This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Demetri Martin (born May 25, 1973) is an American comedian, actor, artist, musician, writer and humorist. Martin is best known for his work as a stand-up comedian, contributor on ''The Daily Show'' and for his Comedy Central show ''Important Things with Demetri Martin''.
Since late 2005, he has been credited as a contributor on ''The Daily Show'', on which he has appeared as the named "Senior Youth Correspondent" and on which he hosts a segment called "Trendspotting". He has used this segment to talk about so-called hip trends among youth such as hookahs, wine, guerilla marketing and Xbox 360. A piece about social networking featured his profile on MySpace. On March 22, 2007, Demetri made another appearance on ''The Daily Show'', talking about the Viacom lawsuit against Google and YouTube.
He has recorded a comedy CD/DVD titled ''These Are Jokes'', which was released on September 26, 2006. This album also features ''Saturday Night Live'' member Will Forte and stand-up comedian Leo Allen.
Martin returned to ''The Daily Show'' on March 22, 2006, as the new Youth Correspondent, calling his segment "Professional Important News with Demetri Martin". In 2007, he starred in a Fountains of Wayne music video for "Someone to Love" as Seth Shapiro, a character in the song. He also starred in the video for the new Travis single "Selfish Jean", in which he wears multiple t-shirts with lyrics written on them.
On September 2, 2007, Martin appeared on the season finale of the HBO series ''Flight of the Conchords''. He appeared as a keytar player named Demetri.
He also had a part in the movie ''The Rocker'' (2008) starring Rainn Wilson. Martin played the part of the videographer when the band in the movie was making their first music video.
In 2009, he hosted and starred in his own television show called Important Things With Demetri Martin on Comedy Central. Later in June, it was announced his show had been renewed for a second season. The second season premiered, again on Comedy Central, on February 4, 2010. Martin has stated that ''Important Things'' will not return for a third season.
Prior to completing work on his second season, Martin starred in the comedy-drama film ''Taking Woodstock'' (2009), directed by Ang Lee, which premiered at the 2009 Cannes Film Festival. In the film Martin plays Elliot Tiber, a closeted gay artist who has given up his ambitions in the city to move upstate and help his old-world Jewish family run their Catskill Mountains motel. The film is based on the book written by Tiber.
On April 25, 2011, Martin released his first book, titled ''This Is a Book by Demetri Martin''.
Martin was slated to portray Paul DePodesta as Oakland Athletics assistant GM to Billy Beane in the 2011 movie Moneyball (film), however was dropped and Jonah Hill took his place in the movie.
Martin also signed a blind script deal with CBS in October 2010 to produce, write, and star in his own television series.
After CBS was shown the pilot for the series, they decided not to air it.
On August 11, 2011, Fox ordered a presentation of a new animated show they might air.
The title of the special comes from a lengthy palindromic poem that Martin wrote; the words "if I" are at the center of the poem.
He is extremely allergic to nuts and peanuts.
Martin moved to Santa Monica, California in 2009.
Year | ! Title | ! Role | Notes |
2002 | ''Analyze That'' | Personal Assistant | |
2003 | ''If I''| | Himself | British television special, also writer |
2004 | ''12:21''| | Himself | short film, also writer |
2004 | ''Late Night with Conan O'Brien''| | Himself | 1 episode, series writer |
2007 | "''Someone to Love (Fountains of Wayne song)Someone to Love''" || | Seth Shapiro | ''Fountains of Wayne'' music video |
2007 | ''Flight of the Conchords (TV series)Flight of the Conchords'' || | Demetri | Season 1, Episode 12 |
2008 | ''The Rocker (film)The Rocker'' || | Kip (a music video producer) | |
2009 | ''Paper Heart''| | Himself | |
2009 | ''Post Grad''| | Ad Exec | |
2009 | ''Taking Woodstock''| | Elliot Tiber | |
2009–2010 | ''Important Things with Demetri Martin''| | Himself / Various | writer, series creator, executive producer, and composer |
2011 | ''Take Me Home Tonight (film)Take Me Home Tonight'' || | Carlos | |
2011 | ''Contagion (film)Contagion'' || | Dr. David Eisenberg | |
2011 | ''Conan_(TV_series)Conan'' || | Himself | guest |
Category:1973 births Category:Actors from New Jersey Category:Actors from New York City Category:American comedians Category:American comedy musicians Category:American comedy writers Category:American film actors Category:American humorists Category:American people of Greek descent Category:American stand-up comedians Category:American television actors Category:American television writers Category:Living people Category:New York University alumni Category:Writers from New Jersey Category:Writers from New York City Category:Writers Guild of America Award winners Category:Yale University alumni Category:The Daily Show correspondents and contributors
cs:Demetri Martin da:Demetri Martin de:Demetri Martin fr:Demetri Martin gl:Demetri Martin it:Demetri Martin ru:Мартин, Деметри simple:Demitri Martin fi:Demetri Martin sv:Demetri MartinThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Hiro Nakamura |
---|---|
series | Heroes |
portrayer | Masi OkaGarrett Masuda (child, season 1)Sekai Murashige (child, seasons 2–3)Mikey Kawata (teenage) |
first | "Genesis" |
last | "Brave New World" |
lbl21 | Ability |
Data21 | Space-time manipulation, resulting in:
|
occupation | Hired hero }} |
is a fictional character on the NBC fantasy drama ''Heroes'' who possesses the ability of space-time manipulation. This means that Hiro is able to alter the flow of time. Previously, his ability allowed him to teleport, stop time, or travel through time, but recent events in the series have prevented him from regaining his full abilities. He is played by Japanese-American actor Masi Oka.
According to the online comic on NBC.com, Hiro is named after Hiroshima, so that his family will always remember the atomic bombings of Hiroshima and Nagasaki. Tim Kring has been quoted as saying, "It's no coincidence we named him Hiro... he truly is on a hero's quest." To this end, his name is often used as a pun. His co-worker Ando once called him "Super-Hiro" in jest.
Hiro appears extremely happy to have successfully used his ability. He soon discovers a comic book called ''9th Wonders!'' in a nearby newsstand that shows himself standing in Times Square with his hands up and yelling, "Yatta!" (meaning "I did it!"), an incredibly accurate depiction of Hiro's arrival in New York. He attempts to pay in Japanese yen, and runs off with the comic book. Hiro then discovers that the story includes what has already happened between himself and Ando, and his discovery of his abilities. Hiro decides to find the artist and writer, Isaac Mendez, by visiting his loft.
Hiro visits Isaac's loft, discovering the artist's dead body, partially decapitated with the brain removed. Hiro is arrested by the police and during the interrogation discovers he has traveled not only through space, but through time as well. It was October 2 when he left Tokyo, and he arrived in New York November 8. Just as Hiro discovers this, he witnesses a cataclysmic explosion. Before the blast reaches him, Hiro turns back time to the exact moment he left Tokyo and teleports himself back to the train he was standing on, still holding the comic he picked up in the future.
After going to the future, Hiro decides that he must save the world by preventing the explosion. Hiro then persuades Ando that his powers are genuine by saving a young girl from an oncoming car (as predicted by the comic book from the future).
They take a plane to Los Angeles, but go the rest of the way by car, because that is what the comic book says they do. Hiro and Ando then have several misadventures in Las Vegas, starting when Ando decides to hit the casinos. Ando convinces Hiro to use his powers to cheat, stopping time to give Ando winning hands in poker games. The two make a lot of money, but are later thrown out of the casino and then beaten up by a player they had cheated. Why Hiro doesn't use his power this time to get away is not explained.
After an argument, Hiro and Ando go their own separate ways. Hiro ends up in a diner near Las Vegas where he sees Nathan Petrelli literally fall from the sky like a meteorite. After Nathan enters the diner, Hiro briefly talks with the man, and Nathan decides to give Hiro a ride back to the casino, where he and Ando are reunited.
Their attempts to call Isaac Mendez are finally successful, as Peter Petrelli answers the phone, relaying a message from Hiro's future self, and tells them "Save the cheerleader, save the world" and to come to New York City. However, the pair are detained further when the same player they cheated earlier forces them to play a poker game to make money to repay what they gained before. Ando and Hiro manage to escape shortly before the other players are slaughtered by Jessica Sanders. Hiro is crestfallen that he is unable to prevent their deaths but is comforted by Ando, who claims Hiro is still beginning his journey to become a true hero.
Hiro exercises his power as a hero again when he and Ando run across D.L. Hawkins and his son, Micah, at the scene of a burning car wreck with a passenger trapped inside. As D.L. frees the passenger, the vehicle explodes and Hiro freezes time to save them. Hiro complains about not having super strength when he is forced to drag the pair away from the explosion. After he unfreezes time, he shows the future edition of ''9th Wonders!'' to Micah and speaks to him in English about his space-time manipulation powers.
Continuing their journey to New York, Hiro and Ando stop at a diner in Texas and meet a waitress named Charlie, who recently developed powers of her own. As Hiro talks to Charlie, who finds him to be "sweet," Sylar watches them talk. Charlie is later found murdered in the diner's storeroom with her brain removed, just as Hiro had found Isaac's body in New York. Not wanting to fail to save someone like he did in Las Vegas, Hiro goes back in time in an attempt to prevent her murder, promising Ando that he'll return in five seconds.
Hiro's attempt to teleport to the day before Charlie's death goes awry, landing him six months in the past, on the day of Charlie's birthday. Though he considers another time-travel attempt, the possibility of being eaten by a dinosaur dissuades him. Hiro tries to warn Charlie and protect her from the "very bad man", but ends up forming a close relationship with her after his attempts to convince her fail. Eventually, he asks her to come with him to Japan. As the date of their departure gets closer, Charlie reveals that she has a blood clot in her brain and will die no matter what. She says she was going to give up before Hiro came and that she has fallen in love with him. Just as they are about to kiss, Hiro inadvertently teleports to Japan some time after he and Ando had left for the United States. Unable to return via his own powers, he is forced to make his way back to the diner through normal means. Ando, happy to see Hiro again, assumes Hiro used his powers (not least because Hiro now appears in a photograph on the Diner's wall taken with Charlie six months previously) and was successful, but Hiro explains that he failed and made his way back through public transportation. After this incident, Hiro's powers appear to weaken.
The novel ''Heroes: Saving Charlie'' expands and changes the events of the history. Hiro's love story with Charlie is expanded, as is her own role in foretelling her demise. They dated and fell in love during the months Hiro teleported back to, and eventually he told her that her memory was a power like his own. He did convince her to go to Japan with him, and they ended up in the same bar where Hiro has first told Ando his mission was to save the cheerleader, and save the world. Charlie realized Hiro lied to her (he had told her his mission was to save her life) and went back to the U.S. because she believed saving the world was a more important destiny for Hiro than saving just her.
In "Fallout", Hiro and Ando find their way to Claire's high school, but arrive after Sylar's attack and believe her to have already been killed. Ando tries to be optimistic about the situation, claiming that "save the cheerleader, save the world," is just a progression of events — save the cheerleader ''and then'' save the world — and not a conditional statement. Hiro doesn't accept the claim, believing that he would have meant it as a conditional statement. While thinking about their next move, Hiro is called by Isaac Mendez, who arranges a meeting with them in Texas. Once they meet, Hiro shows Isaac the future ''9th Wonders!'' comic, much to the artist's surprise, then asks him to paint the future. At first, Isaac isn't convinced he can do so without drugs, but once he realizes that some of his rough sketches depict Hiro traveling back to save Charlie, he tries again. Hiro recommends that Isaac concentrate, using the same face he makes when activating his own powers, and Isaac manages to activate his power successfully. Isaac's painting depicts Hiro brandishing a sword while encountering a carnivorous theropod dinosaur, seemingly confirming Hiro's earlier fears. Hiro remarks, "I really need to find that sword."
Two weeks later, at the beginning of "Godsend", Hiro and Ando go to the Museum of Natural History, looking for the sword that Hiro saw in Isaac's painting. They find it in a glass case on the back of an ancient warrior, Takezo Kensei. On the hilt of the sword is the symbol that appears in various points throughout the series. Hiro recalls a story his father told him of Kensei and how the sword was believed to have benefited him. He decides to steal the sword, believing it will help him control his powers. While doing so, he brandishes it against a model dinosaur in the museum, mimicking the picture Isaac had drawn earlier. However, the museum's version of the sword is only a wooden replica made by the Linderman Group. He returns to Isaac's loft, where he meets Simone Deveaux. Hiro also happily re-encounters Nathan (whom he addresses as "flying man"). After introductions and brief discussions, Simone recommends Hiro go back to Las Vegas with the dinosaur painting and see Mr. Linderman, an avid collector of Isaac's paintings.
In "The Fix", Hiro and Ando are chased by unknown men. Eventually, they are captured by the men, and Hiro is told that the men work for someone "truly powerful." Hiro and Ando are then told to stop their quest. Hiro declines, even after being offered first class plane tickets back to Japan. The men state their boss won't be happy and bring the two to him. Hiro then realizes the men work for his father, Kaito.
