- published: 07 Apr 2014
- views: 43733
Create your page here
Thursday, 28 April 2016
-
remove the playlistCharles Ives
-
remove the playlistLive Recordings
-
remove the playlistCharles Ives Concerts
-
remove the playlistCharles Ives Interviews
- remove the playlistCharles Ives
- remove the playlistLive Recordings
- remove the playlistCharles Ives Concerts
- remove the playlistCharles Ives Interviews
back to playlist
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
- published: 02 Feb 2014
- views: 21663
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 13 May 2012
- views: 110616
New York Philharmonic
Leonard Bernstein
The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in the Dark as Two Contemplations in 1908. The Unanswered Question was revived by Ives in 1930--1935. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946.
Against a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. The three groups of instruments perform in independent tempos and are placed separately on the stage—the strings offstage.
- published: 07 Apr 2014
- views: 33866
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
- published: 28 Mar 2015
- views: 7370
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
- published: 25 Nov 2013
- views: 35216
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
- published: 28 Oct 2011
- views: 39909
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
- published: 04 Aug 2011
- views: 48734
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
- published: 01 Mar 2014
- views: 12499
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
- published: 07 Aug 2011
- views: 37488
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London.
- published: 26 Jun 2012
- views: 43519
Charles Edward Ives (October 20, 1874 – May 19, 1954) was an American modernistcomposer. He is one of the first American composers of international renown, though Ives' music was largely ignored during his life, and many of his works went unperformed for many years. Over time, Ives came to be regarded as an "American Original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Charles Ives was born in Danbury, Connecticut in 1874, the son of George Ives, a U.S. Army bandleader in the American Civil War, and his wife Mary Parmelee. A strong influence of Charles's may have been sitting in the Danbury town square, listening to his father's marching band and other bands on other sides of the square simultaneously. George Ives' unique music lessons were also a strong influence on Charles; George Ives took an open-minded approach to musical theory, encouraging his son to experiment in bitonal and polytonal harmonizations. It was from his father that Charles Ives also learned the music of Stephen Foster. Ives became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on 'America' .
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Charles_Ives
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
42:39Charles Ives - Symphony No. 2
Charles Ives - Symphony No. 2Charles Ives - Symphony No. 2
New York Philharmonic Leonard Bernstein Date: 1990 Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing. Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement. Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions. Movements: Andante moderato Allegro Adagio cantabile Lento maestoso Allegro molto vivace -
31:50Charles Ives,Symphony No.4
Charles Ives,Symphony No.4Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.". Detroit Symphony Orchestra and Chorus/Leonard Slatkin. -
4:36Charles Ives - The Unanswered Question
Charles Ives - The Unanswered QuestionCharles Ives - The Unanswered Question
Charles Ives, The Unanswered Question. James Sinclair, Conductor. Northern Sinfonia. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
6:08The Unanswered Question - Charles Ives
The Unanswered Question - Charles IvesThe Unanswered Question - Charles Ives
New York Philharmonic Leonard Bernstein The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in the Dark as Two Contemplations in 1908. The Unanswered Question was revived by Ives in 1930--1935. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946. Against a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. The three groups of instruments perform in independent tempos and are placed separately on the stage—the strings offstage. -
10:50CHARLES IVES - CENTRAL PARK IN THE DARK
CHARLES IVES - CENTRAL PARK IN THE DARK -
96:33The Best of Charles Ives
The Best of Charles IvesThe Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954) Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared". 0:00 The Unanswered Question 6:07 Violin Sonata No. 1. II: Largo cantabile 12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio 24:24 Three Places in New England: Putnam's Camp II 29:46 Three Places in New England: The Housatonic at Stockbridge III 33:54 Symphony No. 2. I: Andante moderato 40:10 Symphony No. 2. V: Allegro molto vivace 50:27 Symphony No. 4. III: Fugue: Andante moderato con moto 57:04 Central Park in the Dark 1:04:21 The Things Our Fathers Loved 1:06:08 Memories 1:08:38 The Circus Band 1:11:40 They are There! 1:14:32 Tom Sails Away 1:17:21 Tone Roads No. 1 1:20:42 Psalm 100 1:22:17 Hallowe'en (from "Three Outdoor Scenes") 1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau) -
20:33Charles Ives,Three Places in New England.
Charles Ives,Three Places in New England.Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) II. Putnam's Camp, Redding, Connecticut III. The Housatonic at Stockbridge The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order. The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts. Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism. Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century. BBC National Orchestra of Wales/Nicholas Collon. -
49:24Charles Ives - Concord Sonata
Charles Ives - Concord SonataCharles Ives - Concord Sonata
Performed by Gilbert Kalish About the ONLY COMPLETE recording of the work here on toyoob :) This piece of music anchored me in front of my speakers the minute I put it on to play. It just DEMANDED to be heard ! :) -
15:01Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987. © Unitel Classica -
25:57Charles Ives - Sonata for Violin & Piano, No. 3
Charles Ives - Sonata for Violin & Piano, No. 3Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914) I. Adagio II. Allegro III. Adagio Timothy Fain, violin Jeremy Denk, piano Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards). Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting." A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity. Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself." By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way." Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock Art by László Moholy-Nagy -
14:29Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra -
34:34Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, pianoCharles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London. -
48:16Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Stephen Drury, piano; Jessi Rosinski, flute Charles Ives (1874-1954) Piano Sonata No. 2, "Concord, Mass., 1840-1860" • Emerson • Hawthorne • The Alcotts • Thoreau SICPP 2013 Sunday, June 16, 2013 Jordan Hall at New England Conservatory Recorded material courtesy of Brian Dixon. -
4:11Charles Ives - Three Quarter-Tone Pieces [1/3]
Charles Ives - Three Quarter-Tone Pieces [1/3]Charles Ives - Three Quarter-Tone Pieces [1/3]
Charles Ives, Three Quarter-Tone Pieces. "Largo". [0:20] Alexei Lubimov, Piano. Pierre-Laurent Aimard, Piano. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution!
- Aleatoric music
- Amazon.com
- American Civil War
- Arnold Schoenberg
- Bernard Herrmann
- Bitonal
- Bitonality
- Calcium Light Night
- Chamber music
- Charles Ives
- Charles Ives Prize
- Chorale
- Cleveland Orchestra
- Cluster chord
- Columbia Records
- Composer
- Concord Sonata
- Connecticut
- Counterpoint
- Danbury, Connecticut
- Delta Kappa Epsilon
- Eduardo Paolozzi
- Elliott Carter
- Emerson Concerto
- Estate planning
- Experimental music
- Find a Grave
- Flute
- Gian Carlo Menotti
- God Save the Queen
- Gustav Mahler
- Hector Berlioz
- Hello! Ma Baby
- Henry Cowell
- Henry David Thoreau
- Henry Herford
- Hopkins School
- Horatio Parker
- Howard Hanson
- Hymn
- Hymn tune
- Insurance
- Insurance agent
- Ivy league
- Jan Swafford
- Jean Sibelius
- John Philip Sousa
- Juilliard School
- Julian Myrick
- Leo Sowerby
- Leonard Bernstein
- Leopold Stokowski
- Lou Harrison
- Louisa May Alcott
- Ludwig van Beethoven
- Musical modernism
- Musical quotation
- Musical quotations
- Musical technique
- Musical theory
- Nathaniel Hawthorne
- Naxos Records
- Neely Bruce
- New Jersey
- New World Records
- Nicolas Slonimsky
- Organist
- Otto Karolyi
- Pantonality
- Piano Trio (Ives)
- Polonaise
- Polyrhythm
- Polytonality
- Portal Biography
- Project Gutenberg
- Quarter tone
- Ralph Waldo Emerson
- Scherzo
- Screenprint
- Sic
- Simultaneity (music)
- Sonata form
- Stephen Foster
- String orchestra
- Tone cluster
- Traditional songs
- Transcendentalism
- Tremolo
- Trumpet
- Unicorn-Kanchana
- United States Army
- Universe symphony
- Viola
- Virgil Thomson
- Walter Piston
- Wesleyan University
- Wikipedia Media help
- Wikipedia Persondata
- Wikisource
- William McKinley
- William Schuman
- WorldCat
- Yale University
- Aaron Copland
- Arnold Schoenberg
- Bernard Herrmann
- Charles Ives
- Eduardo Paolozzi
- Elliott Carter
- Gian Carlo Menotti
- Gustav Mahler
- Hector Berlioz
- Henry Cowell
- Henry David Thoreau
- Henry Herford
- Horatio Parker
- Howard Hanson
- Jan Swafford
- Jean Sibelius
- John Philip Sousa
- Julian Myrick
- Leo Sowerby
- Leonard Bernstein
- Leopold Stokowski
- Lou Harrison
- Louisa May Alcott
- Ludwig van Beethoven
- Nathaniel Hawthorne
- Neely Bruce
- Nicolas Slonimsky
- Ralph Waldo Emerson
- Stephen Foster
- Virgil Thomson
- Walter Piston
- Wikipedia Persondata
- William McKinley
- William Schuman
'Charles Ives' is featured as a movie character in the following productions:
Escape Clause (1996)
Actors: Brian Trenchard-Smith (director), John Boylan (actor), Ken Thorne (composer), Scott Wickware (actor), Andrew McCarthy (actor), Derek Brady (miscellaneous crew), Richard Marvin (composer), Paul Sorvino (actor), Chuck Shamata (actor), Phillip Jarrett (actor), Kenneth Welsh (actor), Shawn Lawrence (actor), Pamela Hackwell (miscellaneous crew), Connie Britton (actress), Linda Goranson (actress),
Plot: A man finds out from a would be killer that his wife has paid $10,000 to have him killed. But is this mysterious man telling the truth? When both the killer and the wife turn up dead, everyone is a suspect, and the investigation takes an unexpected turn
Keywords: adultery, assassin, car-hit-by-a-train, corps, family-relationships, female-nudity, fingering, groping, hand-down-panties, hand-in-pantiesGenres: Drama, Thriller,
Ives, Charles Filmography
-
2012, role: composer
-
2005, role: composer
-
1998, role: composer
-
1979, role: composer
-
1977, role: composer
Matching books:
Charles Ives
ALBUMS
- Ives: Symphony No. 2 / Carter: Instances / Gershwin: An American in Paris released: 2014
- Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs) released: 2011
- Music for a Time of War released: 2011
- Four Sonatas released: 2011
- Jeremy Denk Plays Ives released: 2010
- Songs / Orchestral Sets / From the Steeples and Mountains released: 2008
- The Three Orchestral Sets released: 2008
- PSALMS Complete Recording released: 2008
- A Radical in a Suit and Tie released: 2008
- Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor released: 2007
- Symphonies nos. 1 & 4 / Central Park in the Dark released: 2006
- BBC Music, Volume 15, Number 2: American Landmarks: Copland, Ives & Harris released: 2006
- Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton) released: 2006
- A Song - For Anything: Songs by Charles Ives released: 2005
- The Unknown Ives, Volume 2 released: 2005
- Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise released: 2005
- Piano Sonata No. 2 'Concord' / The Celestial Railroad released: 2004
- Music for String Quartet released: 2004
- Ives: Concord Sonata / Barber: Piano Sonata released: 2004
- Concord Sonata / Songs released: 2004
- Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question released: 2003
- Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces released: 2003
- Emerson Concerto / Symphony No. 1 released: 2003
- Symphony no. 1 / Symphony no. 2 released: 2002
- Symphony No. 1 / Three Places in New England released: 2002
- Sonatas for Violin & Piano released: 2002
- Charles Ives: An American Journey released: 2002
- Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2 released: 2001
- Fischer-Dieskau Edition : Debussy / Ravel / Ives released: 2000
- The Orchestral Music of Charles Ives released: 2000
- Symphony No. 2 / Robert Browning Overture released: 2000
- The Symphonies / Orchestral Sets 1 & 2 released: 2000
- Symphony Nos. 4 & 2 released: 1999
- Ives Plays Ives released: 1999
- A Set of Pieces: Music by Charles Ives released: 1999
- Symphony No. 2 / Symphony No. 3 "The Camp Meeting" released: 1998
- Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra released: 1998
- Ives: Symphony no. 2 / Creston: Symphony no. 2 released: 1995
- Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains released: 1995
- Melodies released: 1995
- American Originals: Ives / Barber String Quartets released: 1993
- A Portrait of Charles Ives released: 1993
- Ives: Symphony no. 1 / Barber: Three Essays for Orchestra released: 1992
- Symphonies Nos. 2 & 3 / Central Park in the Dark released: 1992
- Symphony No. 3 / The Unanswered Question / Three Places in New England released: 1992
- Piano Sonata No. 2, "Concord, Mass., 1840-60" released: 1992
- The Complete Songs of Charles Ives, Volume 4 released: 1992
- The Complete Songs of Charles Ives, Volume 3 released: 1992
- The Complete Songs of Charles Ives, Volume 2 released: 1992
- The Complete Songs of Charles Ives, Volume 1 released: 1992
- Symphonies Nos. 2 & 3 released: 1991
- Symphonies Nos. 1 & 4 released: 1991
- Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder released: 1990
- Holidays Symphony / The Unanswered Question / Central Park in the Dark released: 1988
- Symphonies Nos. 2 & 3 / The Unanswered Question released: 1987
- Symphony No. 4 released: 1985
- Piano Pieces released: 1985
- Symphony No. 3 / Orchestral Set No. 2 released: 1985
- Sonate für Klavier Nr. 1 released: 1984
- Ameriques / Symphony No.4 / The Unanswered Question released:
- Works for Piano (piano: Alan Mandel) released:
- Concord Sonata / Three Places in New England / Central Park in the Dark released:
Ives: Symphony No. 2 / Carter: Instances / Gershwin: An American in Paris
Released 2014- add to main playlist Play in Full Screen Symphony no. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Instances
- add to main playlist Play in Full Screen An American in Paris
Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs)
Released 2011- add to main playlist Play in Full Screen A Concord Symphony: I. Emerson
- add to main playlist Play in Full Screen A Concord Symphony: II. Hawthorne
- add to main playlist Play in Full Screen A Concord Symphony: III. The alcotts
- add to main playlist Play in Full Screen A Concord Symphony: IV. Thoreau
- add to main playlist Play in Full Screen Organ Symphony: I. Prelude: Andante
- add to main playlist Play in Full Screen Organ Symphony: II. Scherzo: Allegro molto
- add to main playlist Play in Full Screen Organ Symphony: III. Finale: Lento - allegro moderato
Music for a Time of War
Released 2011- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen The Wound-Dresser
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Lacrymosa. Andante ben misurato
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Dies Irae. Allegro con fuoco
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Requiem Aeternam. Andante molto tranquillo
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Allegro
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Andante moderato
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Scherzo. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Finale con epilogo fugato. Allegro molto - con anima
Four Sonatas
Released 2011- add to main playlist Play in Full Screen Sonata No. 1: I. Andante - Allegro vivace
- add to main playlist Play in Full Screen Sonata No. 1: II. Largo cantabile
- add to main playlist Play in Full Screen Sonata No. 1: III. Allegro
- add to main playlist Play in Full Screen Sonata No. 2: I. Autumn
- add to main playlist Play in Full Screen Sonata No. 2: II. In the Barn
- add to main playlist Play in Full Screen Sonata No. 2: III. Revival
- add to main playlist Play in Full Screen Sonata No. 3: I. Adagio - Andante - Allegretto - Adagio
- add to main playlist Play in Full Screen Sonata No. 3: II. Allegro
- add to main playlist Play in Full Screen Sonata No. 3: III. Adagio (Cantabile)
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": I. Allegro
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": II. Largo
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": III. Allegro
Jeremy Denk Plays Ives
Released 2010- add to main playlist Play in Full Screen Piano Sonata no. 1: I. Adagio con moto
- add to main playlist Play in Full Screen Piano Sonata no. 1: IIa. Allegro moderato
- add to main playlist Play in Full Screen Piano Sonata no. 1: IIb. Allegro “In the Inn”
- add to main playlist Play in Full Screen Piano Sonata no. 1: III. Largo - Allegro - Largo
- add to main playlist Play in Full Screen Piano Sonata no. 1: IVa. [ ]
- add to main playlist Play in Full Screen Piano Sonata no. 1: IVb. Allegro - Presto - Slow
- add to main playlist Play in Full Screen Piano Sonata no. 1: V. Andante maestoso
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. Emerson
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. Hawthorne
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau
Songs / Orchestral Sets / From the Steeples and Mountains
Released 2008- add to main playlist Play in Full Screen The Greatest Man
- add to main playlist Play in Full Screen At the River
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Christmas Carol
- add to main playlist Play in Full Screen From 'The Swimmers'
- add to main playlist Play in Full Screen West London
- add to main playlist Play in Full Screen Soliloquy
- add to main playlist Play in Full Screen Evening
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen Side Show
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen Farewell to Land
- add to main playlist Play in Full Screen General William Booth Enters into Heaven
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: I. The See'r
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: II. A Lecture
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: III. The Ruined River
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: IV. Like a Sick Eagle
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: V. Calcium Light Night
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: VI. 'When the Moon' or Allegretto sombreoso
- add to main playlist Play in Full Screen Tone Roads No. 1
- add to main playlist Play in Full Screen From the Steeples and the Mountains
- add to main playlist Play in Full Screen Tone Roads No. 3
- add to main playlist Play in Full Screen Set No. 3 for small orchestra: I. Adagio sostenuto 'At Sea'
- add to main playlist Play in Full Screen Mists
- add to main playlist Play in Full Screen On the Antipodes
- add to main playlist Play in Full Screen The Rainbow (So may it be!)
- add to main playlist Play in Full Screen The Pond
- add to main playlist Play in Full Screen The Bells of Yale, or Chapel Chimes
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder ('Fireman's Parade on Main street')
- add to main playlist Play in Full Screen All the Way Around and Back
- add to main playlist Play in Full Screen Over the Pavements
- add to main playlist Play in Full Screen Set No. 2 for small orchestra: I. Largo 'The Indians'
- add to main playlist Play in Full Screen Set No. 2 for small orchestra: II. 'Gyp the Blood', or 'Hearst - Which is Worst?'
- add to main playlist Play in Full Screen Aeschylus and Sophocles
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: I. In the Cage
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: II. In the Inn
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: III. In the Night
The Three Orchestral Sets
Released 2008- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": I. Impression of the 'St. Gaudens' in Boston Common
- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": II. Children's Holiday at Putnam's Camp
- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): I. An Elegy to Our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
- add to main playlist Play in Full Screen Orchestral Set No. 3: I. (Andante moderato)
- add to main playlist Play in Full Screen Orchestral Set No. 3: II. During Camp Meetin' Week - One Secular Afternoon (in Bethel)
- add to main playlist Play in Full Screen Orchestral Set No. 3: III. (Andante)
PSALMS Complete Recording
Released 2008- add to main playlist Play in Full Screen Psalm 90
- add to main playlist Play in Full Screen Psalm 24
- add to main playlist Play in Full Screen Psalm 67
- add to main playlist Play in Full Screen Psalm 135
- add to main playlist Play in Full Screen Psalm 14
- add to main playlist Play in Full Screen Psalm 25
- add to main playlist Play in Full Screen Psalm 100
- add to main playlist Play in Full Screen Psalm 54
- add to main playlist Play in Full Screen Psalm 150
- add to main playlist Play in Full Screen Psalm 42
A Radical in a Suit and Tie
Released 2008- add to main playlist Play in Full Screen Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: II. Allegro moderato (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: III. Largo; allegro (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: IV. Allegro (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: V. Andante maestoso (feat. piano: William Masselos)
Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor
Released 2007- add to main playlist Play in Full Screen Adagio for Strings, op. 11
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: I. Old Folks Gatherin’
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: II. Children’s Day
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: III. Communion
- add to main playlist Play in Full Screen Quiet City for Cor Anglais, Trumpet and Strings
- add to main playlist Play in Full Screen Hymn and Fuguing Tune no. 10 for Oboe and Strings
- add to main playlist Play in Full Screen A Rumour
Symphonies nos. 1 & 4 / Central Park in the Dark
Released 2006- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro (con moto)
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato con moto
- add to main playlist Play in Full Screen Symphony No. 4: IV. Very slowly (Largo maestoso)
- add to main playlist Play in Full Screen Central Park in the Dark
Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton)
Released 2006- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro molto (con spirito)
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace (feat. cello: Christopher Adkins)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Communion: Largo
- add to main playlist Play in Full Screen General Booth Enters Into Heaven
A Song - For Anything: Songs by Charles Ives
Released 2005- add to main playlist Play in Full Screen Feldeinsamkeit
- add to main playlist Play in Full Screen The Things Our Fathers Loved
- add to main playlist Play in Full Screen Memories: (A) Very Pleasant; (B) Rather Sad
- add to main playlist Play in Full Screen The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Swimmers
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen The Greatest Man
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen Berceuse
- add to main playlist Play in Full Screen West London
- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen When Stars are in the Quiet Skies
- add to main playlist Play in Full Screen Weil' auf mir
- add to main playlist Play in Full Screen Ich grolle nicht
- add to main playlist Play in Full Screen Du alte Mutter
- add to main playlist Play in Full Screen Where the Eagle
- add to main playlist Play in Full Screen Walking
- add to main playlist Play in Full Screen Yellow Leaves
- add to main playlist Play in Full Screen The Side Show
- add to main playlist Play in Full Screen Élégie
- add to main playlist Play in Full Screen The New River
- add to main playlist Play in Full Screen Like a Sick Eagle
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Slugging a Vampire
- add to main playlist Play in Full Screen Thoreau
- add to main playlist Play in Full Screen Serenity
- add to main playlist Play in Full Screen Tolerance
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen '1, 2, 3'
- add to main playlist Play in Full Screen A Song - For Anything
The Unknown Ives, Volume 2
Released 2005- add to main playlist Play in Full Screen Varied Air and Variations
- add to main playlist Play in Full Screen Waltz-Rondo
- add to main playlist Play in Full Screen Invention in D
- add to main playlist Play in Full Screen Allegro
- add to main playlist Play in Full Screen Study No. 2
- add to main playlist Play in Full Screen Piano Cadenza From Scherzo: Over the Pavements
- add to main playlist Play in Full Screen Andante
- add to main playlist Play in Full Screen Impression of the 'St. Gardens' In Boston Common
- add to main playlist Play in Full Screen The Celestial Railroad
- add to main playlist Play in Full Screen Minuetto, Op.4
- add to main playlist Play in Full Screen Allegro Moderato
- add to main playlist Play in Full Screen Moderato Con Anima
- add to main playlist Play in Full Screen I. Largo
- add to main playlist Play in Full Screen II. Allegro
- add to main playlist Play in Full Screen III. Chorale
- add to main playlist Play in Full Screen Fourth Fugue
- add to main playlist Play in Full Screen March No. 1 for Piano, With 'Yeah of the Jubilee'
- add to main playlist Play in Full Screen March No. 2 for Piano, With Son of a Gambler'
- add to main playlist Play in Full Screen March No. 3 for Piano, With 'Omega Lambda Chi'
- add to main playlist Play in Full Screen March in G and C for Piano, With 'See the Conquering Hero Comes'
- add to main playlist Play in Full Screen March for Piano: 'the Circus Band'
- add to main playlist Play in Full Screen March No. 5 for Piano, With 'Annie Lisle'
- add to main playlist Play in Full Screen March No. 6 for Piano, With 'Here's to Good Old Yale'
Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise
Released 2005- add to main playlist Play in Full Screen The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Soliloquy, or a Study in 7ths and Other Things
- add to main playlist Play in Full Screen On the Antipodes
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder (original version)
- add to main playlist Play in Full Screen Hallowe’en
- add to main playlist Play in Full Screen In Re Con Moto et al, Op. 20
- add to main playlist Play in Full Screen Sunrise
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen Aeschylus and Sophocles
- add to main playlist Play in Full Screen Five Take-offs: The Seen and Unseen? (Sweet and Tough)
- add to main playlist Play in Full Screen Five Take-offs: Rough and Ready et al and / or The Jumping Frog
- add to main playlist Play in Full Screen Five Take-offs: Song Without (Good) Words
- add to main playlist Play in Full Screen Five Take-offs: Scene Episode
- add to main playlist Play in Full Screen Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Largo
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Allegro
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Chorale
Piano Sonata No. 2 'Concord' / The Celestial Railroad
Released 2004- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
- add to main playlist Play in Full Screen Varied Air and Variations
- add to main playlist Play in Full Screen The Celestial Railroad
- add to main playlist Play in Full Screen Four Transcriptions from 'Emerson', No. 1
Music for String Quartet
Released 2004- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: I. Discussions
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: II. Arguments
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: III. The Call of the Mountains
- add to main playlist Play in Full Screen Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
- add to main playlist Play in Full Screen Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
- add to main playlist Play in Full Screen Hallowe'en, Op. 11
- add to main playlist Play in Full Screen Intermezzo
- add to main playlist Play in Full Screen In re con moto et al., Op. 20
Ives: Concord Sonata / Barber: Piano Sonata
Released 2004- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": I. Emerson. Slowly
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": II. Hawthorne. Very fast
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": IV. Thoreau. Starting slowly and quietly
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: I. Allegro energico
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: II. Allegro vivace e leggiero
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: III. Adagio mesto
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: IV. Fuga. Allegro con spirito
Concord Sonata / Songs
Released 2004- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372
- add to main playlist Play in Full Screen The Housatonic at Stockbridge, S. 266
- add to main playlist Play in Full Screen Swimmers, S. 366
- add to main playlist Play in Full Screen Memories, S. 297
- add to main playlist Play in Full Screen Ann Street, S. 211
- add to main playlist Play in Full Screen Serenity, S. 347
- add to main playlist Play in Full Screen 1, 2, 3, S. 321
- add to main playlist Play in Full Screen Songs My Mother Taught Me, S. 361
- add to main playlist Play in Full Screen The Circus Band, S. 229
- add to main playlist Play in Full Screen The Cage, S. 221
- add to main playlist Play in Full Screen The Indians, S. 283
- add to main playlist Play in Full Screen Like a Sick Eagle, S. 288
- add to main playlist Play in Full Screen Remembrance, S. 332
- add to main playlist Play in Full Screen September, S. 346
- add to main playlist Play in Full Screen Soliloquy, S. 352
- add to main playlist Play in Full Screen A Farewell to Land, S. 248
- add to main playlist Play in Full Screen Thoreau, S. 373
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question
Released 2003- add to main playlist Play in Full Screen Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen The Unanswered Question
Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces
Released 2003- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: I. Largo
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: II. Allegro
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: III. Choral
Emerson Concerto / Symphony No. 1
Released 2003- add to main playlist Play in Full Screen Emerson Concerto: I.
