- published: 14 Oct 2014
- views: 170
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Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstlerische Oberleitung“ inne), Regisseur Hess hatte von ihr verlangt, als Eurydike „Opern-gehabe“ zu parodieren, so „klamottig wie möglich“ zu spielen. („Er will, dass Marschner und ich bis an den Rand des Wahnsinns outrieren!“)
44 Jahre später - so erkannt und interpretiert - ist das auf hier sichtbar interessante Weise gelungen.
Andere Videos
(hier noch nicht zu finden, die aber begehren, zu Elisabeths Ge-denken irgendwann im Netz zu erscheinen)
Eine Bitte an unbekannte Helfer
Was für eine glanzvolle Bühnen-Darstellerin Elisabeth Steiner war - abgesehen von anderen ihrer Eurydike-Szenen hier und ihrem entzückenden Cherubin (sowie etlichen überzeugenden Kritiken ihrer unvergleichlichen Carmen) - das zeigt sie nicht zuletzt in einer besonderen DVD: Ihrer Nancy („Julia“) in der wunderbaren ZDF-Martha von 1978.
Da erweist sie sich als stimmlich und darstellerisch beste Nancy, die es je gegeben hat und macht – prüfen Sie´s gerne nach – diese bessere Nebenrolle zu einem sängerisch-darstellerischen Kunstwerk per se.
Das müsste nun unbedingt ins Netz: Für mich als eine Art Krone zu ihrem Gedenken.
Leider bin ich zu alt und zu doof (oder, falls es Ihnen lieber ist, auch gern umgekehrt), zu wissen, wie man das macht.
Darum: Sollten nun Sie (liebe Dame, lieber Herr, dies alles hier zufällig lesend) jemand sein, der den Sinn hat, meinen Wunsch nicht nur als künstlerisch objektiv berechtigt zu erkennen und zu würdigen, sondern dem Sinne nach, jemand, der helfen kann, diese großartige ZDF-Inszenierung des wunderbaren Arno Ass-mann ins Netz zu bringen, so wäre es toll, wenn Sie es täten!
Und, so Sie´s grundsätzlich vermögen: tun Sie´s bitte in vielen kleinen Abschnitten.
Warum auch das noch?
Die Oper in z.B. zehn kleinen Ausschnitten würde den Vertrei-bern in den USA nicht das - derzeit ohnehin nur winzige - Martha-Geschäft vermasseln, sondern, im Gegenteil kulturell er-wachte Käufer inspirieren, diese gesamte ZDF-Kult- und Ge-denk-Martha des Jahres 1978 ohne Unterbrechung hintereinan-der zu genießen.
(Und falls diese, ich vermute: liebenswerten, amerikanischen Martha-Vertreiber das lesen, erläutere ich denen dieses Phäno-men noch genauer. Vielleicht bringen sie es dann sogar selbst ins Netz)
Адрес сайта: http://classicroom.ru
Conductor: Marek Janowski
Orchestra: Philharmonisches Staatsorchester Hamburg
Сhorus: Hamburgische Staatsoper
Actors:
Pluton-Aristée - William Workman
Jupiter - Toni Blankenheim
John Styx - Theo Lingen
Orphée - Kurt Marschner
Mars - Franz Grundheber
Euridice - Elisabeth Steiner
Diane - Regina Marheineke
L'Opinion Publique - Lieselotte Pulver
Junon - Inge Meysel
Vénus - Ursula Koszut
Minerve - Cvetka Ahlin
- published: 03 Sep 2015
- views: 27405
Music and libretto by Alban Berg, after the play by Georg Büchner
Wozzeck: Toni Blankenheim
Marie: Sena Jurinac
Drum Major: Richard Cassilly
Andres: Peter Haage
Captain: Gerhard Unger
Doctor: Hans Sotin
Workman I: Kurt Moll
Workman II: Franz Grundheber
Idiot: Kurt Marschner
Margret: Elisabeth Steiner
Marie's son: Martina Schumacher
The Hamburg Philharmonic State Orchestra
The Chorus of the Hamburg State Opera
Conducted by Bruno Maderna
Directed for television by Joachim Hess
Set design: Herbert Kirchhoff
Costumes: Helmut Jürgens
Recorded 1970,
Hamburg State Opera
Video: 480p / 30 fps (H.264)
Audio: 2.0 stereo AAC, encoded using a constrained variable bitrate (cVBR) of 192kbps
- published: 27 Mar 2014
- views: 97772
W.A. Mozart
LE NOZZE DI FIGARO / Die Hochzeit Der Figaro
Studio Production from the Hamburg State Opera, 1967
Sung in German
Se vuol ballare - Via resti servita - Non so più cosa son, cosa faccio - Cosa Sento - Giovani liete, fiori spargete
Count Almaviva: Tom Krause
Countess Almaviva: Arlene Saunders
Figaro: Heinz Blankenburg
Susanna: Edith Mathis
Cherubino: Elisabeth Steiner
Marcellina: Maria Von Ilosvay
Don Basilio: Kurt Marschner
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
Members of the Corps de Ballet of the Hamburg State Opera
Chorus of the Hamburg State Opera
The Philharmonic State Orchestra Hamburg
Hans Schmidt-Isserstedt, conductor
Joachim Hess, director
The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva's castle in Seville in the late 18th Century. It is based on Beaumarchais's 1784 play La Folle Journée, ou Le Mariage de Figaro, a sequel to his earlier play, Le Barbier de Séville (The Barber of Seville), familiar to opera audiences through Rossini's great opera (Mozart's opera premiered in 1786; Rossini's premiered in 1816). In Le Barbier, Count Almaviva, with substantial help from Figaro, wooed and won the lovely Rosine away from her crusty old ward and would-be husband, Dr. Bartholo.
In The Marriage of Figaro, Beaumarchais continued their story. The Count has married Rosine but their marriage has gone sour because of his philandering. Figaro has quit barbering and is now the Count's major-domo. He is engaged to Suzanne, who is Countess Rosine's maid — and the Count's intended conquest. Old Bartholo is back to seek revenge on Figaro for taking Rosine away from him, with the help of the slimy music-master, Don Bazile. Adding to the fun are an amorous teenager, a scheming old maid, a drunken gardener, and a silly young girl. Much happens on a single "folle journée" — a crazy day.
Mozart's librettist, Lorenzo da Ponte, took this popular play, removed "political" content that would have offended the Viennese imperial censors (the French Revolution was only a few years away), and faithfully translated the rest into Italian — the customary opera language of the day. With Mozart's masterpiece of a score, the result was a witty yet profound tale of love, betrayal, and forgiveness.
- published: 14 Jan 2012
- views: 1473
director: Hans Hartleb
conductor: Heinz Walberg
Kaspar: Bernd Weikl
Gretl: Jutta-Renate Ihloff
Der Bauer: Hillebrand
Ninabella: Norma Sharp
Amandus: René Kollo
Guldensack: Alexander Malta
Cuperus: Karl Ridderbusch
Fangauf: Kurt Marschner
Schnapper: Toni Blankenheim
film 1976
- published: 09 Dec 2012
- views: 5588
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 17605
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
The famous finale of the first act in the Wolf's Glen/Wolfsschlucht.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 12595
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. He does a great job at portraying that sort of operatic caveman that first appears in this opera, the kind we meet again in Fafner and Fasolt in Wagner's Ring for example.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 15575
Carla Martinis &Josef Metternich sing the "Finale Act II"
from Tosca by Giacomo Puccini, sung in German
Kurt Marschner (Spoletta)
Sinfonieorchester des Norddeutschen
Rundfunks
Wilhelm Schüchter, conductor
Hamburg, 10.IV.1953
- published: 15 Jun 2011
- views: 589
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
One of the absolute highlights of this performance, the best version of this aria out there - the only one that surpasses Elizabeth Schwarzkopf's - somehow Grümmer manages to sound even purer, even more innocent than Schwarzkopf.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 8577
Werner Egk
Werner Egk (17 May 1901 – 10 July 1983), born Werner Joseph Mayer, was a German composer.
Early career
He was born in the Swabian town of Auchsesheim, today part of Donauwörth, Germany. His family, of Catholic peasant stock, moved to Augsburg when Egk was six. He studied at a Benedictine Gymnasium (academic high school) and entered the municipal conservatory. Egk demonstrated talents as a composer, graphic artist, and writer, and he moved first to Frankfurt to improve his piano talents and then, in 1921, to Munich. There, working as a theater composer and playing in the pit, he married Elizabeth Karl, a violinist. He derived his pen name "Egk" from his wife initials: Elisabeth, geborne Karl (Elisabeth, née Karl). His only son, Titus, was born in 1924.
Egk moved to Berlin in 1928, meeting composers Arnold Schoenberg and Hanns Eisler. He intended to become a cinema composer and accompanied silent films. When radio broadcasting became available to the public, Egk immediately realised its importance as a mass medium and developed operas and radio plays. He was introduced to Hans Fleisch, an important radio executive (also Paul Hindemith's brother-in-law and a Jew), by composer Kurt Weill. He received his first commission for broadcasting from Fleisch's company.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Werner_Egk
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school.