In "Distractions", Hiro's father tries to convince him to go back to Tokyo, admitting that it was a bad idea to start him off at the bottom and offering him a job as Executive Vice President of the company. After Hiro's initial refusal, his father rips up Isaac's painting. Kimiko, Hiro's sister, admits to him that, though his father is too proud to admit it, the company has gone through hard times. Ando reminds him that his powers are declining and it might not be a bad idea. Hiro eventually convinces his father that his sister is a better candidate to take over the company. Mr. Nakamura then lets Hiro continue with the mission.
In "Run!", Hiro and Ando are again sidetracked by a weeping Las Vegas showgirl named Hope. Hiro and Ando get separated while trying to retrieve a bag for Hope. Hiro is locked in a closet by Hope, then later freed by a Gaming Commission agent, who is looking for her. After watching Ando get shot during a firefight between the agent and Hope in "Unexpected", Hiro feels his mission is too dangerous to bring Ando any further. Hiro defeats Hope by unexpectedly using his powers to reverse the bullet in time one second, sending it back into the gun, disarming Hope. She and the agent are arrested, but since Hiro had his eyes closed, he doesn't realize he used his powers (which haven't been working well lately). He leaves the Versa with Ando and boards a bus alone (greeted by comic icon Stan Lee playing the bus driver).
In "Parasite", Hiro tries to enter Linderman's casino, but becomes aware that he has been red flagged and is not to enter the casino. As Nathan Petrelli enters the casino to meet with Linderman, he uses his influence to help Hiro get inside. Hiro delivers the painting to Mr. Linderman's vault, where the vault curator accepts it. While the curator is in another room, Hiro locates the sword and steals it, with the help of Ando, disguised as a security guard. Hiro teleports them both out of the building to escape the other security guards, but they find themselves on top of the Deveaux building, in a post-apocalyptic New York five years after the explosion.
In ".07%", Hiro decides to learn as much as he can about the future to know what went wrong with his attempts to stop the bomb. He and Ando enter Isaac's apartment, but find it netted with newspaper articles suspended on strings, each article relating to the explosion and even the heroes themselves. Just then, Hiro and Ando hear a sound, and Hiro takes out his sword to confront whoever it is, but is shocked when he comes face to face with his future self.
In "Five Years Gone", Hiro learns from his future self that the bomb still went off. The younger Hiro in turn reveals to his future self that the present day Claire was rescued and Sylar got caught, but Sylar himself wasn't killed yet. This gives Future Hiro hope, but before they can do anything about it, Matt Parkman and his Homeland Security team break into Isaac's loft and begin a raid. Ando and Future Hiro manage to escape, but present day Hiro is apprehended by Matt and the Haitian. Hiro is brutally interrogated by Matt, who doesn't believe he is telling the truth about time traveling. Mohinder Suresh is called in to investigate Isaac's loft, where he is convinced about Hiro's story, but fails to convince the President, Nathan Petrelli (who is in fact Sylar in disguise). The President orders Mohinder to kill present day Hiro, but Mohinder finds he can't bring himself to do it. In the meantime, Ando and Future Hiro enlist the aid of future Peter Petrelli and they break into the building Present Hiro is captured in. They defeat all the guards and with the aid of Mohinder, manage to rescue Hiro. Unfortunately, before Hiro and Ando manage to travel back to their time, Future Hiro is shot by Matt Parkman, who is in turn stopped by Peter, who uses telekinesis to close the door on Parkman. Hiro is shocked to see his future self die, but when Ando confides he believes in Hiro now and shows him a copy of the ''9th Wonders!'' comic book in which Hiro stabs Sylar with his sword, Hiro gets his confidence back and travels back to the time from which they came.
In "The Hard Part", upon their return to the present time line, Hiro proudly vows to New York City that he'll do his best to save it. However, he does realize it will be the hard part of his destiny. Hiro and Ando return to Isaac's loft, hoping to fill in the gaps of the futuristic comic book. However, they arrive to find that Isaac has been killed by Sylar. When Hiro and Ando hear Sylar in the bathroom, they hide behind a painting. Sylar hears their heartbeats and uncovers their hiding spot. However, Hiro teleports Ando and himself to safety before they are found.
Hiro and Ando continue to follow Sylar and watch him meet with his mother, attempting to reconcile with her. After Sylar's mother is accidentally killed, Hiro stops time and approaches Sylar, sword drawn. However, as he swings, time resumes and Sylar grabs Hiro's sword. Sylar begins to freeze the sword, and – as Hiro teleports to safety with Ando – it breaks in two.
In "Landslide", after Ando looks in the Yellow Pages for someone who can repair the sword, he finds an ad bearing the helix symbol seen throughout the series. Upon arriving, they encounter Hiro's father Kaito, who tells Hiro that he is worthy of the family destiny. He also trains Hiro to fight and kill with a sword. When Hiro is done training, he and Kaito discover that Ando, thinking that Kaito had convinced Hiro to return to Japan, bought a sword and has left to confront Sylar alone.
In "How to Stop an Exploding Man" Hiro teleports to Isaac's loft to find Ando about to be killed by Sylar, but manages to teleport them both out of danger and back to Japan. Hiro returns with Ando's sword, leaving the Kensei sword with Ando, telling Ando that it is "so you know I'll be back." Upon returning, he stabs Sylar. Sylar uses the last of his strength to send Hiro flying toward a building, forcing Hiro to teleport to save himself. In doing so, however, he sends himself three centuries into the past to Kyoto, Japan, circa 1671. Upon collecting himself, he finds himself caught in the middle of a battle between a small group of samurai about to attack a figure on the horizon, who appears to be Kensei, the original owner of Hiro's blade. Before the battle begins, however, an eclipse shadows the scene.
In "Lizards", Hiro impersonates Kensei by donning his armor in order to make sure the bandits don't kill Yaeko and to prove to her that Kensei is a hero. Scaring off the bandits using his powers, Hiro as Kensei wins the heart of Yaeko. Encountering the real Kensei afterwards, Hiro manages to convince him to help Yaeko rescue her father. However, as they are about to leave, the bandits return and fire arrows at Kensei, seemingly killing him. However, once the arrows are removed, Kensei regenerates in a fashion similar to Claire Bennet.
With Kensei's newly discovered power, Hiro realizes how he became the hero of legend. Since Kensei isn't quite ready to accept his destiny, Hiro forces him to play out another of his legends, this one the retrieval of the "fire scroll" from 90 angry ronin. The task convinces Kensei to take up his own mantle, and he likens Hiro to his conscience — except he pays attention to Hiro. Believing his task to be done, Hiro initially decides to return to his own time, but during the attempt, suddenly stops and returns to Kensei.
Hiro, determined to preserve the time line, decides to remain in feudal Japan until Kensei defeats White Beard and saves Japan. They locate White Beard's army camp and Hiro helps Kensei rescue Yaeko's father. However, in a moment of weakness, Hiro gives into his own desires and confesses his love to Yaeko and they kiss, unaware that Kensei is watching them. Hiro tries to apologize, but Kensei reverts back to his old ways and knocks Hiro unconscious and turns him, Yaeko, and her father over to White Beard's soldiers. According to Hiro's note to Ando, this causes a currently unknown alteration to the timeline.
Hiro is kept prisoner in White Beard's camp where they use opium to dull his senses, preventing him from using his powers. Yaeko manages to free herself from her shackles and removes the opium. Hiro is able to focus just enough to teleport them to safety. Later, Hiro returns to White Beard's camp to destroy the guns. Before he can set the gunpowder cache on fire, Kensei confronts him and the two engage in a sword fight. Hiro tries to persuade Kensei to join him to stop White Beard, but Kensei refuses, and vows to Hiro that as long as he lives, he will destroy everything he holds dear. Hiro teleports out right before the guns explode. He meets Yaeko under the cherry blossoms one last time, and tells her the final tale in the legend of Kensei, where he is forced to cut his heart out. Yaeko vows that as long as she has a breath in her body, she will tell his story as the story of Takezo Kensei. They share a final kiss, and Hiro teleports out, leaving Yaeko alone under the cherry blossoms.
Hiro then teleports back to the present day, effectively fulfilling the final task by leaving Yaeko behind, and he learns from Ando that his father has been killed. Hiro attempts to go back and prevent his death in "Cautionary Tales", but his father convinces him that they cannot play God with their gifts. Hiro accepts this advice, but uses the opportunity to learn that Kensei was the one responsible for murdering his father. In "Truth & Consequences", Hiro is able to learn more about Kensei and his new name, Adam Monroe. He travels back in time to 1977 and learns that Adam was imprisoned by his father after he almost releases a virus that could kill everything. He learns that the virus will be kept in the Primatech facility in Odessa, Texas. Determined to avenge his father's murder, he teleports to the facility with his sword and stops time. There, he sees Peter Petrelli for the first time since "How to Stop an Exploding Man". Hiro declares his intentions to Peter, but Peter refuses to let Hiro harm Adam. Peter's hand crackles with electricity as Hiro lets out a battle cry and charges with his sword drawn.
In "Powerless", Hiro confronts Peter, but is knocked unconscious. Later, he is reunited with Nathan Petrelli and Matt Parkman, who are there to stop Peter and Adam from getting the virus. Hiro teleports into the vault and confronts Adam for the first time since the tent in White Beard's camp. Hiro tells Adam he should not have let Adam live long ago, then grabs Adam and teleports him away. Hiro later reveals to Ando that Adam will not hurt anyone ever again. The scene cuts to Adam, locked in a casket, buried alive in a Japanese cemetery.
Hiro travels to the future to validate his father's claim, where he sees Tokyo destroyed by some undefined cataclysm. He also witnesses his future self being killed by Ando, who now possesses some sort of electricity-based power (later found to be power amplification). This makes Hiro distrustful of Ando. To stop this future, Hiro and Ando follow Daphne to her home in France. However, Hiro is unable to capture her as she threatens to kill Ando. Using a tracking device, they follow Daphne to Berlin, Germany, where the other half of the formula is. The Haitian is holding it, so Hiro and Ando knock him unconscious to steal it, only to have Daphne speed in and steal it first. The Haitian awakens and captures them before they can pursue her.
Hiro and Ando are locked in Level 2 of the Company, where they resolve their differences over Ando killing Hiro in the future. They are released by Angela Petrelli, who scolds Hiro for losing both halves of the formula. Ando supports Hiro and declares they will get the formula back. To accomplish this, Hiro and Ando dig up Adam Monroe. Adam leads Hiro to a bar under the impression that they can find information there, but it is just a ruse for Adam to escape. He tricks the bartender into knocking Hiro out, then flees. Depressed, they decide to drink at a bar where they meet Daphne and Knox, who captured Adam. Knox says that he will let Hiro join them if he kills Ando, considering Ando, a normal human, useless to their causes. Hiro uses his powers to travel back in time, retrieving a packet of fake blood and a retractable sword to make it look as if he really killed Ando. This convinces Daphne and Knox.
Daphne sends Hiro to Africa to find a precognitive painter named Usutu. After two failed attempts to catch the painter using his powers, Hiro decides to use conventional methods, which Usutu had been waiting for him to do, as he had been overly reliant on his ability. He then shows Hiro a montage of those Hiro has to fight; namely Arthur Petrelli and his newly-assembled team of villains. Hiro and Ando are given food from Usutu to induce a spirit walk, which causes Hiro to witness Arthur Petrelli's past, among other things. Arthur discovers this and teleports to Africa, killing Usutu and wiping Hiro's mind, leaving him under the impression that he is only ten years old. Ando barely manages to get the mind-wiped Hiro to teleport them to safety.
With Hiro's memory gone, Ando is forced to reacquaint Hiro with his powers. After a series of tests (mixed with some of Hiro's childish pranks) in a Tokyo bowling alley, the duo teleport to Sam's Comics, which Hiro claims is the source of all knowledge. Ando finds yet another prophetic issue of ''9th Wonders!'' which depicts the very situation that he and Hiro are in. The book also depicts a solar eclipse, with the caption, "It's Coming...," in the corner. The comic directs the duo to Matt Parkman, who can presumably restore Hiro's memory. Matt, however, cannot even understand Hiro, much less fix him, and instead enlists Hiro's help in finding Daphne, which the comic also depicts. When the eclipse causes both Hiro and Matt to lose their powers, Matt loses faith in his ability to help Daphne. In his own childish way, Hiro successfully convinces Matt to save Daphne. While Matt goes to Daphne, Hiro and Ando track down the nearest Sam's Comics to find the new issue of ''9th Wonders!''.
The proprietors are surprised when the issue depicts Hiro and Ando asking for it. Wanting to read up on his life, Hiro uses his credit card to purchase all the back issues of the ''9th Wonders!'' comic; however, after seeing all the death that occurs when he tries to be a hero, he locks himself in the restroom. The shop owner talks him around and Hiro leaves the restroom. The other employee points out a panel in the first issue showing present-day Hiro and Claire Bennet looking through the glasshouse at Kaito Nakamura handing baby Claire over to Noah. Copying the comic, Hiro tracks down Claire, saving the Bennets in the process by teleporting Sylar and Elle to a beach, and takes Claire back to the moment the comic depicts. While watching their past selves, Hiro learns that his mother has the ability to heal, and possesses the "catalyst" that was intended for Claire. Hiro reveals himself to his mother, and she heals his memory. He convinces her to give him the catalyst, pledging to protect it. However, Arthur Petrelli appears, stealing his ability and the catalyst. He throws Hiro off the roof and returns to the present after sending Claire back to the future.