- add to main playlist Play in Full Screen Emerson Concerto: II.
- add to main playlist Play in Full Screen Emerson Concerto: III.
- add to main playlist Play in Full Screen Emerson Concerto: IV.
- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro con moto
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
Symphony no. 1 / Symphony no. 2
Released 2002- add to main playlist Play in Full Screen Symphony no. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony no. 1: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony no. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2: V. Allegro molto vivace
Symphony No. 1 / Three Places in New England
Released 2002- add to main playlist Play in Full Screen Symphony No. 1 in D minor: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: IV. Allegro molto
- add to main playlist Play in Full Screen Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. 'The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Robert Browning Overture
Sonatas for Violin & Piano
Released 2002- add to main playlist Play in Full Screen Violin Sonata 1: I. Andante
- add to main playlist Play in Full Screen Violin Sonata 1: II. Largo Cantabile
- add to main playlist Play in Full Screen Violin Sonata 1: III. Allegro
- add to main playlist Play in Full Screen Violin Sonata 2: I. Autumn
- add to main playlist Play in Full Screen Violin Sonata 2: II. In the Barn
- add to main playlist Play in Full Screen Violin Sonata 2: III. The Revival
- add to main playlist Play in Full Screen Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
- add to main playlist Play in Full Screen Violin Sonata 3: II. Allegro
- add to main playlist Play in Full Screen Violin Sonata 3: III. Adagio Cantabile
- add to main playlist Play in Full Screen Violin Sonata 4: I. Allegro
- add to main playlist Play in Full Screen Violin Sonata 4: II. Largo
- add to main playlist Play in Full Screen Violin Sonata 4: III. Allegro
Charles Ives: An American Journey
Released 2002- add to main playlist Play in Full Screen From the Steeples and the Mountains, S. 65
- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372
- add to main playlist Play in Full Screen The Pond (Remembrance), S. 40
- add to main playlist Play in Full Screen Memories, S. 297
- add to main playlist Play in Full Screen Charlie Rutlage, S. 14/iii
- add to main playlist Play in Full Screen The Circus Band, S. 33
- add to main playlist Play in Full Screen Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen In Flanders Fields, S. 277 (arr. David Del Tredici)
- add to main playlist Play in Full Screen They Are There! (A War Song March), S. 188
- add to main playlist Play in Full Screen Tom Sails Away, S. 378
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue
- add to main playlist Play in Full Screen Psalm 100, S. 153
- add to main playlist Play in Full Screen Serenity, S. 347 (arr. John Adams)
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven, S. 181
- add to main playlist Play in Full Screen The Unanswered Question (I & II), S. 50
Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2
Released 2001- add to main playlist Play in Full Screen Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Sun-Treader: Poco accelerando (bar 1)
- add to main playlist Play in Full Screen Sun-Treader: (bar 51a)
- add to main playlist Play in Full Screen Sun-Treader: Lento (bar 119)
- add to main playlist Play in Full Screen Sun-Treader: A tempo (bar 138a)
- add to main playlist Play in Full Screen Sun-Treader: Poco accelerando (bar 169)
- add to main playlist Play in Full Screen Sun-Treader: Serene, but with great expression (bar 191)
- add to main playlist Play in Full Screen Symphony No. 2: I. Moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Adagio
- add to main playlist Play in Full Screen Symphony No. 2: III. Allegro
Fischer-Dieskau Edition : Debussy / Ravel / Ives
Released 2000- add to main playlist Play in Full Screen Ballade de Villon à s'amye
- add to main playlist Play in Full Screen Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame
- add to main playlist Play in Full Screen Ballade des femmes de Paris
- add to main playlist Play in Full Screen Nahandove
- add to main playlist Play in Full Screen Aoua
- add to main playlist Play in Full Screen Il est doux
- add to main playlist Play in Full Screen Chanson de la mariée
- add to main playlist Play in Full Screen Là-bas, vers l'église
- add to main playlist Play in Full Screen Quel galant m'est comparable
- add to main playlist Play in Full Screen Chanson des cueilleuses de lentisques
- add to main playlist Play in Full Screen Tout gai!
- add to main playlist Play in Full Screen Chanson Romanesque
- add to main playlist Play in Full Screen Chanson épique
- add to main playlist Play in Full Screen Chanson à boire
- add to main playlist Play in Full Screen At The River
- add to main playlist Play in Full Screen Elégie
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen A Christmas Caro
- add to main playlist Play in Full Screen from "The Swimmers"
- add to main playlist Play in Full Screen West London (A sonnet)
- add to main playlist Play in Full Screen A Farewell to Land
- add to main playlist Play in Full Screen Abide With Me
- add to main playlist Play in Full Screen Where the Eagle
- add to main playlist Play in Full Screen Disclosure
- add to main playlist Play in Full Screen The White Gulls
- add to main playlist Play in Full Screen The Children's Hour
- add to main playlist Play in Full Screen Two Little Flowers (and dedicated to them)
- add to main playlist Play in Full Screen Autumn
- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen Ich grolle nicht
- add to main playlist Play in Full Screen Feldeinsamkeit
- add to main playlist Play in Full Screen Weil' auf mir
- add to main playlist Play in Full Screen In Flanders Fields
The Orchestral Music of Charles Ives
Released 2000- add to main playlist Play in Full Screen "Country Band" March
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
- add to main playlist Play in Full Screen Postlude in F
- add to main playlist Play in Full Screen Calcium Light Night
- add to main playlist Play in Full Screen Yale-Princeton Football Game
- add to main playlist Play in Full Screen Set for Theatre Orchestra: I. In the Cage
- add to main playlist Play in Full Screen Set for Theatre Orchestra: II. In the Inn
- add to main playlist Play in Full Screen Set for Theatre Orchestra: III. In the Night
- add to main playlist Play in Full Screen Largo Cantabile: Hymn
- add to main playlist Play in Full Screen Three Places in New England, Version 2: I. The "Saint-Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, Version 2: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places In New England, Version 2: III. The Housatonic at Stockbridge
Symphony No. 2 / Robert Browning Overture
Released 2000- add to main playlist Play in Full Screen Robert Browning Overture, S. 27
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
The Symphonies / Orchestral Sets 1 & 2
Released 2000- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4: IV. Largo maestoso
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to Our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
Symphony Nos. 4 & 2
Released 1999- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4: IV. Largo maestoso
- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
Ives Plays Ives
Released 1999- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.)
- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end)
- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.3
- add to main playlist Play in Full Screen June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end)
- add to main playlist Play in Full Screen mid 1930s - Study No.11 (abandoned)
- add to main playlist Play in Full Screen mid 1930s - Study No.11
- add to main playlist Play in Full Screen mid 1930s - Study No.11, v2
- add to main playlist Play in Full Screen mid 1930s - Patch for Study No.23
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.3
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.11
- add to main playlist Play in Full Screen May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 with false starts
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 (beg.)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 (end)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.23 (partial)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.23 (partial, v2)
- add to main playlist Play in Full Screen May 11, 1937 - Three Improvisations, No.1
- add to main playlist Play in Full Screen May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
- add to main playlist Play in Full Screen May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
- add to main playlist Play in Full Screen May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.20 (partial)
- add to main playlist Play in Full Screen May 11, 1937 - Three Improvisations, No.3
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial)
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2)
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3)
- add to main playlist Play in Full Screen April 24, 1943 - Study No.2 + Study No.23 (mixed)
- add to main playlist Play in Full Screen April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned)
- add to main playlist Play in Full Screen April 24, 1943 - Study No.9
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, first take (abandoned)
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, second take
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, third take
- add to main playlist Play in Full Screen April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale'
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'
A Set of Pieces: Music by Charles Ives
Released 1999- add to main playlist Play in Full Screen Three Places in New England: I. The Saint-Gaudens in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnams' Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen A Set of Pieces: I. In the Cage
- add to main playlist Play in Full Screen A Set of Pieces: II. In the Inn
- add to main playlist Play in Full Screen A Set of Pieces: III. In the Night
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": III. Communion
- add to main playlist Play in Full Screen Set No. 1: I. The Seer
- add to main playlist Play in Full Screen Set No. 1: II. A Lecture (Tolerance)
- add to main playlist Play in Full Screen Set No. 1: III. The Ruined River (The New River)
- add to main playlist Play in Full Screen Set No. 1: IV. Like a Sick Eagle
- add to main playlist Play in Full Screen Set No. 1: V. Calcium Light Night
- add to main playlist Play in Full Screen Set No. 1: VI. Allegretto Sombreoso
Symphony No. 2 / Symphony No. 3 "The Camp Meeting"
Released 1998- add to main playlist Play in Full Screen Symphony No. 2: I. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting" I. "Old Folks Gatherin'." Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting": II. "Children's Day." Allegro
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting": III. "Communion." Largo
- add to main playlist Play in Full Screen Leonard Bernstein discusses Charles Ives
Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra
Released 1998- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen Holidays (Symphony): I. Washington's Birthday
- add to main playlist Play in Full Screen Holidays (Symphony): II. Decoration Day
- add to main playlist Play in Full Screen Holidays (Symphony): III. The Fourth of July
- add to main playlist Play in Full Screen Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Concerto for Orchestra
Ives: Symphony no. 2 / Creston: Symphony no. 2
Released 1995- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony no. 2, op. 35: I. Introduction and Song. Slow, with deep emotion
- add to main playlist Play in Full Screen Symphony no. 2, op. 35: II. Interlude and Dance. Moderately slow
Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains
Released 1995- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): I. The "St. Gaudens" in Boston Common (Col. Robert Gould Shaw' and his Colored Regiment)
- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose
- add to main playlist Play in Full Screen Sun-treader
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: I. Men
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: II. Lilacs
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: III. Marching Mountains
- add to main playlist Play in Full Screen Andante for strings
Melodies
Released 1995- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Thoreau
- add to main playlist Play in Full Screen Maple Leaves
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen «1, 2, 3.»
- add to main playlist Play in Full Screen Evening
- add to main playlist Play in Full Screen Serenity - A unison chant
- add to main playlist Play in Full Screen The New River
- add to main playlist Play in Full Screen The White Gulls
- add to main playlist Play in Full Screen Slugging a Vampire
- add to main playlist Play in Full Screen West London - A sonnet
- add to main playlist Play in Full Screen From the "Incantation"
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen Slow March
- add to main playlist Play in Full Screen The Indians
- add to main playlist Play in Full Screen Walt Withman - from 20th Stanza
- add to main playlist Play in Full Screen Afterglow
- add to main playlist Play in Full Screen His Exaltation
- add to main playlist Play in Full Screen At the River
- add to main playlist Play in Full Screen In the Mornin'
- add to main playlist Play in Full Screen The Camp Meeting
- add to main playlist Play in Full Screen The Circus Band
- add to main playlist Play in Full Screen From Paracelsus
- add to main playlist Play in Full Screen Premonitions
- add to main playlist Play in Full Screen On the Counter
- add to main playlist Play in Full Screen A sea Dirge
- add to main playlist Play in Full Screen Like a Sick Eagle
- add to main playlist Play in Full Screen Soliloquy - or a Study in 7th and Other Things
- add to main playlist Play in Full Screen Memories
- add to main playlist Play in Full Screen The One Way
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen A farewell to Land
American Originals: Ives / Barber String Quartets
Released 1993- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
- add to main playlist Play in Full Screen Scherzo, S. 84 No. 2 "Holding Your Own"
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: I. Molto allegro e appassionato
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: II. Molto adagio - attacca:
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso
A Portrait of Charles Ives
Released 1993- add to main playlist Play in Full Screen The See'r (1912) - No. 1 of Set No. 1
- add to main playlist Play in Full Screen A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1
- add to main playlist Play in Full Screen Like a Sick Eagle (1909) - No. 4 of Set No. 1
- add to main playlist Play in Full Screen Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Set No. 1
- add to main playlist Play in Full Screen General W. Booth Enters Into Heaven (1914)
- add to main playlist Play in Full Screen Tone Roads No. 1 (1911)
- add to main playlist Play in Full Screen From the Steeples and the Mountains (1901)
- add to main playlist Play in Full Screen Tone Roads No. 3 (1915)
- add to main playlist Play in Full Screen Adagio Sostenuto (At Sea) (1912-17)
- add to main playlist Play in Full Screen Mists (1910)
- add to main playlist Play in Full Screen On the Antipodes (1915-23)
- add to main playlist Play in Full Screen The Rainbow (So May It Be!) (1914)
- add to main playlist Play in Full Screen The Pond (Remembrance) (1906)
- add to main playlist Play in Full Screen The Bells of Yale (Battell Chimes or Chapel Chimes) (1897)
- add to main playlist Play in Full Screen Calcium Light Night (1912) - No. 5 of Set No. 1
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912)
- add to main playlist Play in Full Screen All the Way Around and Back (1906)
- add to main playlist Play in Full Screen Over the Pavements (1906-13)
- add to main playlist Play in Full Screen The Ruined River (1912) - No. 3 of Set No. 1
- add to main playlist Play in Full Screen The Indians (1912) - No. 1 of Set No. 2
- add to main playlist Play in Full Screen 'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2
- add to main playlist Play in Full Screen Aeschylus and Sophocles (1922)
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: I. In the Cage
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: II. In the Inn (Potpourri)
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: III. In the Night
- add to main playlist Play in Full Screen Sunrise (1926)
Ives: Symphony no. 1 / Barber: Three Essays for Orchestra
Released 1992- add to main playlist Play in Full Screen Symphony no. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony no. 1: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony no. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Three Essays for Orchestra: First Essay, op. 12
- add to main playlist Play in Full Screen Three Essays for Orchestra: Second Essay, op. 17
- add to main playlist Play in Full Screen Three Essays for Orchestra: Third Essay, op. 47
Symphonies Nos. 2 & 3 / Central Park in the Dark
Released 1992- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": III. Communion. Largo
- add to main playlist Play in Full Screen Central Park in the Dark
Symphony No. 3 / The Unanswered Question / Three Places in New England
Released 1992- add to main playlist Play in Full Screen Three Places in New England: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen March III with the air "Old Kentucky Home"
- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Fugue in Four Keys on "The Shining Shore"
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Communion
Piano Sonata No. 2, "Concord, Mass., 1840-60"
Released 1992- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
The Complete Songs of Charles Ives, Volume 4
Released 1992- add to main playlist Play in Full Screen The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen August, S. 216 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
- add to main playlist Play in Full Screen Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
The Complete Songs of Charles Ives, Volume 3
Released 1992- add to main playlist Play in Full Screen He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
- add to main playlist Play in Full Screen Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
- add to main playlist Play in Full Screen Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
- add to main playlist Play in Full Screen Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)
The Complete Songs of Charles Ives, Volume 2
Released 1992- add to main playlist Play in Full Screen I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)
The Complete Songs of Charles Ives, Volume 1
Released 1992- add to main playlist Play in Full Screen Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)
Symphonies Nos. 2 & 3
Released 1991- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato / II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso / V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3: I. Old Folks Gatherin': Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3: II. Children's Day: Allegro
- add to main playlist Play in Full Screen Symphony No. 3: III. Communion: Largo
Symphonies Nos. 1 & 4
Released 1991- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Sweet By and By
- add to main playlist Play in Full Screen Beulah Land
- add to main playlist Play in Full Screen Ye Christian Heralds
- add to main playlist Play in Full Screen Jesus, Lover of My Soul
- add to main playlist Play in Full Screen Nearer, My God, to Thee
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue: Andante moderato con moto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder
Released 1990- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantablile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder or Fireman's Parade on Main Street
- add to main playlist Play in Full Screen Tone Roads No. 1
- add to main playlist Play in Full Screen Hymn: Largo Cantabile
- add to main playlist Play in Full Screen Hallowe'en
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen The Unanswered Question
Holidays Symphony / The Unanswered Question / Central Park in the Dark
Released 1988- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
- add to main playlist Play in Full Screen The Unanswered Question, S. 50 (revised version)
- add to main playlist Play in Full Screen Central Park in the Dark, S. 34
- add to main playlist Play in Full Screen The Unanswered Question, S. 50 (original version)
Symphonies Nos. 2 & 3 / The Unanswered Question
Released 1987- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No. 3, S .3 "The Camp Meeting": III. Communion
- add to main playlist Play in Full Screen The Unanswered Question, S. 50
Symphony No. 4
Released 1985- add to main playlist Play in Full Screen Symphony No. 4, S. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
Piano Pieces
Released 1985- add to main playlist Play in Full Screen Study No. 20: Even durations - unevenly divided
- add to main playlist Play in Full Screen Study No. 21: Some South-Paw Pitching!
- add to main playlist Play in Full Screen Study No. 22
- add to main playlist Play in Full Screen Varied Air and Variations - Study # 2 for Ears or Aural and Mental Exercise!!!
- add to main playlist Play in Full Screen Waltz-Rondo
- add to main playlist Play in Full Screen Three-Page Sonata
- add to main playlist Play in Full Screen Study No 9: The Anti-Abolitionist Riots in the 1830's and 1840's
- add to main playlist Play in Full Screen Three Quarter-tone Pieces for Two Pianos
Symphony No. 3 / Orchestral Set No. 2
Released 1985- add to main playlist Play in Full Screen Symphony No. 3: I. Old Folks Gatherin'. Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3: II. Children's Day. Allegro
- add to main playlist Play in Full Screen Symphony No. 3: III. Communion. Largo
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to Our Forefathers. Very slowly
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
Sonate für Klavier Nr. 1
Released 1984- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: I. Adagio con moto - Andante con moto - Allegro risoluto
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IIa. Allegro moderato - Andante
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IIb. Allegro »In the Inn«
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: III. Largo - Allegro - Largo
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IVa. (ohne Tempoangabe) / IVb. Allegro - Presto
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante
Ameriques / Symphony No.4 / The Unanswered Question
- add to main playlist Play in Full Screen Ameriques
- add to main playlist Play in Full Screen Symphony No.4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No.4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No.4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No.4: IV. Very slowly - Largo maestroso
- add to main playlist Play in Full Screen The Unanswered Question (feat. trumpet: Michael Sachs)
Works for Piano (piano: Alan Mandel)
- add to main playlist Play in Full Screen Piano Sonata No. 2: Emerson
- add to main playlist Play in Full Screen Piano Sonata No. 2: Hawthorne
- add to main playlist Play in Full Screen Piano Sonata No. 2: The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2: Thoreau
- add to main playlist Play in Full Screen Study No. 21, "Some South-Paw Pitching!"
