Zero-marking in English is the indication of a particular grammatical function by the absence of any morpheme (word, prefix, or suffix). The most common types of zero-marking in English involve zero articles, zero relative pronouns, and zero subordinating conjunctions. Examples of these are I see cats (where the absence of the definite article the signals that cats is an indefinite reference whose specific identity is not known to the listener), that's the cat I saw, in which the relative clause (that) I saw omits the implied relative pronoun that that would be the object of the clause's verb, and I wish you were here, in which the dependent clause (that) you were here omits the subordinating conjunction that.

In some varieties of English, grammatical information that other English varieties typically express with grammatical function words or bound morphemes may be omitted. For example, where most varieties of English utilize explicit plural morphemes (e.g. singular mango versus plural mangoes), West Indian creole speakers refer to plural objects without such morphology (I find one dozen mango.).^[1]

The lack of marking to show grammatical category or agreement is known as zero-marking or zero morpheme realization.^[2] This information is typically expressed with prepositions, articles, bound morphemes or function words in other varieties of English.

Zero article[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2009)

The zero article is the omission of the article the or a(n). English omits the article before a noun if the noun is a mass noun or a plural, either in an indefinite reference or in a definite but generic reference. For example:

• indefinite mass noun: I drink coffee
• definite generic mass noun: Happiness is contagious
• indefinite plural noun: I saw cars
• definite generic plural noun: Cars have accelerators

In English, the zero article rather than the indefinite article is often used with plurals and mass nouns (although the word "some" can be used as an indefinite plural article):

• Visitors usually end up walking in mud.

The definite article is sometimes omitted before words such as prison, school, bed, and (in standard non-American dialects) hospital, hence:

• She is in hospital.
• He went to prison.
• They went to bed.
• I'm going to school.

when this is a generalisation rather than a specific location.

Where a particular location is meant, then the definite article is used, namely

• He was taken to the prison.
• She was collected from the hospital.
• We were jumping on the bed.

In some nonstandard forms of British English, the is omitted in places that standard English has it, leading to sentences such as:

• I'm going to shop. (I'm going to the shop)
• I'm driving down road. (I'm driving down the road)

It's possible to discern, for example, in Lancashire and Yorkshire English accents a minuscule pause in place of the definite article. Often there is a slight staccato on the preceding word. That is, to is reduced to a simple t or tuh. Thus, "Am going tuh _ pub", or "Am going __ pub" where to is entirely replaced by a pause or a glottal stop. The "t" sound may also be appended to the preceding word even if the pause is present.

The zero article is also used in instructions and manuals. In such cases, the articles in a text are all definite, and thus no distinction between definite and indefinite has to be made.

• Grasp drumstick. Place knife between thigh and body; cut through skin to joint. Remove leg by pulling out and back. Separate thigh and drumstick at joint.^[3]

Zero relative pronoun[link]

English can omit the relative pronoun from a dependent clause in two principal situations: when it stands for the object of the dependent clause's verb, and when it stands for the object of a preposition in the dependent clause. For example:

• "That's the car I saw" (="That's the car that I saw")
• "That's the thing I'm afraid of" (="That's the thing of which I'm afraid")

Furthermore, English has a type of clause called the reduced object relative passive clause, exemplified by

• "The horse raced past the barn fell" (="The horse that was raced past the barn fell")

Here both the relative pronoun "that" and the passivizing auxiliary verb "was" are omitted. This type of clause can cause confusion on the part of the reader or listener, because the subordinate-clause verb ("raced") appears in the usual location of the main-clause verb (immediately after the subject of the main clause). However, this confusion cannot arise with an irregular verb having a past participle that differs from the past tense, as in

• "The horse taken past the barn fell" (="The horse that was taken past the barn fell")

Zero subordinating conjunction[link]

Often the subordinating conjunction that is optionally omitted, as in

• "I wish you were here" (="I wish that you were here")

in which the dependent clause (that) you were here omits the subordinating conjunction that.

Zero pronoun in imperative[link]

Like many languages, English usually uses a zero pronoun in the second person of the imperative mood, as in

• "Go now"

which also is occasionally expressed with the pronoun explicit (You go now).

Zero prepositions[link]

This unreferenced section requires citations to ensure verifiability.