Hiro manages to climb up back to the balcony, he then seeks the help of his younger self to obtain the formula from his father. They're both caught in the act by his father who sends young Hiro to bed and then attacks present day Hiro believing he's just a thief. Hiro tears the formula in half just as his father strikes, accounting for it being torn in half in the present. He is rescued by Daphne and Ando, the latter having gained the power to supercharge the abilities of others; with Ando's help, Daphne can essentially run through time. Once in the present, Hiro and Daphne travel back to the Pinehearst Company to recover the formula. Tracy is about to leave with the formula, so Hiro apologizes to her in advance before punching her in the face and grabbing the formula. Daphne takes him back to their friends and he destroys the formula once and for all.
In "Building 26", he and Ando travel to India and realize that the blond girl is a future bride who doesn´t want to get married but accepts it because of her grandfather´s wishes. Ando convinces the bride to stop the wedding which upsets Hiro because he is no longer the hero on a quest. While on the bride´s coffee house, Ando gets kidnapped by the groom and will kill him if the wedding is not celebrated. During the wedding Hiro stops it and defends the bride with a knife thus fulfilling Matt´s painting as he realizes that he doesn´t need powers to be a hero. The wedding is off and while he and Ando are reunited in the coffee house they receive a message from Rebel, telling them that they must save Matt Parkman.
As seen in "Shades of Gray", Hiro and Ando are directed to Los Angeles where they find that the Matt Parkman, Rebel was referring to, was only a baby also named Matt Parkman.
In "Cold Snap", Hiro and Ando discover that this is actually the son of the Matt Parkman they know. They also discover the baby possesses the ability to touch things and make them "go". When armed men break into baby Matt's house, Hiro discovers that the baby also is able to restart his powers, at least in part. After the baby touched Hiro, he is able to once again manipulate time, though he is still unable to bend space and teleport. After freezing time, Hiro takes baby Matt and the frozen Ando, whom he puts in a wheelbarrow, and walks twelve miles to a bus station. After restarting time, Hiro remarks to Ando, "Time is once again on our side."
In "Turn and Face the Strange", after escaping, Hiro and Ando, with baby Matt in tow, are in the way to find Matt Sr., but Matt Jr. keeps inactivating any vehicle they are on due to the noise they make, until Ando comes with a funny face to entertain the baby, and Hiro convinces him to keep it so the "cube" can go. They finally manage to track down Matt Sr. who has gone to confront Danko. Hiro freezes time just as Danko fires his gun at Matt and drags Matt out of the apartment. Hiro then unites Matt with the son he didn't know he had, giving Matt a reason to live again.
In "I Am Sylar", Hiro and Ando try to convince Matt to join them bringing down "Building 26", but he refuses because he has a son now to look for and he must retrieve Jr. to his mother in LA. Later, they arrive Reed Street Laboratory to set up a trap for HLS agents, using Ando as bait, although he refuses, as Hiro manages to not freeze him, telling him he is a hero too, but Hiro still keeps his plan going on, unfreezing the agents so they can take down Ando, and then freezing everybody again so he can take an agent's place as they carry Ando to the "Building 26". Once in motion, Hiro manages to awake Ando so he can be ready for action, but when he unfreezes time, an agent realizes Hiro is not one of them, and Ando shoots a big blast of red lightning, affecting everyone and saving Hiro. As plan B, they use the GPS signal of the agents to track the place, and once they are ready to fight, Hiro tries to freeze time, but instead he receives an strong headache and nosebleed as they realize he can't use his ability anymore.
In "An Invisible Thread", Hiro recovers from his headache and nosebleed and insists on continuing with the plan despite the danger. He stops time and he and Ando infiltrate Building 26 to free the trapped prisoners. They find and free Danko and Noah and find the drugged evolved humans, but Hiro's ear starts bleeding and he clearly hides the fact that he is in pain. The two free them and replace them with all of the members of the Building 26 unit and Hiro then unfreezes time and he and Ando showed the freed prisoners the way out. Mohinder checks Hiro out and determines that Hiro's body is rejecting his powers and he can't risk freezing time anymore. Hiro freezes time again to save Noah Bennet from being tranquilized by Danko and tranquilizes Danko, but faints afterwards and is apparently taken to a hospital. Later an apparently fully recovered (Though still suffering from headaches) Hiro and Ando witness the burning of Sylar's (really James Martin) body and Hiro tells Ando its time for them to return home to Tokyo.
In "Jump, Push, Fall", Hiro is at the carnival when his past self asks him to take the picture he was reflecting over in the present. While debating with himself if he should or shouldn't stop his past self from getting his fortune told, he runs into the Samuel Sullivan of his own time. Samuel shows him that he has powers too and tries to convince Hiro to make small changes to the past to fix small mistakes. He pushes Hiro in the way of the falling Slushy (which was Past Hiro's fault) and it spills all over him instead of Kimiko. Hiro suddenly teleports back to the present and finds a slight change: as a result of him getting hit with the Slushy instead of Kimiko, Kimiko never grew to hate Ando and the two fell in love at the carnival. As a result of this, Hiro decides his new mission is to change past mistakes even though he doesn't have full control over his time travel power yet.
In "Acceptance", Kimiko reveals she and Ando have gotten engaged and as she and Hiro are the last remaining members of their family, she wants him to give her away at the wedding which he accepts. Ando, learning of this, reminds Hiro that Hiro is dying and may not be alive for the wedding which is over a year away and pushes him to tell Kimiko the truth about his illness. Hiro gets a call from a former Yamagato accountant named Tadashi on the Dial a Hero line and learns the man is about to jump off the roof and commit suicide. On the roof, Tadashi explains why he's about to kill himself and although Hiro offers to fix things, Tadashi commits suicide. Hiro time travels to the past and apparently fixes things, but Tadashi jumps again having made the same mistake at another time. After 47 tries, Hiro visits Tadashi on the roof one last time and simply talks to him this time. He realizes Tadashi hated his job and purposly got himself fired and tells him too use the opportunity to find a job he likes. Hiro tells Tadashi to cherish the life he has and admits to him his own terminal illness and says not to keep his unhappiness a secret from his family. Promising to always be Tadashi's friend, Hiro successfully talks him off the roof and prevents him from jumping. After leaving the roof, Hiro decides to take his own advice and tells Kimiko the truth about his illness. Kimiko starts crying and embraces him, when one of his headaches hits and he seemingly freezes in time for a moment. Hiro unfreezes and suddenly teleports away to Peter Petrelli's apartment, where he collapses (''Hysterical Blindness'').
In "Tabula Rasa", once in the hospital, he reveals he is suffering from a brain tumor. While Peter tracks down healer Jeremy Greer in order to save his life, Hiro helps Emma Coolidge to come to terms with her own ability. Following this he is reminded of Charlie, and resolves to try and save her again. He later teleports three years back in time to the Burnt Toast Diner, seeing Charlie through the window.
In "Once Upon a Time in Texas", Hiro teleports to the day of Charlie's death and resolves to save her. He first steals some clothes as he teleported to Midland in just his hospital gown. He encounters a young boy and tells him about his love for Charlie and the Brain Man (Sylar). The two encounter Sylar outside the diner and inside, Hiro witnesses Sylar interact with Charlie, detecting her blood clot and claiming he can fix it. Hiro then encounters Samuel (teleported from the future by his dying friend Arnold who possessed the same powers as Hiro) who warns him that unlike him fixing Ando and Kimiko's relationship, meddling with things at this point in time is dangerous due to how many people's fates converged here. Hiro, realizing Sylar is about to attack Charlie, freezes time and stops Sylar just in time. He removes Sylar on a dolly (as he still can't control his teleportation) and puts him in a bus compartment. Hiro then realizes that if he never goes back in time, he will never fall in love with Charlie so he sends his past self back in time telling him that his job is to "save the waitress" and that "the cheerleader" will be fine. His past self teleports away and is in the picture of Charlie's birthday party, keeping that part of history on track. Upon a reminder by Samuel, Hiro, introducing himself as Future Hiro, informs Past Ando of what Past Hiro has done and convinces him to stay as his past self never informed Ando of where he was disappearing of to this time. Hiro then visits Charlie who remembers him and he tries to get her to start on the world tour she always wanted to go on and she agrees, however her blood clot starts to rupture into a fatal aneurism and Hiro becomes desperate to save her again. He remembers Sylar said he could fix the clot and rushes to the bus station in Odessa where he encounters a free and angry Sylar. He evades him by repeatedly stopping time and moving around, but due to his condition this tires him out and gives him a headache, however he succeeds in convincing Sylar by promising to reveal his personal future. At the diner, Sylar telekinetically removes Charie's blood clot through her eye and saves her. Hiro keeps up his end of the deal telling Sylar he will become a powerful villain who many people will gather to kill and he will die alone and unmissed. Hiro then freezes time and returns Sylar to the Odessa Bus Station via motor scooter. At the diner, Charlie is angry with Hiro for saving her and not everyone who Sylar kills and runs off. Hiro later chats with Noah Bennet about love and is relieved when Charlie returns, and apologizes for her actions and admits she loves him. He follows her outside and finds her gone and Samuel waiting for him. Samuel tells him that Charlie is at his carnival in the present and if Hiro wants to see her again, he has to take control of his powers and transport them there. Hiro realizes Samuel is evil and grabs him in anger before managing to teleport them to Samuel's carnival in the present. This causes Samuel to remark that Hiro is finally regaining control over his powers. Hiro searches for Charlie and finds her nametag outside a dead Arnold's trailer and Samuel reveals he had Arnold trap her somewhere in time and the only way he'll tell Hiro where to look is if he does what Samuel wants. Hiro reluctantly agrees and Samuel tells him he made a mistake eight weeks before.
In "Brother's Keeper", Samuel tells Hiro he needs to go back in time eight weeks and retrieve a film from Mohinder Suresh. Hiro offers to find him in the present as he's not sure about his ability to time travel, but Samuel tells him it has to be eight weeks before and that if he wants to see Charlie again he'll do it. Hiro, exercising control over his time travel and teleportation powers for the first time since got them back, teleports to Mohinder Suresh's hotel room eight weeks in the past, but his control is not perfect and he arrives ten minutes too late and finds Mohinder dead. He tries again and gets it right on the second try, arriving as Mohinder drops a lit match into a wastebasket with the film although doing so gives him a minor nosebleed. Hiro freezes time, exchanges the film for another one and puts a Kevlar vest on Mohinder to protect him from Samuel. After the fake film is burned and Samuel believes he killed Mohinder, Hiro reveals himself to Mohinder and tells him he's from the future and explains how he knew what was going to happen to Mohinder. Hiro tells Mohinder to disappear for eight weeks so Samuel will believe him dead and he can get Charlie back. Mohinder refuses so Hiro freezes time and teleports him away, displaying control of teleportation outside of time travel for the first time. He traps him in a mental institution in Florida so he'll be out of the way and then returns to the present where he gives Samuel the film and demands Charlie. Samuel says he will give her to him later before walking away.
In "Thanksgiving", Hiro still demands Charlie back, but Samuel refuses to give up the only leverage he has over Hiro. Lydia offers to help and after reading Hiro and seeing his desires, she has him take her back in time eight weeks to witness Joseph's death. Hiro is reluctant, but does so, although he indicates Lydia was responsible for the time travel. The two witness Samuel murder Joseph and desperately try to teleport back before Samuel finds them. With Lydia's help, Hiro manages to return the two to the present, but a suspicious Samuel figures out the truth. He tries to claim Edgar killed Joseph, but Hiro refuses to back up Edgar's claim that Samuel did it due to Charlie. Samuel goes to kill Edgar, but Hiro freezes time and helps Edgar get away instead. Later, in retaliation and in order to keep Hiro in the Carnival, Samuel has Damien try to erase Hiro's mind, but instead it just addles his brains, causing him to start to think he is fictional characters and teleport away to save "Watson".
In "Upon This Rock", Hiro teleports to Japan where he stops a purse snatcher, but uses various fictional references in regards to himself and everyone around him. Looking for his sidekick "Sancho Ponza", he is arrested and taken to Ando at Yamagato as the police found Ando's business card on him. Ando reveals Hiro has been missing for six weeks and has the cops let him go, although he is confused by Hiro's repeated calling him of "Sancho" and insisting that they must save "Watson" at "Arkham" in the land of the "swamp dragons." Ando thinks that Hiro's brain tumor is causing this, but uses Hiro's comics to decipher that Hiro is referring to him as his sidekick and when he mentions Curt Connors that the land of the "swamp dragons" (alligators) is Florida and that "Arkham" refers to an asylum although Ando is unable to figure out what he means by "Watson." Ando learns that in Florida there is an asylum on Arkham Road and realizes Hiro must want to go there. Hiro confirms this and claims Ando is the best sidekick he knows.
