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The Marwar Hall at Umaid Bhawan Palace, Jodhpur, India

Hall in religious buildings : prayer hall of the Great Mosque of Kairouan, in Kairouan, Tunisia

A hallway at the Royal York Hotel

Hallway during and after construction in an apartment building in Mississauga, Ontario, Canada

An outdoor passageway near the Alamo

In architecture, a hall is fundamentally a relatively large space enclosed by a roof and walls. In the Iron Age, a mead hall was such a simple building and was the residence of a lord and his retainers. Later, rooms were partitioned from it, so that today the hall of a house is the space inside the front door through which the rooms are reached....

This:

• Deriving from the above, a hall is often the term used to designate a British or Irish country house.
• In later medieval Europe, the main room of a castle or manor house was the great hall.
• Where the hall inside the front door of a house is elongated, it may be called a passage, corridor, or hallway.
• In a medieval building, the hall was where the fire was kept. With time, its functions as dormitory, kitchen, parlour and so on were divided off to separate rooms or, in the case of the kitchen, a separate building.

On the same principle:

• Many buildings at colleges and universities are formally titled "_______ Hall", typically being named after the person who endowed it, for example, King's Hall, Cambridge. Others, such as Lady Margaret Hall, Oxford, commemorate respected people. Between these in age, Nassau Hall at Princeton University began as the single building of the then college. In medieval origin, these were the halls in which the members of the university lived together during term time. In many cases, some aspect of this community remains.
• At colleges in the universities of Oxford and Cambridge, Hall is the dining hall for students, with High Table at one end for fellows. Typically, at "Formal Hall", gowns are worn for dinner during the evening, whereas for "informal Hall" they are not.
• Many Livery Companies (e.g., in the City of London) have a Hall that is their headquarters and meeting place.

Similarly:

• A hall is also a building consisting largely of a principal room, that is rented out for meetings and social affairs. It may be privately or government-owned, such as a function hall owned by one company used for weddings and cotillions (organized and run by the same company on a contractual basis) or a community hall available for rent to anyone.
• In religious architecture, as in Islamic architecture, the prayer hall is a large room dedicated to the practice of the worship.^[1] (example : the prayer hall of the Great Mosque of Kairouan in Tunisia)

Following a line of similar development:

• In office buildings and larger buildings (theatres, cinemas etc.), the entrance hall is generally known as the foyer (the French for fire-place). The atrium, a name sometimes used in public buildings for the entrance hall, was the central courtyard of a Roman house.

Firehall (London, Ontario) in 1923

References[link]

1. ^ Stanford Anderson and Colin St. John Wilson, The Oxford companion to architecture, Volume 1, Oxford University Press, 2009, page 477

Look up Hall or hall in Wiktionary, the free dictionary.

Edvard Grieg (1876)

Edvard Grieg (1891)
portrait by Eilif Peterssen

Edvard Grieg and Nina Hagerup. (1899)

Edvard Hagerup Grieg /ˈɛdʋɑɖ ˈhɑːgəɾʉːp gɾiːg/ (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces.^[1]

Biography[link]

Edvard Hagerup Grieg was born in Bergen, Norway on 15 June 1843. His parents were Alexander Grieg (1806–1875), a merchant and vice consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of Edvard Hagerup.^[2][3] The family name, originally spelled Greig, has Scottish origins. After the Battle of Culloden in 1746, Grieg's great-grandfather traveled widely, settling in Norway about 1770, and establishing business interests in Bergen.

Edvard Grieg was raised in a musical area. His mother was his first piano teacher and taught him to play at the age of 6. Grieg studied in several schools,^{[clarification needed]} including Tank's School.^[4] He often brought in samples of his music to class.^{[citation needed]}

In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull,^[5] who was a family friend; Bull's brother was married to Grieg's aunt.^[6] Bull recognized the 15-year-old boy's talent and persuaded his parents to send him to the Leipzig Conservatory,^[5] then directed by Ignaz Moscheles.^{[citation needed]}

Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study, but he achieved very good grades in most areas. An exception was the organ, which was mandatory for piano students. In the spring of 1860, he survived a life-threatening lung disease. The following year he made his debut as a concert pianist, in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig and held his first concert in his home town, where his programme included Beethoven's Pathétique sonata. (Grieg's own recording of his Piano Sonata, made late in his life, confirms that he was an excellent pianist).

In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of great inspiration. Nordraak died in 1866, and Grieg composed a funeral march in his honor.

On 11 June 1867, Grieg married his first cousin, Nina Hagerup. The next year, their only child, Alexandra, was born. She died in 1869 from meningitis. In the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen. Grieg himself was unable to be there due to conducting commitments in Christiania (as Oslo was then named). ^[7]

In 1868, Franz Liszt, who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which led to Grieg's obtaining a travel grant. The two men met in Rome in 1870. On Grieg's first visit, they went over Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On his second visit, in April, Grieg brought with him the manuscript of his Piano Concerto, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg gently pointed out to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration, (for example, to give the melody of the second theme in the first movement to a solo trumpet).

In 1874–76, Grieg composed incidental music for the premiere of Henrik Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the orchestral suites or piano and piano-duet arrangements.

Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien), and later became Music Director of the orchestra from 1880–1882. In 1888, Grieg met Tchaikovsky in Leipzig. Grieg was struck by the sadness in Tchaikovsky.^[8] Tchaikovsky thought very highly of Grieg's music, praising its beauty, originality and warmth.^[9]

Later years[link]

Edvard Grieg Museum Troldhaugen

Grieg's later life brought him fame. The Norwegian government awarded him a pension. In the spring 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris; all of these historic discs have been reissued on both LPs and CDs and, despite limited fidelity, show his artistry as a pianist. Grieg also made live-recording player piano music rolls for the Welte-Mignon reproducing system, all of which survive today and can be heard.

In 1906, he met the composer and pianist Percy Grainger in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: “I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love.”^[10]

Edvard Grieg died in the autumn of 1907, aged 64, after a long period of illness. His final words were "Well, if it must be so." The funeral drew between 30,000 and 40,000 people out on the streets of his home town to honor him. Following his wish, his own Funeral March in Memory of Rikard Nordraak was played in an orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the Funeral March movement from Chopin's Piano Sonata No. 2 was played. His and his wife's ashes are entombed in a mountain crypt near his house, Troldhaugen.

Music[link]

Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata.^[2] His many short pieces for piano – often based on Norwegian folk tunes and dances – led some to call him the "Chopin of the North".^{[who?][citation needed]}

Concerto in A minor: 1. Allegro molto moderato Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano) Concerto in A minor: 1. Allegro molto moderato Performed by the Skidmore College Orchestra (courtesy of Musopen) Concerto in A minor: 2. Adagio Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano) Concerto in A minor: 2. Adagio Performed by the Skidmore College Orchestra (courtesy of Musopen) Concerto in A minor: 3. Allegro moderato molto e marcato Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano) Concerto in A minor: 3. Allegro moderato molto e marcato Performed by the Skidmore College Orchestra (courtesy of Musopen) Notturno, Op. 54, No. 4 Performed live by Mark Gasser Grieg plays his butterfly. Recorded 1906 Grieg plays his Wedding day. Recorded 1903

Problems listening to these files? See media help.

The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the Christmas 1971 Morecambe and Wise Show, conducted by André Previn.

Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King – something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."^[11]

Grieg's popular Holberg Suite was originally written for the piano, and later arranged by the composer for string orchestra. Grieg wrote songs, in which he set lyrics by poets Heinrich Heine, Johann Wolfgang von Goethe, Henrik Ibsen, Hans Christian Andersen, Rudyard Kipling and others. Russian composer Nikolai Myaskovsky used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist Eva Knardahl recorded the composer's complete piano music during 1978 and 1980. The recordings were reissued in 2006 on 12 compact discs by BIS Records.

List of selected works[link]

• Piano Sonata in E minor, Op. 7
• Violin Sonata No. 1 in F major, Op. 8
• Concert Overture In Autumn, Op. 11
• Violin Sonata No. 2 in G major, Op. 13
• Piano Concerto in A minor, Op. 16
• Incidental music to Bjørnstjerne Bjørnson's play Sigurd Jorsalfar, Op. 22
• Incidental music to Henrik Ibsen's play Peer Gynt, Op. 23
• Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24
• String Quartet in G minor, Op. 27
• Album for Male Chorus, Op. 30
• Two Elegiac Melodies for Strings, Op. 34
• Four Norwegian Dances for piano four hands, Op. 35 (later orchestrated)
• Cello Sonata in A minor, Op. 36
• Holberg Suite for piano, later arr. for string orchestra, Op. 40
• Violin Sonata No. 3 in C minor, Op. 45
• Peer Gynt Suite No. 1, Op. 46
• Lyric Suite for orchestra, Op. 54 (orchestration of four Lyric Pieces)
• Peer Gynt Suite No. 2, Op. 55
• Suite from Sigurd Jorsalfar, Op. 56
• Four Symphonic Dances for piano, later arr. for orchestra, Op. 64
• Haugtussa Song Cycle after Arne Garborg, Op. 67
• Slåtter (Peasant Dances) for piano, Op. 72
• Sixty-six Lyric Pieces for piano in ten books, Opp. 12, 38, 43, 47, 54, 57, 62, 65, 68 and 71, including: Arietta, To the Spring, Little Bird, Butterfly, Notturno, Wedding Day at Troldhaugen, At Your Feet, Longing For Home, March of the Dwarfs, Poème érotique and Gone.

See also[link]

Biography portal

• Grieg's music in popular culture
• Song of Norway the operetta.

References[link]

Notes

Bibliography

• Benestad, Finn; Schjelderup-Ebbe, Dag (1990) [1980] (in Norwegian). Edvard Grieg – mennesket og kunstneren (2 ed.). Oslo: Aschehoug. ISBN 82-03-16373-4. 