Zero at refers to the nonstandard deletion of "at", at a place in a sentence where standard English has it, leading to sentences like this:

• "Meet me five" (meet me at five)
• "We were eating the restaurant" (we were eating at the restaurant)
• "I'll be the store" (I'll be at the store)

Zero to is the nonstandard absence of the word "to" in places where standard English has it leading to sentences like this:

• "I set the clothes out dry" (I set the clothes out to dry)

Zero of refers to the nonstandard deletion of "of" in places where it exists in standard English leading to sentences like this:

• "I have a box chocolates" (I have a box of chocolates)
• "They had a piece pie" (they had a piece of pie)

Other zero-marked forms[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2009)

Zero do is the nonstandard absence of the word "do" or "did" in African American Vernacular English in some places where standard English has it, leading to sentences like this:

• "What you hit me for?" (What did you hit me for?)
• "How much those flowers cost?" (How much do those flowers cost?)

Zero if refers to the nonstandard deletion of "if" where standard English has it, leading to sentences like this:

• "You'll get there on time you hurry up" (you'll get there on time if you hurry up)

Zero past marking is the absence of the past marker "ed" occurring in some nonstandard dialects of English, such as Caribbean English. Instead of an ending, the past is dealt with in other ways. The feature leads to sentences like this:

• "Yesterday, I watch television.
• "I had pass the test.

Zero plural marking is the absence of the plural markers "s" and "es" occurring in some nonstandard dialects of English, such as Caribbean English. The plural is instead marked by an article or number. This leads to sentences like:

• "I have two cat" (I have two cats)

In grammar, zero plural also refers to the irregular plural where the singular form and the plural form are the same i.e. I have one sheep OR I have two sheep.^[4]

Zero possessive marking is the absence of the possessive marker "'s" in some nonstandard varieties of English, such as African American Vernacular English leading to sentences like:

• "I went to my father house" (I went to my father's house)

Zero third person agreement is the absence of the third person forms of verbs ending in "s" and "es" occurring in some nonstandard dialects of English, such as African American Vernacular English. This feature is widely stigmatized as being a solecism.

See also[link]

• Null morpheme
• PRO (linguistics)
• Zero (linguistics)

References[link]

1. ^ Freeborn, Dennis (1993), Varieties of English, London: The MacMillan Press 
2. ^ Langacker, Ronald W. (1972), Fundamentals of Linguistic Analysis, New York: Harcourt Brace Jovanovich 
3. ^ Explaining English Grammar. George Yule. Oxford University Press, 1998. ISBN 0-19-437172-7. p. 333
4. ^ Determinants of grammatical variation in English. Günther Rohdenburg and Britta Mondorf. Walter de Gruyter, 2003. ISBN 3-11-017647-5. p. 9

Robbie Rivera
Robbie Rivera at Winter Music Conference 2009
Background information
Birth name	Roberto Rivera
Born	(1973-08-07) August 7, 1973 (age 38) San Juan, Puerto Rico
Origin	Puerto Rico
Genres	Electro House Dance Funk Tribal Progressive House
Years active	1996–present
Labels	Juicy Music Virgin/EMI Records
Website	www.robbierivera.com

Roberto "Robbie" Rivera (born 1973) is a prolific house music producer and DJ born in Puerto Rico. He has an extensive catalog of original productions and remixes to his credit, ranging from Tribal to Progressive House, as well as incorporating Garage and Latin elements^[1]. He and his wife Monica Olabarrieta have homes in Miami and Ibiza. On October 28, 2009, DJ Magazine announced the results of their annual Top 100 DJ Poll, with Rivera placing #95.^[2]

Biography[link]

Early years (1986 - 1999)[link]

Rivera grew up in Puerto Rico, he was a fan of Freestyle and Eurobeat when he bought two turntables to teach himself Djing techniques. Rivera performed at weddings and school party gigs, eventually leading to nightclubs at age of 16. After high school graduation Rivera attended The Art Institute of Fort Lauderdale to study music production and was introduced to many different digital audio tools including the popular Protools program. While in college he released his first record, "El Sorullo", a track influenced by Latin house music. The track became popular in New York and Miami and his career was underway.^[3]

Rise to fame (2000 - present)[link]

In 2000, Rivera's track "Bang" became a huge hit, making it to number one of the United Kingdom dance chart. The track also made it on to several dance compilation albums and was used frequently during the 2000 Sydney Olympics. The song became popular enough that it gave Rivera some face time on Top of the Pops and MTV. Rivera started his own label, Juicy Records, and recorded mix CDs for Max Music, Filtered, and others. Rivera produced his first album Do You Want More? for Ultra Records and Independence in France. The first single "Which Way You're Going" reached the number one position on the U.S. Hot Dance Club Songs chart and was released on the UK label Toolroom, the track was created in early 2003 when Rivera contacted lyricist Ned Bigham, Jean-Jacques Smoothie and Timo Maas; It was the first completed song and lead track which was inspired by Coldplay's hit "Clocks".^[4] In 2003 he also released his track "Girlfriend" which featured vocals by Justine Suissa.^[5] During 2007, Rivera's Juicy Show began weekly airplay on XM Satellite Radio (now SIRIUS XM RADIO) in the United States and Canada. Today, Rivera's Juicy radio show can be heard on radio stations around the world, including (but not limited to): Radio FG,Contact FM and Fun Radio (France); Dero FM (Argentina); Vibe FM (Romania); Novoe Radio FM (Belarus); 105FM and various FM frequencies(Italy); Loca FM (Spain); Turkish Side FM (Cyprus); Risfe FM (Hungary); Radiovolum Digital (Norway); various FM frequencies (Brazil); Dance FM (Morocco).

