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Charles Ives
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Charles Edward Ives (/aɪvz/; October 20, 1874 – May 19, 1954) was an American modernistcomposer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Biography
Ives was born in Danbury, Connecticut in 1874, the son of George Ives, a U.S. Army bandleader in the American Civil War, and his wife, Mary Parmelee. A strong influence of his may have been sitting in the Danbury town square, listening to George's marching band and other bands on other sides of the square simultaneously. George's unique music lessons were also a strong influence on him; George took an open-minded approach to musical theory, encouraging him to experiment in bitonal and polytonal harmonizations. It was from him that Ives also learned the music of Stephen Foster. He became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on "America", which he wrote for a Fourth of July concert in Brewster, New York. It is considered challenging even by modern concert organists, but he famously spoke of it as being "as much fun as playing baseball", a commentary on his own organ technique at that age.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Charles_Ives
Charles Ives (footballer)
Charles Edward Ives (11 April 1907 – 24 October 1942) is a former association football player who represented New Zealand at international level.
Ives played two official A-international matches for the All Whites in 1933 against trans-Tasman neighbours Australia as part of a 13 match tour, the first a 4-6 loss on 17 June 1933, Ives being amongst the New Zealand goalscorers, followed by a 2-4 loss on 24 June.
References
External links
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Charles_Ives_(footballer)
Symphony No. 2 (Barber)
Symphony No. 2, op. 19 is a three-movement work for orchestra by American composer Samuel Barber. The 25-minute work was originally written in 1944. The work underwent many revisions and was finally published in 1950. The original manuscript was withdrawn by Barber in 1964. He ordered that G. Schirmer destroy the original manuscript and all scores in their library. The work remained unpublished for many years until 1984 when a set of parts turned up in a warehouse in England. Renewed interest in Barber's work led to a 1990 reprint of the 1950 edition.
History
Composition
Samuel Barber began his composition career at the age of seven. He was accepted in the prestigious Curtis Institute of Music at age 14. He received critical acclaim for his early compositions including The School for Scandal and Adagio for Strings. His early success led to a commission from the United States Air Force in 1943 to write a "symphonic work about flyers". The request came soon after he joined the United States Army in 1942. Barber spent time at a U.S. Air Force base so that he could take part in flight training and battle simulations. He was given four months to write the piece with the understanding that the army would receive all of the royalties forever.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._2_(Barber)
Symphony No. 2 (Arnold)
The Symphony No. 2, Op 40 by Malcolm Arnold is a symphony dating from 1953. Arnold composed the symphony on commission from the Bournemouth Winter Garden's Society. He dedicated the score to the Bournemouth Symphony Orchestra and conductor Charles Groves, who premiered the work on 25 May 1953.
The work is in four movements:
Commentators such as Donald Mitchell and Christopher Stasiak have noted Arnold's use of what they characterise as "Mahlerian clichés", or Mahlerian style and construction, in this symphony.
Notable performances
Commercial recordings
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._2_(Arnold)
Symphony No. 2 (Lutosławski)
The Symphony No. 2 by the Polish composer Witold Lutosławski is an orchestral composition in two movements written between 1965 and 1967. The work exhibits Lutosławski's technique of "limited aleatoricism", where the individual instrumental parts are notated exactly, but their precise co-ordination is organised using controlled elements of chance.
