The Pale (red) in 1450

The Pale (An Pháil in Irish) or the English Pale (An Pháil Shasanach), was the part of Ireland that was directly under the control of the English government in the late Middle Ages. It had reduced by the late 15th century to an area along the east coast stretching from Dalkey, south of Dublin, to the garrison town of Dundalk.^[1] The inland boundary went to Leixlip around the Earldom of Kildare, towards Trim and north towards Kells. In this district, many townlands have English or French names.

History[link]

The Norman invasion of Ireland beginning in 1169 brought much of Ireland briefly under the theoretical control of the Plantagenet Kings of England. From the 13th century onwards, the Hiberno-Norman occupation in the rest of Ireland at first faltered then waned. Across most of Ireland the Normans increasingly assimilated into Irish culture after 1300. A series of alliances with their neighbouring autonomous Gaelic princes developed. In the long periods when there was no large royal army in Ireland, the Norman lords in the provinces acted as effectively independent rulers in their own areas, as the Gaels continued to do.

The remaining Lordship that was actually controlled by the English king shrank accordingly, and as parts of its perimeter in counties Meath and Kildare were fenced or ditched, it became known as the Pale, deriving from the Latin word "palus", a stake, or, synecdochically, a fence. Parts can still be seen west of Clane on the grounds of what is now Clongowes Wood College. The military power of the crown itself was greatly weakened by the Hundred Years War (1337–1453), and the Wars of the Roses (1455–85). The Irish parliament was created, which often sat at Drogheda, until the Tudors took greater interest in Irish affairs from 1485 and moved it back to Dublin. The Pale generally consisted of fertile lowlands, which were easier for the garrison to defend from ambush than hilly or wooded ground. For reasons of trade and administration, a version of English became the official and common language. Its closest modern derivative is said to be the accent used by natives of Fingal.^{[citation needed]}

The Pale - According to Statute of 1488

In 1366, in order for the English Crown to assert its authority over the settlers, a parliament was assembled in Kilkenny and the Statute of Kilkenny was enacted. The statute decreed that inter-marriage between English settlers and Irish natives was forbidden. It also forbade the settlers using the Irish language and adopting Irish modes of dress or other customs; such practices were already common. In particular the adoption of Gaelic Brehon property laws undermined the feudal nature of the Lordship. The Act could never be implemented successfully, even in the Pale itself, and was a sign of how Ireland was withdrawing from English cultural norms. By the Tudor period, the Irish culture and language had regained most of the territory initially lost to the colonists: even in the Pale, ‘all the common folk … for the most part are of Irish birth, Irish habit and of Irish language’.^[2] And in fact there was fairly extensive intermarriage between the Gaelic Irish aristocracy and Anglo-Norman lords beginning not long after the invasion and continuing right through into modern times. See Irish nobility for some surviving examples.

By the late 15th century the Pale became the only part of Ireland that remained subject to the English king, with most of the island paying only token recognition of the overlordship of the English crown. The tax base shrank to a fraction of what it had been in 1300. The earls of Kildare ruled as Lords Deputy from 1470 (with more or less success) by a series of alliances with the Gaels. This lasted until the 1520s, when the earls passed out of royal favour, but the 9th earl was reinstated in the 1530s. The brief revolt by his son "Silken Thomas" in 1534–35 led on to the Tudor conquest of Ireland in the following decades, in which Dublin and the surviving Pale was used as the main military base for expansion.

Origin of the name[link]

The word pale derives ultimately from the Latin word palus, meaning stake, specifically a stake used to support a fence.^[3][4] From this came the figurative meaning of boundary and eventually the phrase beyond the pale, as something outside the boundary.^[5] Also derived from the "boundary" concept was the idea of a pale as an area within which local laws were valid. As well as the Pale in Ireland, the term was applied to various other English colonial settlements. In addition, the term Pale of Settlement was applied to the area in the west of Imperial Russia where Jews were permitted to reside.

Fortification[link]

Modern plaque near Ballymore Eustace marks the end of the Pale

The Pale boundary essentially consisted of a fortified ditch and rampart built around parts of the medieval counties of Louth, Meath, Dublin and Kildare, actually leaving half of Meath, most of Kildare, and south west Dublin on the other side. The northern frontier of the Pale was marked by the De Verdon fortress of Castle Roche, while the southern border roughly corresponds to the present day M50 motorway in Dublin, which crosses the site of what was Carrickmines Castle.

The following description is from The parish of Taney: a history of Dundrum, near Dublin, and its neighbourhood (1895):^[6]

In the period immediately after the Norman Settlement was constructed the barrier, known as the "Pale," separating the lands occupied by the settlers from those remaining in the hands of the Irish. This barrier consisted of a ditch, raised some ten or twelve feet from the ground, with a hedge of thorn on the outer side. It was constructed, not so much to keep out the Irish, as to form an obstacle in their way in their raids on the cattle of the settlers, and thus give time for a rescue. The Pale began at Dalkey, and followed a southwesterly direction towards Kilternan; then turning northwards passed Kilgobbin, where a castle still stands, and crossed the Parish of Taney to the south of that part of the lands of Balally now called Moreen, and thence in a westerly direction to Tallaght, and on to Naas in the County of Kildare. In the wall bounding Moreen is still to be seen a small watch-tower and the remains of a guard-house adjoining it. From this point a beacon-fire would raise the alarm as far as Tallaght, where an important castle stood. A portion of the Pale is still to be seen in Kildare between Clane and Clongowes Wood College at Sallins.

Within the confines of the Pale the leading gentry and merchants lived lives not too different from that of their counterparts in England, except that they lived under the constant fear of attack from the Gaelic Irish.

End of The Pale[link]

Eventually, after the 16th and 17th centuries, and especially after the Anglican Reformation and the Plantation of Ulster, many of the "Old English" settlers were gradually assimilated into the Irish population, in large part due to their relative reluctance to give up Roman Catholicism (those who worshiped in the Church of Ireland were rewarded with a higher status). They kept their version of the English language, which had Cornish influences,^{[citation needed]} for the most part. They were in fact joined by other English Roman Catholics fleeing persecution under Queen Elizabeth I and subsequent monarchs.^{[citation needed]} By the Tudor period, however, the Irish culture and language had regained most of the territory initially lost to the colonists: even in the Pale ‘all the common folk … for the most part are of Irish birth, Irish habit and of Irish language’.^[2]

Modern usage[link]

The term continues to be used in contemporary Irish speech to refer to County Dublin and its commuter towns, generally critically—for example, a government department may be criticized for concentrating its resources on the Pale.

See also[link]

• Kingdom of Dublin
• Greater Dublin Area
• Pale of Settlement in Imperial Russia

References[link]

1. ^ "Northern Ireland – A Short History". BBC. http://www.bbc.co.uk/northernireland/ashorthistory/archive/topic45.shtml. 
2. ^ ^{a b} Culture & Religion in Tudor Ireland, 1494-1558. University College Cork
3. ^ "palus." Webster's Revised Unabridged Dictionary. MICRA, Inc. 22 Dec. 2009.
4. ^ Palisade is derived from the same root.
5. ^ See, e.g., use of the phrase in Senator John McCain's 2008 October 11 response to Representative John Lewis.
6. ^ The Parish of Taney (Ball & Hamilton)

Wikimedia Commons has media related to: The Pale

External links[link]

• A map of the Pale (late 1400s)
• Origin of the word 'pale'
• World Wide Words: Beyond the pale

Carl Sagan
Sagan in 1980
Born	(1934-11-09)November 9, 1934 Brooklyn, New York, U.S.
Died	December 20, 1996(1996-12-20) (aged 62) Seattle, Washington, U.S.
Residence	United States[1]
Nationality	United States
Fields	Astronomy, astrophysics, cosmology, astrobiology, space science, planetary science
Institutions	Cornell University Harvard University Smithsonian Astrophysical Observatory University of California, Berkeley
Alma mater	University of Chicago (B.A.), (B.Sc.), (M.Sc.), (PhD)
Known for	Search for Extra-Terrestrial Intelligence (SETI) Cosmos: A Personal Voyage Cosmos Voyager Golden Record Pioneer plaque Contact Pale Blue Dot
Notable awards	NASA Distinguished Public Service Medal (1977) Pulitzer Prize for General Non-Fiction (1978) Oersted Medal (1990) National Academy of Sciences Public Welfare Medal (1994)

Carl Edward Sagan ( /ˈseɪɡɪn/; November 9, 1934 – December 20, 1996) was an American astronomer, astrophysicist, cosmologist, author, science popularizer, and science communicator in astronomy and natural sciences. He published more than 600 scientific papers^[2] and articles and was author, co-author or editor of more than 20 books. He advocated scientifically skeptical inquiry and the scientific method, pioneered exobiology and promoted the Search for Extra-Terrestrial Intelligence (SETI).

Sagan is known for his popular science books and for the award-winning 1980 television series Cosmos: A Personal Voyage, which he narrated and co-wrote.^[3] The book Cosmos was published to accompany the series. Sagan wrote the novel Contact, the basis for a 1997 film of the same name.