- add to main playlist Play in Full Screen Waltz: Rondo
- add to main playlist Play in Full Screen March in G and D, "Here's to Good Old Yale"
Concord Sonata / Three Places in New England / Central Park in the Dark
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': I. Emerson (Slowly - Slowly and Quietly)
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': II. Hawthorne (Very Fast)
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': IV. Thoreau (Starting Slowly and Quietly)
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Three Places in New England: I. The 'Saint-Gaudens' in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
Born: 1874-10-20
Died: 1954-05-19
-
Charles Ives - Symphony No. 2
New York Philharmonic Leonard Bernstein Date: 1990 Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushe... -
Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.". Detroit Symphony Orchestra and Chorus/Leonard Slatkin. -
Charles Ives - The Unanswered Question
Charles Ives, The Unanswered Question. James Sinclair, Conductor. Northern Sinfonia. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
The Unanswered Question - Charles Ives
New York Philharmonic Leonard Bernstein The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in the Dark as Two Contemplations in 1908. The Unanswered Question was revived by Ives in 1930--1935. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946. Against a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. The three groups of instruments perform in independent tempos and are placed separately on the stage—the strings offstage. -
-
The Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954) Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday ni... -
Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) II. Putnam's Camp, Redding, Connecticut III. The Housatonic at Stockbridge The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast move... -
Charles Ives - Concord Sonata
Performed by Gilbert Kalish About the ONLY COMPLETE recording of the work here on toyoob :) This piece of music anchored me in front of my speakers the minute I put it on to play. It just DEMANDED to be heard ! :) -
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987. © Unitel Classica -
Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914) I. Adagio II. Allegro III. Adagio Timothy Fain, violin Jeremy Denk, piano Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards). Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow... -
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra -
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London. -
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Stephen Drury, piano; Jessi Rosinski, flute Charles Ives (1874-1954) Piano Sonata No. 2, "Concord, Mass., 1840-1860" • Emerson • Hawthorne • The Alcotts • Thoreau SICPP 2013 Sunday, June 16, 2013 Jordan Hall at New England Conservatory Recorded material courtesy of Brian Dixon. -
Charles Ives - Three Quarter-Tone Pieces [1/3]
Charles Ives, Three Quarter-Tone Pieces. "Largo". [0:20] Alexei Lubimov, Piano. Pierre-Laurent Aimard, Piano. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
Charles Ives "Symphony No 1" James Sinclair
Symphony No 1 by Charles Ives 1. Allegro con moto 2. Adagio molto 3. Scherzo 4. Allegro molto National Symphony Orchestra of Ireland James Sinclair, conductor Dublin, 25.IX.2002 -
Charles Ives, Country Band March
Charles Ives President's Own United States Marine Band, The, President's Own United States Marine Band, The Country Band March President's Own United States Marine Band: The Bicentennial Collection 75442261012 http://www.classicsonline.com/catalogue/product.aspx?pid=966128 http://www.naxoslicensing.com/ -
Charles Ives - At the River
Charles Ives, "At the River" from 114 Songs. Sara Jakubiak, Soprano. Douglas Dickson, Piano. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
Charles Ives plays Charles Ives
UNIQUE historical recording of Charles Ives at the piano, playing the third movement "The Alcotts" from his Piano Sonata No.2 (Concord Sonata). -
-
The Piano Music of Charles Ives - Master Class with Dave Frank
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano. YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:) -
Ives: Variations on "America" (1891) - E. Power Biggs
Sixteen year old Charles Edward Ives composed this set of variations on "America (My Country 'Tis of Thee)" for organ in 1891. In 1948, E. Power Biggs contacted Ives inquiring if he had composed any organ music that Biggs might perform on his weekly radio program. After Biggs helped Ives recover this long-forgotten piece, he performed it on his July 4th broadcast that year, and the work was finally published in 1949. -
Charles Ives: "Robert Browning" Overture (1911/1914)
Charles Ives (1874-1954): "Robert Browning" Overture (1911/1914). Nashville Symphony Orchestra diretta da Kenneth Schermerhorn. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be apreciated. -
Charles Ives - Piano Sonata No. 2 "Concord" [3/4]
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860". "The Alcotts". Alexei Lubimov, Piano. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution!
Charles Ives - Symphony No. 2
- Order: Reorder
- Duration: 42:39
- Updated: 07 Apr 2014
- views: 43733
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives...
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
wn.com/Charles Ives Symphony No. 2
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
- published: 07 Apr 2014
- views: 43733
Charles Ives,Symphony No.4
- Order: Reorder
- Duration: 31:50
- Updated: 02 Feb 2014
- views: 21663
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The...
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
wn.com/Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
- published: 02 Feb 2014
- views: 21663
Charles Ives - The Unanswered Question
- Order: Reorder
- Duration: 4:36
- Updated: 13 May 2012
- views: 110616
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music publish...
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives The Unanswered Question
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 13 May 2012
- views: 110616
The Unanswered Question - Charles Ives
- Order: Reorder
- Duration: 6:08
- Updated: 07 Apr 2014
- views: 33866
New York Philharmonic
Leonard Bernstein
The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in th...
New York Philharmonic
Leonard Bernstein
The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in the Dark as Two Contemplations in 1908. The Unanswered Question was revived by Ives in 1930--1935. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946.
Against a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. The three groups of instruments perform in independent tempos and are placed separately on the stage—the strings offstage.
wn.com/The Unanswered Question Charles Ives
New York Philharmonic
Leonard Bernstein
The Unanswered Question is a musical work by American composer Charles Ives. Originally paired with Central Park in the Dark as Two Contemplations in 1908. The Unanswered Question was revived by Ives in 1930--1935. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946.
Against a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. The three groups of instruments perform in independent tempos and are placed separately on the stage—the strings offstage.
- published: 07 Apr 2014
- views: 33866
CHARLES IVES - CENTRAL PARK IN THE DARK
- Order: Reorder
- Duration: 10:50
- Updated: 24 Mar 2011
- views: 140184
BBC Symphony Orchestra. Lawrence Foster (conductor)
BBC Symphony Orchestra. Lawrence Foster (conductor)
wn.com/Charles Ives Central Park In The Dark
The Best of Charles Ives
- Order: Reorder
- Duration: 96:33
- Updated: 28 Mar 2015
- views: 7370
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was larg...
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
wn.com/The Best Of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
- published: 28 Mar 2015
- views: 7370
Charles Ives,Three Places in New England.
- Order: Reorder
- Duration: 20:33
- Updated: 25 Nov 2013
- views: 35216
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and...
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
wn.com/Charles Ives,Three Places In New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
- published: 25 Nov 2013
- views: 35216
Charles Ives - Concord Sonata
- Order: Reorder
- Duration: 49:24
- Updated: 28 Oct 2011
- views: 39909
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute...
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
wn.com/Charles Ives Concord Sonata
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
- published: 28 Oct 2011
- views: 39909
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
- Order: Reorder
- Duration: 15:01
- Updated: 04 Aug 2011
- views: 48734
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Cla...
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
wn.com/Charles Ives Symphony No. 2 (Leonard Bernstein) (1 3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
- published: 04 Aug 2011
- views: 48734
Charles Ives - Sonata for Violin & Piano, No. 3
- Order: Reorder
- Duration: 25:57
- Updated: 01 Mar 2014
- views: 12499
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 a...
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
wn.com/Charles Ives Sonata For Violin Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
- published: 01 Mar 2014
- views: 12499
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
- Order: Reorder
- Duration: 14:29
- Updated: 07 Aug 2011
- views: 37488
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
wn.com/Leonard Bernstein On Charles Ives Symphony N 2 (Sub Spa)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
- published: 07 Aug 2011
- views: 37488
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
- Order: Reorder
- Duration: 34:34
- Updated: 26 Jun 2012
- views: 43519
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conduct...
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London.
wn.com/Charles Ives Symphony No. 4, BBC Symphony Orchestra David Robertson, Cond. Ralph Van Raat, Piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London.
- published: 26 Jun 2012
- views: 43519
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
- Order: Reorder
- Duration: 48:16
- Updated: 21 Aug 2013
- views: 24010
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thor...
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thoreau
SICPP 2013
Sunday, June 16, 2013
Jordan Hall at New England Conservatory
Recorded material courtesy of Brian Dixon.
wn.com/Charles Ives Piano Sonata No.2, Concord, Mass., 1840 1860
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thoreau
SICPP 2013
Sunday, June 16, 2013
Jordan Hall at New England Conservatory
Recorded material courtesy of Brian Dixon.
- published: 21 Aug 2013
- views: 24010
Charles Ives - Three Quarter-Tone Pieces [1/3]
- Order: Reorder
- Duration: 4:11
- Updated: 29 Aug 2012
- views: 36272
Charles Ives, Three Quarter-Tone Pieces.
"Largo". [0:20]
Alexei Lubimov, Piano.
Pierre-Laurent Aimard, Piano.
______________________________________________...
Charles Ives, Three Quarter-Tone Pieces.
"Largo". [0:20]
Alexei Lubimov, Piano.
Pierre-Laurent Aimard, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives Three Quarter Tone Pieces 1 3
Charles Ives, Three Quarter-Tone Pieces.
"Largo". [0:20]
Alexei Lubimov, Piano.
Pierre-Laurent Aimard, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 29 Aug 2012
- views: 36272
Charles Ives "Symphony No 1" James Sinclair
- Order: Reorder
- Duration: 45:51
- Updated: 01 Feb 2015
- views: 2347
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
D...
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
wn.com/Charles Ives Symphony No 1 James Sinclair
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
- published: 01 Feb 2015
- views: 2347
Charles Ives, Country Band March
- Order: Reorder
- Duration: 4:23
- Updated: 22 Mar 2013
- views: 36048
Charles Ives
President's Own United States Marine Band, The, President's Own United States Marine Band, The
Country Band March
President's Own United States M...
Charles Ives
President's Own United States Marine Band, The, President's Own United States Marine Band, The
Country Band March
President's Own United States Marine Band: The Bicentennial Collection
75442261012
http://www.classicsonline.com/catalogue/product.aspx?pid=966128
http://www.naxoslicensing.com/
wn.com/Charles Ives, Country Band March
Charles Ives
President's Own United States Marine Band, The, President's Own United States Marine Band, The
Country Band March
President's Own United States Marine Band: The Bicentennial Collection
75442261012
http://www.classicsonline.com/catalogue/product.aspx?pid=966128
http://www.naxoslicensing.com/
- published: 22 Mar 2013
- views: 36048
Charles Ives - At the River
- Order: Reorder
- Duration: 2:05
- Updated: 24 Aug 2012
- views: 6302
Charles Ives, "At the River" from 114 Songs.
Sara Jakubiak, Soprano.
Douglas Dickson, Piano.
_____________________________________________________
The music...
Charles Ives, "At the River" from 114 Songs.
Sara Jakubiak, Soprano.
Douglas Dickson, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives At The River
Charles Ives, "At the River" from 114 Songs.
Sara Jakubiak, Soprano.
Douglas Dickson, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 24 Aug 2012
- views: 6302
Charles Ives plays Charles Ives
- Order: Reorder
- Duration: 5:00
- Updated: 06 Jan 2008
- views: 83264
UNIQUE historical recording of Charles Ives at the piano, playing the third movement "The Alcotts" from his Piano Sonata No.2 (Concord Sonata).
UNIQUE historical recording of Charles Ives at the piano, playing the third movement "The Alcotts" from his Piano Sonata No.2 (Concord Sonata).
wn.com/Charles Ives Plays Charles Ives
UNIQUE historical recording of Charles Ives at the piano, playing the third movement "The Alcotts" from his Piano Sonata No.2 (Concord Sonata).
- published: 06 Jan 2008
- views: 83264
Charles Ives: Variations on America
- Order: Reorder
- Duration: 7:45
- Updated: 05 Aug 2015
- views: 1301
The Piano Music of Charles Ives - Master Class with Dave Frank
- Order: Reorder
- Duration: 53:20
- Updated: 22 Nov 2012
- views: 7270
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The...
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano.
YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:)
wn.com/The Piano Music Of Charles Ives Master Class With Dave Frank
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano.
YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:)
- published: 22 Nov 2012
- views: 7270
Ives: Variations on "America" (1891) - E. Power Biggs
- Order: Reorder
- Duration: 7:47
- Updated: 27 Jan 2013
- views: 33357
Sixteen year old Charles Edward Ives composed this set of variations on "America (My Country 'Tis of Thee)" for organ in 1891. In 1948, E. Power Biggs contacted...
Sixteen year old Charles Edward Ives composed this set of variations on "America (My Country 'Tis of Thee)" for organ in 1891. In 1948, E. Power Biggs contacted Ives inquiring if he had composed any organ music that Biggs might perform on his weekly radio program. After Biggs helped Ives recover this long-forgotten piece, he performed it on his July 4th broadcast that year, and the work was finally published in 1949.
wn.com/Ives Variations On America (1891) E. Power Biggs
Sixteen year old Charles Edward Ives composed this set of variations on "America (My Country 'Tis of Thee)" for organ in 1891. In 1948, E. Power Biggs contacted Ives inquiring if he had composed any organ music that Biggs might perform on his weekly radio program. After Biggs helped Ives recover this long-forgotten piece, he performed it on his July 4th broadcast that year, and the work was finally published in 1949.
- published: 27 Jan 2013
- views: 33357
Charles Ives: "Robert Browning" Overture (1911/1914)
- Order: Reorder
- Duration: 24:49
- Updated: 16 Jun 2011
- views: 12296
Charles Ives (1874-1954): "Robert Browning" Overture (1911/1914).
Nashville Symphony Orchestra diretta da Kenneth Schermerhorn.
***
The music published...
Charles Ives (1874-1954): "Robert Browning" Overture (1911/1914).
Nashville Symphony Orchestra diretta da Kenneth Schermerhorn.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be apreciated.
wn.com/Charles Ives Robert Browning Overture (1911 1914)
Charles Ives (1874-1954): "Robert Browning" Overture (1911/1914).
Nashville Symphony Orchestra diretta da Kenneth Schermerhorn.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be apreciated.
- published: 16 Jun 2011
- views: 12296
Charles Ives - Piano Sonata No. 2 "Concord" [3/4]
- Order: Reorder
- Duration: 6:09
- Updated: 30 May 2012
- views: 22015
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"The Alcotts".
Alexei Lubimov, Piano.
_____________________________________________________
T...
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"The Alcotts".
Alexei Lubimov, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives Piano Sonata No. 2 Concord 3 4
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"The Alcotts".
Alexei Lubimov, Piano.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 30 May 2012
- views: 22015
-
Charles Ives: Exploring the Life and Music of a Great American Composer
Jim Setapen, Music Institute of Chicago Academy Director discusses Charles Ives, a seminal figure in modern American music who challenged us to consider what classical music is, what it can do for us and why we love it. Hear Setapen conduct Ives' Unanswered Question as part of the 2012 Four Score Festival Sunday, March 4 at 3pm. http://musicinst.org/music-charles-ives-gunther-schuller -
Donald Gramm sings Charles Ives - LIVE!
Five songs by composer Charles Ives. From a Town Hall recital on 24 February 1976 with Donald Hassard, piano. (Songs 2-5 are texts by the composer) 1. General William Booth Enters into Heaven (Vachel Lindsay) 2. The Side Show 3. The Things Our Fathers Loved 4. The Greatest Man 5. Circus Band More of this recital may be found at my Donald Gramm playlist: http://www.youtube.com/playlist?list=PL1F9E32BB07DFB3E8&feature;=plcp -
Charles Ives String Quartet no. 1 IV:Allegro marziale. Stamic Quartet live at Levoca
The triumphantly resounding last movement of Charles Ives's string quartet 'From the Salvation Army', played with aplomb by the Stamic Quartet at the 2010 'Indian Summer in Levoca' Festival. The second movement from this performance is also available on this channel in YouTube -
Charles Ives: Trio for Violin, Cello, Piano (Live) / Clapp, Krosnick, Lee
Recorded live in concert from Morse Hall, The Juilliard School (March 2003) Charles Ives – Trio for Violin, Cello, Piano (I. Moderato; II. TSIAJ (Presto); III. Moderato con moto) Stephen Clapp, violin Joel Krosnick, cello Brian Lee, piano -
Mattias Ståhl spelar kompositioner av Charles Ives (Live på Polar Music Prize 2015)
Mattias Ståhl framträder under Polar Music Prize 2015 med ett medley av kompositioner skrivna av Charles Ives. Se mer från TV4 på: YouTube: http://www.youtube.com/user/tv4?sub_confirmation=1 Facebook: http://www.facebook.com/TV4 Twitter: http://twitter.com/TV4 http://www.tv4.se/ -
Three Places in New England, Putnam's Camp :: Composed by Charles Ives :: Animation by Victor Craven
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: THR/PUT/ENG/06 -
Charles Ives "The Cage" (Gerald Seminatore)
Tenor Gerald Seminatore and pianist Mark Salters perform "The Cage" by Charles Ives. Live performance at the Brand Library and Art Center, Glendale, CA -
Charles Ives - 'The Unanswered Question'
Charles Ives - "The Unanswered Question" CCM Concert Orchestra Olivier Ochanine, conductor Nov. 24, 2009 College-Conservatory of Music, Cincinnati (pardon the sound, taken from camera behind orchestra) -
Jeremy Denk, "The Alcotts" from Ives' "Concord Sonata" Live on Q2 in The Greene Space
Q2 Music celebrates America's great iconoclastic composers when San Francisco Symphony music director Michael Tilson Thomas brings his "American Mavericks" tour to New York. In anticipation of their Carnegie Hall concerts, composer John Adams and Meredith Monk, the St. Lawrence String Quartet, pianist Jeremy Denk, and other guests joined Tilson Thomas for an evening of performance and conversation around the music of Charles Ives, John Adams and other maverick composers. WQXR's David Garland and Q2 Music's Nadia Sirota hosted. Here Jeremy Denk performs "The Alcotts" movement from Ives' "Concord Sonata." -
Charles Ives - The Unanswered Question Live in Belgrade
© Premil Petrovic and the No Borders Orchestra -
The Cage (Charles Ives) KNEEBODY/THEO BLECKMANN
The Cage (Charles Ives) - arrangement by Ben Wendel; Kneebody with Theo Bleckmann live at Joe's Pub, NYC; Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums). Taped for Mezzo TV, France at Joe's Pub, NYC, 11/23/08 from "12 songs by Charles Ives" on Winter and Winter [www.winterandwinter.com] -
CHARLES IVES SONATA No 2 " CONCORD " : HAWTHORNE EMANUELE ARCIULI
EMANUELE ARCIULI piano Charles Ives Piano Sonata No. 2( Concord Mass. 1840-1860), "Hawthorne" From the new DVD release Champion of American Music:Emanuele Arciuli Emanuele Arciuli performs live from the Miami International Piano Festival. He has established himself as one of the most original and interesting of performers today. His repertoire ranges from Bach to contemporary music, with a strong affinity for American music. Color, 85 minutes, Stereo, 16:9 widescreen, NTSC (Playable all regions) Program: Charles Ives: Piano Sonata No. 2 "Concord" Fred Hersch: Nocturne for the Left Hand Alone Chick Corea: Children's Songs, 1-20 Frederic Rzewski: Piece no. 3 & Piece no. 4 Emanuele Arciulli, piano (Recorded live at the Miami International Piano Festival, March 26, 2007 and March 7, 2011, at ... -
Trio Appassionata - Charles Ives: Trio for Violin, Violoncello and Piano
Recorded live @ the Odradek Itinerate Festival in Matta, Pescara on December 14th, 2013. http://www.odradek-records.com http://trioappassionata.com/ Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label, organized to separate music-making from markets. A&R; is decided by roster members directly, democratically evaluating anonymously submitted demos. Our goal is to create a system of meritocratic evaluation analogous to the scientific peer review process, that is both fair and produces credible and artistically strong albums with real cultural relevance, which respond to the public's expectations of justice while cutting through their marketing fatigue. The result so far has been an eclectic group of artists, united by excellent musicianship and an a... -
Live aus Madrid: Charles Ives: Sonata n° 4, "Children's Day at the Camp Meeting
Serguei Teslia, violin Elisaveta Blumina, piano -
Variations On America
Live performance of Charles Ives' "Variations On America" by the University of Michigan Concert Band under the direction of Professor Rodney Dorsey. -
Ives - The Fourth of July - GSW 2012 Orchestra
Live performance of Charles Ives' "The Fourth of July," third movement of his "Holidays Symphony." Alex Blake, guest conductor. http://orlandocela.com/ -
George Spitzer/Charles Ives song, Charlie Rutlage
Baritone George Spitzer sings Charles Ives undated song, Charlie Rutlage live in the Melodeon concert at Church of the Epiphany, 74th and York Ave., NYC 3/25/12. He is accompanied by pianist Artis Wodehouse. Ives' song is a reinterpretation of a Cowboy song collected by ethnomusicologist Alan Lomax in Texas during the 1910-20s period. The song depicts the death of a cowboy -- crushed by his horse when it fell -- during a roundup at the famous XIT ranch in Texas. Sound recording by Whitney Slaten, video by Zoe White, video editing by Ryan Hunter. -
Songs My Mother Taught Me (Charles Ives) KNEEBODY/THEO BLECKMANN
Songs My Mother Taught Me (Charles Ives) - arrangement Ben Wendel Kneebody with Theo Bleckmann live at Joe's Pub, NYC Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums) Taped for Mezzo TV, France at Joe's Pub, NYC, 11/2308 from "12 songs by Charles Ives" on Winter and Winter -
Charles Ives humor: London Bridge on Liszt organ
More about Performer, Artis Whodehouse: http://www.artiswodehouse.com/ Artis Wodehouse performs Charles Ives' (1874-1954) Burlesque on London Bridge live on the Melodeon concert 11/11/12 at Church of the Epiphany, NYC. This humorous piece, a bitonal, rhythmically-displaced and vaudevillian version of the popular song, was reconstructed by Kenneth Singleton from sketches of the 17-year-old Charles Ives. It is now published by Presser as part of a collection of the complete organ works of Charles Ives. Wodehouse plays on her restored 1889 Mason & Hamlin Liszt organ. This foot-pump reed organ was considered a top-of-the-line instrument during its heyday in the latter 19th century. Ives was 17 in 1891. The piece is remarkable in that by age 17, so many pieces of the Ives puzzle are already... -
Ives Ensemble - Over the Pavements (Live @ Bimhuis - Amsterdam)
64 -
The Unanswered Question (II) (1930-35) :: Composed by Charles Ives :: Animation by Victor Craven
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: UNA/UNA/ENG/05
Charles Ives: Exploring the Life and Music of a Great American Composer
- Order: Reorder
- Duration: 8:01
- Updated: 02 Mar 2012
- views: 781
Jim Setapen, Music Institute of Chicago Academy Director discusses Charles Ives, a seminal figure in modern American music who challenged us to consider what cl...
Jim Setapen, Music Institute of Chicago Academy Director discusses Charles Ives, a seminal figure in modern American music who challenged us to consider what classical music is, what it can do for us and why we love it.
