Arts Review
Demolition: Take an investment banker apart, and what do you find?
By Carlos Delgado, 20 April 2016
The film tells the story of Davis Mitchell (Jake Gyllenhaal), a New York investment banker who experiences an emotional unraveling after his wife dies in an automobile accident.
A conversation with Stephen Parker, author of Bertolt Brecht: A Literary Life
By David Walsh, 19 April 2016
WSWS writers Sybille Fuchs, Stefan Steinberg and David Walsh recently spoke to the author of a valuable new biography of the famed German playwright and poet.
Colonia: Under Pinochet, a disposal center for enemies of the state
By Joanne Laurier and David Walsh, 16 April 2016
German director Florian Gallenberger’s political thriller Colonia takes place during and after the US-backed Chilean military coup in September 1973.
SEP/IYSSE meetings in California: Art, War and Social Revolution
14 April 2016
WSWS Arts Editor David Walsh will speak at meetings in San Diego and Berkeley, California, addressing the political and cultural situation in relation to American imperialism’s relentless war drive.
Born to Be Blue and Miles Ahead: Why so much fiction when life is fascinating enough?
By John Andrews, 7 April 2016
Films based on the lives and personas of post-World War II jazz musicians Chet Baker and Miles Davis have been released recently.
Batman v Superman: Dawn of Justice—Doom and gloom, with capes
By Carlos Delgado, 6 April 2016
The price tag of the film, including production and marketing costs, approaches half a billion dollars, and some analysts believe it would need an $800 million box office to recoup its investment.
UK documentary exposes Saudi role in global terror operations
By Jean Shaoul, 5 April 2016
The Saudi ruling family spent $70 billion exporting its particularly repressive form of Islamism through books, the media, Islamic welfare institutions and charities.
The New York Times on race and art
By Hiram Lee, 4 April 2016
A review published in this Sunday’s New York Times Book Review advances a racialist view of art and culture with thoroughly reactionary implications.
San Diego Latino Film Festival 2016—Part 3
From Cuba a grim drama (La obra del siglo) and from Argentina a political thriller (El Clan) and a road trip (Camino a La Paz)
By Kevin Martinez and Toby Reese, 1 April 2016
The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, and South and Central America.
Eye in the Sky: The liberal war on terror
By Joanne Laurier, 31 March 2016
Eye in the Sky is a political-military thriller in which British and American officials weigh the consequences of a drone strike in Nairobi, Kenya.
San Diego Latino Film Festival 2016—Part 2
The human cost of the drug war in Mexico and a drama from Venezuela: Retratos de una búsqueda and Dauna. Lo que lleva el río
By Kevin Martinez and Toby Reese, 30 March 2016
The San Diego festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America.
San Diego Latino Film Festival 2016—Part 1
Films from Argentina, Spain and Guatemala: El Movimiento, Hablar, Ixcanul and Tras Nazarin
By Kevin Martinez and Toby Reese, 28 March 2016
The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America.
Atom Egoyan’s Remember: A Nazi criminal hunted…
By Joanne Laurier, 25 March 2016
Two Auschwitz concentration camp survivors plot to kill the SS guard who murdered their families in Atom Egoyan’s latest film, Remember, a psychological drama.
“We make the terror:” Season four of House of Cards
By Andre Damon, 24 March 2016
The latest season of the Netflix series suggests that the US government facilitates terrorism to keep a lid on domestic opposition, spies on the population for political gain, and conspires to go to war for Machiavellian ends.
Book Review
Anthony Doerr’s All the Light We Cannot See: All the history the novelist cannot see
By Leah Jeresova, 23 March 2016
Doerr’s second novel takes a moralizing, ahistorical view of events during the Second World War.
Ten years since the death of hip hop artist James “J Dilla” Yancey
By Nick Barrickman, 21 March 2016
A talented musician, Yancey is considered by many to have been among the greatest of all hip hop producers.
Novelist Jonathan Franzen’s Purity
By Sandy English, 17 March 2016
Franzen’s highly praised fifth novel is a largely––and carelessly––misanthropic, right-wing work that fails to create complex or plausible characters.
Beatles producer George Martin dies at 90
By Hiram Lee, 15 March 2016
Legendary music producer George Martin, who supervised almost all of the Beatles’ recordings, died on March 8.