In "Close To You", Hiro has Ando check him into the asylum in order to infiltrate it. As he's led down a hallway, Hiro points out "Watson's" room to Ando who checks and realizes who he's talking about. Ando later visits Hiro and when Hiro reveals that the drugs that are being used on Mohinder are preventing his use of super-strength, Ando switches Mohinder's pills with aspirin, but accidentally swallows Mohinder's pills and falls into a drug-induced stupor. Hiro hides Ando in a closet and later that night wakes up Mohinder who, now no longer under the influence of the hospital's drugs, easily breaks free of his straight-jacket and cell. Hiro then leads the confused and angry Mohinder to Ando who they wheel to an outside door, but are confronted by orderlies who Hiro refers to as "stormtroopers." Ando snaps out of his daze and blasts the door open, allowing the three to escape into a swamp while the orderlies are distracted. Mohinder realizes that they can't outrun the orderlies and their dogs and wants Hiro to teleport them to safety, but in Hiro's addled state he is unable to. Mohinder suggests a reluctant Ando use his power like electro-shock therapy and try to shock Hiro back to normal and Ando tries. Ando's attempt works and Hiro is restored to normal. Hiro immediately teleports himself, Mohinder and Ando away to Noah Bennet's apartment, getting away seconds before the dogs and orderlies find the spot the three had been hiding in. Hiro teleporting into the apartment interrupts Noah and Lauren Gilmore kissing and Hiro asks for their help.
In ''Pass/Fail'', Hiro is starting to feel worse and collapses in Noah Bennet's apartment. Hiro is rushed to the hospital where he is now dying from his brain tumor. The doctors start to operate on him to attempt to remove the tumor and save him, while Hiro ends up in a hallucination where he is on trial for his acts of tampering with time during Redemption. Adam Monroe is the prosecutor, Kaito is the judge and Ando is the defense attorney. Young Ando, Kimiko and Sylar are brought in as witnesses for the prosecution and used against him and Hiro testifies for himself and is found guilty. While being led toward the light, he asks Kaito for a chance to redeem himself and is given it. Hiro sword-fights Adam and kills him with the real Ando's encouragement while in the real world he crashes on the operating table. Hiro's mother Ishi appears to him and in his mind heals him of his tumor, reviving him in the real world where the doctors successfully remove the tumor. Later, Hiro chats with Ando, now cured.
In "Brave New World", while testing out his renewed powers, a nurse comes in and gives him a battered origami swan. Hiro realizes its from Charlie and goes to her room to find her an old, dying, woman. Charlie explains that Arnold teleported her to Milwaukee on January 26, 1944 and she started a new life and a family there. Hiro initially wants to travel to that date and return her to her own time, but Charlie convinces him not to as she has lived a good life which will never exist if he interfers. With Charlie safe, Hiro finds himself purposless until Ando reminds him of Samuel Sullivan and Hiro teleports the two to the Carnival in Central Park after saying a final goodbye to Charlie. There, Claire asks Hiro to teleport dozens of specials away from the Carnival to strip Samuel of his powers. Hiro agrees to try, telling everyone to hold hands, but is unsure he can do it until Ando offers to supercharge him. With Ando supercharging him, Hiro successfully teleports everyone away, stripping Samuel of his immense powers and allowing Peter to defeat him. Hiro and Ando later return to the Carnival and witness Claire jumping from the Ferris Wheel and exposing her powers to the world.
Although stressful events and practice have helped Hiro to develop his abilities, Hiro initially has trouble with the more complicated teleportation and time travel abilities. For example, when he teleported to New York, he inadvertently traveled five weeks into the future as well. Although he was able to travel back to the same time and place from which he left, he was only able to do so when his life was in danger from a nuclear explosion. Later, when he attempted to save Charlie's life by traveling to the day before her death, Hiro accidentally traveled six months into the past. He also inadvertently teleported to present day Japan from Texas just as he and Charlie were about to kiss and then could not teleport back, no matter how hard he tried.
After the incident with Charlie, Hiro's powers began weakening, eventually becoming completely unusable. He seeks out Takezo Kensei's sword in the hope that it will focus his failing powers. After obtaining the sword, Hiro exhibits the ability to teleport other people along with himself, which he uses to rescue himself and Ando from an impending attack by casino guards in "Parasite", though this too resulted in an inadvertent trip five years into the future, after the explosion had occurred. The episode "Five Years Gone" marks his first successful use of teleportation and time travel. By "The Hard Part", Hiro has improved his skill in teleportation, as he uses it twice without traveling any discernible distance through time. His father attributes this to a matter of confidence rather than any effect caused by the sword. In addition to his power over time, Hiro is skilled with a katana, having been trained by his father.
In "It's Coming" and "The Eclipse", Hiro is mentally reverted into a ten year old, but still possesses his powers. After Ando teaches him how to use them again, Hiro shows great control over them even in his young mental state, being able to stop time with ease (and using it to play tricks), teleport himself and others and time-travel 16 years into the past with Claire Bennett.
In "Our Father", Hiro's abilities are stolen by Arthur Petrelli, rendering him a normal human.
In the episode, "Cold Snap", Hiro regains some of his ability when the son of Matt Parkman, whom he dubs "Baby Touch and Go," touches him and turns his ability on. At the moment Hiro has regained the ability to stop and restart time, but is still unable to teleport or travel through time. In "I Am Sylar", Hiro manages to regain more of his abilities from Parkman's son, allowing him to make Ando unaffected by his time-freezing. However problems have now arisen, when Hiro and Ando prepare to infiltrate Building 26, Hiro's powers falter and he instead receives a blistering headache and a nosebleed. After the two rescue all of the evolved humans, Mohinder states that for some reason Hiro's body is now rejecting his powers and he can't risk freezing time again. Hiro does it one more time to save Noah Bennet from Danko, but it proves to be too much of a strain on him and causes him to pass out.
Hiro appears to regain the full extent of his abilities in the fourth season episode "Orientation". After focusing on a photograph of himself, Ando, and his sister Kimiko taken at the Sullivan Bros. Carnival 14 years ago, he inadvertently travels there. By doing so, he used both his time-traveling and teleportation abilities. He seems to have little control over his power. He seems to travel through time when he's thinking of something from the past. As of Hysterical Blindness, Hiro has the ability to teleport back. However, like his ability to time travel, his first teleportation seemed accidental and instinctual. It took him from Yamagato to Peter Petrelli's apartment. He then collapsed from presumably the strain the teleport put on him in his condition.
His time-stopping ability, if he uses it too much, exhausts Hiro and causes him pain. As of "Tabula Rasa"", Hiro is beginning to have more control over his power. An unfortunate side effect of this ability is the strain it puts on the body can cause inoperable tumors.
As of "Once Upon a Time in Texas" and "Brother's Keeper", Hiro is regaining control over the other aspects of his ability, but he lacks perfect control. When Samuel provoked him, Hiro managed to teleport them both to Samuel's carnival, but later he was unsure if he could time travel eight weeks. Hiro managed to perform this task, but it took him two tries to get it right as he said the first time took him ten minutes too late. The time travel caused him to have a minor nosebleed, but besides that he seemed to suffer no ill effects. He later displays just teleportation, teleporting Mohinder to Florida where he checks him into a mental hospital under a fake name in order to keep him out of sight for eight weeks in order to preserve the timeline.
In "Thanksgiving", Lydia has him take her back eight weeks into the past to see Joseph Sullivan's death. He teleports them easily, but he indicates Lydia was responsible for it not him, but this is unclear. In the past he has trouble teleporting them back due to his lack of full control and probably the stress of the situation. However, with Lydia's help, he manages to bring them both back to the present.
In "Close to You", Hiro lacks the ability to properly use his powers due to his mind being messed up, but once Ando restores his mind, Hiro is instantly able to teleport at will with Mohinder Suresh and Ando, taking them both to Noah Bennet's apartment. Hiro shows no trouble teleporting at will this time and takes more than one person with him, something he hasn't done since before he lost his powers.
In "Brave New World," Hiro tests his powers out after his brain tumor is removed and learns that removing the brain tumor has restored full control over his powers to Hiro. Hiro is easily able to teleport himself and Ando to Central Park where the Carnival is with no issues. There, Hiro is asked to teleport over a dozen people away from the Carnival. Hiro has everyone hold hands and manages to succeed in teleporting everyone thanks to Ando supercharging his powers which give him the boost to his powers he needs to teleport such a large group of people.
Ironically, in general, the future shown in "Don't Look Back" seems to be even more certain, as changes that have been or intended to have been made futile:
However, the future has proven itself to not be entirely certain, as the characters were able to stop the explosion from destroying New York City in "How to Stop an Exploding Man".
Starting at the end of Season 1 and through much of Season 2, Hiro was in 1671 Feudal Japan. There he becomes personally entwined in the history and events surrounding the warrior, Takezo Kensei. Recognizing the man is not as history portrays him, Hiro works to help Takezo fulfill his "destiny". This results in Hiro personally influencing many major events.
In Redemption, Hiro has regained the ability to time travel and has decided to use it to right mistakes. This results in apparently minor changes to the timeline:
Category:Heroes characters Category:Television superheroes Category:Fictional characters who can teleport Category:Fictional Japanese swordsmen Category:Fictional businesspeople Category:Fictional orphans Category:Fictional sword fighters Category:Fictional Japanese people Category:Fictional vigilantes Category:Time travel in television Category:Fictional characters introduced in 2006
bg:Хиро Ð?акамура ca:Hiro Nakamura es:Hiro Nakamura fr:Hiro Nakamura it:Hiro Nakamura sw:Hiro Nakamura hu:Nakamura Hiro nl:Hiro Nakamura ja:ヒãƒãƒ»ãƒŠã‚«ãƒ ラ pl:Postacie z serialu Herosi#Hiro Nakamura pt:Hiro Nakamura ru:Хиро Ð?акамура fi:Luettelo televisiosarjan Heroes hahmoista#Hiro Nakamura sv:Hiro Nakamura tr:Hiro NakamuraThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Clara Bow |
---|---|
birth name | Clara Gordon Bow |
birth date | July 29, 1905 |
birth place | Brooklyn, New York, U.S. |
death date | September 27, 1965 |
death place | West Los Angeles, California, U.S. |
spouse | (his death) |
children | Tony Beldam (1934-2011)George Beldam, Jr. (b. 1938) |
years active | 1921–1933 |
occupation | Actress }} |
Clara Gordon Bow (July 29, 1905 – September 27, 1965) was an American actress who rose to stardom in the silent film era of the 1920s. It was her appearance as a quintessential flapper in the film ''It'' that brought her global fame and the nickname "The It Girl." Bow came to personify the roaring twenties and is described as its leading sex symbol. She appeared in 46 silent films and 11 talkies, including hits such as ''Mantrap'' (1926), It (1927) and ''Wings'' (1927). She was named first box-office draw in 1928 and 1929 and second box-office draw in 1927 and 1930. Her presence in a motion picture was said to have ensured investors, by odds of almost 2-to-1, a "safe return". In January 1929, at the apex of her stardom, she received more than 45,000 fan letters. After marrying actor Rex Bell in 1931, Bow ended her career in 1933 with the film with ''Hoop-La'', becoming a rancher in Nevada.
Clara Bow was born in 1905 in a slum tenement in Prospect Heights, Brooklyn, New York, where she was also raised. Bow was the third child; the first two, also daughters, born in 1903 and 1904, died in infancy. Her mother, Sarah Bow (1880–1923), was told by a doctor not to become pregnant again for fear the next baby might die as well. Despite the her doctor's warning, Sarah Bow became pregnant with Clara in the fall of 1904. In addition to the risky pregnancy, a Heat Wave besieged New York In July 1905 and temperatures peaked around 100F; the infant mortality rate rose to 80%. "I don't suppose two people ever looked death in the face more clearly than my mother and I the morning I was born. We were both given up, but somehow we struggled back to life".
At sixteen, Sarah fell from a second-story window and suffered a severe head injury. She was later diagnosed with "psychosis due to epilepsy", a condition apart from the seizures that is known to cause disordered thinking, delusional ideation, paranoia, and aggressive behavior.
From her earliest years, Bow learned how to care for her mother during the seizures as well as how to deal with the psychotic and hostile episodes. She said her mother could be "mean" to her, but "didn't mean to ... she couldn't help it". Still, Bow felt deprived of her childhood; "As a kid I took care of my mother, she didn't take care of me". Sarah worsened gradually, and when she realized her daughter was set for a movie career, Bow's mother told her she "would be much better off dead". One night in February 1922, Bow awoke to a butcher knife held against her throat by her mother. Bow was able to fend off the attack and locked her mother up. In the morning, Sarah had no recollection of the episode and was later committed to a charity hospital.
Bow said that her father, Robert (1874–1959), "had a quick, keen mind ... all the natural qualifications to make something of himself, but didn't". Robert seldom managed to hold on to a job and the family income varied drastically as a result. Between 1905 and 1923, the family lived at 14 different addresses. Robert was often absent, leaving his family without means to survive. "I do not think my mother ever loved my father. He knew it. And it made him very unhappy, for he worshiped her, always". }}
Sarah Bow died on January 5, 1923. When relatives gathered for the funeral, Bow accused them of not being supportive in the past. Reportedly, her anger led her to attempt jumping into her mother's open grave.
