- published: 21 Apr 2011
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Veit Stoss (also: Veit Stoß; Polish: Wit Stwosz; before 1450 - about 20 September 1533) was a leading German sculptor, mostly in wood, whose career covered the transition between the late Gothic and the Northern Renaissance. His style emphasized pathos and emotion, helped by his virtuoso carving of billowing drapery; it has been called "late Gothic Baroque". He had a large workshop and in addition to his own works there are a number by pupils. He is best known for the altarpiece in St. Mary's Basilica in Kraków, Poland.
Stoss was born at Horb am Neckar before 1450; his exact date of birth is unknown though it may have been in 1447. Nothing about his life is known for certain before 1473 when he moved to Nuremberg in Franconia and married Barbara Hertz. Their eldest son Andreas was born there before 1477, when Stoss moved to Kraków, the royal capital of Poland, where he was commissioned to produce the enormous polychrome wooden Altar of Veit Stoss (Ołtarz Wita Stwosza) at St Mary's Church in Kraków. His son Stanisław was also a sculptor. He lived and worked there for the next twenty years; his name, polonized as Wit Stwosz.
The Altarpiece of Veit Stoss (Polish: Ołtarz Wita Stwosza, German: Krakauer Hochaltar), also St. Mary's Altar (Ołtarz Mariacki), is the largest Gothic altarpiece in the World and a national treasure of Poland. It is located behind the High altar of St. Mary's Basilica, Kraków. The altarpiece was carved between 1477 and 1489 by the German sculptor Veit Stoss (Wit Stwosz) who moved to the city at around that time and lived there for the next 20 years. The retable was paid for by the townspeople of Cracow.
In 1941, during German occupation, the dismantled Altar was shipped to the Third Reich on the order of Hans Frank – the Governor-General of that part of occupied Poland. It was recovered in 1946 in Bavaria, hidden in the basement of the heavily bombed Nuremberg Castle. The High Altar underwent major restoration work in Poland and was put back in its place at the Basilica 10 years later.
A few weeks prior to the outbreak of the Second World War and the German occupation of Poland, the Poles took the altar apart and stored its main statues in crates dispersed across the country. The crates were located by a Nazi unit called the Sonderkommando Paulsen, plundered and transported to the Third Reich, likely to Berlin. The panels were also found and sent to Germany. They were put in the basement of the Nuremberg Castle. At the castle, Polish prisoners sent messages to members of the Polish resistance that the revered altar was hidden there. The altar survived the war in spite of heavy bombardment of Nuremberg, and was discovered by Count Emeryk Hutten-Czapski, who was attached to the Polish 1st Armoured Division, and it was returned to Poland in 1946, where it underwent major restoration. It was put back at St. Mary's Basilica in 1957.
According to the New Testament, Mary (Miriam: Hebrew: מרים; c. 18 BC – c. 43 AD), also known as Saint Mary, the Virgin Mary, or the Blessed Virgin Mary—amongst other titles, styles and honorifics—was a Galilean Jewish woman of Nazareth and the mother of Jesus.
The gospels of Matthew and Luke in the New Testament describe Mary as a virgin (Greek: παρθένος, parthénos) and Christians believe that she conceived her son while a virgin by the Holy Spirit. This took place when she was already betrothed to Joseph and was awaiting the concluding rite of marriage, the formal home-taking ceremony. She married Joseph and accompanied him to Bethlehem, where Jesus was born. According to ancient Jewish custom, Mary could have been betrothed at about 12, however, there is no direct evidence of Mary's age at betrothal or in pregnancy. The term "betrothal" is an awkward translation of kiddushin; according to the Jewish law those called "betrothed" were actually husband and wife.
The Gospel of Luke begins its account of Mary's life with the Annunciation, when the angel Gabriel appeared to her and announced her divine selection to be the mother of Jesus. According to gospel accounts, Mary was present at the Crucifixion of Jesus and is depicted as a member of the early Christian community in Jerusalem. According to Apocryphal writings, at some time soon after her death, her incorrupt body was assumed directly into Heaven, to be reunited with her soul, and the apostles thereupon found the tomb empty; this is known in Christian teaching as the Assumption.
St. Mary's, St. Marys, or St. Maries may refer to the following places:
Basilica of St. Mary may refer to:
In Italy:
In Spain:
Die Marienkirche ist eines der Wahrzeichen von Krakau. Sie befindet sich auf dem Marienplatz der neben dem Marktplatz gelegen ist. Die Marienkirche ist eine Basilika die im gotischen Stil erbaut wurde. Im 13. und 15 Jahrhundert wurde diese Kirche, die auch als Pfarrkirche genutzt wird, durch das Krakauer Bürgertum erbaut und finanziert. Im Jahre 1477 begann der deutsche Bildhauer Veit Stoß den neuen Hochaltar der Marienkirche zu schnitzen.