Personal and musical transitions
Lutosławski wrote his Symphony No. 2 between 1965 and 1967. The preceding years had been a time of transition for him and for Poland. The Soviet Union under Joseph Stalin had seized control of the country in the aftermath of World War II, and the iron-fisted cultural dictation of the Communist government severely limited both the output of Polish composers and their exposure to musical developments in the outside world between the 1949 and 1954. Many pieces, including Lutosławski's first symphony, were condemned as formalist (focused on esoteric considerations of form rather than on speaking directly to the proletariat) and banned from public performance. In 1956 the Poles took advantage of Stalin's death to reform their government. The national ruling communist ideology became more liberal, especially regarding the arts.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._2_(Lutosławski)
Charles Ives
ALBUMS
- Ives: Symphony No. 2 / Carter: Instances / Gershwin: An American in Paris released: 2014
- Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs) released: 2011
- Music for a Time of War released: 2011
- Four Sonatas released: 2011
- Jeremy Denk Plays Ives released: 2010
- Songs / Orchestral Sets / From the Steeples and Mountains released: 2008
- The Three Orchestral Sets released: 2008
- PSALMS Complete Recording released: 2008
- A Radical in a Suit and Tie released: 2008
- Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor released: 2007
- Symphonies nos. 1 & 4 / Central Park in the Dark released: 2006
- BBC Music, Volume 15, Number 2: American Landmarks: Copland, Ives & Harris released: 2006
- Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton) released: 2006
- A Song - For Anything: Songs by Charles Ives released: 2005
- The Unknown Ives, Volume 2 released: 2005
- Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise released: 2005
- Piano Sonata No. 2 'Concord' / The Celestial Railroad released: 2004
- Music for String Quartet released: 2004
- Ives: Concord Sonata / Barber: Piano Sonata released: 2004
- Concord Sonata / Songs released: 2004
- Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question released: 2003
- Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces released: 2003
- Emerson Concerto / Symphony No. 1 released: 2003
- Symphony no. 1 / Symphony no. 2 released: 2002
- Symphony No. 1 / Three Places in New England released: 2002
- Sonatas for Violin & Piano released: 2002
- Charles Ives: An American Journey released: 2002
- Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2 released: 2001
- Fischer-Dieskau Edition : Debussy / Ravel / Ives released: 2000
- The Orchestral Music of Charles Ives released: 2000
- Symphony No. 2 / Robert Browning Overture released: 2000
- The Symphonies / Orchestral Sets 1 & 2 released: 2000
- Symphony Nos. 4 & 2 released: 1999
- Ives Plays Ives released: 1999
- A Set of Pieces: Music by Charles Ives released: 1999
- Symphony No. 2 / Symphony No. 3 "The Camp Meeting" released: 1998
- Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra released: 1998
- Ives: Symphony no. 2 / Creston: Symphony no. 2 released: 1995
- Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains released: 1995
- Melodies released: 1995
- American Originals: Ives / Barber String Quartets released: 1993
- A Portrait of Charles Ives released: 1993
- Ives: Symphony no. 1 / Barber: Three Essays for Orchestra released: 1992
- Symphonies Nos. 2 & 3 / Central Park in the Dark released: 1992
- Symphony No. 3 / The Unanswered Question / Three Places in New England released: 1992
- Piano Sonata No. 2, "Concord, Mass., 1840-60" released: 1992
- The Complete Songs of Charles Ives, Volume 4 released: 1992
- The Complete Songs of Charles Ives, Volume 3 released: 1992
- The Complete Songs of Charles Ives, Volume 2 released: 1992
- The Complete Songs of Charles Ives, Volume 1 released: 1992
- Symphonies Nos. 2 & 3 released: 1991
- Symphonies Nos. 1 & 4 released: 1991
- Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder released: 1990
- Holidays Symphony / The Unanswered Question / Central Park in the Dark released: 1988
- Symphonies Nos. 2 & 3 / The Unanswered Question released: 1987
- Symphony No. 4 released: 1985
- Piano Pieces released: 1985
- Symphony No. 3 / Orchestral Set No. 2 released: 1985
- Sonate für Klavier Nr. 1 released: 1984
- Ameriques / Symphony No.4 / The Unanswered Question released:
- Works for Piano (piano: Alan Mandel) released:
- Concord Sonata / Three Places in New England / Central Park in the Dark released:
Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs)
Released 2011Music for a Time of War
Released 2011- The Unanswered Question
- The Wound-Dresser
