Arts Review
Roman Polanski’s victim in 1977 makes plea to Los Angeles court to end the case
By Alan Gilman, 12 June 2017
Samantha Geimer, the victim of Roman Polanski’s 1977 sex offense, urged a Los Angles court Friday to end her and Polanski’s 40 years of torment by dismissing the director’s case.
Three intriguing new films that should not disappear unnoticed: Sami Blood, Past Life and Radio Dreams
By David Walsh, 10 June 2017
Most of the films in movie theaters in the US at the moment are poor, or worse. As a result, the public is increasingly turning away. But there are exceptions.
Roger Waters’ Is This the Life We Really Want?: An angry, depressed protest against war and nationalism
By Kevin Reed, 9 June 2017
In 12 tracks and 55 minutes, Waters paints a picture of a desperate world and he issues an angry protest—if also a disheartened outburst—against the things that make it so.
The case of punk duo PWR BTTM: The erosion of democratic rights in pop culture
By Norisa Diaz, 5 June 2017
The New York-based band has been banished from the music industry following social media allegations of sexual assault, undermining the long-standing legal principle that the accused is presumed “innocent until proven guilty.”
Silence in the Courts—a film about judicial corruption in Sri Lanka
By Wasantha Rupasinghe, 3 June 2017
Prasanna Vithanage’s documentary deals with the sexual assault of two village women by a magistrate and the subsequent cover-up.
Poisoned Water: “NOVA” science series broadcasts segment on Flint water crisis
By James Brewer, 3 June 2017
The Public Broadcasting Service presented an engaging and informative documentary on the science behind the Flint water crisis.
Barry Levinson’s The Wizard of Lies on HBO: The tame, New York Times’ version of the Madoff scandal
By David Walsh, 1 June 2017
The HBO film is an account of the downfall of Wall Street swindler Bernard Madoff, whose multi-billion-dollar stock and securities fraud unraveled in December 2008.
Netflix’s War Machine: A hard-hitting attack on America’s military madness
By Joanne Laurier, 30 May 2017
The film admirably revives a venerable tradition of anti-military and anti-war drama and comedy in the US.
Conversations with Joseph Goebbels’s secretary
A German Life: A glimpse into the Nazi inner circle
By Bernd Reinhardt and Verena Nees, 27 May 2017
The Austrian-made documentary centres on Brunhilde Pomsel (1911-2017), who worked as a secretary in the office of Nazi propaganda minister Joseph Goebbels from 1942 to 1945.
The 2017 Whitney Biennial—a survey of contemporary American art: What does it show?
By Clare Hurley, 25 May 2017
The stated goal of the Biennial in New York City is to capture the zeitgeist—”spirit of the times”—through a selection of what is considered representative contemporary artwork.
A conversation with artist Celeste Dupuy-Spencer
By Clare Hurley, 25 May 2017
Celeste Dupuy-Spencer is one of the 63 artists included in the Whitney Biennial 2017. She recently gave an interview to the WSWS.
Netflix series Dear White People: Self-pity in the service of social climbing
By Joanne Laurier, 24 May 2017
The first season of the new Netflix 10-part series, Dear White People, an expansion of Justin Simien’s 2014 movie, concerns a group of black students at a fictional, predominantly white, Ivy League college.
The cases of Aaron Gach, Mem Fox, United Vibrations, Soviet Soviet and others
Artists, writers, musicians detained and bullied by US customs and border officers
By Marko Leone and David Walsh, 23 May 2017
The various agencies responsible for immigration issues and border control have clearly been given the green light by the Trump administration to intimidate and generally terrorize anyone they can get their hands on.
Singer-musician Chris Cornell (1964-2017) dies at 52
By Adam Soroka, 22 May 2017
Cornell (born July 20, 1964 in Seattle, Washington) will be best remembered as the lead vocalist of the Seattle metal band Soundgarden. His vocals combined an R&B; sensibility with a dynamic, multi-octave range.
California: San Diego to cut $2.3 million from city arts budget
By Marko Leone and Kevin Martinez, 20 May 2017
Mayor Kevin Faulconer has called for a 15 percent cut in the city’s budget for theaters, museums, playhouses and other cultural sites.
ABC’s Designated Survivor: The US government in crisis, onscreen and off
By Carlos Delgado, 20 May 2017
The series stars Kiefer Sutherland as Tom Kirkman, a low-level cabinet member who ascends to the presidency after a devastating attack on the US government.