As Bow grew up she felt shy among other girls, who teased her for her worn-out clothes and "carrot-top" hair. From first grade, Bow preferred the company of boys her age, stating, "I could lick any boy my size. My right arm was quite famous. My right arm was developed from pitching so much ... Once I hopped a ride on behind a big fire engine. I got a lot of credit from the gang for that". Bow's athletic ability led her to becoming a track champion in high-school. Of her proposed arm strength, Louella Parsons noted, "... curiously enough, she has muscles on her arms that stand out like whip-cord".
''Down to the Sea in Ships'' was shot on location in New Bedford, Massachusetts, produced by Independent 'The Whaling Film Corporation', and documented the life, love and work in the whale-hunter community. The production relied on a few less known actors and local talents. It premiered at 'Olympia', New Bedford, on September 25, and went on general distribution on March 4, 1923.
Bow was billed 10th, but shined through and critics sang her praise: "Miss Bow will undoubtedly gain fame as a screen comedienne". "She scored a tremendous hit in ''Down to the Sea in Ships''..(and)..has reached the front rank of motion picture principal players". "With her beauty, her brains, her personality and her genuine acting ability it should not be many moons before she enjoys stardom in the fullest sense of the word. You must see 'Down to the Sea in Ships'". "In movie parlance, she 'stole' the picture ... ".
In the summer, she got a "tomboy" part in ''Grit'', a story, which dealt with juvenile crime and was written by F. Scott Fitzgerald. Bow met her first boyfriend, cameraman Arthur Jacobson, and she got to know director Frank Tuttle, with whom she worked in five later productions. Tuttle remembered: ''Grit'' was released on January 7, 1924. ''Variety'' reviewed; "... Clara Bow lingers in the eye, long after the picture has gone."
While shooting ''Grit'' at Pyramid Studios, in Astoria, New York, Bow was approached by Jack Bachman of independent Hollywood studio Preferred Pictures. He wanted to contract her for a three months trial, fare paid and $50 a week. "It can't do any harm", he tried. "Why can't I stay in New York and make movies?", Bow asked her father, but he told her not to worry.
On July 21, 1923 she befriended Louella Parsons, who interviewed her for ''The New York Morning Telegraph''. In 1931 when Bow came under tabloid scrutiny, Parsons defended her and stuck to her first opinion on Bow:
The interview also revealed that Bow already was cast in ''Maytime'' and in great favor of Chinese cuisine.
New York Times: "The flapper, impersonated by a young actress, Clara Bow, had five speaking titles, and every one of them was so entirely in accord with the character and the mood of the scene that it drew a laugh from what, in film circles, is termed a "hard-boiled" audience"
Los Angeles Times: "Clara Bow, the prize vulgarian of the lot...was amusing and spirited...but didn't belong in the picture".
Variety: "...the horrid little flapper is adorably played...".
Moore essayed the baseball-playing tomboy and Bow, according to Moore, said "I don't like my part, I wanna play yours". Moore, a well-established star earning $1200 a week — Bow got $200 — took offense and blocked the director from doing a close-up on Bow. Moore was married to a studio executive and Bow's protests fell short. "I'll get that bitch", she told her boyfriend Jacobson, who had arrived from New York. Bow had sinus problems and decided to have them attended to immediately. A bandaged Bow left the studio with no options but to recast her part.
Bow appeared in eight releases in 1924. In ''Poisoned Paradise'', released on February 29, 1924, Bow got her first lead. "... the clever little newcomer whose work wins fresh recommendations with every new picture in which she appears". In a scene, described as "original", Bow adds "devices", to "the modern flapper"; she fights a villain, using her fists, and significantly, does not "shrink back in fear". In ''Daughters of Pleasure'', also released on February 29, 1924, Bow and Marie Prevost, "flapped unhampered as flappers De luxe ... I wish somebody could star Clara Bow. I'm sure her 'infinite variety' would keep her from wearying us no matter how many scenes she was in".
Alma Whitaker of ''The Los Angeles Times'' observed on September 7, 1924: Bow remembered: "All this time I was "running wild", I guess, in the sense of trying to have a good time ... maybe this was a good thing, because I suppose a lot of that excitement, that joy of life, got onto the screen".
On April 12, 1926, Bow signs her first contract with Paramount: "...to retain your services as an actress for the period of six months from June 6th, 1926 to December 6th, 1926, at a salary of $750.00 per week...".
The film was released on July 24, 1926.
Variety: "Clara Bow just walks away with the picture from the moment she walks into camera range". Photoplay: "When she is on the screen nothing else matters. When she is off, the same is true". Carl Sandburg: "The smartest and swiftest work as yet seen from Miss Clara Bow". The Reel Journal: "Clara Bow is taking the place of Gloria Swanson...(and)...filling a long need for a popular taste movie actress".
On August 16, 1926, Bow's agreement with Paramount was renewed into a five year deal: "Her salary will start at $1700 a week and advance yearly to $4000 a week for the last year".
Notably Bow added that she intended to leave the motion picture business at the expiration of the contract, i.e. 1931.
Bow's bohemian lifestyle and "dreadful" manners were considered reminders of the Hollywood Elite's uneasy position in high society.
Bow fumed: "They yell at me to be dignified. But what are the dignified people like? The people who are held up as examples of me? They are snobs. Frightful snobs ... I'm a curiosity in Hollywood. I'm a big freak, because I'm myself!"
MGM executive Paul Bern said Bow was "the greatest emotional actress on the screen", "sentimental, simple, childish and sweet", and considered her "hard-boiled attitude" a "defense mechanism".
The quality of Bow's voice, her Brooklyn accent, was not an issue to Bow, her fans or Paramount. However, Bow, like Charlie Chaplin, Louise Brooks and most other silent film-stars didn't embrace the novelty: "I hate talkies", she said, "they're stiff and limiting. You lose a lot of your cuteness, because there's no chance for action, and action is the most important thing to me". The inventor of the motion picture camera, Thomas Edison himself, was so annoyed by the stiffness of the early "talkies" that he refused to see them and returned to his favorite "silents" with Bow and Mary Pickford. A visibly nervous Bow had to do a number of retakes in ''The Wild Party'' because her eyes kept wandering up to the microphone overhead. "I can't buck progress", Bow resigned, "I have to do the best I can".
In October 1929 Bow describes her nerves as "all shot", that she has reached "the breaking point" and Photoplay reports of "rows of bottles of sedatives" by her bed.
"Now they're having me sing. I sort of half-sing, half-talk, with hips-and-eye stuff. You know what I mean — like Maurice Chevalier. I used to sing at home and people would say, 'Pipe down! You're terrible!' But the studio thinks my voice is great". With ''Paramount on Parade'', "True to the Navy", "Love Among the Millionaires" and "Her Wedding Night", she was second at the box-office to her chum, Joan Crawford in 1930.
In 1932 Bow signed a two-picture deal with Fox Film Corporation; ''Call Her Savage'' (1932) and ''Hoop-La'' (1933). Both successful, ''Variety'' favored the latter: "A more mature performance...she looks and photographs extremely well". Bow commented on her revealing costume in Hoop-La: "Rex accused me of enjoying showing myself off. Then I got a little sore. He knew darn well I was doing it because we could use a little money these days. Who can't?". Bow concluded her career:
A note was found in which Bow stated she preferred death to a public life.
In 1949 she checked into The Institute of Living to be treated for her chronic insomnia and diffuse abdominal pains. Shock treatment was tried and numerous psychological tests performed. Bow's IQ was measured "bright normal" (pp. 111–119), while others claimed she was unable to reason, had poor judgment and displayed inappropriate or even bizarre behavior. Her pains were considered delusional and she was diagnosed with schizophrenia, despite experiencing neither sound nor vision hallucinations or psychosis. The illness debut, or "onset", as well as her insomnia, the analysts tied to the "butcher knife episode" back in 1922, but Bow rejected psychological explanations and left the Institute.
In the permanent exhibition, "Myths, Minds and Medicine", the Institute addresses malpractice issues of the past, including lobotomy, which peaked in 1949, and "crude electroconvulsive therapy".
During her lifetime, Bow was the subject of wild rumors regarding her sex life; most of them were untrue. A tabloid called ''The Coast Reporter'' published lurid allegations about her in 1931, accusing her of exhibitionism, incest, lesbianism, bestiality, drug addiction, alcoholism, and having contracted venereal disease. The publisher of the tabloid then tried to blackmail Bow, offering to cease printing the stories for $25,000, which led to his arrest by federal agents and, later, an eight-year prison sentence.
+ Film | |||
! Year | ! Title | ! Role | Notes |
1922 | ''Beyond the Rainbow'' | Virginia Gardener | |
1922 | ''Down to the Sea in Ships'' | Dot Morgan | Extant |
1923 | ''Enemies of Women'' | Girl dancing on table | Extant(incomplete) |
1923 | '''' | Mary | Lost film |
1923 | Alice Tremaine | Extant | |
1923 | ''Black Oxen'' | Janet Ogelthorpe | Extant |
1924 | ''Grit'' | Orchid McGonigle | Lost film |
1924 | ''Poisoned Paradise'' | Margot LeBlanc | Extant |
1924 | ''Daughters of Pleasure'' | Lila Millas | Extant |
1924 | Angela Warriner | Lost film | |
1924 | ''Empty Hearts'' | Rosalie | Extant |
1924 | Alice Mayton | Extant | |
1924 | ''This Woman'' | Aline Sturdevant | Lost film |
1924 | ''Black Lightning'' | Martha Larned | Extant |
1925 | ''Capital Punishment'' | Delia Tate | Extant |
1925 | '''' | The Girl | Lost film |
1925 | ''Eve's Lover'' | Rena D'Arcy | Lost film |
1925 | '''' | Molly Burns | Lost film |
1925 | '''' | Miriam | Lost film (trailer survives) |
1925 | ''My Lady's Lips'' | Lola Lombard | Extant |
1925 | ''Parisian Love'' | Marie | Extant |
1925 | Grizette | Lost film | |
1925 | '''' | Lolly Cameron | Lost film (Trailer exists) |
1925 | '''' | Marilyn Merrill | Extant (incomplete) |
1925 | ''Free to Love'' | Marie Anthony | Extant |
1925 | '''' | Peggy Swain | Extant |
1925 | '''' | Cynthia Day | Extant |
1925 | '''' | Doris | Lost film |
1925 | ''My Lady of Whims'' | Prudence Severn | Extant |
1926 | ''Shadow of the Law'' | Mary Brophy | Lost film |
1926 | ''Two Can Play'' | Dorothy Hammis | Lost film |
1926 | ''Dancing Mothers'' | Kittens Westcourt | Extant |
1926 | ''Fascinating Youth'' | Clara Bow | Lost film |
1926 | '''' | Cynthia Meade | Lost film |
1926 | Alverna | Extant | |
1926 | ''Kid Boots'' | Clara McCoy | Extant |
1927 | Betty Lou Spence | Extant | |
1927 | ''Children of Divorce'' | Kitty Flanders | Extant |
1927 | ''Rough House Rosie'' | Rosie O'Reilly | Lost film (trailer exists) |
1927 | Mary Preston | Extant | |
1927 | Hula Calhoun | Extant | |
1927 | ''Get Your Man'' | Nancy Worthington | Extant but incomplete;(missing at least 2 reels) |
1928 | Bubbles McCoy | Lost film (Fragments exist, including the only known color footage of Bow) | |
1928 | ''Ladies of the Mob'' | Yvonne | Lost film |
1928 | '''' | Trixie Deane | Lost film |
1928 | ''Three Weekends'' | Gladys O'Brien | Lost film(fragments survives) |
1929 | '''' | Stella Ames | Extant |
1929 | Pat Delaney | Extant | |
1929 | '''' | Mayme | Alternative title: ''Love 'Em and Leave 'Em''; Extant |
1930 | ''Paramount on Parade'' | herself | Extant |
1930 | ''True to the Navy'' | Ruby Nolan | Extant |
1930 | ''Love Among the Millionaires'' | Pepper Whipple | Extant |
1930 | ''Her Wedding Night'' | Norma Martin | Extant |
1931 | Helen "Bunny" O'Day | Extant | |
1931 | Molly Hewes | Extant | |
1932 | ''Call Her Savage'' | Nasa Springer | Extant |
1933 | ''Hoop-La'' | Lou | Extant |
1949 | ''Screen Snapshots 1860: Howdy, Podner'' | Clara Bow – Resort Guest | Short subject |
Category:Actors from New York City Category:American film actors Category:American silent film actors Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Cardiovascular disease deaths in California Category:Deaths from myocardial infarction Category:People from Brooklyn Category:1905 births Category:1965 deaths
ar:كلارا بوو an:Clara Bow zh-min-nan:Clara Bow da:Clara Bow de:Clara Bow es:Clara Bow fr:Clara Bow fy:Clara Bow id:Clara Bow it:Clara Bow nl:Clara Bow ja:クララ・ボウ no:Clara Bow pl:Clara Bow pt:Clara Bow ro:Clara Bow ru:Боу, Клара simple:Clara Bow sh:Clara Bow fi:Clara Bow sv:Clara Bow uk:Клара БоуThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Babe Ruth |
---|---|
Width | 256 |
Position | Outfielder / Pitcher |
Bats | Left |
Throws | Left |
Birth date | February 06, 1895 |
Birth place | Baltimore, Maryland |
Death date | August 16, 1948 |
Death place | New York, New York |
Debutdate | July 11 |
Debutyear | 1914 |
Debutteam | Boston Red Sox |
Finaldate | May 30 |
Finalyear | 1935 |
Finalteam | Boston Braves |
Stat1label | Batting average |
Stat1value | .342 |
Stat2label | Home runs |
Stat2value | 714 |
Stat3label | Hits |
Stat3value | 2,873 |
Stat4label | Runs batted in |
Stat4value | 2,217 |
Stat5label | Win–loss record |
Stat5value | 94–46 |
Stat6label | Earned run average |
Stat6value | 2.28 |
Teams | |
Highlights | |
Hofdate | |
Hofvote | 95.13% }} |
Ruth has since become regarded as one of the greatest sports heroes in American culture. He has been named the greatest baseball player in history in various surveys and rankings, and his home run hitting prowess and charismatic personality made him a larger than life figure in the "Roaring Twenties". Off the field he was famous for his charity, but also was noted for his often reckless lifestyle. Ruth is credited with changing baseball itself. The popularity of the game exploded in the 1920s, largely due to his influence. Ruth ushered in the "live-ball era", as his big swing led to escalating home run totals that not only excited fans, but helped baseball evolve from a low-scoring, speed-dominated game to a high-scoring power game.
