Blitt's 2008 New Yorker cover, "Fistbump: The Politics of Fear," was inspired by the rumors that circulated about the Obamas during that year's presidential campaign. The New Yorker via bado-badosblog.blogspot.com hide caption
The revered photographer William Eggleston, at age 78, has released his first album. Peter Townsend hide caption
Johnny Fox hugs a fan at the Maryland Renaissance Festival. This fall, Fox has made a triumphant comeback even as he battles with health issues. Mark Mitton/NPR hide caption
Sword Swallower Makes Triumphant Return As He Battles Severe Health Issues
Why Da Vinci's Last Privately Owned Painting Probably Won't End Up In A Museum
MacArthur Award Winners 2017. John D. and Catherine T. MacArthur Foundation hide caption
Curator Paola Antonelli says the white T-shirt is both timeless and universal. Courtesy Shutterstock/SFIO CRACHO/ The Museum of Modern Art, New York hide caption
We Are What We Wear: Exhibition Examines Clothing That Changed The World
The Voyager Golden Record remained mostly unavailable and unheard, until a Kickstarter campaign finally brought the sounds to human ears. Ozma Records/LADdesign hide caption
Benjamin Raphael of Nigeria (left) is a salesman who had never picked up a paint brush before he found asylum in Italy. Sylvia Poggioli/NPR hide caption
Robert Gulaczyk as a Vincent van Gough self portrait in Loving Vincent Courtesy of Breakthru Films hide caption
New York's Guggenheim Museum announced Monday that it was removing three works from its upcoming exhibit of contemporary art from China. Animal rights activists said the works depicted cruelty to animals. Stan Honda/AFP/Getty Images hide caption
Exhibit Highlights The Work Of The Late Avant-Garde Artist Florine Stettheimer
A young Chicanita hawks La Raza newspapers at the Poor People's Campaign, Washington, D.C. May-July 1968. Maria Varela/Maria Varela Photography hide caption
'From The Mundane To The Magnificent': Photos From The Chicano Rights Movement
The work built by French artist JR peers over the U.S.-Mexico border at Tecate, Calif., earlier this week. Guillermo Arias/AFP/Getty Images hide caption
As Boy Peers Curiously Over Border Wall, His Artist Asks: 'What Is He Thinking?'
Nebraska's state flag, billowing beneath the U.S. flag. Overduebook/Flickr hide caption
A man runs from a line of charging police in riot gear in Baltimore. The photo, taken by Devin Allen, is featured in the National Museum of African American History and Culture's newest exhibit, "More Than A Picture." Gift of Devin Allen/Collection of the Smithsonian National Museum of African American History and Culture hide caption
El Corrido de Boyle Heights, or The Ballad of Boyle Heights, was painted in 1983 by the East Los Streetscapers, an artist collective that painted a number of murals across Los Angeles' Boyle Heights neighborhood. Monika Evstatieva/NPR hide caption
'¡Murales Rebeldes!': These Disappearing LA Murals Mirror Their Community
A U.S. Marine from the 1st Battalion, 8th Marines, Alpha Company looks out as an evening storm gathers above an outpost near Kunjak, in southern Afghanistan's Helmand province. Finbarr O'Reilly/Reuters/Viking hide caption
A Retired Marine And A Photojournalist Confront War's 'Invisible Injuries'
Wahida, 20, sits on her bed inside the female ward of a prison in Herat, Afghanistan. She was arrested when she was seven months pregnant, convicted for helping her sister-in-law murder her husband. Her daughter, Mahtab, who is now 10 months old, was born inside the prison. Wahida's biggest fear is the future, when her sentence is over and she will have to face the outside world. Kiana Hayeri hide caption
Strike 2: Our second attempt at illustrating the plague story — with what we said was a 15th-century image by Jacopo Oddi from the La Franceschina codex depicting Franciscan monks treating victims of the plague in Italy — is about leprosy. A. Dagli Orti/Getty Images hide caption
"Hydrant: In the Air," 1963 — "It's significant because it shows us. We were not allowed to go to the public pools. So we opened our hydrant and we cooled ourselves off. But when I saw it and photographed it I made it more than just poor people turning on a hydrant. I'm very proud of that image. And it says a lot to my community. Hopefully when you look at my image you don't see poor people." Hiram Maristany/ Smithsonian American Art Museum hide caption