Louis Proyect: The Unrepentant Marxist

October 19, 2013

Assault on Wall Street

Filed under: Film,financial crisis — louisproyect @ 1:23 pm

“Assault on Wall Street”, a B movie that was in and out of New York theaters about a year ago for only a moment and with scant attention from critics, just showed up on Netflix streaming. The director Uwe Boll is regarded as one of the worst in the world, with some considering him the “Ed Wood of the 21st century”. The film got one “fresh” on Rotten Tomatoes and six “rottens”. The one fresh came from my NYFCO colleague Prairie Miller who described it:

Possibly the only director on the planet who has garnered a strange recognition through utter infamy, Boll engages in a weirdly raw and rowdy subversive ideological descent into the dysfunctionally dark recesses of US culture.

Prairie’s full review

I went to a press screening but did not write anything about it since I considered it to be more in the grindhouse genre than a serious film dealing with the collapse of the financial system like J.C. Chandor’s great “Margin Call”.

Although I still am loath to overpraise this film, it is definitely worth watching if you are a Netflix subscriber. It starts out in exactly with the way that “Margin Call” ends with a Goldman-Sachs type firm dumping bundled securities worth almost nothing on unsuspecting clients, including a security guard named Jim Baxford who is a modern-day Job. His wife is undergoing expensive cancer treatments whose monthly costs are only partially covered by insurance. When his investments go south, he can no longer pay his bills and his wages become garnished. Once that happens, he loses his job as an armored truck guard since the company cannot keep someone with major financial burdens on the payroll since they theoretically might be tempted to become part of an inside job.

The only thing that Baxford becomes tempted into becoming is a combination of Travis Bickle and an Occupy Wall Street protester. The finale of the movie is a beautiful and deeply satisfying mass murder of a bunch of stockbrokers and other scumbags who victimized our hero. Is that a spoiler alert? Sorry about that.

German director Uwe Boll’s last film was obviously preparatory to this. Titled “Postal”, it is a “comedy” that Wikipedia describes as follows:

The film takes place in the town of Paradise, Arizona (a ghost town in real life), where the volatile Postal Dude, after being mocked at a job interview, kicked out of his local unemployment office and discovering that his morbidly obese wife is cheating on him, is more than a little angry and is desperate to get enough cash to finally leave his dead-end town. He decides to team up with his Uncle Dave, a slovenly con artist turned doomsday cult leader who owes the US government over a million dollars in back-taxes. With the help of Uncle Dave’s right hand man Richie and an army of big-breasted, scantily clad cult members, the Dude devises a plan to hijack a shipment of 2,000 Krotchy Dolls, a rare, sought-after plush toy resembling a giant scrotum. Uncle Dave plans to sell them online, where their prices have reached as high as $4,000 a doll.

Unbeknownst to them, Osama bin Laden and his group of Al-Qaeda terrorists, who had been secretly hiding in Paradise since September 11, under the watchful eye of bin Laden’s best friend George W. Bush, are after the same shipment, but for entirely different reasons. Hoping to outdo the catastrophe of 9/11, they plan to instill the dolls with Avian influenza and distribute them to unsuspecting American children. The two groups meet at the shipment’s destination, Nazi-themed amusement park Little Germany. A fight between Postal creator Vince Desi and Postal director and park owner Uwe Boll (which ends with Boll being shot in the genitals, confessing “I hate video games”), sparks a massive shootout between the cult, the terrorists and the police, resulting in the deaths of dozens of innocent children. The Dude and the cult are able to get away with both the shipment and the park’s opening day guest, Verne Troyer, pursued by Al-Qaeda, the police and a mob of angry citizens.

I can’t vouch for this but “Assault on Wall Street” does have its moments.