Weber's operas Der Freischütz, Euryanthe and Oberon greatly influenced the development of the Romantische Oper (Romantic opera) in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to an unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.
A brilliant pianist himself, Weber composed four sonatas, two concertos and the Konzertstück in F minor (concert piece), which influenced composers such as Chopin, Liszt and Mendelssohn. The Konzertstück provided a new model for the one-movement concerto in several contrasting sections (such as Liszt's, who often played the work), and was acknowledged by Stravinsky as the model for his Capriccio for Piano and Orchestra. Weber's shorter piano pieces, such as the Invitation to the Dance, were later orchestrated by Berlioz, while his Polacca Brillante was later set for piano and orchestra by Liszt.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Carl_Maria_von_Weber
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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6:28Elisabeth Steiner – Kurt Marschner
Elisabeth Steiner – Kurt MarschnerElisabeth Steiner – Kurt Marschner
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstlerische Oberleitung“ inne), Regisseur Hess hatte von ihr verlangt, als Eurydike „Opern-gehabe“ zu parodieren, so „klamottig wie möglich“ zu spielen. („Er will, dass Marschner und ich bis an den Rand des Wahnsinns outrieren!“) 44 Jahre später - so erkannt und interpretiert - ist das auf hier sichtbar interessante Weise gelungen. Andere Videos (hier noch nicht zu finden, die aber begehren, zu Elisabeths Ge-denken irgendwann im Netz zu erscheinen) Eine Bitte an unbekannte Helfer Was für eine glanzvolle Bühnen-Darstellerin Elisabeth Steiner war - abgesehen von anderen ihrer Eurydike-Szenen hier und ihrem entzückenden Cherubin (sowie etlichen überzeugenden Kritiken ihrer unvergleichlichen Carmen) - das zeigt sie nicht zuletzt in einer besonderen DVD: Ihrer Nancy („Julia“) in der wunderbaren ZDF-Martha von 1978. Da erweist sie sich als stimmlich und darstellerisch beste Nancy, die es je gegeben hat und macht – prüfen Sie´s gerne nach – diese bessere Nebenrolle zu einem sängerisch-darstellerischen Kunstwerk per se. Das müsste nun unbedingt ins Netz: Für mich als eine Art Krone zu ihrem Gedenken. Leider bin ich zu alt und zu doof (oder, falls es Ihnen lieber ist, auch gern umgekehrt), zu wissen, wie man das macht. Darum: Sollten nun Sie (liebe Dame, lieber Herr, dies alles hier zufällig lesend) jemand sein, der den Sinn hat, meinen Wunsch nicht nur als künstlerisch objektiv berechtigt zu erkennen und zu würdigen, sondern dem Sinne nach, jemand, der helfen kann, diese großartige ZDF-Inszenierung des wunderbaren Arno Ass-mann ins Netz zu bringen, so wäre es toll, wenn Sie es täten! Und, so Sie´s grundsätzlich vermögen: tun Sie´s bitte in vielen kleinen Abschnitten. Warum auch das noch? Die Oper in z.B. zehn kleinen Ausschnitten würde den Vertrei-bern in den USA nicht das - derzeit ohnehin nur winzige - Martha-Geschäft vermasseln, sondern, im Gegenteil kulturell er-wachte Käufer inspirieren, diese gesamte ZDF-Kult- und Ge-denk-Martha des Jahres 1978 ohne Unterbrechung hintereinan-der zu genießen. (Und falls diese, ich vermute: liebenswerten, amerikanischen Martha-Vertreiber das lesen, erläutere ich denen dieses Phäno-men noch genauer. Vielleicht bringen sie es dann sogar selbst ins Netz) -
101:09Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
Адрес сайта: http://classicroom.ru Conductor: Marek Janowski Orchestra: Philharmonisches Staatsorchester Hamburg Сhorus: Hamburgische Staatsoper Actors: Pluton-Aristée - William Workman Jupiter - Toni Blankenheim John Styx - Theo Lingen Orphée - Kurt Marschner Mars - Franz Grundheber Euridice - Elisabeth Steiner Diane - Regina Marheineke L'Opinion Publique - Lieselotte Pulver Junon - Inge Meysel Vénus - Ursula Koszut Minerve - Cvetka Ahlin -
104:15Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
Music and libretto by Alban Berg, after the play by Georg Büchner Wozzeck: Toni Blankenheim Marie: Sena Jurinac Drum Major: Richard Cassilly Andres: Peter Haage Captain: Gerhard Unger Doctor: Hans Sotin Workman I: Kurt Moll Workman II: Franz Grundheber Idiot: Kurt Marschner Margret: Elisabeth Steiner Marie's son: Martina Schumacher The Hamburg Philharmonic State Orchestra The Chorus of the Hamburg State Opera Conducted by Bruno Maderna Directed for television by Joachim Hess Set design: Herbert Kirchhoff Costumes: Helmut Jürgens Recorded 1970, Hamburg State Opera Video: 480p / 30 fps (H.264) Audio: 2.0 stereo AAC, encoded using a constrained variable bitrate (cVBR) of 192kbps -
14:45Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
W.A. Mozart LE NOZZE DI FIGARO / Die Hochzeit Der Figaro Studio Production from the Hamburg State Opera, 1967 Sung in German Se vuol ballare - Via resti servita - Non so più cosa son, cosa faccio - Cosa Sento - Giovani liete, fiori spargete Count Almaviva: Tom Krause Countess Almaviva: Arlene Saunders Figaro: Heinz Blankenburg Susanna: Edith Mathis Cherubino: Elisabeth Steiner Marcellina: Maria Von Ilosvay Don Basilio: Kurt Marschner Bartolo: Noel Mangin Antonio: Karl Otto Barbarina: Natalie Usselmann Members of the Corps de Ballet of the Hamburg State Opera Chorus of the Hamburg State Opera The Philharmonic State Orchestra Hamburg Hans Schmidt-Isserstedt, conductor Joachim Hess, director The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva's castle in Seville in the late 18th Century. It is based on Beaumarchais's 1784 play La Folle Journée, ou Le Mariage de Figaro, a sequel to his earlier play, Le Barbier de Séville (The Barber of Seville), familiar to opera audiences through Rossini's great opera (Mozart's opera premiered in 1786; Rossini's premiered in 1816). In Le Barbier, Count Almaviva, with substantial help from Figaro, wooed and won the lovely Rosine away from her crusty old ward and would-be husband, Dr. Bartholo. In The Marriage of Figaro, Beaumarchais continued their story. The Count has married Rosine but their marriage has gone sour because of his philandering. Figaro has quit barbering and is now the Count's major-domo. He is engaged to Suzanne, who is Countess Rosine's maid — and the Count's intended conquest. Old Bartholo is back to seek revenge on Figaro for taking Rosine away from him, with the help of the slimy music-master, Don Bazile. Adding to the fun are an amorous teenager, a scheming old maid, a drunken gardener, and a silly young girl. Much happens on a single "folle journée" — a crazy day. Mozart's librettist, Lorenzo da Ponte, took this popular play, removed "political" content that would have offended the Viennese imperial censors (the French Revolution was only a few years away), and faithfully translated the rest into Italian — the customary opera language of the day. With Mozart's masterpiece of a score, the result was a witty yet profound tale of love, betrayal, and forgiveness. -
93:34Werner Egk: Die Zaubergeige
Werner Egk: Die ZaubergeigeWerner Egk: Die Zaubergeige
director: Hans Hartleb conductor: Heinz Walberg Kaspar: Bernd Weikl Gretl: Jutta-Renate Ihloff Der Bauer: Hillebrand Ninabella: Norma Sharp Amandus: René Kollo Guldensack: Alexander Malta Cuperus: Karl Ridderbusch Fangauf: Kurt Marschner Schnapper: Toni Blankenheim film 1976 -
10:22Carl Maria von Weber - Der Freischütz: Overtüre
Carl Maria von Weber - Der Freischütz: OvertüreCarl Maria von Weber - Der Freischütz: Overtüre
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well. Enjoy, I'll upload more of the opera in the near future. -
10:05Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner The famous finale of the first act in the Wolf's Glen/Wolfsschlucht. Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well. Enjoy, I'll upload more of the opera in the near future. -
3:07Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. He does a great job at portraying that sort of operatic caveman that first appears in this opera, the kind we meet again in Fafner and Fasolt in Wagner's Ring for example. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well. Enjoy, I'll upload more of the opera in the near future. -
9:19Carla Martinis & Josef Metternich "Finale Act II" Tosca
Carla Martinis & Josef Metternich "Finale Act II" ToscaCarla Martinis & Josef Metternich "Finale Act II" Tosca
Carla Martinis &Josef Metternich sing the "Finale Act II" from Tosca by Giacomo Puccini, sung in German Kurt Marschner (Spoletta) Sinfonieorchester des Norddeutschen Rundfunks Wilhelm Schüchter, conductor Hamburg, 10.IV.1953 -
8:38Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner One of the absolute highlights of this performance, the best version of this aria out there - the only one that surpasses Elizabeth Schwarzkopf's - somehow Grümmer manages to sound even purer, even more innocent than Schwarzkopf. Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well. Enjoy, I'll upload more of the opera in the near future.
