Plot
The Philosophers' Football Match is a Monty Python sketch depicting a football match in the Olympiastadion at the 1972 Munich Olympics between philosophers representing Greece and Germany. Starring in the sketch are Archimedes (John Cleese), Socrates (Eric Idle), Hegel (Graham Chapman), Nietzsche (Michael Palin), Marx (Terry Jones) and Kant (Terry Gilliam).
Keywords: football, nietzsche, philosophy
Georg Wilhelm Friedrich Hegel (German pronunciation: [ˈɡeɔɐ̯k ˈvɪlhɛlm ˈfʁiːdʁɪç ˈheːɡəl]) (August 27, 1770 – November 14, 1831) was a German philosopher, one of the creators of German Idealism. His historicist and idealist account of reality as a whole revolutionized European philosophy and was an important precursor to Continental philosophy and Marxism.
Hegel developed a comprehensive philosophical framework, or "system", of Absolute idealism to account in an integrated and developmental way for the relation of mind and nature, the subject and object of knowledge, psychology, the state, history, art, religion and philosophy. In particular, he developed the concept that mind or spirit manifested itself in a set of contradictions and oppositions that it ultimately integrated and united, without eliminating either pole or reducing one to the other. Examples of such contradictions include those between nature and freedom, and between immanence and transcendence.
Hegel influenced writers of widely varying positions, including both his admirers (Strauss, Bauer, Feuerbach, T. H. Green, Marx, Engels, Vygotsky, F. H. Bradley, Dewey, Sartre, Croce, Küng, Kojève, Fukuyama, Žižek, Brandom, Iqbal) and his detractors (Schopenhauer, Herbart, Schelling, Kierkegaard, Stirner, Nietzsche, Peirce, Popper, Russell, Heidegger). His influential conceptions are of speculative logic or "dialectic", "absolute idealism", "Spirit", negativity, sublation (Aufhebung in German), the "Master/Slave" dialectic, "ethical life" and the importance of history.
Peter Albert David Singer (born 6 July 1946) is an Australian philosopher who is the Ira W. DeCamp Professor of Bioethics at Princeton University and Laureate Professor at the Centre for Applied Philosophy and Public Ethics at the University of Melbourne. He specialises in applied ethics and approaches ethical issues from a secular, preference utilitarian perspective.
He has served, on two occasions, as chair of philosophy at Monash University, where he founded its Centre for Human Bioethics. In 1996, he unsuccessfully stood as a Greens candidate for the Australian Senate. In 2004, he was recognised as the Australian Humanist of the Year by the Council of Australian Humanist Societies. He has been voted one of Australia's ten most influential public intellectuals. Singer serves on the Advisory Board of Incentives for Global Health, the NGO formed to develop the Health Impact Fund proposal.
Outside academic circles, Singer is best known for his book Animal Liberation, widely regarded as the touchstone of the animal liberation movement. Not all members of the animal liberation movement share this view, and Singer himself has said the media overstates his status. His views on that and other issues in bioethics have attracted attention and a degree of controversy.
Rick Roderick (1949–2002) was an American professor of philosophy, best known for his lectures for The Teaching Company.
Roderick was born in Abilene, Texas, son of (by his own description) a "con-man" and a "beautician". He was a teacher of philosophy at several universities, where he was much revered by many students for a socratic style of teaching combined with a brash and often humorous approach. His breakthrough into wider circles came with his engagement with The Teaching Company where he recorded several memorable lecture series. Rick Roderick died in 2002 from a congestive heart condition.
Roderick first studied communication (self-admittedly in order to focus on anti-establishment student and anti-war activities), but moved after a few years towards philosophy. He received his B.A. at the University of Texas at Austin, did post-graduate work at Baylor University and finally earned his Ph.D. at the University of Texas.
Since 1977, Professor Roderick taught at Baylor University, the University of Texas, Duke University and National University in Los Angeles. He was the recipient of the Oldright Fellowship at the University of Texas and served as associate editor to The Pawn Review and Current Perspectives in Social Theory. Dr. Roderick was the editor of the Baylor Philosophy Journal and a member of the Phi Sigma Tau National Honor Society of Philosophy. He presented more than 25 papers, and published 13 reviews and literary criticisms, as well as numerous articles in professional journals.
Slavoj Žižek (pronounced [ˈslavoj ˈʒiʒɛk]; born 21 March 1949) is a Slovenian philosopher and cultural critic working in the traditions of Hegelianism, Marxism and Lacanian psychoanalysis. He has made contributions to political theory, film theory and theoretical psychoanalysis.
Žižek is a senior researcher at the Institute of Sociology University of Ljubljana, Slovenia, and a professor at the European Graduate School. He has been a visiting professor at, among others, the University of Chicago, Columbia University, London Consortium, Princeton University, New York University, The New School, the University of Minnesota, the University of California, Irvine and the University of Michigan. He is currently the International Director of the Birkbeck Institute for the Humanities at Birkbeck, University of London and president of the Society for Theoretical Psychoanalysis, Ljubljana.
Žižek uses examples from popular culture to explain the theory of Jacques Lacan and uses Lacanian psychoanalysis, Hegelian philosophy and Marxist economic criticism to interpret and speak extensively on immediately current social phenomena, including the current ongoing global financial crisis. In a 2008 interview with Amy Goodman on the New York City radio show Democracy Now! he described himself as a "communist in a qualified sense" and in another appearance on the show in October 2009 he described himself as a "radical leftist".