In 1998, ''The Sporting News'' ranked Ruth number one on the list of "Baseball's 100 Greatest Players". In 1999, baseball fans named Ruth to the Major League Baseball All-Century Team. In 1969, he was named baseball's Greatest Player Ever in a ballot commemorating the 100th anniversary of professional baseball. In 1993, the Associated Press reported that Muhammad Ali was tied with Babe Ruth as the most recognized athletes, out of over 800 dead or alive athletes, in America. The study found that over 97% of Americans over 12 years of age identified both Ali and Ruth. According to ESPN, he was the first true American sports celebrity superstar whose fame transcended baseball. In a 1999 ESPN poll, he was ranked as the third-greatest US athlete of the century, behind Michael Jordan and Muhammad Ali.
Ruth was the first player to hit 60 home runs in one season (1927), setting the season record which stood until broken by Roger Maris in 1961. Ruth's lifetime total of runs at his retirement in 1935 was a record, until first surpassed by Hank Aaron in 1974. Unlike many power hitters, Ruth also hit for average: his .342 lifetime batting is tenth highest in baseball history, and in one season (1923) he hit .393, a Yankee record. His .690 career slugging percentage and 1.164 career on-base plus slugging (OPS) remain the Major League records. Ruth dominated the era in which he played. He led the league in home runs during a season twelve times, slugging percentage and OPS thirteen times each, runs scored eight times, and runs batted in (RBIs) six times. Each of those totals represents a modern record (as well as the all-time record, except for RBIs).
Not much is known about Ruth's early childhood. His mother was constantly ill (she later died of tuberculosis while Ruth was still a teenager). Ruth later described his early life as "rough". When he was seven years old, his father sent him to St. Mary's Industrial School for Boys, a reformatory and orphanage, and signed custody over to the Catholic missionaries who ran the school (the site of St. Mary's was occupied by Cardinal Gibbons School). Ruth remained at St. Mary's for the next 12 years, only visiting with his family for special occasions. Brother Matthias Boutlier, the Head of Discipline at St. Mary's, first introduced Ruth to the game of baseball. He became a father figure in Ruth's life, teaching him how to read and write, and worked with Ruth on hitting, fielding and as his skills progressed, pitching. During his time in St. Mary's, Ruth was also taught tailoring, where he became a qualified shirtmaker and was a part of both the school band and the drama club.
On July 7, 1914, Dunn offered to trade Ruth, along with Ernie Shore and Ben Egan, to Connie Mack of the Philadelphia Athletics. Dunn asked $10,000 ($}} in current dollar terms) for the trio, but Mack refused the offer. The Cincinnati Reds, who had an agreement with the Orioles, also passed on Ruth. Instead, the team elected to take George Twombley and Claud Derrick. Two days later, on July 9, Dunn sold the trio to Joe Lannin and the Boston Red Sox. The amount of money exchanged in the transaction is disputed.
Ruth appeared in five games for the Red Sox in 1914, pitching in four of them. He picked up the victory in his major league debut on July 11. The Red Sox had many star players in 1914, so Ruth was soon optioned to the minor league Providence Grays of Providence, Rhode Island for most of the remaining season. Behind Ruth and Carl Mays, the Grays won the International League pennant. Shortly after the season, in which he'd finished with a 2–1 record, Ruth proposed to Helen Woodford, a waitress whom he had met in Boston. They were married in Ellicott City, Maryland, on October 17, 1914.
During spring training in 1915, Ruth secured a spot in the Red Sox starting rotation. He joined a pitching staff that included Rube Foster, Dutch Leonard, and Smokey Joe Wood. Ruth won 18 games, lost eight, and helped himself by hitting .315. He also hit his first four home runs. The Red Sox won 101 games that year on their way to a victory in the World Series. Ruth did not pitch in the series, and grounded out in his only at-bat.
In 1916, after a slightly shaky spring, he went 23–12, with a 1.75 ERA and nine shutouts, both of which led the league. On June 27, he struck out ten Philadelphia A's, a career high. On July 11, he started both games of a doubleheader, but the feat was not what it seemed; he only pitched one-third of an inning in the opener because the scheduled starter, Foster, had trouble getting loose. Ruth then pitched a complete-game victory in the nightcap. Ruth had unusual success against Washington Senators star pitcher Walter Johnson, beating him four times in 1916 alone, by scores of 5–1, 1–0, 1–0 in 13 innings, and 2–1. Johnson finally outlasted Ruth for an extra-inning 4–3 victory on September 12; in the years to come, Ruth would hit ten home runs off Johnson, including the only two Johnson would allow in 1918–1919. Ruth's nine shutouts in 1916 set an AL record for left-handers which would remain unmatched until Ron Guidry tied it in 1978.
Despite a weak offense, hurt by the sale of Tris Speaker to the Indians, the Red Sox made it to the World Series. They defeated the Brooklyn Robins four games to one. This time Ruth made a major contribution, pitching a 14-inning complete-game victory in Game Two.
Ruth went 24–13 with a 2.01 ERA and six shutouts in 1917, and hit .325, but the Sox finished second, nine games behind the Chicago White Sox. On June 23 against the Washington Senators, after walking the leadoff hitter, Ruth erupted in anger, was ejected, and threw a punch at the umpire, which would result in a ten-game suspension. Ernie Shore came into the game in relief, the baserunner was out stealing, and Shore retired all twenty-six batters he faced, for which he was credited with a perfect game until the 1990s. Ruth's outburst was an example of self-discipline problems that plagued Ruth throughout his career, and is regarded as the primary reason (other than financial) that then-owner Harry Frazee was willing to sell him to the Yankees two years later.
The left-hander was pitching a no-hitter in a 0–0 game against the Detroit Tigers on July 11, before a single deflected off his glove in the eighth inning. Boston finally pushed across a run in the ninth, and Ruth held onto his 1–0 victory by striking out Ty Cobb. In 1942, Ruth called this game his greatest thrill on the field.
In 1918, Ruth pitched in 20 games, posting a 13–7 record with a 2.22 ERA. He was mostly used as an outfielder, and hit a league-leading eleven home runs. His statistics were curtailed slightly when he walked off the team in July following an argument with Boston's manager.
Ruth threw a 1–0 shutout in the opener of the 1918 World Series, then won Game Four in what would be his final World Series appearance as a pitcher. Ruth won both his starts, allowing two runs (both earned) in seventeen innings for an ERA of 1.06. Ruth extended his World Series consecutive scoreless inning streak to 29⅔ innings, a record that would last until Whitey Ford broke it in 1961.
In 1918, he began playing in the outfield more and pitching less, making 75 hitting-only appearances. Former teammate Tris Speaker speculated that the move would shorten Ruth's career, though Ruth himself wanted to hit more and pitch less. In 1918, Ruth batted .300 and led the A.L. in home runs with eleven despite having only 317 at-bats, well below the total for an everyday player.
During the 1919 season, Ruth pitched in only 17 of his 130 games. He also set his first single-season home run record that year with 29 (passing Ned Williamson's 27 in 1884), including a game-winning homer on a September "Babe Ruth Day" promotion. It was Babe Ruth's last season with the Red Sox.
On December 26, 1919, Frazee sold Ruth to the New York Yankees. Popular legend has it that Frazee sold Ruth and several other of his best players to finance a Broadway play, ''No, No, Nanette'' (which, though it actually didn't debut until 1925, did have origins in a December 1919 play, ''My Lady Friends''). The truth is not so simple, as Frazee had another financial concern: Babe Ruth.
After the 1919 season, Ruth demanded a raise to $20,000 ($}} in current dollar terms)—double his previous salary. However, Frazee refused, and Ruth responded by letting it be known he wouldn't play until he got his raise, suggesting that he may retire to undertake other profitable ventures.
Frazee finally lost patience with Ruth, and decided to trade him. However, he was effectively limited to two trading partners—the Chicago White Sox and the then-moribund Yankees. The other five clubs rejected his deals out of hand under pressure from American League president Ban Johnson, who never liked Frazee and was actively trying to remove him from ownership of the Red Sox. The White Sox offered Shoeless Joe Jackson $60,000 ($}} in current dollar terms), but Yankees owners Jacob Ruppert and Tillinghast L'Hommedieu Huston offered an all-cash deal—$100,000 ($}} in current dollar terms).
Frazee, Ruppert and Huston quickly agreed to a deal. In exchange for Ruth, the Red Sox would get $125,000 ($}} million in current dollar terms) in cash and three $25,000 ($}} in current dollar terms) notes payable every year at 6 percent interest. Ruppert and Huston also loaned Frazee $300,000 ($}} million in current dollar terms), with the mortgage on Fenway Park as collateral. The deal was contingent on Ruth signing a new contract, which was quickly agreed to, and Ruth officially became property of the Yankees on December 26. The deal was announced ten days later.
In the January 6, 1920 edition of ''The Boston Globe'', Frazee described the transaction: : "I should have preferred to take players in exchange for Ruth, but no club could have given me the equivalent in men without wrecking itself, and so the deal had to be made on a cash basis. No other club could afford to give me the amount the Yankees have paid for him, and I don't mind saying I think they are taking a gamble. With this money the Boston club can now go into the market and buy other players and have a stronger and better team in all respects than we would have had if Ruth had remained with us."
However, the January 6, 1920 ''The New York Times'' was more prescient: : "The short right field wall at the Polo Grounds should prove an easy target for Ruth next season and, playing seventy-seven games at home, it would not be surprising if Ruth surpassed his home run record of twenty-nine circuit clouts next Summer."
In 1920, his first year with the Yankees, Ruth hit 54 home runs and batted .376. His .847 slugging average was a Major League record until 2001. Aside from the Yankees, only the Philadelphia Phillies managed to hit more home runs as a team than Ruth did as an individual, slugging 64 in hitter-friendly Baker Bowl.
In 1921, Ruth improved to arguably the best year of his career, hitting 59 home runs, batting .378 and slugging .846 (the highest with 500+ at-bats in an MLB season) while leading the Yankees to their first league championship. On July 18, 1921, Babe Ruth hit career home run #139, breaking Roger Connor's record of 138 in just the eighth year of his career. (This was not recognized at the time, as Connor's correct career total was not accurately documented until the 1970s. Even if the record had been celebrated, it would have been on an earlier date, as Connor's total was at one time thought to be only 131.)
Ruth's name quickly became synonymous with the home run, as he led the transformation of baseball strategy from the "inside game" to the "power game", and because of the style and manner in which he hit them. His ability to drive a significant number of his home runs in the 450–500 foot range and beyond resulted in the lasting adjective "Ruthian", to describe any long home run hit by any player. Probably his deepest hit in official game play (and perhaps the longest home run by ''any'' player), occurred on July 18, at Detroit's Navin Field, in which he hit one to straightaway center, over the wall of the then-single-deck bleachers, and to the intersection, some from home plate.
As impressive as Ruth's 1921 numbers were, they could have been more so under modern conditions. Bill Jenkinson's 2006 book, ''The Year Babe Ruth Hit 104 Home Runs,'' attempts to examine each of Ruth's 714 career home runs, plus several hundred long inside-the-park drives and "fair-foul" balls. Until 1931 in the AL, balls that hit the foul pole were considered ground-rule doubles, and balls that went over the wall in fair territory but hooked foul were ruled foul. Many fields, including Ruth's home Polo Grounds, had exceptionally deep center fields—in the Polo Grounds' case, nearly five hundred feet. The author concluded that Ruth would have been credited with 104 home runs in 1921, if modern rules and field dimensions were in place. However, these claims ignore the extreme short distances down the left and right field lines, which were 279 and 258 feet respectively. In addition, the 21 foot overhang in left field often intercepted fly balls which would otherwise have been catchable and turned them into home runs. In either case, Ruth set major league records in total bases (457), extra base hits (119) and times on base (379), all of which stand to this day.