Marschner, Kurt Filmography
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1975, role: actor , character name: Pluto
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1972, role: actor , character name: Der Narr
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1972, role: actor , character name: Schriftgelehrter
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1971, role: actor , character name: 1. Priester
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1971, role: actor , character name: Orpheus
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1971, role: actor , character name: Balthasar Zorn
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1970, role: actor , character name: 1st Prisoner
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1969, role: actor , character name: Adam - a chemist
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1969, role: actor , character name: Timothy
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1967, role: actor , character name: Basilio
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1964, role: actor , character name: Mikroskop - Gelehrter und Staatsminister
Kurt Marschner
ALBUMS
- Der Freischütze released:
Der Freischütze
- add to main playlist Play in Full Screen Der Freischütz: Act. 1 "Overture"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Viktoria! Der meister soll leben"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Bauernmarsch"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Schau der Herr mich an als Koing!"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Dialog"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "O diese Sonne, furchtbar steigt sie empor!"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Bohmischer Waltzer"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Nein, langer trag'ich nicht die Qualen"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Dialog"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Hier im ird'schen Jammertal"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Dialog"
- add to main playlist Play in Full Screen Der Freischütz: Act, 1 "Schweig, schweig damit dich niemand warnt!"
- add to main playlist Play in Full Screen Der Freischütz: Act. 2 "Schelm, halt fest!"
- add to main playlist Play in Full Screen Der Freischütz: Act, 2 "Dialog"
- add to main playlist Play in Full Screen Der Freischütz: Act, 2 "Kommt ein schlanker Bursch gegangen"
- add to main playlist Play in Full Screen Der Freischütz: Act, 2 "Dialog"
- add to main playlist Play in Full Screen Der Freischütz: Act, 2 "Wie nahte der Schlummer"
- add to main playlist Play in Full Screen Der Freischütz: Act, 2 "Dialog"
-
Elisabeth Steiner – Kurt Marschner
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstlerische Oberleitung“ inne), Regisseur Hess hatte von ihr verlangt, als Eurydike „Opern-gehabe“ zu parodieren, so „klamottig wie möglich“ zu spielen. („Er will, dass Marschner und ich bis an den Rand des Wahnsinns outrieren!“) 44 Jahre später - so erkannt und interpretiert - ist das auf hier sichtbar interessante Weise gelungen. Andere Videos (hier noch nicht zu finden, die aber begehren, zu Elisabeths Ge-denken irgendwann im Netz zu erscheinen) Eine Bitte an unbekannte Helfer Was für eine glanzvolle Bühnen-Darstellerin Elisabeth Steiner war - abgesehen von anderen ihrer Eurydike-Szenen hier und ihrem entzückenden Cherubin (sowi... -
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
Адрес сайта: http://classicroom.ru Conductor: Marek Janowski Orchestra: Philharmonisches Staatsorchester Hamburg Сhorus: Hamburgische Staatsoper Actors: Pluton-Aristée - William Workman Jupiter - Toni Blankenheim John Styx - Theo Lingen Orphée - Kurt Marschner Mars - Franz Grundheber Euridice - Elisabeth Steiner Diane - Regina Marheineke L'Opinion Publique - Lieselotte Pulver Junon - Inge Meysel Vénus - Ursula Koszut Minerve - Cvetka Ahlin -
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
Music and libretto by Alban Berg, after the play by Georg Büchner Wozzeck: Toni Blankenheim Marie: Sena Jurinac Drum Major: Richard Cassilly Andres: Peter Haage Captain: Gerhard Unger Doctor: Hans Sotin Workman I: Kurt Moll Workman II: Franz Grundheber Idiot: Kurt Marschner Margret: Elisabeth Steiner Marie's son: Martina Schumacher The Hamburg Philharmonic State Orchestra The Chorus of the Hamburg State Opera Conducted by Bruno Maderna Directed for television by Joachim Hess Set design: Herbert Kirchhoff Costumes: Helmut Jürgens Recorded 1970, Hamburg State Opera Video: 480p / 30 fps (H.264) Audio: 2.0 stereo AAC, encoded using a constrained variable bitrate (cVBR) of 192kbps -
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
W.A. Mozart LE NOZZE DI FIGARO / Die Hochzeit Der Figaro Studio Production from the Hamburg State Opera, 1967 Sung in German Se vuol ballare - Via resti servita - Non so più cosa son, cosa faccio - Cosa Sento - Giovani liete, fiori spargete Count Almaviva: Tom Krause Countess Almaviva: Arlene Saunders Figaro: Heinz Blankenburg Susanna: Edith Mathis Cherubino: Elisabeth Steiner Marcellina: Maria Von Ilosvay Don Basilio: Kurt Marschner Bartolo: Noel Mangin Antonio: Karl Otto Barbarina: Natalie Usselmann Members of the Corps de Ballet of the Hamburg State Opera Chorus of the Hamburg State Opera The Philharmonic State Orchestra Hamburg Hans Schmidt-Isserstedt, conductor Joachim Hess, director The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva's castle in Seville in th... -
Werner Egk: Die Zaubergeige
director: Hans Hartleb conductor: Heinz Walberg Kaspar: Bernd Weikl Gretl: Jutta-Renate Ihloff Der Bauer: Hillebrand Ninabella: Norma Sharp Amandus: René Kollo Guldensack: Alexander Malta Cuperus: Karl Ridderbusch Fangauf: Kurt Marschner Schnapper: Toni Blankenheim film 1976 -
Carl Maria von Weber - Der Freischütz: Overtüre
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well. Enjoy,... -
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner The famous finale of the first act in the Wolf's Glen/Wolfsschlucht. Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, ... -
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. He does a great job at portraying that sort of operatic caveman that first appears in this opera, the kind we meet again in Fafner and Fasolt in Wagner's Ring for example. But the real star of the recording is Erich Kleiber, the precision and transparency he draws ... -
Carla Martinis & Josef Metternich "Finale Act II" Tosca
Carla Martinis &Josef Metternich sing the "Finale Act II" from Tosca by Giacomo Puccini, sung in German Kurt Marschner (Spoletta) Sinfonieorchester des Norddeutschen Rundfunks Wilhelm Schüchter, conductor Hamburg, 10.IV.1953 -
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
Erich Kleiber / Cologne Radio Symphony Orchestra Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner One of the absolute highlights of this performance, the best version of this aria out there - the only one that surpasses Elizabeth Schwarzkopf's - somehow Grümmer manages to sound even purer, even more innocent than Schwarzkopf. Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. But the real star of the recording...
Elisabeth Steiner – Kurt Marschner
- Order: Reorder
- Duration: 6:28
- Updated: 14 Oct 2014
- views: 170
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstle...
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstlerische Oberleitung“ inne), Regisseur Hess hatte von ihr verlangt, als Eurydike „Opern-gehabe“ zu parodieren, so „klamottig wie möglich“ zu spielen. („Er will, dass Marschner und ich bis an den Rand des Wahnsinns outrieren!“)
44 Jahre später - so erkannt und interpretiert - ist das auf hier sichtbar interessante Weise gelungen.
Andere Videos
(hier noch nicht zu finden, die aber begehren, zu Elisabeths Ge-denken irgendwann im Netz zu erscheinen)
Eine Bitte an unbekannte Helfer
Was für eine glanzvolle Bühnen-Darstellerin Elisabeth Steiner war - abgesehen von anderen ihrer Eurydike-Szenen hier und ihrem entzückenden Cherubin (sowie etlichen überzeugenden Kritiken ihrer unvergleichlichen Carmen) - das zeigt sie nicht zuletzt in einer besonderen DVD: Ihrer Nancy („Julia“) in der wunderbaren ZDF-Martha von 1978.
Da erweist sie sich als stimmlich und darstellerisch beste Nancy, die es je gegeben hat und macht – prüfen Sie´s gerne nach – diese bessere Nebenrolle zu einem sängerisch-darstellerischen Kunstwerk per se.
Das müsste nun unbedingt ins Netz: Für mich als eine Art Krone zu ihrem Gedenken.
Leider bin ich zu alt und zu doof (oder, falls es Ihnen lieber ist, auch gern umgekehrt), zu wissen, wie man das macht.
Darum: Sollten nun Sie (liebe Dame, lieber Herr, dies alles hier zufällig lesend) jemand sein, der den Sinn hat, meinen Wunsch nicht nur als künstlerisch objektiv berechtigt zu erkennen und zu würdigen, sondern dem Sinne nach, jemand, der helfen kann, diese großartige ZDF-Inszenierung des wunderbaren Arno Ass-mann ins Netz zu bringen, so wäre es toll, wenn Sie es täten!
Und, so Sie´s grundsätzlich vermögen: tun Sie´s bitte in vielen kleinen Abschnitten.
Warum auch das noch?
Die Oper in z.B. zehn kleinen Ausschnitten würde den Vertrei-bern in den USA nicht das - derzeit ohnehin nur winzige - Martha-Geschäft vermasseln, sondern, im Gegenteil kulturell er-wachte Käufer inspirieren, diese gesamte ZDF-Kult- und Ge-denk-Martha des Jahres 1978 ohne Unterbrechung hintereinan-der zu genießen.
