16 mm film showing a "variable area" sound track at right.

A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.

Origin of the term[link]

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the early 1950s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.

The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover of the music.

Types of recordings[link]

In the soundtrack genre there are four types of recordings:

1. Musical film soundtracks which concentrate primarily on the songs
   (Examples: Grease, Singin' in the Rain)
2. Film scores which showcase the background music from non-musicals
   (Examples: Star Wars, The Lord of the Rings)
3. Albums of pop songs heard in whole or part in the background of non-musicals
   (Examples: Sleepless in Seattle, When Harry Met Sally...)
4. Video game soundtracks are often released after a game's release, usually consisting of the background music from the game's levels, menus, title screens, promo material (such as entire songs that only segments of which were used in the game), cut-screens and occasionally sound-effects used in the game
   (Examples: Sonic Heroes, The Legend of Zelda: Ocarina of Time)

The soundtrack to the 1937 Walt Disney film Snow White and the Seven Dwarfs was the first commercially issued film soundtrack^[1]. It was released in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs (with the Same Characters and Sound Effects as in the Film of That Title) and has since seen numerous expansions and reissues.

The first musical film to have a commercially issued soundtrack album was MGM’s film biography of Show Boat composer Jerome Kern, Till the Clouds Roll By. The album was originally issued as a set of four 10-inch 78-rpm records. Only eight selections from the film were included in this first edition of the album. In order to fit the songs onto the record sides the musical material needed editing and manipulation. This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, the copy and re-copy them from one disc to another adding transitions and cross-fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very "dry" (without reverberation); otherwise it would come across as too hollow sounding in large movie theatres. This made these albums sound flat and boxy.

MGM Records called these "original cast albums" in the style of Decca's Broadway show cast albums. They also coined the phrase "recorded directly from the soundtrack." Over the years the term "soundtrack" began to be commonly applied to any recording from a film, whether taken from the actual film soundtrack or re-recorded in studio. The phrase is also sometimes incorrectly used for Broadway cast recordings. While it is correct to call a "soundtrack" a "cast recording" (since it represents the film cast) it is never correct to call a "cast recording" a "soundtrack." Among MGM's most notable soundtrack albums were those of the films Good News, Easter Parade, Annie Get Your Gun, Singin' in the Rain, Show Boat, The Band Wagon, Seven Brides for Seven Brothers, and Gigi.

Film score albums did not really become popular until the LP era, although a few were issued in 78-rpm albums. Alex North’s score for the 1951 film version of A Streetcar Named Desire was released on a 10-inch LP by Capitol Records and sold so well that the label later re-released it on one side of a 12-inch LP with some of Max Steiner's film music on the reverse.

Steiner’s score for Gone with the Wind has been recorded many times, but when the film was reissued in 1967, MGM Records finally released an album of the famous score recorded directly from the soundtrack. Like the 1967 re-release of the film, this version of the score was artificially "enhanced for stereo". In recent years, Rhino Records has released a 2-CD set of the complete Gone With the Wind score, restored to its original mono sound.

One of the biggest-selling film scores of all time was John Williams's music from the movie Star Wars. Many film score albums go out-of-print after the films finish their theatrical runs and some have become extremely rare collectors’ items.

In a few rare instances an entire film dialogue track was issued on records. The 1968 Franco Zeffirelli film of Romeo and Juliet was issued as a 4-LP set, as a single LP with musical and dialogue excerpts, and as an album containing only the film's musical score. The ground-breaking film Who's Afraid of Virginia Woolf? was issued by Warner Bros Records as a 2-LP set containing virtually all the dialogue from the film. RCA Victor also issued a 2-LP set what was virtually all the dialogue from the film soundtrack of A Man for All Seasons.

Movie and television soundtracks[link]

The term soundtrack now most commonly refers to the music used in a movie (or television show), and/or to an album sold containing that music. Sometimes, the music has been recorded just for the film or album (e.g. Saturday Night Fever). Often, but not always, and depending on the type of movie, the soundtrack album will contain portions of the score, music composed for dramatic effect as the movie's plot occurs. In 1908, Camille Saint-Saëns composed the first music specifically for use in a motion picture (L'assasinat du duc de Guise), and releasing recordings of songs used in films became prevalent in the 1930s. Henry Mancini, who won an Emmy Award and two Grammys for his soundtrack to Peter Gunn, was the first composer to have a widespread hit with a song from a soundtrack.

By convention, a soundtrack record can contain all kinds of music including music "inspired by" but not actually appearing in the movie; the score contains only music by the original film's composer(s).^[2]

Video game soundtracks[link]

Soundtrack may also refer to music used in video games. While sound effects were nearly universally used for action happening in the game, music to accompany the gameplay was a later development. Rob Hubbard and Martin Galway were early composers of music specifically for video games for the 1980s Commodore 64 computer. Koji Kondo was an early and important composer for Nintendo games. As the technology improved, polyphonic and often orchestral soundtracks replaced simple monophonic melodies starting in the late 1980s and the soundtracks to popular games such as the Dragon Quest and Final Fantasy series began to be released separately. In addition to compositions written specifically for video games, the advent of CD technology allowed developers to incorporate licensed songs into their soundtrack (the Grand Theft Auto series is a good example of this). Furthermore, when Microsoft released the Xbox in 2001, it featured an option allowing users to customize the soundtrack for certain games by ripping a CD to the hard-drive.

Book soundtracks[link]

Only a few cases exist of an entire soundtrack being written specifically for a book.

A soundtrack for J. R. R. Tolkien's The Hobbit and The Lord of the Rings was composed by Craig Russell for the San Luis Obispo Youth Symphony. Commissioned in 1995, it was finally put on disk in 2000 by the San Luis Obispo Symphony.^{[citation needed]}

For the 1996 Star Wars novel Shadows of the Empire (written by author Steve Perry), Lucasfilm chose Joel McNeely to write a score. This was an eccentric, experimental project, in contrast to all other soundtracks, as the composer was allowed to convey general moods and themes, rather than having to write music to flow for specific scenes. A project called "Sine Fiction"^[3] has made some soundtracks to novels by science fiction writers like Isaac Asimov and Arthur C. Clarke, and has thus far released 19 soundtracks to science-fiction novels or short stories. All of them are available for free download.

