As a filmmaker living in New York for the first time, I'd grab my Canon 7D and shoot footage of what was going on around me, to try and take in all that was happening. To try and capture the sense of community I felt in a place so large and diverse. The HDSLR was a great tool for this. It allowed me get in among people and crowds but at the same time not draw attention to myself. It seemed like a never ending project and you could stay filming life in New York for a long time. But eventually I put my camera down and started to edit. Here's the end result, it's a bit rough and tumble but that's life in the Big Apple I guess. Turn up the volume or put your in earphones for the beautiful song 'We Don't Eat' by Irishman James Vincent McMorrow. For those who asked these are the lens I used: Canon EF-S 17-55mm f/2.8 IS USM Canon EF 50mm f/1.8 II Sigma 20mm f/1.8 EX DG RF

• published: 26 Oct 2011
• views: 738593

Zimoun : Sound Sculptures & Installations, Sound Architectrues Compilation Video V.3.1 / Last update: June 02, 2013 Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates. More works & information: http://www.zimoun.ch Next Events: http://zimoun.ch/events.html Newsletter: http://www.zimoun.ch/​newsletter.html Facebook: http://www.facebook.com/pages/Zimoun/134817185765 HD Video Archive: http://vimeo.com/zimoun/videos/sort:plays Galleries: bitforms gallery nyc http://www.bitforms.com Galerie Denise René Paris http://www.deniserene.com _ «The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck «Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk «The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010 «Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation. These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10 «It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry «The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann «Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara _ Website: http://www.zimoun.ch _

• published: 24 Oct 2009
• views: 0

As a filmmaker living in New York for the first time, I'd grab my Canon 7D and shoot footage of what was going on around me, to try and take in all that was happening. To try and capture the sense of community I felt in a place so large and diverse. The HDSLR was a great tool for this. It allowed me get in among people and crowds but at the same time not draw attention to myself. It seemed like a never ending project and you could stay filming life in New York for a long time. But eventually I put my camera down and started to edit. Here's the end result, it's a bit rough and tumble but that's life in the Big Apple I guess. Turn up the volume or put your in earphones for the beautiful song 'We Don't Eat' by Irishman James Vincent McMorrow. For those who asked these are the lens I used: Canon EF-S 17-55mm f/2.8 IS USM Canon EF 50mm f/1.8 II Sigma 20mm f/1.8 EX DG RF

• published: 26 Oct 2011
• views: 738593

Zimoun : Sound Sculptures & Installations, Sound Architectrues Compilation Video V.3.1 / Last update: June 02, 2013 Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates. More works & information: http://www.zimoun.ch Next Events: http://zimoun.ch/events.html Newsletter: http://www.zimoun.ch/​newsletter.html Facebook: http://www.facebook.com/pages/Zimoun/134817185765 HD Video Archive: http://vimeo.com/zimoun/videos/sort:plays Galleries: bitforms gallery nyc http://www.bitforms.com Galerie Denise René Paris http://www.deniserene.com _ «The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck «Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk «The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010 «Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation. These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10 «It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry «The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann «Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara _ Website: http://www.zimoun.ch _

• published: 24 Oct 2009
• views: 0