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RZA
RZA in New York City to discuss The Tao of Wu, October 15, 2009
Background information
Birth name	Robert Fitzgerald Diggs
Also known as	Prince Rakeem, The Scientist (As member of Force of the Imperial Masters, later known as All in Together Now Crew) The Abbot (As member of Tommy Boy Records) , Rzarector (As a member of Gravediggaz) , Bobby Digital, Bobby Steels, Prince Dynamite, Prince Delight, Ruler Zig-Zag-Zig Allah
Born	(1969-07-05) July 5, 1969 (age 42) Brownsville, Brooklyn, New York
Origin	Staten Island, New York, United States
Genres	Hip hop
Occupations	Rapper, CEO, record producer, actor, screenwriter, author, director
Instruments	Rapping, guitar, piano, keyboards, zither, sampler
Years active	1989–present
Labels	Tommy Boy/Warner Bros. Records Wu-Tang Records/Razor Sharp/Epic/36 Chambers Records/Wu Music Group/Wu-Tang International/SME Records Virgin/EMI Records Koch Records
Associated acts	Wu-Tang Clan, Gravediggaz, Easy Mo Bee, Kanye West, Eslam Jawaad, Kool G Rap
Notable instruments
E-mu SP-1200 Roland MC-909 Roland MV-8000 Roland MV-8800 Ensoniq-16 plus

Robert Fitzgerald Diggs, better known by his stage name RZA ( /ˈrɪzə/; born July 5, 1969), is an American Grammy-winning music producer, multi-instrumentalist, author, emcee, and occasional actor, director, and screenwriter. A prominent figure in Hip Hop, RZA is a member of the Wu-Tang Clan.^[1] He has produced almost all of Wu-Tang Clan's albums as well as many Wu-Tang solo and affiliate projects. He is widely considered one of the most influential and landmark hip-hop producers of all time. He subsequently gained attention for his work scoring and then later acting in films. His revolutionary techniques of sampling, speeding up tracks to fit the beat laced, and his cinematic skits sprinkled throughout albums have greatly inspired other producers in the industry. He produced for a slew of Wu Tang solo albums as well as group albums that dominated not only commercially, but also thematically and artistically. His production from the mid 90's to the late 90's brought about one of the greatest 'bouts' or 'runs' of inspiration the industry has seen, creating various classics.

He has also released solo albums under the alter-ego Bobby Digital, along with executive producing credits for countless side projects. In addition to the Wu-Tang Clan and his solo releases, RZA was also a founding member of the horrorcore Hip Hop group Gravediggaz where he used the name The Rzarector. Furthermore, he has acted in several movies, including Coffee and Cigarettes, American Gangster, Gospel Hill, Life Is Hot in Cracktown, Ghost Dog, Funny People, Derailed, Due Date and Repo Men. He continues to build his acting and production work hand in hand. He is currently appearing in the Showtime TV series Californication.

In 2008, RZA was ranked #4 on About.com's list of the Top 50 Hip-Hop Producers,^[2] while The Source placed him on its list of the 20 greatest producers in the magazine's twenty-year history.^[3] He also made the "Elite 8" in the search for The Greatest Hip-Hop Producer of All Time by Vibe.^[4]

Early life[link]

Born in Brownsville, Brooklyn, New York, RZA spent time in Pittsburgh, Pennsylvania as a child, where his father had a convenience store in the Hill District.^[5] From the ages of three to seven, RZA lived in North Carolina with his uncle, who always encouraged him to read and study.^[6]

He is named after Robert Kennedy and John Fitzgerald Kennedy.^[7] His mother greatly admired the Kennedys, the RZA has called his given name an "honorable" name, given the legacy of both brothers Robert and Jack.

Music career[link]

Early on, Ol' Dirty Bastard and I used to watch kung fu movies, leave the theater, do some kung fu fighting, get on the train, keep fighting, and then run into MCs and musically battle them like it was a kung fu fight. That was my weekend habit. When we could afford VCRs, we got all the kung fu movies we could get our hands on and watched three or four a day. We were smoking blunts, drinking beer, watching movies, making demo tapes. To this day, at least four times a week, a kung fu flick is in my DVD player. And I'm still DJing, making beats, making songs, and fucking with kung fu movies. I'm still the same kid when it comes to those things.^[8]

1994–1996: Gravediggaz and Wu-Tang solo projects: Round one[link]

As each of the group's members embarked on solo careers, RZA continued to produce nearly everything Wu-Tang released during the period 1994–1996, producing in both the hip-hop producer sense (composing and arranging the instrumental tracks) and in the wider music producer sense (overseeing and directing the creative process as well as devising song concepts and structure in addition to being responsible for a recording's final sound). RZA's rule over the Clan at this time is described in 2004's Wu-Tang Manual book as "a dictatorship". Yet he still released a hit single of his own, in the form of Wu-Wear: The Garment Renaissance. The song was featured on the High School High soundtrack, and was released to coincide with the Wu-Tang clothing brand. It peaked at #60 on the Billboard Hot 100, and #6 on the Hot Rap Singles chart.^[9]