In 2008 he made a collaboration with Armani Exchange by mixing an album called Twilight for the store.^[6]

Rivera's branded Juicy-themed DJ shows have a devoted following of club goers that number in the thousands at each show; the most well known of these parties is Juicy Beach, occurring at the oceanfront Nikki Beach Club venue in South Beach, Miami, every year during WMC (Winter Music Conference).

Rivera appears as the featured producer on the track "In The Morning" on Wynter Gordon's debut album With The Music I Die.

Discography[link]

Albums[link]

The following list contains studio albums produced by Robbie Rivera.^[7]

• 2005 Do You Want More?
• 2008 Star Quality
• 2009 Closer To the Sun
• 2011 Dance Or Die Series 1

EPs[link]

This list contains extended plays by Robbie Rivera, his aliases and co-productions.^[8]

Singles[link]

This list contains singles by Robbie Rivera, his aliases and co-productions, it does not contain singles which were remixed; For remixed singles look at Remixes section. ^[9]

Chart positions[link]

Aliases[link]

This list contains the names of the aliases used by Robbie Rivera. ^[13]

Co-productions[link]

This list contains the names of the co-productions with Robbie Rivera and other artists. ^[14]

References[link]

External links[link]

• Official Site
• Official Site
• DJ Times Magazine March 2010 cover story

See also[link]

• List of number-one dance hits (United States)
• List of artists who reached number one on the US Dance chart

Captain America is a fictional character, a superhero who appears in comic books published by Marvel Comics. The character first appeared in Captain America Comics #1 (cover-dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics,^[1] and was created by Joe Simon and Jack Kirby. As of 2007, an estimated 210 million copies of "Captain America" comic books had been sold in 75 countries.^[2] For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers, a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon.^[3]

An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.

Steve Rogers was purportedly assassinated in Captain America vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series Captain America continued to be published,^[4] with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the Secret Avengers title, and in the limited series Steve Rogers: Super Soldier, before resuming the identity after Bucky was killed in the line of duty.

Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America. Since then, the character has been featured in several other films and television series, including Chris Evans' portrayal in Captain America: The First Avenger, released on July 22, 2011, and The Avengers, released on May 4, 2012. Captain America was ranked sixth on IGN's Top 100 Comic Book Heroes in 2011.

Publication history[link]

In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume.^[5] "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography. "No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."^[6]

Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:

I didn't have a lot of objections to putting a crew on the first issue.... There were two young artists from Connecticut that had made a strong impression on me. Al Avison and Al Gabriele often worked together and were quite successful in adapting their individual styles to each other. Actually, their work was not too far from [that of] Kirby's. If they worked on it, and if one inker tied the three styles together, I believed the final product would emerge as quite uniform. The two Als were eager to join in on the new Captain America book, but Jack Kirby was visibly upset. 'You're still number one, Jack,' I assured him. 'It's just a matter of a quick deadline for the first issue.'

'I'll make the deadline,' Jack promised. 'I'll pencil it [all] myself and make the deadline.' I hadn't expected this kind of reaction ... but I acceded to Kirby's wishes and, it turned out, was lucky that I did. There might have been two Als, but there was only one Jack Kirby.

I wrote the first Captain America book with penciled lettering right on the drawing boards, with very rough sketches for figures and backgrounds. Kirby did his thing, building the muscular anatomy, adding ideas and pepping up the action as only he could. Then he tightened up the penciled drawings, adding detailed backgrounds, faces and figures.^[6]

Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.^[7]

Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."^[8]

Captain America Comics #1 — cover-dated March 1941 and on sale in December 1940, a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw; it sold nearly one million copies.^[9] While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for."^[8] The threats, which included menacing groups of people loitering out on the street outside of the offices, proved so serious that police protection was posted with Mayor Fiorello La Guardia personally contacting Simon and Kirby to give his support.^[10]

Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II,^{[citation needed]} as evidenced by the unusual move at the time of premiering the character in his own title instead of an anthology title first. This popularity drew the attention and a complaint from MLJ that the character's triangular shield too closely resembled the chest symbol of their Shield character. In response, Goodman had Simon and Kirby create a distinctive round shield for issue 2, which went on to become an iconic element of the character.^[11] With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known by his pen name Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge," which introduced the character's use of his shield as a returning throwing weapon.^[12] Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."^[8]

Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like Time during the period.^[13] After the Simon and Kirby team moved to DC in late 1941, having produced Captain America Comics through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in All Winners Comics #1-19 (Summer 1941 – Fall 1946), Marvel Mystery Comics #80-84 and #86-92, USA Comics #6-17 (Dec. 1942 – Fall 1945), and All Select Comics #1-10 (Fall 1943 – Summer 1946).

