Plot
Bharat's teenage harmonies are driving him crazy. He is being bombarded with sexy images and can't seem to get a break. When he hears of a movie being played at a porn theater in the next town, he cannot stop himself. Rosy Theatre, Kanapur tells the story of Bharat's adventures and the interesting characters he meets as he tries to overcome the obstacles to see his first porn film.
Plot
When rivalry between the world's best men's figure skaters - sex addicted, improvisational Chazz Michael Michaels and germophobic, precise Jimmy MacElroy - breaks into a fight on the awards platform, they're banned from the event for life. Three years later, desire for a gold medal and a careful reading of the rules lead them to compete as skating's first male-male pair. Can they overcome mutual dislike, limited time to prepare, their coach's secret past, and the dirty tricks of their main opponents, the Van Waldenberg siblings? The key to victory or defeat may lie in the attraction of the virginal Jimmy toward Katie, the Van Waldenbergs' little sister.
Keywords: adoption, anchorman, arcade, arena, athlete, bar, bathroom, bear-rug, billionaire, boy
Kick Some Ice
Jimmy: So, Coach, I was thinking about the music for our routine.::Coach: Oh, really?::Chazz: We're gonna dance to one song, and one song only: "Lady Humps" by the Blackeyed Peas. "What you gonna do with all that junk, all that junk inside your trunk? I'm a get you, get you drunk, get you drunk off my lady humps, my humps, my humps, my lovely lady humps."::Jimmy: [disgusted] I'm not skating to anything with references to lady humps. I don't even know what that means.::Chazz: No one knows what it means, but it's provocative...::Jimmy: No, it's not, it's gross...::Chazz: ...It gets the people going!
Hector: I totally want to cut off your skin and wear it to my birthday... It's coming up...
Chazz: No exaggeration, I could not love a human baby more then I love this brush.
Chazz: This guy could not hold my jock sweat.::Jimmy: I could hold it all day long, try me!::Chazz: Maybe I will.::Jimmy: Maybe you should.::Chazz: You challenging me, princess?::Jimmy: I'm not inviting you to the Skating Federation's annual Christmas party.::Chazz: Then bring it on!::Jimmy: It is on!
Jimmy: Get out of my face.::Chazz: I'll get inside your face.
Chazz: [while Jimmy is giving a speech] That's retarded
Jimmy: I see you got fat.::Chazz: I see you still look like a fifteen year old girl, but not hot.
Jimmy: Watch my icy hot super slide.::Chazz: Do it.
Hector: [to Jimmy after he's told him of a loophole in the rules of competitive figure skating that will allow him to skate again] I'm still going to kill you someday.
Coach: You're the girl.::Jimmy: What?::Chazz: You're my pretty lady, MacElroy.::Jimmy: Wait, why?::Coach: Because you whine like one!::[turns to Chazz]::Coach: And no one can lift your fat ass, you're on a diet starting now.
Shades of Jean-Luc Godard and Peter Wolfen! A new, New Wave retelling the same ol' love affair.
Stone Fury: Carson Daly is a pussy!
Mole: Perry knocked over the table.
Stone Fury: Why won't you shake my hand?::Roman Polanski: I'm getting over this virus.
Big Lou: Unleash the fury.
Stone Fury: When I used to get in fights with kids back in school, I used to tweak my left eye... and it meant you're gonna die.::Mole: So you killed people?
Big Lou: Hey, the Jew just hacked ya.
The Director: And then, of course, we have our Perry.::Stone Fury: The little fridge!
Stone Fury: I'm not a fag, I'm homophobic, I hate fags.
Stone Fury: The experience of being in my first big Hollywood scene was an experience. I liked it, I thought it was cool. Ummmmm, being thrown in the manure is a different story you know. But there again to make it more real. Boom. You gotta take the shit before you really experience the bullshit or whatever. If you know what I am saying.
Stone Fury: You mean I'm gonna walk out of this effin trailer, onto set, in that and in this? In the rain?::Gay Costume Designer: Do you need an umbrella?::Stone Fury: Yah!::Gay Costume Designer: Could you spread it a little bit? Give me a canyon to work with.
Plot
A series of loosely connected skits that spoof news programs, commercials, porno films, kung fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
Keywords: 1950s, 1970s, 555-phone-number, absurd-humor, actor-playing-multiple-roles, alarm, answering-machine, army, arrow-in-chest, astrology
This movie is totally out of control!
[Master Klahn decapitates a prisoner]::Klahn: Now take him to be tortured!
Argon Spokesman: Here at our multi-billion dollar refinery in Fairbanks, we're extracting 2.5 billion barrels of crude oil each day from teenagers' faces.
Pennington: This is Butkus, Klahn's bodyguard. He is tough and ruthless. This is Kwong, Klahn's chauffeur. He is rough and toothless.
[first lines]::Newscaster: The popcorn you are eating has been pissed in. Film at eleven.
[last lines]::Newscaster: I'm not wearing any pants. Film at eleven.
Newscaster: Moscow in flames, missiles headed toward New York. Film at eleven.
The Nurse: Leave her... come back to Montana with me.::The Architect: I could no sooner run away from her than myself.::The Nurse: I'm not asking you to run, I'm asking you to face reality!::The Architect: Whose reality, yours or mine?::The Nurse: My reality AND yours, that's whose!::The Architect: What are you saying?::The Nurse: Leave her! Come back to Montana with me!::The Architect: I could no more run away from her than I could run away from myself!::The Nurse: I'm not asking you to run, I'm asking you to face reality!::The Architect: Whose reality, yours or mine?::The Nurse: MY reality AND yours, that's whose!::The Architect: What are you saying?