When it came time for the Gravediggaz, Prince Paul was thinking about putting a group together. He wanted to get some good MCs. Poetic was another dope MC who was underrated out in Long Island. He had one single out on Tommy Boy that didn't take off, but he was a dope MC. As the Grym Reaper, you know how many dope lyrics he dropped. Frukwan, one of the top lyricists out of Stetsasonic. He and Paul were friends already. He told him about me. He said, "I know this one guy who is super-dope." At the same time, I was also trying to do Wu-Tang. I was trying to start my own company and stuff, so when Paul called me up and invited me to his crib in Long Island and told me his idea for forming this group, I thought it would be an honor to be in a group with him. But I told him, "I'm also producing a group, and I'm also part of a family that I'm building." He said, "Yo, that's crazy." We would talk a lot of times. [Ol' Dirty Bastard] came to his house a lot of times with me. [Method Man], too. We all would just go there and try to find ways to get out of the streets. Me, I was trying to get out of the ghetto. Paul had a lot of respect for me, so he helped me break out of it. I think he liked that I was so dark, but I didn't know I was dark.^[10]

[edit] 1997: Wu-Tang Forever

This had already to some extent begun on Wu-Tang Forever, which for the first time featured RZA delegating a small number of beatmaking duties to other producers in the Wu-Tang camp, such as his proteges True Master and 4th Disciple who are known as the Wu-Elements, and Clan member Inspectah Deck.^[11]

1998-1999: Gravediggaz and Wu-Tang solo projects: Round two[link]

During the 1998–2000 period RZA ceased to produce every Wu-Tang solo album as he had done previously, but continued to contribute usually one or two songs on average to each record as well as receiving an Executive Producer credit.

I had to put out Bobby Digital instead of The Cure because if I didn't do that I would've suffered two things. First, I would have revealed where I was musically too soon. Wu-Tang is the perfect medium to expose anything new because I got the most people coming together to buy it. For me to expose it for my own self, I don't think that would've been a wise thing for me to do. I might've caught more people than Bobby Digital caught, but I still wouldn't catch the magnitude of what the Wu-Tang could catch. Maybe this year or next year the game may be different. The Cure is so intimate in writing that you gotta live that Cure shit. I was living like Bobby Digital in '98, '99 na'mean? So if I put "The Cure" out, then I wouldn't even be able to get on stage and perform it for ya'll cause I'd be lying."

Studio NYC 2001

[edit] 2001-2004: Post The W solo projects

In 1999 the RZA moved into composing film scores. His first work, Jim Jarmusch's Ghost Dog: The Way of the Samurai (1999), earned praise; he also had brief cameo in the film itself, as a fellow samurai wearing camouflage. The experience was positive and, as he noted during an interview on National Public Radio's Fresh Air, the work with traditional musicians gave him the desire to learn how to read and write music.^[12]

This is one of my biggest adventures, and one of my [best] feelings. We watched Kill Bill in Manhattan. At the premiere, that happened, but you know, that's Hollywood. But in Manhattan, a theater, just a bunch of kids coming from wherever New York, inside a movie theater and the movie's coming on. They don't even know that I'm the man with the music, and when it said, "Original Music by The RZA", we hear the audience clapping. And they didn't clap for nothing else, because the movie's just coming on. I was like, 'Wow, what the fuck is that about?' That's different. It actually might be something special. You never care who did that... Once you see who stars in the shit, you don't read "edited", you don't read all that. You be eating your popcorn and it go right by you. But, for somebody to see that and then clap, that's a different thing right there. That felt pretty pleasing.

2003

2005-present: Solo projects: Round three[link]

RZA at the 2007 Eurockéennes.

He has also stated that the long-delayed The Cure album will now be his final solo album, for he will end his career as MC and move on with his movie directing career.^[13]

Before signing with SRC Records in early 2007, RZA was flooded with offers from Bad Boy Records, Aftermath Records, Interscope and Def Jam among others for the Wu-Tang Clan super-group.^[14]

In 2007, he did the score of the Japanese anime Afro Samurai starring Samuel L. Jackson. He recently and quietly released an instrumental album entitled, The RZA-Instrumental Experience, and worked with Raekwon on his highly anticipated Only Built 4 Cuban Linx II. Talks are on between System of a Down bassist Shavo Odadjian and RZA regarding a collaboration between the two artists called Achozen.^[15] RZA has stated in an interview that he is involved in the project.^[16]

RZA performing with Wu-Tang at the Virgin Music Festival.

The time is right to bring some older material to the masses digitally. Our fans have been dedicated and patient, and they’re hungry to hear the music that has set us apart from so many others. Hip-hop is alive in Wu Music, and with The Orchard, we’ve got a solid partner that understands our audience and is committed to doing all they can to help us reach the fans. I’m definitely looking forward to working with them to see what else we all come up with. There’s much more to come.^[17]

He has also confirmed that he will be solely-producing Liquid Swords II with GZA, which was tentatively due in Fall 2010,^[18] but the status of the album has not been updated since the release date passed. RZA also worked with Kanye West on the latter's fifth album, My Beautiful Dark Twisted Fantasy,^[19] as well as Watch The Throne by Kanye and Jay-Z.

