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FREAKIN’ OUT/ALL OVER ME

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Nobody paid all that much attention to the three solo albums released by Graham Coxon between 1998 and 2001 while he was still part of Blur. To be fair, none of the records were remotely commercial or all that accessible and could easily be dismissed as vanity projects to while away the time in between recording and touring with his ‘mates’.

After he unexpectedly and rather messily left the band in 2002 he seemed to make more of an effort to write and record material that would be more easily enjoyed as exemplified by the release of Happiness In Magazines in May 2004.

The album was preceded by the release of two excellent singles – Freakin’ Out and Bittersweet Bundle of Misery. The former, with its guitar work eerily reminiscent of the late Stuart Adamson mixed in with a touch of J Mascis, actually made a little bit of history as it charted solely on the basis of sales of a limited 7″ release (just 5000 copies were pressed) in an era when single sales were predominently via CDs. The latter was more Blur-like than any of his ‘mates’ had been churning out – it was almost as if he’d taken the formula that had made Coffee And TV such a hit and decided to replicate it – and it took him to the giddy heights of #22 in the singles chart.

The album’s release was met largely with positive reviews – many made the point that him reuniting with producer Stephen Street had clearly paid dividends in that the record was a return to stylish and classy guitar music full of catchy and occasionally ambitious tunes. It was an album that would lead to him being named as Best Solo Artist in 2005 by NME.

Freakin’ Out was proving to be the most popular song on the album and was being best received during the live shows which accompanied its promotion and so the decision was taken to re-issue it as a single in October 2004, this time across a multitude of formats and as a double-A release with All Over Me, a ballad from the LP that brought to mind many of his Britpop contemporaries and highlighted that it wasn’t just Damon Albarn who could pen the tear-jerkers. This time round the single hit #19 and gave him his highest ever chart placing.

mp3 : Graham Coxan – Freakin’ Out
mp3 : Graham Coxon – All Over Me

The bonus track on the CD was a previously unreleased track and while it has some great guitar work, it does kind of highlight Graham’s limited vocal abilities.

mp3 : Graham Coxon – Singing In The Morning

But listen closely to one of the verses that is repeated a few times during the song and you’ll hear a magnificent two fingers to the other members of Blur for more or less giving him the sack a couple of years previously:-

Get rid of me
And they’re kicking my arse
But they gotta because
They suck

Enjoy.

UP THERE WITH THE WORST COVER VERSIONS OF ALL TIME

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I was a fan of Joe Jackson when he first enjoyed success in the late 70s and was lumped into the genre of new wave. Aside from the fact that he had a few fast tempo numbers and at other times his bitter lyrics and vocal delivery could be an occasional reminder of same-era Elvis Costello, there was nothing vaguely new wave about this prematurely balding singer-songwriter, a fact that would be confirmed many years later by the story he tells of his struggle and efforts to make the big time in his entertaining autobiography A Cure For Gravity which stops abruptly in 1978 just as he finally becomes a star.

The first two LPs and accompanying singles had been credited solely to the front man but then, in June 1980, there was a new 3-track single released attributed to Joe Jackson Band. I dutifully bought it, took it home, played it and went uh-oh….it just wasn’t very good at all.

Now I knew from reading the label that this was a cover version but had no idea that it was of a reggae song, and a bona-fide classic at that, which had soundtracked a film back in 1972. I had never heard of Jimmy Cliff and actually assumed on hearing the JJB version that he was some sort of American singer-songwriter long he lines of the blokes out of The Eagles or Steely Dan such was the sort of sound emanating from the turntable:-

mp3 : Joe Jackson Band – The Harder They Come

My apologies for inflicting it on you.

The two tracks on the flip side of the 12″ were originals and demonstrate the two contrasting styles more typical of the band – one is a thrash-through at 100mph and the other a more reserved ballad:-

mp3 : Joe Jackson Band – Out Of Style
mp3 : Joe Jackson Band – Tilt

The single was a monumental flop, not selling anywhere near enough copies to get close to the Top 75. None of the songs were included on the later LP Beat Crazy, which itself sold poorly and proved to be the last album recorded by the four piece. Joe would return to the spotlight the following year with an album of jazz and swing that I just didn’t take to at all, and then in 1982 it was all a bit Billy Joel clever piano pop music that led to a million-selling LP in Night and Day and a massive hit single in Steppin’ Out.

By this point I was past caring.

I’m still reasonably fond of the first three LPs, and indeed have toyed with the idea of an ICA from that era – but there is no way the cover version would have found its way on.

And just a heads-up that the two-week period between Christmas and New Year will see this place devote itself entirely to cover versions.

A FIRST FOR THIS BLOG

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I’ve never posted anything featuring Sex Pistols before. Don’t know why….just never got round to it.