Hear Setapen conduct Ives' Unanswered Question as part of the 2012 Four Score Festival Sunday, March 4 at 3pm.
http://musicinst.org/music-charles-ives-gunther-schuller
wn.com/Charles Ives Exploring The Life And Music Of A Great American Composer
Jim Setapen, Music Institute of Chicago Academy Director discusses Charles Ives, a seminal figure in modern American music who challenged us to consider what classical music is, what it can do for us and why we love it.
Hear Setapen conduct Ives' Unanswered Question as part of the 2012 Four Score Festival Sunday, March 4 at 3pm.
http://musicinst.org/music-charles-ives-gunther-schuller
- published: 02 Mar 2012
- views: 781
Donald Gramm sings Charles Ives - LIVE!
- Order: Reorder
- Duration: 12:08
- Updated: 29 Sep 2011
- views: 1352
Five songs by composer Charles Ives. From a Town Hall recital on 24 February 1976 with Donald Hassard, piano. (Songs 2-5 are texts by the composer)
1. Genera...
Five songs by composer Charles Ives. From a Town Hall recital on 24 February 1976 with Donald Hassard, piano. (Songs 2-5 are texts by the composer)
1. General William Booth Enters into Heaven (Vachel Lindsay)
2. The Side Show
3. The Things Our Fathers Loved
4. The Greatest Man
5. Circus Band
More of this recital may be found at my Donald Gramm playlist:
http://www.youtube.com/playlist?list=PL1F9E32BB07DFB3E8&feature;=plcp
wn.com/Donald Gramm Sings Charles Ives Live
Five songs by composer Charles Ives. From a Town Hall recital on 24 February 1976 with Donald Hassard, piano. (Songs 2-5 are texts by the composer)
1. General William Booth Enters into Heaven (Vachel Lindsay)
2. The Side Show
3. The Things Our Fathers Loved
4. The Greatest Man
5. Circus Band
More of this recital may be found at my Donald Gramm playlist:
http://www.youtube.com/playlist?list=PL1F9E32BB07DFB3E8&feature;=plcp
- published: 29 Sep 2011
- views: 1352
Charles Ives String Quartet no. 1 IV:Allegro marziale. Stamic Quartet live at Levoca
- Order: Reorder
- Duration: 5:40
- Updated: 03 Nov 2010
- views: 1293
The triumphantly resounding last movement of Charles Ives's string quartet 'From the Salvation Army', played with aplomb by the Stamic Quartet at the 2010 'Ind...
The triumphantly resounding last movement of Charles Ives's string quartet 'From the Salvation Army', played with aplomb by the Stamic Quartet at the 2010 'Indian Summer in Levoca' Festival. The second movement from this performance is also available on this channel in YouTube
wn.com/Charles Ives String Quartet No. 1 Iv Allegro Marziale. Stamic Quartet Live At Levoca
The triumphantly resounding last movement of Charles Ives's string quartet 'From the Salvation Army', played with aplomb by the Stamic Quartet at the 2010 'Indian Summer in Levoca' Festival. The second movement from this performance is also available on this channel in YouTube
- published: 03 Nov 2010
- views: 1293
Charles Ives: Trio for Violin, Cello, Piano (Live) / Clapp, Krosnick, Lee
- Order: Reorder
- Duration: 29:05
- Updated: 10 Nov 2015
- views: 29
Recorded live in concert from Morse Hall, The Juilliard School (March 2003)
Charles Ives – Trio for Violin, Cello, Piano
(I. Moderato; II. TSIAJ (Presto); II...
Recorded live in concert from Morse Hall, The Juilliard School (March 2003)
Charles Ives – Trio for Violin, Cello, Piano
(I. Moderato; II. TSIAJ (Presto); III. Moderato con moto)
Stephen Clapp, violin
Joel Krosnick, cello
Brian Lee, piano
wn.com/Charles Ives Trio For Violin, Cello, Piano (Live) Clapp, Krosnick, Lee
Recorded live in concert from Morse Hall, The Juilliard School (March 2003)
Charles Ives – Trio for Violin, Cello, Piano
(I. Moderato; II. TSIAJ (Presto); III. Moderato con moto)
Stephen Clapp, violin
Joel Krosnick, cello
Brian Lee, piano
- published: 10 Nov 2015
- views: 29
Mattias Ståhl spelar kompositioner av Charles Ives (Live på Polar Music Prize 2015)
- Order: Reorder
- Duration: 3:57
- Updated: 09 Jun 2015
- views: 849
Mattias Ståhl framträder under Polar Music Prize 2015 med ett medley av kompositioner skrivna av Charles Ives.
Se mer från TV4 på:
YouTube: http://www.youtube...
Mattias Ståhl framträder under Polar Music Prize 2015 med ett medley av kompositioner skrivna av Charles Ives.
Se mer från TV4 på:
YouTube: http://www.youtube.com/user/tv4?sub_confirmation=1
Facebook: http://www.facebook.com/TV4
Twitter: http://twitter.com/TV4
http://www.tv4.se/
wn.com/Mattias Ståhl Spelar Kompositioner Av Charles Ives (Live På Polar Music Prize 2015)
Mattias Ståhl framträder under Polar Music Prize 2015 med ett medley av kompositioner skrivna av Charles Ives.
Se mer från TV4 på:
YouTube: http://www.youtube.com/user/tv4?sub_confirmation=1
Facebook: http://www.facebook.com/TV4
Twitter: http://twitter.com/TV4
http://www.tv4.se/
- published: 09 Jun 2015
- views: 849
Three Places in New England, Putnam's Camp :: Composed by Charles Ives :: Animation by Victor Craven
- Order: Reorder
- Duration: 6:22
- Updated: 15 Sep 2009
- views: 41946
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations...
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: THR/PUT/ENG/06
wn.com/Three Places In New England, Putnam's Camp Composed By Charles Ives Animation By Victor Craven
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: THR/PUT/ENG/06
- published: 15 Sep 2009
- views: 41946
Charles Ives "The Cage" (Gerald Seminatore)
- Order: Reorder
- Duration: 1:11
- Updated: 16 Jul 2014
- views: 445
Tenor Gerald Seminatore and pianist Mark Salters perform "The Cage" by Charles Ives. Live performance at the Brand Library and Art Center, Glendale, CA
Tenor Gerald Seminatore and pianist Mark Salters perform "The Cage" by Charles Ives. Live performance at the Brand Library and Art Center, Glendale, CA
wn.com/Charles Ives The Cage (Gerald Seminatore)
Tenor Gerald Seminatore and pianist Mark Salters perform "The Cage" by Charles Ives. Live performance at the Brand Library and Art Center, Glendale, CA
- published: 16 Jul 2014
- views: 445
Charles Ives - 'The Unanswered Question'
- Order: Reorder
- Duration: 6:06
- Updated: 29 Dec 2009
- views: 69672
Charles Ives - "The Unanswered Question"
CCM Concert Orchestra
Olivier Ochanine, conductor
Nov. 24, 2009
College-Conservatory of Music, Cincinnati
(pardon the...
Charles Ives - "The Unanswered Question"
CCM Concert Orchestra
Olivier Ochanine, conductor
Nov. 24, 2009
College-Conservatory of Music, Cincinnati
(pardon the sound, taken from camera behind orchestra)
wn.com/Charles Ives 'The Unanswered Question'
Charles Ives - "The Unanswered Question"
CCM Concert Orchestra
Olivier Ochanine, conductor
Nov. 24, 2009
College-Conservatory of Music, Cincinnati
(pardon the sound, taken from camera behind orchestra)
- published: 29 Dec 2009
- views: 69672
Jeremy Denk, "The Alcotts" from Ives' "Concord Sonata" Live on Q2 in The Greene Space
- Order: Reorder
- Duration: 5:07
- Updated: 27 Mar 2012
- views: 11154
Q2 Music celebrates America's great iconoclastic composers when San Francisco Symphony music director Michael Tilson Thomas brings his "American Mavericks" tour...
Q2 Music celebrates America's great iconoclastic composers when San Francisco Symphony music director Michael Tilson Thomas brings his "American Mavericks" tour to New York. In anticipation of their Carnegie Hall concerts, composer John Adams and Meredith Monk, the St. Lawrence String Quartet, pianist Jeremy Denk, and other guests joined Tilson Thomas for an evening of performance and conversation around the music of Charles Ives, John Adams and other maverick composers. WQXR's David Garland and Q2 Music's Nadia Sirota hosted.
Here Jeremy Denk performs "The Alcotts" movement from Ives' "Concord Sonata."
wn.com/Jeremy Denk, The Alcotts From Ives' Concord Sonata Live On Q2 In The Greene Space
Q2 Music celebrates America's great iconoclastic composers when San Francisco Symphony music director Michael Tilson Thomas brings his "American Mavericks" tour to New York. In anticipation of their Carnegie Hall concerts, composer John Adams and Meredith Monk, the St. Lawrence String Quartet, pianist Jeremy Denk, and other guests joined Tilson Thomas for an evening of performance and conversation around the music of Charles Ives, John Adams and other maverick composers. WQXR's David Garland and Q2 Music's Nadia Sirota hosted.
Here Jeremy Denk performs "The Alcotts" movement from Ives' "Concord Sonata."
- published: 27 Mar 2012
- views: 11154
Charles Ives - The Unanswered Question Live in Belgrade
- Order: Reorder
- Duration: 6:31
- Updated: 01 Nov 2015
- views: 10
© Premil Petrovic and the No Borders Orchestra
© Premil Petrovic and the No Borders Orchestra
wn.com/Charles Ives The Unanswered Question Live In Belgrade
The Cage (Charles Ives) KNEEBODY/THEO BLECKMANN
- Order: Reorder
- Duration: 3:28
- Updated: 23 Jun 2009
- views: 10605
The Cage (Charles Ives) - arrangement by Ben Wendel;
Kneebody with Theo Bleckmann live at Joe's Pub, NYC;
Kneebody is: Adam Benjamin (keys), Shane Endsley (tp...
The Cage (Charles Ives) - arrangement by Ben Wendel;
Kneebody with Theo Bleckmann live at Joe's Pub, NYC;
Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums).
Taped for Mezzo TV, France at Joe's Pub, NYC, 11/23/08
from "12 songs by Charles Ives" on Winter and Winter [www.winterandwinter.com]
wn.com/The Cage (Charles Ives) Kneebody Theo Bleckmann
The Cage (Charles Ives) - arrangement by Ben Wendel;
Kneebody with Theo Bleckmann live at Joe's Pub, NYC;
Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums).
Taped for Mezzo TV, France at Joe's Pub, NYC, 11/23/08
from "12 songs by Charles Ives" on Winter and Winter [www.winterandwinter.com]
- published: 23 Jun 2009
- views: 10605
CHARLES IVES SONATA No 2 " CONCORD " : HAWTHORNE EMANUELE ARCIULI
- Order: Reorder
- Duration: 12:35
- Updated: 06 Mar 2014
- views: 1379
EMANUELE ARCIULI piano
Charles Ives Piano Sonata No. 2( Concord Mass. 1840-1860), "Hawthorne"
From the new DVD release Champion of American Music:Emanuele Arci...
EMANUELE ARCIULI piano
Charles Ives Piano Sonata No. 2( Concord Mass. 1840-1860), "Hawthorne"
From the new DVD release Champion of American Music:Emanuele Arciuli
Emanuele Arciuli performs live from the Miami International Piano Festival. He has established himself as one of the most original and interesting of performers today. His repertoire ranges from Bach to contemporary music, with a strong affinity for American music.
Color, 85 minutes, Stereo, 16:9 widescreen, NTSC (Playable all regions)
Program:
Charles Ives: Piano Sonata No. 2 "Concord"
Fred Hersch: Nocturne for the Left Hand Alone
Chick Corea: Children's Songs, 1-20
Frederic Rzewski: Piece no. 3 & Piece no. 4
Emanuele Arciulli, piano
(Recorded live at the Miami International Piano Festival, March 26, 2007 and March 7, 2011, at the Amaturo Theater, Fort Lauderdale, Florida)
http://www.vaimusic.com/product/4562.html
wn.com/Charles Ives Sonata No 2 Concord Hawthorne Emanuele Arciuli
EMANUELE ARCIULI piano
Charles Ives Piano Sonata No. 2( Concord Mass. 1840-1860), "Hawthorne"
From the new DVD release Champion of American Music:Emanuele Arciuli
Emanuele Arciuli performs live from the Miami International Piano Festival. He has established himself as one of the most original and interesting of performers today. His repertoire ranges from Bach to contemporary music, with a strong affinity for American music.
Color, 85 minutes, Stereo, 16:9 widescreen, NTSC (Playable all regions)
Program:
Charles Ives: Piano Sonata No. 2 "Concord"
Fred Hersch: Nocturne for the Left Hand Alone
Chick Corea: Children's Songs, 1-20
Frederic Rzewski: Piece no. 3 & Piece no. 4
Emanuele Arciulli, piano
(Recorded live at the Miami International Piano Festival, March 26, 2007 and March 7, 2011, at the Amaturo Theater, Fort Lauderdale, Florida)
http://www.vaimusic.com/product/4562.html
- published: 06 Mar 2014
- views: 1379
Trio Appassionata - Charles Ives: Trio for Violin, Violoncello and Piano
- Order: Reorder
- Duration: 26:14
- Updated: 26 Jun 2014
- views: 2781
Recorded live @ the Odradek Itinerate Festival in Matta, Pescara on December 14th, 2013.
http://www.odradek-records.com
http://trioappassionata.com/
Odradek R...
Recorded live @ the Odradek Itinerate Festival in Matta, Pescara on December 14th, 2013.
http://www.odradek-records.com
http://trioappassionata.com/
Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label, organized to separate music-making from markets. A&R; is decided by roster members directly, democratically evaluating anonymously submitted demos. Our goal is to create a system of meritocratic evaluation analogous to the scientific peer review process, that is both fair and produces credible and artistically strong albums with real cultural relevance, which respond to the public's expectations of justice while cutting through their marketing fatigue. The result so far has been an eclectic group of artists, united by excellent musicianship and an adventurous approach to repertoire, creating albums that speak for themselves musically. Within months of launching, one title received the BBC Music Magazine Newcomer of the Year Award, and the roster now boasts 25 artists from 13 different countries, and has programmed yearly festivals featuring the artists in 8 cities of Italy and Spain. We are mainly pianists so far, but have one symphony orchestra, one medieval-instrument ensemble, one modern ensemble, a piano trio, violinist, cellist, and guitarist, all in the process of making their CDs with us.
---
TRIO APPASSIONATA
Lydia Chernicoff, violin
Andrea Casarrubios, cello
Ronaldo Rolim, piano
Praised for its communicative power, engaging performances, and the ability to bring audiences from different cultures together through music, Trio Appassionata was formed at the Peabody Conservatory of the Johns Hopkins University in 2007. Coming from three distinct backgrounds, its members have been awarded numerous scholarships and prizes at competitions around the globe.
In 2013, Trio Appassionata joined the artist roster of Odradek Records, a non-profit, artist controlled label. The ensemble's first CD, gone into night are all the eyes, features piano trios by American composers, including a commissioned work by Peabody alumnus Thomas Kotcheff. This new piece and the recording project as a whole were made possible thanks to a grant awarded by the Presser Foundation. The CD will be released in the Fall of 2014.
The members of Trio Appassionata are highly committed to bringing music to new audiences in a variety of ways. As artists-in-residence at Chamber Music Sedona (2012), the ensemble performed in a range of venues both formal and informal, including outreach programs in public schools and concerts in libraries and churches.
The trio has performed extensively throughout North America at such venues as Weill Recital Hall at Carnegie Hall, the Freer Gallery of the Smithsonian Institution, and Bard College. In December 2013, Trio Appassionata toured Europe as a part of the Project Odradek International Music Festival, which included performances in Madrid, Salamanca, and Pescara. The trio will return to Europe in the Fall of 2014 for recitals, including a performance of the complete repertoire from its debut album at the London Festival of American Music in St. James Theatre. Additional engagements will take them to other concert halls in the United Kingdom, Spain and Italy.
Trio Appassionata has been guided by some of today's most eminent chamber musicians including Michael Kannen, Allison Wells, Violaine Melançon, Marian Hahn, and Yellow Barn Artistic Director Seth Knopp. The trio has also performed in masterclasses for renowned ensembles such as the Miró, Orion and Brentano Quartets.
wn.com/Trio Appassionata Charles Ives Trio For Violin, Violoncello And Piano
Recorded live @ the Odradek Itinerate Festival in Matta, Pescara on December 14th, 2013.
http://www.odradek-records.com
http://trioappassionata.com/
Odradek Records is a democratic classical cooperative, non-profit and artist-controlled label, organized to separate music-making from markets. A&R; is decided by roster members directly, democratically evaluating anonymously submitted demos. Our goal is to create a system of meritocratic evaluation analogous to the scientific peer review process, that is both fair and produces credible and artistically strong albums with real cultural relevance, which respond to the public's expectations of justice while cutting through their marketing fatigue. The result so far has been an eclectic group of artists, united by excellent musicianship and an adventurous approach to repertoire, creating albums that speak for themselves musically. Within months of launching, one title received the BBC Music Magazine Newcomer of the Year Award, and the roster now boasts 25 artists from 13 different countries, and has programmed yearly festivals featuring the artists in 8 cities of Italy and Spain. We are mainly pianists so far, but have one symphony orchestra, one medieval-instrument ensemble, one modern ensemble, a piano trio, violinist, cellist, and guitarist, all in the process of making their CDs with us.
---
TRIO APPASSIONATA
Lydia Chernicoff, violin
Andrea Casarrubios, cello
Ronaldo Rolim, piano
Praised for its communicative power, engaging performances, and the ability to bring audiences from different cultures together through music, Trio Appassionata was formed at the Peabody Conservatory of the Johns Hopkins University in 2007. Coming from three distinct backgrounds, its members have been awarded numerous scholarships and prizes at competitions around the globe.
In 2013, Trio Appassionata joined the artist roster of Odradek Records, a non-profit, artist controlled label. The ensemble's first CD, gone into night are all the eyes, features piano trios by American composers, including a commissioned work by Peabody alumnus Thomas Kotcheff. This new piece and the recording project as a whole were made possible thanks to a grant awarded by the Presser Foundation. The CD will be released in the Fall of 2014.
The members of Trio Appassionata are highly committed to bringing music to new audiences in a variety of ways. As artists-in-residence at Chamber Music Sedona (2012), the ensemble performed in a range of venues both formal and informal, including outreach programs in public schools and concerts in libraries and churches.
The trio has performed extensively throughout North America at such venues as Weill Recital Hall at Carnegie Hall, the Freer Gallery of the Smithsonian Institution, and Bard College. In December 2013, Trio Appassionata toured Europe as a part of the Project Odradek International Music Festival, which included performances in Madrid, Salamanca, and Pescara. The trio will return to Europe in the Fall of 2014 for recitals, including a performance of the complete repertoire from its debut album at the London Festival of American Music in St. James Theatre. Additional engagements will take them to other concert halls in the United Kingdom, Spain and Italy.
Trio Appassionata has been guided by some of today's most eminent chamber musicians including Michael Kannen, Allison Wells, Violaine Melançon, Marian Hahn, and Yellow Barn Artistic Director Seth Knopp. The trio has also performed in masterclasses for renowned ensembles such as the Miró, Orion and Brentano Quartets.
- published: 26 Jun 2014
- views: 2781
Live aus Madrid: Charles Ives: Sonata n° 4, "Children's Day at the Camp Meeting
- Order: Reorder
- Duration: 11:51
- Updated: 03 Jan 2013
- views: 114
Serguei Teslia, violin
Elisaveta Blumina, piano
Serguei Teslia, violin
Elisaveta Blumina, piano
wn.com/Live Aus Madrid Charles Ives Sonata N° 4, Children's Day At The Camp Meeting
Serguei Teslia, violin
Elisaveta Blumina, piano
- published: 03 Jan 2013
- views: 114
Variations On America
- Order: Reorder
- Duration: 6:23
- Updated: 21 Mar 2010
- views: 36370
Live performance of Charles Ives' "Variations On America" by the University of Michigan Concert Band under the direction of Professor Rodney Dorsey.
Live performance of Charles Ives' "Variations On America" by the University of Michigan Concert Band under the direction of Professor Rodney Dorsey.
wn.com/Variations On America
Live performance of Charles Ives' "Variations On America" by the University of Michigan Concert Band under the direction of Professor Rodney Dorsey.
- published: 21 Mar 2010
- views: 36370
Ives - The Fourth of July - GSW 2012 Orchestra
- Order: Reorder
- Duration: 6:07
- Updated: 03 Jan 2014
- views: 2986
Live performance of Charles Ives' "The Fourth of July," third movement of his "Holidays Symphony." Alex Blake, guest conductor.
http://orlandocela.com/
Live performance of Charles Ives' "The Fourth of July," third movement of his "Holidays Symphony." Alex Blake, guest conductor.
http://orlandocela.com/
wn.com/Ives The Fourth Of July Gsw 2012 Orchestra
Live performance of Charles Ives' "The Fourth of July," third movement of his "Holidays Symphony." Alex Blake, guest conductor.
http://orlandocela.com/
- published: 03 Jan 2014
- views: 2986
George Spitzer/Charles Ives song, Charlie Rutlage
- Order: Reorder
- Duration: 2:34
- Updated: 30 Mar 2012
- views: 1076
Baritone George Spitzer sings Charles Ives undated song, Charlie Rutlage live in the Melodeon concert at Church of the Epiphany, 74th and York Ave., NYC 3/25/12...
Baritone George Spitzer sings Charles Ives undated song, Charlie Rutlage live in the Melodeon concert at Church of the Epiphany, 74th and York Ave., NYC 3/25/12. He is accompanied by pianist Artis Wodehouse. Ives' song is a reinterpretation of a Cowboy song collected by ethnomusicologist Alan Lomax in Texas during the 1910-20s period. The song depicts the death of a cowboy -- crushed by his horse when it fell -- during a roundup at the famous XIT ranch in Texas. Sound recording by Whitney Slaten, video by Zoe White, video editing by Ryan Hunter.
wn.com/George Spitzer Charles Ives Song, Charlie Rutlage
Baritone George Spitzer sings Charles Ives undated song, Charlie Rutlage live in the Melodeon concert at Church of the Epiphany, 74th and York Ave., NYC 3/25/12. He is accompanied by pianist Artis Wodehouse. Ives' song is a reinterpretation of a Cowboy song collected by ethnomusicologist Alan Lomax in Texas during the 1910-20s period. The song depicts the death of a cowboy -- crushed by his horse when it fell -- during a roundup at the famous XIT ranch in Texas. Sound recording by Whitney Slaten, video by Zoe White, video editing by Ryan Hunter.