Author L. Ron Hubbard composed and recorded a soundtrack album to his novel Battlefield Earth entitled Space Jazz. He marketed the concept album as "the only original sound track ever produced for a book before it becomes a movie". There are two other soundtracks to Hubbard novels, being Mission Earth by Edgar Winter and To the Stars by Chick Corea.

The 1985 novel Always Coming Home by Ursula K. Le Guin, originally came in a box set with an audiocassette entitled Music and Poetry of the Kesh, featuring three performances of poetry, and ten musical compositions by Todd Barton.

In comics, Daniel Clowes' graphic novel Like a Velvet Glove Cast in Iron had an official soundtrack album. The original black-and-white Nexus #3 from Capitol comics included the "Flexi-Nexi" which was a soundtrack flexi-disc for the issue. Trosper by Jim Woodring included a soundtrack album composed and performed by Bill Frisell,^[4] and the Absolute Edition of The League of Extraordinary Gentlemen: Black Dossier is planned to include an original vinyl record.

As Internet access became more widespread, a similar practice developed of accompanying a printed work with a downloadable theme song, rather than a complete and physically published album. The theme songs for Nextwave,^[5] Runaways,^[6] Achewood, Dinosaur Comics and Killroy and Tina are examples of this.

In Japan, such examples of music inspired by a work and not intended to soundtrack an radio play or motion picture adaptation of it are known as an "image album" or "image song," though this definition also includes such things as film score demos inspired by concept art and songs inspired by a TV series which do not feature in it. Many audio books have some form of musical accompaniment, but these are generally not extensive enough to be released as a separate soundtrack.

See also[link]

• Audio restoration
• Film score
• Image album
• Image song
• List of soundtrack composers
• Cast recording – for musical theater
• Soundtrack album
• SoundtrackNet
• Musivisual Language

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2007)

External links[link]

• the Soundtrack INFO project
• Film Composers and Soundtracks
• Soundtrack.net trailer music reference
• Soundtrackcollector.com Soundtrack Database
• BIT12 - Best Italian Tutorial by Composer Stefano Lentini

Phil Collins
Phil Collins performing in Perugia, Italy, 1996
Background information
Birth name	Philip David Charles Collins
Born	(1951-01-30) 30 January 1951 (age 61) Chiswick, Middlesex, England, United Kingdom
Genres	Progressive rock, rock, pop, pop rock, soft rock, jazz fusion, R&B, big band
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, drums, percussion, guitar, piano, keyboards
Years active	1968–2011
Labels	Virgin, Atlantic
Associated acts	Genesis, Brand X, Flaming Youth, Philip Bailey, Eric Clapton, the Phil Collins Big Band, Frida Lyngstad, Brian Eno
Website	philcollins.co.uk

Philip David Charles "Phil" Collins, LVO (born 30 January 1951)^[1] is an English singer-songwriter, drummer, pianist and actor best known as a drummer and vocalist for British progressive rock group Genesis and as a solo artist.

Collins sang the lead vocals on several chart hits in the United Kingdom and the United States between 1975 and 2010, either as a solo artist or with Genesis. His singles, sometimes dealing with lost love, ranged from the drum-heavy "In the Air Tonight", dance pop of "Sussudio", piano-driven "Against All Odds", to the political statements of "Another Day in Paradise".

Collins's professional music career began as a drummer, originally in a band called The Real Thing with Andrea Bertorelli, who later became his first wife. Collins played drums and shared lead vocals (with Brian Chatton) in Flaming Youth which recorded one album, (Ark II). In 1970, he took over drums for Genesis, which had already recorded two albums. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. Following Gabriel's departure in 1975, Collins became the group's lead singer.

His solo career, heavily influenced by his personal life, brought both himself and Genesis commercial success. According to Atlantic Records, Collins's total worldwide sales as a solo artist, as of 2000, were 150 million.^[2] Collins has won numerous music awards throughout his career, including seven Grammy Awards, five Brit Awards—winning Best British Male three times, an Academy Award, and two Golden Globes for his solo work.^[3][4] He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

Collins is one of only three recording artists (along with Paul McCartney and Michael Jackson) who have sold over 100 million albums worldwide both as solo artists and (separately) as principal members of a band.^[5] When his work with Genesis, his work with other artists, as well as his solo career is totalled, Collins had more top 40 hits on the Billboard Hot 100 chart during the 1980s than any other artist.^[6] In 2008, Collins was ranked the 22nd most successful artist on the "The Billboard Hot 100 Top All-Time Artists".^[7]

Early life[link]

Collins was born in Chiswick, London, the son of Winifred M. "June" (née Strange), a theatrical agent, and Greville Philip Austin Collins, an insurance agent.^[8][9] He was given a toy drum kit for Christmas when he was five. Later, his uncle made him a makeshift one that he used regularly. As Collins grew older these were followed by more complete sets bought by his parents.^[10] He practiced by playing alongside the television and radio, and never learned to read and write conventional musical notation; instead, he uses a system he devised himself.^[11]

Early career[link]

His professional training began at 14 when he entered Barbara Speake Stage School.^[12] He began a career as a child actor and model, and won his first major role as the Artful Dodger in the London production of Oliver!. He was an extra in the Beatles' A Hard Day's Night, one of hundreds of screaming teenagers during the TV concert sequence and seen fleetingly in a close-up. He was also in Chitty Chitty Bang Bang as one of the children who storms the castle at the end of the film, but it was cut.^[13] He also auditioned for the role of Romeo in Romeo and Juliet (1968),^[14] a role won by fellow Artful Dodger actor Leonard Whiting.^[15] Collins was among the last three finalists for the role of I.Q. on the American children's television show The Bugaloos (he lost out to English actor/musician John McIndoe).^[16]

Despite the beginnings of an acting career, Collins continued to gravitate towards music. While attending Chiswick Community School he formed a band called the Real Thing and later joined the Freehold. With the latter group, he wrote his first song titled "Lying Crying Dying".^[17]

Collins's first record deal came as drummer for Hickory, who changed their name to Flaming Youth by the time of their sole album, Ark 2 (1969).^[18] A concept album inspired by the recent media attention surrounding the moon landing, Ark 2 (with Ronnie Caryl, Brian Chatton and Gordon (Flash) Smith), failed to make much commercial success despite positive critical reviews. Melody Maker featured the album as "Pop Album of the Month", describing it as "adult music beautifully played with nice tight harmonies".^[19] The album's main single, "From Now On", failed on the radio. After a year of touring, band tensions and the lack of commercial success dissolved the group. In 1970, the 19-year old Collins played percussion on the George Harrison song "The Art of Dying". Harrison credited him in the liner notes to the remastered CD version of the album released in 2000.^[20]