WikiLeaks’ lawyers sharply criticize Laura Poitras’ documentary Risk
By David Walsh, 19 May 2017
Poitras’ film about Julian Assange and WikiLeaks, the four lawyers contend, undermines the credibility of the organization at a critical moment and exposes the documentary’s subjects “to considerable legal jeopardy.”
Human rights propaganda in support of imperialist war
The Return of History, Conflict, Migration and Geopolitics in the 21st Century
By Roger Jordan, 18 May 2017
Based on human rights propaganda and a dishonest presentation of the virtues of international law, author Jennifer Welsh argues that the West has to act more aggressively to defend democratic values against terrorism and a resurgent Russia.
Musician-singer Valerie June’s The Order Of Time: A warm album, but …
By Matthew Brennan, 18 May 2017
The album is June’s first proper release since the 2013 album Pushing Against a Stone, which made her a nationally known artist in the US.
Production at Washington, DC’s Shakespeare Theatre Company
Liesl Tommy’s Macbeth: An “updated” version, with pluses and minuses, of Shakespeare's tragedy
By Nick Barrickman, 16 May 2017
The production is visually compelling and makes an attempt to place the Shakespeare classic within the context of modern political and social developments.
UK: Tate workers asked to “put money towards a sailing boat” for museum director
By Jean Shaoul, 15 May 2017
The Tate’s workforce earns on average £24,000, significantly less than the national median of £27,600, which means poverty wages in one of the most expensive cities in the world.
Season 6 of HBO’s Girls: Ending with a whimper
By Ed Hightower, 15 May 2017
The few elements that might have been the show’s saving grace vanish in this final season as Girls dives hard into the morass of identity politics and “personal responsibility.”
Citizens Band, Something Wild, The Silence of the Lambs, Philadelphia …
Jonathan Demme (1944-2017): A talented filmmaker and a victim of stagnant times
By David Walsh, 13 May 2017
American filmmaker Jonathan Demme died April 26 in New York City from complications stemming from esophageal cancer and heart disease. He was 73.
Risk: Laura Poitras’ confused, superficial documentary about Julian Assange and WikiLeaks
By David Walsh and Joanne Laurier, 11 May 2017
The film broaches a dozen subjects and avoids treating any of them in depth, and often fails to take a clear position of any kind.
13 Reasons Why: The unhappiness of youth
By Genevieve Leigh, 10 May 2017
The new Netflix series treats the background to the decision by Hannah Baker, a high school student in a more or less average American suburb, to kill herself…and its consequences.
San Francisco International Film Festival—Part 4
Dziga Vertov’s The Man with a Movie Camera: One of the films you must see!
By David Walsh and Joanne Laurier, 6 May 2017
A highlight of the recent San Francisco film festival was the screening of Soviet filmmaker Dziga Vertov’s masterpiece, The Man with a Movie Camera (1929), at the historic Castro Theatre.
National Bird, about drone warfare, currently available on PBS “Independent Lens”
By Joanne Laurier, 5 May 2017
Sonia Kennebeck’s disturbing documentary, National Bird, can be viewed until May 16 on PBS’s “Independent Lens” web site.
San Francisco International Film Festival—Part 3
War (The Stopover), scientific progress (Marie Curie), the police (The Force) and other issues
By Joanne Laurier, 4 May 2017
Honest films about the character and impact of the brutal neo-colonial wars in Iraq, Afghanistan and elsewhere are extremely hard to come by.
The Soviet poet Yevgeny Yevtushenko (1933-2017) and the fate of the ‘60s generation
By Vladimir Volkov, 3 May 2017
Yevgeny Yevtushenko, the best-known Soviet poet from the 1960s to the 1980s, died at 85 from cancer on April 1, 2017, in Tulsa, Oklahoma.
New York’s Metropolitan Museum of Art considers mandatory admission charge for out-of-state visitors
By Fred Mazelis, 1 May 2017
In a city that is home to 79 billionaires, the resources exist many times over for free museum admission for all.
Paint the Revolution: Mexican Modernism 1910–1950—a significant exhibition
By Gary Alvernia, 28 April 2017
The radicalization of Mexican artists led to the creation of powerful and engaging works that expressed the faith of the artistic community in the revolution of the masses.