Boll is something of a character. In June 2006 he challenged some of his harshest critics to a boxing match, something I should have done with Vivek Chibber now that I think about it. He beat the living crap out of one of them:

October 18, 2013

A pervert’s guide to Zizek

Filed under: philosophy,popular culture,postmodernism — louisproyect @ 3:12 pm

Counterpunch Weekend Edition October 18-20, 2013
Elvis is on the Screen!
A Pervert’s Guide to Zizek
by LOUIS PROYECT

Full disclosure: I have written at least ten critiques of Slavoj Zizek over the years so I approached the new documentary “A Pervert’s Guide to Ideology” with some skepticism. Despite this, I found much of it entertaining and even a little enlightening. At two hours and thirty minutes, however, it begins to lose its charm especially since the film is essentially one long lecture by the man called the Elvis of cultural theory. As is the case with all super-stars, critical self-reflection goes by the wayside when adoring fans surround you all the time telling you how great you are. It probably never entered the mind of director Sophie Fiennes (sister to actor Ralph) that the film was a half-hour too long and least of all that of the Slovenian Elvis himself.

full: http://www.counterpunch.org/2013/10/18/a-perverts-guide-to-zizek/

October 17, 2013

Gravity; All is Lost

Filed under: Film — louisproyect @ 4:37 pm

By sheer happenstance two films have arrived in theaters lately sharing a common theme and to great acclaim. Both have plots in which the major character tries to survive after a catastrophic accident, one in outer space and the other on the open seas. Since both are innovative after their own fashions, they make for an interesting side-by-side comparison. As I will try to explain, “Gravity” is fairly commonplace despite its gadgetry—both in front of and behind the camera. Meanwhile, “All is Lost” is a major achievement even though it is a throwback to the early days of film: there are no more than a couple of dozen words spoken throughout the entire film, even though there are sounds in abundance such as thunder and the crunching noises of a yacht coming apart at the seams.

I went to “Gravity” with high expectations. The director was Alfonso Cuarón, a Mexican whose last film “Children of Men” I held in high regard even though I had problems with the dystopian themes that originated with the original material, a P.D. James novel. With a 98 percent “fresh” rating on Rotten Tomatoes accompanied by blurbs that are the stock and trade of professional film critics (“Nerve-racking, sentimental and thrilling, Gravity honors terra firma even as it reaches for the stars with Sandra Bullock and George Clooney” was how the Denver Post’s Lisa Kennedy put it), I hoped for at least a couple of hours of escapist fun and a “2001” type ecstasy at best. Escapist fun is about the best way to describe it unfortunately.

As most people know, physicists—including Marxmail’s technical coordinator Les Schaffer—warned that much of what happens makes no sense. The most common complaint is that the satellites between which the astronauts hopscotch are far apart. This did not worry me since I long ago learned that a film has its own internal logic. Once you buy into the plot, a function more of dramatic than scientific logic, you go along for the ride. It is as Marianne Moore once described poetry: “imaginary gardens with real toads.”

My real problem was with the early departure of George Clooney, who I expected to survive as Sandra Bullock’s helpmate in outer space. As characters, they played off well against each other. He was a kind of elderly frat boy telling stories and making jokes while serving as the mission’s seasoned flight commander. Bullock is a dedicated and somewhat overwhelmed scientist assigned to fix the Hubble telescope. My expectation was that they would provide for some lively dialog until the bitter end but he is killed off early on, leaving Bullock on her own to figure out a way to make it home safely. How can you make a film with a single character trying desperately to push the right buttons in order to survive?

Ironically this was exactly the premise of “All is Lost”, a film that I regard as the finest from Hollywood that I have seen in five years at least and that deserves the 93 percent fresh rating on Rotten Tomatoes and even more. Although this review will not contain any spoilers, my best advice is for people who trust my tastes in film is to not read any further and simply go see the film straightaway. The less you know about it, the better your enjoyment.

Still with me? Okay, let me proceed.

“All is Lost” opens with Robert Redford (his character’s name is never identified) napping in the cabin of his yacht that is somewhere in the middle of the ocean—which ocean is not important to the plot. After waking to the sight of water rushing into the cabin through a breach in the hull, he climbs to the deck and discovers the cause. The yacht has run into the sharp corner of a container that has obviously fallen from a cargo ship. This evokes both a globalization version of the Titanic as well as the accident that sets the plot of “Gravity” into motion, the detritus of a Russian satellite.