(Und falls diese, ich vermute: liebenswerten, amerikanischen Martha-Vertreiber das lesen, erläutere ich denen dieses Phäno-men noch genauer. Vielleicht bringen sie es dann sogar selbst ins Netz)
wn.com/Elisabeth Steiner – Kurt Marschner
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie angegeben, die Regie, sondern, mehr aus der Ferne waltend, die „künstlerische Oberleitung“ inne), Regisseur Hess hatte von ihr verlangt, als Eurydike „Opern-gehabe“ zu parodieren, so „klamottig wie möglich“ zu spielen. („Er will, dass Marschner und ich bis an den Rand des Wahnsinns outrieren!“)
44 Jahre später - so erkannt und interpretiert - ist das auf hier sichtbar interessante Weise gelungen.
Andere Videos
(hier noch nicht zu finden, die aber begehren, zu Elisabeths Ge-denken irgendwann im Netz zu erscheinen)
Eine Bitte an unbekannte Helfer
Was für eine glanzvolle Bühnen-Darstellerin Elisabeth Steiner war - abgesehen von anderen ihrer Eurydike-Szenen hier und ihrem entzückenden Cherubin (sowie etlichen überzeugenden Kritiken ihrer unvergleichlichen Carmen) - das zeigt sie nicht zuletzt in einer besonderen DVD: Ihrer Nancy („Julia“) in der wunderbaren ZDF-Martha von 1978.
Da erweist sie sich als stimmlich und darstellerisch beste Nancy, die es je gegeben hat und macht – prüfen Sie´s gerne nach – diese bessere Nebenrolle zu einem sängerisch-darstellerischen Kunstwerk per se.
Das müsste nun unbedingt ins Netz: Für mich als eine Art Krone zu ihrem Gedenken.
Leider bin ich zu alt und zu doof (oder, falls es Ihnen lieber ist, auch gern umgekehrt), zu wissen, wie man das macht.
Darum: Sollten nun Sie (liebe Dame, lieber Herr, dies alles hier zufällig lesend) jemand sein, der den Sinn hat, meinen Wunsch nicht nur als künstlerisch objektiv berechtigt zu erkennen und zu würdigen, sondern dem Sinne nach, jemand, der helfen kann, diese großartige ZDF-Inszenierung des wunderbaren Arno Ass-mann ins Netz zu bringen, so wäre es toll, wenn Sie es täten!
Und, so Sie´s grundsätzlich vermögen: tun Sie´s bitte in vielen kleinen Abschnitten.
Warum auch das noch?
Die Oper in z.B. zehn kleinen Ausschnitten würde den Vertrei-bern in den USA nicht das - derzeit ohnehin nur winzige - Martha-Geschäft vermasseln, sondern, im Gegenteil kulturell er-wachte Käufer inspirieren, diese gesamte ZDF-Kult- und Ge-denk-Martha des Jahres 1978 ohne Unterbrechung hintereinan-der zu genießen.
(Und falls diese, ich vermute: liebenswerten, amerikanischen Martha-Vertreiber das lesen, erläutere ich denen dieses Phäno-men noch genauer. Vielleicht bringen sie es dann sogar selbst ins Netz)
- published: 14 Oct 2014
- views: 170
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
- Order: Reorder
- Duration: 101:09
- Updated: 03 Sep 2015
- views: 27405
Адрес сайта: http://classicroom.ru
Conductor: Marek Janowski
Orchestra: Philharmonisches Staatsorchester Hamburg
Сhorus: Hamburgische Staatsoper
Actors:
Pluton...
Адрес сайта: http://classicroom.ru
Conductor: Marek Janowski
Orchestra: Philharmonisches Staatsorchester Hamburg
Сhorus: Hamburgische Staatsoper
Actors:
Pluton-Aristée - William Workman
Jupiter - Toni Blankenheim
John Styx - Theo Lingen
Orphée - Kurt Marschner
Mars - Franz Grundheber
Euridice - Elisabeth Steiner
Diane - Regina Marheineke
L'Opinion Publique - Lieselotte Pulver
Junon - Inge Meysel
Vénus - Ursula Koszut
Minerve - Cvetka Ahlin
wn.com/Offenbach Orphee Aux Enfers Orpheus In Der Unterwelt (1971)
Адрес сайта: http://classicroom.ru
Conductor: Marek Janowski
Orchestra: Philharmonisches Staatsorchester Hamburg
Сhorus: Hamburgische Staatsoper
Actors:
Pluton-Aristée - William Workman
Jupiter - Toni Blankenheim
John Styx - Theo Lingen
Orphée - Kurt Marschner
Mars - Franz Grundheber
Euridice - Elisabeth Steiner
Diane - Regina Marheineke
L'Opinion Publique - Lieselotte Pulver
Junon - Inge Meysel
Vénus - Ursula Koszut
Minerve - Cvetka Ahlin
- published: 03 Sep 2015
- views: 27405
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
- Order: Reorder
- Duration: 104:15
- Updated: 27 Mar 2014
- views: 97772
Music and libretto by Alban Berg, after the play by Georg Büchner
Wozzeck: Toni Blankenheim
Marie: Sena Jurinac
Drum Major: Richard Cassilly
Andres: Peter Haag...
Music and libretto by Alban Berg, after the play by Georg Büchner
Wozzeck: Toni Blankenheim
Marie: Sena Jurinac
Drum Major: Richard Cassilly
Andres: Peter Haage
Captain: Gerhard Unger
Doctor: Hans Sotin
Workman I: Kurt Moll
Workman II: Franz Grundheber
Idiot: Kurt Marschner
Margret: Elisabeth Steiner
Marie's son: Martina Schumacher
The Hamburg Philharmonic State Orchestra
The Chorus of the Hamburg State Opera
Conducted by Bruno Maderna
Directed for television by Joachim Hess
Set design: Herbert Kirchhoff
Costumes: Helmut Jürgens
Recorded 1970,
Hamburg State Opera
Video: 480p / 30 fps (H.264)
Audio: 2.0 stereo AAC, encoded using a constrained variable bitrate (cVBR) of 192kbps
wn.com/Berg Wozzeck (Complete 1970 Film Version) English Subtitles
Music and libretto by Alban Berg, after the play by Georg Büchner
Wozzeck: Toni Blankenheim
Marie: Sena Jurinac
Drum Major: Richard Cassilly
Andres: Peter Haage
Captain: Gerhard Unger
Doctor: Hans Sotin
Workman I: Kurt Moll
Workman II: Franz Grundheber
Idiot: Kurt Marschner
Margret: Elisabeth Steiner
Marie's son: Martina Schumacher
The Hamburg Philharmonic State Orchestra
The Chorus of the Hamburg State Opera
Conducted by Bruno Maderna
Directed for television by Joachim Hess
Set design: Herbert Kirchhoff
Costumes: Helmut Jürgens
Recorded 1970,
Hamburg State Opera
Video: 480p / 30 fps (H.264)
Audio: 2.0 stereo AAC, encoded using a constrained variable bitrate (cVBR) of 192kbps
- published: 27 Mar 2014
- views: 97772
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
- Order: Reorder
- Duration: 14:45
- Updated: 14 Jan 2012
- views: 1473
W.A. Mozart
LE NOZZE DI FIGARO / Die Hochzeit Der Figaro
Studio Production from the Hamburg State Opera, 1967
Sung in German
Se vuol ballare - Via resti servit...
W.A. Mozart
LE NOZZE DI FIGARO / Die Hochzeit Der Figaro
Studio Production from the Hamburg State Opera, 1967
Sung in German
Se vuol ballare - Via resti servita - Non so più cosa son, cosa faccio - Cosa Sento - Giovani liete, fiori spargete
Count Almaviva: Tom Krause
Countess Almaviva: Arlene Saunders
Figaro: Heinz Blankenburg
Susanna: Edith Mathis
Cherubino: Elisabeth Steiner
Marcellina: Maria Von Ilosvay
Don Basilio: Kurt Marschner
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
Members of the Corps de Ballet of the Hamburg State Opera
Chorus of the Hamburg State Opera
The Philharmonic State Orchestra Hamburg
Hans Schmidt-Isserstedt, conductor
Joachim Hess, director
The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva's castle in Seville in the late 18th Century. It is based on Beaumarchais's 1784 play La Folle Journée, ou Le Mariage de Figaro, a sequel to his earlier play, Le Barbier de Séville (The Barber of Seville), familiar to opera audiences through Rossini's great opera (Mozart's opera premiered in 1786; Rossini's premiered in 1816). In Le Barbier, Count Almaviva, with substantial help from Figaro, wooed and won the lovely Rosine away from her crusty old ward and would-be husband, Dr. Bartholo.
In The Marriage of Figaro, Beaumarchais continued their story. The Count has married Rosine but their marriage has gone sour because of his philandering. Figaro has quit barbering and is now the Count's major-domo. He is engaged to Suzanne, who is Countess Rosine's maid — and the Count's intended conquest. Old Bartholo is back to seek revenge on Figaro for taking Rosine away from him, with the help of the slimy music-master, Don Bazile. Adding to the fun are an amorous teenager, a scheming old maid, a drunken gardener, and a silly young girl. Much happens on a single "folle journée" — a crazy day.