Early life[link]

Carl Sagan was born in Brooklyn, New York,^[4] to a Ukrainian Jewish family. His father, Sam Sagan, was an immigrant garment worker from Kamenets-Podolsk, Ukraine;^[5] his mother, Rachel Molly Gruber, a housewife. Carl was named in honor of Rachel's biological mother, Chaiya Clara, in Sagan's words, "the mother she never knew." Sagan graduated from Rahway High School in Rahway, New Jersey, in 1951.^[6]

He had a sister, Carol, and the family lived in a modest apartment near the Atlantic Ocean, in Bensonhurst, a Brooklyn neighborhood. According to Sagan, they were Reform Jews, the most liberal of the three main Jewish groups. Both Sagan and his sister agree that their father was not especially religious, but that their mother "definitely believed in God, and was active in the temple ... and served only Kosher meat."^[6]:12 During the height of the Depression, his father had to accept a job as a theater usher.

According to biographer Keay Davidson, Sagan's "inner war" was a result of his close relations with both his parents, who were in many ways "opposites." Sagan traced his later analytical urges to his mother, a woman who had known "extreme poverty as a child," and had grown up almost homeless in New York City during World War I and the 1920s.^[6]:2 She had her own intellectual ambitions as a young woman, but they were blocked by social restrictions, because of her poverty, her being a woman and wife, and her Jewish ethnicity. Davidson notes that she therefore "worshiped her only son, Carl. He would fulfill her unfulfilled dreams."^[6]:2

However, his "sense of wonder" came from his father, who was a "quiet and soft-hearted escapee from the Czar." In his free time, he gave apples to the poor, or helped soothe labor-management tensions within New York's "tumultuous" garment industry.^[6]:2 Although he was "awed" by Carl's "brilliance, his boyish chatter about stars and dinosaurs," he took his son's inquisitiveness in stride, as part of his growing up.^[6]:2 In his later years as a writer and scientist, Sagan would often draw on his childhood memories to illustrate scientific points, as he did in his book, Shadows of Forgotten Ancestors.^[6]:9 Sagan describes his parents' influence on his later thinking:

My parents were not scientists. They knew almost nothing about science. But in introducing me simultaneously to skepticism and to wonder, they taught me the two uneasily cohabiting modes of thought that are central to the scientific method.^[7]

1939 World's Fair[link]

Sagan recalls that one of his best experiences was when he was four or five years old, his parents took him to the 1939 New York World's Fair. The exhibits became a turning point in his life. He later recalled the moving map of the "America of Tomorrow" exhibit: "It showed beautiful highways and cloverleaves and little General Motors cars all carrying people to skyscrapers, buildings with lovely spires, flying buttresses—and it looked great!"^[6]:14 At other exhibits, he remembered how a flashlight that shined on a photoelectric cell created a cracking sound, and how the sound from a tuning fork became a wave on an oscilloscope. He also witnessed the future media technology that would replace radio: television. Sagan wrote:

Plainly, the world held wonders of a kind I had never guessed. How could a tone become a picture and light become a noise?^[6]:14

He also saw one of the Fair's most publicized events, the burial of a time capsule at Flushing Meadows, which contained mementos of the 1930s to be recovered by Earth's descendants in a future millennium. "The time capsule thrilled Carl," writes Davidson. As an adult, Sagan and his colleagues created similar time capsules, but ones that would be sent out into the galaxy. These were the Pioneer plaque and the Voyager Golden Record records, all of which were spinoffs of Sagan's memories of the World Fair.^[6]:15

World War II[link]

During World War II, Sagan's family worried about the fate of their European relatives. Sagan, however, was generally unaware of the details of the ongoing war. He writes, "Sure, we had relatives who were caught up in the Holocaust. Hitler was not a popular fellow in our household ... But on the other hand, I was fairly insulated from the horrors of the war." His sister, Carol, said that their mother "above all wanted to protect Carl ... She had an extraordinarily difficult time dealing with World War II and the Holocaust."^[6]:15 Sagan's book, The Demon-Haunted World (1996), included his memories of this conflicted period, when his family dealt with the realities of the war in Europe, but tried to prevent it from undermining his optimistic spirit.^[7]

Inquisitiveness about nature[link]

Soon after entering elementary school, he began to express a strong inquisitiveness about nature. Sagan recalled taking his first trips to the public library alone, at the age of five, when his mother got him a library card. He wanted to learn what stars were, since none of his friends or their parents could give him a clear answer:

I went to the librarian and asked for a book about stars ... And the answer was stunning. It was that the Sun was a star but really close. The stars were suns, but so far away they were just little points of light ... The scale of the universe suddenly opened up to me. It was a kind of religious experience. There was a magnificence to it, a grandeur, a scale which has never left me. Never ever left me.^[6]:18

About the time he was six or seven, he and a close friend took trips to the American Museum of Natural History in New York City. While there, they went to the Hayden Planetarium and walked around the museum's exhibits of space objects, such as meteorites, and displays of dinosaurs and animals in natural settings. Sagan writes about those visits:

I was transfixed by the dioramas—lifelike representations of animals and their habitats all over the world. Penguins on the dimly lit Antarctic ice; ... a family of gorillas, the male beating his chest, ... an American grizzly bear standing on his hind legs, ten or twelve feet tall, and staring me right in the eye.^[6]:18

His parents helped nurture his growing interest in science by buying him chemistry sets and reading materials.^[8] His interest in space, however, was his primary focus, especially after reading science fiction stories by writers such as Edgar Rice Burroughs, which stirred his imagination about life on other planets, such as Mars. According to biographer Ray Spangenburg, these early years as Sagan tried to understand the mysteries of the planets, became a "driving force in his life, a continual spark to his intellect, and a quest that would never be forgotten."^[7]

Education and scientific career[link]

He attended the University of Chicago, where he participated in the Ryerson Astronomical Society,^[9] received a bachelor of arts in self-proclaimed "nothing" with general and special honors in 1954, a bachelor of science in physics in 1955, and a master of science in physics in 1956 before earning a PhD in astronomy and astrophysics in 1960.^[10][11][12] During his time as an honors program undergraduate, Sagan worked in the laboratory of the geneticist H. J. Muller and wrote a thesis on the origins of life with physical chemist H.C. Urey. From 1960 to 1962 Sagan was a Miller Fellow at the University of California, Berkeley. From 1962 to 1968, he worked at the Smithsonian Astrophysical Observatory in Cambridge, Massachusetts.

Sagan lectured and did research at Harvard University until 1968, when he moved to Cornell University in Ithaca, New York. He became a full Professor at Cornell in 1971, and he directed the Laboratory for Planetary Studies there. From 1972 to 1981, Sagan was the Associate Director of the Center for Radio Physics and Space Research at Cornell.

Sagan was associated with the US space program from its inception. From the 1950s onward, he worked as an advisor to NASA, where one of his duties included briefing the Apollo astronauts before their flights to the Moon. Sagan contributed to many of the robotic spacecraft missions that explored the solar system, arranging experiments on many of the expeditions. He conceived the idea of adding an unalterable and universal message on spacecraft destined to leave the solar system that could potentially be understood by any extraterrestrial intelligence that might find it. Sagan assembled the first physical message that was sent into space: a gold- anodized plaque, attached to the space probe Pioneer 10, launched in 1972. Pioneer 11, also carrying another copy of the plaque, was launched the following year. He continued to refine his designs; the most elaborate message he helped to develop and assemble was the Voyager Golden Record that was sent out with the Voyager space probes in 1977. Sagan often challenged the decisions to fund the Space Shuttle and Space Station at the expense of further robotic missions.^[13]

Sagan taught a course on critical thinking at Cornell University until he died in 1996 from pneumonia, a few months after finding that he was in remission of myelodysplastic syndrome.

Scientific achievements[link]

Sagan's contributions were central to the discovery of the high surface temperatures of the planet Venus. In the early 1960s no one knew for certain the basic conditions of that planet's surface, and Sagan listed the possibilities in a report later depicted for popularization in a Time-Life book, Planets. His own view was that Venus was dry and very hot as opposed to the balmy paradise others had imagined. He had investigated radio emissions from Venus and concluded that there was a surface temperature of 500 °C (900 °F). As a visiting scientist to NASA's Jet Propulsion Laboratory, he contributed to the first Mariner missions to Venus, working on the design and management of the project. Mariner 2 confirmed his conclusions on the surface conditions of Venus in 1962.

Sagan was among the first to hypothesize that Saturn's moon Titan might possess oceans of liquid compounds on its surface and that Jupiter's moon Europa might possess subsurface oceans of water. This would make Europa potentially habitable.^[14] Europa's subsurface ocean of water was later indirectly confirmed by the spacecraft Galileo. The mystery of Titan's reddish haze was also solved with Sagan's help. The reddish haze was revealed to be due to complex organic molecules constantly raining down onto Titan's surface.^[15]

He further contributed insights regarding the atmospheres of Venus and Jupiter as well as seasonal changes on Mars. Sagan established that the atmosphere of Venus is extremely hot and dense with pressures increasing steadily all the way down to the surface. He also perceived global warming as a growing, man-made danger and likened it to the natural development of Venus into a hot, life-hostile planet through a kind of runaway greenhouse effect. Sagan and his Cornell colleague Edwin Ernest Salpeter speculated about life in Jupiter's clouds, given the planet's dense atmospheric composition rich in organic molecules. He studied the observed color variations on Mars' surface and concluded that they were not seasonal or vegetational changes as most believed but shifts in surface dust caused by windstorms.

