Bespoke (English pronunciation: /biˈspoʊk/ ( listen)) is a British English word meaning an item made to a buyer's specification (personalized or tailored). While it is applied to many items, including computer software and luxury cars, the term historically was applied only to men's tailored clothing, footwear and other apparel, implying measurement and fitting.

The distinguishing points of bespoke tailoring are the buyer's total control over the fabric used, the features and fit, and the way the garment should be made. More generally, "bespoke" describes a high degree of "customization", and involvement of the end-user, in the production of the goods.

"Bespoke" is rarely used in any context in other varieties of English^{[citation needed]}, which usually prefer terms such as "tailor-made" or "customized".

The word bespoke itself is derived from the verb to bespeak, to "speak for something", in the specialized meaning "to give order for it to be made". The term bespoke in fashion is reserved for individually patterned and crafted men's clothing, analogous to women's haute couture, in contrast with mass manufactured ready-to-wear (also called off-the-peg or off-the-rack).

Jack Clayton (1 March 1921 – 26 February 1995) was a British film director, who specialised in bringing literary works to the screen.

A native of East Sussex, Clayton started his career as a child actor on the 1929 film Dark Red Roses. He later worked for Alexander Korda's Denham Film Studios and rose from tea boy to assistant director to film editor.

While in service with the Royal Air Force during World War II, Clayton shot his first film, the documentary Naples is a Battlefield (1944), representing the problems in the reconstruction of Naples, the first great city liberated in World War II, ruined after Allied bombing and destruction caused by the retreating Nazis. After the war Clayton became an associate producer on many of Korda's films, then directed the Oscar-winning short The Bespoke Overcoat (1956) based on Wolf Mankowitz's theatrical version (1953) of Nikolai Gogol's short story The Overcoat (1842). In this film Gogol's story is re-located to a clothing warehouse in the East End of London and the ghostly protagonist is a poor Jew.