In a recent interview discussing the producer's new line of headphones, RZA revealed that he recently decided to clean out his beat machines of instrumentals he made for the Wu-Tang Clan that were never used; as a result, he has so far given away ten beats each to Nas, Busta Rhymes and Talib Kweli, as well as 20 beats for Kanye West, including the two that were used on the artist's most recent two albums.^[20]

Achozen[link]

RZA has also formed a musical alliance with System of a Down's Shavo Odadjian, Kinetic 9 and the Reverend William Burke from Chicago for the band Achozen. Music from Achozen also appears on the major motion picture, Babylon A.D., on which Achozen song "Deuces" is heard blaring at the introduction of the film. The four principal members feel that their unique sound is not only spiritual in nature, but a new genre of "heavy hip hop", not "rap-metal". Achozen's first live show was at the Key Club in LA on December 1, 2006. On Friday, November 13, 2009 the second Achozen track "Salute/Sacrifice" was released exclusively as a free download on Odadjian's online art district and networking site, Ursession from the upcoming Achozen debut album.^[21] The Achozen album was anticipated to be released in mid-2010 ^[22] but no firm release date had been scheduled by the end of 2010. Since early 2011, RZA has been producing UK artist Josh Osho's debut album.

Various Wu-recording labels[link]

Since the early 1990s, several 'various Wu recording labels' were established. The earlier labels are believed to be dissolved. The connection that RZA had to these labels were unknown.

Other record labels were later founded in the early 2000s, and are still active in the present. Very little is known about these labels, other that the fact that RZA produces music on them. It is unknown if RZA is CEO, or has high position within these labels, considering that he was never known to have a CEO position of any recording label.

• Wu-Tang Records
• Razor Sharp Records
• 36 Chambers Records and Wu Music Group
• Wu-Tang International

Artistry[link]

RZA's production technique, specifically the manner of chopping up and/or speeding or slowing soul samples to fit his beats, has been picked up by currently popular producers — most notably Kanye West and Just Blaze, the two main producers behind Roc-A-Fella Records. West's own take on RZA's style^[23] briefly flooded the rap market with what was dubbed "chipmunk soul," the speeding of a vocal sample to where it sounded as though the singer had inhaled helium. Several producers at the time copied the style, creating other offshoots. West has admitted that his style was distinctly influenced by the RZA's production,^[24]

Said by Kanye West:

Wu-Tang? Me and my friends talk about this all the time... We think Wu-Tang had one of the biggest impacts as far as a movement. From slang to style of dress, skits, the samples. Similar to the [production] style I use, RZA has been doing that.^[25]

In response, RZA himself has spoken quite positively of the comparisons:

All good. I got super respect for Kanye. He came up to me about a year or two ago. He gave me mad praising and blessings... For people to say Wu-Tang inspire Kanye, Kanye is one of the biggest artists in the world. That goes back to what we say: 'Wu-Tang is forever.' Kanye is going to inspire people to be like him." After hearing Kanye's work on The Blueprint, RZA claimed that a torch-passing had occurred between him and West, saying, "The shoes gotta be filled. If you ain't gonna do it, somebody else is gonna do it. That's how I feel about rap today."^[26]

His Bobby Digital albums introduced tweaked-out new age elements to his sound; these have incorporated themselves more fully into his beats on newer albums such as Method Man's 4:21... The Day After.

The way I produce now is I produce more like a musician", RZA said. "In the old days, I produced more like a DJ. I didn't understand music theory at all. Now that I do understand music theory, I make my music more playable, meaning not only could you listen to it, you could get someone else to play it. Before, you couldn't even write down Wu-Tang music. I think almost 80 percent of this record can be duplicated by a band, which is important for music, because that means 10 years from now, somebody can make a whole song out of it and cover it like how I'm covering The Beatles song.^[27]

In a recent 2010 radio interview with UK hip hop station Conspiracy Worldwide Radio, RZA spoke in great detail about the homemade, candid ethos of much of his classic work, including the organic creation process behind ODB's debut album.^[28]

Mentality and leadership[link]

This section contains too many or too-lengthy quotations for an encyclopedic entry. Please help improve the article by editing it to take facts from excessively quoted material and rewrite them as sourced original prose. Consider transferring direct quotations to Wikiquote. (December 2009)

RZA promoting The Tao of Wu, a book describing the philosophy of the Wu-Tang.

On 1997, I personally tore Wu-Tang Clan up. I won't forget this day, we were on the Rage Against The Machine tour bus. Everybody was becoming lazy, niggas even started not showin' up. I said, "Yo! I did my shit! From this point on, do what the fuck you want. The Wu Mansion? Y'all turned that shit to a club house! From now on, The Wu Mansion is MY house. You wanna come and rock? I'll be there," and niggas respected it. To me, it's like Mike Tyson: he got to the top of the world and shit, and he stopped trainin'. Fuck that, you must never stop trainin'. Well you can stop if you want, if you're happy, but if you wanna go further. All I did was promise to get'em to there, from this point, it's up to each of them. For that, Method Man's a good example: he took it to the movies and he went to the moon. So brothers had no success after that, nahmean? Cappadonna, see, he's drivin' a cab. Well, he's aight, we take him on tour, he makes a couple hundred grands, so... He's my man, he's hustlin'...^[29]

He has stated in several interviews that the challenges of maintaining the group are not egos, but rather timing and scheduling due to the fact that the members have families and side projects.

