Follow Me

Follow Me may refer to:

Film and television

Music

Songs

Post-office box

A post-office box or post office box (commonly referred to as a PO box or a postal box) is a uniquely addressable lockable box located on the premises of a post office station.

In many regions, particularly in Africa and the Middle East, there is no 'door to door' delivery of mail. For example, should one post mail to a street address in Namibia, it will be returned to sender as undeliverable. Consequently, renting a PO box has traditionally been the only way to receive mail in such countries, although some, like Jordan, Egypt and Lebanon, do have mail home delivery.

Generally, post office boxes are rented from the post office either by individuals or by businesses on a basis ranging from monthly to annual, and the cost of rent varies depending on the box size. Central business district (CBD) PO boxes are usually more expensive than rural PO boxes.

In the United States, the rental rate used to be uniform across the country. Now, however, a postal facility can be in any of seven fee groups by location; in addition, certain customers qualify for free box rental.

Follow

Follow is the third album by Pakho Chau, comprising four new tracks and nine previously released tracks. It was released in Hong Kong on July 10, 2009.

Track listing

DVD listing

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

Diss track

A diss track or diss song is a song primarily intended to disrespect a person or group. While musical parodies and attacks have always existed, the trend became increasingly common in the hip hop genre fueled by the hip hop rivalry phenomenon.

History

One of the earliest examples of a diss track was "You Keep Her" (1962) by Joe Tex. He wrote the song after his wife left him for famous soul singer James Brown, then broke up again and wrote Tex a letter he could have her back. Tex refused and ridiculed this offer in his song.

Another example of a diss track occurred in Jamaica. After Lee "Scratch" Perry left producer Coxsone Dodd he released a track called "Run for Cover" (1967) poking a joke at him. Perry in particular has a long history of releasing diss tracks directed at former musical collaborators. The musical single "People Funny Boy" (1968) attacked his former boss Joe Gibbs by adding sounds of a crying baby into the mix. In response Gibbs himself released a track called "People Grudgeful" (1968). Perry's "Evil Tongues" (1978) was aimed at The Congos and “Judgement Inna Babylon” (1984) and "Satan Kicked the Bucket" (1988) at Chris Blackwell. Perry also attacked Michael Jackson (with whom he never worked together) on the track "Freaky Michael" (2010).