- Sinfonia da Requiem, op. 20: Lacrymosa. Andante ben misurato
- Sinfonia da Requiem, op. 20: Dies Irae. Allegro con fuoco
- Sinfonia da Requiem, op. 20: Requiem Aeternam. Andante molto tranquillo
- Symphony no. 4 in F minor: Allegro
- Symphony no. 4 in F minor: Andante moderato
- Symphony no. 4 in F minor: Scherzo. Allegro molto
- Symphony no. 4 in F minor: Finale con epilogo fugato. Allegro molto - con anima
Four Sonatas
Released 2011- Sonata No. 1: I. Andante - Allegro vivace
- Sonata No. 1: II. Largo cantabile
- Sonata No. 1: III. Allegro
- Sonata No. 2: I. Autumn
- Sonata No. 2: II. In the Barn
- Sonata No. 2: III. Revival
- Sonata No. 3: I. Adagio - Andante - Allegretto - Adagio
- Sonata No. 3: II. Allegro
- Sonata No. 3: III. Adagio (Cantabile)
- Sonata No. 4, "Children's Day at the Camp Meeting": I. Allegro
- Sonata No. 4, "Children's Day at the Camp Meeting": II. Largo
- Sonata No. 4, "Children's Day at the Camp Meeting": III. Allegro
Jeremy Denk Plays Ives
Released 2010- Piano Sonata no. 1: I. Adagio con moto
- Piano Sonata no. 1: IIa. Allegro moderato
- Piano Sonata no. 1: IIb. Allegro “In the Inn”
- Piano Sonata no. 1: III. Largo - Allegro - Largo
- Piano Sonata no. 1: IVa. [ ]
- Piano Sonata no. 1: IVb. Allegro - Presto - Slow
- Piano Sonata no. 1: V. Andante maestoso
- Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. Emerson
- Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. Hawthorne
- Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. The Alcotts
- Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau
Songs / Orchestral Sets / From the Steeples and Mountains
Released 2008- The Greatest Man
- At the River
- Ann Street
- Christmas Carol
- From 'The Swimmers'
- West London
- Soliloquy
- Evening
- Charlie Rutlage
- Side Show
- The Cage
- Farewell to Land
- General William Booth Enters into Heaven
- Set No. 1 for small orchestra: I. The See'r
- Set No. 1 for small orchestra: II. A Lecture
- Set No. 1 for small orchestra: III. The Ruined River
- Set No. 1 for small orchestra: IV. Like a Sick Eagle
- Set No. 1 for small orchestra: V. Calcium Light Night
- Set No. 1 for small orchestra: VI. 'When the Moon' or Allegretto sombreoso
- Tone Roads No. 1
- From the Steeples and the Mountains
- Tone Roads No. 3
- Set No. 3 for small orchestra: I. Adagio sostenuto 'At Sea'
- Mists
- On the Antipodes
- The Rainbow (So may it be!)
- The Pond
- The Bells of Yale, or Chapel Chimes
- The Gong on the Hook and Ladder ('Fireman's Parade on Main street')
- All the Way Around and Back
- Over the Pavements
- Set No. 2 for small orchestra: I. Largo 'The Indians'
- Set No. 2 for small orchestra: II. 'Gyp the Blood', or 'Hearst - Which is Worst?'
- Aeschylus and Sophocles
- Set for Theater or Chamber Orchestra: I. In the Cage
- Set for Theater or Chamber Orchestra: II. In the Inn
- Set for Theater or Chamber Orchestra: III. In the Night
The Three Orchestral Sets
Released 2008- Orchestral Set No. 1 "Three Places in New England, Version 1": I. Impression of the 'St. Gaudens' in Boston Common
- Orchestral Set No. 1 "Three Places in New England, Version 1": II. Children's Holiday at Putnam's Camp
- Orchestral Set No. 1 "Three Places in New England, Version 1": III. The Housatonic at Stockbridge
- Orchestral Set No. 2 (1919): I. An Elegy to Our Forefathers
- Orchestral Set No. 2 (1919): II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- Orchestral Set No. 2 (1919): III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
- Orchestral Set No. 3: I. (Andante moderato)
- Orchestral Set No. 3: II. During Camp Meetin' Week - One Secular Afternoon (in Bethel)
- Orchestral Set No. 3: III. (Andante)
A Radical in a Suit and Tie
Released 2008- Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
- Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
- Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
- Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
- Piano Sonata No. 1: II. Allegro moderato (feat. piano: William Masselos)
- Piano Sonata No. 1: III. Largo; allegro (feat. piano: William Masselos)
- Piano Sonata No. 1: IV. Allegro (feat. piano: William Masselos)
- Piano Sonata No. 1: V. Andante maestoso (feat. piano: William Masselos)
Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor
Released 2007Symphonies nos. 1 & 4 / Central Park in the Dark
Released 2006- Symphony No. 1: I. Allegro (con moto)
- Symphony No. 1: II. Adagio molto (sostenuto)
- Symphony No. 1: III. Scherzo: Vivace
- Symphony No. 1: IV. Allegro molto
- Symphony No. 4: I. Prelude: Maestoso
- Symphony No. 4: II. Comedy: Allegretto
- Symphony No. 4: III. Fugue: Andante moderato con moto
- Symphony No. 4: IV. Very slowly (Largo maestoso)
- Central Park in the Dark
Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton)