Genesis era[link]

In 1970, Collins answered a Melody Maker classified ad for "...a drummer sensitive to acoustic music, and acoustic twelve-string guitarist".^[21] Genesis placed the ad after having already lost three drummers over two albums.^[22] The audition occurred at the home of Peter Gabriel's parents. Prospective candidates performed tracks from the group's second album, Trespass (1970). Collins arrived early, listened to the other auditions while swimming in Gabriel's parents' pool, and memorised the pieces before his turn.^[23]

Collins won the audition. Nursery Cryme was released a year later. Although his role remained primarily that of drummer and backing vocalist for the next five years, he twice sang lead vocals: once on "For Absent Friends" (from Nursery Cryme) and once on "More Fool Me" (from Selling England by the Pound).

In 1974, while Genesis were recording the concept album The Lamb Lies Down on Broadway, Brian Eno (who is credited with "Enossification" for electronic vocal effects on the track "Grand Parade of Lifeless Packaging") needed a drummer for his album Taking Tiger Mountain (By Strategy).^[24] Collins was sent to fill the gap, and played drums in lieu of payment for Eno's work with the band. Collins later contributed drums to the Brian Eno 1975, and 1977 art rock releases Another Green World and Before and After Science.

In 1975, following the final tour supporting the album The Lamb Lies Down on Broadway, Gabriel left the group to pursue a solo career. Collins became lead vocalist after a lengthy but ultimately fruitless search for Gabriel's replacement (where he sang back-up with the over 400 hopefuls that reportedly auditioned).^[25] In the short term, the group recruited former Yes and King Crimson drummer Bill Bruford to play drums during live shows, although Collins continued to play during longer instrumental sections. Bruford's drumming can be heard on the track "The Cinema Show" on the live album Seconds Out. He was soon replaced by ex-Frank Zappa band member Chester Thompson, who became a mainstay of the band's live line-up. Collins, however, continued to play drums on all of the group's studio recordings.

The first album with Collins as lead vocalist, 1976's A Trick of the Tail, reached the American Top 40, and peaked high as No.3 on the UK charts. Said Rolling Stone, "Genesis has managed to turn the possible catastrophe of Gabriel's departure into their first broad-based American success."^[26] Following the recording of Genesis's next album Wind and Wuthering guitarist Steve Hackett left the group to pursue his own solo career. The group decided to continue as a trio for recording with Mike Rutherford playing guitar and bass in the studio, although the lineup was regularly augmented by Chester Thompson and American guitarist Daryl Stuermer for concert tours.

Collins simultaneously performed in a jazz fusion group called Brand X. The band recorded their first album, Unorthodox Behaviour, with Collins as drummer, but because Genesis was Collins's priority, there were several Brand X tours and albums without him. Collins credits Brand X as his first use of a drum machine as well as his first use of a home 8-track tape machine.^[27]

Collins also performed on Steve Hackett's first solo album, Voyage of the Acolyte, on which he sang lead vocals and played drums. As the decade closed, Genesis began a shift from their progressive rock roots and toward more accessible, radio-friendly pop-rock music. The album ...And Then There Were Three... featured their first UK Top 10 and US Top 40 single, "Follow You Follow Me".^[28][29]

	"Dance on a Volcano" (1976) noicon The first track from Genesis's A Trick of the Tail was Collins's début as the group's full-time lead singer. A progressive rock track, it contrasts with the style of his later work.
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In the 1980s, while Collins developed as a songwriter and established a parallel career as a solo artist, Genesis recorded a series of highly successful albums including Duke, Abacab, Genesis, and Invisible Touch. The latter album's title track reached No.1 on the American Billboard singles chart, the only Genesis song to do so. The group received an MTV "Video of the Year" nomination in 1987 for the single "Land of Confusion" (which featured puppet caricatures created by the British satirical team Spitting Image) but lost out to Peter Gabriel's solo hit, "Sledgehammer".^[30] Reviews were generally positive, with Rolling Stone's J. D. Considine stating, "every tune is carefully pruned so that each flourish delivers not an instrumental epiphany but a solid hook."^[31]

Collins left Genesis in 1996 to focus on his solo career.^[17] The last studio album with him as the lead singer was 1991's We Can't Dance. He and Gabriel reunited with other Genesis members in 1999 to re-record "The Carpet Crawlers" for Genesis's Turn It on Again: The Hits. When in the mid-2000s discussions of a possible Genesis reunion arose, Collins stated that he would prefer to return as the drummer, with Gabriel handling the vocals.^[32] Eventually Turn It On Again: The Tour was announced for 2007, with the Collins/Rutherford/Banks line-up.

In March 2010, Phish guitarist Trey Anastasio was asked to pay tribute to Genesis, one of his favourite bands, upon being inducted into the Rock & Roll Hall of Fame. In addition to Anastasio's speech, Phish appeared and performed two Genesis songs, "Watcher of the Skies" and "No Reply At All". Collins and his Genesis band-mates (minus Peter Gabriel) attended the ceremony but they did not perform.

Solo career[link]

Early solo recordings (1981–1983)[link]

The dominant theme running through Collins's early solo recordings (although never specifically mentioned in his songs) was the acrimonious breakdown of his first marriage and then-recent divorce. Two songs he wrote on the Genesis album Duke, "Please Don't Ask", and the Top 20 hit "Misunderstanding", dealt with failed relationships. One year earlier, he had played drums and sung backing vocals on John Martyn's Grace and Danger, an album whose main theme is also marriage break-up. With the recording of his first solo album, Face Value, Collins attributed his divorce as his main influence,^[33] as can be inferred from songs such as "If Leaving Me Is Easy".

	"In the Air Tonight" noicon "In the Air Tonight" from Face Value (1981), was the first single of Collins' solo career.
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Collins made his live debut as a solo performer, appearing at the invitation of producer Martin Lewis at the Amnesty International benefit show, The Policeman's Other Ball at the Theatre Royal in London in September 1981, performing two songs from Face Value including "In the Air Tonight" and "The Roof is Leaking" accompanying himself on piano. Face Value became a surprise international success topping the charts in at least seven countries and hitting the top ten of the Billboard 200 eventually going triple-platinum in the US. Hits from the album included "In the Air Tonight", "I Missed Again" and "If Leaving Me Is Easy". In 1982, he produced ABBA member Frida's solo album, Something's Going On, which helped to spawn the title track, "I Know There's Something Going On", which became a hit.