Actually, we don't deal with a leader. We deal with leadership within each other. So everybody has leadership qualities at any given moment. Anybody is prepared to take the position to do what they gotta do to make whatever gotta happen pop off. They consider me the best knower, know what I mean? So, it's like the deciding vote.

He has shown little or no concern about illegal downloading, for he feels that it has little impact on the music industry:

Naw. When I make music, I make it to be heard, personally. And, if somebody download it, if they heard it, then my job was delivered. Of course I love to make the money. I get million dollar album budgets, so of course there's money involved with it. But, personally, as a musician, as an artist, the first thing is to be seen and heard. If you're not seen and heard, who cares? I was talking to Jim Jarmusch and he was like, somebody see his film, the guy's happy. He don't care. He wants somebody to see his art and appreciate it and that's how I feel about my music also. I never got pissed off at the Internet kids with the downloading. In fact, I told them, 'Help yourself. Have a good time.^[30]

In several interviews, in response to the phrase "hip hop is dead", he said, "How can hip hop be dead if Wu-Tang is forever?" In regards of the southern dominance, rather than criticize the music, he instead spoke on the look and image of the southern artists themselves. He went on to say:

How has the South dominated hip hop for the last four, five years without lyrics, without hip hop culture really in their blood? Those brothers came out representing more of a stereotype of how black people are, and I think the media would rather see us as ignorant, crazy motherfuckers than seeing us as intelligent young men trying to rise and take care of ourselves.^[31]

In the 1990s, the Wu-Tang Clan was one of the first hip hop acts to have a clothing line. However, throughout the following years to the 2000s, nearly every hip hop act has followed suit and created their own clothing line. In response, RZA spoke on his views on the oversaturation of the hip hop clothing market:

Yeah. That's what happens. It's good and it's bad. It's helped a lot of hip hop artists. It's fed them more than the record business, in some cases. It's bad, too, because you have companies like Mecca, Akademiks, Karl Kani, FUBU. FUBU's almost gone already, it feels like. You got a lot of these other companies disappearing because of hip-hop. It's a really strange thing. But I think it's good for hip-hop, because one thing that's better — don't take this politically, or no shit like that — we all grew up with Polo and Ralph Lauren and Tommy Hilfiger and all that. I can respect Andy Hilfiger, because he did reach out to the hip hop community, but Tommy, the most he ever did for hip hop was send some free clothes to Grand Puba. But now blacks have a choice, and we design our own styles. And they're copying us, so it's ironic.^[32]

Various names and aliases[link]

RZA is known for having multiple aliases, for different lyrical styles and personalities: Prince Rakeem, The Abbot, Bobby Digital, Bobby Steels, the Scientist, Prince Delight, Prince Dynamite, Ruler Zig-Zag-Zig Allah.^[33] During his time with the Gravediggaz, he went by the name the Rzarector, which is for waking up the mentally dead.^[34]

Film career[link]

Originally, he was offered the role of "Brown" in The Departed (2006), but turned it down because of scheduling conflicts.^[35]

He performed cameo roles in Funny People, Gospel Hill, and Life Is Hot in Cracktown. He was also said to be attached to friend Quentin Tarantino's Kill Bill project in one way or another, featuring as a solo artist on the soundtrack to Kill Bill 1 and selecting some other songs for the soundtrack too. In 2010, RZA appeared in the science fiction action film Repo Men.^[36]

RZA is set to appear in G.I. Joe: Retaliation as the character Blind Master.^[37]

Directing[link]

RZA at The New Yorker in 2005.

I made my albums like movies, you know what I mean? I wanted people to be able to listen to a movie in their car while they was driving. "I want to start off making movies where people will know they're at a movie. Like my man Tarantino, he did that movie Pulp Fiction — classic movie, man. Every time it comes on TV or cable, I have to stop and watch it. And it's based on nothing, really. There's only a few people out there that are able to do that, where it comes from nothing but the vision and imagination of the artist.^[38]

Directors Quentin Tarantino and Eli Roth are involved in the production of The Man with the Iron Fists, according to several movie Web sites.^{[39][39][40][41]} In regards to the movie, Eli said:

This movie will have everything martial arts fans could want, combined with RZA's superb musical talent. This project has been his dream for years, and I'm thrilled to be a part of it. And fans should know that yes, there will be blood... This ain't no PG-13.^[40][41]

He is also co-producing a movie remake of The Last Dragon, with Samuel L. Jackson assuming the role of Sho'nuff. John Davis of Davis Entertainment and Gordy's son Kerry Gordy, along with RZA are set to produce. Penning the screenplay as well as producing is Dallas Jackson, who heads up the urban family label DJ Classicz with Davis. Rihanna is rumored to appear in the movie as Laura Charles.^[42][43]

Personal life[link]