- published: 30 Mar 2012
- views: 1076
Songs My Mother Taught Me (Charles Ives) KNEEBODY/THEO BLECKMANN
- Order: Reorder
- Duration: 8:20
- Updated: 24 Jun 2009
- views: 12728
Songs My Mother Taught Me (Charles Ives) - arrangement Ben Wendel
Kneebody with Theo Bleckmann live at Joe's Pub, NYC
Kneebody is: Adam Benjamin (keys), Shan...
Songs My Mother Taught Me (Charles Ives) - arrangement Ben Wendel
Kneebody with Theo Bleckmann live at Joe's Pub, NYC
Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums)
Taped for Mezzo TV, France at Joe's Pub, NYC, 11/2308
from "12 songs by Charles Ives" on Winter and Winter
wn.com/Songs My Mother Taught Me (Charles Ives) Kneebody Theo Bleckmann
Songs My Mother Taught Me (Charles Ives) - arrangement Ben Wendel
Kneebody with Theo Bleckmann live at Joe's Pub, NYC
Kneebody is: Adam Benjamin (keys), Shane Endsley (tpt), Kavah Rastegar (e.bass), Ben Wendel (sax, bassoon), Nate Wood (drums)
Taped for Mezzo TV, France at Joe's Pub, NYC, 11/2308
from "12 songs by Charles Ives" on Winter and Winter
- published: 24 Jun 2009
- views: 12728
Charles Ives humor: London Bridge on Liszt organ
- Order: Reorder
- Duration: 2:51
- Updated: 19 Nov 2012
- views: 1927
More about Performer, Artis Whodehouse: http://www.artiswodehouse.com/
Artis Wodehouse performs Charles Ives' (1874-1954) Burlesque on London Bridge live on the...
More about Performer, Artis Whodehouse: http://www.artiswodehouse.com/
Artis Wodehouse performs Charles Ives' (1874-1954) Burlesque on London Bridge live on the Melodeon concert 11/11/12 at Church of the Epiphany, NYC. This humorous piece, a
bitonal, rhythmically-displaced and vaudevillian version of the popular song, was reconstructed by Kenneth Singleton from sketches of the 17-year-old Charles Ives. It is now published by Presser as part of a collection of the complete organ works of Charles Ives. Wodehouse plays on her restored 1889 Mason & Hamlin Liszt organ. This foot-pump reed organ was considered a top-of-the-line instrument during its heyday in the latter 19th century. Ives was 17 in 1891.
The piece is remarkable in that by age 17, so many pieces of the Ives puzzle are already apparent. Humor, vernacular styles, referencing iconic, well-known tunes, stream-of-consciousness (the interruption of a strange chord -- "Sunrise over Mirey Brook" -- a beautiful stream located in new Hampshire - Ives' must have been along it's banks at some point) and multiple, simultaneously sounding keys.
Melodeon is a chamber group founded by Artis Wodehouse that centers on American music of the 19th and early 20th century. Wodehouse places special emphasis on performing music from this period on restored antique American instruments from her collection.
This recording and video was captured by Whitney Slaten. Restoration work on Wodehouse's Liszt organ was done by Randolph Herr, with tuning and adjustments by Louis Huivenaar.
wn.com/Charles Ives Humor London Bridge On Liszt Organ
More about Performer, Artis Whodehouse: http://www.artiswodehouse.com/
Artis Wodehouse performs Charles Ives' (1874-1954) Burlesque on London Bridge live on the Melodeon concert 11/11/12 at Church of the Epiphany, NYC. This humorous piece, a
bitonal, rhythmically-displaced and vaudevillian version of the popular song, was reconstructed by Kenneth Singleton from sketches of the 17-year-old Charles Ives. It is now published by Presser as part of a collection of the complete organ works of Charles Ives. Wodehouse plays on her restored 1889 Mason & Hamlin Liszt organ. This foot-pump reed organ was considered a top-of-the-line instrument during its heyday in the latter 19th century. Ives was 17 in 1891.
The piece is remarkable in that by age 17, so many pieces of the Ives puzzle are already apparent. Humor, vernacular styles, referencing iconic, well-known tunes, stream-of-consciousness (the interruption of a strange chord -- "Sunrise over Mirey Brook" -- a beautiful stream located in new Hampshire - Ives' must have been along it's banks at some point) and multiple, simultaneously sounding keys.
Melodeon is a chamber group founded by Artis Wodehouse that centers on American music of the 19th and early 20th century. Wodehouse places special emphasis on performing music from this period on restored antique American instruments from her collection.
This recording and video was captured by Whitney Slaten. Restoration work on Wodehouse's Liszt organ was done by Randolph Herr, with tuning and adjustments by Louis Huivenaar.
- published: 19 Nov 2012
- views: 1927
Ives Ensemble - Over the Pavements (Live @ Bimhuis - Amsterdam)
- Order: Reorder
- Duration: 4:58
- Updated: 21 Jan 2014
- views: 1224
64
64
wn.com/Ives Ensemble Over The Pavements (Live Bimhuis Amsterdam)
64
- published: 21 Jan 2014
- views: 1224
The Unanswered Question (II) (1930-35) :: Composed by Charles Ives :: Animation by Victor Craven
- Order: Reorder
- Duration: 5:25
- Updated: 15 Sep 2009
- views: 4601
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations...
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: UNA/UNA/ENG/05
wn.com/The Unanswered Question (Ii) (1930 35) Composed By Charles Ives Animation By Victor Craven
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live orchestral performance for education and entertainment. All animations are controlled live to ensure synchronisation with the live orchestral performance :: Ref: UNA/UNA/ENG/05
- published: 15 Sep 2009
- views: 4601
-
Ives Symphony No. 4 - Stokowski - Complete Performance & Introduction
Charles Ives's 4th Symphony was given its World Premiere in 1965 by Leopold Stokowski and the American Symphony Orchestra. A few days later they made work's first recording and also played it in a televised studio performance, seen here, which was introduced by Stokowski and others, including co-conductors Jose Serebrier and David Katz, and John McClure, producer of the CBS recording. -
Charles Ives /// A Symphony: New England Holidays
A Symphony: New England Holidays, also known as A New England Holiday Symphony or simply a Holiday Symphony, is a composition for orchestra written by Charles Ives. It took Ives from 1897 to 1913 to complete all four movements. The four movements in order are: I. Washington’s Birthday II. Decoration Day III. The Fourth of July IV. Thanksgiving The movements coincide with each season; winter, spring, summer, and fall, respectively. While together these pieces are called a symphony, they may be played individually and thought of as separate works. As Ives dictates in his very own Memos: “…There is no special musical connection among these four movements…which leads me to observe that quite a number of larger forms (symphonies, sonatas, suites, etc.) may not always necessarily form, or were... -
Charles Ives/Larry Austin: Universe Symphony (Symphony No. 6) (1915-1954/1994)
Cincinnati Philharmonic & Cinncinati College Orchestras conducted by / Orquestas Filarmónica y Colegial de Cincinnati dirigida por Gerhard Samuel. Charles Ives is called the “First American” for he is considered to be the first composer who had an intrinsically American language in art music. Nonetheless, most of his later works tend to be more philosophical than nationalist, although his works include strong American Protestant elements. One of these later works is the Universe Symphony, which Ives left uncomplete but points to a transcendental, panentheistic solution between God, Man and Nature. This performing version was completed by Larry Austin in 1994. Charles Ives es nombrado como el “Primer Estadounidense” por ser considerado el primer compositor que poseía un lenguaje musical i... -
Susan Graham: The songs of Charles Ives
I. A farewell to land 00:00 II. Soliloquy 01:44 III. A sound of a distant horn 02:42 IV. The Indians 03:32 V. The Housatonic at Stockbridge 05:30 VI. Ann Street 09:23 VII. Like a sick eagle 10:18 VIII. The swimmers 12:11 IX. September 13:50 X. 123 14:39 XI. Serenity 15:14 XII. The things our fathers loved 17:33 XIII. Thoreau 19:36 XIV. The Circus band 21:59 XV. The cage 24:24 XVI. Memories 25:09 XVII. Songs my mother tought me 27:36 Ives, Charles (1874-1954) -composer Susan Graham -mezzosoprano Pierre-Laurent Aimard -piano Playlist: "The art of American song: Ives, Copland, Barber, Bernstein, Previn, Heggie...": https://www.youtube.com/playlist?list=PLdM8VSWYvcWH_B7ugQnVEmmCY2EZyBbyw Buy the CD here: http://www.amazon.com/Ives-Concord-Sonata-Songs-Charles/dp/B0001HZ6MO/ref=sr_1_2?ie=... -
Charles Ives: Trio per pianoforte, violino e violoncello (1904)
Charles Ives (1874-1954): Trio per pianoforte, violino e violoncello (1904) -- Nieuw Amsterdam Trio -- I. Andante moderato II. Tsiaj - Presto III. Moderato con moto. ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated. -
Charles Ives /// Symphony 3
The Symphony No. 3, S. 3 (K. 1A3), The Camp Meeting by Charles Ives was written between 1908 and 1910. In 1947, the symphony was awarded the Pulitzer Prize for Music. Ives is reported to have given half the money to Lou Harrison, who conducted the premiere. -
Charles Ives Piano Trio, Op 86; 2013 Shanghai Festival
I. Moderato II. TSIAJ (Presto) III. Moderato con moto Performers: violin - Noémy Gagnon-Lafrenais; cello - Emanuel Evans; piano - Allegra Chapman -
Charles Ives "Emerson Concerto" Alan Feinberg
Emerson Concerto for Piano & Orchestra by Charles Ives (reconstructed by David G. Porter Alan Feinberg, piano National Symphony Orchestra of Ireland James Sinclair, conductor Dublin, 25.IX.2002 -
Leonard Bernstein: Young People's Concerts Vol. 2 | Charles Ives American Pioneer
-
Piano Trio - Charles Ives [HD]
Charles Ives' "Piano Trio" in stunning HD quality! Charles Edward Ives (/aɪvz/; October 20, 1874 -- May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program ofexperimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes ... -
Ives Symphony No. 4 - Stokowski - Complete Performance & Introduction
- Order: Reorder
- Duration: 58:03
- Updated: 28 Dec 2014
- views: 4330
Charles Ives's 4th Symphony was given its World Premiere in 1965 by Leopold Stokowski and the American Symphony Orchestra. A few days later they made work's fir...
Charles Ives's 4th Symphony was given its World Premiere in 1965 by Leopold Stokowski and the American Symphony Orchestra. A few days later they made work's first recording and also played it in a televised studio performance, seen here, which was introduced by Stokowski and others, including co-conductors Jose Serebrier and David Katz, and John McClure, producer of the CBS recording.
wn.com/Ives Symphony No. 4 Stokowski Complete Performance Introduction
Charles Ives's 4th Symphony was given its World Premiere in 1965 by Leopold Stokowski and the American Symphony Orchestra. A few days later they made work's first recording and also played it in a televised studio performance, seen here, which was introduced by Stokowski and others, including co-conductors Jose Serebrier and David Katz, and John McClure, producer of the CBS recording.
- published: 28 Dec 2014
- views: 4330
Charles Ives /// A Symphony: New England Holidays
- Order: Reorder
- Duration: 37:31
- Updated: 29 Apr 2015
- views: 1796
A Symphony: New England Holidays, also known as A New England Holiday Symphony or simply a Holiday Symphony, is a composition for orchestra written by Charles I...
A Symphony: New England Holidays, also known as A New England Holiday Symphony or simply a Holiday Symphony, is a composition for orchestra written by Charles Ives. It took Ives from 1897 to 1913 to complete all four movements. The four movements in order are:
I. Washington’s Birthday
II. Decoration Day
III. The Fourth of July
IV. Thanksgiving
The movements coincide with each season; winter, spring, summer, and fall, respectively. While together these pieces are called a symphony, they may be played individually and thought of as separate works. As Ives dictates in his very own Memos:
“…There is no special musical connection among these four movements…which leads me to observe that quite a number of larger forms (symphonies, sonatas, suites, etc.) may not always necessarily form, or were originally intended to form, such a complete organic whole that the breath of unity is smothered all out if one or two movements are played separately sometimes.”[1]
Holiday Symphony exemplifies Ives’s varied, unique use of dissonance that gave his works a more dynamic range of emotion. “Each [movement] expresses its particular scene and feeling…[using] the mingling of stylistic voices, the meta-style, that had become second nature to Ives. They all contain the shared “pattern of splicing introverted slow music and extroverted fast music
wn.com/Charles Ives A Symphony New England Holidays
A Symphony: New England Holidays, also known as A New England Holiday Symphony or simply a Holiday Symphony, is a composition for orchestra written by Charles Ives. It took Ives from 1897 to 1913 to complete all four movements. The four movements in order are:
I. Washington’s Birthday
II. Decoration Day
III. The Fourth of July
IV. Thanksgiving
The movements coincide with each season; winter, spring, summer, and fall, respectively. While together these pieces are called a symphony, they may be played individually and thought of as separate works. As Ives dictates in his very own Memos:
“…There is no special musical connection among these four movements…which leads me to observe that quite a number of larger forms (symphonies, sonatas, suites, etc.) may not always necessarily form, or were originally intended to form, such a complete organic whole that the breath of unity is smothered all out if one or two movements are played separately sometimes.”[1]
Holiday Symphony exemplifies Ives’s varied, unique use of dissonance that gave his works a more dynamic range of emotion. “Each [movement] expresses its particular scene and feeling…[using] the mingling of stylistic voices, the meta-style, that had become second nature to Ives. They all contain the shared “pattern of splicing introverted slow music and extroverted fast music
- published: 29 Apr 2015
- views: 1796
Charles Ives/Larry Austin: Universe Symphony (Symphony No. 6) (1915-1954/1994)
- Order: Reorder
- Duration: 37:53
- Updated: 20 Nov 2015
- views: 365
Cincinnati Philharmonic & Cinncinati College Orchestras conducted by / Orquestas Filarmónica y Colegial de Cincinnati dirigida por Gerhard Samuel.
Charles Ives...
Cincinnati Philharmonic & Cinncinati College Orchestras conducted by / Orquestas Filarmónica y Colegial de Cincinnati dirigida por Gerhard Samuel.
Charles Ives is called the “First American” for he is considered to be the first composer who had an intrinsically American language in art music. Nonetheless, most of his later works tend to be more philosophical than nationalist, although his works include strong American Protestant elements. One of these later works is the Universe Symphony, which Ives left uncomplete but points to a transcendental, panentheistic solution between God, Man and Nature. This performing version was completed by Larry Austin in 1994.
Charles Ives es nombrado como el “Primer Estadounidense” por ser considerado el primer compositor que poseía un lenguaje musical intrínsecamente estadounidense. No obstante, sus obras tardías muestran una inclinación filosófica más que nacionalista, aunque estas exhiben elementos muy claros del Protestantismo estadounidense. Una de ellas es la Sinfonía Universo, dejada incompleta por Ives pero que indica una solución trascendental y panenteísta entre Dios, el Hombre y la Naturaleza. Esta versión ejecutable fue realizada por Larry Austin en 1994.
Más información /more info: http://musicalhistories.blogspot.mx/2015/11/contemporary-voices-vii-is-sky-limit.html
Image/imagen: Galaxia Remolino / Whirlpool Galaxy. Cred: NASA.
wn.com/Charles Ives Larry Austin Universe Symphony (Symphony No. 6) (1915 1954 1994)
Cincinnati Philharmonic & Cinncinati College Orchestras conducted by / Orquestas Filarmónica y Colegial de Cincinnati dirigida por Gerhard Samuel.
Charles Ives is called the “First American” for he is considered to be the first composer who had an intrinsically American language in art music. Nonetheless, most of his later works tend to be more philosophical than nationalist, although his works include strong American Protestant elements. One of these later works is the Universe Symphony, which Ives left uncomplete but points to a transcendental, panentheistic solution between God, Man and Nature. This performing version was completed by Larry Austin in 1994.
Charles Ives es nombrado como el “Primer Estadounidense” por ser considerado el primer compositor que poseía un lenguaje musical intrínsecamente estadounidense. No obstante, sus obras tardías muestran una inclinación filosófica más que nacionalista, aunque estas exhiben elementos muy claros del Protestantismo estadounidense. Una de ellas es la Sinfonía Universo, dejada incompleta por Ives pero que indica una solución trascendental y panenteísta entre Dios, el Hombre y la Naturaleza. Esta versión ejecutable fue realizada por Larry Austin en 1994.
Más información /more info: http://musicalhistories.blogspot.mx/2015/11/contemporary-voices-vii-is-sky-limit.html
Image/imagen: Galaxia Remolino / Whirlpool Galaxy. Cred: NASA.
- published: 20 Nov 2015
- views: 365
Susan Graham: The songs of Charles Ives
- Order: Reorder
- Duration: 31:08
- Updated: 14 Sep 2014
- views: 4379
I. A farewell to land 00:00
II. Soliloquy 01:44
III. A sound of a distant horn 02:42
IV. The Indians 03:32
V. The Housatonic at Stockbridge 05:30
VI. Ann Street...
I. A farewell to land 00:00
II. Soliloquy 01:44
III. A sound of a distant horn 02:42
IV. The Indians 03:32
V. The Housatonic at Stockbridge 05:30
VI. Ann Street 09:23
VII. Like a sick eagle 10:18
VIII. The swimmers 12:11
IX. September 13:50
X. 123 14:39
XI. Serenity 15:14
XII. The things our fathers loved 17:33
XIII. Thoreau 19:36
XIV. The Circus band 21:59
XV. The cage 24:24
XVI. Memories 25:09
XVII. Songs my mother tought me 27:36
Ives, Charles (1874-1954) -composer
Susan Graham -mezzosoprano
Pierre-Laurent Aimard -piano
Playlist: "The art of American song: Ives, Copland, Barber, Bernstein, Previn, Heggie...": https://www.youtube.com/playlist?list=PLdM8VSWYvcWH_B7ugQnVEmmCY2EZyBbyw
Buy the CD here: http://www.amazon.com/Ives-Concord-Sonata-Songs-Charles/dp/B0001HZ6MO/ref=sr_1_2?ie=UTF8&qid;=1410723879&sr;=8-2&keywords;=graham+ives
wn.com/Susan Graham The Songs Of Charles Ives
I. A farewell to land 00:00
II. Soliloquy 01:44
III. A sound of a distant horn 02:42
IV. The Indians 03:32
V. The Housatonic at Stockbridge 05:30
VI. Ann Street 09:23
VII. Like a sick eagle 10:18
VIII. The swimmers 12:11
IX. September 13:50
X. 123 14:39
XI. Serenity 15:14
XII. The things our fathers loved 17:33
XIII. Thoreau 19:36
XIV. The Circus band 21:59
XV. The cage 24:24
XVI. Memories 25:09
XVII. Songs my mother tought me 27:36
Ives, Charles (1874-1954) -composer
Susan Graham -mezzosoprano
Pierre-Laurent Aimard -piano
Playlist: "The art of American song: Ives, Copland, Barber, Bernstein, Previn, Heggie...": https://www.youtube.com/playlist?list=PLdM8VSWYvcWH_B7ugQnVEmmCY2EZyBbyw
Buy the CD here: http://www.amazon.com/Ives-Concord-Sonata-Songs-Charles/dp/B0001HZ6MO/ref=sr_1_2?ie=UTF8&qid;=1410723879&sr;=8-2&keywords;=graham+ives
- published: 14 Sep 2014
- views: 4379
Charles Ives: Trio per pianoforte, violino e violoncello (1904)
- Order: Reorder
- Duration: 20:56
- Updated: 24 May 2011
- views: 7974
Charles Ives (1874-1954): Trio per pianoforte, violino e violoncello (1904) -- Nieuw Amsterdam Trio --
I. Andante moderato
II. Tsiaj - Presto
III. Moderato...
Charles Ives (1874-1954): Trio per pianoforte, violino e violoncello (1904) -- Nieuw Amsterdam Trio --
I. Andante moderato
II. Tsiaj - Presto
III. Moderato con moto.
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Charles Ives Trio Per Pianoforte, Violino E Violoncello (1904)
Charles Ives (1874-1954): Trio per pianoforte, violino e violoncello (1904) -- Nieuw Amsterdam Trio --
I. Andante moderato
II. Tsiaj - Presto
III. Moderato con moto.
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 24 May 2011
- views: 7974
Charles Ives /// Symphony 3
- Order: Reorder
- Duration: 22:53
- Updated: 05 May 2015
- views: 1297
The Symphony No. 3, S. 3 (K. 1A3), The Camp Meeting by Charles Ives was written between 1908 and 1910. In 1947, the symphony was awarded the Pulitzer Prize for ...
The Symphony No. 3, S. 3 (K. 1A3), The Camp Meeting by Charles Ives was written between 1908 and 1910. In 1947, the symphony was awarded the Pulitzer Prize for Music. Ives is reported to have given half the money to Lou Harrison, who conducted the premiere.
wn.com/Charles Ives Symphony 3
The Symphony No. 3, S. 3 (K. 1A3), The Camp Meeting by Charles Ives was written between 1908 and 1910. In 1947, the symphony was awarded the Pulitzer Prize for Music. Ives is reported to have given half the money to Lou Harrison, who conducted the premiere.
- published: 05 May 2015
- views: 1297
Charles Ives Piano Trio, Op 86; 2013 Shanghai Festival
- Order: Reorder
- Duration: 25:11
- Updated: 17 Dec 2013
- views: 3128
I. Moderato
II. TSIAJ (Presto)
III. Moderato con moto
Performers: violin - Noémy Gagnon-Lafrenais; cello - Emanuel Evans; piano - Allegra Chapman
I. Moderato
II. TSIAJ (Presto)
III. Moderato con moto
Performers: violin - Noémy Gagnon-Lafrenais; cello - Emanuel Evans; piano - Allegra Chapman
wn.com/Charles Ives Piano Trio, Op 86 2013 Shanghai Festival
I. Moderato
II. TSIAJ (Presto)
III. Moderato con moto
Performers: violin - Noémy Gagnon-Lafrenais; cello - Emanuel Evans; piano - Allegra Chapman
- published: 17 Dec 2013
- views: 3128
Charles Ives "Emerson Concerto" Alan Feinberg
- Order: Reorder
- Duration: 25:15
- Updated: 01 Feb 2015
- views: 394
Emerson Concerto for Piano & Orchestra
by Charles Ives
(reconstructed by David G. Porter
Alan Feinberg, piano
National Symphony Orchestra of Ireland
James Sincl...