Seems a good time to rectify things….and I don’t think I really need any to add any words of thoughts to this song except to mention that we are fast approaching the 40th anniversary of its release. And to think that, as a teenager, I already thought of the Queen as being ancient back in 1977….she was, as I’ve just checked, 2 years younger than I am just now!

mp3 : Sex Pistols – God Save The Queen

Here’s yer rather excellent b-side:-

mp3 : Sex Pistols – Did You No Wrong

A #2 hit (of course!!!) on Virgin Records. If you want a copy of the A&M version of the single I spotted that someone was selling it on Discogs a few weeks back for £15,000.

Enjoy.

ONE TO BANISH THE THOUGHTS OF WINTER

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Tom Tom Club, the side project of Tina Weymouth and Chris Frantz from Talking Heads, enjoyed two big hit singles in the UK back in 1981 and 1982. Wordy Rappinghood got all the way to #7 (which no doubt pissed off David Byrne as it wouldn’t be until 1985 that Road To Nowhere would give the whole band a Top 10 hit) while their cover of Under The Boardwalk reached #22.

In between these, there was also a flop single which peaked at #65, despite which it has proven to be their most enduring and memorable song. One that makes me think of sunshine, sandy beaches and a wonderfully blue sea lapping onto a Caribbean shore:-

mp3 : Tom Tom Club – Genius Of Love (extended version)
mp3 : Tom Tom Club – Lorelei (instrumental version)

I hate winter.

THE UNDERTONES SINGLES 77-83 (Vol 4)

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Having cracked the higher echelons of the charts last time out, the band took the decision to re-record a well-liked song from their debut LP, speed it up so that it wasn’t a million miles away from the tempo of The Ramones, and make it their fourth single:-

mp3 : The Undertones – Here Comes The Summer

Only 1 minute and 45 seconds in length and one which got a load of favourable reviews yet stalled at #34 at the height of the summer of 1979.

There were two new songs recorded for the b-side:-

mp3 : The Undertones – One Way Love
mp3 : The Undertones – Top Twenty

The former has been described by the band as their homage to Last Train To Clarkesville, albeit via a one-note special. Interesting to learn that all the members of The Undertones, like so many kids in Britain who grew up in the last 60s and 70s, got hooked on The Monkees thanks to their TV shows being on constant repeat during the 90 minutes or so that were devoted to children’s TV on the BBC.

The latter is akin to Scottish punksters The Rezillos, with its ‘hey hey hey’ backing vocal.

All in all, three hugely enjoyable songs with a combined running time of a little over six minutes.

Enjoy.

SATURDAY’S SCOTTISH SONG : #54 : CLARE GROGAN

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lon134

I can’t help it if she only ever released one solo single before calling time on her recording career and concentrating on the acting career. I know I’ve posted this song quite a few times over the years, always apologising for how dreadful it is, but it’s in the collection and so is worthy of featuring in this series. Besides it makes it an easy, lazy posting for me:-

mp3 : Clare Grogan – Love Bomb (12″ version)

Early Xmas present for you.

Stop laughing. She and the boys in the band were trying to earn an honest living.

ABBA ON THE JUKEBOX

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There are people far better qualified and with far more knowledge than me to write about the song featuring today. I was late to the work of Bobby Wratten, one of the most important and influential UK indie musicians of the 90s and 00s and yet the mention of his name will usually invoke an answer of ‘Who?’.

My introduction came a little over ten years ago when I was discovering new music thanks to the wonderous talents of music bloggers whose passion for the music they were writing about and featuring with attached mp3s was so infectious that I decided to start one of my own. It was through such places that I heard, for the first time about The Field Mice, Northern Picture Library and Trembling Blue Stars, all bands with which Bobby Wratten was involved.

The story behind the last of these is quite sad. Bobby had been in a long-term relationship with Annmari Davies who had also been a member of The Field Mice and Northern Picture Library. The break-up of their relationship led, unsurprisingly to the dissolution of the latter band after just one album and a handful of singles.

A heartbroken Wratten, who was already on record as a self-professed incurable romantic, decided to write a lot of songs about his ex, all of which appeared on a wonderfully delicate LP called Her Handwriting in 1994 which was attributed to a new band called Trembling Blue Stars. It was however, really a solo effort with the assistance of Ian Catt who had previously worked with St Etienne.

The LP has variously been described, accurately, as an unabashed hankie-wringer capturing every type of emotion that comes with the unexpected ending of a relationship.

The LP was led off by this 7″ single, which was the first recording to come out on Shinkansen Recordings, which was seen as the natural successor to the recently dissolved Sarah Records:-

mp3 : Trembling Blue Stars – ABBA on the Jukebox (7″ version)
mp3 : Trembling Blue Stars – She’s Always There

It really is the most gorgeous and fragile of recordings with a lyric that recalls the happy memories of time spent together.

The album followed a few weeks later and included a much extended version of the debut single:-

mp3 : Trembling Blue Stars – ABBA on the Jukebox

See, I do have a sensitive side which offers empathy to those whose hearts are in need of mending.

Oh, and worth mentioning that Annmari  would work again with Bobby as part of Trembling Blue Stars on a number of their later recordings.

Enjoy

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