Coordinates: 36°20′N 43°08′E / 36.34°N 43.13°E / 36.34; 43.13

Mosul (Arabic: الموصل‎ al-Mawṣil; North Mesopotamian Arabic: el-Mōṣul; Syriac: ܢܝܢܘܐ Nînwe; Kurdish: Mûsil/Nînewe; Turkish: Musul), is a city in northern Iraq and the capital of the Nineveh Province, some 400 km (250 mi) northwest of Baghdad. The original city stands on the west bank of the Tigris River, opposite the ancient Assyrian city of Nineveh on the east bank, but the metropolitan area has now grown to encompass substantial areas on both banks, with five bridges linking the two sides. The majority of its population is Arab (with Assyrians, Turcoman and Kurdish minorities). It is Iraq's third largest city after Baghdad and Basra.

The fabric Muslin, long manufactured here, is named after this city. Another historically important product of the area is Mosul marble.

In 1987, the city's population was 664,221 people; the 2002 population estimate was 1,740,000, and by 2008 was estimated to be 1,800,000. People from Mosul are called Maslawis.

Munir Bashir (Arabic: منير بشير‎, Syriac: ܡܘܢܝܪ ܒܫܝܪ) (1930 – September 28, 1997) was an Iraqi musician and one of the most famous musicians in the Middle East during the 20th century and was considered to be the supreme master of the Arab maqamat scale system.

He created different styles of the Arabian short scaled lute, the oud. He was one of the first middle eastern instrumentalists known to Europe and America. Bashir’s music is distinguished by a novel style of improvisation that reflects his study of Indian and European tonal art in addition to oriental forms. Born in Iraq, he had to deal with numerous disruptions of violent coup attempts and multiple wars that the country went through. He would eventually exile to Europe and become noticeable first in eastern nations such as Hungary and Bulgaria.

Munir Bashir was born in Mosul, situated in northern Iraq. According to different references he was born in a period of time from 1928 to 1930. Bashir is descended from a family of Assyrian heritage. His father Abd al-Aziz and his brother Jamil had good reputations as oud-soloists and vocalists; Jamil wrote an important textbook for the oud. The family started musically educating young Bashir at his age of five, Bashir's father began to instruct him and his older brother Jamil in the basics of ud. His father, who was also a poet believed that a pure tradition of Arab music had devolved in Baghdad. He first learned to play the violoncello, a European instrument that had become a popular bass-instrument in Arabian music during the end of the 19th century. He simultaneously was taught playing the oud. The lute plays a similar role in Arabian music as the piano does in European music: it is the instrument used to impart the most important theoretical aspects in music.