Further reading[link]

English[link]

• Grieg The Writer ed. by Bjarne Kortsen. Vol I: Essays and Articles, vol II: Letters to Frants Beyer (editio norvegica, Bergen/Norway 1972)
• Edvard Grieg in England by Lionel Carley (The Boydell Press 2006) ISBN 1-84383-207-0
• Grieg: Music, Landscape and Norwegian Cultural Identity by Daniel Grimley (The Boydell Press 2006) ISBN 1-84383-210-0
• Songs of Edvard Grieg by Beryl Foster (The Boydell Press new edition 2007) ISBN 1-84383-343-3
• Edvard Grieg by Henry Theophilius Finck (Bastian Books new edition 2008) ISBN 978-0-554-96326-6
• Grieg by John Horton (London 1950)

Norwegian[link]

• Benestad, Finn/Schjelderup-Ebbe, Dag (2007): Edvard Grieg – mennesket og kunstneren. H. Aschehoug & Co. (W. Nygaard), Oslo. ISBN 978-82-03-23459-0
• Bredal, Dag/Strøm-Olsen, Terje (1992): Edvard Grieg – Musikken er en kampplass. Aventura Forlag A/S, Oslo. ISBN 82-588-0890-7
• Johansen, David Monrad (1956): Edvard Grieg. Gyldendal Norsk Forlag, Oslo.
• Bøe, Finn (1949): Trekk av Edvard Griegs personlighet. Oslo.

External links[link]

Wikimedia Commons has media related to: Edvard Grieg

• Grieg 2007. Official Site for 100th year commemoration of Edvard Grieg
• The Grieg archives at Bergen Public Library
• Troldhaugen Museum, Grieg's home
• Biography of Grieg by prof. Harald Herresthal
• Works by Edvard Grieg on Open Library at the Internet Archive
• Edvard Grieg statue by Sigvald Asbjornsen Prospect Park (Brooklyn)
• Films about Grieg's life: What Price Immortality? (1999), Song of Norway (1970)
• Edvard Grieg picture collection at flickr commons

Recordings by Edvard Grieg[link]

• Papillon – Lyric Piece, Op. 43, no. 1 as recorded by Grieg on piano roll, 17 April 1906, Leipzig (Info)
• Legendary Piano Recordings: The Complete Grieg, Saint-Saëns, Pugno, and Diémer (Marston Records)
• Edvard Grieg: The Piano Music In Historic Interpretations (SIMAX Classics – PSC1809)
• Grieg and his Circle (Pearl, GEMM 9933 CD)
• Grieg spiller Grieg (Edvard Grieg Museum Troldhaugen)
• Piano Rolls (The Reproducing Piano Roll Foundation)

Music scores[link]

• Free scores by Edvard Grieg at the International Music Score Library Project
• Free scores by Edvard Grieg in the Werner Icking Music Archive (WIMA)
• Free scores by Edvard Grieg in the Choral Public Domain Library (ChoralWiki)
• Free scores at the Mutopia Project

polski:Edvard Grieg

John Oates
John Oates in 2009.
Background information
Birth name	John William Oates
Born	(1949-04-07) April 7, 1949 (age 63)
Origin	New York City, New York, United States
Genres	Blue-eyed soul, pop rock, rhythm and blues, soul, bluegrass
Instruments	Vocals, guitar, keyboards, bass guitar
Years active	1967–present
Labels	Atlantic, RCA, Epic, Arista, U-Watch
Associated acts	Carly Simon, Hall & Oates
Website	www.hallandoates.com

John William Oates (born April 7, 1949) is an American rock, R&B and soul guitarist, musician, songwriter and producer best known as half of the rock and soul duo Hall & Oates (with co-founder/lead vocalist/songwriter/occasional instrumentalist Daryl Hall).

Though he was a primarily a guitarist he also co-wrote several songs including: "Sara Smile" (with Daryl Hall - a song that refers to Hall's then-girlfriend, Sara Allen), "You Make My Dreams" (with Sara Allen & Daryl Hall), "She's Gone" (with Daryl Hall), "I Can't Go For That (No Can Do)" (with Sara Allen & Daryl Hall), "Maneater" (with Sara Allen & Daryl Hall), "Out of Touch" (with Daryl Hall), and "Adult Education" (with Daryl Hall & Sara Allen). He also sang lead vocals and has written or co-written a few less popular singles that did not make it to the Billboard's Top 10 such as: "How Does It Feel to Be Back", "You've Lost That Loving Feeling" (which was a remake of the 1965 song performed by The Righteous Brothers and written by Phil Spector, Barry Mann & Cynthia Weil, on which he shared lead vocals with Hall) and "Possession Obsession" (with Sara Allen & Daryl Hall). In addition to his work with Hall, Oates co-wrote and sang back-up on the song "Electric Blue" by the band Icehouse which was a Billboard Top Ten hit.

Life and career[link]

Oates was born in New York City, New York. He was raised in Philadelphia's suburb of North Wales, Pennsylvania. He was married to Aimee Oates, and his son Tanner was born in 1996.

In 1966 he recorded his first single, "I Need Your Love," with The Masters for Philadelphia-based Crimson Records.^[1] After finishing high school in 1967, John attended Temple University in Philadelphia. It was there that he met Daryl Hall, also a musician and student at Temple, who was already a senior when Oates was a freshman. The two were involved in several college bands, but after forming the duo Hall & Oates, they were signed by Atlantic Records in 1972.^[2] Hall & Oates went on to record 21 albums (to date), which have sold over 80 million units worldwide, making them arguably the most successful duo in pop–rock history. They have scored ten number-one records and over 20 top-40 hits and have toured the world for decades. Their involvement in the original Live Aid concert and the ground-breaking We Are The World charity recording established them further as artists. Their influence on modern pop music has been cited by numerous contemporary bands, including Gym Class Heroes and The Killers, who have credited and acknowledged H&O's considerable contribution to American music.

In 1983 Oates was asked whether he regretted not pursuing his degree in journalism. He replied no and admitted never intending to finish it.^[3]

Despite 30 years as a chart-topping performer and sought-after producer, Oates did not release a solo album until 2002's Phunk Shui.

Oates took part, along with Jamie Cullum, in the song "Greatest Mistake" by Handsome Boy Modeling School. The song appears on the 2004 album White People.

Oates's second solo album, 1000 Miles of Life, was released on August 23, 2008.^[4]

As reported by Billboard, Oates will be starring in an animated series called J.Stache created by Evan Duby at Primary Wave Music Publishing.^[5]

In March 2010, Oates played with indie rock band The Bird and the Bee as a surprise guest. The show was a medley of The Bird and the Bee songs, as well as classic Hall & Oates. The performance was dedicated to H&O bassist T-Bone Wolk who died on February 27, 2010.

Oates now lives with his son and wife in Aspen, Colorado.

Oates came out and played with moe. at the Belly Up Tavern in Aspen on February 3, 2011. Oates also came out and played with Umphrey's Mcgee in Aspen on February 9 and 10, 2011, and again in the early hours of June 5, 2011 at Mountain Jam in Hunter, New York.

On October 1, 2011 Margo Rey charted at #24 on Billboard's Adult Contemporary Tracks with the song "Let the Rain", which is co-written by John Oates.^[6]

[edit] Hall & Oates songs featuring John Oates on lead vocal

• “Had I Known You Better Then” from Abandoned Luncheonette
• “Las Vegas Turnaround (The Stewardess Song)” from Abandoned Luncheonette
• “I'm Just A Kid (Don't Make Me Feel Like A Man)” from Abandoned Luncheonette
• “Can't Stop The Music (He Played It Much Too Long)” from War Babies
• “Camellia” from Daryl Hall & John Oates
• “Alone Too Long” from Daryl Hall & John Oates
• “Back Together Again” from Bigger Than Both of Us
• “Crazy Eyes” from Bigger Than Both of Us
• “You'll Never Learn” from Bigger Than Both of Us
• “The Emptyness” from Beauty on a Back Street
• “Portable Radio” from X-Static
• “All You Want Is Heaven” from X-Static
• “Bebop/Drop” from X-Static
• “How Does It Feel To Be Back” from Voices
• “You've Lost That Lovin' Feelin'” from Voices
• “Africa” from Voices
• “Mano A Mano” from Private Eyes
• “Italian Girls” from H2O
• “At Tension” from H2O
• “Jingle Bell Rock” from 1983 Christmas single (flip-side featured another version with lead vocals by Daryl Hall)
• “Possession Obsession” from Big Bam Boom
• “Cold Dark And Yesterday” from Big Bam Boom
• "Rockability" from Ooh Yeah!
• "Keep On Pushin' Love" from Ooh Yeah!
• "Change Of Season" from Change of Season
• "Only Love" from Change of Season

Releases[link]

• Phunk Shui (CD that was released multiple times, each adding bonus tracks)
• John Oates: Live At The Historic Wheeler Opera House (DVD and bonus live CD) (2004)
• John Oates Solo - The Album, The Concert (DualDisc: CD side of Phunk Shui (14 track version), DVD side Live at the Historic Wheeler Opera House) (bonus live CD that came with the original above the DVD is not included) (2006)
• 1000 Miles Of Life (2008)
• Mississippi Mile (2011)

References[link]

External links[link]

• Official John Oates website
• Official website of Hall & Oates
• John Oates at Allmusic

Monty Hall
Monty Hall in the 1960s
Born	Monte Halperin (1921-08-25) August 25, 1921 (age 90) Winnipeg, Manitoba, Canada
Occupation	Game show host, actor, producer, singer, sportscaster
Years active	1953–present
Spouse	Marilyn Hall (m. 1947-present)

Monte Halperin, OC, OM (born August 25, 1921), better known by the stage name Monty Hall, is a Canadian-born MC, producer, actor, singer and sportscaster, best known as host of the television game show Let's Make a Deal.

Early life[link]

The handprints of Hall in front of Hollywood Hills Amphitheater at Walt Disney World's Disney's Hollywood Studios theme park.

Hall was born in Winnipeg, the son of Rose (née Rusen) and Maurice Harvey Halperin, both of whom belonged to an Orthodox congregation of Judaism^[1] and who jointly owned a slaughterhouse.^[2] He was raised in Winnipeg's north end,^[3] where he attended St. John's High School.^[4] Hall started his career in Winnipeg in radio, moving to Toronto in 1946.

Career[link]

Early in his career, Hall hosted game shows such as Bingo at Home on WABD-TV and guest-hosted more established game shows such as Strike It Rich on CBS, before hosting the first show of his own, Keep Talking in 1958. Hall also did color-commentary on New York Rangers (NHL) radio broadcasts during the 1959-60 season. He succeeded Jack Narz as host of a well-received and unique game show called Video Village, which ran from 1960 to 1962 on CBS. On Video Village, contestants played on a giant game board consisting of three sections: Money Street, Bridge Street and Magic Mile. Players advanced with the roll of a large die. The further contestants advanced along the board, the better the prizes that were offered. A spinoff called Video Village Junior, featuring youngsters, was hosted by Hall and ran during the 1961–1962 regular television season.