Emerson Concerto for Piano & Orchestra
by Charles Ives
(reconstructed by David G. Porter
Alan Feinberg, piano
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
wn.com/Charles Ives Emerson Concerto Alan Feinberg
Emerson Concerto for Piano & Orchestra
by Charles Ives
(reconstructed by David G. Porter
Alan Feinberg, piano
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
- published: 01 Feb 2015
- views: 394
Leonard Bernstein: Young People's Concerts Vol. 2 | Charles Ives American Pioneer
- Order: Reorder
- Duration: 54:35
- Updated: 09 Oct 2015
- views: 289
- published: 09 Oct 2015
- views: 289
Piano Trio - Charles Ives [HD]
- Order: Reorder
- Duration: 23:37
- Updated: 14 Jun 2014
- views: 1698
Charles Ives' "Piano Trio" in stunning HD quality!
Charles Edward Ives (/aɪvz/; October 20, 1874 -- May 19, 1954) was an American modernist composer. He is one...
Charles Ives' "Piano Trio" in stunning HD quality!
Charles Edward Ives (/aɪvz/; October 20, 1874 -- May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program ofexperimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Politics
Ives proposed in 1920 that there be a 20th Amendment to the U.S. Constitution which would authorize citizens to submit legislative proposals to Congress. Members of Congress would then cull the proposals, selecting 10 each year as referendums for popular vote by the nation's electorate. He even had printed at his own expense several thousand copies of a pamphlet on behalf of his proposed amendment. The pamphlet proclaimed the need to curtail "THE EFFECTS OF TOO MUCH POLITICS IN OUR representative DEMOCRACY." His proposal joined his music in being ignored during his lifetime.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Timothy Fain, violin; Marcy Rosen, cello; Jeremy Denk, piano
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Picture: The Whisper of the Muse / Portrait of G.F. Watts
Digital image courtesy of the Getty's Open Content Program.1
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
wn.com/Piano Trio Charles Ives Hd
Charles Ives' "Piano Trio" in stunning HD quality!
Charles Edward Ives (/aɪvz/; October 20, 1874 -- May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program ofexperimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Politics
Ives proposed in 1920 that there be a 20th Amendment to the U.S. Constitution which would authorize citizens to submit legislative proposals to Congress. Members of Congress would then cull the proposals, selecting 10 each year as referendums for popular vote by the nation's electorate. He even had printed at his own expense several thousand copies of a pamphlet on behalf of his proposed amendment. The pamphlet proclaimed the need to curtail "THE EFFECTS OF TOO MUCH POLITICS IN OUR representative DEMOCRACY." His proposal joined his music in being ignored during his lifetime.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Timothy Fain, violin; Marcy Rosen, cello; Jeremy Denk, piano
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Picture: The Whisper of the Muse / Portrait of G.F. Watts
Digital image courtesy of the Getty's Open Content Program.1
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 14 Jun 2014
- views: 1698
Sonata for piano and violin No. 1 - Charles Ives
- Order: Reorder
- Duration: 20:11
- Updated: 27 Apr 2014
- views: 1143
-
Mary Howard interview (recorded Charles Ives "They Are There")
-
Charles Ives "They Are There!"
Charles Ives was born in Danbury, Connecticut on October 20, 1874; he died in New York City, May 19, 1954. Here are his own emotionally charged performances of his song entitled "They are there!" (recorded at the Mary Howard Studio in New York City on 24 April 1943. Ives' earlier setting, "He is there!," composed in 1917 had a different text by Col. McCray.) In the context of current events, it is interesting to revisit the lyrics of this amazing composition: "There's a time in many a life When it's do, though facing death, When our soldier boys Will do their part that people can live In a world where all will have a say. They're concious always of their country's aim, Which is liberty for all. 'Hip, hip, hooray,' you'll hear them say, As they go to the fighting... -
Charles Ives: They are There! (1943)
Charles Ives (1874-1954): They Are There!, per coro all'unisono e orchestra Su testo di Charles Ives (1943, orchestrazione di Lou Harrison di "He is There !" [1918] dello stesso autore) Baltimore Symphony Orchestra e Baltimore Symphony Chorus diretti da David Zinman They are There!: There's a time in many a life, when it's do though facing death and our soldier boys will do their part that people can live in a world where all will have a say. They're conscious always of their country's aim, which is Liberty for all. Hip hip hooray you'll hear them say as they go to the fighting front. Brave boys are now in action They are there, they will help to free the world They are fighting for the right But when it comes to might, They are there, they are there, they are the... -
Hilary Hahn interviews Jan Swafford about Ives
On the occasion of Charles Ives's 137th birthday (October 20), Hilary Hahn "remixes" an audio interview with Ives biographer and composer Jan Swafford. Blank stares and handwritten notes abound. Oh, and: Hilary's new Ives album is out now! -
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860". "Emerson". Alexei Lubimov, Piano. Laurent Verney, Viola. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
Charles Bronson Interviewed - Action Films, Making of "St Ives" "Death Wish"
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ................."Charles Bronson" Rare Interviewed - Action Films, Making of "St Ives" "Death Wish" Talks Behind the Scenes "J. Lee Thompson" bloopers out takes Deleted Rare footage DVD extras Documentary featurette special feature "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film "Ross Thomas" Thriller Drama mystery Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy The archetypal screen tough... -
Charles Ives Biography
From the Boston Symphony's Classical Companion. Biography of composer Charles Ives. Receiving a rare BSO performance is Charles Ives's epic Symphony No. 4, a work of great originality and a virtual autobiography of Ives's musical experience. -
Hilary Hahn interviews Jeremy Denk about Ives
Referencing their respective Ives albums, Hilary speaks across state lines with pianist Jeremy Denk about his work as a performer and the time he's spent with the music of Charles Ives. Further links: www.jeremydenk.net/blog http://itunes.apple.com/us/album/jeremy-denk-plays-ives/id383634627 www.hilaryhahn.com -
Tippett rehearses Ives Putnam's Camp
Sir Michael Tippett rehearses Charles Ives' Putnam's Camp with the Leicestershire Schools Symphony Orchestra in 1969. Includes an interview with Tippett. -
An interview with Michael Tilson Thomas
This March the San Francisco Symphony returns to Symphony Hall with its dynamic music director Michael Tilson Thomas. In this video, Tilson Thomas introduces the works featured in the concert: 'The Alcotts', a fresh take on the music of America by Charles Ives, 'Absolute Jest for Orchestra and Spring Quartet', a vibrant new quadruple concerto from John Adams, and Berlioz's spectacular 'Symphonie Fantastique'. More information on this concert can be found at http://bit.ly/thshtilsonthomas -
-
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. Allegro
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers. -
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. Largo
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers. -
Charles Ives Symphony No. 4 Analysis
From the BSO's Classical Companion. This video is the analysis of the fourth symphony of Charles Ives. The Boston Symphony under Alan Gilbert perform this symphony at Symphony Hall, March 5-12, 2009. -
St Ives - Charles Bronson - Uncensored trailer
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ..................St Ives - Charles Bronson - Uncensored trailer "J. Lee Thompson" "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film 70's Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy Death Wish Mr. Majestyk Breakout The Stone Killer The Mechanic Chato's Land The Valachi Papers Chino The Valdez Horses Soleil rouge Red Sun Someone Behind the Door Cold Sweat Violent City The Family Città viole... -
Hilary Hahn plays Charles Ives (Trailer)
http://www.deutschegrammophon.com/artist/biography?ART_ID=HAHHI Watch Hilary Hahn and Valentina Lisitsa play the violin sonatas by Charles Ives. His idiom is in Hilary Hahn's American blood − which her fierce and fitting playing shows. Her partnership with pianist Valentina Lisitsa models what two singular artists can accomplish in the interests of a common cause. Quirky, peculiar, rich with Charles Ives's idiosyncratic notion of melody, peppered with prankish dissonance yet also logical − and, in its logic, beautiful − Ives's works for violin and piano turn familiar musical expressions upside down. They are an alternate universe of aesthetic pleasure. For more information please see: http://www.deutschegrammophon.com/cat/4779435 http://www.deutschegrammophon.com/hahn-ives http://www.hi... -
Daniel J. Travanti as Johnny Parisi with Charles Bronson in St. Ives 1976
Daniel J. Travanti as Johnny Parisi with Charles Bronson in St. Ives 1976 -
Frank Zappa - Charles Ives (Pachuco Hop)
Musicians: Frank Zappa, Lowell George, Ian Underwood, Bunk Gardner, Buzz Gardner, Jim "Motorhead" Sherwood, Roy Estrada, Don Preston, Jimmy Carl Black and Arthur Dyer Tripp III Pachuco Hop * Rockpile, Toronto, 23-Feb-1969 (early show) -
St. Ives - Trailer
Action star Charles Bronson ("Death Wish") is an ex-crime reporter-turned-author, who takes a job as a go-between to help recover some stolen ledgers and instead becomes involved in a scheme to steal a bribe that some American businessmen are paying to Arabs. Featuring an all-star supporting cast, including John Houseman ("The Paper Chase"), Jacqueline Bisset ("Murder on the Orient Express"), Oscar-winner Maximillian Schell ("Judgment at Nuremburg"), Harry Guardino ("Dirty Harry"), Michael Lerner ("Barton Fink") and Daniel J. Travanti ("Hill St. Blues").
Mary Howard interview (recorded Charles Ives "They Are There")
- Order: Reorder
- Duration: 2:01
- Updated: 01 Apr 2014
- views: 403
- published: 01 Apr 2014
- views: 403
Charles Ives "They Are There!"
- Order: Reorder
- Duration: 3:36
- Updated: 04 Jul 2008
- views: 43795
Charles Ives was born in Danbury, Connecticut on October 20, 1874; he died in New York City, May 19, 1954. Here are his own emotionally charged performances of ...
Charles Ives was born in Danbury, Connecticut on October 20, 1874; he died in New York City, May 19, 1954. Here are his own emotionally charged performances of his song entitled "They are there!" (recorded at the Mary Howard Studio in New York City on 24 April 1943. Ives' earlier setting, "He is there!," composed in 1917 had a different text by Col. McCray.)
In the context of current events, it is interesting
to revisit the lyrics of this amazing composition:
"There's a time in many a life
When it's do, though facing death,
When our soldier boys
Will do their part that people can live
In a world where all will have a say.
They're concious always of their country's aim,
Which is liberty for all.
'Hip, hip, hooray,' you'll hear them say,
As they go to the fighting front.
Brave boys are now in action!
They are there, they will help to free the world.
They are fighting for the right,
But when it comes to might,
They are there, they are there, they are there!
(You bet they'll be!)
As the Allies beat up all the war hogs.
Our boys'll be there, fighting hard,
And then the world will shout
the battle cry of freedom,
Tenting on a new campground,
Tenting tonight, tenting on a new campground,
For it's rally round the flag of the People's New Free World, shouting the battle cry of freedom!
When we're through this cursed war,
All those dynamite-sneaking gougers,
Making slaves of men (God damn them),
Then let all the people rise
and stand together in brave, kind humanity.
Most wars are made by small, stupid,
selfish bossing groups,
While the People have no say,
But there'll come a day,
Hip, hip, hooray,
When they'll smash all dictators to the wall!
Let's build a people's world nation, hooray!
Every honest country free to live its own,
native life!
They will stand up for the right,
But when it comes to might,
They'll be there, they'll be there, they'll be there!
(You bet they'll be.)
Then the People, not just politicians,
Will rule their own lands and lives,
And you'll hear the whole universe
Shouting the battle cry of freedom,
Tenting on a new campground,
Tenting tonight, tenting on a new campground,
For it's rally round the flag
of the People's New Free World,
Shouting the battle cry of freedom!
wn.com/Charles Ives They Are There
Charles Ives was born in Danbury, Connecticut on October 20, 1874; he died in New York City, May 19, 1954. Here are his own emotionally charged performances of his song entitled "They are there!" (recorded at the Mary Howard Studio in New York City on 24 April 1943. Ives' earlier setting, "He is there!," composed in 1917 had a different text by Col. McCray.)
In the context of current events, it is interesting
to revisit the lyrics of this amazing composition:
"There's a time in many a life
When it's do, though facing death,
When our soldier boys
Will do their part that people can live
In a world where all will have a say.
They're concious always of their country's aim,
Which is liberty for all.
'Hip, hip, hooray,' you'll hear them say,
As they go to the fighting front.
Brave boys are now in action!
They are there, they will help to free the world.
They are fighting for the right,
But when it comes to might,
They are there, they are there, they are there!
(You bet they'll be!)
As the Allies beat up all the war hogs.
Our boys'll be there, fighting hard,
And then the world will shout
the battle cry of freedom,
Tenting on a new campground,
Tenting tonight, tenting on a new campground,
For it's rally round the flag of the People's New Free World, shouting the battle cry of freedom!
When we're through this cursed war,
All those dynamite-sneaking gougers,
Making slaves of men (God damn them),
Then let all the people rise
and stand together in brave, kind humanity.
Most wars are made by small, stupid,
selfish bossing groups,
While the People have no say,
But there'll come a day,
Hip, hip, hooray,
When they'll smash all dictators to the wall!
Let's build a people's world nation, hooray!
Every honest country free to live its own,
native life!
They will stand up for the right,
But when it comes to might,
They'll be there, they'll be there, they'll be there!
(You bet they'll be.)
Then the People, not just politicians,
Will rule their own lands and lives,
And you'll hear the whole universe
Shouting the battle cry of freedom,
Tenting on a new campground,
Tenting tonight, tenting on a new campground,
For it's rally round the flag
of the People's New Free World,
Shouting the battle cry of freedom!
- published: 04 Jul 2008
- views: 43795
Charles Ives: They are There! (1943)
- Order: Reorder
- Duration: 3:06
- Updated: 17 Jan 2011
- views: 4513
Charles Ives (1874-1954): They Are There!, per coro all'unisono e orchestra Su testo di Charles Ives (1943, orchestrazione di Lou Harrison di "He is There !" [1...
Charles Ives (1874-1954): They Are There!, per coro all'unisono e orchestra Su testo di Charles Ives (1943, orchestrazione di Lou Harrison di "He is There !" [1918] dello stesso autore)
Baltimore Symphony Orchestra e Baltimore Symphony Chorus diretti da David Zinman
They are There!:
There's a time in many a life,
when it's do though facing death
and our soldier boys will do their part
that people can live
in a world where all will have a say.
They're conscious always of their country's aim,
which is Liberty for all.
Hip hip hooray you'll hear them say
as they go to the fighting front.
Brave boys are now in action
They are there, they will help to free the world
They are fighting for the right
But when it comes to might,
They are there, they are there, they are there,
As the Allies beat up all the warhogs,
The boys'll be there fighting hard
and then the world will shout
the battle cry of Freedom.
Tenting on a new camp ground.
When we're through this cursed war,
All started by a sneaking gouger,
making slaves of men
Then let all the people rise,
and stand together in brave, kind Humanity.
Most wars are made by small stupid
selfish bossing groups
while the people have no say.
But there'll come a day
Hip hip Hooray
when they'll smash all dictators to the wall.
Then it's build a people's world nation Hooray.
*****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in our channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Charles Ives They Are There (1943)
Charles Ives (1874-1954): They Are There!, per coro all'unisono e orchestra Su testo di Charles Ives (1943, orchestrazione di Lou Harrison di "He is There !" [1918] dello stesso autore)
Baltimore Symphony Orchestra e Baltimore Symphony Chorus diretti da David Zinman
They are There!:
There's a time in many a life,
when it's do though facing death
and our soldier boys will do their part
that people can live
in a world where all will have a say.
They're conscious always of their country's aim,
which is Liberty for all.
Hip hip hooray you'll hear them say
as they go to the fighting front.
Brave boys are now in action
They are there, they will help to free the world
They are fighting for the right
But when it comes to might,
They are there, they are there, they are there,
As the Allies beat up all the warhogs,
The boys'll be there fighting hard
and then the world will shout
the battle cry of Freedom.
Tenting on a new camp ground.
When we're through this cursed war,
All started by a sneaking gouger,
making slaves of men
Then let all the people rise,
and stand together in brave, kind Humanity.
Most wars are made by small stupid
selfish bossing groups
while the people have no say.
But there'll come a day
Hip hip Hooray
when they'll smash all dictators to the wall.
Then it's build a people's world nation Hooray.
*****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in our channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 17 Jan 2011
- views: 4513
Hilary Hahn interviews Jan Swafford about Ives
- Order: Reorder
- Duration: 16:38
- Updated: 20 Oct 2011
- views: 6304
On the occasion of Charles Ives's 137th birthday (October 20), Hilary Hahn "remixes" an audio interview with Ives biographer and composer Jan Swafford. Blank st...
On the occasion of Charles Ives's 137th birthday (October 20), Hilary Hahn "remixes" an audio interview with Ives biographer and composer Jan Swafford. Blank stares and handwritten notes abound.
Oh, and: Hilary's new Ives album is out now!
wn.com/Hilary Hahn Interviews Jan Swafford About Ives
On the occasion of Charles Ives's 137th birthday (October 20), Hilary Hahn "remixes" an audio interview with Ives biographer and composer Jan Swafford. Blank stares and handwritten notes abound.
Oh, and: Hilary's new Ives album is out now!
- published: 20 Oct 2011
- views: 6304
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]
- Order: Reorder
- Duration: 16:23
- Updated: 25 May 2012
- views: 28392
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"Emerson".
Alexei Lubimov, Piano.
Laurent Verney, Viola.
_____________________________________...
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"Emerson".
Alexei Lubimov, Piano.
Laurent Verney, Viola.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives Piano Sonata No. 2 Concord 1 4
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"Emerson".
Alexei Lubimov, Piano.
Laurent Verney, Viola.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 25 May 2012
- views: 28392
Charles Bronson Interviewed - Action Films, Making of "St Ives" "Death Wish"
- Order: Reorder
- Duration: 4:20
- Updated: 21 Nov 2008
- views: 72877
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ....................
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ................."Charles Bronson" Rare Interviewed - Action Films, Making of "St Ives" "Death Wish" Talks Behind the Scenes "J. Lee Thompson" bloopers out takes Deleted Rare footage DVD extras Documentary featurette special feature "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film
"Ross Thomas" Thriller Drama mystery
Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
The archetypal screen tough guy with weatherbeaten features - one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long" - Charles Bronson was born Charles Buchinski Director John Huston once summed him up as "a grenade with the pin pulled" seventies film star
Death Wish Mr. Majestyk Breakout The Stone Killer The Mechanic Chato's Land The Valachi Papers Chino The Valdez Horses Soleil rouge Red Sun Someone Behind the Door Cold Sweat Violent City The Family Città violenta You Can't Win 'Em All Passager de la pluie, Le Rider on the Rain Twinky Lola C'era una volta il West Once Upon a Time in the West Adieu l'ami Farewell, Friend Honor Among Thieves Villa Rides Guns for San Sebastian Bataille de San Sebastian, La "The Virginian"
The Dirty Dozen Battle of the Bulge The Sandpiper Guns of Diablo 4 for Texas
The Great Escape X-15 The Magnificent Seven "Man with a Camera" Hard Times
The Streetfighter Breakheart Pass St. Ives From Noon Till Three Raid on Entebbe
The White Buffalo Telefon Love and Bullets Caboblanco Borderline Death Hunt Death Wish II 10 to Midnight The Evil That Men Do Death Wish 3 Murphy's Law
Act of Vengeance Assassination Death Wish 4: The Crackdown Messenger of Death
Kinjite: Forbidden Subjects The Indian Runner Donato and Daughter Death Wish V: The Face of Death Family of Cops
Gang War Machine-Gun Kelly Showdown at Boot Hill Jubal Apache House of Wax "Alfred Hitchcock Presents" "Have Gun - Will Travel" "Empire" "The Fugitive" "The F.B.I." Kid Galahad "The Untouchables" "The Simpsons" The Twilight Zone
Kill Bill: Vol. 1 Kill Bill Reservoir Dogs The Boondock Saints
wn.com/Charles Bronson Interviewed Action Films, Making Of St Ives Death Wish
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ................."Charles Bronson" Rare Interviewed - Action Films, Making of "St Ives" "Death Wish" Talks Behind the Scenes "J. Lee Thompson" bloopers out takes Deleted Rare footage DVD extras Documentary featurette special feature "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film
"Ross Thomas" Thriller Drama mystery
Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
The archetypal screen tough guy with weatherbeaten features - one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long" - Charles Bronson was born Charles Buchinski Director John Huston once summed him up as "a grenade with the pin pulled" seventies film star
Death Wish Mr. Majestyk Breakout The Stone Killer The Mechanic Chato's Land The Valachi Papers Chino The Valdez Horses Soleil rouge Red Sun Someone Behind the Door Cold Sweat Violent City The Family Città violenta You Can't Win 'Em All Passager de la pluie, Le Rider on the Rain Twinky Lola C'era una volta il West Once Upon a Time in the West Adieu l'ami Farewell, Friend Honor Among Thieves Villa Rides Guns for San Sebastian Bataille de San Sebastian, La "The Virginian"
The Dirty Dozen Battle of the Bulge The Sandpiper Guns of Diablo 4 for Texas
The Great Escape X-15 The Magnificent Seven "Man with a Camera" Hard Times
The Streetfighter Breakheart Pass St. Ives From Noon Till Three Raid on Entebbe
The White Buffalo Telefon Love and Bullets Caboblanco Borderline Death Hunt Death Wish II 10 to Midnight The Evil That Men Do Death Wish 3 Murphy's Law
Act of Vengeance Assassination Death Wish 4: The Crackdown Messenger of Death
Kinjite: Forbidden Subjects The Indian Runner Donato and Daughter Death Wish V: The Face of Death Family of Cops
Gang War Machine-Gun Kelly Showdown at Boot Hill Jubal Apache House of Wax "Alfred Hitchcock Presents" "Have Gun - Will Travel" "Empire" "The Fugitive" "The F.B.I." Kid Galahad "The Untouchables" "The Simpsons" The Twilight Zone
Kill Bill: Vol. 1 Kill Bill Reservoir Dogs The Boondock Saints
- published: 21 Nov 2008
- views: 72877
Charles Ives Biography
- Order: Reorder
- Duration: 6:25
- Updated: 09 Mar 2009
- views: 5072
From the Boston Symphony's Classical Companion. Biography of composer Charles Ives. Receiving a rare BSO performance is Charles Ives's epic Symphony No. 4, a ...
From the Boston Symphony's Classical Companion. Biography of composer Charles Ives. Receiving a rare BSO performance is Charles Ives's epic Symphony No. 4, a work of great originality and a virtual autobiography of Ives's musical experience.
wn.com/Charles Ives Biography
From the Boston Symphony's Classical Companion. Biography of composer Charles Ives. Receiving a rare BSO performance is Charles Ives's epic Symphony No. 4, a work of great originality and a virtual autobiography of Ives's musical experience.
