- published: 16 Oct 2007
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God willing is a phrase that could mean
Raymond "Ray" Charles Jack LaMontagne ( /lɑːmɒnˈteɪn/; born June 18, 1973) is a Grammy-award winning American singer-songwriter. LaMontagne has released four studio albums, Trouble, Till the Sun Turns Black, Gossip in the Grain and God Willin' & the Creek Don't Rise. He was born in New Hampshire and was inspired to create music after hearing an album by Stephen Stills. Critics have compared LaMontagne's music to The Band, Van Morrison, Nick Drake, and Tim Buckley. He lives in Massachusetts with his wife and two children.
LaMontagne was born in Nashua, New Hampshire, in 1973. Despite his father's background in music, LaMontagne avoided the activity and spent time reading fantasy novels in the forest. He spent time in several different states in his youth. In his early teens he lived in Morgan, Utah, a small rural town of 2000 people. He was known for being an aloof, and indifferent to his education. He was much more interested in drawing images of Dungeons and Dragons than he was in his school work. He was well liked, and revered as somewhat of a mild nuisance. After graduating from high school, LaMontagne moved to Lewiston, Maine and found work in a shoe factory.
The film examines the modern-day phenomenon of religious "intentional communities," or as they are often called, "cults." It takes as its focus "The Church," also known as "The Brotherhood," the 35-year-old ministry of shadowy messianic figure Jim Roberts. Since 1971, this secretive organization has recruited (hundreds) of adherents who live together in austere, separatist, communal groups, preaching salvation and damnation, and turning their backs on the outside world except when proselytizing for new members. They observe strict ascetic values and rigid standards of dress, presentation and gendered behavior, and live off of discarded food and other refuse. And they mutually reinforce the belief systems that brought them into the fold, including a focus on the narrow path to salvation, and obedience to the will of spiritual leader Roberts. The film examines this microcosmic society, and by implication, the "cult" phenomenon itself, with a rare insider's view. Featuring interviews with former group members, it implicitly reveals the sorts of stresses and spiritual longings that make outwardly average young people "ripe for the picking" by opportunistic outsiders. It also reveals the anguish of parents and loved ones left stunned and confused by the defection of their children and siblings, some of whom have been members of the Church for decades. We are present as parents groups, utter strangers brought together by a shared trauma, map the movements of the group from town to town, and compare notes about the lives their children lead, and about their own feelings of helplessness and despair. The film also brings us along as certain family members set out to find their loved ones through detective work and determination, leading to surprise confrontations and just as often to the group's immediate flight to new, secret quarters. In this way, the film traces the tenuous balance that families must strike between attempting to rescue their loved ones, with the psychological, emotional and tactical impediments that so often get in the way of reconciliation. The experience of the families, so close and yet so far, is poignantly and powerfully evoked by extensive surveillance footage and photography, showing Brothers and Sisters in their daily comings-and-goings, moving through the everyday world without seeming to be involved in it. Rare, candid footage of one parents' successful but brief rendezvous with her daughter, provides searingly painful evidence of the seeming hopelessness many of these bewildered families feel. Testimonials from ex-group members detail the tortuous processes by which some adherents regain their psychological independence, only then to have to face the world again, with all its strains - but sometimes, with greater strength than before.
Keywords: cult, religion, religious