ly/2oVKgzB Further Reading- Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3 The Power of Story: The Art of Film w/ Christop...
published: 09 Apr 2017 -
K-3 super 16mm anamorphic test
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031 First two test rolls through my new super 16mm K-3. Transferred to 2K Cineform RAW. Transcoded to Apple ProRes 4444 for cutting/grading. Camera: Krasnogorsk-3, s16mm, PL mount Lenses: 35mm, 50mm Lomo 2x anamorphic Film: Expired Fuji Eterna 250D and Kodak V2 200T Processing: Niagara Custom Lab - www.niagaracustomlab.com/ Transfer: Frame Discreet - www.framediscreet.com/
published: 14 May 2011 -
16mm
published: 10 Sep 2014 -
Northwest Winter: 16mm
A segment from a skateboard film released last August. 16mm shot in the Spring/Winter of 2014. More Info: www.outerlimitsfilm.com Camera: Bolex Super 16mm Rex 4 Stock: Kodak 50d, 250d, Double Perf 500t Scans: LightPress - Seattle, WA
published: 19 Jan 2016 -
My Grandparents Wedding :: 16mm from 1944
*This film is original raw footage and not intended for commercial or profit* My great-grandfather had one of the early consumer 16mm camera's... the Cine Kodak from the 1930's. The film itself, though scratched is in amazing condition. Notice the incredible color of the Kodachrome. Absolutely pristine and sharp. This film was transferred back in 2009 by Spectra Film and Video. The more recent footage of my grandparents was shot on Super 8mm on a Canon 814 Velvia 50D in 2006. This footage was all shot in and around Portland in the 1930's and 40's. My grandparents grew up off MLK Blvd.
published: 26 Aug 2011 -
The 16mm Reels Vol.1
Shot on Bolex H16 / 16mm film Cinematography: Ian Rigby Process / Telecine: CineLab Ungraded / no filters / no color correction Film Stocks: Kodak Vision 3 250D / 7207 Kodak Vision 3 200T / 7213 Kodak Vision 2 50D / 7201 Kodak Vision 3 50D / 7203 Surfer: Kyle Ruddick Snowboarder: Will Mayer Skateboarder: Michael Stine Lensing: Angénieux 12-120mm T2.2 Angénieux 5.9mm T2 Angénieux 25mm 0.95f Som Berthiot 75mm 2.5f
published: 09 Apr 2015 -
LONG LIVE THE KINGS - Short film documentary -
The Greasy Hands Preachers feature documentary coming soon https://www.facebook.com/TheGHP Long Live The Kings is a film and photographic project shot exclusively on film http://long-live-the-kings.blogspot.fr/ Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip. A film by Clement Beauvais and Arthur de Kersauson Directed by Clement Beauvais Produced by Arthur de Kersauson Written by Clement Beauvais and Arthur de Kersauson Dop Zack Spiger Editing Clement Beauvais A Moonwalk films Production With the support of Edwin. Picture and Blog: Hysteric Studio Photographer Donald van der Putten Making off Thomas Chedeville Motorcycles by Blitz Motorcycles facebook.com/Blitz.Motorcycles
published: 14 Sep 2012 -
16mm
published: 12 Dec 2008
In Praise of 16mm
- Order: Reorder
- Duration: 7:49
- Updated: 09 Apr 2017
- views: 2539
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the f...
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness.
Press the CC button for film titles.
Sources-
Digital Bolex clip used- http://bit.ly/2oVO2sU
Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT
8mm Red Bull BMX video- http://bit.ly/1pN91v5
Kodak 16mm Stock Prices- http://bit.ly/2nY7O64
Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS
Texcam 16mm Rentals- http://bit.ly/2phAuHx
Texcam Digital Rentals- http://bit.ly/2oPjYma
Abelcine Camera Rentals- http://bit.ly/2oVKgzB
Further Reading-
Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM
DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3
The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876
Official Website- http://theroyaloceanfilmsociety.com/
Music by Chillhop: youtube.com/chillhopdotcom
Homebound by L'Indécis: soundcloud.com/lindecis
Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale
So In Love by Brock Berrigan: soundcloud.com/brockberrigan
Listen on Spotify: http://bit.ly/ChillhopSpotify
Dreams by Joakim Karud https://soundcloud.com/joakimkarud
Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0
http://creativecommons.org/licenses/b...
Music provided by Audio Library https://youtu.be/VF9_dCo6JT4
https://wn.com/In_Praise_Of_16Mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness.
Press the CC button for film titles.
Sources-
Digital Bolex clip used- http://bit.ly/2oVO2sU
Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT
8mm Red Bull BMX video- http://bit.ly/1pN91v5
Kodak 16mm Stock Prices- http://bit.ly/2nY7O64
Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS
Texcam 16mm Rentals- http://bit.ly/2phAuHx
Texcam Digital Rentals- http://bit.ly/2oPjYma
Abelcine Camera Rentals- http://bit.ly/2oVKgzB
Further Reading-
Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM
DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3
The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876
Official Website- http://theroyaloceanfilmsociety.com/
Music by Chillhop: youtube.com/chillhopdotcom
Homebound by L'Indécis: soundcloud.com/lindecis
Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale
So In Love by Brock Berrigan: soundcloud.com/brockberrigan
Listen on Spotify: http://bit.ly/ChillhopSpotify
Dreams by Joakim Karud https://soundcloud.com/joakimkarud
Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0
http://creativecommons.org/licenses/b...