Sagan is best known, however, for his research on the possibilities of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.^[16]

He is also the 1994 recipient of the Public Welfare Medal, the highest award of the National Academy of Sciences for "distinguished contributions in the application of science to the public welfare."^[17] He was denied membership in the Academy, reportedly because his media activities made him unpopular with many other scientists.^[18]

Scientific advocacy[link]

Planetary Society members at the organization's founding. Carl Sagan is seated on the right.

Sagan's ability to convey his ideas allowed many people to better understand the cosmos—simultaneously emphasizing the value and worthiness of the human race, and the relative insignificance of the Earth in comparison to the universe. He delivered the 1977 series of Royal Institution Christmas Lectures in London.^[19] He hosted and, with Ann Druyan, co-wrote and co-produced the highly popular thirteen-part PBS television series Cosmos: A Personal Voyage modeled on Jacob Bronowski's The Ascent of Man.

Cosmos covered a wide range of scientific subjects including the origin of life and a perspective of our place in the universe. The series was first broadcast by the Public Broadcasting Service in 1980, winning an Emmy and a Peabody Award. It has been broadcast in more than 60 countries and seen by over 500 million people,^[3][20] making it the most widely watched PBS program in history.^[21] In addition, Time magazine ran a cover story about Sagan soon after the show broadcast, referring to him as "creator, chief writer and host-narrator of the new public television series Cosmos, [and] takes the controls of his fantasy spaceship."^[22]

Sagan was a proponent of the search for extraterrestrial life. He urged the scientific community to listen with radio telescopes for signals from potential intelligent extraterrestrial life-forms. Sagan was so persuasive that by 1982 he was able to get a petition advocating SETI published in the journal Science and signed by 70 scientists including seven Nobel Prize winners. This was a tremendous increase in the respectability of this controversial field. Sagan also helped Dr. Frank Drake write the Arecibo message, a radio message beamed into space from the Arecibo radio telescope on November 16, 1974, aimed at informing potential extraterrestrials about Earth.

Sagan was chief technology officer of the professional planetary research journal Icarus for twelve years. He co-founded the Planetary Society, the largest space-interest group in the world, with over 100,000 members in more than 149 countries, and was a member of the SETI Institute Board of Trustees. Sagan served as Chairman of the Division for Planetary Science of the American Astronomical Society, as President of the Planetology Section of the American Geophysical Union, and as Chairman of the Astronomy Section of the American Association for the Advancement of Science.

At the height of the Cold War, Sagan became involved in public awareness efforts for the effects of nuclear war when a mathematical climate model suggested that a substantial nuclear exchange could upset the delicate balance of life on Earth. He was one of five authors—the "S" of the "TTAPS" report as the research paper came to be known. He eventually co-authored the scientific paper hypothesizing a global nuclear winter following nuclear war.^[23] He also co-authored the book A Path Where No Man Thought: Nuclear Winter and the End of the Arms Race, a comprehensive examination of the phenomenon of nuclear winter.

Sagan also wrote books to popularize science which reflected and expanded upon some of the themes of A Personal Voyage, and became the best-selling science book ever published in English;^[24] The Dragons of Eden: Speculations on the Evolution of Human Intelligence, which won a Pulitzer Prize; and Broca's Brain: Reflections on the Romance of Science. Sagan also wrote the best-selling science fiction novel Contact in 1985, based on a film treatment he wrote with his wife in 1979, but he did not live to see the book's 1997 motion picture adaptation, which starred Jodie Foster and won the 1998 Hugo Award for Best Dramatic Adaption.

Pale Blue Dot: Earth is a bright pixel when photographed from "Voyager 1" six billion kilometers out (past Pluto). Sagan encouraged NASA to generate this image.

He wrote a sequel to Cosmos, Pale Blue Dot: A Vision of the Human Future in Space, which was selected as a notable book of 1995 by The New York Times. He appeared on PBS' Charlie Rose program in January 1995.^[25] Sagan also wrote an introduction for the bestselling book by Stephen Hawking, A Brief History of Time. Sagan was also known for his popularization of science, his efforts to increase scientific understanding among the general public, and his positions in favor of scientific skepticism and against pseudoscience, such as his debunking of the Betty and Barney Hill abduction. To mark the tenth anniversary of Sagan's death, David Morrison, a former student of Sagan, recalled "Sagan's immense contributions to planetary research, the public understanding of science, and the skeptical movement" in Skeptical Inquirer.^[26]

Sagan hypothesized in January 1991 that enough smoke from the 1991 Kuwaiti oil fires "might get so high as to disrupt agriculture in much of South Asia ..." He later conceded in The Demon-Haunted World that this prediction did not turn out to be correct: "it was pitch black at noon and temperatures dropped 4°–6 °C over the Persian Gulf, but not much smoke reached stratospheric altitudes and Asia was spared."^[27] A 2007 study noted that modern computer models have been applied to the Kuwait oil fires, finding that individual smoke plumes are not able to loft smoke into the stratosphere, but that smoke from fires covering a large area, like some forest fires or the burning of cities that would be expected to follow a nuclear strike, would loft significant amounts of smoke into the stratosphere.^{[28][29][30][31]}

In his later years Sagan advocated the creation of an organized search for near Earth objects that might impact the Earth.^[32] When others suggested creating large nuclear bombs that could be used to alter the orbit of a NEO that was predicted to hit the Earth, Sagan proposed the Deflection Dilemma: If we create the ability to deflect an asteroid away from the Earth, then we also create the ability to deflect an asteroid towards the Earth—providing an evil power with a true doomsday bomb.^[33][34]

Billions and billions[link]

Sagan with a model of the Viking Lander probes which would land on Mars. Sagan examined possible landing sites for Viking along with Mike Carr and Hal Masursky.

From Cosmos and his frequent appearances on The Tonight Show Starring Johnny Carson, Sagan became associated with the catchphrase "billions and billions". Sagan stated that he never actually used the phrase in the Cosmos series.^[35] The closest that he ever came was in the book Cosmos, where he talked of "billions upon billions":^[36]

A galaxy is composed of gas and dust and stars—billions upon billions of stars.

—Carl Sagan, Cosmos, chapter 1, page 3^[37]

However, his frequent use of the word billions, and distinctive delivery emphasizing the "b" (which he did intentionally, in place of more cumbersome alternatives such as "billions with a 'b'", in order to distinguish the word from "millions" in viewers' minds),^[35] made him a favorite target of comic performers, including Johnny Carson,^[38] Gary Kroeger, Mike Myers, Bronson Pinchot, Penn Jillette, Harry Shearer, and others. Frank Zappa satirized the line in the song "Be In My Video", noting as well "atomic light". Sagan took this all in good humor, and his final book was entitled Billions and Billions, which opened with a tongue-in-cheek discussion of this catchphrase, observing that Carson was an amateur astronomer and that Carson's comic caricature often included real science.^[35]

Similarly he is also known for expressing wonderment at the vastness of space and time, as in his phrase "The total number of stars in the Universe is larger than all the grains of sand on all the beaches of the planet Earth."

Sagan units[link]

As a humorous tribute to him, a sagan has been defined as a unit of measurement equal to at least four billion, since the smallest number that may be described as billions and billions must be two billion plus two billion.^[39][40]

Social concerns[link]

Sagan believed that the Drake equation, on substitution of reasonable estimates, suggested that a large number of extraterrestrial civilizations would form, but that the lack of evidence of such civilizations highlighted by the Fermi paradox suggests technological civilizations tend to self-destruct. This stimulated his interest in identifying and publicizing ways that humanity could destroy itself, with the hope of avoiding such a cataclysm and eventually becoming a spacefaring species. Sagan's deep concern regarding the potential destruction of human civilization in a nuclear holocaust was conveyed in a memorable cinematic sequence in the final episode of Cosmos, called "Who Speaks for Earth?" Sagan had already resigned from the Air Force Scientific Advisory Board and voluntarily surrendered his top secret clearance in protest over the Vietnam War.^[41] Following his marriage to his third wife (novelist Ann Druyan) in June 1981, Sagan became more politically active—particularly in opposing escalation of the nuclear arms race under President Ronald Reagan.

In March 1983, Reagan announced the Strategic Defense Initiative—a multi-billion dollar project to develop a comprehensive defense against attack by nuclear missiles, which was quickly dubbed the "Star Wars" program. Sagan spoke out against the project, arguing that it was technically impossible to develop a system with the level of perfection required, and far more expensive to build than for an enemy to defeat through decoys and other means—and that its construction would seriously destabilize the nuclear balance between the United States and the Soviet Union, making further progress toward nuclear disarmament impossible.