66th Berlin International Film Festival—Part 4:
Flight and persecution—yesterday and today (The Diary of Anne Frank and Meteorstraße)
By Bernd Reinhardt, 14 March 2016
A new adaptation of the immortal Diary of a Young Girl by Anne Frank, about Nazi persecution, and a film about Palestinian refugees in contemporary Germany.
A Perfect Day: 24 hours in the Bosnian War
By Joanne Laurier, 12 March 2016
Spanish filmmaker Fernando León de Aranoa’s movie A Perfect Day deals with international humanitarian aid workers in the Balkans near the end of the war in the mid-1990s.
Race: Jesse Owens and the 1936 Berlin Olympics
By Alan Gilman and David Walsh, 10 March 2016
Stephen Hopkins’ film centers on critical events in the life of African-American track and field legend Jesse Owens.
American Crime Story: The People v. O. J. Simpson: An indictment of American celebrity culture
By Charles Bogle, 8 March 2016
The FX series examines the murders of Nicole Brown Simpson and her friend Ronald Goldman in June 1994, for which former football star O. J. Simpson was charged.
66th Berlin International Film Festival—Part 3:
Alone in Berlin—a working class couple opposes the Nazis
By Bernd Reinhardt, 7 March 2016
Vincent Pérez’s film is a new adaptation of Hans Fallada’s novel Every Man Dies Alone (published posthumously in 1947).
Two poor films on the Afghanistan war—Whiskey Tango Foxtrot and A War—and Jonás Cuarón’s Desierto
By Joanne Laurier, 5 March 2016
Whiskey Tango Foxtrot is a semi-comic treatment of the tragic Afghan conflict; A War from Denmark is ostensibly a more serious effort. Desierto takes up the war against Mexican immigrants.
Eighty-eighth Academy Awards: Hopeful signs amidst reactionary “diversity” campaign
By Fred Mazelis, 1 March 2016
The Oscar awards ceremony Sunday night included some welcome notes and surprises, and generally, despite the disorienting campaign waged under the Twitter hashtag #OscarsSoWhite, revealed a more humane side of Hollywood.
66th Berlin International Film Festival—Part 2:
A critique of Europe’s refugee policy: On the Berlinale’s Golden Bear for Fire at Sea
By Verena Nees and Bernd Reinhardt, 27 February 2016
This is the second in a series of articles on the recent Berlin international film festival, the Berlinale, held February 11-20, 2016.
66th Berlin International Film Festival—Part 1:
Refugee crisis takes centre stage at the Berlinale
By Stefan Steinberg, 22 February 2016
The main prize of the festival went to Fire at Sea (Fuocoammare) by Gianfranco Rosi, dealing with the fate of refugees attempting to enter Europe.
John Patrick Shanley’s Prodigal Son: A working class youth at a Catholic high school in the 1960s
By Robert Fowler, 19 February 2016
The playwright raises some important issues and then proceeds to skirt them, leaving the audience with little more than a banal liberalism.
Woman at the Window: Oratorio remembers the Triangle Shirtwaist Fire
By Adam Mclean, 16 February 2016
Students at the Cortines School of Visual and Performing Arts in Los Angeles tackle the deadliest industrial disaster in US history in an honest and compelling work.
Jia Zhangke’s Mountains May Depart: Three periods in modern China, a good deal of confusion
By David Walsh, 13 February 2016
Veteran independent Chinese filmmaker Jia Zhangke’s Mountains May Depart is opening in theaters in the US this week.
Leo Tolstoy’s War and Peace dramatized in a new television series
By Joanne Laurier, 11 February 2016
Tolstoy’s titanic novel has received a new adaptation by the BBC and is now airing in numerous countries.
The Coen Brothers’ Hail Caesar!: The “Passion” of a film studio troubleshooter
By Joanne Laurier, 9 February 2016
Hail Caesar!, directed by Joel and Ethan Coen, is a comedy about Hollywood set in the early 1950s.
At the Jewish Museum in New York City
“The Power of Pictures: Early Soviet Photography, Early Soviet Film”—an exhibition
By C.W. Rogers, 6 February 2016
The exhibition examines some of the remarkable photography, magazines, film posters and innovative films produced in the years that followed the October Revolution of 1917.
45 Years: A nightmare on the brain of the living?
By David Walsh, 5 February 2016
In Andrew Haigh’s 45 Years, a childless, middle class couple living in a provincial English town, are on the eve of their 45th wedding anniversary.