Much like Face Value, many of the songs from Collins's 1982 follow-up album, Hello, I Must Be Going!, came from Collins's marital problems with his first wife such as "I Don't Care Anymore" and "Do You Know and Do You Care". Collins’s early albums had a dark presence, usually heavy on the drums. Regarding Face Value, he says, "I had a wife, two children, two dogs, and the next day I didn't have anything. So a lot of these songs were written because I was going through these emotional changes."^[34] There were occasional poppier influences–Face Value's "Behind the Lines", for example, was a jazzy remake of a Genesis song he co-wrote. Face Value was a critical and multi-platinum success, and saw Collins’s profile increase further. Hello, I Must Be Going! gave him a UK No.1 for his cover of the Supremes' "You Can't Hurry Love". The album went triple-platinum in the United States, like its predecessor. The Supremes' cover was his first Top 10 US hit (it also hit the Top 10 of Billboard's Adult Contemporary chart). The album also reached No.2 on the UK album chart, spending well over a year there.^[28]

Two years before, Collins had played drums on Peter Gabriel's third self-titled record (often referred to as Melt), the first record to feature the "gated reverb" sound, which was used on the song "Intruder". Gabriel reportedly "didn't want any metal on the record" and asked Collins to leave his cymbals at home, to concentrate on the sound of his kit more heavily than usual. Studio engineer Hugh Padgham augmented the drum sound by using a microphone normally intended for studio communication rather than recording and feeding it through a signal processor called a noise gate. This allowed the reverberation added to the drums to be suddenly cut off before it naturally decayed. The result was the arresting "gated reverb" which became Collins signature sound. This was the same 'big drum sound' used on such songs as "In The Air Tonight", "Mama" by Genesis, and Frida's "There's Something Going On".

Mid-career (1984–1992)[link]

	"Against All Odds" noicon "Against All Odds" from the soundtrack of the same name (1984), is a piano-driven ballad. "Another Day in Paradise" noicon A sample of "Another Day in Paradise" from ...But Seriously (1989). The ballad was written to bring attention to the problem of homelessness
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Collins changed his musical style with the release of the ballad, "Against All Odds (Take a Look at Me Now)", which was the theme song to the movie of the same name in 1984. The more pop-friendly and radio-accessible single became Collins's first solo single to reach number-one on the Billboard Hot 100.^[29] Later that year, Collins contributed to production on Earth, Wind & Fire singer Phillip Bailey's debut album, Chinese Wall, collaborating with Bailey on the hit duet, "Easy Lover". Collins featured on Band Aid's "Do They Know It's Christmas", he played drums and sang on the song. Collins released his most successful album, No Jacket Required, in early 1985. It contained the hits "Sussudio", "One More Night", "Don't Lose My Number", and "Take Me Home", as well as the less known yet equally robust "Who Said I Would", and "Only You Know and I Know". The album featured Sting, Helen Terry and ex-bandmate Peter Gabriel as backing vocalists. He also recorded the successful song "Separate Lives", a duet with Marilyn Martin, and a US number one, for the movie White Nights.^[29] Collins had three US number one songs in 1985, the most by any artist that year.^[29] No Jacket Required went on to win several Grammy awards including Album of the Year.

No Jacket Required received criticism that the album was too safe, despite its upbeat reviews and commercial success. A positive review by David Fricke of Rolling Stone ended, "After years on the art-rock fringe, Collins has established himself firmly in the middle of the road. Perhaps he should consider testing himself and his new fans' expectations next time around."^[35] "Sussudio" also drew criticism for sounding too similar to Prince's "1999", a charge that Collins did not deny.^[36] Nevertheless, the album went straight to #1 in the US and UK. In 1985, Collins was invited by Bob Geldof to perform at the Live Aid charity event. Collins had the distinction of being the only performer to appear at both the UK concert at Wembley Stadium and the US concert at JFK Stadium in Philadelphia. He accomplished this by performing early in the day at Wembley as both a solo artist and alongside Sting, then transferring to a Concorde flight to the US enabling him to perform his solo material, and drum for Led Zeppelin and Eric Clapton in Philadelphia. While being a guest on major artists' hit recordings, Collins continued to enjoy solo success even while on tour with Genesis, besides from his number-one duet with Marilyn Martin in 1986, Collins would score two more hits from movies with the singles, "Two Hearts" (No.1 US, No.6 UK), and "Groovy Kind of Love" (No.1 UK, No.1 US), the latter two from the soundtrack of his feature film, Buster.^[28][29]

In 1989, Collins produced another successful album, ...But Seriously, featuring the anti-homelessness anthem "Another Day in Paradise", with David Crosby on backing vocals. (Collins later went on to co-write, sing and play on the song "Hero" on Crosby's 1993 album Thousand Roads.) "Another Day in Paradise" went to Number 1 on the Billboard Charts at the end of 1989 and won Collins Best British Single at the 1990 Brit Awards, and the 1991 Grammy Award for Record of the Year.^[37][38] In the process, it became the last No.1 US pop hit of the 1980s. The album ...But Seriously became the first No.1 US album of the 1990s and the best-selling album of 1990 in the UK. Other songs included "Something Happened on the Way to Heaven" (No.4 US, No.15 UK), "Do You Remember?" (not released in the UK, but a No.4 hit in the US), and "I Wish It Would Rain Down" (the latter featuring Eric Clapton on guitar) (No.3 US, No.7 UK).^[28][29] Songs about apartheid and homelessness demonstrated Collins’s turn to politically-driven material. This theme recurred on his later albums. A live album, Serious Hits... Live!, followed. In September 1990, Collins performed "Sussudio" at the 1990 MTV Video Music Awards in Los Angeles.^[39]

Later solo work and Genesis reunion (1993–2008)[link]

Collins's record sales began to drop with the 1993 release of Both Sides, a largely experimental album that, according to Collins, included songs that "were becoming so personal, so private, I didn't want anyone else's input".^[40] Featuring a less polished sound and fewer up-tempo songs than his previous albums, Both Sides was a significant departure. Collins used no backing musicians, performed all the vocal and instrumental parts at his home studio, and used rough vocal takes for the final product. The album was not well received by radio. Its two biggest hits were "Both Sides of the Story" and "Everyday". Collins worked on the album completely independently of his record company, and took them by surprise when he delivered them a completed album that they were unaware he was making.