When Soviet leader Mikhail Gorbachev declared a unilateral moratorium on the testing of nuclear weapons, which would begin on August 6, 1985—the 40th anniversary of the atomic bombing of Hiroshima—the Reagan administration dismissed the dramatic move as nothing more than propaganda, and refused to follow suit. In response, US anti-nuclear and peace activists staged a series of protest actions at the Nevada Test Site, beginning on Easter Sunday in 1986 and continuing through 1987. Hundreds of people were arrested, including Sagan, who was arrested on two separate occasions as he climbed over a chain-link fence at the test site.^[42]

Personal life and beliefs[link]

Sagan was married three times—in 1957, to biologist Lynn Margulis, mother of Dorion Sagan and Jeremy Sagan; in 1968, to artist Linda Salzman, mother of Nick Sagan; and in 1981, to author Ann Druyan, mother of Alexandra Rachel (Sasha) Sagan and Samuel Democritus Sagan. His marriage to Druyan continued until his death in 1996.

Isaac Asimov described Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky.^[43]

Sagan wrote frequently about religion and the relationship between religion and science, expressing his skepticism about the conventional conceptualization of God as a sapient being. For example:

"Some people think God is an outsized, light-skinned male with a long white beard, sitting on a throne somewhere up there in the sky, busily tallying the fall of every sparrow. Others—for example Baruch Spinoza and Albert Einstein—considered God to be essentially the sum total of the physical laws which describe the universe. I do not know of any compelling evidence for anthropomorphic patriarchs controlling human destiny from some hidden celestial vantage point, but it would be madness to deny the existence of physical laws."^[44]

In another description of his view of God, Sagan emphatically writes:

"The idea that God is an oversized white male with a flowing beard who sits in the sky and tallies the fall of every sparrow is ludicrous. But if by God one means the set of physical laws that govern the universe, then clearly there is such a God. This God is emotionally unsatisfying... it does not make much sense to pray to the law of gravity."^[45]

On atheism, Sagan commented in 1981:

"An atheist is someone who is certain that God does not exist, someone who has compelling evidence against the existence of God. I know of no such compelling evidence. Because God can be relegated to remote times and places and to ultimate causes, we would have to know a great deal more about the universe than we do now to be sure that no such God exists. To be certain of the existence of God and to be certain of the nonexistence of God seem to me to be the confident extremes in a subject so riddled with doubt and uncertainty as to inspire very little confidence indeed".^[46]

In reply to a question in 1996 about his religious beliefs, Sagan answered, "I'm agnostic."^[47] Sagan's views on religion have been interpreted as a form of pantheism comparable to Einstein's belief in Spinoza's God.^[48] Sagan maintained that the idea of a creator of the universe was difficult to prove or disprove and that the only conceivable scientific discovery that could challenge it would be an infinitely old universe.^[49] According to his last wife, Ann Druyan, he was not a believer:

When my husband died, because he was so famous and known for not being a believer, many people would come up to me—it still sometimes happens—and ask me if Carl changed at the end and converted to a belief in an afterlife. They also frequently ask me if I think I will see him again. Carl faced his death with unflagging courage and never sought refuge in illusions. The tragedy was that we knew we would never see each other again. I don't ever expect to be reunited with Carl.^[50]

In 2006, Ann Druyan edited Sagan's 1985 Glasgow Gifford Lectures in Natural Theology into a book, The Varieties of Scientific Experience: A Personal View of the Search for God, in which he elaborates on his views of divinity in the natural world.

Carl Sagan (center) speaks with CDC employees in 1988.

Sagan is also widely regarded as a freethinker or skeptic; one of his most famous quotations, in Cosmos, was, "Extraordinary claims require extraordinary evidence"^[51] (called the "Sagan Standard" by some^[52]). This was based on a nearly identical statement by fellow founder of the Committee for the Scientific Investigation of Claims of the Paranormal, Marcello Truzzi, "An extraordinary claim requires extraordinary proof."^[53][54] This idea originated with Pierre-Simon Laplace (1749–1827), a French mathematician and astronomer who said, "The weight of evidence for an extraordinary claim must be proportioned to its strangeness."^[55]

Late in his life, Sagan's books elaborated on his skeptical, naturalistic view of the world. In The Demon-Haunted World: Science as a Candle in the Dark, he presented tools for testing arguments and detecting fallacious or fraudulent ones, essentially advocating wide use of critical thinking and the scientific method. The compilation Billions and Billions: Thoughts on Life and Death at the Brink of the Millennium, published in 1997 after Sagan's death, contains essays written by Sagan, such as his views on abortion, and his widow Ann Druyan's account of his death as a skeptic, agnostic, and freethinker.

Sagan warned against humans' tendency towards anthropocentrism. He was the faculty adviser for the Cornell Students for the Ethical Treatment of Animals. In the Cosmos chapter "Blues For a Red Planet", Sagan wrote, "If there is life on Mars, I believe we should do nothing with Mars. Mars then belongs to the Martians, even if the Martians are only microbes."^[56]

Sagan was a user and advocate of marijuana. Under the pseudonym "Mr. X", he contributed an essay about smoking cannabis to the 1971 book Marihuana Reconsidered.^[57][58] The essay explained that marijuana use had helped to inspire some of Sagan's works and enhance sensual and intellectual experiences. After Sagan's death, his friend Lester Grinspoon disclosed this information to Sagan's biographer, Keay Davidson. The publishing of the biography, Carl Sagan: A Life, in 1999 brought media attention to this aspect of Sagan's life.^[59][60][61] Not long after his death, widow Ann Druyan had gone on to preside over the board of directors of NORML, a foundation dedicated to reforming cannabis laws.^[62]

In 1994, engineers at Apple Computer code-named the Power Macintosh 7100 "Carl Sagan" in the hope that Apple would make "billions and billions" with the sale of the PowerMac 7100.^[4] The name was only used internally, but Sagan was concerned that it would become a product endorsement and sent Apple a cease and desist letter. Apple complied, but engineers retaliated by changing the internal codename to "BHA" for "Butt-Head Astronomer".^[63][64] Sagan then sued Apple for libel, a form of defamation, in federal court. The court granted Apple's motion to dismiss Sagan's claims and opined in dicta that a reader aware of the context would understand Apple was "clearly attempting to retaliate in a humorous and satirical way", and that "It strains reason to conclude that Defendant was attempting to criticize Plaintiff's reputation or competency as an astronomer. One does not seriously attack the expertise of a scientist using the undefined phrase 'butt-head'."^[63][65] Sagan then sued for Apple's original use of his name and likeness, but again lost.^[66] Sagan appealed the ruling.^[66] In November 1995, an out of court settlement was reached and Apple's office of trademarks and patents released a conciliatory statement that "Apple has always had great respect for Dr. Sagan. It was never Apple's intention to cause Dr. Sagan or his family any embarrassment or concern."^[67]

Sagan briefly served as an adviser on Stanley Kubrick's film 2001: A Space Odyssey.^[6] Sagan proposed that the film would suggest, rather than depict, extraterrestrial superintelligence.^[68]

Sagan and UFOs[link]

Sagan had some interest in UFO reports from at least August 3, 1952 when he wrote a letter to U.S. Secretary of State Dean Acheson to ask how the U.S. would respond if flying saucers turned out to be extraterrestrial.^[69] He later had several conversations on the subject in 1964 with Jacques Vallee.^[70] Though quite skeptical of any extraordinary answer to the UFO question, Sagan thought scientists should study the phenomenon, at least because there was widespread public interest in UFO reports.

Stuart Appelle notes that Sagan "wrote frequently on what he perceived as the logical and empirical fallacies regarding UFOs and the abduction experience. Sagan rejected an extraterrestrial explanation for the phenomenon but felt there were both empirical and pedagogical benefits for examining UFO reports and that the subject was, therefore, a legitimate topic of study."^[71]

In 1966, Sagan was a member of the Ad Hoc Committee to Review Project Blue Book, the U.S. Air Force's UFO investigation project. The committee concluded Blue Book had been lacking as a scientific study, and recommended a university-based project to give the UFO phenomenon closer scientific scrutiny. The result was the Condon Committee (1966–1968), led by physicist Edward Condon, and in their final report they formally concluded that UFOs, regardless of what any of them actually were, did not behave in a manner consistent with a threat to national security.

Ron Westrum writes that "The high point of Sagan's treatment of the UFO question was the AAAS's symposium in 1969. A wide range of educated opinions on the subject were offered by participants, including not only proponents such as James McDonald and J. Allen Hynek but also skeptics like astronomers William Hartmann and Donald Menzel. The roster of speakers was balanced, and it is to Sagan's credit that this event was presented in spite of pressure from Edward Condon".^[70] With physicist Thornton Page, Sagan edited the lectures and discussions given at the symposium; these were published in 1972 as UFOs: A Scientific Debate. Some of Sagan's many books examine UFOs (as did one episode of Cosmos) and he claimed a religious undercurrent to the phenomenon.