Between 1956 and 1960, along with NBC Radio newsman, Morgan Beatty, Hall co-hosted the Saturday night segment of the NBC Radio Network weekend program Monitor from 8 PM until midnight.

Hall had also served as the host/performer of two local New York City TV film shows for children: "Cowboy Theater" for WRCA (Channel 4) in 1956 and "Fun In The Morning" for WNEW (Ch. 5) in the early 1960s.

In 1962, with co-producer Art Stark, Hall sold his first game show to NBC, Your First Impression, which ran for two years. Stefan Hatos was the producer of that show, and eventually, he and Hall formed a production company, at first called Hatos/Hall Productions and later renamed The Maltese Companies.^{[citation needed]} Hatos died in 1999. The company was still running as of April 2010.

[edit] Let's Make a Deal

Hall was the host of the game show Let's Make a Deal, which he developed and produced with partner Stefan Hatos. Let's Make a Deal aired on NBC daytime from December 30, 1963, to December 27, 1968, and on ABC daytime from December 30, 1968, to July 9, 1976, along with two primetime runs. It also aired in syndication from 1971 to 1977, from 1980 to 1981, from 1984 to 1986, and again on NBC briefly from 1990 to 1991, replacing Bob Hilton, who had been dismissed. He was producer or executive producer of the show through most of its runs. During the show's initial run, Hall became well known alongside model Carol Merrill and announcer Jay Stewart.

Other game show work[link]

Besides Let's Make a Deal, the game show Split Second, which originally ran on ABC from 1972-75 with Tom Kennedy as host, and again in syndication in 1987 with Hall hosting that version, was the only other successful program from Hatos-Hall Productions. Other game shows from Hatos's and Hall's production company included Chain Letter in 1966; a revival of the venerable 1950s-era panel quiz, Masquerade Party in 1974; 3 For the Money in 1975; It's Anybody's Guess in 1977, which reunited Let's Make a Deal announcer Jay Stewart with Hall, who also hosted the show, and the Canadian-based The Joke's on Us in 1983. Hall filled in as guest host on several daytime game shows while Let's Make a Deal was on NBC, most notably What's This Song? and PDQ. In 1979, Hall hosted the only game show since Video Village which he did not produce, Goodson-Todman's All-New Beat the Clock.

Up to date[link]

Though he retired in the early 1990s,^{[citation needed]} Hall still makes occasional television appearances. He appeared as himself on "The Promise Ring" episode of That '70s Show in 2001. He played the host of a beauty pageant who schemed to become "the world's most powerful game show host" in the Disney animated series American Dragon: Jake Long. Monty appeared on GSN Live on March 14, 2008, and hosted a game of Let's Make a Deal for Good Morning America on August 18, 2008, as part of Game Show Reunion week. He appeared with his wife on The Newlywed Game hosted by Bob Eubanks on May 18, 2010.

In summer 2009, CBS announced that it was reviving Let's Make a Deal as the replacement for the soap opera, Guiding Light. The show premiered on October 5, 2009, with Wayne Brady as host. Hall is credited as "Creative Consultant," and as co-creator of the format (with Stefan Hatos). Hatos/Hall Productions is credited as co-production company (with FremantleMedia).^[5] During the week of March 22, 2010, Hall hosted several segments of the "Deal" alongside Brady.

Honors[link]

Hall received a star on the Hollywood Walk of Fame on August 24, 1973, a star on the Palm Springs Walk of Fame in 2000, and in 2002, he was also inducted into Canada's Walk of Fame.^[6] Hall thus became one of only two game show hosts on both Hollywood's and Canada's Walks of Fame, the other being Alex Trebek. In May 1988, the Government of Canada bestowed on him the prestigious Order of Canada for his humanitarian work in Canada and other nations of the world. For many years, he has been associated with Variety, the Children's Charity, helping to raise millions of dollars through their telethons and other related fund-raisers.

Hall was the recipient of the 2005 Ralph Edwards Service Award from Game Show Congress, in recognition of all the work the emcee-producer has done for charity through the years.

On October 13, 2007, Hall was one of the first inductees into the American TV Game Show Hall of Fame in Las Vegas, Nevada.

Personal life[link]

Education[link]

Hall graduated from St. John's High School. Hall also graduated from the University of Manitoba, where he majored in chemistry and zoology, receiving his Bachelor of Science degree.

Family[link]

He has been married since 1947 to the former Marilyn Plottel, and he has two daughters (actress and Tony Award winner Joanna Gleason and Sharon Hall, a television executive at Sony Pictures inc.) and one son (Richard Hall, a television producer).

Other[link]

In addition to his work on game shows, Hall was a radio analyst for the New York Rangers of the National Hockey League during the 1959–60 season.^[7] Between 1956 and 1960, Hall worked as one of several rotating hosts of NBC Radio's Monitor weekend broadcast.^[8] At least one recording of Hall on Monitor is known to exist.

"The Monty Hall Problem"[link]

Because of his work on Let's Make a Deal, Hall's name is used in a probability puzzle known as "The Monty Hall Problem," which examines the counter-intuitive effect of switching one's choice of doors, one of which hides a prize, if "Monty" reveals an unwanted item behind a door the player did not choose. Hall himself gave an explanation of the solution to that problem, and why the solution did not apply to the case of the actual show, in an interview with The New York Times reporter John Tierney in 1991.^[9] Because Hall had control over the way the game progressed, he played on the psychology of the contestant. The puzzle was mentioned in an episode of the first season of the CBS drama NUMB3RS, in the 2008 movie 21, showcased on the show "Myth Busters," and also in the novel The Curious Incident of the Dog in the Night-Time. A detailed explanation and rationale for the solution to this problem is presented in The World's 200 Hardest Brainteasers book by Gary Gruber ^[10]

References[link]

External links[link]

• Monty Hall at the Internet Movie Database
• Monty's Bio at letsmakeadeal.com
• CBC Television Archives profile of Monty Hall (1970)

Neil Young
Young performing in Oslo, Norway, in 2009.
Background information
Birth name	Neil Percival Young
Also known as	Bernard Shakey,[1] Phil Perspective, Shakey Deal, Clyde Coil, Ol' Neil, Joe Canuck, Joe Yankee,[1] Marc Lynch,[1] Pinecone Young[2]
Born	(1945-11-12) November 12, 1945 (age 66) Toronto, Ontario, Canada
Origin	Winnipeg, Manitoba, Canada
Genres	Rock, folk rock, country rock, experimental rock, hard rock
Occupations	Musician, songwriter, producer, director, screenwriter
Instruments	Guitar, vocals, harmonica, piano, keyboards, banjo, ukulele
Years active	1960–present
Labels	Reprise, Motown, Geffen
Associated acts	The Squires, The Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse, The Stray Gators, The Stills-Young Band, The Ducks, Northern Lights, Pearl Jam, Booker T. Jones, Leon Russell, Elton John
Website	neilyoung.com
Notable instruments
"Old Black" Martin D-45 "Hank" Gretsch White Falcon

Neil Percival Young,^[3] OC,^[4] OM^[5] (born November 12, 1945) is a Canadian singer-songwriter who is widely regarded as one of the most influential musicians of his generation.^[6]

Young began performing as a solo artist in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield along with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash as a fourth member in 1969. He forged a successful and acclaimed solo career, releasing his first album in 1968; his career has since spanned over 40 years and 34 studio albums, with a continual and uncompromising exploration of musical styles.^[6] The Rock and Roll Hall of Fame website describes Young as "one of rock and roll’s greatest songwriters and performers".^[7] He has been inducted into the Hall of Fame twice: first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997.^[8]

Young's work is characterized by his distinctive guitar work, deeply personal lyrics^[9][10][11] and signature alto or high tenor singing voice.^[12][13] Although he accompanies himself on several different instruments, including piano and harmonica, his idiosyncratic electric and clawhammer acoustic guitar playing are the defining characteristics of a varyingly ragged and melodic sound. While Young has experimented with differing music styles, including swing and electronic music throughout a varied career, his best known work usually falls into two primary styles: acoustic (folk and country rock) and electric (amplified hard rock, very often in collaboration with the band Crazy Horse). Young has also adopted elements from newer styles such as alternative rock and grunge. His influence on the latter caused some to dub him the "Godfather of Grunge".^[14]

Young has directed (or co-directed) a number of films using the pseudonym Bernard Shakey, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), Greendale (2003), and CSNY/Déjà Vu (2008). He is currently working on a documentary about electric car technology, tentatively titled Linc/Volt. The project involves a 1959 Lincoln Continental converted to hybrid technology, which Young plans to drive to Washington, D.C. as an environmentalist example to lawmakers there.^[15]

Young is an outspoken advocate for environmental issues and the welfare of small farmers, having co-founded in 1985 the benefit concert Farm Aid. In 1986, Young helped found The Bridge School,^[16] an educational organization for children with severe verbal and physical disabilities, and its annual supporting Bridge School Benefit concerts, together with his wife Pegi Young (née Morton). Young has three children: sons Zeke (born during his relationship with actress Carrie Snodgress) and Ben, who were diagnosed with cerebral palsy, and daughter Amber Jean who, like Young himself, has epilepsy. Young lives on his ranch in La Honda, California. Although he has lived in northern California since the 1970s and sings as frequently about U.S. themes and subjects as he does about his native country, he retains Canadian citizenship, having no desire to relinquish it.^[17] On July 14, 2006, Young was awarded the Order of Manitoba,^[5] and on December 30, 2009, was made an Officer of the Order of Canada.^[4]

Life and career[link]

Early years (1945–1966)[link]

Neil Percival Young was born in Toronto General Hospital, Toronto, Ontario, at 6:45 am on 12 November 1945. His father, Scott Alexander Young (1918–2005), was a journalist and sportswriter who would later rise to prominence in Canada for his work.^[18] His mother, Edna Blow Ragland "Rassy" Young (1918–1990), was of American, French, and Irish ancestry, and a "member of the Daughters of the American Revolution".^[19] They married in 1940 in Winnipeg, Manitoba, with their first son, Robert 'Bob' Young, being born in 1942.