He was once affiliated with the Nation of Gods and Earths but has stated that he is no longer a member of any particular group. However, he usually wears the Five Percenter Universal Flag as a necklace, and still follows Five Percenter aspects, which include the Supreme Mathematics and the Supreme Alphabet. He also has taken on various aspects of Buddhism, Taoism, Confucianism, Islam, and Christianity as stated in his book The Wu-Tang Manual as well as Hinduism which he talks about thoroughly in The Tao of Wu in order to expand his spiritual growth. He has gone on to state that Qur'an, The Bible, and Lotus Sutra are three of his favorite books stating that each of the three contain enlightenment. One of his favorite hobbies consists of watching martial arts films, and he is considered to be an "encyclopedia of martial arts films", due to his vast knowledge of the genre.^[41] His second well-known hobby is chess, for he is a director of development, and champion of the Hip-Hop Chess Federation.^[44][45][46]

On children and domestic problems RZA said:

I got children of my own, you know what I mean? Domestic problems at home. If you start coming home at night from helping all your fans and people and then you've got problems at the house, that will kill any man's spirit. Say you're Bobby Digital, you're RZA, and your girl fornicates on you—you feel like shit. 'Who the fuck? How the fuck?' And say it's some nigga who sells weed—'I'm a millionaire and you're fucking with a regular motherfucker?' That takes a lot from your spirit. That slowed me down, and then the passing of my mother—the two big blows of the year 2000. It really kept me back a few years—I had to go and find myself again. I never told anybody that. You got an exclusive on that one! And I think that's enough right there.^[47]

Along with a number of members in the Wu-Tang Clan, RZA is vegetarian.^[48]

RZA has a personal verified account on Rap Genius where he explains the meaning of his own lyrics.^[49]

Controversies[link]

Fox News reported that in mid-2007 RZA attended one of Hillary Clinton's parties and donated money to her 2008 campaign. Fox News criticized the fact that Clinton took money from RZA, claiming it was contradictory due to RZA's felony record, FBI investigation, ties to the Gambino family and his music lyrics.^[50] RZA referred to the investigation in one of his lyrics, "Plus, feds had one ad saying I gun traff' / I sold 20 million records bitch, some laugh."

1998 in Battery Park, Manhattan, and Dirty—the feds were out to kill him. I had so much love for him and shit that I wanted to help protect him, and I had a feeling overcome me that I was a superhero—somebody to help the world! So I had my brother order a Level 4 fucking vehicle—what the president rides in. You can shoot it with an AK and it keeps moving. After he hit a deer, it didn't even dent the car! The deer flew way in the air and not even a dent on the paint! It was a Suburban. I still got it. It weighs nine tons. It’s parked at my brother's house in New Jersey. And the suit I built but one of my employees sold it to a drug dealer. Some drug dealer in Brooklyn got it. That's funny! A $20,000 suit—Level 4 bulletproof and knife-proof. You couldn't stab or shoot me. Head to toe. It had a few other toys I don’t like to talk about. I don't wanna describe it too much. That nigga who got, he got it! I had a briefcase to go with it as well... to block bullets! We were just buggin' out!^[51]

Discography[link]

• Bobby Digital in Stereo (1998)
• Digital Bullet (2001)
• Birth of a Prince (2003)
• Digi Snacks (2008)

References[link]

External links[link]

Wikimedia Commons has media related to: RZA

• RZA and Don Hyun
• RZA at Allmusic
• RZA at the Internet Movie Database
• The RZA on Myspace
• RZA at Beatbuggy

Method Man
December 21, 2010
Background information
Birth name	Clifford Smith
Also known as	Meth, Tical, Johnny Blaze, Methtical, Shakwon, Iron Lung, Hot Nikkels, MZA, John J
Born	(1971-04-01) April 1, 1971 (age 41)[1][2] Staten Island, New York City, United States
Genres	Hip hop
Occupations	Rapper, actor
Years active	1990–present (rapping) 1995–present (acting)
Labels	Def Jam
Associated acts	Wu-Tang Clan, Redman, Erick Sermon, LL Cool J, The Notorious B.I.G., DMX, Xzibit, Shyheim
Website	method-man.com

Clifford Smith (born April 1, 1971),^[3] better known by his stage name Method Man, is an American hip hop artist, record producer, actor and member of the hip hop collective Wu-Tang Clan. He took his stage name from the 1979 film The Fearless Young Boxer, also known as Method Man. He is one half of the rap duo Method Man & Redman. He won a Grammy Award for Best Rap Performance by a Duo or Group for "I'll Be There for You/You're All I Need to Get By" with Mary J. Blige. In 2007, the writers of About.com placed him on their list of the Top 50 MCs of Our Time (1987–2007).^[4]

Method Man appeared in the motion pictures Belly, How High, Garden State as well as a minor role in The Wackness. More recently, he appeared as a crewman in George Lucas' film Red Tails. On television, he and hip-hop collaborator Redman co-starred on the short-lived Fox sitcom Method & Red, and he had a recurring role on HBO's Oz as Tug Daniels and as Calvin "Cheese" Wagstaff on the acclaimed HBO drama series The Wire.

