The Scythians (/ˈsɪθi.ən/ or /ˈsɪði.ən/; from Greek Σκύθης, Σκύθοι), or Scyths /ˈsɪθ/, were an ethnolinguistic group of ancient Iranian nomadic tribal cultures who throughout Classical Antiquity dominated the Pontic-Caspian steppe, known at the time as Scythia. By Late Antiquity the closely related Sarmatians came to dominate the Scythians in this area. Much of the surviving information about the Scythians comes from the Greek historian Herodotus (c. 440 BC) in his Histories and Ovid in his poem of exile Epistulae ex Ponto, and archaeologically from the exquisite goldwork found in Scythian burial mounds in Ukraine and Southern Russia.

The name "Scythian" has also been used to refer to various peoples seen as similar to the Scythians, or who lived anywhere in the area known as Scythia,

Sulimirski views the Histories of Herodotus as the most important literary source relating to ancient Scyths. Herodotus provides a depiction that can be related to the results of archaeological research, but apparently knew little of the eastern part of Scythia. He did say that the ancient Persians called all the Scyths Σάκαι (Sacae, Herodotus 7.64). Their principal tribe, the "Royal Scyths", ruled the vast lands occupied by the nation as a whole (Herodotus 4.20), calling themselves Σκώλοτοι (Scōloti, Herodotus 4.6). Oswald Szemerényi devotes a thorough discussion to the etymologies of ancient ethnic words for the Scythians in his work "Four old Iranian ethnic names: Scythian – Skudra – Sogdian – Saka". In it the names of Herodotus and the names of his title, except Saka, as well as many other words for "Scythian," such as Assyrian Aškuz and Greek Skuthēs, descend from *skeud-, an ancient Indo-European root meaning "propel, shoot" (cf. English shoot). *skud- is the zero-grade; that is, a variant in which the -e- is not present. The restored Scythian name is *Skuda (archer), which among the Pontic or Royal Scythians became *Skula, in which the d has been regularly replaced by an l.

Andrew Wegman Bird (born July 11, 1973) is an American musician, songwriter, and multi-instrumentalist.

Trained in the Suzuki method from the age of four, Bird graduated from Lake Forest High School in 1991 and Northwestern University with a bachelor's degree in violin performance in 1996. That same year he self-released his first solo album, Music of Hair. Vastly different from his later work, this album showcased his violin skills and paid tribute to his fascination with both American and European folk traditions, as well as jazz and blues. Following this, his initial commercial exposure came through collaborative work with the band Squirrel Nut Zippers, appearing on three of their albums (Hot, Sold Out, and Perennial Favorites) between 1996 and 1998.

Taking on the role of bandleader, Bird released Thrills on Rykodisc in 1997 with his group Andrew Bird's Bowl of Fire, shortly followed by second album Oh! The Grandeur in 1998. Both albums were heavily influenced by traditional folk, pre-war jazz, and swing, with Bird relying on the violin as his primary musical instrument, as well as providing vocals along with his trademark verbose lyrics. The Bowl of Fire featured musicians from Bird's home town of Chicago, including Kevin O'Donnell, Joshua Hirsch, Nora O'Connor, Andy Hopkins, Jimmy Sutton, Colin Bunn, and Ryan Hembrey. During this period, Andrew Bird was a member of the jazz group Kevin O'Donnells Quality Six, for which he was the lead singer and violinist and contributed to arrangements and songwriting for the albums Heretic Blues (Delmark 1999) and Control Freak (Delmark 2000) (both Delmark albums were produced by Raymond Salvatore Harmon).