Some knots

1. Yarn knot ABoK #2688
2. Manrope knot
3. Granny knot
4. Rosebud stopper knot (?)
5. Matthew Walker's knot
6. Shroud knot
7. Turks head knot
8. Overhand knot, Figure-of-eight knot
9. Reef knot, Square knot
10. Two half hitches

A knot is a method of fastening or securing linear material such as rope by tying or interweaving. It may consist of a length of one or several segments of rope, string, webbing, twine, strap, or even chain interwoven such that the line can bind to itself or to some other object—the "load". Knots have been the subject of interest for their ancient origins, their common uses, and the area of mathematics known as knot theory.

Use[link]

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There is a large variety of knots, each with properties that make it suitable for a range of tasks. Some knots are used to attach the rope (or other knotting material) to other objects such as another rope, cleat, ring, or stake. Some knots are used to bind or constrict objects. Decorative knots usually bind to themselves to produce attractive patterns.

Teaching[link]

Sailors learning knots and ropework in the early 20th century

While some people can look at diagrams or photos and tie the illustrated knots, others learn best by watching how a knot is tied. Knot tying skills are often transmitted by sailors, scouts, climbers, cavers, arborists, rescue professionals, fishermen, linemen and surgeons.

Applications[link]

Truckers in need of securing a load may use a trucker's hitch, gaining mechanical advantage. Knots can save a spelunker from finding himself buried under rock. Many knots can also be used as makeshift tools, for example, the Bowline can be used as a rescue loop, and the Munter hitch can be used as a belay. The Diamond hitch was widely used to tie packages on to donkeys and mules.

In hazardous environments such as mountains, knots are very important. In the event of someone falling into a ravine or a similar terrain feature, with a rope or two, some carabineers, and knowledge of knots you can set up a rappel system to lower yourself down to the individual and set up a hauling system to allow another individual to pull you and the injured person out of the ravine. Further application of knots includes developing a high line, which is basically equivalent to a zip line. Using the high line you can move supplies, injured people, or those lacking training in rappelling and rock climbing across a river or a large crevice or ravine. Note the systems mentioned typically require carabineers and the use of multiple useful knots. These knots include the bowline, double figure eight, munter hitch, munter mule, prusik, autoblock, and clove hitch. Thus any individual who goes into a mountainous environment should have basic knowledge of knots and knot systems to increase safety and the ability to do interesting activities such as rappelling.

Knots can be applied in combination to produce complex objects such as lanyards and netting. In ropework, the frayed end of a rope is held together by a type of knot called a whipping knot. Many types of textiles use knots to repair damage. Macrame, one kind of textile, is generated exclusively through the use of knotting, instead of knits, crochets, weaves or felting. Macramé can produce self-supporting three dimensional textile structures, as well as flat work, and is often used ornamentally or decoratively.

Properties[link]

Strength[link]

Knots weaken the rope in which they are made.^[1] When knotted rope is strained to its breaking point, it almost always fails at the knot or close to it, unless it is defective or damaged elsewhere. The bending, crushing, and chafing forces that hold a knot in place also unevenly stress rope fibers and ultimately lead to a reduction in strength. The exact mechanisms that cause the weakening and failure are complex and are the subject of continued study.

Relative knot strength, also called knot efficiency, is the breaking strength of a knotted rope in proportion to the breaking strength of the rope without the knot. Determining a precise value for a particular knot is difficult because many factors can affect a knot efficiency test: the type of fiber, the style of rope, the size of rope, whether it is wet or dry, how the knot is dressed before loading, how rapidly it is loaded, whether the knot is repeatedly loaded, and so on. The efficiency of common knots ranges between 40—80% of the rope's original strength.^[2]

In most situations forming loops and bends with conventional knots is far more practical than using rope splices, even though the latter can nearly maintain the rope's full strength. Prudent users allow for a large safety margin in the strength of rope chosen for a task due to the weakening effects of knots, aging, damage, shock loading, etc. The working load limit of a rope is generally specified with a significant safety factor, up to 15:1 for critical applications.^[3] For life-threatening applications, other factors come into play.

Security[link]

Even if the rope does not break, a knot may still fail to hold. Knots that hold firm under a variety of adverse conditions are said to be more secure than those that do not. The main ways knots fail to hold are:

Slipping[link]

The load creates tension that pulls the rope back through the knot in the direction of the load. If this continues far enough, the working end passes into the knot and the knot unravels and fails. This behavior can worsen when the knot is repeatedly strained and let slack, dragged over rough terrain, or repeatedly struck against hard objects such as a masts and flagpoles.