Lecture at San Diego State University
Should art be judged on the basis of race and gender?
By David Walsh, 27 April 2017
This is an edited version of a talk given at San Diego State University on April 18 by WSWS arts editor David Walsh. Audio of the talk is included.
San Francisco International Film Festival—Part 1
By David Walsh, 26 April 2017
The 2017 San Francisco International Film Festival screened some 180 films from 50 countries or so. This is the first of several articles.
Edward Yang’s Taipei Story (1985) depicts a city of sadness and alienation
By Fred Mazelis, 18 April 2017
One of the early films of major Taiwanese director Edward Yang was recently screened in the US for the first time.
“Nothing is entirely serious”—least of all Pablo Larraín’s Neruda
By Emanuele Saccarelli, 12 April 2017
Pablo Larraín’s Neruda is a highly unconventional and dissatisfying biopic of the Chilean poet.
Public meeting April 18 in San Diego, California
Art and Revolution: Should art be judged on the basis of race and gender?
11 April 2017
WSWS Arts Editor David Walsh will speak at San Diego State University on the retrograde trends that evaluate art based on concepts like “white privilege” and “cultural appropriation.”
San Diego Latino Film Festival—Part 2
Conditions in Latin America, treated concretely…and more abstractly
By Kevin Martinez and Toby Reese, 6 April 2017
Films from Ecuador, Mexico, Colombia and the Dominican Republic were shown at the festival, including a tense political drama, a dialogue-free drama and two documentaries.
The Zookeeper’s Wife: Life and heroism in wartime Warsaw
By Joanne Laurier, 5 April 2017
The Zookeeper’s Wife recounts the true story of the rescue of Jews from the Warsaw Ghetto during the Nazi invasion of Poland that began in 1939.
San Diego Latino Film Festival—Part 1
Films on social life, past and present, in Mexico, the US and Peru
By Kevin Martinez and Toby Reese, 3 April 2017
The festival screened films from Mexico, Cuba, Spain, Venezuela, Colombia, Canada, Argentina, Chile, Ecuador, Puerto Rico, Peru, Honduras, Brazil, the US and other countries.
An interview with Jose Ramon Pedroza, director of Los Jinetes Del Tiempo (Time Riders)
By Kevin Martinez and Toby Reese, 3 April 2017
The WSWS conducted an interview with Mexican film director Jose Ramon Pedroza.
Once again on Dana Schutz’s painting of Emmett Till: The New York Times intervenes to preserve identity politics
By David Walsh, 31 March 2017
The media establishment clearly senses that in the case of the Schutz painting in the Whitney Biennial, the identity politics zealots may have overstepped the bounds.
Lyrical and left-wing film
Nicholas Ray’s They Live by Night (1948): “They’re thieves, just like us”
By Joanne Laurier, 29 March 2017
A viewing of Nicholas Ray’s iconic 1948 film They Live by Night is a refreshing antidote to the current trivia, social indifference and identity politics.
Get Out: The horror of racism, and racialist politics
By Hiram Lee, 28 March 2017
With Get Out, Jordan Peele has said he wanted to make a film to “combat the lie that America had become post-racial.” The monster at the heart of this horror film is racism itself.
The foul attempt to censor and suppress Dana Schutz’s painting of Emmett Till
By David Walsh, 24 March 2017
The current campaign being waged against Open Casket, white artist Dana Schutz’s painting of murdered black youth Emmett Till, on racialist grounds is thoroughly reactionary.
Thomas Jefferson and Ben Franklin museums in Philadelphia closed by Trump administration hiring freeze
By Douglas Lyons, 23 March 2017
The Trump administration’s hiring freeze and threatened budget cuts prompted the National Park Service to close the historic attractions.
Rock ’n’ roll great Chuck Berry dead at 90
By Hiram Lee, 23 March 2017
It would be difficult to overstate Berry’s influence on American popular music in the second half of the 20th century. Perhaps more than any other artist in the genre, he defined the sound of rock ’n’ roll.
Revisiting John Steinbeck’s A Russian Journal from 1948
By Clara Weiss, 21 March 2017
American novelist John Steinbeck, together with famed Hungarian-born war photographer Robert Capa, visited the Soviet Union in 1947 on the very eve of the Cold War.
Bitter Harvest: Ukrainian nationalist fantasy as film
By Jason Melanovski, 18 March 2017
Russophobia and historical misrepresentation abound in George Mendeluk’s pseudo-historical drama.