Except for a single word uttered by Redford midway through the film—FUCK—that is cried out after he discovers that his water supply has been compromised by salt water, there is not another spoken word. Despite this, the screenplay that was written by the director J.C. Chandor is worthy of study by any film student aspiring to make the exceptional film. Although a screenplay is most often about the dialog, there are directions that help clue the actors and allow the director to  flesh out the work even when not a single word is being said. Like “All is Lost”, the great screenplay by William Broyles for “Cast Away” contains long stretches in which Tom Hanks says nothing. If you go to the source, you will find directions for a scene that is very close to what transpires throughout “All is Lost”:

Waves break against the reef. With his paddles Chuck maneuvers the raft toward the cut in the reef. Boom! The wave crashes, the water surges through the cut, then recedes with a whoosh.

Chuck watches, times the waves, paddles like mad. He’s committed. SCRAPE goes the first barrel, then the second, riding the receding wave. He’s out!

But the next wave is already surging forward. It smashes the raft against the reef! Coconuts and foodstuffs hurtle off the raft!

The barrels cushion the impact. The raft tilts, spins, but stays outside the reef! The ropes holding the jugs of water break! The water sweeps overboard!

Ultimately what makes “All is Lost” far more compelling than “Gravity” is the ability of J.C. Chandor to make you identify with his character. None of us (I assume that astronauts are not the sort of people who visit this blog) have ever been in outer space but nearly everybody knows what it is like to be in a sailboat out on the ocean. Once Redford’s yacht has been compromised, he makes every effort to stay afloat using the means at his disposal. When his GPS system stops functioning because of exposure to salt water, he resorts to an old-fashioned sextant that he learns to use from a book he fortunately kept on board about navigating by the stars. For those who have seen “Gravity”, you can’t help but be reminded of Sandra Bullock working her way through the manuals on the Russian space station, trying to figure out a way to use the Soyuz space capsule to return home. The difference is in the context. One can relate to Redford’s predicament while Bullock’s dwells more in the realm of fantasy. Everybody knows what it is like to be under water; nobody knows what it is like to be jetting from satellite to satellite miles above the planet earth. Because Redford’s struggle to survive is more recognizable, it is more emotionally involving even if less spectacular visually.

Although any competent actor could have been a substitute for Redford, this is a film that he was made for. Like the fisherman in “The Old Man in the Sea” who was obviously a stand-in for Hemingway himself, Redford is a stand-in for Redford—a man who has had a long and distinguished career as an actor and independent film impresario. With his weather-beaten face gazing in disgust at the container that has disabled his ship, it is not hard to extrapolate from this his attitude toward much of modern society—from the despoliation of the oceans and forests to the tendency of Hollywood to foist its commercial junk on the unsuspecting filmgoer.

You also have to appreciate what an undertaking it was for the 77 year old actor to perform many of the arduous stunts seen in the film, from swimming under water to climbing the 65 foot mast of the yacht.

For J.C. Chandor, Redford’s Sundance Film Festival marked the auspicious beginning of what is likely to be a great career. In 2011 the festival premiered his “Margin Call”, a film about the 2008 financial crisis that I described as follows:

The movie has a crackling electricity and very fine dialog rendered in a realistic manner. Throughout the entire film, there is no attempt to offer up a back-story or anything that would make the characters sympathetic. The net effect is like looking at an aquarium full of piranhas and hoping that the glass doesn’t break.

That being said, none of the characters in the film is “evil” in the sense that Gordon Gekko was in “Wall Street”. They are simply doing their job. That is actually what makes the film so powerful. It is not interested in exposing crooks but in putting the financial system under a microscope. That, after all, is what Karl Marx had in mind when he began writing Capital.

At this point in the writing of the article, I turned to the press notes for “All is Lost” that were distributed at the press screening yesterday and was pleased to learn that I was on the right track:

Chandor says the sheer simplicity of the story—and the filmmaking challenge it presented—drew him to make the film. The story has echoes of Ernest Hemingway’s The Old Man and the Sea, and as Dodson describes “ it’s an existential action movie about one man lost at sea, fighting against the elements and himself.”