Shortly after Neil's birth in 1945, the family decided to move to the rural town of Omemee, Ontario, which Neil would later fondly describe as a "sleepy little place".^[20] Omemee later established the Youngtown Museum in tribute to Young.^[21] Young was diagnosed with diabetes as a child,^[22] and also suffered from a bout of polio in 1951, in what was the last major outbreak of the disease in Ontario.^[23] This was in fact the same epidemic in which singer-songwriter Joni Mitchell, then aged nine, also contracted the virus.^[24]

Following his recovery, the Young family went on holiday to Florida in the United States in 1952, and upon returning to Canada soon decided to move away from Omemee and into the city of Toronto, before relocating to Pickering, which was just east of Toronto, and then again to north Toronto soon afterward. It was during this period that Young began to take an interest in popular music that he heard on the radio, and also began to rear chickens in order to sell their eggs.^[25]

When Neil was twelve, his father, who had been having a number of extra-marital affairs, left his mother, and she subsequently asked for, and received, a divorce some years later, in 1960. Due to the breakup of the family, Neil went to live with his mother, who moved back to Winnipeg, Manitoba, while his brother Bob stayed with his father in Toronto.^[26]

During the mid-fifties, at around the age of ten or eleven, Young was drawn to a variety of musical genres including rock and roll, rockabilly, doo-wop, R&B, country, and western pop. He would listen to pop music broadcast on the CHUM radio station via his transistor radio.^[28] Young has stated in interviews that growing up he idolized Elvis Presley and strived to be just like him, later referencing him in a number of his lyrics.^[29] Other early musical influences included Chuck Berry, Little Richard, Fats Domino, The Chantels, The Monotones, Ronnie Self, The Fleetwoods, Jerry Lee Lewis, Johnny Cash, and Gogi Grant.^[30] He first began to play music himself on a plastic ukulele, before, as he would later relate, going on to "a better ukulele to a banjo ukulele to a baritone ukulele – everything but a guitar."^[31]

Neil and his mother settled into the working class area of Fort Rouge, Winnipeg where the shy, dry-humoured youth enrolled at Earl Grey Junior High School. It was there that he formed his first band, The Jades, and met Ken Koblun, later to join him in The Squires. While attending Kelvin High School in Winnipeg, he played in several instrumental rock bands. Young's first stable band was called The Squires, with Ken Koblun, Jeff Wuckert and Bill Edmondson on drums, who had a local hit called "The Sultan." Young dropped out of high school^[32] and also played in Fort William (now part of the city of Thunder Bay, Ontario), where they recorded a series of demos produced by a local producer named Ray Dee, whom Young called "the original Briggs."^[33] While there, Young first encountered Stephen Stills. In the 2006 film Heart of Gold, Young relates how he used to spend time as a teenager at Falcon Lake, Manitoba, where he would endlessly plug coins into the jukebox to hear Ian Tyson's "Four Strong Winds".

After leaving the Squires, Neil worked folk clubs in Winnipeg, where he first met Joni Mitchell.^[34] Mitchell recalls Young as having been highly influenced by Bob Dylan at the time.^[35] Here he wrote some of his earliest and most enduring folk songs such as "Sugar Mountain", about lost youth. Mitchell wrote "The Circle Game" in response.^[36] Winnipeg band The Guess Who (Randy Bachman being their lead guitarist) had a Top 40 Canadian hit with Young's "Flying on the Ground is Wrong", which was Young's first major hit as a songwriter.

In 1965 Young toured Canada as a solo artist. In 1966, while in Toronto, he joined the Rick James-fronted Mynah Birds. The band managed to secure a record deal with the Motown label, but as their first album was being recorded, James was arrested for being AWOL from the Naval Reserve.^[37] After the Mynah Birds disbanded, Young and bass player Bruce Palmer relocated to Los Angeles. Young admitted in a 2009 interview that he was in the United States illegally until receiving a green card in 1970.^[38]

Buffalo Springfield (1966–1968)[link]

Once they reached Los Angeles, Young and Palmer met up with Stephen Stills, Richie Furay, and Dewey Martin to form Buffalo Springfield. A mixture of folk, country, psychedelia, and rock, lent a hard edge by the twin lead guitars of Stills and Young, made Buffalo Springfield a critical success, and their first record Buffalo Springfield (1966) sold well after Stills' topical song "For What It's Worth" became a hit, aided by Young's melodic harmonics played on electric guitar.

Distrust of their management, as well as the arrest and deportation of Palmer, exacerbated the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967, but two of Young’s three contributions were solo tracks recorded apart from the rest of the group.

In many ways, these three songs on Buffalo Springfield Again, "Mr. Soul", "Expecting To Fly", and "Broken Arrow", are harbingers of much of Young's later work in that, although they all share deeply personal, almost idiosyncratic lyrics, they also present three very different musical approaches to the arrangement of what is essentially an original folk song. "Mr Soul" is the only Young song of the three that all five members of the group performed together. In contrast, "Broken Arrow" was confessional folk-rock of a kind that would characterize much of the music that emerged from the singer-songwriter movement. Young’s experimental production intersperses each verse with snippets of sound from other sources, including opening the song with a sound bite of Dewey Martin singing "Mr. Soul" and closing it with the thumping of a heartbeat. "Expecting to Fly" was a lushly produced ballad similar to the baroque pop of the mid-1960s, featured a string arrangement that Young's co-producer for the track, Jack Nitzsche, would dub "symphonic pop."

In May 1968, the band split up for good, but in order to fulfill a contractual obligation, a final album Last Time Around was released, primarily from recordings made earlier that year. Young contributed the songs "On the Way Home" and "I Am a Child", singing lead on the latter. In 1997, the band was inducted into the Rock & Roll Hall of Fame; Young did not appear at the ceremony. The three surviving members, Furay, Stills and Young, appeared together as Buffalo Springfield at Young's annual Bridge School Benefit on 23–24 October 2010 and are planning a reunion tour for early 2012.

Going solo, Crazy Horse & CSNY (1968–1970)[link]

Main articles: Crosby, Stills, Nash & Young and Crazy Horse

Crosby, Stills, Nash & Young (center right) perform at the PNC Arts Center, August 2006.

After the breakup of Buffalo Springfield, Young signed a solo deal with Reprise Records, home of his colleague and friend Joni Mitchell, with whom he shared a manager, Elliot Roberts, who manages Young to this day. Young and Roberts immediately began work on Young's first solo record, Neil Young (November 1968), which received mixed reviews. In a 1970 interview,^[39] Young deprecated the album as being "overdubbed rather than played," and the quest for music that expresses the spontaneity of the moment has long been a feature of his career. Nevertheless, the album contains some songs that remain a staple of his live shows, most notably "The Loner".

For his next album, Young recruited three musicians from a band called The Rockets: Danny Whitten on guitar, Billy Talbot on bass guitar, and Ralph Molina on drums. These three took the name Crazy Horse (after the historical figure of the same name), and Everybody Knows This Is Nowhere (May 1969), is credited to "Neil Young with Crazy Horse." Recorded in just two weeks, the album opens with one of Young's most familiar songs, "Cinnamon Girl," and is dominated by two more, "Cowgirl in the Sand" and "Down by the River," that feature lengthy jams showcasing Young's idiosyncratic guitar soloing accompanied sympathetically by Crazy Horse. Young reportedly wrote all three songs on the same day, while nursing a high fever of 103 °F (39 °C) in bed.^[40]

Shortly after the release of Everybody Knows This Is Nowhere, Young reunited with Stephen Stills by joining Crosby, Stills, & Nash, who had already released one album as a trio. Young was originally offered a position as a sideman, but agreed to join only if he received full membership, and the group – winners of the 1969 "Best New Artist" Grammy Award – was renamed Crosby, Stills, Nash & Young.^[41] The quartet debuted in Chicago on August 16, 1969, and later performed at the famous Woodstock Festival, during which Young skipped the acoustic set and refused to be filmed during the electric set, even telling the cameramen: "One of you fuckin' guys comes near me and I'm gonna fuckin' hit you with my guitar".^[42] During the making of their first album, Déjà Vu, the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills continued throughout their lifelong relationship to criticize Young, saying that he "wanted to play folk music in a rock band".^[43] Despite the tension, Young's tenure with CSN&Y coincided with the band's most creative and successful period, and greatly contributed to his subsequent success as a solo artist.

"Ohio" was written following the Kent State massacre on May 4, 1970, and was a staple of anti-war rallies in the 1970s. The song was quickly recorded by CSNY and immediately released as a single, even though CSNY's "Teach Your Children" was still climbing the singles charts. In the late 1970s and for much of the 1980s, Young refrained from performing "Ohio" live, as he considered the song to be dated. In the wake of the 1989 Tiananmen Square massacre, Young revived the song in concert, often dedicating it to the Chinese students who were killed in the massacre. Crosby, Stills & Nash, as a trio, also returned the song to their live repertoire around the same time, even though Young had provided the lead vocals on the original recording.

[edit] After the Gold Rush, acoustic tour and Harvest (1970-1972)

Later in the year, Young released his third solo album, After the Gold Rush (1970), which featured, among others, a young Nils Lofgren, Stephen Stills, and CSNY bassist Greg Reeves. Young also recorded some tracks with Crazy Horse, but dismissed them early in the sessions. The eventual recording was less amplified than Everybody Knows This is Nowhere, with a wider range of sounds. Young's newfound fame with CSNY made the album his commercial breakthrough as a solo artist, and it contains some of his best known work, including "Tell Me Why" and "Don't Let It Bring You Down," the country-influenced singles "Only Love Can Break Your Heart" and "When You Dance," and the title track, played on piano, with dream-like lyrics that ran a gamut of subjects from drugs and interpersonal relationships to environmental concerns. Young’s bitter condemnation of racism in the heavy blues rock song "Southern Man" (along with a later song entitled "Alabama") was also controversial with southerners in an era of desegregation, prompting Lynyrd Skynyrd to decry Young by name in the lyrics to their hit "Sweet Home Alabama". However, Young said he was a fan of Skynyrd's music, and the band's front man Ronnie Van Zant was later photographed wearing a Tonight's the Night T-shirt on the cover of an album.

