Cover or covers may refer to:
Christina María Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the Star Search program, and went on to star in Disney Channel's television series The Mickey Mouse Club from 1993 to 1994. Aguilera signed to RCA Records after recording "Reflection", the theme song for the animated film Mulan (1998).
In 1999, Aguilera came to prominence following her debut album Christina Aguilera, which was a commercial success spawning three number one singles on the Billboard Hot 100—"Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby (All I Want Is You)." Her sophomore and her debut Latin-pop album, Mi Reflejo (2000), a Christmas third studio album, My Kind of Christmas (2000), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image. After parting from her management, Aguilera took creative control over her fourth studio album, Stripped (2002). The album's second single, "Beautiful", was a commercial success and helped the album's commercial performance amidst controversy over Aguilera's image. Aguilera followed up Stripped with the soul, jazz and blues inspired, Back to Basics (2006), released to positive critical acclaim. The album produced three singles "Ain't No Other Man", "Hurt" and "Candyman". Four years later Aguilera released her sixth studio album, Bionic (2010), which incorporated aspects of R&B, electropop, and synthpop and was met with mixed reviews and low sales. Aguilera's seventh studio album is set to be released in 2012.
Lethal Bizzle, also known as Lethal Big Lips. (born Maxwell Ansah, 14 September 1984 in Walthamstow, London, England), is a Ghanaian British rapper. His songs are known to satirise modern gangsta rap; much of the humour comes from the adoption of hip-hop style and language. In December 2004, he released the single "Pow (Forward)", also known as "Forward Riddim" which was banned from airplay by some mainstream radio stations.[citation needed] It entered the UK Singles Chart at number 11 in its first week on the chart in 2005, and it reached number one on the UK Dance Chart. He won a MOBO for "Pow (Forward)" as 'Best Single', and was nominated at the same awards as 'Best Newcomer'.
Earlier he was a part of the group More Fire Crew. In 2002, their track "Oi!" reached the Top 10 of the UK Singles Chart. In early July 2005, Lethal Bizzle appeared on stage at the final Live 8 concert in Edinburgh and was a part of the NME Rock N Roll Riot Tour in 2007.
He was number five in the NME Cool list 2007/2008 beating Amy Winehouse, Pete Doherty and Alex Turner.
Friends say it's fine, friends say it's good
Everybody says it's just like Robin Hood
I move like a rat, talk like a cat, sting like a bee
Babe i'm gonna be your man
And it's plain to see you were meant for me, yeah
I'm your toy Your twentieth century boy
Friends says it's fine, friends says it's good
Everybody says it's just like Robin Hood
Fly like a plane, drive like a car, hold out your hand
Babe i'm gonna be your man
And it's plain to see you were meant for me, yeah
I'm your boy Your twentieth century toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Friends say it's fine, friends say it's good
Everybody says it's just like Rock 'n' roll
I move like a cat, talk like a rat, sting like a bee
Babe i'm gonna be your man
And it's plain to see you were meant for me, yeah
I'm your toy Your twentieth century boy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
I'll pull my covers off my lady in the night,
To see the cold reaction when she realises actions I've taken,
To start conversation.
They tell me hope that really pulls the strings the most,
Clever little words from the boring little boy in the corner,
We love one another.
I never asked you to come here,
And no one asked you to come here,
They're saying words people don't wanna hear,
We don't wanna hear,
We don't wanna hear,
So stop shouting.
A piece of mind it carries tension up the stream,
The truth can pierce a hole right through the dingy little boat you sailed in on,
And the one you'll go down on.
Oh what an awful way to throw away the day,
Your season is colliding with the evil massive things you're providing,
No way you can hide in.
No one asked you to come here,
No one asked you to come here,
They're saying words that we don't wanna hear,
We don't wanna hear,
We don't wanna hear,
So stop shouting.
I never asked you to come here,
And no one asked you to come here,
They're saying things that we don't wanna hear,
We don't wanna hear
We don't wanna hear
We don't wanna hear
We don't wanna hear
We don't wanna hear
We don't wanna hear
We don't wanna hear
Exceptions are creative in your sister's way,
Your mother won't approve of these newfound days,
Think of no one but your little selfish mind,
And always think of no one.
I pull my covers off my lady in the night,
To see the cold reaction when she realises actions I've taken,
To start conversation,
I'd rather stay in bed all day.