Released 2006- Symphony No. 2: I. Andante moderato
- Symphony No. 2: II. Allegro molto (con spirito)
- Symphony No. 2: III. Adagio cantabile
- Symphony No. 2: IV. Lento maestoso
- Symphony No. 2: V. Allegro molto vivace (feat. cello: Christopher Adkins)
- Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
- Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
- Symphony No. 3 "The Camp Meeting": III. Communion: Largo
- General Booth Enters Into Heaven
A Song - For Anything: Songs by Charles Ives
Released 2005- Feldeinsamkeit
- The Things Our Fathers Loved
- Memories: (A) Very Pleasant; (B) Rather Sad
- The Housatonic at Stockbridge
- Swimmers
- The Cage
- The Greatest Man
- General William Booth Enters Into Heaven
- Remembrance
- Berceuse
- West London
- Tom Sails Away
- When Stars are in the Quiet Skies
- Weil' auf mir
- Ich grolle nicht
- Du alte Mutter
- Where the Eagle
- Walking
- Yellow Leaves
- The Side Show
- Élégie
- The New River
- Like a Sick Eagle
- Ann Street
- Slugging a Vampire
- Thoreau
- Serenity
- Tolerance
- Charlie Rutlage
- '1, 2, 3'
- A Song - For Anything
The Unknown Ives, Volume 2
Released 2005- Varied Air and Variations
- Waltz-Rondo
- Invention in D
- Allegro
- Study No. 2
- Piano Cadenza From Scherzo: Over the Pavements
- Andante
- Impression of the 'St. Gardens' In Boston Common
- The Celestial Railroad
- Minuetto, Op.4
- Allegro Moderato
- Moderato Con Anima
- I. Largo
- II. Allegro
- III. Chorale
- Fourth Fugue
- March No. 1 for Piano, With 'Yeah of the Jubilee'
- March No. 2 for Piano, With Son of a Gambler'
- March No. 3 for Piano, With 'Omega Lambda Chi'
- March in G and C for Piano, With 'See the Conquering Hero Comes'
- March for Piano: 'the Circus Band'
- March No. 5 for Piano, With 'Annie Lisle'
- March No. 6 for Piano, With 'Here's to Good Old Yale'
Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise
Released 2005- The Housatonic at Stockbridge
- Soliloquy, or a Study in 7ths and Other Things
- On the Antipodes
- The Gong on the Hook and Ladder (original version)
- Hallowe’en
- In Re Con Moto et al, Op. 20
- Sunrise
- Remembrance
- Aeschylus and Sophocles
- Five Take-offs: The Seen and Unseen? (Sweet and Tough)
- Five Take-offs: Rough and Ready et al and / or The Jumping Frog
- Five Take-offs: Song Without (Good) Words
- Five Take-offs: Scene Episode
- Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
- Three Quarter-Tone Pieces: Largo
- Three Quarter-Tone Pieces: Allegro
- Three Quarter-Tone Pieces: Chorale
Piano Sonata No. 2 'Concord' / The Celestial Railroad
Released 2004- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
- Varied Air and Variations
- The Celestial Railroad
- Four Transcriptions from 'Emerson', No. 1
Music for String Quartet
Released 2004- Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
- Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
- Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
- Second String Quartet, Op. 19: I. Discussions
- Second String Quartet, Op. 19: II. Arguments
- Second String Quartet, Op. 19: III. The Call of the Mountains
- Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
- Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
- Hallowe'en, Op. 11
- Intermezzo
- In re con moto et al., Op. 20
Ives: Concord Sonata / Barber: Piano Sonata
Released 2004- Piano Sonata No. 2, Op. 19 "Concord": I. Emerson. Slowly
- Piano Sonata No. 2, Op. 19 "Concord": II. Hawthorne. Very fast
- Piano Sonata No. 2, Op. 19 "Concord": III. The Alcotts
- Piano Sonata No. 2, Op. 19 "Concord": IV. Thoreau. Starting slowly and quietly
- Piano Sonata, Op. 26: I. Allegro energico
- Piano Sonata, Op. 26: II. Allegro vivace e leggiero
- Piano Sonata, Op. 26: III. Adagio mesto
- Piano Sonata, Op. 26: IV. Fuga. Allegro con spirito
Concord Sonata / Songs
Released 2004- The Things Our Fathers Loved, S. 372
- The Housatonic at Stockbridge, S. 266
- Swimmers, S. 366
- Memories, S. 297
- Ann Street, S. 211
- Serenity, S. 347
- 1, 2, 3, S. 321
- Songs My Mother Taught Me, S. 361
- The Circus Band, S. 229
- The Cage, S. 221
- The Indians, S. 283
- Like a Sick Eagle, S. 288
- Remembrance, S. 332
- September, S. 346
- Soliloquy, S. 352
- A Farewell to Land, S. 248
- Thoreau, S. 373
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question
Released 2003- Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich
- Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- Symphony no. 1 in D major: IV. Stürmisch bewegt
- Central Park in the Dark
- The Unanswered Question
Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces
Released 2003- Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
- Three Quarter-Tone Pieces for Two Pianos: I. Largo
- Three Quarter-Tone Pieces for Two Pianos: II. Allegro
- Three Quarter-Tone Pieces for Two Pianos: III. Choral