Finally, a word or two about the sounds that are heard throughout this “silent” film, at least understood as the absence of dialog. The film score is by Alex Ebert, the leader of the indie folk band Edward Sharpe and the Magnetic Zeroes. I can’t remember hearing a score so adept but as unobtrusive as this one and will leave it at that. There’s also the sound engineering used for a wide variety of effects, from that of a yacht coming apart at the seams to ominous distant thunder. I usually don’t pay much attention to this component of a film but in this case I have to tip my hat.

“All is Lost” is on the inside track for Best Picture and Best Actor of the year for our upcoming NYFCO awards meeting and I can’t imagine anything that will surpass it.

October 14, 2013

Dollars and Dentists

Filed under: health and fitness — louisproyect @ 3:03 pm

NY Times October 13, 2013
Patients Mired in Costly Credit From Doctors
By JESSICA SILVER-GREENBERG

The dentist set to work, tapping and probing, then put down his tools and delivered the news. His patient, Patricia Gannon, needed a partial denture. The cost: more than $5,700.

Ms. Gannon, 78, was staggered. She said she could not afford it. And her insurance would pay only a small portion. But she was barely out of the chair, her mouth still sore, when her dentist’s office held out a solution: a special line of credit to help cover her bill. Before she knew it, Ms. Gannon recalled, the office manager was taking down her financial details.

But what seemed like the perfect answer — seemed, in fact, like just what the doctor ordered — has turned into a quagmire. Her new loan ensured that the dentist, Dr. Dan A. Knellinger, would be paid in full upfront. But for Ms. Gannon, the price was steep: an annual interest rate of about 23 percent, with a 33 percent penalty rate kicking in if she missed a payment.

* * * * *

About a month ago I began to feel some pain in a molar on the lower right side of my mouth. I was puzzled since the pain was only felt biting down, unlike the nonstop pain that usually accompanies a cavity.

A visit to my dentist revealed the problem. My tooth had a hairline fracture that extended beneath the gum line. Bacteria was penetrating through the opening in the tooth and causing an infection inside the tooth that was oozing out into the gums. He referred me to a root-canal specialist who took one look at the tooth and told me it had to be extracted.

I went back to the dentist and discussed my options. I could get a bridge, either permanent or removable like the denture described in the Times article above. A permanent bridge involves drilling holes into the two teeth bordering the one that is removed in order to support the bridge and the false tooth it supports. But the best option was what they call a dental implant. This involves putting some bovine bone into the pit beneath the removed tooth to replace the bone that bacteria had eaten away. Once the bone fused with my own, the oral surgeon will put in some hardware into the bone that could support an artificial tooth. I have already had the tooth removed in a procedure that costs $1390. I go back to his office in February to get the implant, which will cost around $3000. That’s just one tooth. What if I develop other fractures? An old friend from Bard College, who was featured in a video I did about Hurricane Sandy’s impact on his neighborhood in Rockaway, is 5 years older than me and just had implants to replace three teeth. The cost? Including extractions, it will come to $20,000.

Puzzled by the fracture itself, I asked my dentist how it could have happened. My wife warned me from time to time about eating hard candy, but more I suspect because the crunching sound annoyed her late at night rather than any threat it posed to my teeth. Could that have been the cause, I asked the dentist. He replied that teeth tended to have a life span. Oh great, another sign of my approaching demise.

And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

William Shakespeare, “All’s Well that Ends Well”

I can’t remember exactly when my old friend Tony Long, the creator of massive minimalist sculptures who died of leukemia in 2002, told me this but it has stuck with me over the years. “Louis, you have to take care of your teeth. Can you picture what it will be like if you end up with dentures that you have to put into a glass of water at night? What would some younger woman think of that when you take her to bed?”

Ironically, I have led a charmed life dentally. Except for a wisdom tooth that I had pulled about a decade ago, I have never had an extraction before this one. Not only that, I have not had a filling since living in Houston in 1974. My trips to the dentist for the past forty years have been for cleaning and exams. My dentist told me that it is much more typical for someone my age to be enduring root canal work and bridges or implants on a regular basis.