Even with secure knots, slippage may occur when the knot is first put under real tension. This can be mitigated by leaving plenty of rope at the working end outside of the knot, and by dressing the knot cleanly and tightening it as much as possible before loading. Sometimes, the use of a stopper knot or, even better, a backup knot can prevent the working end from passing through the knot; but if a knot is observed to slip, it is generally preferable to use a more secure knot. Life-critical applications often require backup knots to maximize safety.

Capsizing[link]

Bowline

Capsizing (or spilling) a knot refers to changing a knot's form and rearranging its parts, usually by pulling on specific ends in certain ways.^[2] When used inappropriately, some knots tend to capsize easily or even spontaneously. Often the capsized form of the knot offers little resistance to slipping or unraveling. A Reef Knot, when misused as a bend, can capsize dangerously.

Sometimes a knot is intentionally capsized as a method of tying another knot, as with the "lightning method" of tying a Bowline. Some knots, such as the Carrick Bend, are generally tied in one form then capsized to obtain a stronger or more stable form.

Sliding[link]

In knots that are meant to grip other objects, failure can be defined as the knot moving relative to the gripped object. While the knot itself does not fail, it ceases to perform the desired function. For instance, a simple Rolling Hitch tied around a railing and pulled parallel to the railing might hold up to a certain tension, then start sliding. Sometimes this problem can be corrected by working-up the knot tighter before subjecting it to load, but usually the problem requires either a knot with more wraps or a rope of different diameter or material.

Releasability[link]

Knots differ in the effort required to untie them after loading. Knots that are very difficult to untie, such as the water knot, are said to "jam". Knots that come untied with less difficulty, such as the Zeppelin bend, are referred to as "non-jamming".

Components[link]

Knot components

A	Turn
B	Round turn
C	Two round turns

[edit] Bight

Any curved section, slack part, or loop between the ends of a rope, string, or yarn

Bitter end[link]

More a ropeworker's term than a knot term, it refers to the end of a rope that is tied off, hence the expression "hanging on to the bitter end".^{[citation needed]} A bitt is a metal block with a crosspin used for tying lines to, found on piers. In fact the bitter end is the end of the anchor "cable" that connects to the anchor bitts in the cable locker under the forecastle or poop using the bitter pin. (British nautical usage). Other uses may be borrowed from this derivation.

Loop[link]

A full circle formed by passing the working end over itself

Elbow[link]

Two crossing points created by an extra twist in a loop

Standing end[link]

The standing end is the longer end of the rope not involved in the knot, often shown as unfinished. It is often (but not always) the end of the rope under load after the knot is complete. For example, when a clove hitch ties a boat to a pier, the end going to the boat is the standing end.

Standing part[link]

Section of line between knot and the standing end (seen above)

[edit] Turn

A turn or single turn is a single pass behind or through an object.

A round turn is the complete encirclement of an object; requires two passes.

Two round turns circles the object twice; requires three passes.

Working end[link]

The active end of a line used in making the knot. May also be called the 'running end', 'live end', or 'tag end'.

Working part[link]

Section of line between knot and the working end

Categories[link]

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Further information: List of knot terminology

The list of knots is extensive, but common properties allow for a useful system of categorization. For example, loop knots share the attribute of having some kind of an anchor point constructed on the standing end (such as a loop or overhand knot) into which the working end is easily hitched to using a round turn. An example of this is the bowline. Constricting knots often rely on friction to cinch down tight on loose bundles; an example is the Miller's knot. Knots may belong to more than one category.

Bend 

A knot uniting two lines (for knots joining two ends of the same line, see binding knots or loops). List of bends.

Binding 

A knot that restricts object(s) by making multiple winds. List of binding knots.

Coil 

Knots used to tie up lines for storage. Another handy coil is here.

Decorative knot 

A complex knot exhibiting repeating patterns often constructed around and enhancing an object. List of decorative knots.

Hitch 

A knot tied to a post, cable, ring, or spar. List of hitch knots.

Lashing 

A knot used to hold (usually) poles together. List of lashing knots.

Loop 

A knot used to create a closed circle in a line. List of loop knots.

Plait (or braid)

A number of lines interwoven in a simple regular pattern. List of plait knots.