Symphony no. 1 / Symphony no. 2
Released 2002- Symphony no. 1: I. Allegro
- Symphony no. 1: II. Adagio molto (sostenuto)
- Symphony no. 1: III. Scherzo. Vivace
- Symphony no. 1: IV. Allegro molto
- Symphony no. 2: I. Andante moderato
- Symphony no. 2: II. Allegro
- Symphony no. 2: III. Adagio cantabile
- Symphony no. 2: IV. Lento maestoso
- Symphony no. 2: V. Allegro molto vivace
Symphony No. 1 / Three Places in New England
Released 2002- Symphony No. 1 in D minor: I. Allegro
- Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
- Symphony No. 1 in D minor: III. Scherzo. Vivace
- Symphony No. 1 in D minor: IV. Allegro molto
- Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
- Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England: III. 'The Housatonic at Stockbridge
- Robert Browning Overture
Sonatas for Violin & Piano
Released 2002- Violin Sonata 1: I. Andante
- Violin Sonata 1: II. Largo Cantabile
- Violin Sonata 1: III. Allegro
- Violin Sonata 2: I. Autumn
- Violin Sonata 2: II. In the Barn
- Violin Sonata 2: III. The Revival
- Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
- Violin Sonata 3: II. Allegro
- Violin Sonata 3: III. Adagio Cantabile
- Violin Sonata 4: I. Allegro
- Violin Sonata 4: II. Largo
- Violin Sonata 4: III. Allegro
Charles Ives: An American Journey
Released 2002- From the Steeples and the Mountains, S. 65
- The Things Our Fathers Loved, S. 372
- The Pond (Remembrance), S. 40
- Memories, S. 297
- Charlie Rutlage, S. 14/iii
- The Circus Band, S. 33
- Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- In Flanders Fields, S. 277 (arr. David Del Tredici)
- They Are There! (A War Song March), S. 188
- Tom Sails Away, S. 378
- Symphony No. 4, S. 4: III. Fugue
- Psalm 100, S. 153
- Serenity, S. 347 (arr. John Adams)
- General William Booth Enters Into Heaven, S. 181
- The Unanswered Question (I & II), S. 50
Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2
Released 2001- Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- Sun-Treader: Poco accelerando (bar 1)
- Sun-Treader: (bar 51a)
- Sun-Treader: Lento (bar 119)
- Sun-Treader: A tempo (bar 138a)
- Sun-Treader: Poco accelerando (bar 169)
- Sun-Treader: Serene, but with great expression (bar 191)
- Symphony No. 2: I. Moderato
- Symphony No. 2: II. Adagio
- Symphony No. 2: III. Allegro
Fischer-Dieskau Edition : Debussy / Ravel / Ives
Released 2000- Ballade de Villon à s'amye
- Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame
- Ballade des femmes de Paris
- Nahandove
- Aoua
- Il est doux
- Chanson de la mariée
- Là-bas, vers l'église
- Quel galant m'est comparable
- Chanson des cueilleuses de lentisques
- Tout gai!
- Chanson Romanesque
- Chanson épique
- Chanson à boire
- At The River
- Elégie
- Ann Street
- A Christmas Caro
- from "The Swimmers"
- West London (A sonnet)
- A Farewell to Land
- Abide With Me
- Where the Eagle
- Disclosure
- The White Gulls
- The Children's Hour
- Two Little Flowers (and dedicated to them)
- Autumn
- Tom Sails Away
- Ich grolle nicht
- Feldeinsamkeit
- Weil' auf mir
- In Flanders Fields
The Orchestral Music of Charles Ives
Released 2000- "Country Band" March
- Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
- Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
- Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
- Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
- Postlude in F
- Calcium Light Night
- Yale-Princeton Football Game
- Set for Theatre Orchestra: I. In the Cage
- Set for Theatre Orchestra: II. In the Inn
- Set for Theatre Orchestra: III. In the Night
- Largo Cantabile: Hymn
- Three Places in New England, Version 2: I. The "Saint-Gaudens" in Boston Common
- Three Places in New England, Version 2: II. Putnam's Camp, Redding, Connecticut
- Three Places In New England, Version 2: III. The Housatonic at Stockbridge
The Symphonies / Orchestral Sets 1 & 2
Released 2000- Symphony No. 1: I. Allegro
- Symphony No. 1: II. Adagio molto (sostenuto)
- Symphony No. 1: III. Scherzo: Vivace
- Symphony No. 1: IV. Allegro molto
- Symphony No. 4: I. Prelude: Maestoso
- Symphony No. 4: II. Allegretto
- Symphony No. 4: III. Fugue: Andante moderato
- Symphony No. 4: IV. Largo maestoso
- Orchestral Set No. 2: I. An Elegy to Our Forefathers
- Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
Symphony Nos. 4 & 2
Released 1999- Symphony No. 4: I. Prelude: Maestoso
- Symphony No. 4: II. Allegretto
- Symphony No. 4: III. Fugue: Andante moderato
- Symphony No. 4: IV. Largo maestoso
- Symphony No. 2: I. Andante moderato
- Symphony No. 2: II. Allegro
- Symphony No. 2: III. Adagio cantabile
- Symphony No. 2: IV. Lento maestoso
- Symphony No. 2: V. Allegro molto vivace
Ives Plays Ives
Released 1999- June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.)