Despite this, I have had bad dreams over the years of my teeth decaying. My guess is that these dreams and an irrational fear I have of having a tooth pulled (there is zero pain involved plus you get the benefit of a Vicodin prescription) are some kind of Freudian neurotic projection of castration fears. There’s actually a website called http://www.teethfallingoutdream.org/ that tells you everything you need to know, including this:

Dream Psychology: Freud and Jung

The interpretation of teeth falling out in dreams has been widely covered in psychology. Freud associates this symbol to sexual references, such sexual repression or fear of castration for men.

Jung and many other contemporary dream interpreters have a wider perspective and focus their analysis on symbols of personal power and the ability to renew oneself. For instance, they prefer to talk about the representation of loss or the process of releasing the old to give place to the new, as opposed to focusing only on more Freudian sexual references.

On a more mundane level, there’s also my memory of a woeful tale my mother told me when I was 9 years old or so, about to go to a dentist for my first filling. She told me about having a tooth pulled when she was in her teens. It was a painful disaster with the tooth breaking as it was being pulled and the dentist being forced to cut the remainder out with a scalpel—at least that’s the way I remember it.

Leaving aside all the existential dread summed up in the phrase that my Rockaway friend told me–“We are falling apart”–there’s the economics. When I retired from Columbia University, I lost my dental insurance. My wife has a plan through her workplace that covers me but it is utterly useless. I tried to make an appointment about six months ago for a routine checkup but the fucking dentist did not even return my call. In a way, this besides the point since dental insurance generally does not cover implants as a September 30, 2010 NY Times article explained:

An implant to replace a single tooth can cost $3,000 to $4,500, depending on where you live. Implants to replace a full or partial set of teeth can run from $20,000 to as much as $45,000.

Why so much? Implants typically involve the work of both a surgeon and a dentist. Several office visits may be needed to put in the screws and to add the prosthetic teeth.

More dental insurance plans are covering the costs, but the annual reimbursement limit is typically $1,500, an amount that hasn’t changed in four decades. That may be enough to cover half the cost of a single implant; you will end up paying the rest.

Fortunately I don’t need to apply for credit (my oral surgeon thankfully is not set up for this) or borrow money to have the implant done but what if the rest of my teeth start to develop problems? I like the idea of having implants if necessary but not if the cost approaches that of a hip replacement. Maybe going toothless (sans teeth, as Shakespeare put it) is not the worst thing in the world, especially for someone like me who has been married for more than a decade and whose only hope is that I can enjoy another couple of decades of marital bliss.

PBS aired a documentary on “Dollars and Dentists” last year that can be seen at http://www.pbs.org/wgbh/pages/frontline/dollars-and-dentists/. This is much more about how poor people are being screwed through the new business model of corporate dental chains that cater to poor people on Medicaid, often run out of storefronts like Kool Smiles. If you’d prefer to read a transcript of “Dollars and Dentists”, you can go to http://www.pbs.org/wgbh/pages/frontline/health-science-technology/dollars-and-dentists/transcript-23/. Be prepared to see just one more example of how the wealthy are screwing the poor on every level, from home foreclosures to dental work:

MILES O’BRIEN: [voice-over] FRONTLINE and the Center for Public Integrity have spent the past year investigating the business of Medicaid dentistry and the new corporate model for treating America’s poor kids.

We were able to obtain and analyze Medicaid data from two states, Virginia and Texas. We found that, on average, Kool Smiles used crowns more frequently than other providers on children 8 and under.

In Texas, half of all the restorative care on kids 8 and under, stainless steel crowns, 50 percent more than the state average. Virginia, 50 percent more crowns than average. That’s a big difference than other Medicaid providers. Why?

Dr. POLLY BUCKEY: Our focus is looking at each and every child and looking at where their decay is, what their risk for getting cavities.

MILES O’BRIEN: It’s not because the crown pays more?

Dr. POLLY BUCKEY: The focus on each and every child we see is to restore that child to a state of good oral health.