Revolution: New Art for a New World—A careless, unserious treatment of Russian Revolutionary art
By Joanne Laurier and David Walsh, 17 March 2017
British filmmaker Margy Kinmonth is out of her depth in her documentary about Russian avant-garde art.
The Settlers: Israel’s movement toward an apartheid state
By Fred Mazelis, 11 March 2017
A new documentary shows the impact of decades of Israeli occupation of the West Bank on the Zionist state.
67th Berlin International Film Festival—Part 3
The absence for the most part of the big wide world: German films at the Berlinale
By Bernd Reinhardt, 9 March 2017
The dramatic social and political developments of the past several years were evidently not high on the German filmmakers’ agenda.
The Look of Silence: Important documentary on the aftermath of the 1965 Indonesia massacres
By Clara Weiss, 6 March 2017
In a profoundly moving, intimate and disturbing way, Joshua Oppenheimer’s film deals with the long-lasting and devastating impact of the mass murder of up to one million Communists and suspected Communists.
67th Berlin International Film Festival--Part 2
A film about the legendary guitarist: Django
By Bernd Reinhardt, 4 March 2017
The debut film of Étienne Comar focuses on the year 1943, when the Nazis tried unsuccessfully to convince Django Reinhardt to undertake a tour of fascist Germany.
A contribution on art and identity politics
It isn’t a highway and it doesn’t have lanes
By Steven Brust, 3 March 2017
The comment by fantasy and science fiction writer Steven Brust is a response to the effort to restrict art and literature according to the dictates of racial and gender politics.
89th Academy Awards: What does Hollywood offer today?
By David Walsh, 28 February 2017
The 89th Academy Awards ceremony, held Sunday at the Dolby Theatre in Hollywood, was an even more complex and peculiar affair than usual.
Why is the Flaming Lips’ Oczy Mlody so disappointing?
By Hiram Lee, 27 February 2017
Indie rock veterans The Flaming Lips have returned with a new album of mostly detached psychedelia.
Russian revolutionary art exhibition in London excises Trotsky—and, more generally, historical truth
Revolution: Russian Art 1917–1932
By Paul Mitchell, 25 February 2017
Curator Natalia Murray’s aim in the Royal Academy exhibition is to pour scorn on and discredit the 1917 October Revolution and to combat the contemporary impact of the works it inspired.
Zhang Yimou’s The Great Wall: Issues bound up with a major Chinese film production
By Joanne Laurier, 23 February 2017
Set in ancient China, Zhang Yimou’s new work is a visually arresting, large-scale action film undermined by its general cartoonishness.
Australian governments’ decade-long cultural wrecking operation
By Richard Phillips and Linda Tenenbaum, 22 February 2017
Today, the ruling elites regard genuinely critical and creative voices with suspicion or outright hostility.
Daniel Barenboim conducts the Bruckner symphony cycle in New York
By Fred Mazelis, 20 February 2017
A late 19th century composer who has some detractors gets his big moment at Carnegie Hall.
British actor John Hurt: 1940-2017
By Kevin Martinez, 17 February 2017
Renowned for playing outsiders and “commoners,” British actor John Hurt died January 25, three days after his 77th birthday.
Pedro Almodóvar’s Julieta: A mother and daughter … and what else?
By Joanne Laurier, 16 February 2017
Spanish filmmaker Pedro Almodóvar’s latest film, Julieta, is a family melodrama that seeks to explore themes of guilt, alienation and absence, but with very limited results.
Columnist Myles E. Johnson on Beyoncé at the Grammys
The New York Times opens its pages to frenzied racialism
By David Walsh, 16 February 2017
The February 14 op-ed piece in the Times by Myles E. Johnson (“What Beyoncé Won Was Bigger Than a Grammy”) is an especially repugnant example of racialism.
Recording artists voice opposition to the White House at 2017 Grammy Awards
By Nick Barrickman, 15 February 2017
Numerous Grammy Award-winning music artists took to the stage on Sunday’s awards ceremony to criticize the new US administration.
Composer David Axelrod dies at age 85
By Nick Barrickman, 15 February 2017
Axelrod crafted and inspired some of the more haunting, cinematic and versatile popular American music during the second half of the 20th century.