Music provided by Audio Library https://youtu.be/VF9_dCo6JT4
- published: 09 Apr 2017
- views: 2539
Shooting on 16mm Film | Shanks FX | PBS Digital Studios
- Order: Reorder
- Duration: 10:42
- Updated: 03 Oct 2016
- views: 18697
Learn how to shoot on the 16mm film format in this in-depth beginners guide.
Topics covered in this video are...
1) Difference between 16mm and Super 16mm
2)...
Learn how to shoot on the 16mm film format in this in-depth beginners guide.
Topics covered in this video are...
1) Difference between 16mm and Super 16mm
2) Learning about the Russian K-3 16mm camera
3) Loading 16mm film
4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone.
Some additional tips and notes that I didn't mention in this video...
- You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight.
- If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that.
- http://K3camera.com is a great website to go to and is filled with tons of great info on learning more about the K3 camera.
- When your 16mm camera is not in-use its best to hold down the trigger and run out the drive spring so camera isn't wound.
- If your light meter doesn't go all the way down to "0" when sensor is covered, there is a flathead screw on the back that you can turn and fine tune your meter.
- If you are shooting outside with lots of light, you will insert the "high" slide plate found on the back of light meter into the light sensor. You will then line everything up with the "red arrow" instead of the "white arrow".
I will share a link of what I capture at the fair in a couple weeks !!!
Special thanks again to Ruben Marrufo for his help and also recommending the K3 camera. I'm very happy with my K3 and don't think I would have purchased it without his strong recommendation.
Music by: Big Fok
In Association with: PBS Digital Studios
https://wn.com/Shooting_On_16Mm_Film_|_Shanks_Fx_|_Pbs_Digital_Studios
Learn how to shoot on the 16mm film format in this in-depth beginners guide.
Topics covered in this video are...
1) Difference between 16mm and Super 16mm
2) Learning about the Russian K-3 16mm camera
3) Loading 16mm film
4) Taking a proper light reading with a traditional light meter, HDSLR, and an iPhone.
Some additional tips and notes that I didn't mention in this video...
- You don't have to load film in the dark. You will expose a couple feet of film but the remaining 48 feet will be fine. Just make sure you load in a shaded area and not in direct sunlight.
- If you don't have an extra roll of 16mm film to practice loading your camera with, you can cut a few feet off of a fresh roll of 16mm film and just practice with that.
- http://K3camera.com is a great website to go to and is filled with tons of great info on learning more about the K3 camera.
- When your 16mm camera is not in-use its best to hold down the trigger and run out the drive spring so camera isn't wound.
- If your light meter doesn't go all the way down to "0" when sensor is covered, there is a flathead screw on the back that you can turn and fine tune your meter.
- If you are shooting outside with lots of light, you will insert the "high" slide plate found on the back of light meter into the light sensor. You will then line everything up with the "red arrow" instead of the "white arrow".
I will share a link of what I capture at the fair in a couple weeks !!!
Special thanks again to Ruben Marrufo for his help and also recommending the K3 camera. I'm very happy with my K3 and don't think I would have purchased it without his strong recommendation.
Music by: Big Fok
In Association with: PBS Digital Studios
- published: 03 Oct 2016
- views: 18697
Bolex 16mm Film Test: Desert New Year (in Slab City)
- Order: Reorder
- Duration: 4:26
- Updated: 15 Jan 2013
- views: 42603
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's ...
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard
Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley.
http://www.youtube.com/watch?v=6U--rFrTgVE
https://wn.com/Bolex_16Mm_Film_Test_Desert_New_Year_(In_Slab_City)
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during my road trip through the California desert over the holidays. There's also a minute or so at the end of me hanging out with good friends in Los Angeles on New Years Day. Music from Noah and the Whale, and Jay Farrar & Benjamin Gibbard
Here is another 16mm film I shot around Green Lake in Seattle with some close friends and family, and my dog, Wesley.
http://www.youtube.com/watch?v=6U--rFrTgVE
- published: 15 Jan 2013
- views: 42603
Shooting on 16mm
- Order: Reorder
- Duration: 6:34
- Updated: 29 Jun 2015
- views: 20388
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm.
WEBSITE (http://www.rayrobertsfilms.com)
TWITTER (htt...
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm.
WEBSITE (http://www.rayrobertsfilms.com)
TWITTER (http://www.twitter.com/rayrobertsfilms)
Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey.
Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2)
I would just like to once again thank the outside talent I brought to help with our film
Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic)
Title Designer, Kate Binns (http://youtube.com/kebammmm)
Illustrator, Maria B. (https://instagram.com/mariamumbles)
Music by Dumbo Gets Mad (http://www.dumbogetsmad.com)
and by vik (https://vktrstn.bandcamp.com)
Shot on a Sony A7S and graded with FilmConvert and DeLuts.
Get a 10% discount on FilmConvert when you use the code 'RayRob10'.
https://wn.com/Shooting_On_16Mm
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short film shot on 16mm.
WEBSITE (http://www.rayrobertsfilms.com)
TWITTER (http://www.twitter.com/rayrobertsfilms)
Our short film was shot on a Bolex H16 and edited on a Steenbeck edited desk. Both supplied by the University for the Creative Arts in Farnham, Surrey.