MILES O’BRIEN: Then how do you explain that discrepancy, that difference?

Dr. POLLY BUCKEY: All I can tell is what we do. I can’t tell you what someone else does.

MILES O’BRIEN: [voice-over] Kool Smiles later gave us data comparing itself favorably to other providers. But the company did not address whether kids who visit Kool Smiles are more likely to leave with a crown.

Kari Reyes was not happy with what happened when Marissa went to get her crowns.

KARI REYES: The doctor was shoving the crown into Marissa’s gums, and her gums were bleeding just everywhere. She started screaming like, painful, like a shrieking, painful, scary scream for a mother to hear come out of her child.

MILES O’BRIEN: Kari says she thought Marissa’s local anesthetic had worn off.

KARI REYES: I asked Dr. Collins, I said, you know, “Could you stop and numb her mouth?” She ignored me. So I, you know, just kind of sat there, and I was rubbing Marissa’s legs. And she’s crying and screaming this whole time.

What a nightmare. And certainly a lot worse than anything a middle-class man like me would ever have to put up with. Capitalism sucks, especially when it comes to health care.

October 13, 2013

Old man curses Bashar al-Assad

Filed under: Syria — louisproyect @ 9:44 pm

Obamacare’s Achilles Heel

Filed under: computers,health and fitness,technology — louisproyect @ 7:14 pm

Signing up for Obamacare

My political career (for lack of a better word) began in 1967 just one year before my professional career as a programmer/analyst. The software career came to an end in August 2012 but I am still going strong politically. With such a background, I probably had a keener interest in the lead article in the NY Times today titled “From the Start, Signs of Trouble at Health Portal” than the average person. The lead paragraphs should give you an idea of the depth of the problem. While it is too soon to say if the technical flaws of the Obamacare website will doom a flawed policy, it cannot be ruled out.

In March, Henry Chao, the chief digital architect for the Obama administration’s new online insurance marketplace, told industry executives that he was deeply worried about the Web site’s debut. “Let’s just make sure it’s not a third-world experience,” he told them.

Two weeks after the rollout, few would say his hopes were realized.

For the past 12 days, a system costing more than $400 million and billed as a one-stop click-and-go hub for citizens seeking health insurance has thwarted the efforts of millions to simply log in. The growing national outcry has deeply embarrassed the White House, which has refused to say how many people have enrolled through the federal exchange.

Even some supporters of the Affordable Care Act worry that the flaws in the system, if not quickly fixed, could threaten the fiscal health of the insurance initiative, which depends on throngs of customers to spread the risk and keep prices low.

“These are not glitches,” said an insurance executive who has participated in many conference calls on the federal exchange. Like many people interviewed for this article, the executive spoke on the condition of anonymity, saying he did not wish to alienate the federal officials with whom he works. “The extent of the problems is pretty enormous. At the end of our calls, people say, ‘It’s awful, just awful.’ ”

I got my first inkling of how screwed up the system was from my FB friend Ted Rall, the well-known leftist editorial page cartoonist who started off as an engineering student at Columbia University and who is technically proficient. You can find his scathingly witty account of trying to enroll here. I got a particular chuckle out of how the system responded when he entered his SS number:

Screen shot 2013-10-13 at 2.08.01 PM

Once he got past the SS number snafu and began the enrollment process he was shocked at the rates he would have to pay for “affordable” health care.

For this 50-year-old nonsmoker, New York State’s healthcare plans range from Fidelis Care’s “Bronze” plan at $810.84 per month to $2554.71 per month. I didn’t bother to look up the $2554.71 one because if I had $2554.71 a month lying around, I’d buy a doctor.

$810.84 per month. $10,000 a year. After taxes. Where I live, you have to earn $15,000 to keep $10,000.

Not affordable. Did I mention that?