In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in All Winners Comics #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 Captain America story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. Captain America Comics ended with issue #75 (Feb. 1950), by which time the series had been titled Captain America's Weird Tales for two issues, with the finale being a horror/suspense anthology issue with no superheroes.

Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in Young Men #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in Young Men #24-28 and Men's Adventures #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure,^[14] and the character's title was canceled with Captain America #78 (Sept. 1954).

Silver Age revival[link]

In the Human Torch story titled "Captain America" in Marvel Comics' Strange Tales #114 (Nov. 1963),^[15] writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in Strange Tales #106, who broke two thieves out of jail, hoping to draw the police away while trying to rob the local bank. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.

Captain America was then formally reintroduced in The Avengers #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. The hero found a new generation of readers as leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."^[16]

After then guest-starring in the feature "Iron Man" in Tales of Suspense #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky. Kirby drew all but two of the stories in Tales of Suspense, which became Captain America with #100 (April 1968); Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title Captain America continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called Captain America and the Falcon from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).

This series — considered Captain America volume one by comics researchers and historians,^[17] following the 1940s Captain America Comics and its 1950s numbering continuation — ended with #454 (Aug. 1996).

After the Silver Age[link]

This series was almost immediately followed by the 13-issue Captain America vol. 2 (Nov. 1996 – Nov. 1997, part of the "Heroes Reborn" crossover),^[18] the 50-issue Captain America vol. 3 (Jan. 1998 – Feb. 2002),^[19] the 32-issue Captain America vol. 4 (June 2002 – Dec. 2004),^[20] and Captain America vol. 5 (Jan. 2005 – July 2009).^[21] Beginning with the 600th overall issue counting these series, Captain America resumed its original numbering, as if the series numbering had continued uninterrupted after #454.

As part of the aftermath of Marvel Comics' company-crossover storyline "Civil War", Steve Rogers was ostensibly killed in Captain America vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein."^[22] The character's co-creator, Joe Simon, remarked, "It's a hell of a time for him to go. We really need him now."^[22] Artist Alex Ross designed a slightly revised Captain America costume that former sidekick Bucky Barnes began to wear as the new Captain America in vol. 5, #34 (March 2008)^[23]

The storyline of Rogers' return began in issue #600.^[24][25] Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries Captain America: Reborn (Sept. 2009 – March 2010).^[26]

After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic Captain America: Who Will Wield the Shield? (Feb. 2010). While Bucky Barnes continued adventuring in the pages of Captain America, Steve Rogers received his own miniseries (Steve Rogers: Super-Soldier) as well as taking on the leadership position in a new Secret Avengers ongoing series.

Spinoff series included Captain America Sentinel of Liberty (Sept. 1998 – Aug. 1999) and Captain America and the Falcon (May 2004 – June 2005). The 1940s Captain America appeared alongside the 1940s Human Torch and Sub-Mariner in the 12-issue miniseries Avengers/Invaders.^[27][28] The 2007 mini-series Captain America: The Chosen, written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American Marine fighting in Afghanistan. The Chosen is not part of the main Marvel Universe continuity.^[29][30]

Marvel stated in May 2011 that Rogers, following the public death of Bucky Barnes in the Fear Itself miniseries, would resume his Captain America identity in a sixth volume of Captain America, by writer Ed Brubaker and artist Steve McNiven.^[31]

Fictional character biography[link]

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2011)

1940s[link]

Steve Rogers was born July 4, 1920, in the Lower East Side of Manhattan, New York City, to Irish immigrants Sarah and Joseph Rogers.^[32] Joseph Rogers died when Steve was only a child and his mother, Sarah, died of pneumonia while Steve was a teen. By early 1940, before America's entry into World War II, Rogers is a tall but scrawny fine arts student specializing in illustration, and a comic book writer and artist, a career he willingly set aside upon his transformation into Captain America. Despite some forays into graphics, Steve Rogers never created another character^[33]