Sagan again revealed his views on interstellar travel in his 1980 Cosmos series. In one of his last written works, Sagan argued that the chances of extraterrestrial spacecraft visiting Earth are vanishingly small. However, Sagan did think it plausible that Cold War concerns contributed to governments misleading their citizens about UFOs, and that "some UFO reports and analyses, and perhaps voluminous files, have been made inaccessible to the public which pays the bills ... It's time for the files to be declassified and made generally available." He cautioned against jumping to conclusions about suppressed UFO data and stressed that there was no strong evidence that aliens were visiting the Earth either in the past or present.^[72]

Death[link]

Stone dedicated to Carl Sagan in the Celebrity Path of the Brooklyn Botanic Garden

After a long and difficult fight with myelodysplasia, which included three bone marrow transplants, Sagan died of pneumonia at the age of 62 at the Fred Hutchinson Cancer Research Center in Seattle, Washington, on December 20, 1996.^[73] He was buried at Lakeview Cemetery in Ithaca, New York.^[74]

Posthumous recognition[link]

The 1997 movie Contact, based on Sagan's novel of the same name and finished after his death, ends with the dedication "For Carl".

In 1997, the Sagan Planet Walk was opened in Ithaca, New York. It is a walking scale model of the solar system, extending 1.2 km from the center of The Commons in downtown Ithaca to the Sciencenter, a hands-on museum. The exhibition was created in memory of Carl Sagan, who was an Ithaca resident and Cornell Professor. Professor Sagan had been a founding member of the museum's advisory board.^[75]

The landing site of the unmanned Mars Pathfinder spacecraft was renamed the Carl Sagan Memorial Station on July 5, 1997. Asteroid 2709 Sagan is named in his honor.

Sagan's son, Nick Sagan, wrote several episodes in the Star Trek franchise. In an episode of Star Trek: Enterprise entitled "Terra Prime", a quick shot is shown of the relic rover Sojourner, part of the Mars Pathfinder mission, placed by a historical marker at Carl Sagan Memorial Station on the Martian surface. The marker displays a quote from Sagan: "Whatever the reason you're on Mars, I'm glad you're there, and I wish I was with you." Sagan's student Steve Squyres led the team that landed the Spirit Rover and Opportunity Rover successfully on Mars in 2004.

On November 9, 2001, on what would have been Sagan's 67th birthday, the NASA Ames Research Center dedicated the site for the Carl Sagan Center for the Study of Life in the Cosmos. "Carl was an incredible visionary, and now his legacy can be preserved and advanced by a 21st century research and education laboratory committed to enhancing our understanding of life in the universe and furthering the cause of space exploration for all time", said NASA Administrator Daniel Goldin. Ann Druyan was at the Center as it opened its doors on October 22, 2006.

Sagan has at least three awards named in his honor:

• The Carl Sagan Memorial Award presented jointly since 1997 by the American Astronomical Society (AAS) and the Planetary Society,
• The Carl Sagan Medal for Excellence in Public Communication in Planetary Science presented since 1998 by the American Astronomical Society's Division for Planetary Sciences (AAS/DPS) for outstanding communication by an active planetary scientist to the general public—Carl Sagan was one of the original organizing committee members of the DPS, and
• The Carl Sagan Award for Public Understanding of Science presented by the Council of Scientific Society Presidents (CSSP)—Sagan was the first recipient of the CSSP award in 1993.^[76]

In 2006, the Carl Sagan Medal was awarded to astrobiologist and author David Grinspoon, the son of Sagan's friend Lester Grinspoon.

On December 20, 2006, the tenth anniversary of Sagan's death, a blogger, Joel Schlosberg, organized a Carl Sagan "blog-a-thon" to commemorate Sagan's death, and the idea was supported by Nick Sagan.^[77] Many members of the blogging community participated.

August 2007 the Independent Investigative Group IIG awarded Sagan posthumously a Lifetime Achievement Award. This honor has also been awarded to Harry Houdini and James Randi.^[78]

Beginning in 2009, a musical project known as Symphony of Science sampled several excerpts of Sagan from his series Cosmos and remixed them to electronic music. To date, the videos have received over twenty-million views worldwide on the popular user generated website Youtube, and have exposed a new generation to the interconnected grandeur of the universe as Sagan described them in his documentary series.^[79]

Awards and honors[link]

NASA Distinguished Public Service Medal

• Annual Award for Television Excellence—1981—Ohio State University—PBS series Cosmos
• Apollo Achievement Award—National Aeronautics and Space Administration
• NASA Distinguished Public Service Medal—National Aeronautics and Space Administration (twice)
• Emmy—Outstanding Individual Achievement—1981—PBS series Cosmos
• Emmy—Outstanding Informational Series—1981—PBS series Cosmos
• Exceptional Scientific Achievement Medal—National Aeronautics and Space Administration
• Helen Caldicott Leadership Award – Awarded by Women's Action for Nuclear Disarmament
• Hugo Award—1981—Cosmos
• Humanist of the Year—1981—Awarded by the American Humanist Association
• In Praise of Reason Award—1987—Committee for the Scientific Investigation of Claims of the Paranormal
• Isaac Asimov Award—1994—Committee for the Scientific Investigation of Claims of the Paranormal
• John F. Kennedy Astronautics Award—American Astronautical Society
• John W. Campbell Memorial Award—1974—The Cosmic Connection: An Extraterrestrial Perspective
• Joseph Priestley Award—"For distinguished contributions to the welfare of mankind"
• Klumpke-Roberts Award of the Astronomical Society of the Pacific—1974
• Konstantin Tsiolkovsky Medal—Awarded by the Soviet Cosmonauts Federation
• Locus Award 1986—Contact
• Lowell Thomas Award—Explorers Club—75th Anniversary
• Masursky Award—American Astronomical Society
• Miller Research Fellowship—Miller Institute (1960–1962)
• Oersted Medal—1990—American Association of Physics Teachers
• Peabody Award—1980—PBS series Cosmos
• Prix Galbert—The international prize of Astronautics
• Public Welfare Medal—1994—National Academy of Sciences^[80]
• Pulitzer Prize for General Non-Fiction—1978—The Dragons of Eden
• SF Chronicle Award—1998—Contact
• Named the "99th Greatest American" on the June 5, 2005, Greatest American show on the Discovery Channel
• Named an honorary member of the Demosthenian Literary Society on November 10, 2011
• 2009 New Jersey Hall of Fame inductee.^[81]

Publications[link]

• Planets (LIFE Science Library), Sagan, Carl, Jonathan Norton Leonard and editors of Life, Time, Inc., 1966
• Intelligent Life in the Universe, I.S. Shklovskii coauthor, Random House, 1966, ISBN 1-892803-02-X, 509 pgs (note: republished in 1998 by Emerson-Adams Press)
• UFOs: A Scientific Debate, Thornton Page coauthor, Cornell University Press, 1972, 310 pgs
• Communication with Extraterrestrial Intelligence. MIT Press, 1973, 428 pgs
• Mars and the Mind of Man, Sagan, Carl, et al., Harper & Row, 1973, 143 pgs
• The Cosmic Connection: An Extraterrestrial Perspective, Jerome Agel coauthor, Anchor Press, 1973, ISBN 0-521-78303-8, 301 pgs
• Other Worlds. Bantam Books, 1975
• Murmurs of Earth: The Voyager Interstellar Record, Sagan, Carl, et al., Random House, ISBN 0-394-41047-5, 1978
• The Dragons of Eden: Speculations on the Evolution of Human Intelligence. Ballantine Books, 1978, ISBN 0-345-34629-7, 288 pgs
• Broca's Brain: Reflections on the Romance of Science. Ballantine Books, 1979, ISBN 0-345-33689-5, 416 pgs
• Cosmos. Random House, 1980. Random House New Edition, May 7, 2002, ISBN 0-375-50832-5, 384 pgs
• The Cold and the Dark: The World after Nuclear War, Sagan, Carl et al., Sidgwick & Jackson, 1985
• Comet, Ann Druyan coauthor, Ballantine Books, 1985, ISBN 0-345-41222-2, 496 pgs
• Contact. Simon and Schuster, 1985; Reissued August 1997 by Doubleday Books, ISBN 1-56865-424-3, 352 pgs
• A Path Where No Man Thought: Nuclear Winter and the End of the Arms Race, Richard Turco coauthor, Random House, 1990, ISBN 0-394-58307-8, 499 pgs
• Shadows of Forgotten Ancestors: A Search for Who We Are, Ann Druyan coauthor, Ballantine Books, October 1993, ISBN 0-345-38472-5, 528 pgs
• Pale Blue Dot: A Vision of the Human Future in Space. Random House, November 1994, ISBN 0-679-43841-6, 429 pgs
• The Demon-Haunted World: Science as a Candle in the Dark. Ballantine Books, March 1996, ISBN 0-345-40946-9, 480 pgs (note: the book was first published and copyrighted in 1995 with an errata slip inserted)
• Billions and Billions: Thoughts on Life and Death at the Brink of the Millennium, Ann Druyan coauthor, Ballantine Books, June 1997, ISBN 0-345-37918-7, 320 pgs
• The Varieties of Scientific Experience: A Personal View of the Search for God, Carl Sagan (writer) & Ann Druyan (editor), 1985 Gifford lectures, Penguin Press HC, November 2006, ISBN 1-59420-107-2, 304 pgs

References[link]

Further reading[link]

• Davidson, Keay (1999). Carl Sagan: A Life. New York: John Wiley & Sons. pp. 33–41. ISBN 0-471-25286-7. 
• Head, Tom (ed.) (2005). Conversations with Carl Sagan. Jackson, Mississippi: University Press of Mississippi. ISBN 1-57806-736-7. 
• Poundstone, William (1999). Carl Sagan: A Life in the Cosmos. New York: Henry Holt & Company. ISBN 0-8050-5766-8. 
• Morrison, David (2006). "Carl Sagan: The People's Astronomer" (PDF). AmeriQuests 3 (2). http://ejournals.library.vanderbilt.edu/ameriquests/include/getdoc.php?id=402&article=93&mode=pdf. 
• Achenbach, Joel (1999). Captured by Aliens: the search for life and truth in a very large universe. New York: Simon & Schuster. ISBN 0-684-84856-2. [Includes detailed account of Sagan's role in the search for extraterrestrial life. Lay summary]. 