- published: 09 Mar 2009
- views: 5072
Hilary Hahn interviews Jeremy Denk about Ives
- Order: Reorder
- Duration: 16:48
- Updated: 30 Oct 2011
- views: 5230
Referencing their respective Ives albums, Hilary speaks across state lines with pianist Jeremy Denk about his work as a performer and the time he's spent with t...
Referencing their respective Ives albums, Hilary speaks across state lines with pianist Jeremy Denk about his work as a performer and the time he's spent with the music of Charles Ives.
Further links:
www.jeremydenk.net/blog
http://itunes.apple.com/us/album/jeremy-denk-plays-ives/id383634627
www.hilaryhahn.com
wn.com/Hilary Hahn Interviews Jeremy Denk About Ives
Referencing their respective Ives albums, Hilary speaks across state lines with pianist Jeremy Denk about his work as a performer and the time he's spent with the music of Charles Ives.
Further links:
www.jeremydenk.net/blog
http://itunes.apple.com/us/album/jeremy-denk-plays-ives/id383634627
www.hilaryhahn.com
- published: 30 Oct 2011
- views: 5230
Tippett rehearses Ives Putnam's Camp
- Order: Reorder
- Duration: 9:50
- Updated: 13 May 2010
- views: 1416
Sir Michael Tippett rehearses Charles Ives' Putnam's Camp with the Leicestershire Schools Symphony Orchestra in 1969. Includes an interview with Tippett.
Sir Michael Tippett rehearses Charles Ives' Putnam's Camp with the Leicestershire Schools Symphony Orchestra in 1969. Includes an interview with Tippett.
wn.com/Tippett Rehearses Ives Putnam's Camp
Sir Michael Tippett rehearses Charles Ives' Putnam's Camp with the Leicestershire Schools Symphony Orchestra in 1969. Includes an interview with Tippett.
- published: 13 May 2010
- views: 1416
An interview with Michael Tilson Thomas
- Order: Reorder
- Duration: 10:01
- Updated: 15 Jan 2014
- views: 1992
This March the San Francisco Symphony returns to Symphony Hall with its dynamic music director Michael Tilson Thomas. In this video, Tilson Thomas introduces t...
This March the San Francisco Symphony returns to Symphony Hall with its dynamic music director Michael Tilson Thomas. In this video, Tilson Thomas introduces the works featured in the concert: 'The Alcotts', a fresh take on the music of America by Charles Ives, 'Absolute Jest for Orchestra and Spring Quartet', a vibrant new quadruple concerto from John Adams, and Berlioz's spectacular 'Symphonie Fantastique'.
More information on this concert can be found at http://bit.ly/thshtilsonthomas
wn.com/An Interview With Michael Tilson Thomas
This March the San Francisco Symphony returns to Symphony Hall with its dynamic music director Michael Tilson Thomas. In this video, Tilson Thomas introduces the works featured in the concert: 'The Alcotts', a fresh take on the music of America by Charles Ives, 'Absolute Jest for Orchestra and Spring Quartet', a vibrant new quadruple concerto from John Adams, and Berlioz's spectacular 'Symphonie Fantastique'.
More information on this concert can be found at http://bit.ly/thshtilsonthomas
- published: 15 Jan 2014
- views: 1992
Jerry Hadley - The Circus Band - Charles Ives
- Order: Reorder
- Duration: 3:06
- Updated: 19 Jun 2014
- views: 1613
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. Allegro
- Order: Reorder
- Duration: 3:51
- Updated: 08 Mar 2007
- views: 105177
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
wn.com/Charles Ives 3 Quarter Tone Pieces (1924) Ii. Allegro
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
- published: 08 Mar 2007
- views: 105177
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. Largo
- Order: Reorder
- Duration: 3:35
- Updated: 08 Mar 2007
- views: 99669
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
wn.com/Charles Ives 3 Quarter Tone Pieces (1924) I. Largo
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes of the normally tuned piano. Performed by the Paratore brothers.
- published: 08 Mar 2007
- views: 99669
Charles Ives Symphony No. 4 Analysis
- Order: Reorder
- Duration: 8:29
- Updated: 09 Mar 2009
- views: 22610
From the BSO's Classical Companion. This video is the analysis of the fourth symphony of Charles Ives. The Boston Symphony under Alan Gilbert perform this sym...
From the BSO's Classical Companion. This video is the analysis of the fourth symphony of Charles Ives. The Boston Symphony under Alan Gilbert perform this symphony at Symphony Hall, March 5-12, 2009.
wn.com/Charles Ives Symphony No. 4 Analysis
From the BSO's Classical Companion. This video is the analysis of the fourth symphony of Charles Ives. The Boston Symphony under Alan Gilbert perform this symphony at Symphony Hall, March 5-12, 2009.
- published: 09 Mar 2009
- views: 22610
St Ives - Charles Bronson - Uncensored trailer
- Order: Reorder
- Duration: 2:03
- Updated: 21 Nov 2008
- views: 39379
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ...................
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ..................St Ives - Charles Bronson - Uncensored trailer "J. Lee Thompson" "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film 70's Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy Death Wish Mr. Majestyk Breakout The Stone Killer The Mechanic Chato's Land The Valachi Papers Chino The Valdez Horses Soleil rouge Red Sun Someone Behind the Door Cold Sweat Violent City The Family Città violenta You Can't Win 'Em All Passager de la pluie, Le Rider on the Rain Twinky Lola C'era una volta il West Once Upon a Time in the West Adieu l'ami Farewell, Friend Honor Among Thieves Villa Rides Guns for San Sebastian Bataille de San Sebastian, La "The Virginian"
The Dirty Dozen Battle of the Bulge The Sandpiper Guns of Diablo 4 for Texas
The Great Escape X-15 The Magnificent Seven "Man with a Camera" Hard Times
The Streetfighter Breakheart Pass St. Ives From Noon Till Three Raid on Entebbe
The White Buffalo Telefon Love and Bullets Caboblanco Borderline Death Hunt Death Wish II 10 to Midnight The Evil That Men Do Death Wish 3 Murphy's Law
Act of Vengeance Assassination Death Wish 4: The Crackdown Messenger of Death
Kinjite: Forbidden Subjects The Indian Runner Donato and Daughter Death Wish V: The Face of Death Family of Cops
Gang War Machine-Gun Kelly Showdown at Boot Hill Jubal Apache House of Wax "Alfred Hitchcock Presents" "Have Gun - Will Travel" "Empire" "The Fugitive" "The F.B.I." Kid Galahad "The Untouchables" "The Simpsons" The Twilight Zone
Kill Bill: Vol. 1 Kill Bill Reservoir Dogs The Boondock Saints
Paul Kersey Paul Fein Harmonica Joseph Wladislaw Bernardo O'Reilly Mike Kovac Butch Cassidy George R. 'Machine Gun' Kelly Paul Moreno Detective Lt. Lou Torrey
Wild Bill Hickok (James Otis)
Charles Buchinski Jill Ireland Kim Weeks J. Lee Thompson Michael Winner "Quentin Tarantino" Don Siegel Toshirô Mifune Lee Marvin Ernest Borgnine
James Coburn Sergio Leone Steve McQueen Robert Vaughn Eli Wallach
Vincent Price Gary Cooper Burt Lancaster Al Lettieri Terence Young Alain Delon
Richard Fleischer Roger Corman Roger Corman John Huston
Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
The archetypal screen tough guy with weatherbeaten features - one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long" - Charles Bronson was born Charles Buchinski Director John Huston once summed him up as "a grenade with the pin pulled" seventies film star
St Ives making of
"Charles Bronson" Interviewed - Action Films, Making of "St Ives" "Death Wish" Talks Behind the Scenes "J. Lee Thompson" bloopers out takes Deleted Rare footage DVD extras Documentary featurette special feature "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film
Trailer
St Ives - Charles Bronson - Uncensored trailer
St Ives - Charles Bronson - Uncensored trailer "J. Lee Thompson" "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film 70's Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
wn.com/St Ives Charles Bronson Uncensored Trailer
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "ADDICTION" http://www.youtube.com/watch?v=ma9AusO4aTU ..................St Ives - Charles Bronson - Uncensored trailer "J. Lee Thompson" "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film 70's Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy Death Wish Mr. Majestyk Breakout The Stone Killer The Mechanic Chato's Land The Valachi Papers Chino The Valdez Horses Soleil rouge Red Sun Someone Behind the Door Cold Sweat Violent City The Family Città violenta You Can't Win 'Em All Passager de la pluie, Le Rider on the Rain Twinky Lola C'era una volta il West Once Upon a Time in the West Adieu l'ami Farewell, Friend Honor Among Thieves Villa Rides Guns for San Sebastian Bataille de San Sebastian, La "The Virginian"
The Dirty Dozen Battle of the Bulge The Sandpiper Guns of Diablo 4 for Texas
The Great Escape X-15 The Magnificent Seven "Man with a Camera" Hard Times
The Streetfighter Breakheart Pass St. Ives From Noon Till Three Raid on Entebbe
The White Buffalo Telefon Love and Bullets Caboblanco Borderline Death Hunt Death Wish II 10 to Midnight The Evil That Men Do Death Wish 3 Murphy's Law
Act of Vengeance Assassination Death Wish 4: The Crackdown Messenger of Death
Kinjite: Forbidden Subjects The Indian Runner Donato and Daughter Death Wish V: The Face of Death Family of Cops
Gang War Machine-Gun Kelly Showdown at Boot Hill Jubal Apache House of Wax "Alfred Hitchcock Presents" "Have Gun - Will Travel" "Empire" "The Fugitive" "The F.B.I." Kid Galahad "The Untouchables" "The Simpsons" The Twilight Zone
Kill Bill: Vol. 1 Kill Bill Reservoir Dogs The Boondock Saints
Paul Kersey Paul Fein Harmonica Joseph Wladislaw Bernardo O'Reilly Mike Kovac Butch Cassidy George R. 'Machine Gun' Kelly Paul Moreno Detective Lt. Lou Torrey
Wild Bill Hickok (James Otis)
Charles Buchinski Jill Ireland Kim Weeks J. Lee Thompson Michael Winner "Quentin Tarantino" Don Siegel Toshirô Mifune Lee Marvin Ernest Borgnine
James Coburn Sergio Leone Steve McQueen Robert Vaughn Eli Wallach
Vincent Price Gary Cooper Burt Lancaster Al Lettieri Terence Young Alain Delon
Richard Fleischer Roger Corman Roger Corman John Huston
Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
The archetypal screen tough guy with weatherbeaten features - one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long" - Charles Bronson was born Charles Buchinski Director John Huston once summed him up as "a grenade with the pin pulled" seventies film star
St Ives making of
"Charles Bronson" Interviewed - Action Films, Making of "St Ives" "Death Wish" Talks Behind the Scenes "J. Lee Thompson" bloopers out takes Deleted Rare footage DVD extras Documentary featurette special feature "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film
Trailer
St Ives - Charles Bronson - Uncensored trailer
St Ives - Charles Bronson - Uncensored trailer "J. Lee Thompson" "Jacqueline Bisset" "Maximilian Schell" "Michael Lerner" "Jeff Goldblum" "Robert Englund" "Lalo Schifrin" seventies film 70's Vigilante anti hero anti-hero tough guy action man rugged looks Hollywood actor film star revenge hardcore violence bloody shootouts strong police cop reporter detective western gunfighter, boxer, Mafia hitman professional killer Cowboy
- published: 21 Nov 2008
- views: 39379
Hilary Hahn plays Charles Ives (Trailer)
- Order: Reorder
- Duration: 5:36
- Updated: 19 Oct 2011
- views: 24112
http://www.deutschegrammophon.com/artist/biography?ART_ID=HAHHI
Watch Hilary Hahn and Valentina Lisitsa play the violin sonatas by Charles Ives. His idiom is i...
http://www.deutschegrammophon.com/artist/biography?ART_ID=HAHHI
Watch Hilary Hahn and Valentina Lisitsa play the violin sonatas by Charles Ives. His idiom is in Hilary Hahn's American blood − which her fierce and fitting playing shows. Her partnership with pianist Valentina Lisitsa models what two singular artists can accomplish in the interests of a common cause.
Quirky, peculiar, rich with Charles Ives's idiosyncratic notion of melody, peppered with prankish dissonance yet also logical − and, in its logic, beautiful − Ives's works for violin and piano turn familiar musical expressions upside down. They are an alternate universe of aesthetic pleasure.
For more information please see:
http://www.deutschegrammophon.com/cat/4779435
http://www.deutschegrammophon.com/hahn-ives
http://www.hilaryhahn.com
Find Deutsche Grammophon on Facebook and Twitter:
http://www.facebook.com/deutschegrammophon
http://www.twitter.com/dgclassics
wn.com/Hilary Hahn Plays Charles Ives (Trailer)
http://www.deutschegrammophon.com/artist/biography?ART_ID=HAHHI
Watch Hilary Hahn and Valentina Lisitsa play the violin sonatas by Charles Ives. His idiom is in Hilary Hahn's American blood − which her fierce and fitting playing shows. Her partnership with pianist Valentina Lisitsa models what two singular artists can accomplish in the interests of a common cause.
Quirky, peculiar, rich with Charles Ives's idiosyncratic notion of melody, peppered with prankish dissonance yet also logical − and, in its logic, beautiful − Ives's works for violin and piano turn familiar musical expressions upside down. They are an alternate universe of aesthetic pleasure.
For more information please see:
http://www.deutschegrammophon.com/cat/4779435
http://www.deutschegrammophon.com/hahn-ives
http://www.hilaryhahn.com
Find Deutsche Grammophon on Facebook and Twitter:
http://www.facebook.com/deutschegrammophon
http://www.twitter.com/dgclassics
- published: 19 Oct 2011
- views: 24112
Daniel J. Travanti as Johnny Parisi with Charles Bronson in St. Ives 1976
- Order: Reorder
- Duration: 3:16
- Updated: 26 Aug 2012
- views: 1815
Daniel J. Travanti as Johnny Parisi with Charles Bronson in St. Ives 1976
- published: 26 Aug 2012
- views: 1815
Frank Zappa - Charles Ives (Pachuco Hop)
- Order: Reorder
- Duration: 14:34
- Updated: 30 Oct 2014
- views: 1103
Musicians: Frank Zappa, Lowell George, Ian Underwood, Bunk Gardner, Buzz Gardner, Jim "Motorhead" Sherwood, Roy Estrada, Don Preston, Jimmy Carl Black and Arthu...
Musicians: Frank Zappa, Lowell George, Ian Underwood, Bunk Gardner, Buzz Gardner, Jim "Motorhead" Sherwood, Roy Estrada, Don Preston, Jimmy Carl Black and Arthur Dyer Tripp III
Pachuco Hop * Rockpile, Toronto, 23-Feb-1969 (early show)
wn.com/Frank Zappa Charles Ives (Pachuco Hop)
Musicians: Frank Zappa, Lowell George, Ian Underwood, Bunk Gardner, Buzz Gardner, Jim "Motorhead" Sherwood, Roy Estrada, Don Preston, Jimmy Carl Black and Arthur Dyer Tripp III
Pachuco Hop * Rockpile, Toronto, 23-Feb-1969 (early show)
- published: 30 Oct 2014
- views: 1103
St. Ives - Trailer
- Order: Reorder
- Duration: 2:04
- Updated: 06 Nov 2013
- views: 200
Action star Charles Bronson ("Death Wish") is an ex-crime reporter-turned-author, who takes a job as a go-between to help recover some stolen ledgers and instea...
Action star Charles Bronson ("Death Wish") is an ex-crime reporter-turned-author, who takes a job as a go-between to help recover some stolen ledgers and instead becomes involved in a scheme to steal a bribe that some American businessmen are paying to Arabs. Featuring an all-star supporting cast, including John Houseman ("The Paper Chase"), Jacqueline Bisset ("Murder on the Orient Express"), Oscar-winner Maximillian Schell ("Judgment at Nuremburg"), Harry Guardino ("Dirty Harry"), Michael Lerner ("Barton Fink") and Daniel J. Travanti ("Hill St. Blues").
wn.com/St. Ives Trailer
Action star Charles Bronson ("Death Wish") is an ex-crime reporter-turned-author, who takes a job as a go-between to help recover some stolen ledgers and instead becomes involved in a scheme to steal a bribe that some American businessmen are paying to Arabs. Featuring an all-star supporting cast, including John Houseman ("The Paper Chase"), Jacqueline Bisset ("Murder on the Orient Express"), Oscar-winner Maximillian Schell ("Judgment at Nuremburg"), Harry Guardino ("Dirty Harry"), Michael Lerner ("Barton Fink") and Daniel J. Travanti ("Hill St. Blues").
- published: 06 Nov 2013
- views: 200
close fullscreen
- Playlist
- Chat
close fullscreen
- Playlist
- Chat
42:39
Charles Ives - Symphony No. 2
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles ...
published: 07 Apr 2014
Charles Ives - Symphony No. 2
Charles Ives - Symphony No. 2
- Report rights infringement
- published: 07 Apr 2014
- views: 43733
31:50
Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second ...
published: 02 Feb 2014
Charles Ives,Symphony No.4
Charles Ives,Symphony No.4
- Report rights infringement
- published: 02 Feb 2014
- views: 21663
4:36
Charles Ives - The Unanswered Question
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
__...
published: 13 May 2012
Charles Ives - The Unanswered Question
Charles Ives - The Unanswered Question
- Report rights infringement
- published: 13 May 2012
- views: 110616
6:08
The Unanswered Question - Charles Ives
New York Philharmonic
Leonard Bernstein
The Unanswered Question is a musical work by Ame...
published: 07 Apr 2014
The Unanswered Question - Charles Ives
The Unanswered Question - Charles Ives
- Report rights infringement
- published: 07 Apr 2014
- views: 33866
10:50
CHARLES IVES - CENTRAL PARK IN THE DARK
BBC Symphony Orchestra. Lawrence Foster (conductor)
published: 24 Mar 2011
CHARLES IVES - CENTRAL PARK IN THE DARK
CHARLES IVES - CENTRAL PARK IN THE DARK
- Report rights infringement
- published: 24 Mar 2011
- views: 140184
96:33
The Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first...
published: 28 Mar 2015
The Best of Charles Ives
The Best of Charles Ives
- Report rights infringement
- published: 28 Mar 2015
- views: 7370
20:33
Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by A...
published: 25 Nov 2013
Charles Ives,Three Places in New England.
Charles Ives,Three Places in New England.
- Report rights infringement
- published: 25 Nov 2013
- views: 35216
49:24
Charles Ives - Concord Sonata
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob ...
published: 28 Oct 2011
Charles Ives - Concord Sonata
Charles Ives - Concord Sonata
- Report rights infringement
- published: 28 Oct 2011
- views: 39909
15:01
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-195...
published: 04 Aug 2011
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
- Report rights infringement
- published: 04 Aug 2011
- views: 48734
25:57
Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. ...
published: 01 Mar 2014
Charles Ives - Sonata for Violin & Piano, No. 3
Charles Ives - Sonata for Violin & Piano, No. 3
- Report rights infringement
- published: 01 Mar 2014
- views: 12499
14:29
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Sym...
published: 07 Aug 2011
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
- Report rights infringement
- published: 07 Aug 2011
- views: 37488
34:34
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the pia...
published: 26 Jun 2012
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
- Report rights infringement
- published: 26 Jun 2012
- views: 43519
48:16
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, ...
published: 21 Aug 2013
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
- Report rights infringement
- published: 21 Aug 2013
- views: 24010
4:11
Charles Ives - Three Quarter-Tone Pieces [1/3]
Charles Ives, Three Quarter-Tone Pieces.
"Largo". [0:20]
Alexei Lubimov, Piano.
Pierre-L...
published: 29 Aug 2012
Charles Ives - Three Quarter-Tone Pieces [1/3]
Charles Ives - Three Quarter-Tone Pieces [1/3]
- Report rights infringement
- published: 29 Aug 2012
- views: 36272
close fullscreen
- Playlist
- Chat
8:01
Charles Ives: Exploring the Life and Music of a Great American Composer
Jim Setapen, Music Institute of Chicago Academy Director discusses Charles Ives, a seminal...
published: 02 Mar 2012
Charles Ives: Exploring the Life and Music of a Great American Composer
Charles Ives: Exploring the Life and Music of a Great American Composer
- Report rights infringement
- published: 02 Mar 2012
- views: 781
12:08
Donald Gramm sings Charles Ives - LIVE!
Five songs by composer Charles Ives. From a Town Hall recital on 24 February 1976 with Do...
published: 29 Sep 2011
Donald Gramm sings Charles Ives - LIVE!
Donald Gramm sings Charles Ives - LIVE!