Oskar Negt (German pronunciation: [ˈneːkt]; born August 1, 1934 in Kapkeim, East Prussia) is a philosopher and social theorist in the tradition of critical theory. He is Professor of Sociology at the Universität Hannover.
He studied law and philosophy in the University of Göttingen and the University of Frankfurt am Main as a student of Theodor Adorno, and was an assistant of Jürgen Habermas at the Universität Hannover.
Hey, hey Julia, you're acting so peculiar
I know I'd never fool you in a million years
A horn section you resemble and your figure makes me tremble
And I sure would like to handle what's between your ears
And you're a temptation to a man
And I could not resist you and I won't if I can
You're so unexpected and whatever you injected
Made me feel how I felt when I sang
Hey, hey Julia you're acting so peculiar
I know I'd never fool you in a million years
You're a strain on my eyeses and you're full of surprises
Love materializes soon as you come near
There's a sensation you create
Robs me off my sleep and I've forgotten the date
My head started spinning soon as you started singing
And like a fish I just froze to the bait
Hey, hey Julia with your crazy sense of humor
You turn fact into rumor soon as you come near
A horn section you resemble and your figure makes me tremble
And I sure would like to handle what's between your ears
You're a temptation to a man
And I could not resist you and I won't if I can
You're so unexpected and whatever you injected
Made me feel how I felt when I sang
Julia, you're a danger just like giving sweets to strangers
Working all day for a mean little man
With a clip-on tie and a rub-on tan
He's got me running 'round the office like a dog around a track
But when I get home,
You're always there to rub my back
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through without you around
Hours on the phone making pointless calls
I got a desk full of papers that means nothing at all
Sometimes I catch myself staring into space
Counting down the hours 'til I get to see your face
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through with out you around
No, I'd never make it through with out you around
How did it come to be
That you and I must be
Far away from each other every day?
Why must I spend my time
Filling up my mind
With facts and figures that never add up anyway?
They never add up anyway
Working all day for a mean little guy
With a bad toupee and a soup-stained tie
He's got me running 'round the office
Like a gerbil on a wheel
He can tell me what to do
But he can't tell me what to feel
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through with out you around
No, I'd never make it through without you around
HOW'YA JULIA
(Moran/Carton)
How ya Julia, how ya Julia
How ya Julia, did ya hear about yer one
How ya Julia, how ya Julia
How ya Julia, did ya hear about yer one
Did you see yer one with Gay-bo, talkin' on the Late,
Late Show
She was tellin' us about the things that happened long
How she loved the bishop and he loved her just as well
Only God knows will he go to Heaven or to Hell
He helped the starvin' millions and he got them food to
And the homeless Irish immigrants are livin' on the
street
And when it came to singin' his repertoire was vast
He swore that he'd be celibate he slipped and broke his
fast
Chorus:
Mighty, mighty, Lord almighty, off with the collar, off
with the nightie
Jesus, Mary and Holy Saint Joseph, the beads are
rattlin' now
Mighty, mighty, Lord almighty, off with the collar, off
with the nightie
Jesus, Mary and Holy Saint Joseph, the beads are
rattlin' now
Now when he was up in Galway takin' in the church
collection
His lover must be busy writing down her recollections
Like was the poodle black or white and did the moon
come out
I'll have to read this thing meself and find this
matter out
When you think about his logic sure its cars that come
to mind
Like the way he drove his Lancia to get to church on
time
A twenty four hour ****** job I did one down in Tuam
He wasn't such a slow coach when he got her in the room
Mighty, mighty, Lord almighty, off with the collar, off
with the nightie
Jesus, Mary and Holy Saint Joseph, the beads are
rattlin' now
Mighty, mighty, Lord almighty, off with the collar, off
with the nightie
Jesus, Mary and Holy Saint Joseph, the beads are
rattlin' now
Oh the blind and faithful followers are worried and
distraught
And the only thing that's botherin' them is that the
poor man he got caught
Chorus
Must be funny in the morning he'd be doin' the
consecration
After nights of long and passionate, unbridled
fornication
Sittin' in the chapel attendin' exposition
Dreaming Karma Sutra and his favorite position
How ya Julia, how ya Julia
How ya Julia, did ya hear about yer one
How ya Julia, how ya Julia
How ya Julia, did ya hear about yer one
Working all day for a mean little man
With a clip-on tie and a rub-on tan
He's got me running 'round the office like a dog around a track
But when I get back home,
You're always there to rub my back
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through without you around
And I'd never make it through without you around
Hours on the phone making pointless calls
I got a desk full of papers that means nothing at all
Sometimes I catch myself staring into space
Counting down the hours 'til I get to see your face
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through without you around
No, I'd never make it through without you around
How did it come to be
That you and I must be
Far away from each other every day?
Why must I spend my time
Filling up my mind
With facts and figures that never add up anyway?
They never add up anyway
Working all day for a mean little guy
With a bad toupee and a soup-stained tie
He's got me running 'round the office
Like a gerbil on a wheel
He can tell me what to do
But he can't tell me what to feel
Hey Julie,
Look what they're doing to me
Trying to trip me up
Trying to wear me down
Julie, I swear, it's so hard to bear it
And I'd never make it through without you around
No, I'd never make it through without you around