External links[link]

Find more about Carl Sagan on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote
	Source texts from Wikisource

• The Carl Sagan Portal
• Video of skit from The Tonight Show Starring Johnny Carson mentioning "billions and billions"
• BBC Radio program "Great Lives" on Carl Sagan's life
• A Man whose time Has come—Interview with Carl Sagan by Ian Ridpath, New Scientist 1974 July 4
• Carl Sagan at the Internet Movie Database
• Works by or about Carl Sagan in libraries (WorldCat catalog)
• Carl Sagan Prize for Science Popularization
• Sagan Medal for Excellence in Public Communication in Planetary Science, presented by the American Astronomical Society's Division for Planetary Sciences (AAS/DPS)
• Carl Sagan Center for the Study of Life in the Universe, SETI Institute
• Carl Sagan's Life and Legacy as Scientist, Teacher, and Skeptic, Committee for Skeptical Inquiry
• A Tribute to Carl Sagan: Our Place in the Universe, The Skeptics Society

v t e Carl Sagan Books Mars and the Mind of Man The Dragons of Eden: Speculations on the Evolution of Human Intelligence Broca's Brain: Reflections on the Romance of Science Cosmos The Nuclear Winter: The World After Nuclear War Contact Comet A Path Where No Man Thought: Nuclear Winter and the End of the Arms Race Shadows of Forgotten Ancestors: A Search for Who We Are Pale Blue Dot: A Vision of the Human Future in Space The Demon-Haunted World: Science as a Candle in the Dark Billions and Billions: Thoughts on Life and Death at the Brink of the Millennium The Varieties of Scientific Experience: A Personal View of the Search for God Media Cosmos: A Personal Voyage Contact See also SETI Pioneer plaque Voyager Golden Record Pale Blue Dot Linda Salzman Sagan Nick Sagan Ann Druyan

Pain of Salvation
Pain of Salvation at the Sweden Rock Festival, 2008.
Background information
Origin	Eskilstuna, Sweden
Genres	Progressive metal, progressive rock.
Years active	1984−1991 (as Reality) 1991−present (as Pain of Salvation)
Labels	InsideOut Music
Associated acts	Crypt of Kerberos Q-krunkers from Hell The Flower Kings Programming Defaced Transatlantic
Website	painofsalvation.com
Members
Daniel Gildenlöw Gustaf Hielm Léo Margarit Daniel Karlsson Ragnar ZSolberg
Past members
Joakim Strandberg Mikael Pettersson Daniel Magdic Johan Langell Magnus Johansson Kristoffer Gildenlöw Fredrik Hermansson Johan Hallgren Simon Andersson

Pain of Salvation is a Swedish progressive rock band headed by Daniel Gildenlöw; the band's lyricist, chief composer, guitarist, and lead vocalist. Their sound is characterised by powerful, accentuated guitar work, broad vocal range, abrupt switching between heavy and calm passages, intense syncopation, and polyrhythmic experimentation. Another trademark of the band is that each album is a concept album. Some of the topics addressed in the band's albums include sexuality, war and its effect on family and humanity, environmental issues (such as nuclear power), the forming of the individual, and the nature of God, humankind, and existence.

Etymology[link]

The name "Pain of Salvation" was devised by Daniel Gildenlöw, whose intention was to incorporate the notion of balance, which he believed to be of vital significance, e.g. good and bad, light and dark, life and death; pain and salvation.

"I wanted a name that meant something, a name that was more than a cool expression. For me, Pain of Salvation has the meaning of balance. Taking the good with the bad. It is also a good expression in everyday use, when something does not go the way you planned; "well, that’s just the pain of salvation," to indicate that this is just a slight setback on an otherwise painless journey towards your goal." ^[1]

"The idea with the name is that everything has two sides, everything is in balance." ^[2]

"Imagine yourself exhausted in the middle of a desert... Sitting down will take away your pain, but it will kill you. The walk for water will hurt, but it may save your life."

"I formed my first band at eleven, I called it Reality. When I turned 15, I decided to change, because I did not the same as in the age of 11. I tried to come up with a new band name. It was during a math lesson, I was writing band names. I wrote Pain of Salvation and it stuck. I showed it to my classmate, who later became a member of the band, he said too long, nobody would remember that!" ^[3]

Biography[link]

Early days (1984-1996)[link]

In 1984, Daniel Gildenlöw (at the age of eleven) founded the band "Reality" in Eskilstuna, Sweden. One of the early members was Daniel Magdic, who would remain with the band until after the first album was eventually recorded in 1997. In 1987, Reality qualified to participate in the Swedish Annual Music Contest "Rock-SM" (this is the same contest that fellow Swedes Europe won in 1982, earning them international recognition in the early 80s). They were the youngest competitors ever to enter the competition and Daniel Gildenlöw also won the prize for "Best Vocalist".

1990 saw a number of line-up changes, including the addition of talented Johan Langell (then 14 years old) on drums; as the core composers Gildenlöw and Magdic found it difficult to fully implement their musical ideas with the current members. Also joining the band was Gustaf Hielm on bass guitar. Somewhat disillusioned and bored of the "Reality" moniker, Gildenlöw renamed the band to "Pain of Salvation" in 1991. For the next 3 years, the band achieved national success in several contests and competitions. Some of the songs performed during this era can be found on the earlier albums.

In 1994, Kristoffer Gildenlöw (Daniel’s younger brother) replaced Gustaf Hielm (who later went on to join fellow Swedish metal band Meshuggah) on the bass. This resulted in a steady group consisting of the Gildenlöws, Daniel Magdic and Johan Langell. The band entered a local studio soon after to record a demo, Hereafter, with a combination of old and new material. While they had recorded several tapes before, this was the first to be actually sent to a record company in the hope of procuring a record deal. This demo however was recorded without a keyboardist. To complete the line up (and sonic requirements) of the band, they began the search for one. It was through this Hereafter tape that Fredrik Hermansson got interested in the band and after an introduction to the band through a fellow student he got the invitation to do an audition. In the autumn of 1996, Fredrik Hermansson became the fifth member of the band.

First album recorded and released (1996-1997)[link]

Two of the first companies that the band sent their demo to were Marquee/Belle Antique (a record company in Japan/Asia) and Roasting House (a professional recording studio in Malmö, Sweden). In early 1997, they entered the Roasting House Studio to record their debut studio album, Entropia, which was released in Asia on the Marquee’s Avalon label in August 1997 to positive local reviews. As a result, Marquee decided to fly Daniel over to Tokyo, Japan in October for a week of promotional performances and interviews to the metal press. It was about this time that purchasing albums through online music stores was commonplace, and fans from around the world began to do so with Entropia. As a result, interest in Pain of Salvation grew around the world progressive metal scene, leading to another licensing deal – this time for Romania with SC Rocris Discs in late 1997.

The album was eventually released in Europe in 1999, when Pain of Salvation signed to major progressive music label InsideOut Music following the success of their second album One Hour by the Concrete Lake. It was also released in South America on Hellion Records in 1999.

Follow-up album and record label deal (1998-1999)[link]

Preparations for the band’s second album were somewhat disrupted by the departure of Daniel Magdic from the band prior to recording. The departure was due to Magdic's continuing disagreements with the others over committing to the increasing demands of the band as a result of their initial success. He still remains a friend of the band to this day. After a short audition period, Johan Hallgren was his initial replacement. Johan had played for a short period together with Daniel in the band Crypt of Kerberos. Johan was immediately involved in the recording process, facing the daunting tasks of learning all the new songs with extreme short notice. Indeed, because of the complexity of the guitar parts in the new material, Daniel Gildenlöw was prepared to play all the guitar parts himself. Hallgren surprised all (he learned the whole album in three weeks), however, and was able to play on the album as a full member of the band. This worked out so well that he was announced as Magdic’s official replacement in April 1998.

The resultant album, One Hour by the Concrete Lake, was released in Asia (once again on Avalon) in July 1998 with an even more positive reception than their debut album. It was immediately hailed as a classic masterpiece, receiving extensive attention from fans and magazines all around the world. It was described as heavier and darker than Entropia, and considered a much more mature effort, with every existing positive about the band focussed and improved on. The buzz about the band had well and truly spread to Europe by now, and the multitude of positive reactions was the catalyst for the band to be signed to major progressive music label InsideOut Music and later their American counterpart, InsideOut Music America.

