Salah (Arabic: صلاة ṣalāh or ṣalāt; pl. صلوات ṣalawāt) is the practice of formal worship in Islam. Its importance for Muslims is indicated by its status as one of the Five Pillars of Sunni Islam, of the Ten Practices of the Religion of Twelver Shiʿi Islam and of the 7 pillars of Mustaʿlī Ismailis. Salah is a ritual worship, having prescribed conditions, a prescribed procedure, and prescribed times. Some of them are obligatory, with a few dispensations for those for whom it would be difficult. For those whom it is physically difficult they can perform Salah in a way suitable for them. To perform valid Salah, Muslims must be in a state of ritual purity, which is mainly achieved by ritual ablution, (wuḍūʾ), according to prescribed procedures.
Salah consists of the repetition of a unit called a rakʿah (pl. rakaʿāt) consisting of prescribed actions and words. The number of obligatory (fard) rakaʿāt varies from two to four according to the time of day or other circumstances (such as Friday congregational worship, which has two rakaʿāt). The minimal, obligatory rakaʿāt may be supplemented with acts that are optional but are considered meritorious.
Plot
Through very lovable and entertaining choreography, an incredibly talented French street dancer leaves Europe with a one-way ticket to Hollywood to show the world a style of dance they've never seen before. But in order to reach his dreams of becoming a professional break-dancer he must first confront his past and learn to control his fate.
Keywords: b-boy, breaking, dance, dj, french, hip-hop, street-dance, underground, urban
A musical beat-box bouncing eye-popper about a French break-dancer looking for his big break in a hostile Hollywood.
Plot
The story takes place during one weekend in Tel-Aviv, in three main spots that lead to Carmel Market. There are three protagonists: 1. Tarek, a young Palestinian man from Nablus. 2. Katz, an embittered old fellow. 3. Keren, a 17-year-old girl who grew up in a strictly religious family and left home to become a secular youngster. The three "heroes" are loners, driven by their past and by their inner conviction.
Keywords: beach, bicycle, bomb, cell-phone, climbing-a-tree, coffee, dead-son, grief, hole-in-ceiling, holiday
Keren: If I thought there was an afterlife, I'd kill myself.
Katz: That was culture. And what do we have here? Nothing. Just sweat and more sweat. No culture, no romance, no nothing. They took everything.
Katz: Listen, if you don't get lost within one minute I'll call the police and say you're impersonating a police officer, and I'll tell God you're impersonating a human being. Now shut the hell up and get out of here.
Plot
A Palestinian boy becomes entranced with a beautiful Gypsy girl and a fairy tale world she weaves amidst conflict in Gaza. The children explore nature, mysticism and what their future holds, while learning to live with the surrounding brutality c. 1990. Yusef's family scrapes by in a seaside camp while his father's in prison and his heavily-armed brother's on the run, parrying with Israeli troops. Salah, Yusef's schoolmate from a well-off Arab family strives faithfully to assist them, while Yusef helps an elderly, blind neighbor escape from his lonely abandonment into the North American dreamworld he's waited so long for.
Keywords: arab, beach, best-friend, big-sister, binoculars, blindness, border, boy, child-in-peril, childhood
Israeli soldier: There is a curfew. Move along.::Yusef: But my house is right there.::Israeli soldier: Not even one step further. Off with you.::Aida: We won't blow up the planet if we go home.
Even rocks can crack under extreme pressure
Slama ini kau masih merasa
aku slalu menantimu
2 minggu kau tak menghampiri
karna kau dengan yang lain
ibanya hatiku sayang
karena pikiranmu salah slama ini
setiap kau tak datang sayang
padahal aku tak pernah ada di rumah
slama ini akupun mendua
tapi kau tak tau sayang
pikirmu kau yang menyakitiku
bukan bukan kamu sayang
chorus :
slalu kubilang
aku tak sebaik kau pikir
tak pernah kunantikan kamu
kucinta kamu bukan berarti
ku tak mendua