Click here to see my video on Super 8mm (https://www.youtube.com/watch?v=v4CF3XDPW-U&list;=PL5PUwf8VqqXpI-NxL43XLjtu6zT1fZliR&index;=2)
I would just like to once again thank the outside talent I brought to help with our film
Our composer, Liz Rainsberry (https://www.youtube.com/user/lizrainsberrymusic)
Title Designer, Kate Binns (http://youtube.com/kebammmm)
Illustrator, Maria B. (https://instagram.com/mariamumbles)
Music by Dumbo Gets Mad (http://www.dumbogetsmad.com)
and by vik (https://vktrstn.bandcamp.com)
Shot on a Sony A7S and graded with FilmConvert and DeLuts.
Get a 10% discount on FilmConvert when you use the code 'RayRob10'.
- published: 29 Jun 2015
- views: 20388
Go No Further - 16mm Film
- Order: Reorder
- Duration: 1:28
- Updated: 29 Nov 2016
- views: 1274
ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
- Order: Reorder
- Duration: 7:00
- Updated: 13 Dec 2011
- views: 96806
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort
A dark, experimental take on the five greatest stages of grief, as a lone m...
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort
A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover.
WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/
WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts.
Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film.
WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award.
Nominated for "Best Experimental Film" at Ffresh Awards 2013.
Nominated for "Best Student Film" at St Albans Film Festival 2013.
Nominated for "Best Fiction Film of the Year Award" at Watersprite: The Cambridge International Student Film Festival. And shortlisted for Best Cinematography, Best Editing and Best Production Design.
Shortlisted for "Best Experimental & Thriller Film" at Freshly Squeezed International Film Festival.
WON "Best Overall Film Of The Festival" and "Best Experimental Short" at Carmarthenshire Bay Film Festival in April 2013.
A film created for a second year University project with a brief to create an experimental film inspired by a poem or piece of art.
Inspired by Gute Nacht.
Orpheus |ˈôrfēəs|Greek Mythology
a poet who went to the underworld after the death of his wife and secured her release from the dead, but lost her because he failed to obey the condition that he must not look back at her until they had reached the world of the living.
Shot on 16mm film on a budget of £300.
Starring JASON GODDARD.
Created by JAMES BUTTON - KRISTAPS KAZAKS - PETER WOLFE - GABRIELLA LEWIS - JO HAZELL - GARETH JONES
Special thanks to KRISTIAN DOMINGO - TOM GREGORY - ANDREA ESCUDER - RHYDIAN JAMES-YEOMAN
https://wn.com/Orpheus_(2011)_Award_Winning_Experimental_16Mm_Short_Film
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort
A dark, experimental take on the five greatest stages of grief, as a lone man, trapped in a nightmarish world, searches for his lost lover.
WON "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: http://www.screentestfest.org.uk/best-of-2012/
WON "Best Overall Short Film" at Cardiff Mini Film Festival's Horror Shorts.
Shortlisted in TOP 3 at the Cornwall Film Festival 2012 for The Edge-Best Experimental Film.
WON "Best Cinematography" at Newport International Film Festival 2012 and was also nominated for Best Film, Best Director, and the Welsh Dragon Award.
Nominated for "Best Experimental Film" at Ffresh Awards 2013.
Nominated for "Best Student Film" at St Albans Film Festival 2013.
Nominated for "Best Fiction Film of the Year Award" at Watersprite: The Cambridge International Student Film Festival. And shortlisted for Best Cinematography, Best Editing and Best Production Design.
Shortlisted for "Best Experimental & Thriller Film" at Freshly Squeezed International Film Festival.
WON "Best Overall Film Of The Festival" and "Best Experimental Short" at Carmarthenshire Bay Film Festival in April 2013.
A film created for a second year University project with a brief to create an experimental film inspired by a poem or piece of art.
Inspired by Gute Nacht.
Orpheus |ˈôrfēəs|Greek Mythology
a poet who went to the underworld after the death of his wife and secured her release from the dead, but lost her because he failed to obey the condition that he must not look back at her until they had reached the world of the living.
Shot on 16mm film on a budget of £300.
Starring JASON GODDARD.
Created by JAMES BUTTON - KRISTAPS KAZAKS - PETER WOLFE - GABRIELLA LEWIS - JO HAZELL - GARETH JONES
Special thanks to KRISTIAN DOMINGO - TOM GREGORY - ANDREA ESCUDER - RHYDIAN JAMES-YEOMAN
- published: 13 Dec 2011
- views: 96806
Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
- Order: Reorder
- Duration: 5:55
- Updated: 10 May 2014
- views: 288968
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO
Perfil no facebook : www.facebook.com/maycoln.tarasevic
Siga no Instagram : instagram.com/maycol...
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO
Perfil no facebook : www.facebook.com/maycoln.tarasevic
Siga no Instagram : instagram.com/maycoln_tarasevic
O estudio Maycoln Tattoo e Piercing fica localizado proximo a metro Republica e Anhagabau no Centro de São Paulo !
Endereço : Av. São João N° 439 - Centro -
Rua : 24 de maio N° 62
Conheça tambem a pagina do estudio no facebook : www.facebook.com/MaycolnTattooEPiercing
Trabalho realizados por Maycoln Tarasevic
Piercing - Tatuagem - Microdermais - Alargadores - Sombrancelha Def
Entre em contato pelo chat do facebook ou ligue e agende já o seu trabalho !