Flint pre-screening of the documentary MisLEAD: America’s Secret Epidemic
Parents fighting lead poisoning denounce government inaction and lies
By Tim Rivers, 4 February 2016
Following a preview screening of the film MisLEAD: America’s Secret Epidemic, which documents the epidemic spread of lead across America, a panel of parents was joined by the director of the film and a state expert for lead risk assessment.
“Light lights in air”: Value, price, profit and Louis Zukofsky’s poetry
By Andras Gyorgy, 3 February 2016
Louis Zukofsky (1904–78), largely unknown today except in academic circles, was a remarkable American poet. In the late 1920s and 1930s, a supporter of the Communist Party, he wrote complex, modernist works.
Racialism, art and the Academy Awards controversy
By David Walsh, 30 January 2016
It is no exaggeration to point out that, in ideological terms, Cara Buckley in the New York Times and others, in their obsession with race, are spouting a conception of society and art identified historically with the extreme right.
13 Hours: The Secret Soldiers of Benghazi—Michael Bay’s mythmaking
By Kevin Martinez, 30 January 2016
Hollywood’s latest propaganda piece tells the story of the 2012 attack on a US base in Libya from a right-wing perspective, with predictable results.
Drone, a Norwegian-made documentary: “We just made orphans out of all these children”
By Joanne Laurier, 29 January 2016
The documentary brings together opponents of the CIA drone program and includes interviews with two former US Air Force drone pilots.
A modern Antigone: Son of Saul by László Nemes
By Dorota Niemitz, 28 January 2016
The debut film of Hungarian director László Nemes depicts the horrors of the Auschwitz-Birkenau death camp during the prisoner uprising of October 1944.
J.M.W. Turner and modern art: Comments on an exhibition at the Art Gallery of Ontario
By Lee Parsons, 26 January 2016
Given the current upsurge of interest in representational imagery, the exhibition of the late work of J.M.W. Turner (1775–1851) at the Art Gallery of Ontario in Toronto is of particular interest.
Charlie Kaufman’s often charming, moving Anomalisa (and Michael Moore’s feeble Where to Invade Next)
By Joanne Laurier, 23 January 2016
Anomalisa is an adult animated film created with stop-motion puppetry centering around an angst-ridden, self-help author. Where to Invade Next is a non-comment on Washington’s never-ending wars.
Jazz album: Crisis by Amir ElSaffar and the Two Rivers Ensemble
By Jeff Lusanne, 22 January 2016
An album fusing Western jazz traditions and traditional Arab music preserves an endangered Iraqi art form and creates a new sound.
The semi-boycott of the “whites only” Academy Awards
By David Walsh, 21 January 2016
Director Spike Lee and actress Jada Pinkett Smith, both African-American, have indicated they will shun this year’s award ceremony on February 28.
To create a genuine artistic “avant garde” means confronting critical historical issues
By David Walsh, 20 January 2016
The essay by David Walsh we are posting today considers whether or not an artistic vanguard exists today—and, if not, what such a vanguard would consist of and what questions it would have to confront.
30 Americans at the Detroit Institute of Arts: The art of identity politics
By Zac Corrigan, 20 January 2016
30 Americans is a collection of artwork created under the influence of racialist and gender politics, and it provides an opportunity to assess the aesthetic contribution of this outlook.
Neorealism: We Were Not Just Bicycle Thieves—a documentary on Italian cinema
By Richard Phillips, 19 January 2016
The 72-minute film provides a general outline of neo-realist cinema, but it is a seriously limited one.
Picasso’s sculpture at the Museum of Modern Art in New York
By Clare Hurley, 18 January 2016
MoMA has given Picasso’s sculpture blockbuster treatment, including more than 140 pieces. The handful of sculptures that are a discovery tend to get lost in the crowd.
The Revenant: Are we all savages? (And Paolo Sorrentino’s Youth )
By Joanne Laurier, 16 January 2016
The Revenant is a sensationalized account of the life of American fur trapper Hugh Glass, who famously survived a mauling by a bear. Youth is a banal meditation on aging.
The 88th Academy Awards nominations
By David Walsh, 15 January 2016
The Academy Award nominations revealed the usual muddle-headedness, liberal good intentions and severe limitations of the social grouping that decides these things.