Slip (or running) 

A knot tied with a hitch around one of its parts. In contrast, a loop is closed with a bend. While a slip knot can be closed, a loop remains the same size. List of slip knots.

Slipped 

Some knots may be finished by passing a bight rather than the end, for ease of untying. The common shoelace knot is an example, being a reef knot with both ends slipped.

Seizing 

A knot used to hold two lines or two parts of the same line together. List of seizing knots.

Sennit 

A number of lines interwoven in a complex pattern. See also Chain sinnet.

Splice 

A knot formed by interweaving strands of rope rather than whole lines. More time-consuming but usually stronger than simple knots. List of splices.

Stopper 

A knot tied to hold a line through a hole.

Trick 

A knot that is used as part of a magic trick, a joke, or a puzzle. List of trick knots.

Whipping 

A binding knot used to prevent another line from fraying.

Basic useful knots[link]

• Alpine butterfly knot for a secure loop in the middle of a rope when the ends aren't free
• Bowline for tying a loop in the end of a rope, as around one's waist or to secure a ring or grommet. The knot is also used as an anchor knot and is used in many knot systems that are used in mountainous terrain such as a highline or hauling system.
• Constrictor knot for making bundles or cinching the neck of a sack
• Figure-of-eight knot as a stopper
• Monkey's fist used to haul a heavier rope
• Prusik for ascending a rope
• Sheet bend for joining the ends of two ropes, which need not be the same diameter
• Double sheet bend for tying the ends of two dissimilarly sized ropes together
• Spanish bowline Used to hoist crewmen aloft or suspend them over the side
• Square knot, a binding knot for joining the ends of a piece of cordage wrapped around an object or objects
• Versatackle hoist heavy loads and tighten rigging
• Water knot for tying a knot in flat material such as nylon webbing

Hitches[link]

• Buntline hitch for tying a rope to a pole
• Diamond hitch for packing trail animals
• Midshipman's Hitch (also known as a Taut-line Hitch, below)
• Rolling hitch for securing a rope to a pole, or one rope to the middle of another
• Taut-line hitch for forming an adjustable loop that keeps its size under tension
• Timber hitch for securing or hauling long narrow loads
• Trucker's hitch for clinching down a load

Knot theory[link]

A trefoil knot is a mathematical version of an overhand knot.

Knot theory is a branch of topology. It deals with the mathematical analysis of knots, their structure and properties, and with the relationships between different knots. In topology, a knot is a figure consisting of a single loop, abstracted from any physical rope or line, with any number of crossing or "knotted" elements. As such, it has no proper ends, and cannot be undone or untied. Various mathematical techniques are used to classify and distinguish knots. For instance, the Alexander polynomial can be used to distinguish the trefoil knot from the figure-eight knot and the unknot (a simple loop).^{[citation needed]}

See also[link]

• Chinese knotting
• List of decorative knots
• List of knots
• List of knot terminology
• Knot (mathematics)
• Quipu
• Round turn and two half-hitches

References[link]

Footnotes[link]

Notations[link]

• Clifford W. Ashley. The Ashley Book of Knots. Doubleday, New York. ISBN 0-385-04025-3
• Geoffrey Budworth (1999). The Ultimate Encyclopedia of Knots & Ropework. Annes Publishing Limited. ISBN 1-55267-986-1
• John Cassidy (1985). The Klutz Book of Knots. Klutz Press, Palo Alto, California. ISBN 0-932592-10-4
• Cyrus L. Day. Knots & Splices. International Marine/McGraw-Hill Companies. ISBN 0-87742-252-4
• Raoul Graumont. Handbook of Knots. Cornell Maritime Press/Tidewater Publishers. ISBN 0-87033-030-6
• R.S. Lee. All The Knots You Need. Algrove Publishing. ISBN 0-921335-47-4
• Allen Padgett and Bruce Smith. On Rope. National Speleological Society. ISBN 0-9615093-2-5
• Des Pawson (2001). Pocket Guide to Knots & Splices. Produced for Propsero Books by RPC Publishing Ltd., London. ISBN 1-55267-218-2
• Brion Toss. The Complete Rigger's Apprentice. International Marine/McGraw-Hill Companies. ISBN 0-07-064840-9
• J.C. Turner and P. van de Griend (ed.) (1996). History and Science of Knots. World Scientific. ISBN 981-02-2469-9

External links[link]

Wikibooks has a book on the topic of Simplified list of knots

Wikimedia Commons has media related to: Knots

• Knots at the Open Directory Project
• The short film Knots, Bends And Hitches (1973) is available for free download at the Internet Archive [more]
• Over 350 Knot Videos - videos are demonstrating animated knots tying

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website

This article is about human hair. For other uses, see Longhair (disambiguation) or Hair

Boy with shoulder length hair on a beach in Melanesia.