In bed with you lying closely right by my side.
With no one to make us take one step outside.
Under the covers with you.
I'd rather pull the sheets over our heads.
So we wouldn't have to face the day, no way.
I've been kicking back
somehow i've been finding distractions everywhere
but in the end there's so much
so much else i feel that i must devour
i wrote a song, a melody, don't pull the covers over me
i wrote a song, a melody, don't pull the covers over me
maybe i wake up and feel off-kilter
on the wrong path to some dead end
but that isn't all
i protest my right to make my own mistakes
i wrote a song, a melody, don't pull the covers over me
i wrote a song, to tale or leave
what more do you want from me?
it even fed a need in me
I been warped by the rain, driven by the snow
I'm drunk and dirty don't ya know, and I'm still, willin'
Out on the road late at night, Seen my pretty Alice in
every head light
Alice, Dallas Alice
I've been from Tuscon to Tucumcari
Tehachapi to Tonapah
Driven every kind of rig that's ever been made
Driven the back roads so I wouldn't get weighed
And if you give me: weed, whites, and wine
and you show me a sign
I'll be willin', to be movin'
I've been kicked by the wind, robbed by the sleet
Had my head stoved in, but I'm still on my feet and I'm
still... willin'
Now I smuggled some smokes and folks from Mexico
baked by the sun, every time I go to Mexico, and I'm
still
And I been from Tuscon to Tucumcari
Tehachapi to Tonapah
Driven every kind of rig that's ever been made
Driven the back roads so I wouldn't get weighed
And if you give me: weed, whites, and wine
and you show me a sign
I'll be willin', to be movin
I was born into a scene
of angriness and greed,
and dominance and persecution.
My mother was a queen,
my dad I've never seen,
I was never meant to be.
And now I spend my time
looking all around,
For a man
that's nowhere to be found.
Until I find him
I'm never gonna stop searching,
I'm gonna find my man,
gonna travel around.
Chorus:
'Cos I'm a wrathchild,
well I'm a wrathchild.
Yeah I'm a wrathchild.
I'm coming to get you, oooh yeah.
Say it doesn't matter
ain't nothin' gonna alter
the course of my destination.
I know I've got to find
some serious piece of mind,
or I know I'll go crazy.
But now I spend my time
looking all around,
For a man
thats nowhere to be found.
Until I find him
I'm never gonna stop searching,
I'm gonna find my man,
gonna travel around.
Chorus
You give me the reason.
You give me control.
I gave you my Purity.
My Purity you stole.
Did you think I wouldn't recognize this compromise.
Am I just too stupid to realize.
Stale incense old sweat and lies lies lies
You give me the anger.
You give me the nerve.
Carry out my sentence.
While I get what I deserve.
I'm just an effigy to be disgraced.
To be defaced.
Your need for me has been replaced.
And if I can't have everything well then just give me a
taste.
It comes down to this.
Your kiss.
Your fist.
And your strain.
It get's under my skin.
Within.
Take in the extent of my sin
Tell me why baby, why baby, why baby why
You'd make me cry baby, cry baby, cry baby
I can't help but love you 'til the day that I die
Tell me, why baby, why baby, why baby why
Well I got a crow I wanna pick on you
Just like last time when the feathers flew
You're out there honky tonkin', kickin' up your heels
Leavin' me at home with a hand full of bills
Can't live without you and you know it's true
But there's no livin' with you so what'll I do
I'm goin' honky tonkin', gettin' drunk as I can
Maybe by then you'll 'preciate a good man
(that's what I plan)
Tell me why baby, why baby, why baby why
You make me cry baby, cry baby, cry baby cry
I can't help but love you 'til the day that I die
Tell me why baby, why baby, why baby why
(tell me why)
Well, I've caught you honky tonkin' with my best friend
The thing to do was leave you, and I should'a left then
Love you so much, but I still get sore
When you come home a-feedin' for the knob on the door
I don't know, but I've heard say
Ever' little dog is a-gonna have his day
You'd better pay attention, don't you dare forget
'Cause I'm just a little bitty puppy dog yet
Tell me why baby, why baby, why baby why
You make me cry baby, cry baby, cry baby
I can't help but love you 'til the day that I die
Tell me, why baby, why baby, why baby why
(tell me why)
Thank you