In the autumn of 1970, Young began a solo acoustic tour of North America, during which he played a variety of his Buffalo Springfield and CSNY songs on guitar and piano, along with material from his solo albums and a number of new songs. Some songs premiered by Young on the tour, like "Journey through the Past", would never find a home on a studio album, while other songs, like "See the Sky About to Rain", would only be released in coming years. With CSNY splitting up and Crazy Horse having signed their own record deal, Young's tour, now entitled "Journey Through the Past", continued into early 1971, and its focus shifted more to newer songs he had been writing; he famously remarked that having written so many, he could not think of anything to do but play them. Many gigs were sold out, including concerts at Carnegie Hall and a pair of acclaimed hometown shows at Toronto's Massey Hall, which were taped for a planned live album. The show became legendary among Young fans, and the recordings were officially released nearly 40 years later as an official bootleg in Young's Archive series.

Near the end of his tour, Young performed one of the new acoustic songs on the Johnny Cash on Campus TV show. "The Needle and the Damage Done", a somber lament on the pain caused by heroin addiction, had been inspired in part by the heavy heroin use of Crazy Horse member Danny Whitten, who eventually died of an overdose.^[44][45] While in Nashville for the Cash taping, Young made a sudden connection with a new group of country-music session musicians, whom he christened The Stray Gators, and began playing with them; Linda Ronstadt and James Taylor also began to work with the group. Against the advice of his producer David Briggs, he scrapped plans for the imminent release of the live acoustic recording and quickly recorded much of his new material with the Stray Gators in Nashville, later adding two recordings made with an orchestra in London. The result was Young's fourth album, Harvest (1972), which would prove to be a massive hit. The only remnant left of the original concept was the album's live acoustic performance of the harrowing "Needle."

Young's more settled personal life was reflected in the rest of the Harvest album's mellow, pastoral tone. After his success with CSNY, Young had been able to purchase a ranch in rural Northern California (where he has lived since), writing the song "Old Man" in honor of the land's longtime caretaker, Louis Avila. On September 8, 1972, the actress Carrie Snodgress, with whom he had been living, gave birth to Neil Young's first child. (The boy, Zeke, was later diagnosed with cerebral palsy.) Young fell in love with Snodgress after seeing her in a movie, Diary of a Mad Housewife; Young wrote about this experience in the song "A Man Needs a Maid". Originally, for example in his Massey Hall concert, Young had played a fragment of another new song, "Heart of Gold," as part of "A Man Needs a Maid," but eventually, he separated the songs. "Heart of Gold," now played on guitar and harmonica, was released as the first single from Harvest, became a US number one single and remains the only No. 1 hit in his long career. "Old Man" was also immensely popular.

The album's recording had been almost accidental. Its mainstream success caught Young off guard, and his first instinct was to back away from stardom. In the Decade compilation, Young chose to include his greatest hits from the period, but his handwritten liner notes famously described "Heart of Gold" as the song that "put me in the middle of the road. Traveling there soon became a bore, so I headed for the ditch. A rougher ride but I saw more interesting people there."

The "Ditch" Trilogy and personal struggles (1972–1974)[link]

Although a new tour had been planned to follow up on the success of Harvest, it became apparent during rehearsals that Danny Whitten could not function due to drug abuse. On November 18, 1972, shortly after he was fired from the tour preparations, Whitten was found dead of an overdose. Young described the incident to Rolling Stone’s Cameron Crowe in 1975:^[46] "[We] were rehearsing with him and he just couldn't cut it. He couldn't remember anything. He was too out of it. Too far gone. I had to tell him to go back to L.A. 'It's not happening, man. You're not together enough.' He just said, 'I've got nowhere else to go, man. How am I gonna tell my friends?' And he split. That night the coroner called me from L.A. and told me he'd OD'd. That blew my mind. I loved Danny. I felt responsible. And from there, I had to go right out on this huge tour of huge arenas. I was very nervous and ... insecure."

On the tour, Young struggled with his voice and with the constantly changing band lineups, and called David Crosby and Graham Nash to help perform some of the music. The album assembled in the aftermath of this incident, Time Fades Away (1973), has often been described by Young as "[his] least favorite record," and it is one of only two of Young’s early recordings that has yet to be officially re-released on CD (the other being the soundtrack album Journey Through the Past). Nevertheless, Young and his band tried several new musical approaches in this period. Time Fades Away, for instance, was recorded live, although it was an album of new material, an approach Young would repeat with more success later on. Time was the first of three consecutive commercial failures which would later become known collectively to fans as the "Ditch Trilogy", as contrasted with the more middle-of-the-road pop of Harvest. These subsequent albums were seen as more challenging expressions of Young's inner conflicts on achieving success, expressing both the specific struggles of his friends and himself, and the decaying idealism of his generation in America at the time.

In the second half of 1973, Young formed The Santa Monica Flyers, with Crazy Horse's rhythm section augmented by Nils Lofgren on guitar. Deeply affected by the drug-induced deaths of Whitten and roadie Bruce Berry, Young recorded an album specifically inspired by the incidents, Tonight's the Night. The album's dark tone and rawness led Reprise to delay and Young had to pressure them for two years before they would release it.^[47] While his record company delayed the release, Young recorded another album, On the Beach (1974), which presented a more melodic, acoustic sound at times, including a recording of the older song "See the Sky About to Rain", but dealt with similarly dark themes such as the collapse of 1960s folk ideals, the downside of success and the underbelly of the Californian lifestyle. Like Time Fades Away, it sold poorly but eventually became a critical favorite, presenting some of Young's most original work. A review of the 2003 re-release on CD of On the Beach described the music as "mesmerizing, harrowing, lucid, and bleary".^[48]

After completing On the Beach, Young reunited with Harvest producer Elliot Mazer to record another acoustic album, Homegrown. Most of the songs were written after Young's breakup with Carrie Snodgress, and thus the tone of the album was somewhat dark. Though Homegrown was reportedly entirely complete, Young decided, not for the first or last time in his career, to drop it and release something else instead, in this case, Tonight's the Night, at the suggestion of Band bassist Rick Danko.^[49] Young further explained his move by saying: "It was a little too personal ... it scared me".^[49] Most of the songs from Homegrown were later incorporated into other Young albums, but the original album never surfaced. Tonight's the Night, when finally released in 1975, sold poorly, as had the previous albums of the "ditch" trilogy, and received mixed reviews at the time, but is now regarded as a landmark album. In Young's own opinion, it was the closest he ever came to art.^[50]

Young in Austin, Texas, on November 9, 1976. Photo: David Gans

[edit] Reunions, retrospectives and Rust Never Sleeps (1975–1979)

Young reformed Crazy Horse with Frank Sampedro on guitar as his backup band for his eighth album, Zuma (1975). Many of the songs are overtly concerned with failed relationships, and even the epic "Cortez the Killer", a retelling of the Spanish conquest of Mexico from the viewpoint of the Aztecs, may also be heard as an allegory of love lost. The song's deeply emotional lyrics and searing guitar solos made it one of Young's most enduring songs in concert over the next several decades. Zuma's closing track, "Through My Sails," was the only released fragment from aborted sessions with Crosby, Stills and Nash for another group album. The following year, Young reunited with Stephen Stills for the album Long May You Run (1976), credited to The Stills-Young Band; the follow-up tour was ended midway through by Young, who sent Stills a telegram that read: "Funny how some things that start spontaneously end that way. Eat a peach, Neil."^[51]

The Last Waltz, Young (center on left microphone) performing with Bob Dylan and The Band, among others in 1976.

In 1976, Young performed with Bob Dylan, Joni Mitchell, and numerous other rock musicians in the high profile all-star concert The Last Waltz, the final performance by The Band. The release of Martin Scorsese's movie of the concert was delayed while Scorsese unwillingly re-edited it to obscure the lump of cocaine that was clearly visible hanging from Young's nose during his performance of "Helpless."^[52] American Stars 'N Bars (1977) contained two songs originally recorded for the Homegrown album, "Homegrown" and "Star of Bethlehem," as well as newer material, including the future concert staple "Like a Hurricane". Performers on the record included Linda Ronstadt, Emmylou Harris and Young protégé Nicolette Larson along with Crazy Horse. In 1977, Young also released the compilation Decade, a personally selected set of songs spanning every aspect of his work, including a handful of previously unreleased songs. The record's sequencing, unusually for the time, resembled a live setlist and included less commercial album favorites alongside Young's greatest radio hits.

Comes a Time (1978), Young's first entirely new solo recording since the mid 1970s, also featured Nicolette Larson and Crazy Horse and became Young's most commercially accessible album in quite some time, marked by a return to Young's folk roots, including a cover of Ian Tyson's "Four Strong Winds," a song Young associated with his childhood in Canada. In 1978 much of the filming was done for Young's film Human Highway, which took its name from one of the album's songs. Over four years Young would spend US$3,000,000 of his own money on production. This also marked the beginning of his brief collaboration with the post-punk band Devo, whose members appeared in the film.^[53]

Young set out in 1978 on the lengthy "Rust Never Sleeps" tour, in which he played a wealth of new material. Each concert was divided into a solo acoustic set and an electric set with Crazy Horse. The electric sets, more furiously distorted than Young's work in the past, were later seen as a response to punk rock. One new song, "Hey Hey, My My (Into the Black)", was a centerpiece of the new material, and Young played it in both acoustic and electric renditions. Its blunt, but cryptic, lyrics have been among Young's most widely quoted ever since, addressing fame, commerce and rock n' roll, which according to Young's opening lines, "can never die." Young also compared the rise of Johnny Rotten with that of the recently deceased "King" Elvis Presley, who himself had once been disparaged as a dangerous influence only to later become an icon. Rotten returned the favour by playing one of Young's records on a London radio show, an early sign of Young's eventual embrace by a number of punk-influenced alternative musicians.

