NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

Un diha siempre bai hu pula' este na betsu/kånta gi Fino' Chamorro! Lao esta ki ayu na diha, estague i palabrås-ña gi Fino' Frances yan Fino' Ingles. Achokka' matuge' este gi halom i kotturan Europa, siña uma'aya este na i estorian yan kotturan Chamorro. Achokka' i fina'tinas-ña i Españot ma kefunas i fuetsan i famalao'an Chamorro guini giya Guahan, sisiña ha' ta silebra siha, achokka' ti ta tungo' i mismo na'an-ñiha! ****************** Dictes moy où, n'en quel pays, Est Flora, la belle Romaine ; Archipiada, né Thaïs, Qui fut sa cousine germaine; Echo, parlant quand bruyt on maine Dessus rivière ou sus estan, Qui beauté eut trop plus qu'humaine? Mais où sont les neiges d'antan! Où est la très sage Heloïs, Pour qui fut chastré et puis moyne Pierre Esbaillart à Sainct-Denys? Pour son amour eut cest essoyne. Semblablement, où est la royne Qui commanda que Buridan Fust jetté en ung sac en Seine? Mais

Last week I wrote my column in the Guam Daily Post about the comfort women issue in South Korea and how the governments of Japan and South Korea are working towards a process of restitution over the use of South Korean women as sex slaves during World War II. The issue of the comfort women extends far beyond just South Korea, and is something that affected cultures across Asia and the Pacific. I have been talking more intensely about the comfort women issue over the past year as i nobia-hu Dr. Isa Kelley Bowman has been conducting research into it. It has been difficult for her, as the issue is one shrouded in so many different forms of silence. The lack of writing around the issue in Guam is often thought to be simply a matter of stigma and social shame, with women and their families seeking to keep the issue quiet and not be reminded of what happened. But it is far more complicated than that, and it can be frustrating, how people will accept one level of silence as being the truth

This image is taken from the play Pågat, written by myself and Victoria Leon Guerrero and directed by Michelle Blas. The play was performed at UOG in the Spring of 2014 and received a great deal of attention from the local community. The choreography for the play came from Master of Chamorro Dance Vince Reyes, who has been touring the world recently as a prominent Chamorro folk artist with his group Inetnon Gefpago. This image in particular comes from what he calls the silhouette dance, which was performed to the tune of "Safe and Sound" by Taylor Swift, except sung in Chamorro. It portrays a Chamorro woman during World War II being beaten and raped by a Japanese soldier. She is able to endure however through the help of other women, who support her. The issue of comfort women and sexual violence on Guam has always been something on the edge of my academic consciousness, as during my oral history research it would also pop up, albeit in vague and impossible to pursue ways.

I nobia-hu Isa ha ayuda mama'tinas Forum gi UOG gi painge put "sexual harassment." Gof impottante este na asunto, lao ti meggai umadmimite este. Ti meggai tumungo' put este na asunto. Guaha famalao'an yan lalahi lokkue', mansinexual harassed, lao ti ma tungo' na ayu hafa masusedi. Hinasson-niha na ossitan ha' pat linachi ha', ya taya' sina u macho'gue put este. Maolek na ha hatsasayi hit este na babao gi UOG. Gi fino' Audre Lorde, ti prinitehi yu' ni taisangan-hu. Siempre ti prinitehi hao lokkue'. Estague iyo-na Live Blog ginen i Forum gi painge. ******************* 5:50 – Excited to see Mary Camacho Torres, senator-elect, and Prof. Ron McNinch in the audience.  Approximately fifty to sixty students are currently present. 6:07 – Dr. KB begins speaking.  “Sexual harassment at the University of Guam.”  Intersectionality.  Privilege, domination, and oppression.  —Imbalance of power relations regarding gender, class

This month or next I'll be finishing off an art project I've been working on for more than a year with my brother Jack and  i nananfamagu'on-hu Jessica Chan. To be truthful, while I have been working on it for more than a year, the hardwork is actually being done by these artists, I'm doing more of the conceptualizing of it. The project is titled The Untold Story of the Chamurai: How Chamorro and Samurai Warriors Fought off the Spanish in Guam in 1616. I will provide the description below for you to read to get a better idea of what I'm intending, and you should be interested after reading such a weird title. I received a Guam CAHA grant for this project and so the excerpt below is from my grant proposal. The artwork will be displayed in an exhibit sometime this fall. I'm not sure where. I might have a small exhibit in a few months of the just the artwork, perhaps at I.P. Coffee or a similar place. Then later around December I might have a more serious show

One of Chamorro singer K.C. Leon Guerrero’s most famous songs (and he totally has so many) is Guam U.S.A, which features the very catchy and memorable line that Guam is Good/ Guam is hot/ Guam is just such a little spot . Most people, even those who don’t know anything really about Guam would agree that Guam is truly just a little spot, and that in the context of global events and world history, it doesn’t really matter that much. Even for those of us who live on Guam and love Guam, we might be inclined to agree that even if this little spot is great, it’s still just a little spot. The Guam history book Destiny's Landfall for instance has a heavy ideological load to bear in terms of what story it is supposed to tell and what its own historiographical assumptions require. The book is supposed to be about Guam, it is the most comprehensive history book written about Guam up to this day, but it is also a story about Guam and its meeting with its "destiny," which over the co