I Am Not Your Negro: Raoul Peck’s documentary on James Baldwin
By Clare Hurley, 14 February 2017
The film takes as its point of departure Baldwin’s proposal to his editor in 1979 to write a piece about civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr.
Iranian filmmaker Asghar Farhadi’s The Salesman
By Tom Carter, 13 February 2017
“Most of the film takes place inside an apartment,” Farhadi told one interviewer, “but once the film has ended, you feel like you’ve seen the whole city.”
Budapest Festival Orchestra in New York
Classical music performers take a stand against Trump’s travel ban
By Fred Mazelis, 11 February 2017
Symphony orchestras in major US cities (and many smaller cities as well) have large and growing numbers of immigrants in their ranks, and the music they perform is international in scope and history.
Alberto Cavalcanti and postwar British cinema
By Joanne Laurier, 10 February 2017
In the course of a lengthy filmmaking career, Brazilian-born Alberto Cavalcanti created several of the most poetically realistic and socially poignant films of the twentieth century.
The Guardian’s Jonathan Jones denounces the Russian Revolution and its art
By Chris Marsden and Paul Mitchell, 8 February 2017
Jones paints a lying picture of gratuitous violence by the Bolsheviks, but fails to mention the intervention of the imperialist powers, or to detail the White terror they helped sustain.
John Berger, radical art critic, 1926-2017
By Sandy English and David Walsh, 7 February 2017
Prominent left-wing art critic John Berger died on January 2 and left a mixed legacy of writing on art and society.
“None of these games would be possible without our labor”
Striking video game actors rally in Los Angeles
By Glenn Mulwray, 7 February 2017
The Screen Actors Guild called for a rally in support of video game performers striking against 11 major entertainment corporations.
Black Mirror: A murky reflection
By Carlos Delgado, 4 February 2017
The science fiction television series purports to show its viewers the dark side of modern technology.
Lion: A former homeless child searches for his town
By George Morley, 3 February 2017
The two-hour feature, about a young Indian-Australian man finding his birth mother, has been nominated for six Academy Awards, including Best Picture.
American painter Kerry James Marshall’s retrospective, Mastry
By Clare Hurley, 2 February 2017
This retrospective of 35 years of Marshall’s work, jointly organized by several museums, is welcome and somewhat overdue.
The generally lackluster Gold and 20th Century Women
By Joanne Laurier, 1 February 2017
Set in the 1980s, Gold is a fictionalized account of a notorious mining fraud. 20th Century Women is a trite “coming of age” piece located in 1979 California.
Exhibition at the Museum of Modern Art in New York City
A Revolutionary Impulse: The Rise of the Russian Avant-Garde
By Josh Varlin, 30 January 2017
The current exhibition in New York is an opportunity to see some of the most influential works from the early Soviet Union.
Elle: The latest offering from Paul Verhoeven
By David Walsh, 28 January 2017
Dutch-born director Verhoeven’s new film was made in France, and features Isabelle Huppert, who received an Academy Award nomination for her performance.
The Founder: Hollywood’s love affair with Ray Kroc and McDonald's
By Joanne Laurier, 26 January 2017
John Lee Hancock’s The Founder is a biographical drama about Ray Kroc, known as the man who established the McDonald’s global fast food chain.
2017 Academy Award nominations: Hollywood’s “sigh of relief” over racial “diversity”
By David Walsh, 25 January 2017
The media is now so conditioned to treat every major social and cultural phenomenon in racial, ethnic or gender terms that questions of artistic quality or social truthfulness barely receive a mention.
J.D. Vance’s Hillbilly Elegy: Right-wing propaganda in the guise of personal memoir
By Henry Seward, 25 January 2017
The 2016 best-selling memoir by a lawyer at a Silicon Valley investment firm is a rehash of reactionary attacks on the working class in Appalachia and the Midwest.
Martin Scorsese’s Silence and Ben Affleck’s Live by Night: Punishment and crime
By Joanne Laurier, 20 January 2017
A nearly three-hour carnival of torture and cruelty, Martin Scorsese’s Silence aims to dramatize the persecution of Catholics in mid-17th-century Japan. Ben Affleck’s Live by Night is a mediocre gangster drama set in the 1920s.
New York Times film critics watch “while white”
Against racialism in film and art
By David Walsh, 19 January 2017
It would be very nearly possible at present to post a daily column devoted to the fixation of the American media and Hollywood filmmaking with race.