Disturbed by the rise of the Third Reich, Rogers attempts to enlist, only to be rejected due to his physically frail body. His resolution however allows him to be noticed by U.S. Army General Chester Phillips and "Project: Rebirth." Rogers is used as a test subject for the Super-Soldier project, receiving a special serum made by "Dr. Josef Reinstein",^[34][35] later retroactively changed to a code name for the scientist Abraham Erskine.^[36]

The serum, coupled with the stabilizing "Vita-Rays," is a success, and transforms the frail Steve Rogers into a perfect specimen--a nearly perfect human being with peak strength, agility, stamina, and intelligence. The success of the program leaves Erskine wondering about replicating the experiment on other human beings.^[35] The process itself however has been inconsistently detailed: while in the original material Steve Rogers is shown receiving injections of the Super-Serum, when the origin was retold in the sixities, the Comic Code Authority had already put a veto over graphic description of drug intake and abuse, and thus the Super-Serum was retconned into an oral formula.^[37] Later accounts hints at a combination of oral and intravenous treatments, culminating in the Vita-Ray exposure and a strenuous training regimen.

Erskine refused to write down every crucial element of the treatment, leaving behind a flawed, imperfect knowledge of the needed steps. Thus, when the Nazi spy Heinz Kruger killed him, Erskine's method of creating new Super-Soldiers died as well. Captain America, in his first act after his tranfsormation, avenges Erskine. In the 1941 origin story and in Tales of Suspense #63, Kruger dies when running into machinery but is not killed by Rogers; in the Captain America #109 and #255 revision, however, Rogers causes the spy's death by punching him into machinery.^[35]

Unable to create new Super-Soldiers, and willing to hide the Project Rebirth fiasco, the U.S.A. Government casts the now-powerful Rogers as a patriotic superhero, able to counter the menace of the Red Skull as a counter-intelligence agent. As such, he's supplied with a patriotic uniform (designed by Rogers himself) ^[32]) a bulletproof shield, a personal side arm, and the codename Captain America, while Steve Rogers himself poses as a clumsy infantry private at Camp Lehigh in Virginia. He forms a friendship with the camp's teenage mascot, James Buchanan "Bucky" Barnes.^[34]

Eventually Barnes learns of Rogers' dual identity and offers to keep the secret if he can become Captain America's sidekick, being trained himself to act as the perfect partner. During their adventures, Franklin D. Roosevelt presents Captain America with a new shield, forged from an alloy of steel and vibranium, fused by an unknown catalyst, so effective that it replaces his own firearm.^[36] Throughout World War II, Captain America and Bucky fight the Nazi menace both on their own and as members of the superhero team the Invaders (as seen in the 1970s comic of the same name).^[38] Captain America also battles a number of criminal menaces on American soil, including a wide variety of costumed villains: the Wax Man,^[39] the Hangman,^[40] the Fang,^[40] the Black Talon,^[41] and the White Death,^[41] among others.

In late April 1945, during the closing days of World War II, Captain America and Bucky try to stop the villainous Baron Zemo from destroying an experimental drone plane. Zemo launches the plane with an armed explosive on it, Rogers and Barnes in hot pursuit. The pair reach the plane just before take off. When Bucky tries to defuse the bomb, it explodes in mid-air. The young man is believed killed. Rogers is hurled into the freezing waters of the North Atlantic. Neither is found, and both are presumed dead. It is later revealed that neither character actually died.^[42]

Late 1940s to 1950s[link]

Captain America continued to appear in comics for the next few years changing from World War II-era hero fighting against the Nazis to trying to defeat the United States' newest enemy, Communism. The revival of the character in the mid-1950s is short-lived, and events during that time period are later retconned to show that multiple people operated using the code name in order to explain the changes in the character. These Post World War II successors are listed as William Naslund and Jeffrey Mace.

The last of these other official Captains, William Burnside,^[43] was a history graduate enamored with the Captain America's mythos, going so far to have his appearance surgically altered to resemble Rogers and legally change his name into "Steve Rogers", becoming the new "1950s Captain America".^[44] Furthermore, he self-administered to himself and his pupil James "Jack" Monroe a flawed, incomplete copy of the Super-Serum, which made no mention about the necessary Vita-Ray portion of the treatment. As a result, while Burnside (now known as Steve Rogers) and Monroe became the new Captain America and Bucky, they also became violently paranoid, often raving about innocent people being communist sympathizers during the height of the Red Scare of the 1950s. Their insanity forced the US Government to place both of them in indefinite cryogenic storage by the US Government until they could be cured of their mental illness.^[45] The 1950s Bucky would be cured ^[46] and go on to be the original Steve Rogers' Captain America partner for a time under the Nomad identity.