Early life[link]

Born in Staten Island, New York, on April 1 , 1971, Clifford Smith divided his childhood between his father's Long Island residence and his mother's home in the Park Hill section of Staten Island aka Killa Hill.^[5] He has two sisters, Terri and Missy.^[5]

Rapping career[link]

[edit] 1992–96: Enter the Wu-Tang (36 Chambers) and Tical

As Wu-Tang Clan ascended to hip hop stardom, Method Man was always one of the most visible members of the collective. He was one of only two members to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allowed its members to release albums under any record label (Method chose to sign with rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and well received, entering the American charts at #4 and eventually selling in excess of one million copies. That album featured the hit single "All I Need" which was later remixed featuring Mary J Blige, which won a Grammy "I'll Be There for You/You're All I Need,"). during this time Method Man also became close friends with The Notorious B.I.G., and was the only guest rapper featured on his debut album Ready to Die. He was also featured on Spice 1's album "AmeriKKKa's Nightmare" on the track "Hard 2 Kill". In 1995, he was also featured on "Got the Flava" off Showbiz and A.G.'s album Goodfellas. In 1996, Method Man appeared on Tupac Shakur's album All Eyez on Me, on the song "Got My Mind Made Up" alongside his rhyme partner Redman, The Dogg Pound (Daz and Kurupt) and Inspectah Deck (Rebel INS), whose verse did not make the released album version (although his nickname "Rebel INS" can be heard as the song fades).

[edit] 1997–98: Wu-Tang Forever and Tical 2000: Judgement Day

On June 3, 1997 the Wu-Tang Clan released their Grammy-nominated multiplatinum double CD Wu-Tang Forever, the long-awaited follow up to 36 Chambers. The album has sold over 8.3 million copies to date worldwide.

His second solo album was Tical 2000: Judgement Day, released in 1998, which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured myriad guest appearances from his fellow Wu-Tang MCs, proving for the world that Method Man is in fact America's most blunted(with the help of Red Man). The album was certified double platinum. Other guest appearances include Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman, and brief cameos from Russell Simmons, Bishop Don "Magic" Juan, Janet Jackson, and Donald Trump. The album sold better than his first fueled by the party track "Judgment Day" and the D'Angelo collaboration "Break Ups 2 Make Ups", earning Platinum and Gold certifications in the U.S. and Canada respectively. Reviews for the album were mixed and its long runtime and abundance of intermittent comedy skits were widely criticized. Producers on this album included True Master, 4th Disciple and the RZA.

[edit] 1999–2000: Blackout! (with Redman)

Method Man was part of the very successful Hard Knock Life Tour with Jay-Z, Redman, Ja Rule, and DMX. During this tour, Method Man & Redman recorded Blackout!, a light-hearted, bass-heavy, profanity-laced, party record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows and good rhythm of the two MCs. The album reached platinum status quickly, both in the U.S. and Canada, fueled by "Da Rockwilder", "Cereal Killa", "1, 2, 1, 2", "Tear It Off" and "Y.O.U.". This album also featured three previously released tracks on which the two collaborated.

Their success would lead the duo on to star in movies and TV shows, become product spokespersons and household names, but also associated them with marijuana use in the media. The most immediate results of their success was their co-starring roles in the major motion picture film How High, their endorsement deal for Right Guard, Redman's starring role in Seed of Chucky and a short-lived sitcom on Fox Television entitled Method & Red.

[edit] 2000–04: The W, Iron Flag, and Tihkal 0: The Prequel

The Wu-Tang Clan released The W on November 21, 2000 and Iron Flag on December 18, 2001. The W received both critical and commercial success for the group, while Iron Flag did receive some but not to the effect of The W. The efforts earned two more platinum plaques for the Wu-Tang Clan.

In 2004, Meth released his third solo album Tical 0: The Prequel, which featured the hit party single "What's Happenin'" with Busta Rhymes. Hip hop critics voiced their displeasure with the album, many agreeing that Tical 0 felt like generic party rap and featured too many mainstream guests, detracting from his own performances. Regardless, this album sold reasonably well and was certified gold record by the RIAA relatively quickly, but would not see the platinum success of his previous solo releases. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars like Missy Elliott and P. Diddy, two artists that are involved with much different facets of rap music.

P. Diddy was one of the executive producers for the album, although Meth later voiced his displeasure with the final product. "On the third LP, it was suggested (by Def Jam) to bring in Harve Pierre and P. Diddy. Who am I to argue? Puff knows how to sell some records. But that wasn't the direction to go in, and I know that."^[6]

[edit] 2006–07: 4:21... The Day After

Method Man at the 2007 Eurockéennes.

Method Man's fourth album, entitled 4:21: The Day After was released in August 2006 with a star lineup of producers featuring Havoc, Erick Sermon, Scott Storch, Allah Mathematics, Mr. Porter, and, most importantly to Meth, RZA. This time around, a more focused Method Man went back to his hip hop roots and both hip hop fans and the media took notice. He did an interview on the ItsHipHop.Tv.^[7] Despite this being one of Meth's strongest solo efforts to date, the album failed to do well commercially due to it having no single or video, which Method Man has held discontent towards his own label for. However, he has been touring strongly all over the world to promote the album, and has appeared onstage with fellow Wu-Tang member Inspectah Deck, as well as New York up and comers Saigon, and Gat Murdah. Meth contributed various reasons for the problems between him and his label, Def Jam. While he puts most of the blame on personal agendas in the Def Jam offices, Meth did take some blame, himself, for giving into his record label.

