TÂCHES – Mi Destino

•December 22, 2016 • Leave a Comment

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I was rather hoping that TÂCHES would have been an abbreviation for moustaches. Sadly, I suspect it’s Spanish for Tapes given that TÂCHES is from Los Angeles via Barcelona. Anyhow, the track – Mi Destino – is a rather wonderful one. It’s a strummed guitarish thing with a singer songwriter feel but with tribal and samba elements. This is rounded out with all manner of electronic trickery and hand claps to leave something quite magical and delightful. Ignore the cold, focus on the return of summer.

Blurb: I made this with Sam in a hot LA apartment early this year. I was drinking from a selection of the finest ‘novelty’ size ice tea cans they do in the US and Sam had water. Also that seagull in the picture killed a pigeon while I was finishing this off. I saw it fall out of the sky. Quite majestic really – circle of life and that.

TEN FÉ – Born Slippy .NUXX (Underworld Cover)

•December 21, 2016 • 1 Comment

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Indie group Ten Fe return with an unexpected cover for Christmas. They’ve done Underworld’s classic Born Slippy. Gone is the intensity of the drums of the original and Karl’s frantic, lost vocal. Instead, they take it down a woozy, blissed out direction. Wide-eyed with wonder, this is very New Order.

They say

“We jammed this at our Office Xmas Party last week … and enjoyed it so much! So here she is, re-born, and recorded as a Christmas special : Underworld’s BORN SLIPPY
Merry Merry Christmas and A Vibey New Year from Ben & Leo”

Screamershock

•December 21, 2016 • Leave a Comment

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An indie electro tune from Screamershock that rises above the blandness so often apparent in this genre.

Screamershock was last here a couple of months back with some cinematic electronica. This time Bulletin at Midnight is a bit more danceable. There’s a 90s style shuffling groove and lots of swooping bleeps and bloops. All a bit off kilter. Perhaps understandable, as they explain the track title “The last second has passed… The Doomsday Clock is a symbolic clock face that represents a countdown to possible global catastrophe (e.g., nuclear war or climate change). It has been maintained since 1947 by the members of The Bulletin of the Atomic Scientists’ Science and Security Board who are in turn advised by the Governing Board and the Board of Sponsors, including 18 Nobel Laureates. The closer they set the Clock to midnight, the closer the scientists believe the world is to global disaster.” Dance yourself towards death people.

 

It’s the End of the World As We Know It and I Feel Divine (The First Five Years)

•December 20, 2016 • Leave a Comment

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The very fine PoP Campaign return full of gloom and doom for 2016 but offering you fine people the chance to have an album’s worth of their perky, political synth pop tunes.

Between April 2009 and April 2014, PoP Campaign released three albums: Kraut Popping (2012), Britain Isn’t Working (2012) and HAME (2014), as well as one single, Where Are We Living (Shut Yer Piehole)? (2013). This compilation includes everything released in that time and the rare Bru Money, which was previously only available as part of the Men and Machines Ten Tracks compilation released in 2009. 

2016 has been a pretty dire year and whilst all the end of the world hysteria has been laughable at times, it has given us an excuse to release an all-encompassing apocalypse collection of our first five years.” Available for ‘name your price’. 

Our latest album, Dead Dark (2015), is not featured here. It is available through the very fine Touched Music, all funds it raises go directly to MacMillan Cancer Care.” Get it here:

Fjaak – Fjaak

•December 20, 2016 • Leave a Comment

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This is the eponymous debut album from Berlin based Fjaak. I recommend you listen.

Funked up beats, anxious, gnarly rhythms, thick, treacly bass and delicate, gossamer threads of synth all twist and turn in a swirling vortex of techno-infused joy.

So ‘Spandau Ballett’ is awash with shimmering synths rubbing up against an uber danceable beat, ‘Fjkslktr’ is acid-spiked effervescence underpinned by orchestral waves while ‘Sixteen Levels’ is harried, agitated cracks and grinding bass, a quite neurotic addition. ‘Against The Clock’ is an electrifying burst of intensity, the metronomic, ricocheting drum, bass and high hat gradually ascending as synths close in from all sides and smothered vocal snatches flit in and out. Grand stuff.

A more orthodox approach provides the industrial beat of ‘Das Programm,’ though the harsh, twanging rhythmns are softened by luminescent synths that emerge and cascade like a fine mist. The uncompromising ‘Gewerbe 15’ and ‘Wolves’ with their uber alles teutonic pounding, abrasive keyboards and midway breaks that build furiously before returning to the fray echo the all-out, blistering techno of ‘Access.’   

Cataracts of diaphanous notes flow through the sublime ‘Snow’ gently battling it out with the staccato beats whilst the idiosyncratic ‘Offline’ features kalimba style sounds pitter-pattering earnestly, punctuated by random unidentifiable sounds. Finally, the electro grind of ‘Fast Food’ is earthy, raw and irresistible. Enjoy.

Review by D

Wolves

Gewerbe 15

DUSK & HAZE – II.II – FJAAK

Life Coach Kitteh finds festive centredness

•December 19, 2016 • Leave a Comment

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Life Coach Kitteh says:
I’m going to meditate for half an hour to release my inner self and stay fully in the present. After that I’m going to trash this tree. Have a very centred Christmas everyone.”

You’re going to struggle with the centredness as we’ve Oxlea returning with BreathTaker.  Where September’s Dance of the White Man was wonderfully ambient, BreathTaker is more IDM experimental and edgy.

Em Bee – SUNS

•December 18, 2016 • Leave a Comment

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Standing Rock protests. From this distance I find it hard to work out what’s going on there. There’s lots on facebook but who to trust. UK media hasn’t been particularly interested. Anyhow, Em Bee (pseudonym) offers Suns which focuses on the demand for clean water – given what I think is the recent pipeline spill, a clear concern. Anyhow, the tune itself uses the crowd’s “clean water” sample and an ambient house approach, with some overlaid guitar that just about avoids U2-style worthiness.

Find out more here: http://standwithstandingrock.net/