1960s to 1970s[link]

Years later,^[42] the superhero team the Avengers discovers Steve Rogers' body in the North Atlantic, the Captain's uniform under his soldier's fatigues and still carrying his shield. After he revives, they piece together that Rogers had been preserved in a block of ice since 1945, surviving in such a state only because of his enhancements from Operation: Rebirth. The block had begun to melt after the Sub-Mariner, enraged that an Arctic Inuit tribe is worshiping the frozen figure, throws it into the ocean. Rogers accepts membership in the Avengers, and although long out of his time, his considerable combat experience makes him a valuable asset to the team. He quickly assumes leadership,^[47] and has typically returned to that position throughout the team's history.

Captain America is plagued by guilt for having been unable to prevent Bucky's death—a feeling that does not ease for some time. Although he takes the young Rick Jones (who closely resembles Bucky) under his tutelage, he refuses for some time to allow Jones to take up the Bucky identity, not wishing to be responsible for another youth's death. Insisting that his hero finally move on from that loss, Jones eventually convinces Rogers to let him don the Bucky costume,^[48] but this partnership lasts only a short time; a disguised Red Skull, impersonating Rogers with the help of the Cosmic Cube, drives Jones away.

Rogers also reunites with his old war comrade Nick Fury, who is similarly well-preserved due to the "Infinity Formula." As a result, Rogers regularly undertakes missions for the security agency S.H.I.E.L.D. for which Fury is public director.^[49] Through Fury, Rogers befriends Sharon Carter, a S.H.I.E.L.D. agent,^[50] with whom he eventually begins a romantic relationship.

Rogers later meets and trains Sam Wilson, who becomes the superhero the Falcon,^[51] the first African-American superhero in mainstream comic books.^[52] The characters established an enduring friendship and adventuring partnership, sharing the series title for some time as Captain America and the Falcon.^[53] The two later encounter the revived but still insane 1950s Captain America.^[54] Although Rogers and the Falcon defeat the faux Rogers and Jack Monroe, Rogers becomes deeply disturbed that he could have suffered his counterpart's fate.

The series also dealt with the Marvel Universe's version of the Watergate scandal, making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad, emphasizing the word's meaning as "man without a country". During this time, several men unsuccessfully assume the Captain America identity.^[55] Rogers eventually re-assumes it after coming to consider that the identity could be a symbol of American ideals and not its government; it's a personal conviction epitomized when he later confronted a corrupt Army officer attempting to manipulate him by appealing to his loyalty, "I'm loyal to nothing, General... except the [American] Dream." Jack Monroe, cured of his mental instability, later takes up the Nomad alias.^[56] During this period, Rogers also temporarily gains super strength.^[57] Immediately after witnessing Number One's suicide, he is summoned to the future to participate in the Destiny War between Kang the Conqueror and Immortus (it is revealed over the course of the story that Rogers was selected from this time frame as, had he been taken from any other time period, his strong personality- shaken at this point by the events he had just witnessed- would have dominated the team and deprived them of the flexibility required to succeed in their mission, although his presence alone still brought cohesion to the group).^[58] He also learns of the apparent death of Sharon Carter.^[59]

1980s to 1990s[link]

The early 1980s included runs from such creators as Roger Stern, John Byrne, and J. M. DeMatteis. Stern had Steve Rogers consider a run for President of the United States in Captain America #250 (June 1980), and introduced a new love interest, law student Bernie Rosenthal, in Captain America #248 (Aug. 1980). Stern also revisited and expanded Captain America's origin story.

DeMatteis revealed the true face and full origin of the Red Skull in Captain America #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time.^[56] It is also around this time that the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries Secret Wars

Also during the 1980s, Mark Gruenwald wrote 137 issues of the book for 10 consecutive years from 1985 to 1995, the most issues by any single author in the character's history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included new love interest Diamondback.,^[60] Super Patriot (who would go on to become a replacement Captain America in a two-year story arc ^[61] and became USAgent at that arc's conclusion), and some short-lived new partners that included Demolition Man.^[62]

Gruenwald explores numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher;^[63] and vigilantism when he hunts the murderous Scourge of the Underworld.^[64] Homophobia was also dealt with as Steve Rogers runs into a childhood friend named Arnold Roth who is gay.^[65][66]

Rogers receives a large back-pay reimbursement dating back to his disappearance at the end of World War II, and a government commission orders him to work directly for the U.S. government. Already troubled by the corruption he had encountered with the Nuke incident in New York City,^[67] Rogers chooses instead to resign his identity,^[68] and then takes the alias of "the Captain".^[69] A replacement Captain America, John Walker, struggles to emulate Rogers' ideals until pressure from hidden enemies helps to drive Walker insane. Rogers returns to the Captain America identity^[70] while a recovered Walker becomes the U.S. Agent.^[71]