Long hair is a hairstyle. Exactly what constitutes long hair can change from culture to culture, or even within cultures. For example, a woman with chin-length hair in some cultures may be said to have short hair, while a man with the same length of hair in some of the same cultures would be said to have long hair.

Scientists view long hair as playing a large part in natural selection among many species, since long, thick and healthy hair or fur is frequently a sign of fertility and youth.^[1] As hair grows slowly, long hair reveals several years of a person's health status and reproductive fitness. Hair length is significantly correlated with female attractiveness, as rated by men as well as women.^[2] Hair length and quality can act as a cue to especially a woman's youth and health, signifying reproductive potential.^[3] The prevalence of trichophilia (hair partialism or fetischism) is 7% in the population, and very long hair is a common subject of devotion in this group.^[4][5]

Ways of life often viewed as more rigid, such as soldiers and religious cultures, often have explicit rules regarding hair length. For example, Buddhist monks shave their heads as part of their order of worship.^[6] Even outside religious structures, cultures often associate male long hair with ways of life outside of what is culturally accepted. Subservient cultures, for example, are sometimes detected by their rulers through hair length, as was the case with the Gaelic Irish under English rule and the Moors under Spanish rule in Medieval Spain.^[7]

Again, though, there are exceptions to these rules, notably among the long-haired and religiously devoted Nazarites of the Hebrew Bible (Samson being a famous example)^[8] and among the Sikhs.^[9]

East Asian cultures have traditionally seen long, unkempt hair in a woman as a sign of sexual intent or a recent sexual encounter, as usually their hair is tied up in styles such as the ponytail, plait, or any bun.^[10]

Transferred meaning[link]

The traditional connotation of "long hair" in English meant, roughly, someone artistically knowledgeable or wise, an aesthete.^[11] As a descriptive term, it has been applied to Merovingians and classical music enthusiasts, as well as hippies and aesthetes.^[11]

Hair lengths[link]

A Polish woman with hair reaching the mid-back

A Swedish male with waist-length hair

Painting of a woman with hair grown down to her hips, by Franz Xavier Winterhalter

Woman with knee-length braided hair

Hair length is measured (in centimeters or inches) from the line of the scalp on the forehead up over the highest point of the skull to its termination. In cosmetology, hair lengths are usually categorized according to the part of the body where the bulk of the longest hair terminates.^[12] Hair usually takes about two years to reach shoulder length,^[13] and at approximately 80–90 cm (32–36 inches) for most people, waist-length hair usually takes about seven years to grow, including occasional trims.^[12][13]

Maximum hair length[link]

The maximum hair length that is possible to reach is about 15 cm for infants (below the age of 1), about 60 cm for children (below the age of 13), and generally 100 cm for adults. Documentation for decrease of the maximum length with age cannot be found in the literature. Some individuals can reach excessive lengths. Lengths greater than 150 cm are frequently observed in long hair contests.^[14] Xie Qiuping had the longest documented hair in the world, measuring 5.627 m (18 ft 5.54 in) in May 2004.^[15]

The maximum terminal hair length depends on the length of the anagen (period of hair growth) for the individual. Waist-length hair or longer is only possible to reach for people with long anagen. The anagen lasts between 2 and 7 years, for some individuals even longer, and follows by shorter catagen (transition) and telogen (resting) periods. Between 85% and 90% of the hair strains are in anagen.

