Derobla – Cluster: Chapter I

•November 23, 2016 • Leave a Comment

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Derobla is a new artist from Barcelona. Here’s his debut Cluster: Chapter 1 EP. Four tracks of IDM electronica. This is an assured debut and has much in common with the intricacies of Max Cooper.

The EP opens with Nana. This gets us off to a suitably low key start. A little shallow wood battering and some xylophone-sounding keys allow the track to drift along and your mind with it. But it retains enough of an edge from the background throb to never feel quite comfortable. Deharaqetum is more conventionally IDM with fractured beats and sawing strings. Includes some awkward vocal snippets that could have been avoided.

Cuando Quieras (ready) packs a bigger punch and sets out to unsettle you, with beats that vary their tempo and ominous sounds elsewhere. Humans (we are not) offers an element of distorted classical overture to the proceedings. Fine but not essential. Closer 1/24/96 gives you some drone, cymbals and a little disembodied vocal. A fine way to drag us to the end.

Nana

Whole EP

 

Freddy43 – EP01

•November 23, 2016 • Leave a Comment

Teeth

Freddy43 is from Utrecht, The Netherlands. His EP01 is a splurge of IDM ambient techno.

The EP opens with Nulrunner which sets the tone for the EP. There’s an underlying groove of pounding pavements, with sharp urban sounds. Vinex Looper mixes a soft ambient centre with acid IDM edges. Things blur a lot on Zone, as if caught in dream. One of those ones where you try to move but can’t. The EP ends with Halfweg, which is a bit odd since it means halfway. Things come back into focus, a catching of breath.

The Kenneth Bager Experience – Mexican Wings (Featuring Damion C. Scott)

•November 22, 2016 • Leave a Comment

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Last time we had The Kenneth Bager Experience here I described the track as Balearic ‘bonkers’. But that was five years ago. Perhaps time has mellowed the Dane. Here’s a typically lovely track from forthcoming album Follow The Beat, out on 23 December.

The sounds remain Balearic but the track – Mexican Wings – doesn’t appear to be a paean to chicken and chip joints. It is a great summery concoction, full of a bass line that ebbs and flows and uplifting emotion. Use this to transplant yourself away from a Northern European winter to sunnier climes.

Blurb: The Kenneth Bager Experience has announced the release of a surprise new mini album entitled ‘Follow The Beat’ on Friday 23rd December 2016, rounding off an epic year for Denmark’s best loved DJ and producer.

Follow the Beat is the follow-up to Bager’s highly anticipated, full-length album, Premiere Classé, which was released on the Music For Dreams label in June 2016. The mini album features guest vocalist Damon C. Scott whose Storm Queen track, ‘Look Right Through’, was a UK No. 1 single, and Damon has added his sublime tones to 5 of the tracks including the single ‘Follow The Beat’. The new album also features collaborations with DJ Pippi ‘Never Stop Dreaming’, and Hannah Schneider on the stunningly beautiful chilled track ‘The Never Ending Happening’.

Premiere Classé was Kenneth Bager’s first full-length album release for 6 years and included the standout single releases ‘Sunshine Stereo’ featuring Damon C. Scott, ‘What’s My Name’ feat. Sofie Gråbøl (known as the leading actress from cult TV Series ‘The Killing’) and ‘La Serenata’ feat Ibiza legend, DJ Pippi. Both Premiere Classé and Follow the Beat combine Kenneth Bager’s passion for Balearic beats and the ‘new Nordic sound’ that is being channelled by his label, Music For Dreams.

Daniele Di Martino – FAUST

•November 22, 2016 • Leave a Comment

Injection

A new release from Daniele Di Martino and the first on vinyl. Out on 15 December. Deep house sounds but with a definite Berlin techno flavouring.

The lead track is Faust. An interesting choice of title, given that the German legend is about a student who sells his soul to the devil – as you do when your grant money runs out. But in music terms, let’s be contrary and start with the B side, for that is where the worldly pleasure of this 12″ are to be found.

B Side track Different is the highlight of the EP. A darkly captivating melodic techno swirl of a tune. A track in which to lose yourself on the dancefloor but with enough of a melodic earworm to work equally as well at home. The other B side is a Thomas Schumacher remix of the lead track. Another classy offering. Big, bold techno sounds, almost the sense of a cathedral organ in the way that the opening is constructed. Before it plunges you into the dark depth of the beats and ominous synths.

And so to the A side Faust, which eschews Daniele’s usual deep house lightness for something dark and of the devil. Full of gloom, doom and portent. But never quite taking off. Stick to the B sides.

Pre Order Vinyl Here: bit.ly/ddm_faust

Daniele Di Martino – Different

Whole EP

Blurb: Daniele Di Martino now comes back with an EP that is made for long and dark nights in the small clubs. Therefore, Di Martino goes back to his roots by creating straight deep house combined with a pushing bassline, as he does in the original version of “Faust” – providing a result that is perfect to be played somewhere in the deepness of the night when there is no time for hesitation. The second track “Different” comes a bit more melodic, includes vocal snippets and leaves space to breathe und feel – while the bass is as dark, it could dig an aisle in the middle of the dancefloor. 