During the South American release (once again on Hellion) in May 1999, the band embarked on a European tour supporting fellow progressive metal bands Threshold (U.K.) and Eldritch (Italy). They also played at their first ProgPower festival in Tilburg, The Netherlands on November 14, 1999.

Critical acclaim (2000-2003)[link]

After a short break to regroup, Pain of Salvation recorded their third album, The Perfect Element, part I in March to July 2000. Released in October 2000, the album garnered a huge response from media and fans all over the world. In support of the album, the band toured Europe again in September and October 2000, this time with Arena (UK). In February 2001 the band played their first show in the USA, as headliners of the famed ProgPower USA festival, with the likes of Symphony X and Evergrey. Later that month, they also paid a visit to Iceland.^{[citation needed]}

In late 2001, Pain of Salvation recorded their fourth album, Remedy Lane. It is remarkable in the fact that it was almost entirely written during a two-month period from August to September 2001 by Daniel Gildenlöw. Released in January 2002, it was also greeted with extensive praise from the progressive metal community, being hailed as their finest creation yet.^{[citation needed]} During the Remedy Tour, Pain of Salvation were invited as a special guest opener for Dream Theater.

Both albums (and the band's earlier catalogue) were now much more accessible to music listeners now that they were on a major label. They were hailed as bringing originality and diversity to the genre, which many followers had been considering quite stagnant.^{[citation needed]} They are often praised for their excellent conceptual cohesion.^{[citation needed]} The Perfect Element, part I is a work examining the events that form an individual as they move from adolescence through to adulthood. Scarsick, released in 2007, is The Perfect Element, part II, although not in name.^[4] Remedy Lane is a part-autobiographical, part-fictional tale of a period of Daniel Gildenlöw’s life dealing with the issues of love, lust and life. Both albums were once again recorded at Roasting House Studio in Sweden.

On May 12, 2003, Pain of Salvation performed an acoustic concert in their hometown of Eskilstuna before a crowd of 80 special guests. The concert was recorded and released as 12:5 in early 2004. It featured dramatically rearranged versions of the band’s past material, owning to Daniel Gildenlöw’s desire not to simply create a “Pain of Salvation: Unplugged” record. As a result, the band and fans consider the album as a stand-alone work, and not just a 'live album'. The album was widely applauded for its audacity in re-interpreting past material in such a way, though others found the new versions of favourite songs much less enjoyable.^{[citation needed]}

[edit] "BE" (2004-2005)

For the better part of 2003 and 2004, the band worked on their most serious undertaking to date: a concept album about the nature of existence of God and humankind. It was Daniel Gildenlöw who has been working on and off on it since 1996. The recording of the album was preceded by a number of live shows in Eskilstuna, where the band performed the album in its entirety. The shows were full productions; with costumes, stage props and screen projections. They also featured a nine-part orchestra, The Orchestra of Eternity, whom Gildenlöw had in mind while composing the music. As a result, the orchestra features prominently in the material, and is essential to its sound. After the conclusion of the shows, the material was tweaked and refined by Gildenlöw before the recording began in February 2004.

In September 2004, the band’s most ambitious album, "BE", was released. It was the first album to divide the fan-base in opinion, because of its musically experimental and philosophical nature; and perhaps also its lack of cohesive progressive metal pieces. It once again featured The Orchestra of Eternity, and included a memorable song whereby the band had set up a phone line for fans from around the world to ring and leave their message on “God’s answering machine”. There was an overwhelming response from fans who laughed, cried and poured their soul into their messages. The messages were collated and presented with a peaceful instrumental accompaniment, resulting in what the band considers to be one of their most touching tracks they have ever recorded.^[5]

[edit] Scarsick and the "Road Salt Sequence" (2005-present)

Daniel Gildenlöw in Cairo 2007.

Pain of Salvation has not played in the United States since 2004, when Daniel Gildenlöw expressed his refusal to take part in the US policy of fingerprinting all out-of-country visitors, as well as his contempt for the Bush administration. He feels it infringes his democratic rights and personal integrity.^[6] On 22 January 2009 he announced his support for the newly elected President Barack Obama and said the band will be lifting their embargo on the country, but reaffirmed his position on the fingerprinting policy.

On 21 February 2006, Kristoffer Gildenlöw was asked to leave the band for not being able to attend rehearsals, since he lived in Holland and the band lived in Sweden. Kristoffer has a solo album planned for the future, as well as a side project called Dial, born with the release of "Synchronized" in 2007.

The next studio album Scarsick was released on January 22, 2007, despite having been leaked early in December 2006. The album met mixed reviews criticizing its different approach to the band's music,^[7] being significantly more band oriented than the previous album "BE". Interviews with Daniel revealed that Scarsick is a continuation of The Perfect Element, part I, using similar themes touched in that album. Because of Kristoffer's departure, Daniel played bass in the studio on the album.^[8] The band toured Europe, and a few shows outside of Europe, including one in Egypt. A touring bassist was recruited, and on March 10, 2007 he was made a full member of the band and is credited so on the second live DVD recorded. The concert featured on their second live DVD, Ending Themes (On the Two Deaths of Pain of Salvation) was performed in Amsterdam and it features a cover of the popular Leonard Cohen song Hallelujah. Following numerous delays, the DVD was released on March 24, 2009.

On April 29, 2007, an official statement was published on the official site announcing that Johan Langell was departing because of his desire to become a full-time parent and husband. He stayed with the band to finish the rest of the tour off before leaving completely. He also stated that he might remain on close terms with the band in order to teach drum parts to his replacement. On October 6, 2007, during the show at the "Motstøy" festival in Notodden, it was announced that Johan Langell's replacement will be Leo Margarit. Both drummers attended the show and Leo entered the band by doing a 3 minute drumsolo in the end of the song "Nightmist". Similarly, late in 2008, Simon Andersson left the band and was added to the graveyard section of the official website. An official statement regarding this incident was released by Simon indicating his decision to leave was understood by the rest of that band, further stating it would allow him more time on his own side projects as well as recuperation from the previous tour in support of Scarsick.

On February 13, 2009, it was announced on Myspace that Pain of Salvation would take part in Dream Theater's "Progressive Nation 2009" tour beginning in the summer.^[9] It would have been their first tour of America in more than 5 years. However, the recent bankruptcy of SPV forced both Pain of Salvation and Beardfish to back out of the tour because of a lack of financial backing.^[10]

In a recent interview with Inside the Pain, Daniel Gildenlöw stated that the new album was planned for release sometime in mid August, during their now cancelled Progressive Nation tour appearance, however this release date was not likely. On November 1, 2008, the band debuted a new song, "Mortar Grind", from their upcoming studio album and EP. According to the same interview with Inside the Pain, it was revealed that the new album would feature 2 CDs, 22 songs in a concept similar in style to that of Remedy Lane. The music written is 'different to anything the band has ever done before' featuring experimental and psychedelic style performances.^[11]

In a recent update on the band's official website, it was stated that the final steps in the completion of the new album were put on hold because of the bankruptcy of SPV.^[12] Recently however it was announced that InsideOut Music was picked up by Century Media, allowing progress on the album to continue.

On October 5, 2009, Mike Portnoy of Dream Theater announced that Pain of Salvation would be their supporting act for a tour of Australia. ^[13]

In December 2009, it was confirmed that the title track of the new double album, "Road Salt," would be an entry in the 2010 edition of Melodifestivalen, Sweden's national final for the 2010 Eurovision Song Contest.^[14] The band performed during the first semi-final and qualified for the runners-up broadcast, on march 6th on Swedish national television. However, they did not progress to the finals, losing to Pernilla Wahlgren by a slim margin.^[14]

On February 19, 2010, Daniel Gildenlöw revealed on his Facebook page that the name of the first part of the Road Salt albums to be released later that year would be "Road Salt 1: Ivory". He also posted a brief lyrical excerpt from a song on the album called "Curiosity". The actual release dates were set for May 17 in most of Europe and June 8 in the U.S. The release includes both a standard edition and limited edition with a bonus track and extended versions of 'No Way' and 'Road Salt'.^[15] On May 9, Road Salt One leaked on the internet.

Pain of Salvation made their first tour of India in January with performances at Manfest organised by Indian Institute of Management(IIM), Lucknow on 22 January and at Saarang, organised by Indian Institute of Technology(IIT) Madras on 29 January.^[16]

On March 9, 2011, Daniel Gildenlöw announced on his Facebook page, that 'Road Salt Two' would be mixed and mastered in mid-May 2011, and released in September 2011. It is said to have a darker sound than Road Salt One. He also revealed the titles of several songs set to appear on the album: new, remixed versions of "Mortar Grind", "Conditioned", "Healing Now", "1979", "To The Shoreline", "Through The Distance", "Softly She Cries", "In The Physics of Grindlock" and "The Deeper Cut". Moreover, he announced that the video to 'Where it Hurts' will be released globally in mid-March.^[17]

On October 21, 2011, the band announced that Johan Hallgren would be leaving the band at the end of the year, citing his need to remain in Sweden with his growing family.^[18] On November 8, 2011, a message to fans by Daniel Gildenlöw noted that Fredrik Hermansson would also be leaving the band at the conclusion of the current tour.^[19]

On December 23, 2011, Daniel announced that Daniel Karlsson is the new replacement for Fredrik.^[20] On January 5, 2012, Pain of Salvation announced that Icelandic guitarist Ragnar Zolberg will be replacing Johan Hallgren as their guitarist.^[21]

Also on December 23, 2011 the band announced that Gustaf Hielm would return on bass guitar.