(11) 2621-8966 (11) 9 8208 3388 tim - Whatsapp - São paulo
Se você gostou do video se inscreva no canal acima para receber novos videos do canal e curta o video para ajudar na divulgação dele
Obrigado por ter assistido meu video - se gostou clique em gostei e compartilhe . sz - Maycoln Tarasevic
https://wn.com/Alargando_A_Orelha_De_10Mm_Á_16Mm_Com_Maycoln_Tarasevic
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO
Perfil no facebook : www.facebook.com/maycoln.tarasevic
Siga no Instagram : instagram.com/maycoln_tarasevic
O estudio Maycoln Tattoo e Piercing fica localizado proximo a metro Republica e Anhagabau no Centro de São Paulo !
Endereço : Av. São João N° 439 - Centro -
Rua : 24 de maio N° 62
Conheça tambem a pagina do estudio no facebook : www.facebook.com/MaycolnTattooEPiercing
Trabalho realizados por Maycoln Tarasevic
Piercing - Tatuagem - Microdermais - Alargadores - Sombrancelha Def
Entre em contato pelo chat do facebook ou ligue e agende já o seu trabalho !
(11) 2621-8966 (11) 9 8208 3388 tim - Whatsapp - São paulo
Se você gostou do video se inscreva no canal acima para receber novos videos do canal e curta o video para ajudar na divulgação dele
Obrigado por ter assistido meu video - se gostou clique em gostei e compartilhe . sz - Maycoln Tarasevic
- published: 10 May 2014
- views: 288968
Super 16mm skate video
- Order: Reorder
- Duration: 6:30
- Updated: 11 Nov 2012
- views: 33699
This is the last project that i did with my Bolex EBM super 16mm film camera before i sold it 2 years ago !
I miss those days shooting with kodak film 50D ......
This is the last project that i did with my Bolex EBM super 16mm film camera before i sold it 2 years ago !
I miss those days shooting with kodak film 50D ...
https://wn.com/Super_16Mm_Skate_Video
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
- Order: Reorder
- Duration: 2:29
- Updated: 06 Feb 2015
- views: 3124
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's.
Posted with permission...
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's.
Posted with permission by Marty Stouffer.
https://wn.com/Cinemalab_Preservation_Inc._16Mm_4K_Comparison_Wild_America
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side to the current commercially available SD DVD's.
Posted with permission by Marty Stouffer.
- published: 06 Feb 2015
- views: 3124
16mm-20mm Plug collection
- Order: Reorder
- Duration: 7:32
- Updated: 29 Feb 2016
- views: 31965
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys!
love you all =^.^=
http://www.customplugs.com/co...
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys!
love you all =^.^=
http://www.customplugs.com/collections/plugs-all
music:
kirbys dreamland ripple field 3.
8bit Dungeon Level - Video Classica by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200066
Artist: http://incompetech.com/
https://wn.com/16Mm_20Mm_Plug_Collection
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. thank you so much guys!
love you all =^.^=
http://www.customplugs.com/collections/plugs-all
music:
kirbys dreamland ripple field 3.
8bit Dungeon Level - Video Classica by Kevin MacLeod is licensed under a Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200066
Artist: http://incompetech.com/
- published: 29 Feb 2016
- views: 31965
16mm
- Order: Reorder
- Duration: 4:53
- Updated: 21 May 2017
- views: 5610
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structura...
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structural film making, 16mm plays with the footage roll used to film it as constitutive base of its form and content. A 16 mm film standard roll of 200 feet (60.96 meters) gives an approximate duration of 5' 33" (333"). That means 1 meter of film is consumed every 5.46 seconds or 18.3 cm. every second.
To make this work I modified a 16mm film camera with the help of the engineer Stefan Knauer: we built a special traveling car, replaced the camera engine and built a transmission system that allows the camera to move along a tensioned steel cable as a traveling rail while shooting the film. The special thing of this modification is that a single engine runs, simultaneously and to the same speed, the film on the reel and the camera along the cable. That is, the same engine runs and moves the camera along the dolly at a time, so that the two movements and the two "distances" are directly, mechanically and indivisibly connected to each other because of the mechanism:
each meter of shot film correspond exactly to a meter advanced through the woods, and the speed of this movement corresponds to the speed the film achieved inside the camera.
To film the movie a traveling cable was tensioned suspended about 3 meters above the forest soil: a perfectly straight line through the winding jungle – a sharp cut. The length of this rail was the same as the roll of film to be filmed with the traveling: for 61 meters of reel that were filmed, the camera advanced another 61 meters.
The result is a continuous single take, a long shot traveling with constant speed through the jungle, going deeper and deeper inside it, for the duration of the roll of film, feet by feet . 16mm is both an essay on cinema and on the forest and the crossings that occur in it. A film about time and the nature of the creative act. An exercise of penetration that is not without psychological connotations. A tactile look. A conceptual and physical work.
This structural analysis of the medium was made in the jungle because even today it is one of the ultimate depths and is from the impact felt entering the forest that the whole idea emerges. But this impact is not only physical or psychological: the Mata Atlântica rainforest is also, geopolitically, one of the densest places in the world. Since the time of the "discovery" to the "post"-colonial day of today, in the jungle happen a succession of conflicts: economic, ecological, geographic, human, scientific, historical, territorial, etc ... crossing each other, creating a network of relationships as complex as the geometry of the vines, branches and trunks, and so difficult to equilibrate as it is to penetrate its natural thickness.