Mozart's librettist, Lorenzo da Ponte, took this popular play, removed "political" content that would have offended the Viennese imperial censors (the French Revolution was only a few years away), and faithfully translated the rest into Italian — the customary opera language of the day. With Mozart's masterpiece of a score, the result was a witty yet profound tale of love, betrayal, and forgiveness.
wn.com/Blankenburg, Mathis, Klause, Marschner Steiner Le Nozze Di Figaro 1967 Part 3
W.A. Mozart
LE NOZZE DI FIGARO / Die Hochzeit Der Figaro
Studio Production from the Hamburg State Opera, 1967
Sung in German
Se vuol ballare - Via resti servita - Non so più cosa son, cosa faccio - Cosa Sento - Giovani liete, fiori spargete
Count Almaviva: Tom Krause
Countess Almaviva: Arlene Saunders
Figaro: Heinz Blankenburg
Susanna: Edith Mathis
Cherubino: Elisabeth Steiner
Marcellina: Maria Von Ilosvay
Don Basilio: Kurt Marschner
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
Members of the Corps de Ballet of the Hamburg State Opera
Chorus of the Hamburg State Opera
The Philharmonic State Orchestra Hamburg
Hans Schmidt-Isserstedt, conductor
Joachim Hess, director
The Marriage of Figaro (Le nozze di Figaro) is set in Count Almaviva's castle in Seville in the late 18th Century. It is based on Beaumarchais's 1784 play La Folle Journée, ou Le Mariage de Figaro, a sequel to his earlier play, Le Barbier de Séville (The Barber of Seville), familiar to opera audiences through Rossini's great opera (Mozart's opera premiered in 1786; Rossini's premiered in 1816). In Le Barbier, Count Almaviva, with substantial help from Figaro, wooed and won the lovely Rosine away from her crusty old ward and would-be husband, Dr. Bartholo.
In The Marriage of Figaro, Beaumarchais continued their story. The Count has married Rosine but their marriage has gone sour because of his philandering. Figaro has quit barbering and is now the Count's major-domo. He is engaged to Suzanne, who is Countess Rosine's maid — and the Count's intended conquest. Old Bartholo is back to seek revenge on Figaro for taking Rosine away from him, with the help of the slimy music-master, Don Bazile. Adding to the fun are an amorous teenager, a scheming old maid, a drunken gardener, and a silly young girl. Much happens on a single "folle journée" — a crazy day.
Mozart's librettist, Lorenzo da Ponte, took this popular play, removed "political" content that would have offended the Viennese imperial censors (the French Revolution was only a few years away), and faithfully translated the rest into Italian — the customary opera language of the day. With Mozart's masterpiece of a score, the result was a witty yet profound tale of love, betrayal, and forgiveness.
- published: 14 Jan 2012
- views: 1473
Werner Egk: Die Zaubergeige
- Order: Reorder
- Duration: 93:34
- Updated: 09 Dec 2012
- views: 5588
director: Hans Hartleb
conductor: Heinz Walberg
Kaspar: Bernd Weikl
Gretl: Jutta-Renate Ihloff
Der Bauer: Hillebrand
Ninabella: Norma Sharp
Amandus: René Kollo...
director: Hans Hartleb
conductor: Heinz Walberg
Kaspar: Bernd Weikl
Gretl: Jutta-Renate Ihloff
Der Bauer: Hillebrand
Ninabella: Norma Sharp
Amandus: René Kollo
Guldensack: Alexander Malta
Cuperus: Karl Ridderbusch
Fangauf: Kurt Marschner
Schnapper: Toni Blankenheim
film 1976
wn.com/Werner Egk Die Zaubergeige
director: Hans Hartleb
conductor: Heinz Walberg
Kaspar: Bernd Weikl
Gretl: Jutta-Renate Ihloff
Der Bauer: Hillebrand
Ninabella: Norma Sharp
Amandus: René Kollo
Guldensack: Alexander Malta
Cuperus: Karl Ridderbusch
Fangauf: Kurt Marschner
Schnapper: Toni Blankenheim
film 1976
- published: 09 Dec 2012
- views: 5588
Carl Maria von Weber - Der Freischütz: Overtüre
- Order: Reorder
- Duration: 10:22
- Updated: 12 Feb 2009
- views: 17605
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Pr...
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
wn.com/Carl Maria Von Weber Der Freischütz Overtüre
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 17605
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
- Order: Reorder
- Duration: 10:05
- Updated: 12 Feb 2009
- views: 12595
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Pr...
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
The famous finale of the first act in the Wolf's Glen/Wolfsschlucht.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
wn.com/Carl Maria Von Weber Der Freischütz Furchtbar Gähnt Der... Wolf's Glen Scene Part 2
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
The famous finale of the first act in the Wolf's Glen/Wolfsschlucht.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 12595
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
- Order: Reorder
- Duration: 3:07
- Updated: 12 Feb 2009
- views: 15575
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Pr...
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. He does a great job at portraying that sort of operatic caveman that first appears in this opera, the kind we meet again in Fafner and Fasolt in Wagner's Ring for example.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
wn.com/Carl Maria Von Weber Der Freischütz Schweig, Schweig, Damit Dich Niemand Warnt
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar. He does a great job at portraying that sort of operatic caveman that first appears in this opera, the kind we meet again in Fafner and Fasolt in Wagner's Ring for example.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 15575
Carla Martinis & Josef Metternich "Finale Act II" Tosca
- Order: Reorder
- Duration: 9:19
- Updated: 15 Jun 2011
- views: 589
Carla Martinis &Josef Metternich sing the "Finale Act II"
from Tosca by Giacomo Puccini, sung in German
Kurt Marschner (Spoletta)
Sinfonieorchester des Norddeu...
Carla Martinis &Josef Metternich sing the "Finale Act II"
from Tosca by Giacomo Puccini, sung in German
Kurt Marschner (Spoletta)
Sinfonieorchester des Norddeutschen
Rundfunks
Wilhelm Schüchter, conductor
Hamburg, 10.IV.1953
wn.com/Carla Martinis Josef Metternich Finale Act Ii Tosca
Carla Martinis &Josef Metternich sing the "Finale Act II"
from Tosca by Giacomo Puccini, sung in German
Kurt Marschner (Spoletta)
Sinfonieorchester des Norddeutschen
Rundfunks
Wilhelm Schüchter, conductor
Hamburg, 10.IV.1953
- published: 15 Jun 2011
- views: 589
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
- Order: Reorder
- Duration: 8:38
- Updated: 12 Feb 2009
- views: 8577
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Pr...
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
One of the absolute highlights of this performance, the best version of this aria out there - the only one that surpasses Elizabeth Schwarzkopf's - somehow Grümmer manages to sound even purer, even more innocent than Schwarzkopf.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
wn.com/Carl Maria Von Weber Der Freischütz Wie Nahte Mir Der Schlummer
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Hern / Agathe: Elisabeth Grümmer / Ännchen: Rita Streich / Kaspar: Max Proebstl / Max: Hans Hopf / Kilian: Kurt Marschner
One of the absolute highlights of this performance, the best version of this aria out there - the only one that surpasses Elizabeth Schwarzkopf's - somehow Grümmer manages to sound even purer, even more innocent than Schwarzkopf.
Historic recording made for the West German radio in 1955, together with the recordings of Erich's son Carlos and Harnoncourt's my favorite Freischütz, it sports the most homogeneous cast of the three, by far. Elizabeth Grümmer is unequaled in the role of Agathe and I just love Max Proebstl's almost comically evil Kaspar.
But the real star of the recording is Erich Kleiber, the precision and transparency he draws from the Cologne Radio Symphony Orchestra (then freshly founded by Eugen Jochum) is still astounding, the engineers did a great job at capturing this event as well.
Enjoy, I'll upload more of the opera in the near future.