Concussion: Highlighting the perils of American football
By Alan Gilman, 14 January 2016
Despite its limitations, Concussion serves to bring before a mass audience the grave risks inherent in playing America’s most popular sport.
Carol and The Danish Girl: Real problems, but the danger of exclusivism
By Joanne Laurier, 8 January 2016
The two films address significant subjects that could potentially shed light on society and its moral and psychological condition.
Conductor and avant-garde composer Pierre Boulez (1925–2016)
By Alex Lantier, 7 January 2016
As a conductor who worked and recorded extensively with leading orchestras and opera companies, Boulez elicited powerful, precise, unpretentious and always tasteful performances, though they sometimes had a touch of coldness.
Racism and revenge: Quentin Tarantino’s The Hateful Eight
By Hiram Lee, 7 January 2016
Tarantino’s latest is a deeply unpleasant work, another in a long line of the director’s blood-soaked revenge fantasies.
Frank Capra: The Early Collection—The American filmmaker’s most ambitious and honest work
By Charles Bogle, 6 January 2016
The box set contains five pre-Code movies: Ladies of Leisure (1930), Rain Or Shine (1930), The Miracle Woman (1931), Forbidden (1932) and The Bitter Tea of General Yen (1933).
The failure of David O. Russell’s Joy, or, what any “sensible” person should know about modern society
By David Walsh, 5 January 2016
Russell’s film is loosely inspired by the life story of millionaire inventor and entrepreneur Joy Mangano, who created a self-wringing mop and other products.
Lulu: A new production of a challenging 20th century opera
By Fred Mazelis, 4 January 2016
Alban Berg found ways to express drama and emotional power within the atonal framework pioneered by his teacher Arnold Schoenberg.
The Big Short: The criminality of Wall Street and the crash of 2008
By Joanne Laurier, 31 December 2015
Adam McKay’s new film The Big Short is a hard-hitting comedy-drama about the 2008 financial meltdown.
Best films of 2015
By David Walsh and Joanne Laurier, 31 December 2015
The most interesting films we saw in 2015, both those that played in a movie theater in the US and those not yet distributed.
The year in popular music
30 December 2015
World Socialist Web Site music writers pick their favorite recordings of 2015.
In Jackson Heights: Documentarian Frederick Wiseman on life in a New York City neighborhood
By Mark Witkowski and Fred Mazelis, 29 December 2015
If nothing else, Wiseman’s new documentary is a reminder of the fact that, even in this wealthiest city in the world, the working class makes up the vast majority of the population.
John Heartfield: Laughter Is A Devastating Weapon
David King on the famed German photomontage artist
By Jeff Lusanne, 28 December 2015
Laughter is a Devastating Weapon presents 50 full-page images of John Heartfield’s work, revealing the power, impact and problems of the brilliant German artist’s satirical photomontages.
An interview with performer, educator and archivist of the Great American Songbook, Michael Feinstein
By Barry Grey, 23 December 2015
“I feel that this body of work is timeless, because it has a level of craft, inspiration and quality that transcends the era in which it was created.”
Star Wars: The Force Awakens: No real awakening
By Matthew MacEgan and David Walsh, 22 December 2015
The new Star Wars offering serves as the first part of a “sequel” trilogy that tells the story of the next generation by reusing many of the same ideas and visuals.
“Bloody instructions ... return to plague the instructor”
A new film version of Shakespeare’s Macbeth
By George Marlowe and David Walsh, 19 December 2015
A new version of William Shakespeare’s Macbeth with Michael Fassbender and Marion Cotillard emphasizes the bloody, barbaric times.
Canada’s role in Afghanistan
Hyena Road: Neither pro- nor anti-war? Not so fast, Mr. Gross…!
By Lee Parsons, 18 December 2015
Paul Gross’s film follows the construction of a tactically important road being built in the heart of Taliban territory by Canadian forces in southern Afghanistan.
Legend and Room: Once again, celebrating the underworld—and a peculiar film about captives
By Joanne Laurier, 17 December 2015
Legend is a British crime drama about the Kray twins, London’s most notorious gangsters in the 1960s; Room concerns a mother and her five-year-old son held prisoner in a shed for seven years.
Who would celebrate Hitler today?: The German satirical film Look Who’s Back
By Bernd Reinhardt, 16 December 2015
The satirical film, based on the novel of the same title by Timur Vermes, has been seen by over two million people, making it one of the most watched in Germany this year.