Collins officially parted ways with Genesis in 1996 to focus on his solo career (Genesis would produce one album without Collins—...Calling All Stations...—before going on hiatus). Collins attempted a return to pop music with Dance into the Light, which Entertainment Weekly reviewed by saying that "(e)ven Phil Collins must know that we all grew weary of Phil Collins".^[41] It included minor hits such as the title track and the Beatles-inspired "It's in Your Eyes". Although the album went Gold in the US, it sold considerably less than his previous albums. Despite this, the subsequent tour regularly sold out arenas.

In 1996, Collins formed the Phil Collins Big Band. With Collins as drummer, the band performed jazz renditions of various Collins and Genesis hits. The Phil Collins Big Band did a world tour in 1998 that included a performance at the Montreux Jazz Festival. In 1999, the group released the CD A Hot Night in Paris including big band versions of "Invisible Touch", "Sussudio", and the more obscure "The Los Endos Suite" from A Trick of the Tail.

Phil Collins's star on the Hollywood Walk of Fame, 6834 Hollywood Blvd

A compilation album ...Hits was released in 1998 and sold very well, returning Collins to multi-platinum status in America. The album's sole new track, a cover of the Cyndi Lauper hit "True Colors", received considerable play on US Adult Contemporary stations while peaking at No.2.^[42] Some of Collins's earlier hits (e.g. "I Missed Again", "If Leaving Me Is Easy", etc.) and other successes were not included in this compilation.

Collins's next single, "You'll Be in My Heart", from the Disney animated movie Tarzan, spent 19 weeks at No.1 on Billboard's Adult Contemporary chart – the longest time ever up to that point. The song won Collins an Academy Award for Best Song. It was his third nomination in the songwriters' category, after being nominated in 1985 and 1989. Collins was awarded a star on the Hollywood Walk of Fame, on 16 June 1999.^[43]

Collins performing in Barcelona, Spain in July 2004

In 2002 Collins released Testify. Metacritic's roundup of album reviews found this record to be the worst-reviewed album at the time of its release, though it has since been "surpassed" by three more recent releases.^[44] The album's "Can't Stop Loving You" (a Leo Sayer cover) was yet another #1 Adult Contemporary smash hit for Collins. Testify sold 140,000 copies in the United States by year's end, although a successful worldwide tour followed.^[45]

That same year Collins accepted an invitation to drum for the "house band" at a concert celebrating Queen Elizabeth II's Golden Jubilee. In 2003 announced his last solo tour^[46] – the "First Final Farewell Tour", a tongue-in-cheek reference to the multiple farewell tours of other popular artists. In 2006 he worked with Disney on a Broadway production of Tarzan, a musical which received generally mixed reviews. In 2007 Collins reunited with his Genesis bandmates Tony Banks and Mike Rutherford for Turn It On Again: The Tour, a tour of Europe and North America. During the tour Genesis performed at the Live Earth concert at Wembley Stadium. Following the band's performance, presenter Jonathan Ross had to apologise to viewers watching the televised version as Collins had used a swear word while singing "Invisible Touch".

[edit] Going Back and retirement (2009–2011)

In October 2009, it was reported that Collins was to record a Motown covers album. He told a German newspaper, "I want the songs to sound exactly like the originals", and that the album would feature up to 30 songs.^[47] In January 2010, Chester Thompson said that the album had been completed and would be released some time soon. He also revealed that Collins managed to play the drums on the album despite the adverse effects of his recent spinal operation.^[48] It was the first solo album Collins had recorded which consisted entirely of songs written by other people.

Going Back was released on 13 September 2010, entering the UK charts at number 4, rising to number one the following week.^[49] In early summer 2010, Collins played six concerts entirely dedicated to the music from Going Back. These included a special programme, Phil Collins: One Night Only, which was broadcast on ITV1 on 18 September 2010. Collins also promoted Going Back with his first and only appearance on the BBC's foremost music series Later... with Jools Holland, broadcast on 17 September 2010.

As of January 2011, Collins has spent 1,730 weeks in German music charts – 766 weeks of them with Genesis albums and singles and 964 weeks with solo releases.^[50]

Citing health problems and other concerns, Collins announced on 4 March 2011 that he was taking time off from his career, prompting widespread reports of his retirement.^[51] Days later, on 7 March, his UK representative told the press, "He is not, has no intention of, retiring."^[52] However, later that day, Collins posted a message to his fans on his own website, confirming his intention to retire in order to focus on his family life.^[53][54]

Drums and other equipment[link]

Phil Collins uses Gretsch drums and Sabian cymbals. Drums (all single headed concert toms except for the snare): 20" Bass Drum, 18" Floor Tom, 16" Floor Tom, 15" Mounted Tom, 12" Tom, 10" Tom, 8" Tom, 14"x4" Snare, 14" Phil Collins Special.

Cymbals: HH Medium Crash 20" – HH Extra Thin Crash 17" – Hi-Hats 15" – HH China 20" – HH Medium-Thin Crash 16" -HH China 22" – HH Raw Bell Dry Ride 21".^[55]

Until 1986, Collins played Paiste and Zildjian cymbals. Other drums he's used over the years are Premier, Noble & Cooley, Pearl, Simmons and Ludwig drums. He uses a Ludwig Speed King pedal and Pro Mark sticks.

Other instruments which have become synonymous with Collins's sound (particularly in his post-1978 Genesis and subsequent solo career) include the Roland CR-78 and Roland TR-808 drum machines, Sequential Circuits Prophet-5 synthesizer,^[56] and the Yamaha CP-70 electric grand piano.

Career as producer[link]

For his solo career and his career with Genesis, Collins produced or co-produced virtually all of his singles and albums, the notable exceptions being "Against All Odds (Take A Look At Me Now)" (produced by Arif Mardin), and his cover of "True Colors" (produced by Kenneth "Babyface" Edmonds.)