- published: 12 Feb 2009
- views: 8577
-
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 1)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro The Hamburg Philharmonic State Orchestra Condactor: Hans Schmidt-Isserstedt Artistic Director: Joachim Hess Count Almaviva: Tom Krause The Countess: Arlene Saunders Susana: Edith Mathis Figaro: Heinz Blankenburg Cherubino: Elisabeth Steiner Marcellina: Maria von Ilosvay Basilio: Kurt Marschner Don Curzio: Jürgen Förster Bartolo: Noel Mangin Antonio: Karl Otto Barbarina: Natalie Usselmann -
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 2)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro The Hamburg Philharmonic State Orchestra Condactor: Hans Schmidt-Isserstedt Artistic Director: Joachim Hess Count Almaviva: Tom Krause The Countess: Arlene Saunders Susana: Edith Mathis Figaro: Heinz Blankenburg Cherubino: Elisabeth Steiner Marcellina: Maria von Ilosvay Basilio: Kurt Marschner Don Curzio: Jürgen Förster Bartolo: Noel Mangin Antonio: Karl Otto Barbarina: Natalie Usselmann -
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto II°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969). Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969. ATTO II° 1. "Exorcizo te" (Barré, Mignon, Rangier, Ursulinen, Jeanne, Asmodeus, Adam, Mannoury) 2."Ihr wiß, daß Euer Name" (D'armagnac, Grandier, De Cerisay) 3."Liebe Schwester in Christo" (Barré, Jeanne, Mignon, Rangier, De Cerisay) 4."Das war ein unschuldiges Frauenzimmer" (Barré, De Cerisay, Ursulinen, Mignon, D'Armagnac, Grandier) 5."Was gibt es?" (Grandier, Philippe) 6."Mir ist heut'abend der Eintritt ins Kloster verwehrt worden" (Barré, Mignon, Mannoury, Rangi... -
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto I
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969). Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969. ATTO I° 1. "Ich will einen Weg finden (Chor, Jeanne, Grandier, Claire) 2. "Wollen wir zusammen gehen?" (Mannoury, Adam) 3. "Sag Mir, warum kommst du zur mir?" (Ninon, Grandier) 4. Dieser Menschenkopf erfüllt mich mit Erwatung" (Mannoury, Adam, Grandier, Jeanne, Claire, Chor, Philippe) 5. "Ich bin hier als Sonderkommissär" (De Laubardemont, D'Armagnac, Grandier, Adam, Mannoury) 6. "Wir sind alle froh, Vater Mignon" (Jeanne, Mignon) 7. "Ich konnte aus der Priorin wei... -
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto III°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969). Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969. ATTO III° 1. "Habt Ihr geschlafen?" (Bomtemps, Grandier, Jeanne, Mignon, Ambrose, Adam, Mannoury) 2. "Guten morgen, ihr Herren" (De Laubardemont, Adam, Mannoury, Grandier, Bontemps) 3. "Urbain Grandier, Ihr sed schuldig, befunden" (Gerichtsvorsteher, Grandier, De Laubardemont, De Cerisay, D'Armagnac, Barré, Mannoury) 4. "Kommt hinein, teure Mutter" (Claire, Jeanne, Louise, Gabrielle) 5. "Wollt Ihr gestehen?" (Barré, De Laubardemont, Rangier, Bontemps, Jeanne, Ursulin... -
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom Roundtable
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom. Satellitensymposium Janssen-Cilag anlässlich der Jahrestagung DGHO/OeGHO/SGHO 2011 in Basel. Fallvorstellungen: Moderation: Prof. Dr. med. Kurt Miller, Experten: Prof. Dr. med. Carsten Bokemeyer, Dr. med. Norbrt Marschner, -
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26.02.1966
Tenore Gino Sinimberghi, Baritono Mario Borriello Direttore Hans Werner Henze - Roma, RAI, 26/02/1966
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 1)
- Order: Reorder
- Duration: 39:03
- Updated: 10 Dec 2011
- views: 10538
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic D...
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic Director: Joachim Hess
Count Almaviva: Tom Krause
The Countess: Arlene Saunders
Susana: Edith Mathis
Figaro: Heinz Blankenburg
Cherubino: Elisabeth Steiner
Marcellina: Maria von Ilosvay
Basilio: Kurt Marschner
Don Curzio: Jürgen Förster
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
wn.com/Mozart Le Nozze Di Figaro Tom Krause 1964 (Part 1)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic Director: Joachim Hess
Count Almaviva: Tom Krause
The Countess: Arlene Saunders
Susana: Edith Mathis
Figaro: Heinz Blankenburg
Cherubino: Elisabeth Steiner
Marcellina: Maria von Ilosvay
Basilio: Kurt Marschner
Don Curzio: Jürgen Förster
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
- published: 10 Dec 2011
- views: 10538
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 2)
- Order: Reorder
- Duration: 38:55
- Updated: 12 Dec 2011
- views: 5695
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic D...
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic Director: Joachim Hess
Count Almaviva: Tom Krause
The Countess: Arlene Saunders
Susana: Edith Mathis
Figaro: Heinz Blankenburg
Cherubino: Elisabeth Steiner
Marcellina: Maria von Ilosvay
Basilio: Kurt Marschner
Don Curzio: Jürgen Förster
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
wn.com/Mozart Le Nozze Di Figaro Tom Krause 1964 (Part 2)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philharmonic State Orchestra
Condactor: Hans Schmidt-Isserstedt
Artistic Director: Joachim Hess
Count Almaviva: Tom Krause
The Countess: Arlene Saunders
Susana: Edith Mathis
Figaro: Heinz Blankenburg
Cherubino: Elisabeth Steiner
Marcellina: Maria von Ilosvay
Basilio: Kurt Marschner
Don Curzio: Jürgen Förster
Bartolo: Noel Mangin
Antonio: Karl Otto
Barbarina: Natalie Usselmann
- published: 12 Dec 2011
- views: 5695
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto II°
- Order: Reorder
- Duration: 37:47
- Updated: 10 Feb 2011
- views: 6529
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizza...
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO II°
1. "Exorcizo te" (Barré, Mignon, Rangier, Ursulinen, Jeanne, Asmodeus, Adam, Mannoury)
2."Ihr wiß, daß Euer Name" (D'armagnac, Grandier, De Cerisay)
3."Liebe Schwester in Christo" (Barré, Jeanne, Mignon, Rangier, De Cerisay)
4."Das war ein unschuldiges Frauenzimmer" (Barré, De Cerisay, Ursulinen, Mignon, D'Armagnac, Grandier)
5."Was gibt es?" (Grandier, Philippe)
6."Mir ist heut'abend der Eintritt ins Kloster verwehrt worden" (Barré, Mignon, Mannoury, Rangier, Adam)
7."Mutter..." (Louise, Jeanne, Claire, Gabrielle)
8."D'Armagnac, seid Ihr es?" (De Cerisay, D'Armagnac, Grandier)
9."Man Sagt, Ihr waret nicht wahrhaft von Dämonen besessen" (Mignon, Jeanne, Ursulinen, Gabrielle, Claire, Louise, De Laubardemont)
10."Alleluia, Cedant Tenebrae lumini" (Chor, Barré, Rangier, De Condé, Jeanne, Mignon, Gabrielle, Claire, Louise, Ursulinen, Zwei Bässe, Karmeliter, De Laubardemont, Grandier)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Krzysztof Penderecki Die Teufel Von Loudun (1969) Atto Ii°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO II°
1. "Exorcizo te" (Barré, Mignon, Rangier, Ursulinen, Jeanne, Asmodeus, Adam, Mannoury)
2."Ihr wiß, daß Euer Name" (D'armagnac, Grandier, De Cerisay)
3."Liebe Schwester in Christo" (Barré, Jeanne, Mignon, Rangier, De Cerisay)
4."Das war ein unschuldiges Frauenzimmer" (Barré, De Cerisay, Ursulinen, Mignon, D'Armagnac, Grandier)
5."Was gibt es?" (Grandier, Philippe)
6."Mir ist heut'abend der Eintritt ins Kloster verwehrt worden" (Barré, Mignon, Mannoury, Rangier, Adam)
7."Mutter..." (Louise, Jeanne, Claire, Gabrielle)
8."D'Armagnac, seid Ihr es?" (De Cerisay, D'Armagnac, Grandier)
9."Man Sagt, Ihr waret nicht wahrhaft von Dämonen besessen" (Mignon, Jeanne, Ursulinen, Gabrielle, Claire, Louise, De Laubardemont)
10."Alleluia, Cedant Tenebrae lumini" (Chor, Barré, Rangier, De Condé, Jeanne, Mignon, Gabrielle, Claire, Louise, Ursulinen, Zwei Bässe, Karmeliter, De Laubardemont, Grandier)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 10 Feb 2011
- views: 6529
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto I
- Order: Reorder
- Duration: 31:04
- Updated: 10 Feb 2011
- views: 23129
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizza...
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO I°
1. "Ich will einen Weg finden (Chor, Jeanne, Grandier, Claire)
2. "Wollen wir zusammen gehen?" (Mannoury, Adam)
3. "Sag Mir, warum kommst du zur mir?" (Ninon, Grandier)
4. Dieser Menschenkopf erfüllt mich mit Erwatung" (Mannoury, Adam, Grandier, Jeanne, Claire, Chor, Philippe)
5. "Ich bin hier als Sonderkommissär" (De Laubardemont, D'Armagnac, Grandier, Adam, Mannoury)
6. "Wir sind alle froh, Vater Mignon" (Jeanne, Mignon)
7. "Ich konnte aus der Priorin weiter nichts herausbringen" (Mignon, Mannoury, Adam, De Laubardemont)
8. "Bitte, lieber Gott" (Jeanne, Barré)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Krzysztof Penderecki Die Teufel Von Loudun (1969) Atto I
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO I°
1. "Ich will einen Weg finden (Chor, Jeanne, Grandier, Claire)
2. "Wollen wir zusammen gehen?" (Mannoury, Adam)
3. "Sag Mir, warum kommst du zur mir?" (Ninon, Grandier)
4. Dieser Menschenkopf erfüllt mich mit Erwatung" (Mannoury, Adam, Grandier, Jeanne, Claire, Chor, Philippe)
5. "Ich bin hier als Sonderkommissär" (De Laubardemont, D'Armagnac, Grandier, Adam, Mannoury)
6. "Wir sind alle froh, Vater Mignon" (Jeanne, Mignon)
7. "Ich konnte aus der Priorin weiter nichts herausbringen" (Mignon, Mannoury, Adam, De Laubardemont)
8. "Bitte, lieber Gott" (Jeanne, Barré)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 10 Feb 2011
- views: 23129
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto III°
- Order: Reorder
- Duration: 37:28
- Updated: 10 Feb 2011
- views: 2067
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizza...
