Buddhism is a religion and philosophy indigenous to the Indian subcontinent and encompasses a variety of traditions, beliefs, and practices largely based on teachings attributed to Siddhartha Gautama, who is commonly known as the Buddha (meaning "the awakened one" in Sanskrit and Pāli). The Buddha lived and taught in the eastern part of Indian subcontinent some time between the 6th and 4th centuries BCE. He is recognized by Buddhists as an awakened or enlightened teacher who shared his insights to help sentient beings end ignorance (avidyā), craving (taṇhā), and suffering (dukkha), by recognizing dependent origination and sunyata, and attain Nirvana.
Two major branches of Buddhism are recognized: Theravada ("The School of the Elders") and Mahayana ("The Great Vehicle"). Theravada has a widespread following in Sri Lanka and Southeast Asia. Mahayana is found throughout East Asia and includes the traditions of Pure Land, Zen, Nichiren Buddhism, Tibetan Buddhism, Shingon, Tiantai (Tendai) and Shinnyo-en. In some classifications, Vajrayana—practiced mainly in Tibet and Mongolia, and adjacent parts of China and Russia—is recognized as a third branch, while others classify it as a part of Mahayana. There are other categorisations of these three Vehicles or Yanas.
Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader and composer. As part of Miles Davis's Second Great Quintet, Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace music synthesizers and funk music (characterized by syncopated drum beats). Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.
Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965.
Richard Tiffany Gere ( /ˈɡɪər/ GEER; born August 31, 1949) is an American actor. He began acting in the 1970s, playing a supporting role in Looking for Mr. Goodbar, and a starring role in Days of Heaven. He came to prominence in 1980 for his role in the film American Gigolo, which established him as a leading man and a sex symbol. He went on to star in several hit films including An Officer and a Gentleman, Pretty Woman, Primal Fear, and Chicago, for which he won a Golden Globe Award as Best Actor, as well as a Screen Actors Guild Award as part of the Best Cast.
Born in Philadelphia, Pennsylvania, Gere is a descendant of Mayflower Pilgrims Francis Eaton, John Billington, George Soule, Richard Warren, Degory Priest, William Brewster, and Francis Cooke. His paternal great-grandfather had changed the spelling of the surname from "Geer". Gere's mother, Doris Ann (née Tiffany, born 1924), was a homemaker, and his father, Homer George Gere (born 1922), was an insurance agent for the Nationwide Mutual Insurance Company and had originally intended to become a minister. Gere is their eldest son and second child. In 1967, he graduated from North Syracuse Central High School, where he excelled at gymnastics and music, playing the trumpet. He attended the University of Massachusetts Amherst on a gymnastics scholarship, majoring in philosophy, but did not graduate, leaving after two years.
Alan Wilson Watts (6 January 1915 – 16 November 1973) was a British philosopher, writer, and speaker, best known as an interpreter and populariser of Eastern philosophy for a Western audience. Born in Chislehurst, he moved to the United States in 1938 and began Zen training in New York. Pursuing a career, he attended Seabury-Western Theological Seminary, where he received a master's degree in theology. Watts became an Episcopal priest but left the ministry in 1950 and moved to California, where he joined the faculty of the American Academy of Asian Studies.
Living on the West Coast, Watts gained a large following in the San Francisco Bay Area while working as a volunteer programmer at KPFA, a Pacifica Radio station in Berkeley. Watts wrote more than 25 books and articles on subjects important to Eastern and Western religion, introducing the then-burgeoning youth culture to The Way of Zen (1957), one of the first bestselling books on Buddhism. In Psychotherapy East and West (1961), Watts proposed that Buddhism could be thought of as a form of psychotherapy and not just a religion. Like Aldous Huxley before him, he explored human consciousness in the essay, "The New Alchemy" (1958), and in the book, The Joyous Cosmology (1962).
Joseph Goldstein (born 1944) is one of the first American vipassana teachers (Fronsdal, 1998), co-founder of the Insight Meditation Society (IMS) with Jack Kornfield and Sharon Salzberg, contemporary author of numerous popular books on Buddhism (see publications below), resident guiding teacher at IMS, and leader of retreats worldwide on insight (vipassana) and lovingkindness (metta) meditation.
While the majority of Goldstein's publications introduce Westerners to primarily Theravada concepts, practices and values, his 2002 work, "One Dharma", explored the creation of an integrated framework for the Theravada, Tibetan and Zen traditions.
Since 1967, Goldstein has practiced different forms of Buddhist meditation under well-known teachers from India, Burma and Tibet. His teachers include: Anagarika Sri Munindra, Sri S.N. Goenka, Mrs. Nani Bala Barua (Dipa Ma), the Venerable Sayadaw U Pandita, Tulku Urgyen Rinpoche, Nyoshul Khenpo Rinpoche, and Tsoknyi Rinpoche.
Goldstein was honored by the New York Open Center [4] in 1999 for his "outstanding contribution to the mindfulness of the West."
Eu faço o que você quiser
Quando você quiser
Aonde e como for
Mas só você não quer
Nesse forró, não sei se percebeu
Mas quase todo mundo já pensa como eu
Eu tô querendo um carinho seu
Teu balançar encaixa com o meu
Se você quiser se aconchegar
Menina não precisa nem me perguntar
Você pode sim
Me pegar assim
Me puxar assim
Me apertar assim
Que hoje eu peço sim
Pra São Joaquim
Pra que essa noite nunca tenha fim
I am locked, in a personal reality
I am a dirty boy, and I want to be clean
So I bleed in a ritual, for the goat
And through the razor blades embrace, now I slit my throat
And I choke, as the blood begins to gurgle out my mouth
I want to be dominated, so I'm never getting out
I should be beaten in a cage with no permission to speak
Kept on a collar with my mistress slowly tugging at my leash
Keep me deceased, publicly humiliate my strength
Punish me within this chamber beat me when I beat my meat
I am a slave, and I've found a way to live within this bliss
All I needed in my life, was a little more of this
B (Bondage, Hooks and Chains)
D (Dominance, not refrained)
S (Come doggy play my game)
M (Mistress inflict my pain)
(repeat x2)
I pull the trigger, and I wake up on my knees
I'm surrounded by this torture and I do not know whats happening
In front of me, I see a demoness
I'll give you endless pleasure and I'll take away your breath
I have no life left, but I'm dominated endlessly
I give my body to my mistress and I kiss upon her feet
It's not enough, so I struggle to the rack
As these hooks and chains, slowly peirce across my back
So now I'm back, in my former position
My mistress takes the dullest needle and makes millions of incisions
And my life is now severed in this pain that's so uplifting
Where I am a slave forever and I make no more decisions
B (Bondage, Hooks and Chains)
D (Dominance, not refrained)
S (Come doggy play my game)
M (Mistress inflict my pain)
(repeat x2)
This is all I've ever really wanted so it's what I've got
This pain is burning forever inside me so It's what I want
Every infliction upon my body gives me pain
With every tear that I cry, makes this blood begin to rain
There's no mercy to my flesh, as she takes the razor blade
And with her wicked smile begins to cut through all the major veins
It's the same
It's the pain
It's an endless endeavour, I wouldn't have it any other way.
B (Bondage, Hooks and Chains)
D (Dominance, not refrained)
S (Come doggy play my game)
M (Mistress inflict my pain)