Collins also maintained a career as a producer for other artists throughout the 1980s, usually working on outside projects at the rate of one artist per year. His first outside work as a producer was the 1981 album Glorious Fool for John Martyn; he followed that up by producing Frida's 1982 album Something's Going On, which contained the international hit "I Know There's Something Going On".

1983 found Collins producing two tracks for Adam Ant, both of which hit the UK charts: "Puss 'N' Boots" and "Strip". ("Strip" was a minor US hit as well.) In 1984, he produced Phillip Bailey's album Chinese Wall, from which the hit Bailey/Collins duet "Easy Lover" was drawn. This album also contained the Bailey hit "Walking On The Chinese Wall".

In 1985, Collins produced several tracks on the Eric Clapton album Behind The Sun. The following year, he produced (in collaboration with Hugh Padgham) one track for Howard Jones, the international hit "No One Is to Blame".

Returning to work with Clapton, Collins was one of the producers on his 1987 album August. The UK top 20 single "Behind The Mask" was drawn from this album, and this particular track credited production to "Phil Collins in association with Tom Dowd."

In 1988, Collins and Lamont Dozier collaborated as writers and producers of the Four Tops top 10 UK hit "Loco In Acapulco", which was taken from the soundtrack of the film Buster, in which Collins starred. Finally, in 1989, Collins was one of the producers of the Stephen Bishop album Bowling in Paris, which included the US Adult Contemporary hit "Walking on Air", produced by Collins and Padgham.

Films, theatre and television[link]

The majority of Collins's film work has been through music. Four of his seven American number one songs came from film soundtracks, and his work on Disney's Tarzan earned him an Oscar. Collins even sang German, Italian, Spanish and French versions of the Tarzan soundtrack for the respective film versions. Collins's acting career has been brief. As a child, he appeared in three films, although two of the films were for brief moments as an extra. Besides the aforementioned A Hard Day's Night (1964), Collins's first lead role was in a children's film Calamity the Cow (1967).

Collins wrote and performed the title song to Against All Odds in 1984. The song became the first of his seven American number one songs and received an Academy Award nomination for Best Song. Collins was not invited to perform the song at that year's presentation, although he was in the audience as the song's composer. Collins had arranged his US tour to accommodate the possibility of appearing on the telecast in the event his song was nominated for an Oscar. It is believed that the producers of that year's Academy Awards show were not aware of his prominence as a musical performer. A note to Collins's label from telecast co-producer Larry Gelbart explaining the lack of invitation stated, "Thank you for your note regarding Phil Cooper [sic]. I'm afraid the spots have already been filled". Collins instead watched Ann Reinking perform his song.^[57] For a long time afterwards, he would introduce his performance of "Against All Odds" at his concerts by saying: "Miss Ann Reinking's not here tonight, so I guess I'll have to sing my own song".

As a vocalist, Collins sang Stephen Bishop's composition "Separate Lives" for the film White Nights (1985) as a duet with Marilyn Martin. The single of the recording became another number one hit for Collins. The song itself was nominated for an Academy Award for Best Song (a category that honours the composer, not the vocalists). Bishop's song had parallels to some of the songs on Collins's first two albums. Writer Stephen Bishop noted that he was inspired by a failed relationship and called "Separate Lives" "a song about anger".^[58] When the song was being nominated for an Academy Award, in interviews about the original snub by the Academy for "Against All Odds", Collins would jokingly say "the hell with him – I'm going up too," referring to if Bishop's song were to win the award.^[59]

Collins's first film role since becoming a musician came in 1988 with Buster about the Great Train Robbery, which took place in England in August, 1963. The film received good reviews and Collins contributed four songs to the film's soundtrack. His rendition of "Groovy Kind of Love", originally a 1966 single by the Mindbenders, with lyrics by Toni Wine and music by Carole Bayer Sager, but with the melody of the Rondo section of Muzio Clementi's "Sonatina in G major", op. 36 no. 5 reached number one. The film also spawned the hit single "Two Hearts", which he wrote in collaboration with legendary Motown songwriter Lamont Dozier; the two artists would go on to win a Golden Globe for Best Original Song and receive an Oscar nomination in the same category, the second such honour for Collins; "Big Noise", written by Phil Collins and Lamont Dozier, which included Collins on vocals (although the song was not released as a single, an instrumental version of this song appeared as the B-side to the single version of "A Groovy Kind Of Love".) The final song, "Loco In Acapulco", was another collaboration between him and Dozier, with the vocals performed by the legendary Motown group the Four Tops. Film critic Roger Ebert said the role of Buster was "played with surprising effectiveness" by Collins, although the film's soundtrack proved more successful than the film did.^[60]

Collins had cameo appearances in Steven Spielberg's Hook (1991) and the AIDS docudrama And the Band Played On (1993). He starred in 1993's Frauds, which competed for the Palme d'Or at the 1993 Cannes Film Festival.^[61] He supplied voices to two animated features: Amblin's Balto (1995) and Disney's The Jungle Book 2 (2003). A long-discussed but never completed project was a film titled The Three Bears; originally meant to star him alongside Danny DeVito and Bob Hoskins, he often mentioned the film, though an appropriate script never materialised.^[62]

Collins performed the soundtrack to the animated film Tarzan (1999) for the Walt Disney Company. Collins won an Academy Award for "You'll Be in My Heart", which he performed at that year's telecast as well as during a Disney-themed Super Bowl halftime show. The song, which he also recorded in Spanish among other languages, became his only appearance on Billboard's Hot Latin Tracks.^[42] Disney hired him, along with Tina Turner, in 2003 for the soundtrack to another animated feature film, Brother Bear, and had some airplay with the song "Look Through My Eyes".

On television, he twice hosted the Billboard Music Awards. He also appeared in an episode of the series Miami Vice, entitled "Phil the Shill", in which he plays a cheating con-man. He also guest starred in several sketches with The Two Ronnies. Most recently, he had a cameo appearance on the television series Whoopi.

In 2001, Collins was sought out by the satirist Chris Morris, and appeared in the Brass Eye 'Paedophile Special' endorsing a spoof charity called 'Nonce Sense'. At one point Collins, dressed in a matching baseball cap and t-shirt emblazoned with the name of this fictitious charity, stares into the camera and declares: "I'm talking Nonce-sense."

In 2005, Collins's work on Brother Bear was expanded as Disney used the song "Welcome" as the theme for Walt Disney's Parade of Dreams, the main parade celebrating the 50th Anniversary of Disneyland.