- Report rights infringement
- published: 29 Sep 2011
- views: 1352
5:40
Charles Ives String Quartet no. 1 IV:Allegro marziale. Stamic Quartet live at Levoca
The triumphantly resounding last movement of Charles Ives's string quartet 'From the Salv...
published: 03 Nov 2010
Charles Ives String Quartet no. 1 IV:Allegro marziale. Stamic Quartet live at Levoca
Charles Ives String Quartet no. 1 IV:Allegro marziale. Stamic Quartet live at Levoca
- Report rights infringement
- published: 03 Nov 2010
- views: 1293
29:05
Charles Ives: Trio for Violin, Cello, Piano (Live) / Clapp, Krosnick, Lee
Recorded live in concert from Morse Hall, The Juilliard School (March 2003)
Charles Ives ...
published: 10 Nov 2015
Charles Ives: Trio for Violin, Cello, Piano (Live) / Clapp, Krosnick, Lee
Charles Ives: Trio for Violin, Cello, Piano (Live) / Clapp, Krosnick, Lee
- Report rights infringement
- published: 10 Nov 2015
- views: 29
3:57
Mattias Ståhl spelar kompositioner av Charles Ives (Live på Polar Music Prize 2015)
Mattias Ståhl framträder under Polar Music Prize 2015 med ett medley av kompositioner skri...
published: 09 Jun 2015
Mattias Ståhl spelar kompositioner av Charles Ives (Live på Polar Music Prize 2015)
Mattias Ståhl spelar kompositioner av Charles Ives (Live på Polar Music Prize 2015)
- Report rights infringement
- published: 09 Jun 2015
- views: 849
6:22
Three Places in New England, Putnam's Camp :: Composed by Charles Ives :: Animation by Victor Craven
www.victorcraven.com - info@victorcraven.com :: Animations created for projection in live ...
published: 15 Sep 2009
Three Places in New England, Putnam's Camp :: Composed by Charles Ives :: Animation by Victor Craven
Three Places in New England, Putnam's Camp :: Composed by Charles Ives :: Animation by Victor Craven
- Report rights infringement
- published: 15 Sep 2009
- views: 41946
1:11
Charles Ives "The Cage" (Gerald Seminatore)
Tenor Gerald Seminatore and pianist Mark Salters perform "The Cage" by Charles Ives. Live ...
published: 16 Jul 2014
Charles Ives "The Cage" (Gerald Seminatore)
Charles Ives "The Cage" (Gerald Seminatore)
- Report rights infringement
- published: 16 Jul 2014
- views: 445
6:06
Charles Ives - 'The Unanswered Question'
Charles Ives - "The Unanswered Question"
CCM Concert Orchestra
Olivier Ochanine, conductor...
published: 29 Dec 2009
Charles Ives - 'The Unanswered Question'
Charles Ives - 'The Unanswered Question'
- Report rights infringement
- published: 29 Dec 2009
- views: 69672
5:07
Jeremy Denk, "The Alcotts" from Ives' "Concord Sonata" Live on Q2 in The Greene Space
Q2 Music celebrates America's great iconoclastic composers when San Francisco Symphony mus...
published: 27 Mar 2012
Jeremy Denk, "The Alcotts" from Ives' "Concord Sonata" Live on Q2 in The Greene Space
Jeremy Denk, "The Alcotts" from Ives' "Concord Sonata" Live on Q2 in The Greene Space
- Report rights infringement
- published: 27 Mar 2012
- views: 11154
6:31
Charles Ives - The Unanswered Question Live in Belgrade
© Premil Petrovic and the No Borders Orchestra
published: 01 Nov 2015
Charles Ives - The Unanswered Question Live in Belgrade
Charles Ives - The Unanswered Question Live in Belgrade
- Report rights infringement
- published: 01 Nov 2015
- views: 10
3:28
The Cage (Charles Ives) KNEEBODY/THEO BLECKMANN
The Cage (Charles Ives) - arrangement by Ben Wendel;
Kneebody with Theo Bleckmann live at...
published: 23 Jun 2009
The Cage (Charles Ives) KNEEBODY/THEO BLECKMANN
The Cage (Charles Ives) KNEEBODY/THEO BLECKMANN
- Report rights infringement
- published: 23 Jun 2009
- views: 10605
12:35
CHARLES IVES SONATA No 2 " CONCORD " : HAWTHORNE EMANUELE ARCIULI
EMANUELE ARCIULI piano
Charles Ives Piano Sonata No. 2( Concord Mass. 1840-1860), "Hawtho...
published: 06 Mar 2014
CHARLES IVES SONATA No 2 " CONCORD " : HAWTHORNE EMANUELE ARCIULI
CHARLES IVES SONATA No 2 " CONCORD " : HAWTHORNE EMANUELE ARCIULI
- Report rights infringement
- published: 06 Mar 2014
- views: 1379
26:14
Trio Appassionata - Charles Ives: Trio for Violin, Violoncello and Piano
Recorded live @ the Odradek Itinerate Festival in Matta, Pescara on December 14th, 2013.
...
published: 26 Jun 2014
Trio Appassionata - Charles Ives: Trio for Violin, Violoncello and Piano
Trio Appassionata - Charles Ives: Trio for Violin, Violoncello and Piano
- Report rights infringement
- published: 26 Jun 2014
- views: 2781
11:51
Live aus Madrid: Charles Ives: Sonata n° 4, "Children's Day at the Camp Meeting
Serguei Teslia, violin
Elisaveta Blumina, piano
published: 03 Jan 2013
Live aus Madrid: Charles Ives: Sonata n° 4, "Children's Day at the Camp Meeting
Live aus Madrid: Charles Ives: Sonata n° 4, "Children's Day at the Camp Meeting
- Report rights infringement
- published: 03 Jan 2013
- views: 114
close fullscreen
- Playlist
- Chat
58:03
Ives Symphony No. 4 - Stokowski - Complete Performance & Introduction
Charles Ives's 4th Symphony was given its World Premiere in 1965 by Leopold Stokowski and ...
published: 28 Dec 2014
Ives Symphony No. 4 - Stokowski - Complete Performance & Introduction
Ives Symphony No. 4 - Stokowski - Complete Performance & Introduction
- Report rights infringement
- published: 28 Dec 2014
- views: 4330
37:31
Charles Ives /// A Symphony: New England Holidays
A Symphony: New England Holidays, also known as A New England Holiday Symphony or simply a...
published: 29 Apr 2015
Charles Ives /// A Symphony: New England Holidays
Charles Ives /// A Symphony: New England Holidays
- Report rights infringement
- published: 29 Apr 2015
- views: 1796
37:53
Charles Ives/Larry Austin: Universe Symphony (Symphony No. 6) (1915-1954/1994)
Cincinnati Philharmonic & Cinncinati College Orchestras conducted by / Orquestas Filarmóni...
published: 20 Nov 2015
Charles Ives/Larry Austin: Universe Symphony (Symphony No. 6) (1915-1954/1994)
Charles Ives/Larry Austin: Universe Symphony (Symphony No. 6) (1915-1954/1994)
- Report rights infringement
- published: 20 Nov 2015
- views: 365
31:08
Susan Graham: The songs of Charles Ives
I. A farewell to land 00:00
II. Soliloquy 01:44
III. A sound of a distant horn 02:42
IV. T...
published: 14 Sep 2014
Susan Graham: The songs of Charles Ives
Susan Graham: The songs of Charles Ives
- Report rights infringement
- published: 14 Sep 2014
- views: 4379
20:56
Charles Ives: Trio per pianoforte, violino e violoncello (1904)
Charles Ives (1874-1954): Trio per pianoforte, violino e violoncello (1904) -- Nieuw Amste...
published: 24 May 2011
Charles Ives: Trio per pianoforte, violino e violoncello (1904)
Charles Ives: Trio per pianoforte, violino e violoncello (1904)
- Report rights infringement
- published: 24 May 2011
- views: 7974
22:53
Charles Ives /// Symphony 3
The Symphony No. 3, S. 3 (K. 1A3), The Camp Meeting by Charles Ives was written between 19...
published: 05 May 2015
Charles Ives /// Symphony 3
Charles Ives /// Symphony 3
- Report rights infringement
- published: 05 May 2015
- views: 1297
25:11
Charles Ives Piano Trio, Op 86; 2013 Shanghai Festival
I. Moderato
II. TSIAJ (Presto)
III. Moderato con moto
Performers: violin - Noémy Gagnon-La...
published: 17 Dec 2013
Charles Ives Piano Trio, Op 86; 2013 Shanghai Festival
Charles Ives Piano Trio, Op 86; 2013 Shanghai Festival
- Report rights infringement
- published: 17 Dec 2013
- views: 3128
25:15
Charles Ives "Emerson Concerto" Alan Feinberg
Emerson Concerto for Piano & Orchestra
by Charles Ives
(reconstructed by David G. Porter
A...
published: 01 Feb 2015
Charles Ives "Emerson Concerto" Alan Feinberg
Charles Ives "Emerson Concerto" Alan Feinberg
- Report rights infringement
- published: 01 Feb 2015
- views: 394
54:35
Leonard Bernstein: Young People's Concerts Vol. 2 | Charles Ives American Pioneer
published: 09 Oct 2015
Leonard Bernstein: Young People's Concerts Vol. 2 | Charles Ives American Pioneer
Leonard Bernstein: Young People's Concerts Vol. 2 | Charles Ives American Pioneer
- Report rights infringement
- published: 09 Oct 2015
- views: 289
23:37
Piano Trio - Charles Ives [HD]
Charles Ives' "Piano Trio" in stunning HD quality!
Charles Edward Ives (/aɪvz/; October 2...
published: 14 Jun 2014
Piano Trio - Charles Ives [HD]
Piano Trio - Charles Ives [HD]
- Report rights infringement
- published: 14 Jun 2014
- views: 1698
20:11
Sonata for piano and violin No. 1 - Charles Ives
Violinist: Hilary Hahn
Pianist: Valentina Lisitsa
published: 27 Apr 2014
Sonata for piano and violin No. 1 - Charles Ives
Sonata for piano and violin No. 1 - Charles Ives
- Report rights infringement
- published: 27 Apr 2014
- views: 1143
close fullscreen
- Playlist
- Chat
2:01
Mary Howard interview (recorded Charles Ives "They Are There")
published: 01 Apr 2014
Mary Howard interview (recorded Charles Ives "They Are There")
Mary Howard interview (recorded Charles Ives "They Are There")
- Report rights infringement
- published: 01 Apr 2014
- views: 403
3:36
Charles Ives "They Are There!"
Charles Ives was born in Danbury, Connecticut on October 20, 1874; he died in New York Cit...
published: 04 Jul 2008
Charles Ives "They Are There!"
Charles Ives "They Are There!"
- Report rights infringement
- published: 04 Jul 2008
- views: 43795
3:06
Charles Ives: They are There! (1943)
Charles Ives (1874-1954): They Are There!, per coro all'unisono e orchestra Su testo di Ch...
published: 17 Jan 2011
Charles Ives: They are There! (1943)
Charles Ives: They are There! (1943)
- Report rights infringement
- published: 17 Jan 2011
- views: 4513
16:38
Hilary Hahn interviews Jan Swafford about Ives
On the occasion of Charles Ives's 137th birthday (October 20), Hilary Hahn "remixes" an au...
published: 20 Oct 2011
Hilary Hahn interviews Jan Swafford about Ives
Hilary Hahn interviews Jan Swafford about Ives
- Report rights infringement
- published: 20 Oct 2011
- views: 6304
16:23
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]
Charles Ives, Piano Sonata No. 2 "Concord, Mass., 1840-1860".
"Emerson".
Alexei Lubimov,...
published: 25 May 2012
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]
- Report rights infringement
- published: 25 May 2012
- views: 28392
4:20
Charles Bronson Interviewed - Action Films, Making of "St Ives" "Death Wish"
Click to see My Charles Bronson DEATH WISH style Violent Vigilante Action Film Trailer! "A...
published: 21 Nov 2008
Charles Bronson Interviewed - Action Films, Making of "St Ives" "Death Wish"
Charles Bronson Interviewed - Action Films, Making of "St Ives" "Death Wish"
- Report rights infringement
- published: 21 Nov 2008
- views: 72877
6:25
Charles Ives Biography
From the Boston Symphony's Classical Companion. Biography of composer Charles Ives. Rece...
published: 09 Mar 2009
Charles Ives Biography
Charles Ives Biography
- Report rights infringement
- published: 09 Mar 2009
- views: 5072
16:48
Hilary Hahn interviews Jeremy Denk about Ives
Referencing their respective Ives albums, Hilary speaks across state lines with pianist Je...
published: 30 Oct 2011
Hilary Hahn interviews Jeremy Denk about Ives
Hilary Hahn interviews Jeremy Denk about Ives
- Report rights infringement
- published: 30 Oct 2011
- views: 5230
9:50
Tippett rehearses Ives Putnam's Camp
Sir Michael Tippett rehearses Charles Ives' Putnam's Camp with the Leicestershire Schools ...
published: 13 May 2010
Tippett rehearses Ives Putnam's Camp
Tippett rehearses Ives Putnam's Camp
- Report rights infringement
- published: 13 May 2010
- views: 1416
10:01
An interview with Michael Tilson Thomas
This March the San Francisco Symphony returns to Symphony Hall with its dynamic music dire...
published: 15 Jan 2014
An interview with Michael Tilson Thomas
An interview with Michael Tilson Thomas
- Report rights infringement
- published: 15 Jan 2014
- views: 1992
3:06
Jerry Hadley - The Circus Band - Charles Ives
New York Town Hall. Carl Rutenberg, piano. 1997.
published: 19 Jun 2014
Jerry Hadley - The Circus Band - Charles Ives
Jerry Hadley - The Circus Band - Charles Ives
- Report rights infringement
- published: 19 Jun 2014
- views: 1613
3:51
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. Allegro
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes...
published: 08 Mar 2007
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. Allegro
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. Allegro
- Report rights infringement
- published: 08 Mar 2007
- views: 105177
3:35
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. Largo
The piano on the left is tuned one-quarter tone down, providing notes in-between the notes...
published: 08 Mar 2007
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. Largo
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. Largo
- Report rights infringement
- published: 08 Mar 2007
- views: 99669
8:29
Charles Ives Symphony No. 4 Analysis
From the BSO's Classical Companion. This video is the analysis of the fourth symphony of ...
published: 09 Mar 2009
Charles Ives Symphony No. 4 Analysis
Charles Ives Symphony No. 4 Analysis
- Report rights infringement
- published: 09 Mar 2009
- views: 22610
Mary Howard interview (recorded Charles Ives "They...
Charles Ives "They Are There!"...
Charles Ives: They are There! (1943)...
Hilary Hahn interviews Jan Swafford about Ives...
Charles Ives - Piano Sonata No. 2 "Concord" [1/4]...
Charles Bronson Interviewed - Action Films, Making...
Charles Ives Biography...
Hilary Hahn interviews Jeremy Denk about Ives...
Tippett rehearses Ives Putnam's Camp...
An interview with Michael Tilson Thomas...
Jerry Hadley - The Circus Band - Charles Ives...
Charles Ives: 3 Quarter-Tone Pieces (1924) - II. A...
Charles Ives: 3 Quarter-Tone Pieces (1924) - I. La...
Charles Ives Symphony No. 4 Analysis...
St Ives - Charles Bronson - Uncensored trailer...
Hilary Hahn plays Charles Ives (Trailer)...
Daniel J. Travanti as Johnny Parisi with Charles B...
Frank Zappa - Charles Ives (Pachuco Hop)...
St. Ives - Trailer...
-
Lyrics list:lyrics
-
Charles Ives
Charles Ives
Frank Zappa (guitar)
Lowell George (guitar, lead vocals)
Roy Estrada (bass, vocals)
Don Preston (keyboards, electronics)
Buzz Gardner (trumpet)
Ian Underwood (alto saxophone)
Bunk Gardner (tenor saxophone)
Motorhead Sherwood (baritone saxophone)
Jimmy Carl Black (drums)
Arthur Tripp (drums)
Hands Up!
(Instrumental)
photo: AP / Stephen B. Morton
Trump On Charles Koch: I Don't Need Him. I Have My Own Money. Won't Be A 'Puppet'
Edit WorldNews.com 27 Apr 2016
GOP frontrunner Donald Trump began his busy day Wednesday with a Breitbart News Daily on SiriusXM radio interview where he responded to conservative billionaire Charles Koch’s recent statements about him, Breitbart reported.“I don’t say anything to him,” Trump said responding to Koch. “I’ve always liked the Kochs ... I don’t need his money ... He actually went so far as to say he might back Hillary Clinton.” – Donald Trump on Charles Koch....
photo: Creative Commons / Joe Ravi
Apple Employee Found Dead In Company Headquarters
Edit WorldNews.com 27 Apr 2016photo: WN / Imran Nissar
ISIS Covering Streets Of Raqqa With Sheets To Prevent Coalition Drone Attacks
Edit WorldNews.com 27 Apr 2016
Colonel Steven Warren, spokesman for the U.S.-led coalition, confirmed to Newsweek this is a common tactic the group has employed in the Syrian city, the heart of the group’s self-proclaimed caliphate, as well as other cities in Iraq. “They've been using this tactic for a year. Extensive use in Ramadi but also everywhere else. “They also use tunnels.” – Email from Col....
photo: AP / Andrew Lubimov
Old and New Ghosts Of Crimean War Haunts Russia
Edit WorldNews.com 27 Apr 2016
Article by WN.com Correspondent Dallas Darling ... NATO and U.S. Increases Naval and Military Presence in Black Sea and Syria With the latest announcement British-led NATO forces will begin a major increase in their naval presence in the Black Sea to counter Russia, some believe the old ghosts of the Crimean War are still haunting Russia ... The United States ... Dallas Darling (darling@wn.com) (Dallas Darling is the author of Politics 501....
photo: AP / Wally Santana
Pakistan could use F-16 jets against India: US lawmakers to Obama
Edit The Times of India 28 Apr 2016
WASHINGTON. Top US lawmakers have expressed concerns over the Obama Administration's decision to sell eight F-16 fighter jets to Pakistan, saying the aircrafts could be used against India and not in combating terrorism. They have also urged the Obama Administration to review its decision in this regard. "Many members of Congress, including me, seriously question the judgement and timing of such a sale ... ....
« back to news headlines
NIRI Announces 61 Professionals Passed Inaugural Investor Relations Charter Exam, Earning Right to Use IRC Credential (NIRI - National Investor Relations Institute)
Edit Public Technologies 25 Apr 2016
(Source. NIRI - National Investor Relations Institute). NIRI Announces 61 Professionals Passed Inaugural Investor Relations Charter Exam, Earning Right to Use IRC Credential ... Representing the inaugural class of IRC credential holders, these IR professionals successfully completed the first IRC examination offered worldwide in March ... The next IRC examination testing window will be September 10 - 17, 2016 ... Matthew C ... Charles S. Ives, IRC....
The Contemporary Piano
Edit Skiddle 24 Apr 2016
Works by Toru Takemitsu, Charles Ives, Thomas Ades, Carla Bley, Luigi Dallapiccola, Igor Stravinsky, Joseph Shaw and Erik Satie....
Conductor and Producer John Mauceri Wins 2015 Ditson Conductor’s Award (Columbia University)
Edit Public Technologies 23 Apr 2016
... performances of a wide variety of music by emerging and established American composers, both native and naturalized, including John Adams, Marc Blitzstein, John Cage, John Corigliano, David Del Tredici, Duke Ellington, George Gershwin, Adam Guettel, Andrew Imbrie, Paul Hindemith, Charles Ives, Gian Carlo Menotti, Arnold Schoenberg and Kurt Weill....
Classical review: BBC SSO: Rachmaninov Symphonic Dances, Glasgow
Edit Scotsman 22 Apr 2016
It happened in the first half of the BBC SSO's programme, which coupled Charles Ives' enigmatic The Unanswered Question – a kind of existential musing in the context of early to-mid 20th-century musical turmoil – with Brett Dean's ballsy statement of 21st-century confidence, his trumpet concerto Dramatis personae, which ends with a ......
Network for New Music shows many facets of Milton Babbitt's music
Edit Philadelphia Daily News 20 Apr 2016
Milton Babbitt (1916-2011) is one of the most infamously experimental American composers of the 20th century - but he hasn't exactly been a magnet for posthumous idolization ... Babbitt had many sides ... You hear a more distinctive voice amid musical complexity, including his 1957 jazz-influenced All Set - a mass of sax-colored sound that's a Charles Ives-style stroll around midtown Manhattan when it was the jazz mecca of the world ... ....
Katie Hyun Appointed Concertmaster of Trinity Wall Street’s NOVUS NY (21c Media Group Inc)
Edit Public Technologies 20 Apr 2016
(Source. 21c Media Group Inc). April 20, 2016. NOVUS NY, the resident contemporary music orchestra of 'expert and versatile musicians' (New Yorker) at Trinity Wall Street, welcomes violinist Katie Hyun as its new concertmaster this week ... The program included the Fourth Symphony of Charles Ives, about which New York Classical Review raved. 'The musical results could not have been truer to Ives' values and aesthetic.' ... Trinity Wall Street ... 9....
Network of New Music shows many facets of Milton Babbitt's music
Edit Philadelphia Daily News 19 Apr 2016
Milton Babbitt (1916-2011) is one of the most infamously experimental American composers of the 20th century - but he hasn't exactly been a magnet for posthumous idolization ... Babbitt had many sides ... You hear a more distinctive voice amid musical complexity, including his 1957 jazz-influenced All Set - a mass of sax-colored sound that's a Charles Ives-style stroll around midtown Manhattan when it was the jazz mecca of the world ... ....
Music prizes announced by Pulitzer, Academy of Arts and Letters
Edit The Examiner 18 Apr 2016
Last week, the AAAL gave the Virgil Thomson Award in Vocal Music to composer and performer Kate Soper, and the Charles Ives Opera Prize to “Life Is A Dream” by composer Lewis Spratlan and librettist James Maraniss ... The AAAL awards are among the richest in music ... Pulitzer winners get $10,000 each ... ....
BMI Composers Kate Soper and Lewis Spratlan Win Prestigious Awards for Vocal Music (BMI - Broadcast Music lnc)
Edit Public Technologies 15 Apr 2016
(Source. BMI - Broadcast Music lnc) ... the Virgil Thomson Award and the Charles Ives Opera Prize ... Composer Lewis Spratlan, who has also been the recipient of Guggenheim, Rockefeller, and NEA fellowships, has been awarded the Charles Ives Opera Prize, made possible by the royalty income from the legendary American composer's music ... BMI - Broadcast Music lnc ... Original Document ... (noodl. 33095431) ....
Kenneth Milller joins School of Theology faculty (Episcopal Church in the United States of America)
Edit Public Technologies 14 Apr 2016
(Source. Episcopal Church in the United States of America). [The School of Theology] The School of Theology is pleased to announce that Mr ... Miller was chosen from a large and distinguished group of candidates for the position ... At Yale, he received the Charles Ives Prize for his musicianship and the Aidan Kavanagh Prize for his academic research, which deals with the development of open score notation in 17th-century Germany ... The Rt. Rev. J....
The Composer Kate Soper and the Makers of ‘Life Is a Dream’ Win Awards
Edit New York Times 12 Apr 2016
Legacies of Charles Ives and Virgil Thomson are behind two awards given to composers and a librettist ... ....
TUNING UP!: TWO WEEKS OF AMERICAN MUSICAL CREATIVITY JUNE 17–JULY 2 (Seattle Symphony Orchestra)
Edit Public Technologies 08 Apr 2016
(Source. Seattle Symphony Orchestra). Nine Concerts Traverse Musical Genres Including Broadway, Minimalism, Avant-garde, Jazz, Classics, Film and Hollywood. Accessible Pricing. Tickets for All Eight Benaroya Hall Concerts are $15 and $25. Subscriber Pre-sale Available Now;. Tickets on Sale to Public on April 8 at 11 A.M ... Ticket Information ... to the public ... in Redmond ... S ... CHARLES IVES Orchestral Set No. 2 ... JOHN ADAMS My Father Knew Charles Ives ... S....
Is there a gay conspiracy in the arts?
Edit The Guardian 08 Apr 2016
For years gay people were tolerated in the arts – and were then accused of taking over. Gregory Woods traces the networks of writers, artists, intellectuals and film stars who transformed 20th-century culture ... They then posed together for photographs ... Twitter ... Twitter ... The composer Charles Ives, for instance, spent his whole career in a sort of cringe, fearfully anticipating the accusation that to make music was a “sissy” activity ... ....
- 1
- 2
- 3
- 4
- 5
- Next page »