Narrator: Never before has the beauty of the sexual act been so crassly exploited!
[a woman is worried about the smell of her home as guests arrive]::1st guest: Fish for dinner last night?::2nd guest: Phewww... Harvey still smoking those cigars?::3rd guest: CHRIST! Did a cow shit in here?
Narrator: Brutal! Savage! Beyond Perversion!
Plot
Proud father Stanley Banks remembers the day his daughter, Kay, got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way.
Keywords: 1950s, based-on-novel, breaking-the-fourth-wall, bride, brother-sister-relationship, caterer, catering, chaos, church-wedding, dream-sequence
You're invited . . . to a hilarious wedding !
The Bride gets the THRILLS! Father gets the BILLS!
M-G-M Announces the Event of the Season!
Stanley T. Banks: Who giveth this woman? "This woman." But she's not a woman. She's still a child. And she's leaving us. What's it going to be like to come home and not find her? Not to hear her voice calling "Hi, Pops" as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.
Stanley T. Banks: You fathers will understand. You have a little girl. She looks up to you. You're her oracle. You're her hero. And then the day comes when she gets her first permanent wave and goes to her first real party, and from that day on, you're in a constant state of panic.
Stanley T. Banks: I would like to say a few words about weddings. I've just been through one. Not my own. My daughter's. Someday in the far future I may be able to remember it with tender indulgence, but not now. I always used to think that marriages were a simple affair. Boy meets girl. Fall in love. They get married. Have babies. Eventually the babies grow up and meet other babies. They fall in love. Get married. Have babies. And so on and on and on. Looked at that way, it's not only simple, it's downright monotonous. But I was wrong. I figured without the wedding.
Ben Banks: Can't be June. I've got my final. Why not May?::Ellie Banks: May's too early.::Tommy Banks: July's out. I'm going to camp.::Kay Banks: This isn't a kids party. It's my wedding and my friends.::Stanley T. Banks: Ellie, what did you mean by?::Kay Banks: No one has to raise a finger. When the time comes, I'll do everything. And I mean everything.::Ellie Banks: I can imagine that.::Ben Banks: I'm not going.::Kay Banks: Listen! I don't care if you come or not!
Ellie Banks: Oh, Stanley. I don't know how to explain. A wedding. A church wedding. Well it's, it's what every girl dreams of. A bridal dress, the orange blossoms, the music. It's something lovely to remember all the rest of her life. And something for us to remember too.
Stanley T. Banks: No one paid any attention to the orchestra. Ellie could have saved that 85 bucks!
Stanley T. Banks: Right then I knew we'd lost her. She'll always love us of course, but not in the old way. From now on her love will be handed out like a farmer's wife tossing scraps to the family rooster.
Ellie Banks: Stanley! You don't have to shout! Nobody's deaf! It's mortifying with [indicates Delilah in the kitchen] in there!
Patrick Michael 'Don Juan' Quilligan: Now how can I get mixed up with girls when I'll be in the U.S. Navy?::'Mac' MacDenny: It's been done, Captain, believe me, it's been done.
Plot
The Our Gang Kids set up a combine in order to enter Alfalfa, the star crooner, in an amateur contest at the local radio station. Spanky is the manager and Darla, Buckwheat, Porky and Gary make up his staff. But Butch, a violin virtuoso and big-time bully, plans on winning the contest, and intimidates Spanky into trying to convince his client to withdraw from the competition. Alfalfa wins with his rendition of "Just an Echo in the Valley," while Spanky ends up with a black-eye, courtesy of Butch, but gives Bully Butch two in return. Heard, while the boys are listening to the contest on the radio, are the voices of Marvin Hartley singing "Honolulu Baby" from "Mike Fright", and Olive Brasco's rendition of "The Ice Cream Song" from "Shrimps for a day."
Keywords: 1930s, amateur, amateur-contest, americana, archive-footage, barn, black-eye, bully, business-manager, children
Usher Terry Raymond IV (born October 14, 1978), who performs under the mononym Usher, is an American singer, songwriter, dancer, and actor. Usher rose to fame in the late 1990s with the release of his second album My Way, which spawned his first Billboard Hot 100 number-one hit, "Nice & Slow". The album has been certified 6-times platinum by the RIAA. His follow-up album, 8701, produced the Billboard Hot 100 number one hits "U Remind Me" and "U Got It Bad". The album has been certified 4-times platinum by the RIAA.
Usher's 2004 album Confessions sold over 10 million copies in the United States, and been certified diamond by the RIAA. Confessions has the highest first week sales for an R&B artist in history. It spawned four consecutive Billboard number-one hits—"Yeah!", "Burn", "Confessions Part II", and "My Boo". Usher's 2008 album Here I Stand sold over 5 million copies worldwide, and its lead single "Love In This Club" peaked at number-one on the Billboard Hot 100.
On March 30, 2010, Usher released his sixth studio album Raymond v. Raymond, which became his third consecutive album to debut at number one on the US Billboard 200 chart. It has been certified platinum by the RIAA, and spawned another Billboard Hot 100 number-one hit "OMG". The song became his ninth number one in the United States, making him the first 2010s artist to collect number one singles in three consecutive decades. He later released an extended play and deluxe edition of "Raymond v. Raymond", entitled Versus, which debuted at number four on the Billboard 200 chart. Its lead single "DJ Got Us Fallin' In Love" reached number four on the Billboard Hot 100.