Credits:
Design and camera modification: Stefan Knauer / Effektum, Berlin
Cinematography: Pedro Urano and Daniel Steegmann
Photography direction: Pedro Urano
sound desingn, recordings and audio mixing: Dan Zimmermann
Producction: Daniela Santos
Set assistants: Amilcar Packer, Bruno Caracol
Producction assistant: Vinicius Pereira
Telecine Rio: Victor Lamas, Casablancas laboratórios, Rio de Janeiro
Telecine Barcelona: Pepe Alonso, Imagefilm, Barcelona
development and offline telecine Lab: Casablanca laboratorios, Rio de Janeiro
positive prints: Andec Filmtechnik, Berlín
scan 2k: Imagefilm, Barcelona
I want to thank: Cleber Tumasonis from Casablanca, David Serra and Irma Arrieta from ImageFilm, Susanne Pfeffer, Juliana Zimmermann, Bernardo Issa y Luana Cunha from parque nacional da Tijuca, Agustín Perez Rubio, Carlos Ordás, and maria Inés Rodrígues from Musac, Helmut Batista, Denise Milfont and Oto Milfont Batista, Sergio Martins and Ana Wambier, and specially to Renata Lucas.
This project was realized with the help of CoNCA, Generalitat de Catalunya, produced with The Musac Grants for Artistic Creation.
https://wn.com/16Mm
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlântica, with a custom modified camera. Following strategies of structural film making, 16mm plays with the footage roll used to film it as constitutive base of its form and content. A 16 mm film standard roll of 200 feet (60.96 meters) gives an approximate duration of 5' 33" (333"). That means 1 meter of film is consumed every 5.46 seconds or 18.3 cm. every second.
To make this work I modified a 16mm film camera with the help of the engineer Stefan Knauer: we built a special traveling car, replaced the camera engine and built a transmission system that allows the camera to move along a tensioned steel cable as a traveling rail while shooting the film. The special thing of this modification is that a single engine runs, simultaneously and to the same speed, the film on the reel and the camera along the cable. That is, the same engine runs and moves the camera along the dolly at a time, so that the two movements and the two "distances" are directly, mechanically and indivisibly connected to each other because of the mechanism:
each meter of shot film correspond exactly to a meter advanced through the woods, and the speed of this movement corresponds to the speed the film achieved inside the camera.
To film the movie a traveling cable was tensioned suspended about 3 meters above the forest soil: a perfectly straight line through the winding jungle – a sharp cut. The length of this rail was the same as the roll of film to be filmed with the traveling: for 61 meters of reel that were filmed, the camera advanced another 61 meters.
The result is a continuous single take, a long shot traveling with constant speed through the jungle, going deeper and deeper inside it, for the duration of the roll of film, feet by feet . 16mm is both an essay on cinema and on the forest and the crossings that occur in it. A film about time and the nature of the creative act. An exercise of penetration that is not without psychological connotations. A tactile look. A conceptual and physical work.
This structural analysis of the medium was made in the jungle because even today it is one of the ultimate depths and is from the impact felt entering the forest that the whole idea emerges. But this impact is not only physical or psychological: the Mata Atlântica rainforest is also, geopolitically, one of the densest places in the world. Since the time of the "discovery" to the "post"-colonial day of today, in the jungle happen a succession of conflicts: economic, ecological, geographic, human, scientific, historical, territorial, etc ... crossing each other, creating a network of relationships as complex as the geometry of the vines, branches and trunks, and so difficult to equilibrate as it is to penetrate its natural thickness.
Credits:
Design and camera modification: Stefan Knauer / Effektum, Berlin
Cinematography: Pedro Urano and Daniel Steegmann
Photography direction: Pedro Urano
sound desingn, recordings and audio mixing: Dan Zimmermann
Producction: Daniela Santos
Set assistants: Amilcar Packer, Bruno Caracol
Producction assistant: Vinicius Pereira
Telecine Rio: Victor Lamas, Casablancas laboratórios, Rio de Janeiro
Telecine Barcelona: Pepe Alonso, Imagefilm, Barcelona
development and offline telecine Lab: Casablanca laboratorios, Rio de Janeiro
positive prints: Andec Filmtechnik, Berlín
scan 2k: Imagefilm, Barcelona
I want to thank: Cleber Tumasonis from Casablanca, David Serra and Irma Arrieta from ImageFilm, Susanne Pfeffer, Juliana Zimmermann, Bernardo Issa y Luana Cunha from parque nacional da Tijuca, Agustín Perez Rubio, Carlos Ordás, and maria Inés Rodrígues from Musac, Helmut Batista, Denise Milfont and Oto Milfont Batista, Sergio Martins and Ana Wambier, and specially to Renata Lucas.
This project was realized with the help of CoNCA, Generalitat de Catalunya, produced with The Musac Grants for Artistic Creation.
- published: 07 Jan 2015
- views: 5610
16mm ausfallschritt
- Order: Reorder
- Duration: 7:14
- Updated: 21 May 2017
- views: 12273
video: Max Firchau & Marius Land
music: Touchy Mob "Crooked Lust"
camera: Bolex H16
new one: http://vimeo.com/35953666
video: Max Firchau & Marius Land
music: Touchy Mob "Crooked Lust"
camera: Bolex H16
new one: http://vimeo.com/35953666
https://wn.com/16Mm_Ausfallschritt
In Praise of 16mm
- Order: Reorder
- Duration: 7:49
- Updated: 21 May 2017
- views: 11529
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the f...
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness.