- June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end)
- June 12, 1933 - Four Transcriptions from 'Emerson,' No.3
- June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
- mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.)
- mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end)
- mid 1930s - Study No.11 (abandoned)
- mid 1930s - Study No.11
- mid 1930s - Study No.11, v2
- mid 1930s - Patch for Study No.23
- mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2)
- mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2)
- mid 1930s - Four Transcriptions from 'Emerson,' No.3
- mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
- May 11, 1937 - Study No.11
- May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
- May 11, 1937 - Study No.2 with false starts
- May 11, 1937 - Study No.2 (beg.)
- May 11, 1937 - Study No.2 (end)
- May 11, 1937 - Study No.23 (partial)
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
- May 11, 1937 - Study No.23 (partial, v2)
- May 11, 1937 - Three Improvisations, No.1
- May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
- May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
- May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
- May 11, 1937 - Study No.20 (partial)
- May 11, 1937 - Three Improvisations, No.3
- April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial)
- April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2)
- April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3)
- April 24, 1943 - Study No.2 + Study No.23 (mixed)
- April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned)
- April 24, 1943 - Study No.9
- April 24, 1943 - They are There!, first take (abandoned)
- April 24, 1943 - They are There!, second take
- April 24, 1943 - They are There!, third take
- April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale'
- April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'
A Set of Pieces: Music by Charles Ives
Released 1999- Three Places in New England: I. The Saint-Gaudens in Boston Common
- Three Places in New England: II. Putnams' Camp, Redding, Connecticut
- Three Places in New England: III. The Housatonic at Stockbridge
- The Unanswered Question
- A Set of Pieces: I. In the Cage
- A Set of Pieces: II. In the Inn
- A Set of Pieces: III. In the Night
- Symphony No.3 "The Camp Meeting": I. Old Folks Gatherin'
- Symphony No.3 "The Camp Meeting": II. Children's Day
- Symphony No.3 "The Camp Meeting": III. Communion
- Set No. 1: I. The Seer
- Set No. 1: II. A Lecture (Tolerance)
- Set No. 1: III. The Ruined River (The New River)
- Set No. 1: IV. Like a Sick Eagle
- Set No. 1: V. Calcium Light Night
- Set No. 1: VI. Allegretto Sombreoso
Symphony No. 2 / Symphony No. 3 "The Camp Meeting"
Released 1998- Symphony No. 2: I. Allegro moderato
- Symphony No. 2: II. Allegro
- Symphony No. 2: III. Adagio cantabile
- Symphony No. 2: IV. Lento maestoso
- Symphony No. 2: V. Allegro molto vivace
- Symphony No. 3, "The Camp Meeting" I. "Old Folks Gatherin'." Andante maestoso
- Symphony No. 3, "The Camp Meeting": II. "Children's Day." Allegro
- Symphony No. 3, "The Camp Meeting": III. "Communion." Largo
- Leonard Bernstein discusses Charles Ives
Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra
Released 1998Ives: Symphony no. 2 / Creston: Symphony no. 2
Released 1995- Symphony no. 2 for large orchestra: I. Andante moderato
- Symphony no. 2 for large orchestra: II. Allegro
- Symphony no. 2 for large orchestra: III. Adagio cantabile
- Symphony no. 2 for large orchestra: IV. Lento maestoso
- Symphony no. 2 for large orchestra: V. Allegro molto vivace
- Symphony no. 2, op. 35: I. Introduction and Song. Slow, with deep emotion
- Symphony no. 2, op. 35: II. Interlude and Dance. Moderately slow
Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains
Released 1995- Three Places in New England (Orchestral Set No. 1): I. The "St. Gaudens" in Boston Common (Col. Robert Gould Shaw' and his Colored Regiment)
- Three Places in New England (Orchestral Set No. 1): II. Putnam's Camp, Redding, Connecticut
- Three Places in New England (Orchestral Set No. 1): III. The Housatonic at Stockbridge
- Orchestral Set No. 2: I. An Elegy to our Forefathers
- Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose
- Sun-treader
- Men and Mountains, A Rhapsodic Proclamation: I. Men
- Men and Mountains, A Rhapsodic Proclamation: II. Lilacs
- Men and Mountains, A Rhapsodic Proclamation: III. Marching Mountains
- Andante for strings
Melodies
Released 1995- Tom Sails Away
- Ann Street
- Thoreau
- Maple Leaves
- The Cage
- «1, 2, 3.»