Killing Them Safely: The big business of police tasers
By Kevin Martinez, 15 December 2015
The documentary is a disturbing look at TASER International, the company that has cornered the market for police electro-shock weapons.
Brooklyn: Irish immigration through rose-colored glasses
By Joanne Laurier, 10 December 2015
Brooklyn focuses on a young Irish girl who emigrates to America in the early 1950s and struggles with homesickness and adjusting to an alien environment.
An interview with Ted Dawe, author of Into the River
By Tom Peters, 9 December 2015
Dawe’s novel has been attacked in the media and by fundamentalist Christians because of its realistic depiction of New Zealand society, from the point of view of a working-class Maori teenager.
Interview with Indian filmmaker Rahul Roy, director of The Factory
By Lee Parsons, 7 December 2015
Roy’s film chronicles the struggle of autoworkers at the assembly plant operated by Maruti Suzuki India, in Manesar, northern India.
Interview with Denny Tedesco, director of The Wrecking Crew
“Everybody loves this music around the world”
By Joanne Laurier, 5 December 2015
The WSWS recently spoke with Denny Tedesco, son of legendary guitarist Tommy Tedesco and director of The Wrecking Crew, a documentary about the 1960s’ musical scene in Los Angeles.
Spotlight: A telling exposé of sexual abuse in the Catholic Church
By Joanne Laurier, 3 December 2015
Tom McCarthy’s Spotlight is a taut, quasi-political thriller that chronicles the Boston Globe’s 2002 exposure of child sexual abuse by Catholic priests in the Boston area.
The 33: A drama of the 2010 Chilean mine disaster
By Hiram Lee, 2 December 2015
The new film from Mexican-born director Patricia Riggen tells the story of the 2010 mine disaster in Chile, in which 33 miners were trapped underground for more than two months.
Trumbo and the history of the Hollywood blacklist
By Fred Mazelis, 30 November 2015
Jay Roach’s film about the anti-communist Hollywood witch-hunt, though politically limited and marred by the conventions of the biopic genre, deserves to be widely seen.
Sarah Gavron’s Suffragette: What do Mrs. Pankhurst and an East End laundress have in common?
By Joanne Laurier, 28 November 2015
British filmmaker Sarah Gavron’s Suffragette is a fictionalized account of the women’s voting rights movement in Britain in the pre-World War I period.
Iraqi Odyssey opens in the US
By David Walsh, 27 November 2015
This elegantly composed documentary attempts to interweave the complex saga of the director’s own family with the larger history of Iraq over the past half-century or more.
The Hunger Games: Mockingjay—Part 2: Worn seriously thin by now
By David Walsh, 26 November 2015
The new film treats the climax of the struggle in Panem between the rebels, morally led by Katniss Everdeen, and the forces of the Capitol, presided over by the tyrannical President Coriolanus Snow.
Red Pill’s Look What This World Did To Us: The “everyman mentality,” its strengths and weaknesses
By Nick Barrickman, 20 November 2015
Look What This World Did To Us (April 2015, Mello Music Group) is the third full-length studio album from Detroit-area rapper/producer Red Pill (born Chris Orrick, 1987).
The Holocaust as Via Dolorosa: The mysticism of Piotr Chrzan’s Klezmer
By Dorota Niemitz, 19 November 2015
Piotr Chrzan’s directorial debut deals with the subject of the organized search for the Jews, or the Judenjagd, in Nazi-Occupied Poland.
New Orleans songwriter, musician Allen Toussaint dead at 77
By Hiram Lee, 12 November 2015
On tour at the time of his death, Toussaint suffered a heart attack following a performance at the Teatro Lara in Madrid, Spain.
Our Brand is Crisis: US political consultants at their dirty work in Bolivia
By Joanne Laurier, 9 November 2015
Based on a documentary, the new David Gordon Green movie, Our Brand is Crisis, is a comedy-drama about the activities of American political operatives in the 2002 Bolivian presidential election.
Beethoven’s Fidelio distorted beyond recognition at 2015 Salzburg Festival
By Fred Mazelis, 7 November 2015
The opera was written in the aftermath of the French Revolution, and expressed the composer’s devotion to the ideals of the Enlightenment.