Psychological significance[link]

Anthropologists speculate that the functional significance of long head hair may be adornment, a by-product of secondary natural selection once other androgenic/somatic hair (body hair) had largely been lost. Another possibility is that long head hair is a result of Fisherian runaway sexual selection, where long lustrous hair is a visible marker for a healthy individual. For some groups or individuals, however, short hair is the selected trait.^[1]

By seven to nine months, infants can tell the sexes apart based on hair length, voice pitch and faces.^[16][17]

Cultural history[link]

Hair is one of the most important ways humans have of presenting themselves, being one of the parts of their body which is easiest to manipulate. Also, males having short, cut hair (or a shaven head) is often viewed as being under society's control, such as while in military service or prison or as punishment for a crime, while males having long hair signifies being outside of the mainstream.^[18]

In Jewish and Christian scriptures[link]

In the Old Testament, the Nazirites would go for long periods of time without cutting their hair to show devotion to God.^[19] Samson is one example; his strength depended upon his refraining from cutting his hair.^[8] The New Testament says, "Doth not even nature itself teach you, that, if a man have long hair, it is a shame unto him? But if a woman has long hair, it is a glory to her: for her hair is given her for a covering,"^[20] something followed by women in some apostolic pentecostal denominations in some countries as an act of holiness.

Western culture[link]

Ancient Greece and Rome[link]

In ancient Greece, long male hair was a symbol of wealth and power, while a shaven head was appropriate for a slave. The ancient Greeks had several Gods and heroes who wore their hair long, including Zeus, Achilles, Apollo, and Poseidon. Greek soldiers are said to have worn their hair long in battle. Such warriors considered it a sign of aristocracy and are said to have combed it openly in order to show off. Also, in order to keep enemies from getting a hold of it in battle, they were known to cut the front short, but leave it long in the back, where it was more out of reach. A widely held alternative interpretation of the conventional belief that they cut it short in the front in order to keep their enemies from getting a hold of it during battle is that, they did not in fact cut it in the front, but rather tied it back in a style known as a pony tail in order to keep it out of their enemies' reach. The pony tail method allowed warriors, who often traveled to battle with a minimal amount of equipment in order to avoid excessively heavy loads over long marches, to keep their hair manageable with a small piece of string to hold their pony tail in place and a knife to cut the back to length with one simple slice. Around the sixth century, however, the Greek men shifted to shorter hairstyles, with the exception of the Spartans. Women in the culture remained with the longer style, which for them showed freedom, health, and wealth, as well as good behavior.^[21] In men, it was considered a sign of false pride by this time.^[22] Women in Roman times valued long hair, usually with a center part. Men's hair was usually shorter than women's, (but in the early times, the custom was quite the same as in Greece) although other cultures of the time, such as Greeks in the east, considered long hair to be typical of philosophers, who were thought to be too engrossed in learning to bother with hair.^[23] Strictly in the province of Rome, however the shorter hairstyle was especially popular.^[22] When Julius Caesar conquered the Gauls, who favored long hair, he ordered it to be cut short.^[24]

Middle Ages[link]

In the European middle ages, shorter hair often signified servitude and peasantry, while long hair was often attributed to freemen, as was the case with the Germanic Goths and Merovingians.

The Gaelic Irish (both men and women)^[25] took great pride in their long hair—for example, a person could be heavily fined for cutting a man's hair short against his will.^[26] When the Anglo-Normans and the English colonized Ireland, hair length came to signify one's allegiance. Irishmen who cut their hair short were deemed to be forsaking their Irish heritage. Likewise, English colonists who wore their hair long in the back were deemed to be forsaking their role as English subjects and giving in to the Irish life. Thus, hair length was one of the most common ways of judging a true Englishman in this period. Muslims in Christian areas were ordered to keep their hair short and parted, as their longer style was considered rebellious and barbaric.^[7]

Empress Elisabeth of Austria wearing thigh-length hair in 1865.

A long hair fad was widespread among English and French men in the 11th and 12th centuries, though otherwise it was considered, mostly because of endorsement of the Roman Catholic Church, proper for men to have shorter, and women, longer hair. The fad was largely brought about by monarchs who rejected the shorter hairstyle, causing the people to follow. Wulfstan, a religious leader, worried that those with longer hair would fight like women, and be unable to protect England from foreign invasion. This idea can be found in later military leaders as well, such as those of the American Confederacy.^[27] Knights and rulers would also sometimes cut or pull out their hair in order to show penitence and mourning, and a squire's hair was generally shorter than a knight's. Married women who let their hair flow out in public were frowned upon, as this was normally reserved for the unwed, although they were allowed to let it out in mourning, to show their distressed state. Through these centuries it was expected of Eastern Christians to wear long hair as well as long beards, which was especially expected from clergy and monks.