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO III°
1. "Habt Ihr geschlafen?" (Bomtemps, Grandier, Jeanne, Mignon, Ambrose, Adam, Mannoury)
2. "Guten morgen, ihr Herren" (De Laubardemont, Adam, Mannoury, Grandier, Bontemps)
3. "Urbain Grandier, Ihr sed schuldig, befunden" (Gerichtsvorsteher, Grandier, De Laubardemont, De Cerisay, D'Armagnac, Barré, Mannoury)
4. "Kommt hinein, teure Mutter" (Claire, Jeanne, Louise, Gabrielle)
5. "Wollt Ihr gestehen?" (Barré, De Laubardemont, Rangier, Bontemps, Jeanne, Ursulinen, Grandier, Adam, Mannoury)
6. "Mein Sohn..." (Ambrose, Grandier, De Laubardemont, Jeanne, Chor)
7. "Dicas! Dicas!" (Barré, Rangier, Grandier, De Laubardemont, einr Stimme, Volk)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Krzysztof Penderecki Die Teufel Von Loudun (1969) Atto Iii°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Autore tratto da "The Devils of Loudun" di Aldous Huxley nella drammatizzazione di di John Whiting e tradotto in tedesco da Erich Fried (1969).
Registrazione della prima mondiale tenutasi all'Hamburgische Staatsoper il 20/6/1969.
ATTO III°
1. "Habt Ihr geschlafen?" (Bomtemps, Grandier, Jeanne, Mignon, Ambrose, Adam, Mannoury)
2. "Guten morgen, ihr Herren" (De Laubardemont, Adam, Mannoury, Grandier, Bontemps)
3. "Urbain Grandier, Ihr sed schuldig, befunden" (Gerichtsvorsteher, Grandier, De Laubardemont, De Cerisay, D'Armagnac, Barré, Mannoury)
4. "Kommt hinein, teure Mutter" (Claire, Jeanne, Louise, Gabrielle)
5. "Wollt Ihr gestehen?" (Barré, De Laubardemont, Rangier, Bontemps, Jeanne, Ursulinen, Grandier, Adam, Mannoury)
6. "Mein Sohn..." (Ambrose, Grandier, De Laubardemont, Jeanne, Chor)
7. "Dicas! Dicas!" (Barré, Rangier, Grandier, De Laubardemont, einr Stimme, Volk)
Jeanne (Priora del convento delle Orsoline): Tatiana Trojanos
Claire (suora Orsolina): Cvetka Ahlin
Louise (suora Orsolina): Ursula Boese
Gabrielle (suora Orsolina): Helga Thieme
Philippe Trincant (una giovane ragazza): Ingeborg Krüger
Ninon (una giovane vedova): Elisabeth Steiner
Urbain Grandier (Curato di St.Pierre): Andrzej Hiolsky
Vater Barré (Vicario di Chinon): Bernard Ladysz
Vater Rangier: Hans Sotin
Vater Mignon (Padre confessore delle Orsoline): Horst Wilhelm
Vater Ambrose (un vecchio Prete): Ernst Wiemann
Jean d'Armagnac (Sindaco di Loudun): Joachim Hess
Guilleaume de Cerisay (Giudice di Loudun): Rolf Mamero
Adam (Chimico): Kurt Marschner
Mannoury (Chirurgo): Heinz Blankebourg
Baron de Laubardemont (Commissario del Re): Helmut Melchert
Principe Henri de Condé (Ambasciatore del Re): William Workman
Bontemps (Carceriere): Karl Schultz
Commesso di Corte: Franz-Rudolf Eckhardt
Asmodeus: Arnold van Mill
Coro e Orchestra dell'Opera di Stato di Amburgo
(Direttore del Coro: Günther Schmidt- Bohländer)
Direttore: Marek Janowski.
****
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 10 Feb 2011
- views: 2067
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom Roundtable
- Order: Reorder
- Duration: 29:21
- Updated: 12 Oct 2012
- views: 204
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom.
Satellitensymposium Janssen-Cilag anlässlich der Jahrestagung DGHO/OeGHO/SGHO 2011 in Basel...
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom.
Satellitensymposium Janssen-Cilag anlässlich der Jahrestagung DGHO/OeGHO/SGHO 2011 in Basel.
Fallvorstellungen: Moderation: Prof. Dr. med. Kurt Miller, Experten: Prof. Dr. med. Carsten Bokemeyer, Dr. med. Norbrt Marschner,
wn.com/Neue TherapieansäTze FüR Das Kastrationsresistente Prostatakarzinom Roundtable
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom.
Satellitensymposium Janssen-Cilag anlässlich der Jahrestagung DGHO/OeGHO/SGHO 2011 in Basel.
Fallvorstellungen: Moderation: Prof. Dr. med. Kurt Miller, Experten: Prof. Dr. med. Carsten Bokemeyer, Dr. med. Norbrt Marschner,
- published: 12 Oct 2012
- views: 204
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26.02.1966
- Order: Reorder
- Duration: 21:18
- Updated: 24 Sep 2013
- views: 1816
Tenore Gino Sinimberghi, Baritono Mario Borriello
Direttore Hans Werner Henze - Roma, RAI, 26/02/1966
Tenore Gino Sinimberghi, Baritono Mario Borriello
Direttore Hans Werner Henze - Roma, RAI, 26/02/1966
wn.com/Kurt Weill Das Berliner Requiem Roma, Rai 26.02.1966
Tenore Gino Sinimberghi, Baritono Mario Borriello
Direttore Hans Werner Henze - Roma, RAI, 26/02/1966
- published: 24 Sep 2013
- views: 1816
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6:28
Elisabeth Steiner – Kurt Marschner
Regisseur Hess (Rolf Liebermann hatte in diesem Orpheus in der Unterwelt-Film nicht, wie a...
published: 14 Oct 2014
Elisabeth Steiner – Kurt Marschner
Elisabeth Steiner – Kurt Marschner
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- published: 14 Oct 2014
- views: 170
101:09
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
Адрес сайта: http://classicroom.ru
Conductor: Marek Janowski
Orchestra: Philharmonisches ...
published: 03 Sep 2015
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
Offenbach - Orphee aux Enfers /Orpheus in der Unterwelt (1971)
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- published: 03 Sep 2015
- views: 27405
104:15
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
Music and libretto by Alban Berg, after the play by Georg Büchner
Wozzeck: Toni Blankenhe...
published: 27 Mar 2014
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
Berg: Wozzeck (Complete 1970 film version) [English Subtitles]
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- published: 27 Mar 2014
- views: 97772
14:45
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
W.A. Mozart
LE NOZZE DI FIGARO / Die Hochzeit Der Figaro
Studio Production from the Hambur...
published: 14 Jan 2012
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
Blankenburg, Mathis, Klause, Marschner & Steiner "Le Nozze di Figaro" 1967 part 3
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- published: 14 Jan 2012
- views: 1473
93:34
Werner Egk: Die Zaubergeige
director: Hans Hartleb
conductor: Heinz Walberg
Kaspar: Bernd Weikl
Gretl: Jutta-Renate I...
published: 09 Dec 2012
Werner Egk: Die Zaubergeige
Werner Egk: Die Zaubergeige
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- published: 09 Dec 2012
- views: 5588
10:22
Carl Maria von Weber - Der Freischütz: Overtüre
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Her...
published: 12 Feb 2009
Carl Maria von Weber - Der Freischütz: Overtüre
Carl Maria von Weber - Der Freischütz: Overtüre
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- published: 12 Feb 2009
- views: 17605
10:05
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Her...
published: 12 Feb 2009
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
Carl Maria von Weber - Der Freischütz: "Furchtbar gähnt der..." Wolf's Glen Scene Part 2
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- published: 12 Feb 2009
- views: 12595
3:07
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Her...
published: 12 Feb 2009
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
Carl Maria von Weber - Der Freischütz: "Schweig, schweig, damit dich niemand warnt!"