Sources-
Digital Bolex clip used- http://bit.ly/2oVO2sU
Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT
8mm Red Bull BMX video- http://bit.ly/1pN91v5
Kodak 16mm Stock Prices- http://bit.ly/2nY7O64
Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS
Texcam 16mm Rentals- http://bit.ly/2phAuHx
Texcam Digital Rentals- http://bit.ly/2oPjYma
Abelcine Camera Rentals- http://bit.ly/2oVKgzB
Further Reading-
Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM
DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3
The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6
You can follow me through:
Twitter- https://twitter.com/andymsaladino
YouTube- https://youtube.com/c/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Homebound by L'Indécis: soundcloud.com/lindecis
Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale
So In Love by Brock Berrigan: soundcloud.com/brockberrigan
Listen on Spotify: http://bit.ly/ChillhopSpotify
Dreams by Joakim Karud https://soundcloud.com/joakimkarud
Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0
http://creativecommons.org/licenses/b...
Music provided by Audio Library https://youtu.be/VF9_dCo6JT4
https://wn.com/In_Praise_Of_16Mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm gets unfairly overlooked. Let's spend a few minutes chatting about the format in all its grainy and gritty wonderfulness.
Sources-
Digital Bolex clip used- http://bit.ly/2oVO2sU
Blackmagic Pocket Cinema Camera clip used- http://bit.ly/2ofnfcT
8mm Red Bull BMX video- http://bit.ly/1pN91v5
Kodak 16mm Stock Prices- http://bit.ly/2nY7O64
Cinelab Commercial Rate Sheet- http://bit.ly/2oVGZQS
Texcam 16mm Rentals- http://bit.ly/2phAuHx
Texcam Digital Rentals- http://bit.ly/2oPjYma
Abelcine Camera Rentals- http://bit.ly/2oVKgzB
Further Reading-
Interview w/ Ed Lachman (DP on Carol)- http://bit.ly/1TpQTpM
DP Noam Kroll on shooting Super16- http://bit.ly/2ofvxl3
The Power of Story: The Art of Film w/ Christopher Nolan, Colin Trevorrow, Rachel Morrison, and Alex Ross Perry (2016)- http://bit.ly/1PEPtR6
You can follow me through:
Twitter- https://twitter.com/andymsaladino
YouTube- https://youtube.com/c/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Homebound by L'Indécis: soundcloud.com/lindecis
Footsteps by Jeff Kaale: soundcloud.com/jeff-kaale
So In Love by Brock Berrigan: soundcloud.com/brockberrigan
Listen on Spotify: http://bit.ly/ChillhopSpotify
Dreams by Joakim Karud https://soundcloud.com/joakimkarud
Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0
http://creativecommons.org/licenses/b...
Music provided by Audio Library https://youtu.be/VF9_dCo6JT4
- published: 09 Apr 2017
- views: 11529
K-3 super 16mm anamorphic test
- Order: Reorder
- Duration: 3:12
- Updated: 21 May 2017
- views: 16573
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031
First two test rolls through my new super 16mm K-3.
Transferred to 2K Cineform RAW.
Transco...
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031
First two test rolls through my new super 16mm K-3.
Transferred to 2K Cineform RAW.
Transcoded to Apple ProRes 4444 for cutting/grading.
Camera:
Krasnogorsk-3, s16mm, PL mount
Lenses:
35mm, 50mm Lomo 2x anamorphic
Film:
Expired Fuji Eterna 250D and Kodak V2 200T
Processing:
Niagara Custom Lab - www.niagaracustomlab.com/
Transfer:
Frame Discreet - www.framediscreet.com/
https://wn.com/K_3_Super_16Mm_Anamorphic_Test
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031
First two test rolls through my new super 16mm K-3.
Transferred to 2K Cineform RAW.
Transcoded to Apple ProRes 4444 for cutting/grading.
Camera:
Krasnogorsk-3, s16mm, PL mount
Lenses:
35mm, 50mm Lomo 2x anamorphic
Film:
Expired Fuji Eterna 250D and Kodak V2 200T
Processing:
Niagara Custom Lab - www.niagaracustomlab.com/
Transfer:
Frame Discreet - www.framediscreet.com/
- published: 14 May 2011
- views: 16573
16mm
- Order: Reorder
- Duration: 1:00
- Updated: 20 May 2017
- views: 0
- published: 10 Sep 2014
- views: 0
Northwest Winter: 16mm
- Order: Reorder
- Duration: 1:21
- Updated: 20 May 2017
- views: 2878
A segment from a skateboard film released last August. 16mm shot in the Spring/Winter of 2014.
More Info: www.outerlimitsfilm.com
Camera: Bolex Super 16mm Re...
A segment from a skateboard film released last August. 16mm shot in the Spring/Winter of 2014.
More Info: www.outerlimitsfilm.com
Camera: Bolex Super 16mm Rex 4
Stock: Kodak 50d, 250d, Double Perf 500t
Scans: LightPress - Seattle, WA
https://wn.com/Northwest_Winter_16Mm
A segment from a skateboard film released last August. 16mm shot in the Spring/Winter of 2014.
More Info: www.outerlimitsfilm.com
Camera: Bolex Super 16mm Rex 4
Stock: Kodak 50d, 250d, Double Perf 500t
Scans: LightPress - Seattle, WA
- published: 19 Jan 2016
- views: 2878
My Grandparents Wedding :: 16mm from 1944
- Order: Reorder
- Duration: 6:59
- Updated: 21 May 2017
- views: 250451
*This film is original raw footage and not intended for commercial or profit*
My great-grandfather had one of the early consumer 16mm camera's... the Cine Koda...