In England, during the English Civil Wars of 1642 to 1651, male hair length was emblematic of the disputes between Cavaliers and Roundheads (Puritans). Cavaliers wore longer hair, and were less religious-minded, thought of by the Roundheads as lecherous. The more devout Roundheads had short hair, although there were exceptions.^[6]

Recent meanings[link]

A man with waist length hair

Before World War One men generally had longer hair and beards. However, short hair on men has often been enforced as a mean of control, in police, military and other forces that require obedience and discipline. Slaves and defeated armies were often required to shave their heads. The trench warfare in 1914 to 1918 exposed men to flea and lice infestations, which prompted the order to cut short hair, establishing a norm that has persisted.^[12]

Beat poets during the 1950s wore longer hairstyles, as did many of the urban gay culture, although long hair was far from popular. By 1960, a small "beatnik" community in Newquay, Cornwall, England (including a young Wizz Jones) had attracted the attention and the abhorrence of their neighbors for growing their hair to a length past the shoulders, resulting in a television interview with Alan Whicker on BBC television's Tonight series.^[28] The 1960s also introduced The Beatles, who started a more widespread longer hair fad. The social revolution of the 1960s led to a renaissance of unchecked hair growth,^[12] and long hair, especially on men, was worn as a political or countercultural symbol or protest. This cultural symbol extended to several Western countries in the Americas, Western Europe, South Africa, and Australia.^[29] Specific long hairstyles such as dreadlocks have been part of counterculture movements seeking to define other alternative cultures and lifestyles since this time.^[10] Longer hair in general remained popular among the youth rebellion throughout the liberal decade of the 1960s.^[29] Homosexual men, many of whom had adopted a long hairstyle in the early 1950s, have largely abandoned this trend. Some people saw the long hair fad as a threat to gender identity, cultural, and religious norms as it grew with the spread of the hippie movement in the 1960s.^[29] Notably, some country-and-western performers during this period (and many fans) also sported longer hair.^[30][31]

In the 1970s, the popularity of Jamaica's reggae music and musician Bob Marley prompted interest in dreadlocks internationally. The anti-establishment philosophy of Rastafari, echoed in much of the reggae of the time, resonated with leaning youth of all ethnicities — especially and primarily among African Americans and other Blacks, but among counterculture whites as well.^[32] The Eastern Christians are encouraged to wear long hair with long beard. In the 1980s the view of long hair as a solitary signifier of political or counter-cultural identity was countered and parodied in films such as Rambo and many other militaristic heroes of media which challenged then-contemporary views of what was masculine.^[33] Today, longer hairstyles remain popular among rock enthusiasts.^[34] Long hair may be grown for the purpose of being donated to an organization, such as Locks of Love, for hairpieces to help those who could not have hair otherwise, such as those who are diagnosed with alopecia areata.

Women[link]

Women often have a stronger inclination towards long hair than men do. Younger women tend to have longer hair than older women. Hair length and quality can act as a cue to a woman's youth and health, signifying reproductive potential.^[35] Growing and wearing long hair was almost universal among women in the western world until World War One.^[12]

Sikhism[link]

The Sikhs were commanded by Guru Gobind Singh at the Baisakhi Amrit Sanchar in 1699 to wear long uncut hair called Kesh at all times. This was one of the 'five requisites of faith', collectively called Kakars that form the external visible identifiers to clearly affirm a Sikh's commitment and dedication to the order (Hukam) of the tenth master and made one a member of the Khalsa. The Khalsa is the "Saint-Soldier" of Guru Gobind Singh who stated the following: "He does not recognize anyone else except One Lord, not even the bestowal of charities, performance of merciful acts, austerities and restraint on pilgrim-stations; the perfect light of the Lord illuminates his heart, then consider him as the immaculate Khalsa." (Guru Gobind Singh in the Dasam Granth page 1350)

The Kesh or unshorn long hair is an indispensable part of the human body as created by Vaheguru that is the mainstay of the 'Jivan Jaach' and the Rehni that was prescribed by Guru Gobind Singh Sahib by which a Sikh is clearly and quickly identified, Kesh. The kanga, another requisite of faith is usually tucked behind the "Rishi Knot" and tied under the turban. The uncut long head hair and the beard in the case of men forms the main kakar for the Sikhs.