Opening of the beautiful Altarpiece of Veit Stoss in the St. Mary's Basilica, Kraków. For further Information: http://en.wikipedia.org/wiki/Altarpiece_of_Veit_Stoss Öffnung des wunderschönen Krakauer Hochaltars, geschaffen von Veit Stoß in der Marienkirche in Krakau. Für weitere Informationen: http://de.wikipedia.org/wiki/Krakauer_Hochaltar
veit stoss altar marienkirche krakau während der messe an allerheiligen,Wszystkich Świętych, kosciol mariacki, krakow
Where: St. Mary's Basilica, Cracow, Poland // Bazylika Mariacka, Kraków, Polska Website: http://www.mariacki.com GPS: 50°03'42.0"N 19°56'21.1"E || 50.061676, 19.939198 Date: 2015-12-05 Recorded by: Nokia Lumia 1020 Thanks for watching!
Der mittelalterliche Johannisfriedhof ist eine der besonderen Sehenswürdigkeiten Nürnbergs. Hier ist u.a. Albrecht Dürer bestattet. Auch der Bildhauer Veit Stoß, der für den Englischen Gruß und das Sakramentshäuschen in der Lorenzkirche verantwortlich zeichnet. Und auch Anselm Feuerbach (der Richter, nicht der Maler) fand hier seine letzte Ruhestätte. Anselm Feuerbach hatte das Findelkind Kaspar Hauser bei sich aufgenommen. Der zweite alte Nürnberger Friedhof, der Rochusfriedhof: http://www.youtube.com/watch?v=TCUhSt_FVj4
Der Bamberger Dom feiert in 2012 sein 1000jähriges Bestehen. Der Vorgängerbau des heutigen Bamberger Doms, der so genannte Heinrichsdom, wurde im Jahr 1004 von Kaiser Heinrich II. dem Heiligen, dem Gründer des Bistums Bamberg, in Auftrag gegeben. Errichtet wurde er auf einer Anhöhe über den Fundamenten der Kapelle und des Friedhofs der ehemaligen Babenburg, die Heinrich von seinem Vater Heinrich dem Zänker geerbt hatte. Er hatte keine exakte Ost-West-Ausrichtung, und da sich die künftigen Bauten immer an dem bereits Vorhandenen ausrichteten, hat sich die Ausrichtung von Nordost nach Südwest tausend Jahre lang erhalten. Im Jahr 1007 wurde Bamberg Bistum, womit der Kirchenbau enorm aufgewertet wurde. Am 6. Mai 1012, dem Geburtstag Heinrichs II., wurde der Dom in Gegenwart von 45 Bischöfen...
Trotha trifft… Gregor Hohberg zu Gast: Pfarrer Gregor Hohberg von St. Petri - St. Marien erzählt über das Projekt "House Of One", einem Gästehaus für Christen, Juden und Muslime. Das Projekt "House Of One" im Netz: https://house-of-one.org/de Abonniert uns und werdet Teil der ALEX Familie! LET´S CONNECT: ALEX Web: http://www.alex-berlin.de ALEX Facebook: http://www.facebook.com/ALEX.berlin.de ALEX Twitter: http://twitter.com/ALEX_berlin_de
amazing figures of the art history show up
AP Television Museum Martin Gropius Bau, Berlin, Germany - September 21, 2011 1. Tilt up "Ciborium with crown", from the dowry of Anna Katharina Konstanze Vasa, before 1642 2. Close of portrait of "Duchess Hedwig", Polish princess, artist unknown, 1530 3. Mid of paintings of "Duchess Hedwig" and her husband "Duke George the Rich" 1531-1532, by Peter Gertner 4. Zoom out of portrait of "Margrave Albrecht of Brandenburg-Ansbach" by Lucas Cranach the Elder, 1528 5. Mid of exhibition 6. Close of wooden sculpture of "Madonna with Child" by Veit Stoss, 1500-1505 7. Mid of exhibition showing medieval wooden sculpture and framed relief sculpture 8. Pan left to painting "Prussian Homage" by Jan Matejko, 1882 9. SOUNDBITE (English) Anda Rottenberg, curator, "Side by Side. Poland-Germany. A ...
Watch as a fifteenth-century Italian altarpiece is reconstructed using polyptych panels from the Met's collection as well as fragments from other museums. This video features "Madonna and Child with Saints" by Giovanni di Paolo, now on view in the Met's New European Paintings Galleries 1250--1800. "Madonna and Child with Saints": http://www.metmuseum.org/collection/the-collection-online/search/436508 Explore more at MetMedia: http://www.metmuseum.org/metmedia/video
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Georgetown University | #12 - 2x Captain - RB | Aug. 2012 - Dec. 2015
She is over there, that the one I mean
Yeah she really haunts me
Friend your lookin' strange, is there something wrong
Uh oh the truth is dawning
Guess you were her old man before I was your friend
Funny how fate plays another trick again....
(chorus)
Fate decides, totally
Fate decides, it ain't me
Fate decides, who do you love
The hand of fate decides....
It's amazing how the hand of fate revolves & your caught in the circle
If you're a real friend you'll never mind that i happened to love that girl
She's neither yours or mine
Part of the whole design
I got to take my chance
Cause when it's time it's time...