Papermaking is the process of making paper, a substance which is used universally today for writing and packaging.

In papermaking a dilute suspension of fibers in water is drained through a screen, so that a mat of randomly interwoven fibres is laid down. Water is removed from this mat of fibers by pressing and drying to make paper. Since the invention of the Fourdrinier machine in the 19th century, most paper has been made from wood pulp because of cost. But other fibre sources such as cotton and textiles are used for high-quality papers. One common measure of a paper's quality is its non-woodpulp content, e.g., 25% cotton, 50% rag, etc.

Papermaking is known to have been traced back to China about 105 CE, when Cai Lun, an official attached to the Imperial court during the Han Dynasty (202 BCE-220 CE), created a sheet of paper using mulberry and other bast fibres along with fishnets, old rags, and hemp waste. However a recent archaeological discovery has been reported from Gansu province of paper with legible Chinese writings on it dating from 8 BCE, while paper had been used in China for wrapping and padding since the 2nd century BCE. Paper used as a writing medium became widespread by the 3rd century, and by the 6th century toilet paper was starting to be used in China as well. During the Tang Dynasty (618-907 CE) paper was folded and sewn into square bags to preserve the flavor of tea, while the later Song Dynasty (960-1279 CE) was the first government on Earth to issue paper-printed money.

Charles Thomas "Chuck" Close (born July 5, 1940) is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors.

Close was born in Monroe, Washington. His father died when he was eleven years old. Most of his early works are very large portraits based on photographs (Photorealism or Hyperrealism technique) of family and friends, often other artists. In an interview with Phong Bui in The Brooklyn Rail, Close describes an early encounter with a Jackson Pollock painting at the Seattle Art Museum: "I went to the Seattle Art Museum with my mother for the first time when I was 11. I saw this Jackson Pollock drip painting with aluminum paint, tar, gravel and all that stuff. I was absolutely outraged, disturbed. It was so far removed from what I thought art was. However, within 2 or 3 days, I was dripping paint all over my old paintings. In a way I’ve been chasing that experience ever since."