- Evening
- Serenity - A unison chant
- The New River
- The White Gulls
- Slugging a Vampire
- West London - A sonnet
- From the "Incantation"
- Charlie Rutlage
- Slow March
- The Indians
- Walt Withman - from 20th Stanza
- Afterglow
- His Exaltation
- At the River
- In the Mornin'
- The Camp Meeting
- The Circus Band
- From Paracelsus
- Premonitions
- On the Counter
- A sea Dirge
- Like a Sick Eagle
- Soliloquy - or a Study in 7th and Other Things
- Memories
- The One Way
- Remembrance
- A farewell to Land
American Originals: Ives / Barber String Quartets
Released 1993- String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
- String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
- String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
- String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
- Scherzo, S. 84 No. 2 "Holding Your Own"
- String Quartet in B major, Op. 11: I. Molto allegro e appassionato
- String Quartet in B major, Op. 11: II. Molto adagio - attacca:
- String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
- String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
- String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
- String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso
A Portrait of Charles Ives
Released 1993- The See'r (1912) - No. 1 of Set No. 1
- A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1
- Like a Sick Eagle (1909) - No. 4 of Set No. 1
- Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Set No. 1
- General W. Booth Enters Into Heaven (1914)
- Tone Roads No. 1 (1911)
- From the Steeples and the Mountains (1901)
- Tone Roads No. 3 (1915)
- Adagio Sostenuto (At Sea) (1912-17)
- Mists (1910)
- On the Antipodes (1915-23)
- The Rainbow (So May It Be!) (1914)
- The Pond (Remembrance) (1906)
- The Bells of Yale (Battell Chimes or Chapel Chimes) (1897)
- Calcium Light Night (1912) - No. 5 of Set No. 1
- The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912)
- All the Way Around and Back (1906)
- Over the Pavements (1906-13)
- The Ruined River (1912) - No. 3 of Set No. 1
- The Indians (1912) - No. 1 of Set No. 2
- 'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2
- Aeschylus and Sophocles (1922)
- A Set of Pieces for Theater or Chamber Orchestra: I. In the Cage
- A Set of Pieces for Theater or Chamber Orchestra: II. In the Inn (Potpourri)
- A Set of Pieces for Theater or Chamber Orchestra: III. In the Night
- Sunrise (1926)
Symphonies Nos. 2 & 3 / Central Park in the Dark
Released 1992- Symphony No. 2, S. 2: I. Andante moderato
- Symphony No. 2, S. 2: II. Allegro
- Symphony No. 2, S. 2: III. Adagio cantabile
- Symphony No. 2, S. 2: IV. Lento maestoso
- Symphony No. 2, S. 2: V. Allegro molto vivace
- Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
- Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro
- Symphony No. 3, S. 3 "The Camp Meeting": III. Communion. Largo
- Central Park in the Dark
Symphony No. 3 / The Unanswered Question / Three Places in New England
Released 1992- Three Places in New England: I. The "St. Gaudens" in Boston Common
- Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England: III. The Housatonic at Stockbridge
- March III with the air "Old Kentucky Home"
- The Unanswered Question
- Central Park in the Dark
- Fugue in Four Keys on "The Shining Shore"
- Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
- Symphony No. 3 "The Camp Meeting": II. Children's Day
- Symphony No. 3 "The Camp Meeting": III. Communion
The Complete Songs of Charles Ives, Volume 4
Released 1992- The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
- The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
- West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- August, S. 216 (baritone: William Sharp, piano: Steven Blier)
- September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
- From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
- The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
- From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
- The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
- Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
- Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
- 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
- Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
- The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
The Complete Songs of Charles Ives, Volume 3
Released 1992- He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
- Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
- Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
- Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
- Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
- Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
- Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
- Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
- Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
- To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
- Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
- They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)
The Complete Songs of Charles Ives, Volume 2