The Yankees had high expectations when they met the New York Giants in the 1921 World Series, and the Yankees won the first two games with Ruth in the lineup. However, Ruth badly scraped his elbow during Game 2, sliding into third base (he had walked and stolen both second and third). After the game, he was told by the team physician not to play the rest of the series. Although he did play in Games 3, 4 and 5, and pinch-hit in Game 8 of the best-of-9 Series, his productivity was diminished, and the Yankees lost the series. Ruth hit .316, drove in five runs and hit his first World Series home run. (Although the Yankees won the fifth game, Ruth wrenched his knee and did not return to the Series until the eighth [last] game.)
Ruth's appearance in the 1921 World Series also led to a problem and triggered another disciplinary action. After the series, Ruth played in a barnstorming tour. A rule then in force prohibited World Series participants from playing in exhibition games during the off-season, the purpose of which was to prevent Series participants from "restaging" the Series and undermining its value. Baseball Commissioner Kenesaw Mountain Landis suspended Ruth for the first six weeks of the 1922 season. Landis had made his point about adhering to the letter of the rules, but he also recognized that the rule was no longer needed, and rescinded it.
Despite his suspension, Ruth started his 1922 season on May 20 as the Yankees' new on-field captain. But five days later, he was ejected from a game for throwing dirt on an umpire, and then climbed into the stands to confront a heckler; Ruth was subsequently stripped of the captaincy. In his shortened season, Ruth appeared in 110 games, batted .315, with 35 home runs and drove in 99 runs, but compared to his previous two dominating seasons, the 1922 season was a disappointment for Ruth. Despite Ruth's off-year, Yankees managed to win the pennant to face the New York Giants for the second straight year in the World Series. In the series, Giants manager John McGraw instructed his pitchers to throw Ruth nothing but curveballs, and Ruth never adjusted. Ruth had just two hits in seventeen at-bats, and the Yankees lost to the Giants for the second straight year by 4–0 (with one tie game).
In 1923, the Yankees moved from the Polo Grounds, where they had sublet from the Giants, to their new Yankee Stadium, which was quickly dubbed "The House That Ruth Built". Ruth hit the stadium's first home run on the way to a Yankees victory over the Red Sox. Ruth finished the 1923 season with a career-high .393 batting average and major-league leading 41 home runs. For the third straight year, the Yankees faced the Giants in the World Series. Rebounding from his struggles in the previous two World Series, Ruth dominated the 1923 World Series. He batted .368, walked eight times, scored eight runs, hit three home runs and slugged 1.000 during the series, as the Yankees won their first World Series title, four games to two.
thumb|Ruth after being knocked unconscious from running into a wall at Griffith Stadium on July 5, 1924. On July 5, 1924, Ruth was knocked unconscious after running into a wall during a game at Griffith Stadium against the Washington Senators. Despite evident pain and a bruised pelvic bone, Ruth insisted on staying in the game and hit a double in his next at-bat. Ruth narrowly missed winning the Triple Crown in 1924. He hit .378 for his only American League batting title, led the major leagues with 46 home runs, and batted in 121 runs to finish second to Goose Goslin's 129. Ruth's on-base percentage was .513, the fourth of five years in which his OBP exceeded .500. However, the Yankees finished second, two games behind the Washington Senators, who went on to win their only World Series while based in D.C. During that same year, Ruth served in the New York national Guard 104th Field Artillery.
During spring training in 1925 Ruth's ailment was dubbed "the bellyache heard round the world," when one writer wrote that Ruth's illness was caused by binging on hot dogs and soda pop before a game. Venereal disease and alcohol poisoning (caused by tainted liquor, a major health problem during the Prohibition) have also been speculated to be the causes of his illness. However, the exact nature of his ailment has never been confirmed and remains a mystery. Playing just 98 games, Ruth had what would be his worst season as a Yankee as he finished the season with a .290 average and 25 home runs. The Yankees team finished next to last in the American League with a 69–85 mark, their last season with a losing record until 1965.
This remains the only time that the final out of a World Series was a "caught stealing." The 1926 series was also known for Ruth's promise to Johnny Sylvester, a seriously ill 11-year old, that he would hit a home run on his behalf.
Ruth was the leader of the famous 1927 Yankees, also known as Murderer's Row because of the strength of its hitting lineup. The team won a then AL-record 110 games, a mark for a 154-game season surpassed by the 1954 Cleveland Indians (the 2001 Seattle Mariners now hold the record with 116 wins, though they played eight more games), took the AL pennant by 19 games, and swept the Pittsburgh Pirates in the World Series.
With the race long since decided, the nation's attention turned to Ruth's pursuit of his own home run mark of 59. Early in the season, Ruth expressed doubts about his chances: "I don't suppose I'll ever break that 1921 record. To do that, you've got to start early, and the pitchers have got to pitch to you. I don't start early, and the pitchers haven't really pitched to me in four seasons. I get more bad balls to hit than any other six men...and fewer good ones." Ruth was also being challenged for his slugger's crown by teammate Lou Gehrig, who nudged ahead of Ruth's total in midseason, prompting the ''New York World-Telegram'' to anoint Gehrig the favorite. But Ruth caught Gehrig (who would finish with 47), and then had a remarkable last leg of the season, hitting 17 home runs in September. His 60th came on September 30, in the Yankees' next-to-last game. Ruth was exultant, shouting after the game, "Sixty, count 'em, sixty! Let's see some son-of-a-bitch match that!" In later years, he would give Gehrig some credit: "Pitchers began pitching to me because if they passed me they still had Lou to contend with." In addition to his career-high 60 home runs, Ruth batted .356, drove in 164 runs and slugged .772.
The following season started off well for the Yankees, who led the AL by 13 games in July. But the Yankees were soon plagued by some key injuries, erratic pitching and inconsistent play. The Philadelphia Athletics, rebuilding after some lean years, erased the Yankees' big lead and even took over first place briefly in early September. The Yankees, however, took over first place for good when they beat the A's three out of four games in a pivotal series at Yankee Stadium later that month.
Ruth's play in 1928 mirrored his team's performance. He got off to a hot start and on August 1, he had 42 home runs. This put him ahead of his 60 home run pace from the previous season. But Ruth was hobbled by a bad ankle the latter part of the season, and he hit just twelve home runs in the last two months of the regular season. His batting average also fell to .323, well below his career average. Nevertheless, he ended the season with 54 home runs, which would be the fourth (and last) time he hit 50 home runs in a season.
The Yankees had a 1928 World Series rematch with the St. Louis Cardinals, who had upset them in the 1926 series. The Cardinals had the same core players as the 1926 team, except for Rogers Hornsby, who was traded for Frankie Frisch after the 1926 season. Ruth batted .625 (the second highest average in World Series history), including another three-home run game (in game 4), Gehrig batted .545, and the Yankees demolished the Cardinals in four games. The Yankees thus became the first major league team to sweep their opponents in consecutive World Series.
Also in 1929, the Yankees became the first team to use uniform numbers regularly (the Cleveland Indians had used them briefly in 1916). Since Ruth normally batted third in the order (ahead of Gehrig), he was assigned number 3 (to Gehrig's 4). The Yankees retired Ruth's number on June 13, 1948; however, it was kept in circulation prior to that.
In 1930, which was not a pennant year for the Yankees, Ruth was asked by a reporter what he thought of his yearly salary of $80,000 ($}} million in current dollar terms) being more than President Hoover's $75,000. His response: "I know, but I had a better year than Hoover." That quote has also been rendered as, "How many home runs did ''he'' hit last year?" (Ruth had supported Al Smith in the 1928 Presidential election, and snubbed an appearance with president Hoover.) Three years later, Ruth would make a public appearance with the ex-President at a Stanford – USC football game.
In the 1932 season, the Yankees went 107–47 and won the pennant under manager Joe McCarthy, as Ruth hit .341, with 41 home runs and 137 RBIs.
The Yankees faced Gabby Hartnett's Chicago Cubs in the 1932 World Series. The Yankees swept the Cubs and batted .313 as a team. During Game 3 of the series, after having already homered, Ruth hit what has now become known as Babe Ruth's Called Shot. During the at-bat, Ruth supposedly gestured to the deepest part of the park in center-field, predicting a home run. The ball he hit traveled past the flagpole to the right of the scoreboard and ended up in temporary bleachers just outside Wrigley Field's outer wall. The center field corner was 440 feet away, and at age 37, Ruth had hit a straightaway center home run that was perhaps a 490 foot blow. It was Ruth's last Series homer (and his last Series hit), and it became one of the legendary moments of baseball history.
Ruth remained productive in 1933, as he batted .301, with 34 home runs, 103 RBIs, and a league-leading 114 walks. Elected to play in the first All-Star game, he hit the first home run in the game's history on July 6, 1933, at Comiskey Park in Chicago. His two-run home run helped the AL to a 4–2 victory over the NL, and Ruth made a fine catch in the game. Film footage of his All-Star game home run revealed the 38-year-old Ruth had become noticeably overweight.
Late in the 1933 season, he was called upon to pitch in one game and pitched a complete game victory, his final appearance as a pitcher. For the most part, his Yankee pitching appearances (five in fifteen years) were widely-advertised attempts to boost attendance. Despite unremarkable pitching numbers, Ruth had a 5–0 record in those five games, raising his career totals to 94–46.
In 1934, Babe Ruth recorded a .288 average, 22 home runs, and made the All-Star team for the second consecutive year. During the game, Ruth was the first of five consecutive strikeout victims (all of whom were future Hall of Fame players) of Giants pitcher Carl Hubbell, perhaps the most famous pitching feat in All-Star game history. In what turned out to be his last game at Yankee Stadium, only about 2,000 fans attended. By this time, Ruth had reached a personal milestone of 700 home runs and was about ready to retire.
After the 1934 season, Ruth went on a baseball barnstorming tour in the Far East. Players such as Jimmie Foxx, Lefty Gomez, Earl Averill, Charlie Gehringer, and Lou Gehrig were among fourteen players who played a series of 22 games, with many of the games played in Japan. Ruth was popular in Japan, as baseball had been popular in Japan for decades. Riding in a motorcade, Ruth was greeted by thousands of cheering Japanese. The tour was considered a great success for further increasing the popularity of baseball in Japan, and in 1936 Japan organized its first professional baseball league.
After the 1934 season, the only teams that seriously considered hiring Ruth were the Philadelphia Athletics and Detroit Tigers. A's owner/manager Connie Mack gave some thought to stepping down as manager in favor of Ruth, but later dropped the idea, saying that Ruth's wife would be running the team in a month if Ruth ever took over. Ruth was in serious negotiations with Tigers owner Frank Navin, but missed a scheduled interview in late 1934. Meanwhile, Ruppert negotiated with other major-league clubs, seeking one that would take Ruth either as a manager or player.
Boston Braves owner Emil Fuchs finally agreed to take Ruth. Even though the Braves had fielded fairly competitive teams in the last three seasons, Fuchs was sinking in debt and couldn't afford the rent on Braves Field. Fuchs thought Ruth was just what the Braves needed, both on and off the field.
After a series of phone calls, letters and meetings, the Yankees traded Ruth to the Braves on February 26, 1935. It was announced that in addition to remaining as a player, Ruth would become team vice president and would be consulted on all club transactions. He was also made assistant manager to Braves skipper Bill McKechnie. In a long letter to Ruth a few days before the press conference, Fuchs promised Ruth a share in the Braves' profits, with the possibility of becoming co-owner of the team. Fuchs also raised the possibility of Ruth becoming the Braves' manager, perhaps as early as 1936.
Amid much media hoopla, Ruth played his first home game in Boston in over 16 years. Before an opening-day crowd of over 25,000, Ruth accounted for all of the Braves' runs in a 4–2 defeat of the New York Giants. The Braves had long played second fiddle to the Red Sox in Boston, but Ruth's arrival spiked interest in the Braves to levels not seen since their stunning win in the 1914 World Series.
That win proved to be the only time the Braves were over .500 that year. By May 20, they were 7–17, and their season was effectively over. While Ruth could still hit, he could do little else, and soon stopped hitting as well. His conditioning had deteriorated so much that he could do little more than trot around the bases. His fielding was dreadful; at one point, three of the Braves' pitchers threatened not to take the mound if Ruth was in the lineup. Ruth was also annoyed that McKechnie ignored most of his managerial advice (McKechnie later said that Ruth's presence made enforcing discipline nearly impossible). He soon discovered that he was vice president and assistant manager in name only, and Fuchs' promise of a share of team profits was also hot air. In fact, Fuchs expected Ruth to invest some of ''his'' money in the team.
On May 25, at Forbes Field in Pittsburgh, Ruth went 4-for-4, drove in 6 runs and hit 3 home runs in an 11–7 loss to the Pirates. These were the last three home runs of his career. His last home run cleared the roof at the old Forbes Field—he became the first player to accomplish that feat. Five days later, in Philadelphia, Ruth played in his last Major League game. He struck out in the first inning and, while playing the field in the same inning, hurt his knee and left the game. In the 1948 film The Babe Ruth Story there was a more dramatic recounting of Ruth's last game. The Braves were depicted as winning the game against the Pirates and learning he had been fired for walking off the field during the game, while still in the locker room.