In early May 2007, Method Man's camp leaked the street single "New York New York" which became a popular track on the internet.^[8]

[edit] 2007–10: Blackout! 2

On March 27, 2007, Redman confirmed on BET's Rap City: Tha Bassment that the sequel to How High, How High 2, is currently being written.

In an April 10, 2007 Onion AV Club interview,^[9] Redman hinted that there would be a second collaborative album with Method Man, with work beginning in midsummer or early September.

In early 2008, a remake of the Smoothe da Hustler and Trigger tha Gambler classic Broken Language was released to the internet by the duo entitled Broken Language 2008, fueling rumors of a Blackout! sequel coming soon. This rumor was further fueled by the duo while performing in Gainesville, Florida at the University of Florida. A Blackout! 2 LP was scheduled for a December 9, 2008 release but was recently pushed back to the first quarter of 2009, with a new release date on May 19. Bun B has confirmed that he will guest star on Blackout! 2 – in April 2009, a single has been released named City Lights, produced by Nasty Kutt ^[10] Also producers such as Erick Sermon, Rockwilder and Pete Rock have announced their presence on the album.

The duo has finished their Still High tour with Termanalogy, the Alchemist, and Evidence of Dilated Peoples.

[edit] 2011–present: Crystal Meth

Crystal Meth is Method Man's upcoming fifth studio album.^[11][12][13] The album has no confirmed release date. The Crystal Meth was first announced before Method Man began working on his and Redman's sophomore collaboration album, Blackout! 2. In the liner notes of that album, it was given a scheduled release date for 2009. The album, however, was further postponed until it was later mentioned in an MTV interview it would be released in early 2010.^[11] no update on the album's progress or release date has been made. At a concert on the 23 of December 2010 Method Man told the crowd to look for his album in March 2011. However the album was pushed back to an unknown release date.

In a recent interview with The Come Up Show following a recent performance in Canada in April 2011, Method Man replied with this regarding his current 'weed-loving' image:"When you get older and you've got kids and your kids are going to school and you know [their] teachers...and they see how active you are and concerned [you are] with your kids' education or well being, it's hard to sit there and be taken seriously if people are always talking about he's always high...which is totally not the case," he said. "When I first came out, I was young, we were doing our thing, we smoked a lot...and we didn't care if the world knew. Now, I have to use more discretion because of my kids. This is not for me; everything I do is for them now, so I use a bit more discretion and I don't put weed as a forefront any more."

On October 5, 2011, a new single from Method Man, titled "World Gone Sour (The Lost Kids)", was released on iTunes.^[14] Recently, he confirmed that the album will come out next year and will have the usual line-up of producers including RZA, Rockwilder, Erick Sermon, 3rd Digala of Digem Tracks and some other new underground producers he's begun to work with.^[15] He also expressed a desire to work with Odd Future frontman Tyler, The Creator.^[16] It was recently announced via Facebook that Crystal Meth will be his last album & to be fully produced by RZA.

Acting career[link]

In the early 2000s Method Man began a career in acting. He has had recurring roles in critically acclaimed television shows such as HBO's Oz as Tug Daniels, HBO's The Wire in which he plays Prop Joe's nephew Cheese, The Twilight Zone and CSI: Crime Scene Investigation. He and Redman hosted a pilot on MTV called Stung. He has made numerous appearances as himself on TV shows such as Mind of Mencia and Chappelle's Show.

Method Man portrays Drops on CSI, a wealthy Las Vegas party promoter who clashes with the CSI team, specifically investigator Nick Stokes, in their investigations involving his clubs or entourage. His first appearance on CSI as Drops was in the 2006 episode "Poppin' Tags". He resumed the role in the 2007 episode "Big Shots" and again in the 2008 episode "Drops Out".

His first prominent role came in 1998 with the film Belly along with fellow rappers Nas and DMX. He has since added many credits to his name, including roles in the films Garden State, One Eight Seven, and many others, with starring roles in the feature films such as How High and Soul Plane. On March 27, 2007 Redman confirmed on BET's show Rap City that the sequel to How High was being written. The script for How High 2 is being written by Dustin Lee Abraham of CSI, who also wrote the first movie. In 2005 Method Man also had a cameo in the horror movie Venom, where he played a deputy who shortly into the movie is killed. He appears in the 2008 movies The Wackness and also, Meet the Spartans.

Method Man stars in the episode "Snitch" of Law & Order SVU as the main antagonist. The episode was first broadcast December 4, 2007.

Method Man has made an appearance in the Def Jam series of video games. In Fight for NY he voiced Blaze, one of the main characters. In Icon, he voiced Gooch, a major character in the storyline. In Underground, He voiced Meth, one of the major characters. He made a guest appearance in the music video for the 2003 "If I Ain't Got You" by Alicia Keys, where he played the role of her boyfriend. He also appeared in Beanie Sigel's music video "Feel It in the Air", where Method Man played an undercover cop leading an operation against Sigel.