Sometime afterward, Rogers avoids the explosion of a methamphetamine lab, but the drug triggers a chemical reaction in the Super-Soldier serum in his system. To combat the reaction, Rogers has the serum removed from his body, and trains constantly to maintain his physical condition.^[72]

A retcon later establishes that the serum was not a drug per se, which would have metabolized out of his system, but in fact a virus-like organism that effected a biochemical and genetic change. This additionally explained how arch-nemesis Red Skull, who at the time inhabited a body cloned from Rogers' cells, also has the formula in his body.

Because of his altered biochemistry, Rogers' body begins to deteriorate, and for a time he must wear a powered exoskeleton and is eventually placed again in suspended animation. During this time, he is given a transfusion of blood from the Red Skull, which cures his condition and stabilizes the Super-Soldier virus in his system. Captain America returns both to crime fighting and the Avengers.^[73]

Following Gruenwald's departure on the book, Mark Waid took over and resurrected Sharon Carter as Cap's love interest. The book was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid's run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers.

2000s[link]

In the aftermath of the September 11 terrorist attacks, Rogers reveals his identity to the world and establishes a residence in the Red Hook neighborhood of Brooklyn, New York, as seen in Captain America vol. 4, #1-7 (June 2002 – Feb. 2003). Following the disbandment of the Avengers in the "Avengers Disassembled" story arc, Rogers, now employed by S.H.I.E.L.D., discovers Bucky is alive, having been saved and deployed by the Soviets as the Winter Soldier. Rogers also resumes his on-again, off-again relationship with S.H.I.E.L.D. agent Sharon Carter.

In the 2006-2007 company-wide story arc "Civil War", and its anchoring, seven-issue miniseries, Civil War (July 2006 - Jan. 2007), Rogers opposes the new mandatory federal registration of super-powered beings, and leads the underground anti-registration movement. He adopts the alias "Brett Hendrick", a mall security guard. After significant rancor and danger to the public as the two sides clash, Captain America voluntarily surrenders and orders the Anti-Registration forces to stand down.

In the story arc "The Death of Captain America", Rogers is indicted on criminal charges for his anti-registration efforts, and in Captain America vol. 5, #25 (April 2007) is shot outside a federal courthouse; taken to a hospital, he is pronounced dead. The assassination, orchestrated by the Red Skull, involves Crossbones as a sniper and Dr. Faustus, who poses as a S.H.I.E.L.D. psychiatrist and gives Carter a hypnotic suggestion to surreptitiously shoot Rogers at close range during the chaos surrounding the sniper shot.

The miniseries Fallen Son: The Death of Captain America #1-5 (June–Aug. 2007) follows the stunned superhero community after the apparent assassination. Captain America is purportedly laid to rest in Arlington National Cemetery, but Tony Stark (Iron Man) and others have actually returned Rogers' body to the Arctic where Rogers had been found years before.

In vol. 5, #30 (Sept. 2007), Stark receives a letter containing Rogers' request that Bucky become the next Captain America, which Bucky agrees to do four issues later. Adopting the original shield, he dons a new costume incorporating a pistol and a knife. The Norse god superhero Thor communicates with what appears to be Rogers' spirit on the first anniversary of Rogers' death, in Thor vol. 3, #11 (Oct. 2008).

Captain America: Reborn #1 (Aug. 2009) reveals that Rogers did not die, and that the gun Sharon Carter had been hypnotized to use had actually caused Rogers to phase in and out of space and time, appearing at events in his lifetime and fighting battles. The Skull returns Rogers to the present, where he takes control of Rogers' mind and body. Rogers eventually regains control, and with help from his allies, defeats the Skull in the fourth and final issues of this miniseries. In the subsequent one-shot comic Captain America: Who Will Wield the Shield?, Rogers formally grants Bucky his Captain America shield and asks his former sidekick to continue as Captain America. The American President grants Rogers a full pardon for his anti-registration actions.

2010s[link]

Following the company-wide "Dark Reign" and "Siege" story arcs, the Steve Rogers character became part of the "Heroic Age" arc.^[74] The U.S. president appoints Rogers, in his civilian identity, as head of the nation's security, replacing Norman Osborn. The Superhuman Registration Act is repealed and Rogers reestablishes the superhero team the Avengers. In the miniseries Steve Rogers: Super Soldier, he encounters Jacob Erskine, the grandson of Professor Abraham Erskine and the son of Tyler Paxton, one of Rogers' fellow volunteers in the Super-Soldier program. Shortly afterward, Rogers becomes leader of the Secret Avengers, a black-ops superhero team.