Young's two accompanying albums Rust Never Sleeps (new material, culled from live recordings, but featuring studio overdubs) and Live Rust (a mixture of old and new, and a genuine concert recording) captured the two sides of the concerts, with solo acoustic songs on side A, and fierce, uptempo, electric songs on side B. A movie version of the concerts, also called Rust Never Sleeps (1979), was directed by Young under the pseudonym Bernard Shakey. Young worked with rock artist Jim Evans to create the poster art for the film, using the "Star Wars" Jawas as a theme. Young's work since Harvest had alternated between being rejected by mass audiences and being seen as backward-looking by critics, sometimes both at once, and now he was suddenly viewed as relevant by a new generation, who began to discover his earlier work. Readers and critics of Rolling Stone voted him Artist of the Year for 1979 (along with The Who), selected Rust Never Sleeps as Album Of The Year, and voted him Male Vocalist of the Year as well. The Village Voice named Rust Never Sleeps as the year's winner in the Pazz & Jop Poll, a survey of nationwide critics, and honored Young as the Artist of the Decade.

Experimental years (1980–1988)[link]

The 1980s were often difficult times for Young, both personally and professionally. At the start of the decade, distracted by domestic medical concerns relating to his second disabled son, Ben, Young had little time to spend on writing and recording.^[54] After providing the incidental music to a 1980 biopic of Hunter S. Thompson entitled Where the Buffalo Roam, Young released Hawks & Doves, a short record pieced together from sessions going back to 1974.^[54] 1981's Re-ac-tor, an electric album recorded with Crazy Horse, also included material from the 1970s.^[55] Young did not tour in support of either album; in total, he played only one show, a set at the 1980 Bread and Roses Festival in Berkeley,^[56] between the end of his 1978 tour with Crazy Horse and the start of his tour with the Trans Band in mid-1982.

The 1982 album Trans, which incorporated vocoders, synthesizers, and electronic beats, was Young's first for new label Geffen Records (distributed at the time by Warner Bros. Records, whose parent Warner Music Group owns most of Young's solo and band catalog) and represented a distinct stylistic departure. Young later revealed that an inspiration for the album was the theme of technology and communication with his son Ben, who has severe cerebral palsy and cannot speak.^[58] An extensive tour preceded the release of the album, and was documented by the video Neil Young in Berlin, which saw release in 1986. MTV played the video for "Sample and Hold" in light rotation. The entire song contained "robot vocals" by Neil and Nils Lofgren of the E-Street Band.

Young's next album, 1983's Everybody's Rockin', included several rockabilly covers and clocked in at less than twenty-five minutes in length. Young was backed by the Shocking Pinks for the supporting U.S. tour. Trans had already drawn the ire of label head David Geffen for its lack of commercial appeal, and with Everybody's Rockin' following only seven months later, Geffen Records sued Young for making music "unrepresentative" of himself.^[59] The album was also notable as the first for which Young made commercial music videos – Tim Pope directed the videos for "Wonderin'" and "Cry, Cry, Cry". Also premiered in 1983, though little seen, was the eclectic full-length comedy film Human Highway, co-directed and co-written by Young, and starring Young, Dean Stockwell, Russ Tamblyn, Dennis Hopper and members of Devo.

1984 was the first year without a Neil Young album since the start of Young's musical career with Buffalo Springfield in 1966. Young's lack of productivity was largely due to the ongoing legal battle with Geffen, although he was also frustrated that the label had rejected his 1982 country album Old Ways.^[60] It was also the year when Young's third child, his second with wife Pegi, was born: his daughter Amber Jean, a child who was later diagnosed with inherited epilepsy. Young spent most of 1984 and all of 1985 touring for Old Ways with his country band, the International Harvesters. The album was finally released in an altered form midway through 1985. Young also appeared at that year's Live Aid concert in Philadelphia, collaborating with Crosby, Stills and Nash for the quartet's first performance for a paying audience in over ten years.

Young's last two albums for Geffen were more conventional in genre, although they incorporated production techniques like synthesizers and echoing drums that were previously uncommon in Young's music. Young recorded 1986's Landing on Water without Crazy Horse, but reunited with the band for the subsequent year-long tour and final Geffen album, Life, which emerged in 1987. Young's album sales dwindled steadily throughout the eighties; today Life remains his all-time-least successful studio album, with an estimated four hundred thousand sales worldwide.^[61]

Switching back to his old label Reprise Records, Young continued to tour relentlessly, assembling a new blues band called The Bluenotes in mid-1987 (a legal dispute with musician Harold Melvin forced the eventual rechristening of the band as Ten Men Working midway through the tour). The addition of a brass section provided a new jazzier sound, and the title track of 1988's This Note's For You became Young's first hit single of the decade. Accompanied by a video that parodied corporate rock, the pretensions of advertising, and Michael Jackson, the song was initially unofficially banned by MTV for mentioning the brand names of some of their sponsors. Young wrote an open letter, "What does the M in MTV stand for: music or money?" Despite this, the video was eventually named best video of the year by the network in 1989.^[62] By comparison, the major music cable network of Young's home nation, Muchmusic, ran the video immediately.

Young reunited with Crosby, Stills and Nash to record the 1988 album American Dream and play two benefit concerts late in the year, but the group did not embark upon a full tour. The album was only the second-ever studio record for the quartet.

Return to prominence (1989–1999)[link]

Young performing in 1996 in Turku, Finland

Young's 1989 single "Rockin' in the Free World", which hit #2 on the U.S. mainstream-rock charts, and accompanying album, Freedom, rocketed him back into the popular consciousness after a decade of sometimes-difficult genre experiments. The album's lyrics were often overtly political; "Rockin' in the Free World" deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H.W. Bush.^[63]

The use of heavy feedback and distortion on several Freedom tracks was reminiscent of the Rust Never Sleeps album, and foreshadowed the imminent rise of grunge. The rising stars of the genre, including Nirvana's Kurt Cobain and Pearl Jam's Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called The Bridge: A Tribute to Neil Young was released in 1989, featuring covers by alternative and grunge acts including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies.

Young's 1990 album Ragged Glory, recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy aesthetic. Young toured for the album with Orange County, California country-punk band Social Distortion and alternative rock pioneers Sonic Youth as support, much to the consternation of many of his old fans.^[64] Weld, a two-disc live album documenting the tour, was released in 1991.^[64] Sonic Youth's influence was most evident on Arc, a 35-minute collage of feedback and distortion spliced together at the suggestion of Sonic Youth's Thurston Moore and originally packaged with some versions of Weld.^[64]

1992's Harvest Moon marked an abrupt return to the country and folk-rock stylings of Harvest and reunited him with some of the musicians from that album, including singers Linda Ronstadt and James Taylor. The title track was a minor hit and the record was well received by critics, winning the Juno Award for Album of the Year in 1994. Young also contributed to Randy Bachman's nostalgic 1992 tune "Prairie Town," and garnered a 1993 Academy Award nomination for his song "Philadelphia", from the soundtrack of the Jonathan Demme movie of the same name. An MTV Unplugged performance and album emerged in 1993. Later that year, Young collaborated with Booker T. and the M.G.s for a summer tour of Europe and North America. Some European shows ended with a rendition of "Rockin' in the Free World" played with Pearl Jam, foreshadowing their eventual full-scale collaboration two years later.

In 1994 Young again collaborated with Crazy Horse for Sleeps with Angels, a record whose dark, sombre mood was influenced by Kurt Cobain's death earlier that year: the title track in particular dealt with Cobain's life and death, without mentioning him by name. Cobain had quoted Young's lyric "It's better to burn out than fade away" (a line from "My My, Hey Hey") in his suicide note. Young had reportedly made repeated attempts to contact Cobain prior to his death.^[65] Still enamored with the grunge scene, Young reconnected with Pearl Jam in 1995 for the live-in-the-studio album Mirror Ball and a tour of Europe with the band and producer Brendan O'Brien backing Young. 1995 also marked Young's induction into the Rock and Roll Hall of Fame, where he was inducted by Eddie Vedder.

"Young has consistently demonstrated the unbridled passion of an artist who understands that self-renewal is the only way to avoid burning out. For this reason, he has remained one of the most significant artists of the rock and roll era." – Rock and Roll Hall of Fame website.^[66]

Young's next collaborative partner was filmmaker Jim Jarmusch, who asked Young to compose a soundtrack to his 1995 black and white western film Dead Man. Young's instrumental soundtrack was improvised while he watched the film alone in a studio. The death of longtime mentor, friend, and producer David Briggs in late 1995 prompted Young to reconnect with Crazy Horse the following year for the album and tour Broken Arrow. A Jarmusch-directed concert film and live album of the tour, Year of the Horse, emerged in 1997. From 1996–97 Young and Crazy Horse toured extensively throughout Europe and North America, including a stint as part of the H.O.R.D.E. Festival's sixth annual tour.

In 1998, Young renewed his collaboration with the rock band Phish, sharing the stage at the annual Farm Aid concert and then at Young's Bridge School Benefit, where he joined headliners Phish for renditions of "Helpless" and "I Shall Be Released."^[67] Phish declined Young's later invitation to be his backing band on his 1999 North American tour.

The decade ended with the release in late 1999 of Looking Forward, another reunion with Crosby, Stills and Nash. The subsequent tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000.

Renewed activism and brush with death (2000s)[link]

Neil Young continued to release new material at a rapid pace through the first decade of the new millennium. The studio album Silver & Gold and live album Road Rock Vol. 1 were released in 2000 and were both accompanied by live concert films. His 2001 single "Let's Roll" was a tribute to the victims of the September 11 attacks, and the effective action taken by the passengers and crew on Flight 93 in particular.^[68] At the "America: A Tribute to Heroes" benefit concert for the victims of the attacks, Young performed John Lennon's "Imagine" and accompanied Eddie Vedder and Mike McCready on "Long Road", a Pearl Jam song that was written with Young during the Mirrorball sessions. "Let's Roll" was included on 2002's Are You Passionate?, an album mostly composed of mellow love songs dedicated to Young's wife, Pegi, backed by Booker T & the MGs.

In 2003, Young released Greendale, a concept album recorded with Crazy Horse members Billy Talbot and Ralph Molina. The songs loosely revolved around the murder of a police officer in a small town in California and its effects on the town's inhabitants.^[69] Under the pseudonym "Bernard Shakey", Young directed an accompanying film of the same name, featuring actors lip-synching to the music from the album. He toured extensively with the Greendale material throughout 2003 and 2004, first with a solo, acoustic version in Europe, then with a full-cast stage show in North America, Japan, and Australia. Young began using biodiesel on the 2004 Greendale tour, powering his trucks and tour buses with the fuel. "Our Greendale tour is now ozone friendly," he said. "I plan to continue to use this government approved and regulated fuel exclusively from now on to prove that it is possible to deliver the goods anywhere in North America without using foreign oil, while being environmentally responsible."^[70] Young spent the latter portion of 2004 giving a series of intimate acoustic concerts in various cities with his wife, who is a trained vocalist and guitar player.