Released 1992- I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
- Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
- Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
- Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
- Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
- Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
- Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
- Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)
The Complete Songs of Charles Ives, Volume 1
Released 1992- Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
- There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
- Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
- When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
- Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
- World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
- Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
- My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
- From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
- Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
- Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)
Symphonies Nos. 1 & 4
Released 1991- Symphony No. 1 in D minor, S. 1: I. Allegro
- Symphony No. 1 in D minor, S. 1: II. Adagio molto (sostenuto)
- Symphony No. 1 in D minor, S. 1: III. Scherzo: Vivace
- Symphony No. 1 in D minor, S. 1: IV. Allegro molto
- Sweet By and By
- Beulah Land
- Ye Christian Heralds
- Jesus, Lover of My Soul
- Nearer, My God, to Thee
- Symphony No. 4, S. 4: I. Prelude: Maestoso
- Symphony No. 4, S. 4: II. Comedy: Allegretto
- Symphony No. 4, S. 4: III. Fugue: Andante moderato con moto
- Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder
Released 1990- Symphony No. 2: I. Andante moderato
- Symphony No. 2: II. Allegro
- Symphony No. 2: III. Adagio cantablile
- Symphony No. 2: IV. Lento maestoso
- Symphony No. 2: V. Allegro molto vivace
- The Gong on the Hook and Ladder or Fireman's Parade on Main Street
- Tone Roads No. 1
- Hymn: Largo Cantabile
- Hallowe'en
- Central Park in the Dark
- The Unanswered Question
Holidays Symphony / The Unanswered Question / Central Park in the Dark
Released 1988- A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
- A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
- A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
- A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
- The Unanswered Question, S. 50 (revised version)
- Central Park in the Dark, S. 34
- The Unanswered Question, S. 50 (original version)
Symphonies Nos. 2 & 3 / The Unanswered Question
Released 1987- Symphony No. 2, S. 2: I. Andante moderato
- Symphony No. 2, S. 2: II. Allegro
- Symphony No. 2, S. 2: III. Adagio cantabile
- Symphony No. 2, S. 2: IV. Lento maestoso
- Symphony No. 2, S. 2: V. Allegro molto vivace
- Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'
- Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day
- Symphony No. 3, S .3 "The Camp Meeting": III. Communion
- The Unanswered Question, S. 50
Piano Pieces
Released 1985- Study No. 20: Even durations - unevenly divided
- Study No. 21: Some South-Paw Pitching!
- Study No. 22
- Varied Air and Variations - Study # 2 for Ears or Aural and Mental Exercise!!!
- Waltz-Rondo
- Three-Page Sonata
- Study No 9: The Anti-Abolitionist Riots in the 1830's and 1840's
- Three Quarter-tone Pieces for Two Pianos
Symphony No. 3 / Orchestral Set No. 2
Released 1985- Symphony No. 3: I. Old Folks Gatherin'. Andante maestoso
- Symphony No. 3: II. Children's Day. Allegro
- Symphony No. 3: III. Communion. Largo
- Orchestral Set No. 2: I. An Elegy to Our Forefathers. Very slowly
- Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro
- Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
Sonate für Klavier Nr. 1
Released 1984- Sonate für Klavier Nr. 1: I. Adagio con moto - Andante con moto - Allegro risoluto
- Sonate für Klavier Nr. 1: IIa. Allegro moderato - Andante
- Sonate für Klavier Nr. 1: IIb. Allegro »In the Inn«
- Sonate für Klavier Nr. 1: III. Largo - Allegro - Largo
- Sonate für Klavier Nr. 1: IVa. (ohne Tempoangabe) / IVb. Allegro - Presto
- Sonate für Klavier Nr. 1: V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante
Concord Sonata / Three Places in New England / Central Park in the Dark
- Piano Sonata No. 2 'Concord, Mass., 1840-1860': I. Emerson (Slowly - Slowly and Quietly)
- Piano Sonata No. 2 'Concord, Mass., 1840-1860': II. Hawthorne (Very Fast)
- Piano Sonata No. 2 'Concord, Mass., 1840-1860': III. The Alcotts
- Piano Sonata No. 2 'Concord, Mass., 1840-1860': IV. Thoreau (Starting Slowly and Quietly)
- Central Park in the Dark
- Three Places in New England: I. The 'Saint-Gaudens' in Boston Common
- Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England: III. The Housatonic at Stockbridge
Born: 1874-10-20
Died: 1954-05-19
Charles Ives
Frank Zappa (guitar)
Lowell George (guitar, lead vocals)
Roy Estrada (bass, vocals)
Don Preston (keyboards, electronics)
Buzz Gardner (trumpet)
Ian Underwood (alto saxophone)
Bunk Gardner (tenor saxophone)
Motorhead Sherwood (baritone saxophone)
Jimmy Carl Black (drums)
Arthur Tripp (drums)
Hands Up!
(Instrumental)