*This film is original raw footage and not intended for commercial or profit*
My great-grandfather had one of the early consumer 16mm camera's... the Cine Kodak from the 1930's. The film itself, though scratched is in amazing condition. Notice the incredible color of the Kodachrome. Absolutely pristine and sharp.
This film was transferred back in 2009 by Spectra Film and Video. The more recent footage of my grandparents was shot on Super 8mm on a Canon 814 Velvia 50D in 2006.
This footage was all shot in and around Portland in the 1930's and 40's. My grandparents grew up off MLK Blvd.
https://wn.com/My_Grandparents_Wedding_16Mm_From_1944
*This film is original raw footage and not intended for commercial or profit*
My great-grandfather had one of the early consumer 16mm camera's... the Cine Kodak from the 1930's. The film itself, though scratched is in amazing condition. Notice the incredible color of the Kodachrome. Absolutely pristine and sharp.
This film was transferred back in 2009 by Spectra Film and Video. The more recent footage of my grandparents was shot on Super 8mm on a Canon 814 Velvia 50D in 2006.
This footage was all shot in and around Portland in the 1930's and 40's. My grandparents grew up off MLK Blvd.
- published: 26 Aug 2011
- views: 250451
The 16mm Reels Vol.1
- Order: Reorder
- Duration: 3:01
- Updated: 21 May 2017
- views: 7260
Shot on Bolex H16 / 16mm film
Cinematography: Ian Rigby
Process / Telecine: CineLab
Ungraded / no filters / no color correction
Film Stocks:
Kodak Vision 3 25...
Shot on Bolex H16 / 16mm film
Cinematography: Ian Rigby
Process / Telecine: CineLab
Ungraded / no filters / no color correction
Film Stocks:
Kodak Vision 3 250D / 7207
Kodak Vision 3 200T / 7213
Kodak Vision 2 50D / 7201
Kodak Vision 3 50D / 7203
Surfer: Kyle Ruddick
Snowboarder: Will Mayer
Skateboarder: Michael Stine
Lensing:
Angénieux 12-120mm T2.2
Angénieux 5.9mm T2
Angénieux 25mm 0.95f
Som Berthiot 75mm 2.5f
https://wn.com/The_16Mm_Reels_Vol.1
Shot on Bolex H16 / 16mm film
Cinematography: Ian Rigby
Process / Telecine: CineLab
Ungraded / no filters / no color correction
Film Stocks:
Kodak Vision 3 250D / 7207
Kodak Vision 3 200T / 7213
Kodak Vision 2 50D / 7201
Kodak Vision 3 50D / 7203
Surfer: Kyle Ruddick
Snowboarder: Will Mayer
Skateboarder: Michael Stine
Lensing:
Angénieux 12-120mm T2.2
Angénieux 5.9mm T2
Angénieux 25mm 0.95f
Som Berthiot 75mm 2.5f
- published: 09 Apr 2015
- views: 7260
LONG LIVE THE KINGS - Short film documentary -
- Order: Reorder
- Duration: 6:49
- Updated: 21 May 2017
- views: 0
The Greasy Hands Preachers feature documentary coming soon
https://www.facebook.com/TheGHP
Long Live The Kings is a film and photographic project shot exclusiv...
The Greasy Hands Preachers feature documentary coming soon
https://www.facebook.com/TheGHP
Long Live The Kings is a film and photographic project shot exclusively on film
http://long-live-the-kings.blogspot.fr/
Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip.
A film by Clement Beauvais and Arthur de Kersauson
Directed by Clement Beauvais
Produced by Arthur de Kersauson
Written by Clement Beauvais and Arthur de Kersauson
Dop Zack Spiger
Editing Clement Beauvais
A Moonwalk films Production
With the support of Edwin.
Picture and Blog: Hysteric Studio
Photographer Donald van der Putten
Making off Thomas Chedeville
Motorcycles by Blitz Motorcycles
facebook.com/Blitz.Motorcycles
https://wn.com/Long_Live_The_Kings_Short_Film_Documentary
The Greasy Hands Preachers feature documentary coming soon
https://www.facebook.com/TheGHP
Long Live The Kings is a film and photographic project shot exclusively on film
http://long-live-the-kings.blogspot.fr/
Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip.
A film by Clement Beauvais and Arthur de Kersauson
Directed by Clement Beauvais
Produced by Arthur de Kersauson
Written by Clement Beauvais and Arthur de Kersauson
Dop Zack Spiger
Editing Clement Beauvais
A Moonwalk films Production
With the support of Edwin.
Picture and Blog: Hysteric Studio
Photographer Donald van der Putten
Making off Thomas Chedeville
Motorcycles by Blitz Motorcycles
facebook.com/Blitz.Motorcycles
- published: 14 Sep 2012
- views: 0
16mm
- Order: Reorder
- Duration: 3:12
- Updated: 16 May 2017
- views: 1216
- published: 12 Dec 2008
- views: 1216
- Playlist
- Chat
- Playlist
- Chat
7:49
In Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm ge...
published: 09 Apr 2017
In Praise of 16mm
In Praise of 16mm
- Report rights infringement
- published: 09 Apr 2017
- views: 2539
10:42
Shooting on 16mm Film | Shanks FX | PBS Digital Studios
Learn how to shoot on the 16mm film format in this in-depth beginners guide.