During the Fear Itself storyline, Steve Rogers is present when the threat of the Serpent is known.^[75] Following the apparent death of Bucky at the hands of Sin (in the form of Skadi), Steve Rogers ends up changing into his Captain America outfit.^[76] When the Avengers and the New Avengers are fighting Skadi, the Serpent ends up joining the battle and breaks Captain America's shield with his bare hands.^[77] Captain America and the Avengers teams end up forming a militia for a last stand against the forces of the Serpent.^[78] When it comes to the final battle, Captain America uses Thor's hammer to fight Skadi until Thor manages to kill the Serpent. In the aftermath of the battle, Iron Man presents Captain with his reforged shield now stronger for its uru-infused enhancements despite the scar it bears.^[79] It is then revealed that Captain America, Nick Fury, and Black Widow are the only ones who know that Bucky actually survived the fight with Skadi as Bucky resumes his identity as Winter Soldier.^[80]

Powers and abilities[link]

Captain America has no superhuman powers, although as a result of the Super-Soldier Serum and "Vita-Ray" treatment, he is transformed from a frail young man into a "perfect" specimen of human development and conditioning.^[81] Captain America's strength, endurance, agility, speed, reflexes, durability, and healing are at the zenith of natural human potential. Rogers' body regularly replenishes the super-soldier serum; it does not wear off.^[82]

The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1200 pounds (545 kg) and running a mile (1.6 km) in 73 seconds (49 mph/78 kph).^[83] Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases.^{[citation needed]} He is also highly resistant to hypnosis or gases that could limit his focus.^[84] The secrets of creating a super-soldier were lost with the death of its creator, Dr. Abraham Erskine.^[85] However, in the ensuing decades there have been numerous secret attempts to recreate Erskine's treatment, only to have them end in failure. Even worse, the attempts have instead often created psychopathic supervillains of which Captain America's 1950s imitator and Nuke are the most notorious examples.

Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Thor so highly regards Rogers' courage, leadership, and combat abilities that he has stated that Rogers is one of the very few humans he will take orders from and follow "through the gates of Hades".^[86] Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe, limited only by his human physique.^[87][88] Although the super-soldier serum is an important part of his strength, Rogers has shown himself still sufficiently capable against stronger opponents, even when the serum has been deactivated reverting him to his pre-Captain America physique.^[89]

Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into relatively mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.

Although he lacks superhuman strength, Captain America is one of the few mortal beings who has been deemed worthy enough to wield Thor's hammer.^[90]

Weapons and equipment[link]

Captain America uses several shields throughout his history, the most prevalent of which is a nigh-indestructible disc-shaped shield made from an experimental alloy of steel and the fictional vibranium.^[91] The shield was cast by American metallurgist Dr. Myron MacLain, who was contracted by the U.S. government, from orders of President Franklin Delano Roosevelt, to create an impenetrable substance to use for tanks during World War II.^{[citation needed]} This alloy was created by accident and never duplicated, although efforts to reverse-engineer it resulted in the discovery of adamantium.^{[citation needed]}

Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (May 1941).^[92]

The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.^[93]

When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel,^{[volume & issue needed]} or even a photonic energy shield designed to mimic a vibranium matrix.^{[volume & issue needed]} Rogers, having relinquished his regular shield to Barnes, carried a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease.^[94] Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.^[95]

Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection.^[36] Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.

Captain America has also used a custom specialized motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes (red, white and blue), and fitted to store and conceal the custom motorcycle in its rear section with a frame that allows Rogers to launch from the vehicle riding it.

Enemies[link]

Captain America has faced numerous foes in over 60 years of published adventures. Many of his recurring foes embody ideals contrary to the American values Captain America is shown to strive for and believe. Some examples of these opposing values are Nazism (Red Skull, Baron Zemo), Neo-Nazism (Crossbones, Doctor Faustus), technocratic fascism (AIM, Arnim Zola), Communism (Aleksander Lukin), anarchism (Flag Smasher and Viper), and international and domestic terrorism (HYDRA).

Other versions[link]

In other media[link]

Collected editions[link]

The contents of Captain America Comics #1-10 were previously published as Captain America: The Classic Years two hardcover slipcase set in 1990. These were later re-issued as trade paperbacks in the late 1990s once again under the title Captain America: The Classic Years featuring new cover art by Kevin Maguire re-creating classic covers. Previous editions of War and Remembrance, The Bloodstone Hunt, Operation Rebirth, Man Without a Country, and To Serve and Protect were released prior to new 2010 editions leading up to the Captain America: The First Avenger feature film.

References[link]