In 2006 Disney's Tarzan was adapted for Broadway. Collins contributed 11 new songs and instrumental pieces, and was deeply involved in the production. Unlike the film, where Collins sang all the material, the characters sang on stage.

Collins made an appearance as himself in the 2006 PlayStation Portable and PlayStation 2 video game Grand Theft Auto: Vice City Stories, set in 1984. He appears in three missions in which the main character must save him from a gang that is trying to kill him, the final mission occurring during his concert, where the player must defend the scaffolding against saboteurs while Phil is simultaneously performing "In the Air Tonight." After this, the player is given the opportunity to watch this performance of 'In the Air Tonight.' "In the Air Tonight" was also featured in the soundtrack of Grand Theft Auto: Vice City Stories and it was also featured in the film Aqua Teen Hunger Force Colon Movie Film For Theaters, the 2009 movie The Hangover and the 2007 Gorilla commercial for Cadbury's Dairy Milk chocolate. The advertisement also helped the song re-enter the New Zealand RIANZ Singles Chart at number three in July 2008, the following week reaching number one, beating its original 1981 No.6 peak. Phil Collins had several ties to the hit show Miami Vice with 5 songs used in the course of the series as well as having starred in the episode "Phil The Shill."

Phil Collins was portrayed in the hit cartoon South Park in the episode "Timmy 2000" holding his Oscar throughout, referring to his 1999 win for "You'll Be In My Heart", which defeated "Blame Canada" from South Park: Bigger, Longer & Uncut. He was seen again in the episode "Cartman's Silly Hate Crime".

Phil Collins appears briefly in the Finnish animated sitcom Pasila in the episode "Phil Collins Hangover". The music of this episode is a pastiche of Phil Collins' "Another Day In Paradise".

Personal life[link]

Family[link]

Collins has been married three times. He married Canadian Andrea Bertorelli in 1975. They met as students in a drama class in London.^[63][64] They had a son, Simon Collins, and Collins adopted Bertorelli's daughter Joely Collins, a Canadian actress. They divorced in 1980, after she started an affair with their painter and decorator. Collins later appeared on the BBC's Top of the Pops singing his 1981 solo hit "In The Air Tonight" with a pot of paint and brush positioned near his piano.^[65] Collins has since claimed that the presence of the paint and brush was coincidental.

Collins met his second wife, Jill Tavelman, in 1980. They were married from 1984^[66] to 1996. They had one daughter, Lily Collins, born in 1989.^[67] Collins openly admits that some of their divorce-related correspondence was by fax (one, about access to their daughter, was reproduced in the Sun), but denies that this took her by surprise.^[64] Collins paid Jill £17M as final settlement.^[65]

Collins married his third wife, Orianne Cevey, in 1999 after a five year romance.^[65] They have two sons, Nicholas and Matthew. They bought Sir Jackie Stewart's former house located in Begnins, Switzerland, overlooking Lake Geneva. Announcing their separation on 16 March 2006, they were divorced on 17 August 2008. Collins reportedly paid Cevey £25M in settlement.^[65] Collins has said he will continue to live in Switzerland to be near the children. He is currently residing in Féchy, while also maintaining homes in New York and Dersingham, Norfolk, England.^[65][68] In 2008, Collins was quoted in People Magazine: "Marriage is a difficult proposition. But I haven't given up on it, either."^[69] Collins, however, stated in 2010 that he had no intention of marrying again.^[70]

Fortune[link]

Collins was estimated to have a fortune of £115 million in the Sunday Times Rich List of 2011, making him one of the 20 richest people in the British music industry.^[71]

Court case[link]

On 29 March 2000, Phil Collins launched a case against two former musicians from his band to recoup £500,000 ($780,000) in royalties that were overpaid. Louis Satterfield, 62, and Rahmlee Davis, 51, claimed their contract entitled them to 0.5 per cent of the royalties from Serious Hits... Live!, a live album recorded during Collins's Seriously, Live! World Tour tour in 1990. Their claim was they were an integral part of the whole album, but Collins responded the two should only receive royalties from the five tracks in which they were involved.^[72] Instead of asking for a return of what Collins considered overpayment, he sought to recoup the funds by withholding future royalties to Satterfield and Davis, which amounted to less than an annual sum of £12,500 ($20,000) each.

On 19 April 2000, the High Court ruled that the two musicians would receive no more royalty money from Phil Collins. The amount that Collins was seeking was halved, and Satterfield and Davis (who originally brought the suit forward in California) would not have to repay any of it. The judge agreed with Collins's argument that Satterfield and Davis should have been paid for only the five tracks on which they performed, including the hit "Sussudio".^[73]

Health problems[link]

Collins reported losing his hearing in his right ear in 2000 due to a viral infection. In September 2009, it was reported that Collins could no longer play drums, due to a recent operation to repair dislocated vertebrae in his neck.^[74] A statement from Collins on the Genesis band website said, "There isn't any drama regarding my 'disability' and playing drums. Somehow during the last Genesis tour I dislocated some vertebrae in my upper neck and that affected my hands. After a successful operation on my neck, my hands still can't function normally. Maybe in a year or so it will change, but for now it is impossible for me to play drums or piano. I am not in any 'distressed' state; stuff happens in life."^[75]

Honorary Degrees[link]

Collins has received several honorary doctorates in recognition of his work in music and also for his personal interests. In 1987, he received an honorary doctorate of fine arts at Fairleigh Dickinson University.^[76] . In 1991, he received an honorary doctorate of music at the Berklee College of Music.^[77] Then on 12 May 2012, he received an honorary doctorate of history at McMurry University in Abilene, Texas for his research and collection of Texas Revolution artefacts and documents, which has led him to own one of the world's largest private collection of Alamo related artefacts.^[78] His passion for the Battle at the Alamo has also led him to write the book The Alamo and Beyond: A Collector's Journey, published in 2012.^[79]

Activism[link]

Collins was appointed a Lieutenant of the Royal Victorian Order in 1994 in recognition of his work on behalf of the Prince's Trust.^[80]

Collins has stated he is a supporter of animal rights and People for the Ethical Treatment of Animals (PETA). In 2005, he donated an autographed drumstick in support of PETA's campaign against Kentucky Fried Chicken.^[81]