KESADHARI, a term defining a Sikh as one who carries on his head the full growth of his kes (hair) which he never trims or cuts for any reason. Anyone, Sikh or non-Sikh, may keep the hair unshorn, but for the Sikh kes, unshorn hair, is a requisite of faith and an inviolable vow. The Sikh Rahit Maryada published by the Shiromani Gurdwara Prabandhak Committee, statutory body for the control and management of Sikh shrines and by extension for laying down rules about Sikh beliefs and practices, issued in 1945, after long and minute deliberations among Sikh scholars and theologians, defines a Sikh thus: Every Sikh who has been admitted to the rites of amrit, i.e. who has been initiated as a Sikh, must allow his hair to grow to its full length. This also applies to those born of Sikh families but [who] have not yet received the rites of amrit of the tenth master, Guru Gobind Singh. ".

Islam[link]

Transjordanian Bedouin with shoulder length hair, during World War II

In the Muslim world, it seems the trend of hair styles is now favouring short over long in men. In the past, Bedouin Muslims often wore their hair in long braids, but western influences brought on the view that such styles were feminine in nature. Now, Bedouins are much less likely to have long hair.^[36] Islamic countries in North Africa such as Egypt view long hair in men as homosexual and in one case the Egyptian police viewed it as satanic and a sign of an infidel^[37].

Muslims regard Prophet Muhammad as the best example to live by, and try to emulate him whenever possible. The Islamic Prophet Muhammad reportedly in Sahih Muslim had hair that "hung over his shoulders and earlobes".^[38] Sahih Bukhari, regarded the most authentic of hadith, also supports this using a prime example of the prophet Isa.^[39] The Prophet Muhammad has also described Jesus as "having long hair reaching his ear lobes."^[40] Malik's Muwatta 51.2.6 reported, Yahya related to me from Malik from Yahya ibn Said that Abu Qatada al-Ansari said to the Messenger of Allah, may Allah bless him and grant him peace, "I have a lot of hair which comes down to my shoulders, shall I comb it? The Messenger of Allah. may Allah bless him and grant him peace, said, "Yes, and honour it." Sometimes Abu Qatada oiled it twice in one day because the Messenger of Allah, may Allah bless him and grant him peace, said to him. "Honour it."

With regards to women, neither Qur'an nor Sunnah explicitly state that women cannot cut their hair. Hadith does mention that women should not imitate men, and vice versa, and hence many scholars on this assumption, decree that women should let their hair grow longer than the hair of the Prophet, reaching beyond their shoulders, as hadith mentions that the Prophet had his hair between his shoulder and his earlobes. (He described Jesus's hair, which hung to his earlobes, as long.^[41])

However culturally, some Muslims are opposed to men having long hair as it is also important in Islam to have clear differences (in appearance) between sexes. And generally these cultures encourage women to have long hair and men to have short hair.^[42] The Taliban in Afghanistan viewed long hair for men as a western influence, and punished it by arrest and forced haircuts,^[43] albeit this would be a direct contradiction of the sunnah of the Prophet. Similar measures have been taken by Islamists in Iraq.^[44] In spite of this, several Taleban affiliated members of the Mehsud clan are recognisable by their long hair. The Saudi Islamist fighter Amir Khattab was also notable for his long hair. Dervishes of some Sufi orders, such as the Kasnazani, often have long hair and whirl it around during rituals.^[45]

Native Americans[link]

Yakima boy with mid-back level hair. (Photo by Edward S. Curtis, 1868–1952.)

Many Native American men wore long hair before the arrival of western influences on their culture or rather eastern influences for them. (In Cherokee legends, for example, males said to be handsome were often described as having "long hair almost to the ground" or similar formulas.^[46]). Both men and women of these cultures have frequently struggled to maintain their tradition, but have faced heavy opposition. Many consider it a sign of giving in to western influences to have their hair cut.^[47][48] Early American settlers saw long-haired, native men as rebelling against their civilized society. Mountain men and trappers who adopted the customs were also considered amoral, and often identified by their long hair.^[49] Since the cultural movements of the sixties and seventies, however, Native Americans have felt less pressure to have short hair, as different movements have defended their cultural rights.^[50] For example, several states have loosened prison regulations, allowing Native Americans to wear long hair during incarceration, along with other cultural allowances.^[51] There has been resistance to these changes, however, as long hair is sometimes used to hide drugs, as well as to identify with a gang.^[52]

Sub-Saharan Africans[link]

Ngbandi girls with waist-length hair, central Africa, 1905

In West African cultures, women with long hair were highly valued. Long, thick hair was seen as a sign of health, strength, and capability to bear many children. In keeping with this general theme, women who were too young for marriage would shave a portion of their heads to signal so. This tradition, however, did not extend to every African tribe, as several valued shorter hair.^[53]