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- published: 12 Feb 2009
- views: 15575
9:19
Carla Martinis & Josef Metternich "Finale Act II" Tosca
Carla Martinis &Josef; Metternich sing the "Finale Act II"
from Tosca by Giacomo Puccini, ...
published: 15 Jun 2011
Carla Martinis & Josef Metternich "Finale Act II" Tosca
Carla Martinis & Josef Metternich "Finale Act II" Tosca
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- published: 15 Jun 2011
- views: 589
8:38
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
Erich Kleiber / Cologne Radio Symphony Orchestra
Ottokar: Alfred Poell / Kuno: Heiner Her...
published: 12 Feb 2009
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
Carl Maria von Weber - Der Freischütz: "Wie nahte mir der Schlummer"
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- published: 12 Feb 2009
- views: 8577
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39:03
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 1)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philha...
published: 10 Dec 2011
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 1)
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 1)
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- published: 10 Dec 2011
- views: 10538
38:55
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 2)
Wolfgang Amadeus Mozart - Le Nozze di Figaro - Die Hochzeit des Figaro
The Hamburg Philha...
published: 12 Dec 2011
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 2)
Mozart Le Nozze di Figaro - Tom Krause 1964 (part 2)
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- published: 12 Dec 2011
- views: 5695
37:47
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto II°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Auto...
published: 10 Feb 2011
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto II°
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto II°
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- published: 10 Feb 2011
- views: 6529
31:04
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto I
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Auto...
published: 10 Feb 2011
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto I
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto I
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- published: 10 Feb 2011
- views: 23129
37:28
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto III°
Krzysztof Penderecki (*1933): Die Teufel von Loudun, Opera in 3 Atti su libretto dell'Auto...
published: 10 Feb 2011
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto III°
Krzysztof Penderecki: Die Teufel von Loudun (1969) Atto III°
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- published: 10 Feb 2011
- views: 2067
29:21
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom Roundtable
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom.
Satellitensymposium J...
published: 12 Oct 2012
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom Roundtable
Neue Therapieansätze für das kastrationsresistente Prostatakarzinom Roundtable
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- published: 12 Oct 2012
- views: 204
21:18
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26.02.1966
Tenore Gino Sinimberghi, Baritono Mario Borriello
Direttore Hans Werner Henze - Roma, RAI,...
published: 24 Sep 2013
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26.02.1966
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26.02.1966
- Report rights infringement
- published: 24 Sep 2013
- views: 1816
Mozart Le Nozze di Figaro - Tom Krause 1964 (part ...
Mozart Le Nozze di Figaro - Tom Krause 1964 (part ...
Krzysztof Penderecki: Die Teufel von Loudun (1969)...
Krzysztof Penderecki: Die Teufel von Loudun (1969)...
Krzysztof Penderecki: Die Teufel von Loudun (1969)...
Neue Therapieansätze für das kastrationsresisten...
Kurt Weill = DAS BERLINER REQUIEM = Roma, RAI - 26...
photo: AP/Mike Derer
[VIDEO]: Giuliani Continues Attacks On Black Lives Matter
Edit WorldNews.com 11 Jul 2016
Former New York City Mayor Rudy Giuliani has spent the last two days on network and cable TV news programs castigating black Americans for their own plight and claiming groups like Black Lives Matter are racist ... All lives matter.” – Former NYC Mayor Rudy Giuliani ... “I saved more black lives than anyone in the history of the city,” Giuliani claimed ... “I believe I saved a lot more black lives than Black Lives Matter....
photo: AP / Sang Tan, FILE
Why the Chilcot Inquiry Was Faulty And Mr. Blair Is Guilty
Edit WorldNews.com 11 Jul 2016
Article by WN.com Correspondent Dallas DarlingDespite ultimately causing the deaths of hundreds of thousands of people and millions of refugees, including the rise of ISIS, it didn’t take very long for Tony Blair to declare his innocence once the Chilcot Inquiry was released ... Unlike commoners, intent became the key in which rulers could escape criminal charges and punishment ... Bush planned to “fix the facts” before invading Iraq....
photo: AP / Heng Sinith
Cambodia: Government critic Kem Ley gunned down while drinking coffee
Edit CNN 11 Jul 2016
Phnom Penh (CNN)Cambodians have taken to the streets to mourn the death of a high-profile political commentator and government critic after he was fatally shot at point blank range. Kem Ley was gunned down a convenience station attached to a gas station Sunday morning, the Interior Ministry said in a statement. Local news reports said he was drinking his regular morning cup of coffee ... Read More ... It is a $3,000 debt ... The U.S ... ....
photo: AP / Alexander Zemlianichenko
Putin ask monks to pray for Russians killed in Syria
Edit Springfield News-Sun 11 Jul 2016
President Vladimir Putin has visited a famed Russian monastery to pray for Russian servicemen killed in Syria ... ....
photo: Public Domain
Life could exist on Saturn's biggest moon Titan: Study
Edit One India 11 Jul 2016
Los Angeles, July 11. Liquid water is a requirement for life on Earth. But on Saturn' s largest moon Titan, life might exist beyond the bounds of water-based chemistry, according to a new study by scientists at Cornell University.Reporting in the ... ....
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Financial highlights (Management Consulting Group plc)
Edit Public Technologies 11 Jul 2016
The sale of the French and related operations of Kurt Salmon in January 2016 has had a significant impact on the reported results for 2015. The reported results for 2015 from the Group's continuing operations, being the Kurt Salmon business which the Group has retained together with Alexander Proudfoot, are in line with the trading update provided at the time of the Circular sent to shareholders dated 30 November 2015....
The birth of Wavestone: a new and major player in consultancy (SoluCom SA)
Edit Public Technologies 11 Jul 2016
(Source. SoluCom SA). 11 July 2016 will see the birth of a new player in consultancy. Wavestone. Wavestone is a completely new consulting firm, forged from the combination of Solucom's and Kurt Salmon's European* business teams, which formally merged on 7 January 2016 ... that is Wavestone's ambition.' ... Wavestone is a new consulting firm, created from the merger, at the beginning of 2016, of Solucom and Kurt Salmon's European* activities ... Tel....
Twins breaking in hot bats just as break arrives (Minnesota Twins)
Edit Public Technologies 11 Jul 2016
(Source. Minnesota Twins). The offense has come alive, especially in the power department, as the Twins are tied with the Cubs for the most homers in the Majors dating back to June 26 with 28 ... Kurt Suzuki, Robbie Grossman and Eddie Rosario had three hits each ... 'Dozier has been hot, Kurt has been on an incredible run. The young guys have injected some life and are taking advantage of some opportunities ... (noodl. 34477774) ....
Pasco superintendent targets changes in Florida spring testing
Edit Tampa Bay Times 11 Jul 2016
Recently reelected without opposition, Pasco County schools superintendent Kurt Browning says he's got his eye set on pushing lawmakers to alter Florida's testing system ... ....
Oregon group buys Tempe industrial park
Edit Business Journal 11 Jul 2016
A Portland real estate firm has bought a Tempe industrial park for $8.95 million. Portland-based Fifth Street Commerce Center LLC bought the Cal-Eaton industrial park for $84 per foot. The five building park totals 106,950 square feet. It is located near Tempe Marketplace at the corner of Smith Rad and Fifth Street ... Kurt Saulnier, Pat Dempsey and Jan Fincham of Lee & Associates… ... ....
Twins breaking in hot bats just as break arrives
Edit MLB 11 Jul 2016
ARLINGTON -- The way the Twins have looked recently, it would be hard to blame them if they wanted to skip the All-Star break and keep playing ... The Twins' offense stayed hot in the series finale on Sunday, a 15-5 drubbing at Globe Life Park ... Kurt Suzuki, Robbie Grossman and Eddie Rosario had three hits each. Twins belt four home runs MIN@TEX. Twins tally four homers in win vs ... "Dozier has been hot, Kurt has been on an incredible run ... ....
Sydney Swans want a rare double against Hawthorn, says Callum Sinclair
Edit Sydney Morning Herald 11 Jul 2016
While Hawthorn have notched consecutive wins against Sydney in previous years, 2007 was the last season the Swans went back-to-back ... Meanwhile Kurt Tippett is going well on his road to recovery from a hamstring injury and is on track for a return in round 22 against North Melbourne ... "With Kurt out we've got to spread the load a little bit more in the middle but I think with the role of our ruckmen they have to go forward ... ....
Hope for Fitzpatrick (Hawthorn Football Club)
Edit Public Technologies 11 Jul 2016
(Source. Hawthorn Football Club) ... Fitzpatrick has not played at any level since suffering concussion after a collision with teammate Kurt Heatherley in a VFL match in mid-May, but could be ready to step up his training this week ... 'He is getting better. He was much better this week....
It's Love at First Bite at Pie Five's New Tri-Cities Location (Rave Restaurant Group Inc)
Edit Public Technologies 11 Jul 2016
(Source. Rave Restaurant Group Inc) ... This is the sixth Pie Five location opened by franchisees Fred Gustinand Kurt Guttshall, who also owns and operates over 60 Applebee's restaurants in the United States ... 'We received such a warm welcome when we opened our Kingsportlocation last year and I've been counting down the days to when we could open a Pie Five restaurant in Johnson City,' said Pie Five Franchisee, Kurt Guttshall ... (NASDAQ. RAVE)....
Agnesian HealthCare Foundation’s Charity Open gears up for 28th year, announces chairpersons (Agnesian Healthcare Inc)
Edit Public Technologies 11 Jul 2016
(Source. Agnesian Healthcare Inc). Agnesian HealthCare Foundation's Charity Open gears up for 28th year, announces chairpersons. [Attachment] On Monday, August 15, golf enthusiasts will be enjoying a day of fun at South Hills Golf & Country Club in Fond du Lac ... Karen Meyer and Kurt Krueger as senior chairpersons, with Dr ... Meyer ... The need will only continue to grow.' ... Karen Meyer and Kurt Krueger (left), along with junior co-chairpersons Dr....
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