In 1947, Bradley took a position as a music arranger and songwriter at Decca Records. He worked for Paul Cohen on recordings by some of the biggest talents of the day, including Ernest Tubb, Burl Ives, Red Foley and Kitty Wells. Learning from Cohen, he eventually began to produce records on his own. When his mentor left the label in 1958, Bradley became vice president of Decca's Nashville division, and began pioneering what would become the "Nashville sound."
The Quonset Hut is commonly recognized as the birthplace of a more commercial country music that often crossed over into pop. This distinct genre of American music developed primarily by Owen Bradley's uniquely creative crew of hand picked musicians, Grady Martin, Bob Moore, Hank Garland and Buddy Harman—Nashville's revered "A-Team." The success of Bradley's Quonset Hut studio spurred RCA Victor to build its famous RCA Studio B. A handful of other labels soon followed setting up shop on what would eventually become known as Music Row. Bradley and his contemporaries infused hooky melodies with more refined lyrics and blended them with a refined pop music sensibility to create the Nashville sound, known later as Countrypolitan. Light, easy listening piano (as popularized by Floyd Cramer) replaced the clinky honky-tonk piano (ironically, one of the artists Bradley would record in the 1950s was honky tonk blues singer pianist Moon Mullican - the Mullican sessions produced by Bradley were experimental in that they merged Moon's original blues style with the emerging Nashville sound stylings). Lush string sections took the place of the mountain fiddle sound; steel guitars and smooth backing vocals rounded out the mix. As architect of the Nashville sound, Bradley was the most influential country music producer in history.
Regarding the Nashville sound, Bradley stated, "Now we've cut out the fiddle and steel guitar and added choruses to country music. But it can't stop there. It always has to keep developing to keep fresh."
Bradley sold The Quonset Hut to Columbia (which today is a division of Sony BMG) and bought a farm outside of Nashville in 1961, converting a barn into a demo studio. Within a few years, the new "Bradley's Barn" became a legendary recording venue in country music circles. It burned to the ground in 1980, but Bradley rebuilt it within a few years in the same location.
His production of Cline's legendary hits like "Crazy," "I Fall to Pieces" and "Walkin' After Midnight" remain, more than forty years on, the standard against which great female country records are measured today. It is his work with Cline and Loretta Lynn for which he is best known, and when the biopics Coal Miner's Daughter and Sweet Dreams were filmed, he was chosen to direct their soundtracks.
In the 1980s Nashville's Hillsboro High School established the annual Owen Bradley Achievement Award for the student that most excels in the school's unique recording arts vocational curriculum. Many of the awards recipients have gone on to success in the Nashville recording industry and beyond. Past winners include prominent sound engineer Kurt Storey, and writer/musician Walton Robinson.
In 1997, the Metro Parks Authority in Nashville dedicated a small public park between 16th Avenue South and Division Street to Owen Bradley, where his bronze likeness sits at a bronze piano. Owen Bradley Park is at the northern end of Music Row.
Category:people from Sumner County, Tennessee Category:People from Nashville, Tennessee Category:1915 births Category:1998 deaths Category:American country musicians Category:American record producers Category:Country Music Hall of Fame inductees Category:Charly Records artists Category:Decca Records artists
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