African Americans[link]

When African slaves were freed in the Americas, they struggled with comments from whites calling their hair ugly and nappy. Many African-American women began straightening their hair. However, there was and always will be a variety of hairstyles, such as dreadlocks, twists, short hair, long hair, curly hair, straight hair, etc. Social pressures were heavily influencing African-American females to have long straight hair. Although African Americans have short or long hair, they can do a lot with their hair. Therefore, they have hair shows to show the large variety of hairstyles. African Americans, as well as other thick curly-haired people, are often pressured to not wear their natural hair in today's society. When they wear their hair natural, it's soft and easy to manage. However, when it comes to not wanting to wear natural hair, it becomes more difficult to manage. Therefore, African Americans are wearing natural hair more, so it's finally becoming more accepted.

Asia[link]

Japanese woman combing her long hair. (Colour woodblock print from 1920 by Hashiguchi Goyō.)

Illustration of The Tale of Genji, painted by Tosa Mitsuoki (1617-1691).

Historically, East Asian cultures viewed long hair as a sign of youth and aesthetic beauty. Long hair is associated with private life and sexuality. East Asian cultures see long, unkempt hair in a woman as a sign of sexual intent or a recent sexual encounter, as usually their hair is tied up.^[10] Lay Buddhists have long hair, while Buddhist monks have shaved heads.^[6]

For Sikhs, Kesh is the practice of allowing one's hair to grow naturally as a symbol of devotion to God and lack of worldliness.^[9]

In Jewish and other cultures, shortening hair signifies mourning and sadness.^[18]

Around the seventeenth century, the Manchu people forced all men in China to adopt a hairstyle called a queue, which was basically a long braid down the back with the hair on the front part of the head shaved. This style lasted well into the nineteenth century, when the Chinese began immigrating to America. Americans at first judged them to be poor workers because their long hair brought an association with women.^[54] Both Islamic and Christian missionaries to the Chinese were strong advocates of shorter hair for their converts, but this was a small group.^[55] Around the Destruction of Four Olds period in 1964, almost anything seen as part of Traditional Chinese culture would lead to problems with the Communist Red Guards. Items that attracted dangerous attention if caught in the public included jewelry and long hair.^[56] These things were regarded as symbols of bourgeois lifestyle, that represented wealth. People had to avoid them or suffer serious consequences such as tortures and beatings by the guards.^[56] More recently, long hair was ridiculed in China from October 1983 to February 1984, as part of the Anti-Spiritual Pollution Campaign.^[57] Li Yang, an unorthodox Chinese English teacher who brands the popular Crazy English, claims the following on his website:

"What [America, England and Japan] want most is for China’s youth to have long hair, wear bizarre clothes, drink soda, listen to Western music, have no fighting spirit, love pleasure and comfort!"^[58]

In Southeast Asia and Indonesia, male long hair was valued in until the seventeenth century, when the area adopted outside influences including Islam and Christianity. Invading cultures enforced shorter hairstyles on men as a sign of servitude, as well. They were also confused at the short hairstyles among women in certain areas, such as Thailand, and struggled to explain why women in the area had such short hair. They came up with several mythical stories, one of which involved a king who found a long hair in his rice and, in a rage, demanded that all women keep their hair short.^[55]

In rural areas in certain Asian countries, for example India, girls still usually let their hair grow long, and knee-length hair is not unusual.^[59]

In the medieval Japan, heian gentleman were not very interested in a woman's physical beauty and rarely had an opportunity to see it. The only physical attribute of interest was a woman's hair, which had to be thick and longer than she was tall. The fascination with long hair was one reason why a woman's becoming a nun was regarded with such seriousness - it could never again grow to its full length. This explains why Genji refuses to let Murasaki (his de facto wife in the classical Japanese novel the Tale of Genji) take the tonsure when she is ill.^[60]

See also[link]

• Grooming
• Haircut
• Hair extensions
• Hairstick
• Lady Godiva
• Long hair fetishism, a form of Trichophilia
• Rapunzel

Images[link]

• Female long hair in art (Gallery at Wikimedia commons)
• Female long hair photos (Gallery at Wikimedia commons)
• Male long hair in art (Gallery at Wikimedia commons)
• Male long hair photos (Gallery at Wikimedia commons)

References[link]