Topics cover...
published: 03 Oct 2016
Shooting on 16mm Film | Shanks FX | PBS Digital Studios
Shooting on 16mm Film | Shanks FX | PBS Digital Studios
- Report rights infringement
- published: 03 Oct 2016
- views: 18697
4:26
Bolex 16mm Film Test: Desert New Year (in Slab City)
Some raw 16mm motion picture film footage that I shot while camping in "Slab City" during ...
published: 15 Jan 2013
Bolex 16mm Film Test: Desert New Year (in Slab City)
Bolex 16mm Film Test: Desert New Year (in Slab City)
- Report rights infringement
- published: 15 Jan 2013
- views: 42603
6:34
Shooting on 16mm
Half a history lesson on 16mm film, half behind the scenes of 'Hedgehog and I' a short fil...
published: 29 Jun 2015
Shooting on 16mm
Shooting on 16mm
- Report rights infringement
- published: 29 Jun 2015
- views: 20388
1:28
Go No Further - 16mm Film
Shot on 1 roll (100ft) of 16mm Kodak 50D Film.
published: 29 Nov 2016
Go No Further - 16mm Film
Go No Further - 16mm Film
- Report rights infringement
- published: 29 Nov 2016
- views: 1274
7:00
ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
'Like' this film on Facebook to show support: https://www.facebook.com/orpheusshort
A dar...
published: 13 Dec 2011
ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
ORPHEUS (2011) - Award Winning Experimental 16mm Short Film
- Report rights infringement
- published: 13 Dec 2011
- views: 96806
5:55
Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
Visite minha loja ! GALERIA DO ROCK - LOJA 201 - PISO MEZANINO
Perfil no facebook : www.f...
published: 10 May 2014
Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
Alargando a orelha de 10mm á 16mm - Com Maycoln Tarasevic
- Report rights infringement
- published: 10 May 2014
- views: 288968
6:30
Super 16mm skate video
This is the last project that i did with my Bolex EBM super 16mm film camera before i sold...
published: 11 Nov 2012
Super 16mm skate video
Super 16mm skate video
- Report rights infringement
- published: 11 Nov 2012
- views: 33699
2:29
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
Original color 16mm negatives scanned at 4K resolution and graded. Compared side-by-side ...
published: 06 Feb 2015
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
CinemaLab Preservation Inc. - 16mm 4K Comparison - Wild America
- Report rights infringement
- published: 06 Feb 2015
- views: 3124
7:32
16mm-20mm Plug collection
hey guys, hope you enjoy this video and have a great day, please like if you enjoyed. than...
published: 29 Feb 2016
16mm-20mm Plug collection
16mm-20mm Plug collection
- Report rights infringement
- published: 29 Feb 2016
- views: 31965
4:53
16mm
This movie was shot in 16 mm film in the southwestern Brazilian rainforest, the Mata Atlân...
published: 07 Jan 2015
16mm
16mm
- Report rights infringement
- published: 07 Jan 2015
- views: 5610
7:14
16mm ausfallschritt
video: Max Firchau & Marius Land
music: Touchy Mob "Crooked Lust"
camera: Bolex H16
new ...
published: 02 Jul 2011
16mm ausfallschritt
7:49
In Praise of 16mm
Film nerds like me love to wax lyrical about 35mm and 65mm, but I often think that 16mm ge...
published: 09 Apr 2017
In Praise of 16mm
In Praise of 16mm
- Report rights infringement
- published: 09 Apr 2017
- views: 11529
3:12
K-3 super 16mm anamorphic test
CHECK OUT my new s16mm anamorphic clip: https://vimeo.com/184122031
First two test rolls t...
published: 14 May 2011
K-3 super 16mm anamorphic test
K-3 super 16mm anamorphic test
- Report rights infringement
- published: 14 May 2011
- views: 16573
In Praise of 16mm...
Shooting on 16mm Film | Shanks FX | PBS Digital St...
Bolex 16mm Film Test: Desert New Year (in Slab Cit...
Shooting on 16mm...
Go No Further - 16mm Film...
ORPHEUS (2011) - Award Winning Experimental 16mm S...
Alargando a orelha de 10mm á 16mm - Com Maycoln Ta...
Super 16mm skate video...
CinemaLab Preservation Inc. - 16mm 4K Comparison -...
16mm-20mm Plug collection...
16mm...
16mm ausfallschritt...
In Praise of 16mm...
K-3 super 16mm anamorphic test...
16mm...
Northwest Winter: 16mm...
My Grandparents Wedding :: 16mm from 1944...
The 16mm Reels Vol.1...
LONG LIVE THE KINGS - Short film documentary -...
16mm...
See more photos of 16mm
-
Lyrics list:lyrics
-
I Know You Now, 4him
-
Great Awakening, 4him
-
Surrender, 4him
-
The Center Of The Mark, 4him
-
Take My Life And Let It Be (Interlude), 4him
-
Strange Way To Save The World, 4him
-
Stay Forever, 4him
-
Shelter In The Rain, 4him
-
Sacred Hideaway, 4him
-
Ride Of Life, 4him
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I Know You Now
I looked at faith
I almost walked away
But I looked again
I found the nerve to close my eyes and say the words
To ask you in
And I heard no heavenly choir
No angels in whit attire
i got no amazing super hum omnipresent pow but....
CHORUS
I know You now
I know You now
I know You're in my heart
I know You now
Beyond the shadow of a doubt
I know You now
I look at peace, that once was out of reach
And now it's here
i read Your word that some believe is so absurd
But I hold dear, yea
'Cause You loved me with your dying breath
You saved me when You conquered death