Collins also has a long-standing interest in the Alamo. He has collected hundreds of artefacts related to the famous 1836 battle in San Antonio, Texas, narrated a light and sound show about the Alamo, and spoken at related events.^[82] He has completed a book entitled "The Alamo and Beyond: A Collector's Journey" published by Statehouse Press, based in Buffalo Gap, Texas.^[83]

Collins has often been mentioned erroneously in the British media as being a supporter of the Conservative Party and an opponent of the Labour Party. This derives from the famous article in the Sun, printed on the day of the 1992 UK general election, titled "If Kinnock wins today will the last person to leave Britain please turn out the lights", which claimed that Collins was among several celebrities who were planning to leave Britain in the event of a Labour victory.^{[citation needed]} Shortly before the 2005 election (when Collins was living in Switzerland), Noel Gallagher is reported as saying: "Vote Labour. If you don't and the Tories get in, Phil is threatening to come back."^[84] However, Collins has since stated that although he did once claim many years earlier that he might leave Britain if most of his income was taken in tax, which was Labour Party policy at that time for top earners, he has never been a Conservative Party supporter and he left Britain for Switzerland in 1994 purely because he met a woman who lived there. He said of Gallagher: “I don’t care if he likes my music or not. I do care if he starts telling people I’m a wanker because of my politics. It’s an opinion based on an old misunderstood quote.”^[85] Despite his claim that he did not leave Britain for tax purposes, he was one of several super-rich figures living in tax havens who were singled out for criticism in a report by the charity Christian Aid in 2008.^[86] Questioned about his politics by Mark Lawson in an interview broadcast in 2009, Collins said: "My father was Conservative but it wasn't quite the same, I don't think, when he was alive. Politics never loomed large in our family anyway. I think the politics of the country were very different then."^[87]

Collins founded the Little Dreams Foundation in February 2000, which aims to "realise the dreams of children in the fields of sports and art" by providing future prodigies aged 4 to 16 years with financial, material, and mentoring support with the help of experts in various fields.^[88]

Collins supports the South African charity the Topsy Foundation, which provides relief services to some of South Africa's most under-resourced rural communities through a multi-faceted approach to the consequences of HIV and AIDS and extreme poverty. He donates all royalties earned in South Africa to the organization.^[89][90]

Collins is a patron of the charity Children in Hunger, a small UK based charity working to combat child poverty in Brazil.^[91]

Discography[link]

Genesis[link]

Studio albums[link]

Number one singles[link]

"In the Air Tonight" re-entered the New Zealand charts in 2008 at No.3 and then peaked at No.1, after featuring in a Cadbury Gorilla advertisement.

See also[link]

• List of awards and nominations received by Phil Collins
• Touring and studio musicians of Phil Collins

Notes[link]

References[link]

• Atlantic Records Press Release (15 November 2002). "Phil Collins Celebrates TESTIFY With Weekend Today Performance and NYC In-Store". Atlantic Records. http://www.atlanticrecords.com/article/?article=15627&artist=111349. Retrieved 19 January 2006. 
• Baker, G.A. (1993). "Penthouse Interview". Penthouse. Archived from the original on 20 December 2005. http://web.archive.org/web/20051220080230/http://www.philcollins.co.uk/penthouse93.htm. Retrieved 13 January 2006. 
• Billboard Magazine, Online. "Genesis Biography". Billboard Online. http://www.billboard.com/bbcom/bio/index.jsp?&cr=artist&or=ASCENDING&sf=length&pid=4704&kw=genesis. Retrieved 16 January 2006. 
• Billboard Magazine, Online. "Phil Collins Chart History". Billboard Online. http://www.billboard.com/bbcom/retrieve_chart_history.do?model.vnuArtistId=4332&model.vnuAlbumId=555318. Retrieved 13 January 2006. 
• Bronson, Fred The Billboard Book of Number One Hits. Billboard Books, New York. 1998. p. 624. ISBN 0-8230-7641-5
• Browne, David (1 November 1996). "Dance into the Light Review". Entertainment Weekly. http://www.ew.com/ew/article/review/music/0,6115,294844_4_0_,00.html. Retrieved 10 February 2006. 
• Ebert, Roger (25 November 1988). "Buster review". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881125/REVIEWS/811250301/1023. Retrieved 10 February 2006. 
• Fricke, David (9 May 1985). "No Jacket Required review". Rolling Stone. http://www.rollingstone.com/artists/philcollins/albums/album/245563/rid/5941462/. Retrieved 8 February 2006. 
• Giammetti, Mario. Phil Collins – The Singing Drummer. Edizioni Segno. Tavagnacco. 2005. ISBN 88-7282-836-8
• Gigging-Drum-Charts.com (14 November 2008). "Phil Collins of Genesis". SBI. http://www.gigging-drum-charts.com/phil-collins.html. Retrieved 14 November 2008. 
• Hear-it.org. "Famous baby boomers with significant hearing loss and/or tinnitus". http://www.hear-it.org/page.dps?page=2649. Retrieved 13 January 2006. ^{[dead link]}
• Hewitt, Alan. "From "Opening the Music Box: A Genesis Chronicle"". Excerpted on www.philcollins.co.uk. Archived from the original on 10 January 2006. http://web.archive.org/web/20060110113821/http://www.philcollins.co.uk/brandxgigs.htm. Retrieved 14 January 2006. 
• "MTV Video Awards Past Winners". MTV. http://www.mtv.com/onair/vma01/archive/archive.jhtml?year=1987&category=bestvideo. Retrieved 16 January 2006. 
• Rosen, Craig. The Billboard Book of Number One Albums. Billboard Books, New York. 1996. ISBN 0-8230-7586-9 (Two essays about Collins)
• Russell, Paul (2002). "Phil Collins Biography". www.philcollins.co.uk. Archived from the original on 4 January 2006. http://web.archive.org/web/20060104025818/http://www.philcollins.co.uk/biog1.htm. Retrieved 9 January 2006. 
• Thompson, Dave. Turn It On Again: Peter Gabriel, Phil Collins, and Genesis. Back Beat Books. San Francisco. 2004. ISBN 0-87930-810-9

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• Official website
• Phil Collins at Atlantic Records
• Genesis' official website
• Little Dreams Foundation, project of Phil Collins and his former wife Orianne, supporting young musicians
• Phil Collins at the Internet Movie Database
• Tarzan at the Internet Broadway Database