Benedict Cumberbatch at the Barbican in London
“Foul deeds will rise…”: Hamlet, in a world on the brink
By George Marlowe, 5 November 2015
The weight of our time is felt, even if unevenly, in the overall mood of the recent production of Hamlet with Benedict Cumberbatch.
The impact of the refugee crisis: Lampedusa by Anders Lustgarten at Liverpool’s Unity Theatre
By Joe Mount, 5 November 2015
Lustgarten’s play attempts to convey the lives and plight of ordinary people and avoids the self-absorption of many artists.
Truth: The victimization of CBS’s Dan Rather and Mary Mapes
By Fred Mazelis, 4 November 2015
The film at least partly reveals the role of the media as a virtual propaganda arm of the military and the CIA.
Steve Jobs fails to transcend conventional mythologizing
By Kevin Reed, 2 November 2015
Based on Walter Isaacson’s authorized biography, the film presents its title character as a clairvoyant and brilliant business leader with significant character flaws.
F.W. Murnau’s classic, groundbreaking Nosferatu in US theaters …
… and two poor, new films (Beasts of No Nation, Rock the Kasbah)
By Joanne Laurier, 30 October 2015
Several movie theaters in the US are currently screening F.W. Murnau’s classic silent film, Nosferatu (1922). We also look briefly at Rock the Kasbah and Beasts of No Nation.
Hegel: “In their paintings we can study and get to know men and human nature”
Seventeenth-century Dutch paintings at the Museum of Fine Arts in Boston
By David Walsh, 29 October 2015
The exhibition is not huge, but its 75 paintings from 40 institutions in the US, Canada and Europe, a third of which have not been seen in the US before, were thoughtfully chosen.
Coming Home: A small, sincere film about big, complex times
By David Walsh, 20 October 2015
In the late 1970s, after two decades in a remote “rehabilitation camp,” a Chinese political prisoner returns to his long-suffering wife, who does not recognize him.
“Artists have the capacity to expose the reality of war”
Sri Lankan filmmaker Prasanna Vithanage speaks with the World Socialist Web Site
By Wasantha Rupasinghe, 13 October 2015
Vithanage discusses With You, Without You and the political difficulties facing contemporary Sri Lankan filmmakers.
Black Mass: The story of Whitey Bulger, gangster and FBI informant
By Kevin Martinez, 10 October 2015
Despite exhibiting a healthy cynicism toward the authorities, the film fails to give a satisfying picture of Boston’s underworld, or the city’s social relations, in the 1970s and 1980s.
The Martian: A modern Robinson Crusoe
By David Walsh, 7 October 2015
One member of a manned mission to Mars is presumed dead and left behind on the desolate planet.
Time Out of Mind: Richard Gere as a homeless man in New York City
By Robert Fowler, 5 October 2015
Some of the more authentic moments in the film come in the form of George Hammond’s difficulties with government bureaucracies and homeless shelter officials.
Toronto International Film Festival 2015: Part Three
I Saw the Light (Hank Williams) and Janis: Little Girl Blue (Janis Joplin)—Popular music and its discontents
By David Walsh, 3 October 2015
Country music performer Hank Williams (1923-1953) and rock and roll singer Janis Joplin (1943-1970) were both significant figures in the history of American popular culture.
Re-released after 40 years: The strengths and weaknesses of Robert Altman’s Nashville
By David Walsh, 30 September 2015
The nearly three-hour work follows two dozen characters over the course of several days in the city of Nashville, Tennessee, the official capital of country music.
Toronto International Film Festival 2015: Part one
The physical and emotional toll that capitalist society takes
By David Walsh, 26 September 2015
The 40th Toronto International Film Festival screened some 285 feature films and 110 shorts from 71 countries.
99 Homes’ director Ramin Bahrani: “The villain is the system”
By Joanne Laurier, 24 September 2015
Iranian-American writer-director Ramin Bahrani (Man Push Cart, 2005; Chop Shop, 2007; Goodbye Solo, 2008) has created a compelling work that puts flesh and blood on the foreclosure epidemic.
Diego Rivera murals in San Francisco—Mostly hidden and obscured
Change the World or Go Home by Alejandro Almanza Pereda
By Jeff Lusanne, 14 September 2015
The American public’s access to Mexican artist Diego Rivera’s murals has never been easy, as their social and political content has provoked opposition in powerful circles. Now, an artist joins the effort, with little to offer in return.
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