Method Man has fallen back from pursuing more acting roles after the situation with his sitcom on Fox left a bad taste in his mouth,^[17] and now mostly just acts if the project is being handled by a friend of his, as was the case with CSI and The Wire. He also played an arsonist and a wealthy executive as well as main antagonist in an episode of the fox TV show The Good Guys.

Method Man appears as a hip hop business mogul in an episode of Burn Notice.

Method man had a cameo appearance in the 1997 film Cop Land as a physically violent fleeing criminal that throws Peter Berg's character off of a New York rooftop. Method Man has also appeared in the TV drama Wonderland, as a patient in a mental hospital.

Method man plays a small role in the 2011 film "The Sitter" starring Jonah Hill. In 2012 he played crewman "Sticks" in George Lucas' movie Red Tails about the Tuskegee airmen.

Other ventures[link]

Method Man appeared in the 1995 documentary entitled The Show. There is a memorable scene in which Method Man, on a train in Japan, gets into an argument with U-God and Ghostface Killah, over camera time, radio interviews, and clothing mishaps.

In 2006, Method Man appeared on the MTV reality game show Yo Momma in the first episode of Season 1.

Method Man is the first of the Wu-Tang Clan to produce a series of eponymous graphic novels for Hachette Book Group USA's imprint Grand Central Publishing^[18] (to be followed by GZA and Ghostface Killah).^[19]

Personal life[link]

He became engaged to his wife in 1999 and they married in 2001.^[5] He has three children: two sons (born in 1996 and 2001), and one daughter (born in 1997). Method Man also has collabed with Rochester rapper "Dale Mahoney" on his project "Jordans&Drugs" in 2012.^[20]

Legal issues[link]

On Thursday May 17, 2007 Method Man was arrested in New York City on marijuana charges. His Mercedes-Benz convertible was pulled over at the Battery Tunnel en route to Manhattan, and when he rolled his window down the officer noticed a strong smell of marijuana. "It was like something out of Cheech & Chong. He rolls down the window and the smoke would choke a horse," a source later said.^[21] The arresting officer said he noticed two blunts and a plastic bag with more marijuana in plain view. Upon further inspection more marijuana was found under the driver's seat. The arrest was made at about 10 P.M. Thursday night near the Battery Tunnel toll booths on Hamilton Ave. in Carroll Gardens. He was charged with unlawful possession of marijuana, criminal possession of marijuana, operating a motor vehicle under the influence and driving an uninspected motor vehicle. He later made many public service appearances to try to make up for it, most notably at Abraham Lincoln High School in Brooklyn.^[22]

On October 5, 2009, Method Man was arrested at his home in Staten Island for income tax violations.^[23] He was accused of failing to file income tax returns for the state of New York between 2004 and 2007 and owes nearly $33,000 in taxes. On June 28, 2010,^[24] Method Man plead guilty to tax evasion and was sentenced to a conditional discharge^[25] and paid a $106,000.00 fine.^[24]

Controversies[link]

Wu-Tang management[link]

In 2003, Method Man criticized Oli "Power" Grant and Mitchell "Divine" Diggs, the managers of the Wu-Tang business.^[26] "Number 1 on my shit list right now is Divine from Wu-Tang management. He took something major from me that he had no intention of giving back."^[27] Divine is multiplatinum record producer RZA's brother who along with Oli "Power" Grant took over the business end of Wu-Tang around 1997.

Aside from the financial issues, Method Man was unhappy with the decision to bring Wu-Tang into the fashion world for a brief period of time with Wu-Wear, despite the brand being a major money-maker for the group. "When Wu-Wear started making shoes and sneakers and pants, it was shoddy material. I never rocked that shit."^[27]

Wendy Williams[link]

In 2006 Method Man had a highly personal and highly publicized conflict with TV talk show host Wendy Williams on The Breakdown, an internet show on ONLOQ.com. Williams talked on air about Method Man's wife having cancer, which was something he had wanted to keep very private and even her own family members had not yet known about. He said that people who lived next door to him didn't even know, but Williams had dug it up and made it public over the radio. Because of this leaked information, Method Man and his wife had many problems.^[28]

Williams also reported rumors that Method Man had even been having an affair with his wife's doctor. Method Man first heard of this while in recording sessions in Los Angeles.

Sean Combs[link]

During a concert in 2006, Method Man criticized Diddy's decisions on the posthumous The Notorious B.I.G. Duets: The Final Chapter album, saying that Biggie never would have worked with some of the subpar rappers. "They got niggas on that album Big would have never rocked with," Meth said of the album. "Musically, I ain't fuckin' with Puff Daddy".^[30] He also brought up the fact that he was the only other rapper that Biggie chose to have on his debut album Ready To Die. He was featured on the track "The What".

Previously, Diddy had been one of the executive producers for Method Man's 2004 album Tical 0: The Prequel, to which Meth later voiced his displeasure on the final product. From then on, he focused on production from within the clan and its closely tied collaborators.

Fox Television[link]

He starred in a Fox sitcom called Method & Red in late 2004, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track. Before the show even aired for the first time, he was telling fans not to bother watching it. He told the newspaper:

Discography[link]

Filmography[link]

Method Man filmography

References[link]