In March 2005, while working on the Prairie Wind album in Nashville, Young was diagnosed with a brain aneurysm. He was treated successfully with a minimally invasive neuroradiological procedure, performed in a New York hospital on March 29,^[71] but two days afterwards he passed out on a New York street from bleeding from the femoral artery, which surgeons had used to access the aneurysm.^[72] The complication forced Young to cancel his scheduled appearance at the Juno Awards telecast in Winnipeg, but within months he was back on stage, appearing at the close of the Live 8 concert in Barrie, Ontario, on July 2. During the performance, he debuted a new song, a soft hymn called "When God Made Me". Young's brush with death influenced Prairie Wind's themes of retrospection and mortality.^[73] The album's live premiere in Nashville was immortalized by filmmaker Jonathan Demme in the 2006 film Neil Young: Heart of Gold.

Young's renewed activism manifested itself in the 2006 album Living With War, which like the much earlier song "Ohio," was recorded and released in less than a month as a direct result of current events.^[74] In early 2006, three years after the US invasion of Iraq, the sectarian war and casualties there were escalating. While doing errands on a visit to his daughter, Young had seen a newspaper photo of wounded US veterans on a transport plane to Germany, and noticing that the same paper devoted little actual coverage to the story, he was unable to get the image out of his head, realizing the suffering caused to families by the war had not truly registered to him and most Americans who were not directly affected by it. Young broke down crying, and immediately got his guitar out and began to write multiple songs at once. Within a few days he had completed work and assembled a band. He later said he had restrained himself for a long time from writing any protest songs, waiting for someone younger, with a different perspective, but no one seemed to be saying anything.

Most of the album's songs rebuked the Bush administration's policy of war by examining its human costs to soldiers, their loved ones, and civilians, but Young also included a few songs on other themes, and an outright protest titled, "Let's Impeach the President",^[75] in which he stated that Bush had lied to lead the country into war. Young's lyrics in another song named Illinois Senator Barack Obama, who had not declared any intention to run for president at the time and was widely unexpected to be able to win either the Democratic Party nomination or a general election, as potentially a replacement for Bush. That summer, Crosby, Stills, Nash & Young reunited for the supporting "Freedom Of Speech Tour '06", in which they played Young's new protest songs alongside the group's older material, meeting with both enthusiasm and anger from different fans, some of whom were supportive of Bush politically. CSNY Déjà Vu, a concert film of the tour directed by Young himself, was released in 2008, along with an accompanying live album.

While Young had never been a stranger to eco-friendly lyrics, themes of environmentalist spirituality and activism became increasingly prominent in his work throughout the 1990s and 2000s, especially on Greendale^[76] and Living With War.^[77] The trend continued on 2007's Chrome Dreams II, with lyrics exploring Young's personal eco-spirituality.^[78] Also in 2007, Young accepted an invitation to participate in Goin' Home: A Tribute to Fats Domino, contributing his version of "Walking to New Orleans".

In 2008, Young revealed his latest project, the production of a hybrid-engine 1959 Lincoln called Lincvolt.^[79] A new album loosely based on the Lincvolt project, Fork in the Road, was released on April 7, 2009.^[80] The album, partly composed of love songs to the car, also commented on the economic crisis, with one narrator attacking the Wall Street bailouts enacted in late 2008. Unfortunately, the car caught fire in November 2010, in a California warehouse, and along the way it burned an estimated US$850,000 worth of Young's rock and roll memorabilia collection. Initial reports suggest the fire might have been triggered by an error in the vehicle's plug-in charging system. Young blamed the fire on human error and said he and his team were committed to rebuilding the car. "The wall charging system was not completely tested and had never been left unattended. A mistake was made. It was not the fault of the car", he said.

Young performing in Nottingham, England, on June 23, 2009.

A Jonathan Demme concert film from a 2007 concert at the Tower Theater in Upper Darby, Pennsylvania, called the Neil Young Trunk Show premiered on March 21, 2009, at the South by Southwest (SXSW) Film Conference and Festival in Austin, Texas. It was featured at the Cannes Film Festival on May 17, 2009 and was released in the US on March 19, 2010^[81] to critical acclaim.^[82][83][84]

Young's most recent album appearance was on the album Potato Hole, released on April 21, 2009 by Memphis organ player Booker T. Jones, of Booker T. & the MGs fame. Young plays guitar on nine of the album's ten instrumental tracks, alongside Drive-By Truckers, who already had three guitar players, giving some songs on the album a total of five guitar tracks. Jones contributed guitars on a couple of tracks.

Young continues to tour extensively. In 2009, he headlined the Glastonbury Festival in Pilton, England,^[85] at Hard Rock Calling in London (where he was joined onstage by Paul McCartney for a rendition of "A Day in the Life") and, after years of unsuccessful booking attempts, the Isle of Wight Festival^[86] in addition to performances at the Big Day Out festival in New Zealand and Australia and the Primavera Sound Festival in Barcelona.

New performances (2010s)[link]

On January 22, 2010, Young performed "Long May You Run" on the final episode of The Tonight Show with Conan O'Brien. On the same night, he and Dave Matthews performed the Hank Williams song "Alone and Forsaken", for the Hope for Haiti Now: A Global Benefit for Earthquake Relief charity telethon, in response to the 2010 Haiti earthquake. Young also performed "Long May You Run" at the closing ceremony of the 2010 Olympic winter games in Vancouver, British Columbia, Canada. In May 2010, it was revealed Young had begun working on a new studio album produced by Daniel Lanois. This was announced by David Crosby, who said that the album "will be a very heartfelt record. I expect it will be a very special record."^[87] On May 18, 2010, Young embarked upon a North American solo tour to promote his then upcoming album, Le Noise, playing a mix of older songs and new material. Although billed as a solo acoustic tour, Young also played some songs on electric guitars, including Old Black.^[88] Young continued his Twisted Road tour with a short East Coast venture during spring 2011. Young also contributed vocals to the Elton John–Leon Russell album The Union, singing the second stanza on the track "Gone to Shiloh" and providing backing vocals.

In September 2011, Jonathan Demme's third documentary film on the singer songwriter, Neil Young Journeys, premiered at the Toronto International Film Festival.^[89] Like Demme's earlier work with Young, most of the film consists of a simply filmed live performance, in this case, Young's homecoming show in May 2011 at Toronto's Massey Hall, four decades after he first played at the iconic venue. Playing old songs, as well as new ones from Le Noise, Young performs solo on both electric and acoustic instruments. His performance is a counterpoint to Demme's footage of Young's return to Omemee, Ontario, the small town near Toronto where he grew up, which has now become physically unrecognizable, though he vividly recalls events from his childhood there.

Young currently lives near^[90] La Honda, California, on his Broken Arrow Ranch, named after one of his early Buffalo Springfield songs.^[91] The original 140-acre (0.57 km²) parcel was purchased in 1970 for US$350,000 cash^[92] and has grown to thousands of acres.^[93][94][95]

On January 22, 2012, the Master Class at Slamdance Festival featured Coffee with Neil Young & Jonathan Demme for their new film Journeys. A report from the event by Bob & Kim C. revealed that Neil Young has been recording with Crazy Horse. One album is complete and they are working on another.

Neil Young and Crazy Horse performed a full-on grunge version of the Beatles' "I Saw Her Standing There" for Paul McCartney's MusiCares Person of the Year dinner on February 10, 2012, in Hollywood.^[96]

Neil Young & Crazy Horse released the album Americana . Its release is scheduled for June 5, 2012.This will be Young's first collaboration with Crazy Horse since the Greendale album and tour in 2003 and 2004. The record is a tribute to national anthems that jumps from "This Land Is Your Land" to "Clementine" ^[97]

Archives project[link]

As far back as 1988, Young spoke in interviews of his efforts to compile his unreleased material and to remaster his existing catalog. The collection was eventually titled the Neil Young Archives Series. The first installment, entitled The Archives Vol. 1 1963–1972, was originally planned for a 2007 release but was delayed, and released on June 2, 2009.

Three performances from the Performance Series of the archives were released individually before The Archives Vol. 1. Live at the Fillmore East, a selection of songs from a 1970 gig with Crazy Horse, was released in 2006. Live at Massey Hall 1971, a solo acoustic set from Toronto's Massey Hall, saw release in 2007. Sugar Mountain - Live At Canterbury House 1968, an early solo performance and, chronologically, the first disc in the performance series, emerged late in 2008.

In an interview in 2008, Neil Young discussed Toast, an album originally recorded with Crazy Horse in San Francisco in 2000 but never released.^[98] The album will be part of the Special Edition Series of the Archives. No release date currently exists for Toast. The album A Treasure, with live tracks from 1985 sessions with the International Harvesters, during a time when he was being sued by Geffen Records, was released in June 2011.

On July 14, 2009, Young's first four solo albums were reissued as remastered HDCD discs and digital downloads as discs 1–4 of the Original Release Series of the Archives.

Awards and recognitions[link]

• 2011 Juno Awards Artist of the Year, Adult Alternative Album of the Year, and Allan Waters Humanitarian Award
• 2011 Grammy Awards Best Rock Song "Angry World" – Neil Young, songwriter
• 2010 Grammy Awards Best Art Direction On A Boxed/Special Limited Edition Package "Archives Volume One 1963-1973" – Neil Young, Gary Burden, Jenice Heo
• Canadian Music Hall of Fame, 1982
• Rock and Roll Hall of Fame He has been inducted into the Rock and Roll Hall of Fame twice. First in 1995 for his solo work, with an induction speech given by Eddie Vedder, and again in 1997 as a member of Buffalo Springfield.

As one of the original founders of Farm Aid, he remains an active member of the board of directors. For one weekend each October, in Mountain View, California, he and his wife host the Bridge School Concerts, which have been drawing international talent and sell-out crowds for nearly two decades with some of the biggest names in rock having performed at the event including Tom Petty and the Heartbreakers, Bruce Springsteen, David Bowie, The Who, Red Hot Chili Peppers, Trent Reznor of Nine Inch Nails, Tom Waits, Thom Yorke of Radiohead, R.E.M, Foo Fighters, Metallica, Pearl Jam, Sonic Youth, The Smashing Pumpkins, Paul McCartney and Dave Matthews. The concerts are a benefit for the Bridge School, which develops and uses advanced technologies to aid in the instruction of children with disabilities. Young's involvement stems at least partially from the fact that both of his sons have cerebral palsy and his daughter, like Young himself, has epilepsy.