Daniele Di Martino’s two tracks are reduced to the minimum – thus, they present a little less of the easiness and playfulness of his former releases – however, this is no chance but the producer’s way of expressing his development as an artist.

The third track leaves a completely different impression as it is made by techno-legend Thomas Schumacher who gave “Faust” his personal interpretation. Since Schumacher is an expert in creating clear and straight-into-your-face techno sounds the result comes harder and even straighter than the original. It crowns the EP by leaving no space for thinking or dreaming and reflects the intention of the whole trilogy.

Life Coach Kitteh says don’t take advice

•November 21, 2016 • 2 Comments

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Life Coach Kitteh says:
You might be wondering why I became a life coach and not a teacher. Well the reason for that is simple, advice is rubbish. Every hooman gives the same advice, “Doan scratch teh furnitcher, doan eat mah chikkinz off mah plate, git off mah kitchin worktop. Dur dur dur dur dur dur dur.” Edifying no?”

You’re going to need time to take in this morning’s life coaching advice, I feel, so have Roger Goula – Pale Blue Dot (Kaitlyn Aurelia Smith Remix). This is some quite beautiful post-classical music. The Pale Blue Dot of the title is earth and yet it feels a celebration of our benighted planet.

Blurb:

London composer and multi-instrumentalist, Roger Goula, releases his debut album ‘Overview Effect’, Out Now, via brand new contemporary classical record label Cognitive Shift Recordings (One Little Indian / Manners McDade Music Publishing). The post-classical electronica album’s narrative charts the psychological shift in awareness reported by astronauts and cosmonauts while viewing the Earth from orbit, in transit between the Earth and the Moon, or from the lunar surface – something that fascinated Goula.

The artist was inspired by interpreting the experience of looking at the Earth as it is in space – a tiny, fragile ball of life, ‘hanging in the void’, surrounded by a paper-thin atmosphere – something that transforms an astronaut’s perspective of the world, society, and humanity’s existence. Many astronauts report a newly discovered and profound understanding of the interconnection of all life and a renewed sense of responsibility as a conscious being to protect it. Goula set out to reimagine this cognitive shift musically – a body of work that would become his debut album ‘Overview Effect’.

Order the album here: OLI.lnk.to/overvieweffectSo

Salty – Camera (album sampler)

•November 20, 2016 • Leave a Comment

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Hip hop, the Japanese version, courtesy of Salty (Naoya Ninomiya), in the form of six tracks that serve as a taster for his album. And very tasty they are too.

‘Doppleganger’ is a comfortable blend of hip hop beat, scratching and vocal snatches backed up by  sombre keyboards and a Robert Wyatt sample that produces an altogether mournful whole. There’s a late night, smoky vibe in ‘ADSL,’ the mellifluent pulse and shimmering keyboards nicely juxtaposed with agitated Japanese vocal fragments. Laid back, funky goodness permeates ‘The Sea Came In At Midnight,’ a touch of film score in the softly rolling bass, gentle percussion and lyrical flute. All very chilled.

The rugged, resolute beat of ‘Remonoganac’ is paired with some deftly played piano, all of which bears a passing resemblance to DJ Shadow’s ‘Best Foot Forward’ and that’s no bad thing. A significant change of style presents in ‘UBIQ’ and, with its urgent, rapid drum beat, guitar solo and melody, almost departs from hip hop altogether and heads for rock-ier territory. Wistful vocals, soft beats and orchestral sweeps in the endearing ‘Melting In The Dark’ make for a euphonious conclusion to a stimulating collection of tunes. 

Review by D

DJ Shadow – Midnight In A Perfect World (Ben Gomori’s Utopian Edit)

•November 19, 2016 • 2 Comments

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This is the time when I admit that DJ Shadow isn’t someone I’ve particularly rated and I don’t subscribe to the general view that 1996’s Endtroducing was a classic dance album. Midnight In A Perfect World is the oft-quote track from the album but even that never grabbed me. But I’m prepared to engage with Ben Gomori’s chilled edit of the track. This gives it a shape to which I can relate and a sense of stillness but focusing on the slow keyboard sounds. Free download.

The original

Blurb: Former Data Transmission editor puts his touch to a DJ Shadow classic in the latest of his long line of edits that have taken in everyone from Marvin Gaye to LL Cool J and Leonard Cohen. He put this brooding roller together during the summer, only to find out that Entroducing— the landmark album that the original is taken from—is being reissued this month for its 20th anniversary. Very fitting. If you don’t know that legendary LP, get to know! Premiered on his guest mix for John Digweed’s Transitions radio show today, it’s now yours for the keeping.