Band members[link]

Current members

• Daniel Gildenlöw - lead vocals, guitar (1984−present)
• Ragnar Zolberg - guitar, lead & backing vocals (2012–present)
• Gustaf Hielm - bass guitar, backing vocals (1992–1994, 2011–present)
• Daniel Karlsson - keyboards, backing vocals (2011–present), bass guitar (2011)
• Léo Margarit - drums, backing vocals (2007−present)

Former members

• Daniel Magdic - guitar, backing vocals (1986−1997)
• Johan Hallgren - guitar, lead & backing vocals (1998−2011)
• Joakim Strandberg - bass guitar (1984–1990)
• Magnus Johansson - bass guitar (1990–1992)
• Kristoffer Gildenlöw - bass guitar, cello, backing vocals (1994−2006)
• Simon Andersson - bass guitar, backing vocals (2007–2008)
• Fredrik Hermansson - keyboards, synthesizers (1996−2011)
• Mikael Pettersson - drums (1984–1989)
• Johan Langell - drums, percussion, backing vocals (1989−2007)

Touring

• Per Schelander - bass guitar, backing vocals (2008–2010)

Timeline[link]

id:Vocals value:blue legend:Vocals,Guitar 
id:Guitar value:green legend:Guitar
id:Bass value:red legend:Bass
id:Keyboard value:purple legend:Keyboard
id:Drums value:gray(0.45) legend:Drums
id:Lines value:black legend:Albums

at:06/01/1996 color:black layer:back
at:08/01/1997 color:black layer:back
at:07/21/1998 color:black layer:back
at:10/31/2000 color:black layer:back
at:01/15/2002 color:black layer:back
at:10/12/2004 color:black layer:back
at:01/30/2007 color:black layer:back
at:05/17/2010 color:black layer:back
at:09/26/2011 color:black layer:back

bar:Daniel text:"Daniel Gildenlöw"
bar:Magdic text:"Daniel Magdic"
bar:Johan text:"Johan Hallgren"
bar:Ragnar text:"Ragnar Zolberg"
bar:Magnus text:"Magnus Johansson"
bar:Gustaf text:"Gustaf Hielm"
bar:Kristoffer text:"Kristoffer Gildenlöw"
bar:Simon text:"Simon Andersson"
bar:Per text:"Per Schelander"
bar:Fredrik text:"Fredrik Hermansson"
bar:D2 text:"Daniel Karlsson"
bar:Langell text:"Johan Langell"
bar:Leo text:"Léo Margarit"

width:10 textcolor:black align:left anchor:from shift:(10,-4)
bar:Daniel from:01/01/1991 till:end color:Vocals
bar:Magdic from:01/01/1991 till:12/01/1997 color:Guitar
bar:Johan from:04/01/1998 till:10/28/2011 color:Guitar
bar:Ragnar from: 01/05/2012 till:end color:Guitar
bar:Magnus from:01/01/1991 till:06/01/1992 color:Bass
bar:Gustaf from:06/01/1992 till:06/01/1994 color:Bass
bar:Gustaf from:12/23/2011 till:end color:Bass
bar:Kristoffer from:06/01/1994 till:02/21/2006 color:Bass
bar:Simon from:03/10/2007 till:09/01/2008 color:Bass
bar:Per from:09/01/2008 till:01/01/2011 color:Bass
bar:D2 from:10/01/2011 till:12/23/2011 color:Bass
bar:D2 from:12/23/2011 till:end color:Keyboard
bar:Fredrik from:09/01/1996 till:12/12/2011 color:Keyboard
bar:Langell from:01/01/1991 till:10/06/2007 color:Drums
bar:Leo from:10/06/2007 till:end color:Drums

Discography[link]

Studio albums[link]

EPs[link]

• Linoleum (2009)

Live albums[link]

• 12:5 (2004)
• "BE" (Original Stage Production) (2005)
• Ending Themes (On the Two Deaths of Pain of Salvation) (2009)

Singles[link]

• Ashes (2000)
• Road Salt (2010)
• Sisters (2010)
• Where It Hurts (2011)

Demos[link]

• Hereafter (1996)
• Repent (91-92)
• Unknowing (1993)

Videography[link]

• "BE" (Original Stage Production) (2005, live DVD)
• Ending Themes (On the Two Deaths of Pain of Salvation) (2009, live DVD)

References[link]

1. ^ Dutch Progressive Rock Page, 7 August 1999
2. ^ painofsalvation.8k.com, mirrored at the Internet Archive
3. ^ Pain Of Salvation Interjú | KRONOS MORTUS Metal Webzine
4. ^ From an interview with Daniel Gildenlow in early 2007
5. ^ From page "XIX" of the liner notes booklet for BE
6. ^ From the news entry of the official site on August 10, 2005
7. ^ "PAIN OF SALVATION Scarsick music reviews and MP3". Progarchives.com. http://www.progarchives.com/album.asp?id=13659. Retrieved 2011-07-01. 
8. ^ "‪Pain of salvation Daniel Gildenlow scarsick concept P 2‬‏". YouTube. 2007-01-22. http://youtube.com/watch?v=f6Q0Br0A-y0. Retrieved 2011-07-01. 
9. ^ Progressive Nation 2009 Tour Page
10. ^ Progressive Nation 2009 North American Tour - Lineup Change
11. ^ "[PoS] Le nouvel album sera un DOUBLE album ! **SPOILER** • Inside The Pain". Insidethepain.com. http://www.insidethepain.com/forum/viewtopic.php?t=2088. Retrieved 2011-07-01. 
12. ^ "Pain of Salvation site is down!". Blog.painofsalvation.com. http://www.blog.painofsalvation.com/?p=838. Retrieved 2011-07-01. 
13. ^ "Pain Of Salvation confirmed as DT's Special Guests in Australia!". Mikeportnoy.com. http://www.mikeportnoy.com/forum/m2423154.aspx. Retrieved 2011-07-01. 
14. ^ ^{a b} Repo, Juha (2009-11-30). "Sweden reveals artist names for Melodifestivalen". ESCToday. http://www.esctoday.com/news/read/14555. Retrieved 30 November 2009. 
15. ^ "walk with me". 10 March 2010. http://www.painofsalvation.com/. Retrieved 13 March 2010. 
16. ^ Posted on 27 October 2010 by MetalIndia Magazine (2010-10-27). "‘Pain Of Salvation’ to tour India in January". MetalIndia Magazine. http://www.metalindiamagazine.com/news/pain-of-salvation-to-tour-india-in-january. Retrieved 2011-07-01. 
17. ^ "Facebookpost by Daniel Gildenlöw". http://www.facebook.com/danielgildenlow.public/posts/194657187224200. Retrieved 11 March 2011. 
18. ^ "Johan Hallgren leaves the band". http://www.painofsalvation.com/2011/johan-leaves-pos/. Retrieved 21 October 2011. 
19. ^ "Frederik leaves the band". http://www.facebook.com/notes/pain-of-salvation/a-message-from-daniel/10150925679065355. Retrieved 8 November 2011. 
20. ^ "D2". http://www.painofsalvation.com/2011/meet-our-new-keyboard-player/. Retrieved 24 December 2011. 
21. ^ "Ragnar Zolberg on guitar". http://www.painofsalvation.com/2011/presenting-the-guitarist//. Retrieved 5 January 2012. 
22. ^ "Les charts français - Recherche pour: Pain of Salvation > Album". http://lescharts.com. http://lescharts.com/search.asp?cat=a&search=pain+of+salvation&cat=a. Retrieved 2009-09-22. 
23. ^ "Swedish charts portal - Search for: Pain of Salvation > Album". http://swedishcharts.com. http://swedishcharts.com/search.asp?cat=a&search=pain+of+salvation&cat=a. Retrieved 2009-09-22. 
24. ^ "Musiikintuottajat - Tilastot - Suomen virallinen lista - Artistit". http://www.ifpi.fi/tilastot/virallinen-lista. http://www.ifpi.fi/tilastot/virallinen-lista/artistit/pain+of+salvation. Retrieved 2011-08-28. 
25. ^ "Road Salt Two" album cover artwork and tracklisting unveiled.

• Pain of Salvation. Pain of Salvation's official website. (Retrieved September 2005 onwards)
• Foreword Brazil. Pain of Salvation's official Brazilian fan club.
  • Biography . (History information)
• InsideOut Music. Pain of Salvation at InsideOut Music. (Retrieved September 2005 onwards)
• InsideOut Music America. Pain of Salvation at InsideOut Music America. (Retrieved September 2005 onwards)
• The Pavement: Winter Edition 2005 nr.4 Interview with Fredrik Hermansson, pages 14–15

External links[link]

Wikimedia Commons has media related to: Pain of Salvation

• Pain of Salvation's official website
• 0ne Hour by the Concrete Lake review on Lebmetal.com