Young was nominated for an Oscar in 1994 for his song "Philadelphia" from the film Philadelphia. Bruce Springsteen won the award for his song "Streets of Philadelphia" from the same film. In his acceptance speech, Springsteen said that "the award really deserved to be shared by the other nominee's song." That same night, Tom Hanks accepted the Oscar for Best Actor and gave credit for his inspiration to the song "Philadelphia".

He was part owner of Lionel, LLC, a company that makes toy trains and model railroad accessories.^[99] In 2008 Lionel emerged from bankruptcy and his shares of the company were wiped out. At this time his status with Lionel is unknown, according to Lionel CEO Jerry Calabrese he is still a consultant for Lionel. He was instrumental in the design of the Lionel Legacy control system for model trains^[99] and it is believed he will continue to develop the system. Young has been named as co-inventor on seven U.S. Patents related to model trains.^[100]

Young has twice received honorary doctorates. He received an Honorary Doctorate of Music from Lakehead University in Thunder Bay, Ontario in 1992, and an Honorary Doctorate of Humane Letters from San Francisco State University in 2006. The latter honour was shared with his wife Pegi for their creation of the Bridge School. In 2006, Young was given Manitoba's highest civilian honour, when he was appointed to the Order of Manitoba. In 2009, he was then given Canada's highest civilian honour, when he was appointed to the Order of Canada.

Rolling Stone magazine in 2000, ranked Young thirty-fourth in its list of the 100 greatest artists of all time,^[101] and in 2003, included five of his albums in its list of 500 greatest albums of all time.^[102] In 2000, Young was inducted into Canada's Walk of Fame.^[103] In 2006, Paste magazine compiled a "Greatest Living Songwriters" list; Young was ranked second behind Bob Dylan. (While Young and Dylan have occasionally played together in concert, they have never collaborated on a song together, or played on each others' records). He ranked thirty-ninth on VH1's 100 Greatest Artist of Hard Rock that same year. The Rock and Roll Hall of Fame explained that while Young has "avoided sticking to one style for very long, the unifying factors throughout Young’s peripatetic musical journey have been his unmistakable voice, his raw and expressive guitar playing, and his consummate songwriting skill."^[7]

Young's political outspokenness and social awareness influenced artists such as Blind Melon, Phish, Pearl Jam, and Nirvana. Young is referred to as "the Godfather of Grunge" because of the influence he had on Kurt Cobain and Eddie Vedder and the entire grunge movement. Eddie Vedder of Pearl Jam inducted Young into the Rock and Roll Hall of Fame in 1995, citing him as a huge influence. Young is cited as being a significant influence on experimental rock artists Sonic Youth, Jesse Marchant,^[104] and Thom Yorke of Radiohead. Yorke recounted of first hearing Young after sending a demo tape into a magazine when he was 16, who favourably compared his singing voice to Young's. Unaware of Young at that time, he bought After the Gold Rush, and "immediately fell in love" with his work, calling it "extraordinary".^[105] Dave Matthews lists Neil Young as one of his favorite and most inspirational songwriters and covers his songs on occasion. The British Indie band The Bluetones named their number one debut album after the song "Expecting to Fly" (written by Young when still with Buffalo Springfield) and have covered the song while touring. Young also inspired Oasis singer-songwriter Noel Gallagher, with Gallagher covering "My My, Hey Hey (Into the Black)" on the live album Familiar to Millions.

The Australian rock group Powderfinger named themselves after Young's song "Powderfinger" from Rust Never Sleeps. The members of the Constantines have occasionally played Neil Young tribute shows under the name Horsey Craze.^[106] While in Winnipeg on November 2, 2008 during the Canadian leg of his tour, Bob Dylan visited Young's former home in River Heights, where Young spent his teenage years. Dylan was interested in seeing the room where some of Young's first songs were composed.

Jason Bond, an East Carolina University biologist, discovered a new species of trapdoor spider in 2007 and named it Myrmekiaphila neilyoungi after Young,^[107] his favorite singer.^[108]

In 2001, Young was awarded the Spirit of Liberty award from the civil liberties group People for the American Way. Young was honored as the MusiCares Person of the Year on January 29, 2010, two nights prior to the 52nd Annual Grammy Awards. He was also nominated for two Grammy Awards: Best Solo Rock Vocal Performance for "Fork In The Road" and Best Boxed or Special Limited Edition Package for "Neil Young Archives Vol. I (1963–1972)". Young won the latter Grammy Award. In 2010, he was ranked #26 in Gibson.com’s Top 50 Guitarists of All Time.^[109]

Juno Awards[link]

Instruments[link]

Young in 2008, in Florence, Italy

Guitars[link]

In 2003, Rolling Stone listed Young as eighty-third in its ranking of "The 100 Greatest Guitarists of All Time" (although in a more recent version of the list, he has been moved up to seventeenth place), describing him as a "restless experimenter...who transform[s] the most obvious music into something revelatory."^[110] Young is a collector of second-hand guitars, but in recording and performing, he frequently uses just a few instruments, as is explained by his longtime guitar technician Larry Cragg in the film Neil Young: Heart of Gold. They include:

• 1953 Gibson Les Paul Goldtop. Nicknamed "Old Black", this is Young's primary electric guitar and is featured on Rust Never Sleeps and other albums. Old Black got its name from an amateur paintjob applied to the originally gold body of the instrument, sometime before Neil acquired the guitar in the late 1960s. In 1972, a mini humbucker pickup from a Gibson Firebird was installed in the lead/treble position. This pickup, severely microphonic, is considered a crucial component of Neil's sound. A Bigsby vibrato tailpiece was installed as early as 1969, and can be heard during the opening of "Cowgirl in the Sand" from Everybody Knows This Is Nowhere.
• Martin D-45. His primary steel-string acoustic guitar, used to write "Old Man" and many other songs. It was one of four instruments bought by Stephen Stills for himself and his band-mates in CSNY in order to celebrate their first full concert at the Greek Theater in 1969.
• Martin D-28. Nicknamed "Hank" after its previous owner, Hank Williams. Hank Williams, Jr., had traded it for some shotguns; it went through a succession of other owners until it was located by Young's longtime friend Grant Boatwright. The guitar was purchased by Young from Tut Taylor. Young has toured with it for over 30 years. A story about the guitar and the song it inspired, "This Old Guitar," can be seen about 50 minutes into the film Neil Young: Heart of Gold. It is Young's primary guitar for Prairie Wind.
• Vintage Martin D-18: Young used an old D-18 throughout his early days performing in coffee houses in Canada and on some early Buffalo Springfield work, before he received the D-45 from Stills. It can also be seen on unreleased footage from the Woodstock documentary, particularly on an exceptional acoustic duet of the Buffalo Springfield track "Mr. Soul" with Stills. The guitar has often been used to carry "dropped standard tuning" (DGCFAD) which Young often uses in concert. This allowed him to perform songs such as "Ambulance Blues" and "Don't let it Bring You Down" live without having to tune all 6 strings onstage.

Other notable (or odd) instruments played by Young include:

• Taylor 855 12-string, used in the first half of Rust Never Sleeps.
• 1927 Gibson Mastertone, a six-string banjo tuned like a guitar, used on many recordings and played by James Taylor on "Old Man."
• Gretsch 6120 (Chet Atkins model). Before Young bought Old Black, this was his primary electric guitar during his Buffalo Springfield days.
• Gretsch White Falcon. Young purchased a late 1950s model near the end of the Buffalo Springfield era; in 1969 he bought a stereo version of the same vintage guitar from Stephen Stills, and this instrument is featured prominently during Young's early 1970s period, and can be heard on tracks like "Ohio," "Southern Man," "Alabama," "Words (Between the Lines of Age)," and "L.A.". It was Young's primary electric guitar during the Harvest era, since Young's deteriorating back condition (eventually fixed with surgery) made playing the much heavier Les Paul difficult.^[111] This particular White Falcon is the stereo 6137, in which the signal from the three bass strings is separated from the signal from the three treble strings. Young typically plays this guitar in this stereo mode, sending the separate signals to two different amps, a Fender Deluxe and either a Fender Tremolux or a low-powered Tweed Fender Twin. The separation of the signals is most prominently heard on the Harvest song "Words."
• Gibson Flying V, on the Time Fades Away tour.
• Fender Broadcaster, on the Tonight's the Night album and tour.

Reed organ[link]

Young owns an Estey reed organ, serial number 167272, dating from 1885, which he frequently plays in concert and which was recently restored. The instrument and its restoration are documented in The Reed Society Quarterly (30.1: 6ff); a photograph of the instrument is on the cover.

Amplification[link]

Young uses various vintage Fender Tweed Deluxe amplifiers. His preferred amplifier for electric guitar is the Fender Deluxe, specifically a Tweed-era model from 1959. He purchased his first vintage Deluxe in 1967 for US$50 from the drummer of Crazy Horse, Ralph Molina, and has since acquired nearly 450 different examples, all from the same era, but he maintains that it is the original model that sounds superior and is crucial to his trademark sound.

The Tweed Deluxe is almost always used in conjunction with a late-1950s Magnatone 280 (similar to the amplifier used by Lonnie Mack and Buddy Holly). The Magnatone and the Deluxe are paired together in a most unusual manner: the external speaker jack from the Deluxe sends the amped signal through a volume potentiometer and directly into the input of the Magnatone. The Magnatone is notable for its true pitch-bending vibrato capabilities, which can be heard as an electric piano amplifier on "See the Sky About to Rain". A notable and unique accessory to Young's Deluxe is the Whizzer, a device created specifically for Young, which physically changes the amplifier's settings to pre-set combinations. This device is connected to footswitches operable by Young onstage in the manner of an effects pedal.^[112]

Discography[link]

See also the discographies for Buffalo Springfield and Crosby, Stills, Nash & Young

See also[link]

	Neil Young portal
32x28px	Music of Canada portal

• Music of Canada
• Canadian rock

Notes[link]

References[link]