Patriots Day: An ode to law enforcement and repression
By Hiram Lee, 18 January 2017
The latest collaboration of director Peter Berg and actor Mark Wahlberg is a right-wing tribute to law enforcement following the 2013 Boston Marathon bombings.
August Wilson’s Fences—an African-American family in mid-20th century Pittsburgh
By Fred Mazelis, 14 January 2017
The film is the first screen adaptation of any of the plays in Wilson’s cycle of 10 spanning the 20th century.
Saving the world: The moving legacy of sculptor Ernst Neizvestny (1925-2016)
By Lee Parsons, 13 January 2017
Last August the Soviet-Russian sculptor Ernst Neizvestny, one of the most interesting artists of the postwar period, and someone with a distinctive political history, died in New York City at the age of 91.
Hidden Figures and Passengers: One official story, and another trite one
By Joanne Laurier, 12 January 2017
Hidden Figures retells the story of three African-American female scientists who made extraordinary contributions to NASA’s aeronautics and space programs in the 1960s. Passengers is a boiler-plate science fiction thriller.
Meryl Streep, Donald Trump and the Golden Globes
By David Walsh, 11 January 2017
The actress’s remarks at the Golden Globes, an annual event organized by the Hollywood Foreign Press Association, were quite mild and limited.
The POLIN Museum of the History of Polish Jews in Warsaw—Part 2
From the Holocaust to present-day Poland
By Clara Weiss, 11 January 2017
The core exhibition at the recently opened POLIN Museum of the History of Polish Jews in Warsaw has now marked its second anniversary.
Hail to the Chief—wealthy celebrities bid farewell to Obama
By Hiram Lee, 10 January 2017
The Obama administration hosted an all-star farewell party at the White House this weekend, and celebrities from throughout the film and music industries came to pay their respects.
The POLIN Museum of the History of Polish Jews in Warsaw—Part 1
Jewish life in Poland before World War II
By Clara Weiss, 9 January 2017
The core exhibition at the recently opened POLIN Museum of the History of Polish Jews in Warsaw has now marked its second anniversary.
Rap artist Yasiin Bey’s “final” performance at Washington, D.C.’s Kennedy Center
By Nick Barrickman, 7 January 2017
Bey’s humane and charismatic personality was on display at his Washington, D.C. performances; with the artist rapping, crooning, drumming and at times breaking into dance on stage.
Exhibition at the Art Institute of Chicago
The photomontages of Soviet political artist Aleksandr Zhitomirsky (1907-1993)
By George Marlowe, 5 January 2017
An exhibition in Chicago features the work of a leading Soviet photomontage artist and designer, whose works attacked war, imperialism and fascism.
A century since the publication of Henri Barbusse’s antiwar novel, Under Fire
By Sandy English, 4 January 2017
Under Fire was one of the first fictional treatments and intimate accounts of the hideous conditions facing solders at the front during the First World War, as well as the rise of revolutionary sentiment in the trenches.
Jim Jarmusch’s Paterson: A tribute to American cities and poetry
By Dorota Niemitz, 3 January 2017
Paterson is a city with a rich social and cultural history. Jarmusch pays homage to its history in his own, idiosyncratic manner.
Popular music in 2016
By Hiram Lee and Matthew Brennan, 31 December 2016
Much of the pop music released in North America this past year was uninspired and superficial. Some was merely empty-headed and crude.
At the Public Theater in New York City
Sweat: An honest depiction of the American working class
By Fred Mazelis, 30 December 2016
The play, set in impoverished Reading, Pennsylvania, is headed for a run on Broadway.
Carrie Fisher and the Star Wars phenomenon
By David Walsh, 29 December 2016
The announcement Tuesday that Carrie Fisher had died at only 60 was sad news. The actress, writer and humorist was an appealing figure and personality.
Exile as an Intellectual Way of Life: The collaboration of Lion Feuchtwanger and Bertolt Brecht
By Sybille Fuchs, 29 December 2016
In his new book, journalist and non-fiction writer Andreas Rumler examines the intellectual relationship between two major German literary figures, Lion Feuchtwanger and Bertolt Brecht.
Rogue One: Does it really “stand alone”?
By Matthew MacEgan, 21 December 2016
December 16 saw the release of the first stand-alone Star Wars film. The plot of Rogue One is an exact prequel to the 1977 original.
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