Maximum Overdrive

Maximum Overdrive is a 1986 American science fiction action horror film written and directed by Stephen King. The film stars Emilio Estevez, Pat Hingle, Laura Harrington, and a young Yeardley Smith. The screenplay was inspired by and loosely based on King's short story "Trucks", which was included in King's first collection of short stories, Night Shift.

Maximum Overdrive is King's only directorial effort, though dozens of films have been based on King's novels. The film contained black humor elements and a generally campy tone, which contrasts with King's sombre subject matter in books. The film has a mid-1980s hard rock soundtrack composed entirely by the group AC/DC, King's favorite band. AC/DC's album Who Made Who was released as the Maximum Overdrive soundtrack. It includes the best-selling singles "Who Made Who", "You Shook Me All Night Long", and "Hells Bells".

The film was nominated for two Golden Raspberry Awards including Worst Director for King and Worst Actor for Estevez in 1987, but both lost against Prince for Under the Cherry Moon. In 1988, Maximum Overdrive was nominated for "Best Film" at the International Fantasy Film Awards. King himself described the film as a "moron movie" and stated his intention to never direct again soon after. In a 2002 interview with Tony Magistrale for the book Hollywood's Stephen King, King stated that he was "coked out of [his] mind all through its production, and [he] really didn't know what [he] was doing". King considers the film a learning experience.

Overdrive

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Maxima and minima

In mathematical analysis, the maxima and minima (the plural of maximum and minimum) of a function, known collectively as extrema (the plural of extremum), are the largest and smallest value of the function, either within a given range (the local or relative extrema) or on the entire domain of a function (the global or absolute extrema).Pierre de Fermat was one of the first mathematicians to propose a general technique, adequality, for finding the maxima and minima of functions.

As defined in set theory, the maximum and minimum of a set are the greatest and least elements in the set, respectively. Unbounded infinite sets, such as the set of real numbers, have no minimum or maximum.

Definition

A real-valued function f defined on a domain X has a global (or absolute) maximum point at x^∗ if f(x^∗) ≥ f(x) for all x in X. Similarly, the function has a global (or absolute) minimum point at x^∗ if f(x^∗) ≤ f(x) for all x in X. The value of the function at a maximum point is called the maximum value of the function and the value of the function at a minimum point is called the minimum value of the function.

Ace Ventura

Ace Ventura, Sr. is a fictional character created by screenwriter Jack Bernstein, director Tom Shadyac and actor and comedian Jim Carrey. Ace was played by Jim Carrey in the films Ace Ventura: Pet Detective, released in 1994, and Ace Ventura: When Nature Calls, released in 1995, and was voiced by Michael Daingerfield (credited as Michael Hall) in the animated television series.

Biography

Ace is a Miami-based private detective specializing in the retrieval of missing animals, the son of Rex Ventura and descendant of such as "Ernest Ventura Shackleton" and "Jacques Ventura Costeau". It is not known whether the animated television series was contiguous with the feature-films; but if it was it may take place before them because the only one of his pets to appear in the series is his capuchin monkey, Spike. His eccentricities makes him a laughing stock to the Miami-Dade Police Department in the early part of the first movie, but eventually earned their respect after his rescue of Dan Marino and the dolphin, Snowflake.

Goa trance

Goa trance is an electronic music style that originated during the late 1980s in Goa, India. Goa trance has often funky drone-like bass-lines, compared to techno minimalism of 21st century psytrance.

History

The music has its roots in the popularity of Goa in the late 1960s and early 1970s as a hippie capital, and although musical developments were incorporating elements of industrial music and EBM (electronic body music) with the spiritual culture in India throughout the 1980s, the actual Goa trance style did not appear until the early 1990s.

The music played was a blend of styles loosely defined as techno and various genres of computer music (e.g., high energy disco without vocals, acid house, electro, industrial gothic, various styles of house, electronic rock hybrids). The music arrived on tape cassettes by fanatic traveler collectors and DJs. It was shared (copied) tape to tape among Goa DJs, which was an underground scene, not driven by labels or music industry.

The artists producing this 'special Goa music' had no idea that their music was being played on the beaches of Goa by "cyber hippies". The first techno that was played in Goa was Kraftwerk in the late 1970s on the tape of a visiting DJ. At the time the music played at the parties was live bands. Tapes were played in between sets. In the early 1980s, sampling synth and MIDI music appeared globally and DJs became the preferred format in Goa, with two tape decks driving a party without a break, facilitating continuous music and continuous dancing. There had been resistance from the old-school acid heads who insisted that only acid rock should be played at parties, but they soon relented and converted to the revolutionary wave of technodelia that took hold in the 1980s.