Two days after that, Ruth summoned reporters to the locker room after a game against the Giants and announced he was retiring. He had wanted to retire as early as May 12, but Fuchs persuaded him to stay on because the Braves hadn't played in every National League park yet. That season, he hit just .181 with six home runs in 72 at-bats. The Braves season went as badly as Ruth's short season. They finished 38–115, the fourth-worst record in Major League history, just a few percentage points fewer than the infamous 1962 New York Mets.
Ruth had two daughters. Dorothy Ruth was adopted by Babe and Helen. Decades later, she wrote a book, ''My Dad, the Babe'', claiming that she was Ruth's biological child by a girlfriend named Juanita Jennings.
Ruth adopted Julia Hodgson when he married her mother, actress and model Claire Merritt Hodgson. Julia currently resides in Arizona, and threw out the ceremonial first pitch before the final game in the original Yankee Stadium on September 21, 2008.
Ruth and Claire regularly wintered in Florida, frequently playing golf during the off-season and while the Yankees were spring training in Tampa, Florida. After retirement, he had a winter beachfront home in Treasure Island, Florida, near St. Petersburg.
Ruth made many forays into various popular media. He was heard often on radio in the 1930s and 1940s, both as a guest and on his own programs with various titles: ''The Adventures of Babe Ruth'' was a 15-minute Blue Network show heard three times a week from April 16 to July 13, 1934. Three years later, he was on CBS twice a week in ''Here's Babe Ruth'' which was broadcast from April 14 to July 9, 1937. That same year he portrayed himself in "Alibi Ike" on ''Lux Radio Theater''. His ''Baseball Quiz'' was first heard Saturdays on NBC June 5 to July 10, 1943 and then later that year from August 28 to November 20 on NBC, followed by another NBC run from July 8 to October 21, 1944.
His film roles included a cameo appearance as himself in the Harold Lloyd film ''Speedy'' (1928). His first film appearance occurred in 1920, in the silent movie ''Headin' Home''. He made numerous other film appearances in the silent era, usually either playing himself or playing a ballplayer similar to himself.
Ruth's voice was said by some biographers to be similar to that of film star Clark Gable, although that was obviously not evident in the silent film era. He had an appropriate role as himself in ''Pride of the Yankees'' (1942), the story of his ill-fated teammate Lou Gehrig. Ruth had three scenes in the film, including one in which he appeared with a straw hat. He said, "If I see anyone touch it, I'll knock his teeth in!" The teammates convinced young Gehrig (Gary Cooper) to chew up the hat; he got away with it. In the second scene, the players go to a restaurant, where Babe sees a side of beef cooking and jokes, "Well, I'll have one of those..." and, the dramatic scene near the end, where Gehrig makes his speech at Yankee Stadium ending with "I consider myself the luckiest man..."
The ''New York Times'' supports the evidence of the ambush marketing campaign when it wrote "For 85 years, Babe Ruth, the slugger, and Baby Ruth, the candy bar, have lived parallel lives in which it has been widely assumed that the latter was named for the former. The confection's creator, the Curtiss Candy Company, never admitted to what looks like an obvious connection – especially since Ruth hit 54 home runs the year before the first Baby Ruth was devoured. Had it done so, Curtiss would have had to compensate Ruth. Instead, it eventually insisted the inspiration was "Baby Ruth" Cleveland, the daughter of President Grover Cleveland. But it is an odd connection that makes one wonder at the marketing savvy of Otto Schnering, the company's founder."
Thus, in 1995, a company representing the Ruth estate brought the Baby Ruth candy bar into sponsorship officialdom when it licensed the Babe's name and likeness for use in a Baby Ruth marketing campaign. On page 34 of the spring, 2007, edition of the Chicago Cubs game program, there is a full-page ad showing a partially-unwrapped Baby Ruth in front of the Wrigley ivy, with the caption, "The official candy bar of Major League Baseball, and proud sponsor of the Chicago Cubs." Continuing the baseball-oriented theme, during the summer and post-season of the 2007 season, a TV ad for the candy bar showed an entire stadium (played by Dodger Stadium) filled with people munching Baby Ruths, and thus having to hum rather than singing along with "Take Me Out to the Ball Game" during the seventh-inning stretch.
Around this time, developments in chemotherapy offered some hope. Teropterin, a folic acid derivative, was developed by Dr. Brian Hutchings of the Lederle Laboratories. It had been shown to cause significant remissions in children with leukemia. Ruth was administered this new drug in June 1947. He was suffering from headaches, hoarseness and had difficulty swallowing. He agreed to use this new medicine but did not want to know any details about it. All the while he was receiving this experimental medication, he did not know it was for cancer. On June 29, 1947, he began receiving injections and he responded with dramatic improvement. He gained over and had resolution of his headaches. On September 6, 1947, his case was presented anonymously at the 4th Annual Internal cancer Research Congress in St. Louis. Teropterin ended up being a precursor for methotrexate, a now commonly used chemotherapeutic agent.
It is now known that Ruth suffered from nasopharyngeal carcinoma (NPCA), a relatively rare tumor located in the back of the nose near the eustachian tube. Contemporary management for NPCA includes concurrent chemotherapy and radiation therapy.
On April 27, 1947, the Yankees held a ceremony at Yankee Stadium. Despite his health problems, Ruth was able to attend "Babe Ruth Day". Ruth spoke to a capacity crowd of more than 60,000, including many American Legion youth baseball players. Although lacking a specific memorable comment like Gehrig's "Luckiest man" speech, Ruth spoke from the heart, of his enthusiasm for the game of baseball and in support of the youth playing the game. (''Babe Ruth speaking at Yankee Stadium'')
Later, Ruth started the Babe Ruth Foundation, a charity for disadvantaged children. Another Babe Ruth Day held at Yankee Stadium in September 1947 helped to raise money for this charity.
After the cancer returned, Ruth attended the 25th anniversary celebration of the opening of Yankee Stadium on June 13, 1948. He was reunited with old teammates from the 1923 Yankee team and posed for photographs. The photo of Ruth taken from behind, using a bat as a cane, standing apart from the other players, and facing "Ruthville" (right field) became one of baseball's most famous and widely circulated photographs. The photo won the Pulitzer Prize.
Shortly after he attended the Yankee Stadium anniversary event, Ruth was back in the hospital. He received hundreds of well-wishing letters and messages. This included a phone call from President Harry Truman. Claire helped him respond to the letters.
On July 26, 1948, Ruth attended the premiere of the film ''The Babe Ruth Story'', a biopic about his own life. William Bendix portrayed Ruth. Shortly thereafter, Ruth returned to the hospital for the final time. He was barely able to speak. Ruth's condition gradually became worse, and in his last days, scores of reporters and photographers hovered around the hospital. Only a few visitors were allowed to see him, one of whom was National League president and future Commissioner of Baseball, Ford Frick. "Ruth was so thin it was unbelievable. He had been such a big man and his arms were just skinny little bones, and his face was so haggard," Frick said years later.
On August 16, the day after Frick's visit, Babe Ruth died at age 53 due to pneumonia. An autopsy showed the cancer Ruth died from began in the nose and mouth and spread widely throughout his body from there. His body lay in repose in Yankee Stadium. His funeral was two days later at St. Patrick's Cathedral, New York. Ruth was then buried in the Cemetery of the Gate of Heaven in Hawthorne, New York. At his death, the New York ''Times'' called Babe Ruth, "a figure unprecedented in American life. A born showman off the field and a marvelous performer on it, he had an amazing flair for doing the spectacular at the most dramatic moment."
Ruth's impact on American culture still commands attention. Top performers in other sports are often referred to as "The Babe Ruth of ______." He is widely regarded as one of the greatest baseball players in history. Many polls place him as the number one player of all time.
Ruth was mentioned in the poem ''"Line-Up for Yesterday"'' by Ogden Nash:
Films have been made featuring Ruth, or a Ruth-like figure ("The Whammer" in ''The Natural'', for example).
During World War II, Japanese soldiers would yell in English, "To hell with Babe Ruth", in order to anger American soldiers. An episode of Hawaii Five-O would be named "To Hell With Babe Ruth" because of that.
As a sidelight to his prominent role in changing the game to the power game, the frequency and popularity of Ruth's home runs eventually led to a rule change pertaining to those hit in sudden-death mode (bottom of the ninth or later inning). Prior to 1931, as soon as the first necessary run to win the game scored, the play was over, and the batter was credited only with the number of bases needed to drive in the winning run. Thus, if the score was 3–2 with the bases loaded in the bottom of the ninth, and the batter smacked an "over the fence home run", the game would end at 4–3, with the batter only allowed a double, and the runners officially stopped on 2nd and 3rd (since they weren't needed to win the game). The new rule allowed the entire play to complete, justified on the grounds that the ball was dead and that all runners could freely advance, thus granting the full allotment of HR and RBI to the batter, as we know it today. Several players lost home runs that way, including Ruth. As noted in the inaugural edition of ''The Baseball Encyclopedia'' (MacMillan, 1969), Ruth's career total would have been changed to 715 if historians during the 1960s had been successful in pursuing this matter. Major League Baseball elected not to retrofit the records to the modern rules, and Ruth's total stayed at 714.
Another rules change that affected Ruth was the method used by umpires to judge potential home runs when the batted ball left the field near a foul pole. Before 1931, i.e. through most of Ruth's most productive years, the umpire called the play based on the ball's final resting place "when last seen". Thus, if a ball went over the fence fair, and curved behind the foul pole, it was ruled foul. Beginning in 1931 and continuing to the present day, the rule was changed to require the umpire to judge based on the point where the ball cleared the fence. Jenkinson's book (p. 374–375) lists 78 foul balls near the foul pole in Ruth's career, claiming that at least 50 of them were likely to have been home runs under the modern rule.
Ruth's 1919 contract that sent him from Boston to New York was sold at auction for $996,000 at Sotheby's on June 10, 2005. The most valuable memorabilia item relating to Ruth was his 1923 bat which he used to hit the first home run at Yankee Stadium on April 18, 1923. Ruth's heavy Louisville Slugger solid ash wood bat sold for $1.26 million at a Sotheby's auction in December 2004, making it the third most valuable baseball memorabilia item, behind Mark McGwire's 70th home run ball and the famous 1909 Honus Wagner baseball card.
G | ! AB | ! R | ! H | ! HR | ! RBI | ! BB | ! SO | ! Avg. | ! OBP | ! SLG |
2,503 | 8,399 | 2,174| | 2,873 | 714 | 2,213 | 2,062 | 1,330 | .342 | .473 | .690 |
Win (baseball) | W | Loss (baseball)>L | Earned run average>ERA | Games played>G | Games started>GS | Complete game>CG | Shutout>SHO | Save (baseball)>SV | Innings pitched>IP | Hit (baseball)>H | Run (baseball)>R | Earned run>ER | Home run>HR | Hit by pitch>HBP | Base on balls>BB | Strikeout>SO | Winning percentage>WPct | Walks plus hits per inning pitched>WHIP | Batting average>AVG | Bases on balls per 9 innings pitched>BB/9 | Strikeouts per 9 innings pitched>K/9 |
94 | 46 | 2.28| | 163 | 148 | 107 | 17 | 4 | 1,221.1 | 974 | 400 | 309 | 10 | 29 | 441 | 488 | .671 | 1.16 | .220 | 3.25 | 3.60 |
Ruth was 89–46 with the Red Sox and was 5–0 with the Yankees overall. Ruth is 11th for career won-loss at 67.1%.
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Category:1895 births Category:1948 deaths Category:500 home run club Category:American League All-Stars Category:American League batting champions Category:American League ERA champions Category:American League home run champions Category:American League RBI champions Category:American people of German descent Category:American Roman Catholics Category:Baseball players from Maryland Category:Boston Braves players Category:Boston Red Sox players Category:Brooklyn Dodgers coaches Category:Burials at Gate of Heaven Cemetery Category:Cancer deaths in New York Category:Deaths from esophageal cancer Category:Major League Baseball first base coaches Category:Major League Baseball left fielders Category:Major League Baseball pitchers Category:Major League Baseball players with retired numbers Category:Major League Baseball right fielders Category:National Baseball Hall of Fame inductees Category:New York Yankees players Category:Sportspeople from Baltimore, Maryland Category:Vaudeville performers Category:Baltimore Orioles (IL) players Category:Providence Grays (minor league) players
af:Babe Ruth bn:বেব রà§?থ zh-min-nan:Babe Ruth ca:Babe Ruth cs:Babe Ruth da:Babe Ruth de:Babe Ruth el:ΜπÎιμπ Ρουθ es:Babe Ruth fa:بیب روت fr:Babe Ruth ko:ë² ì?´ë¸Œ 루스 hr:George Herman Ruth id:Babe Ruth it:Babe Ruth he:בייב רות' lv:Mazulis RÅ«ts lt:Babe Ruth mr:जॉरà¥?ज हरà¥?मन रà¥?थ, जà¥?नियर nl:Babe Ruth ja:ベーブ・ルース no:Babe Ruth pl:George Herman Ruth pt:Babe Ruth ru:Рут, Бейб simple:Babe Ruth fi:Babe Ruth sv:Babe Ruth tl:Babe Ruth zh:è²?比·é¯æ–¯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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