I was surprised to see that the primary consultant for the Obamacare website was CGI, a Montreal-based company that was one of the chief competitors of Automated Concepts Inc., the consulting group I worked for in the late 70s and early 80s. I have no idea when ACI went out of business but CGI has obviously become a major power. What I found most shocking was the late date at which programming began: “The biggest contractor, CGI Federal, was awarded its $94 million contract in December 2011. But the government was so slow in issuing specifications that the firm did not start writing software code until this spring, according to people familiar with the process.”

For a project of this size, it would be difficult to meet a target date of Fall 2013/Winter 2014 if it had started in Spring 2012 let along Spring 2013. I am amazed that it is even 70 percent complete, as the Times reports. My guess is that is probably only half-done.

There’s a lot of ass-covering going on now. Oracle, the company whose registration software gave Ted Rall such headaches, says, “Our software is running properly.” Oracle’s CEO is Larry Ellison, the third richest man in America whose yacht just won the America’s Cup in San Francisco. After 9/11 Ellison offered to supply a National Id card system to help weed out terrorists. With all of Ted Rall’s SS number woes, we can be thankful that his offer was turned down. Or else half the population would be in Guantanamo right now.

Like Bill Gates, Ellison got rich exploiting the intellectual breakthroughs made by others. Oracle was one of the first relational database systems marketed to corporations in the early 80s, along with Sybase, the proprietary software I supported for twenty years at Columbia University. Relational databases (basically a rows/columns approach similar to the spreadsheet concept) were invented by the mathematician E.J. Codd who made much more of a contribution intellectually than Ellison but never had ambitions to be a billionaire.

The Times has a graphic to illustrate the problems of the Obamacare website at http://www.nytimes.com/interactive/2013/10/13/us/how-the-federal-exchange-is-supposed-to-work-and-how-it-didnt.html.

This particular feature would seem to explain not only the technical challenges that make the system difficult to implement but also a fatal policy flaw:

Screen shot 2013-10-13 at 2.38.01 PMThe government is offering what is called a “many-to-many” relationship in database terms: many applicants choosing from many plans. This is historically a challenge to implement in financial systems such as the kind found typically in investment plans.

It would have been a lot easier to simply extend Medicare to the entire population. Not only would the private insurance companies be eliminated, the existing software would have only required a relatively minor change—eliminating the 65 year old criterion.

And going one step further, what is the purpose of having a bunch of different insurance companies competing with each other to provide the same service? Why not a single payer like in Canada that can be run on a nonprofit basis? And, then, to make it even more manageable why can’t we implement a public health system like in France with doctors functioning more as servants of the public rather than entrepreneurs? This sounds rather utopian, I realize, but only in terms of the resistance we would meet rather than the feasibility. Instead of policies that are economical and rational, we get jury-rigged, Rube Goldberg systems that can barely get off the ground like Howard Hughes’s plywood super-plane.

As long as we are talking in utopian terms, managing an economy would be a whole lot easier if we eliminated the profit motive that pits private enterprises against each other basically offering the same goods and services. I defy anybody to tell me why he or she picks one detergent against another. There will always be a need for small businesses such as restaurants (something the Cubans unfortunately did not realize until too late—not too late, one hopes) but the commanding heights of the economy?

If you think in terms of spreadsheets (or relational database systems), planning an economy is not that big a deal. You think in terms of resources, labor, and social needs that can be arranged in rows and columns. From that you allocate on a rational basis and according to the priorities a democratically elected government deems wise—such as spending more on public transportation than automobiles.

Of course, until an aroused population takes control of the economy and puts people like Larry Ellison and Barack Obama on a secluded island where they will be stripped of the power to exploit and to destroy, those hopes will remain utopian. For me, the need to defend such an orientation will remain with me with every living breath.

October 12, 2013

Bill de Blasio and William Mulrow

Filed under: New York,Occupy Wall Street,parliamentary cretinism — louisproyect @ 2:00 pm

http://www.nytimes.com/2013/10/12/nyregion/wooing-hometown-industry-de-blasio-meets-wary-wall-st.html

Mr. de Blasio is not a complete stranger to the financial world. His wife, Chirlane McCray, briefly worked under Mr. Schlein at Citigroup, and after the financial crisis Mr. de Blasio opposed limits on bank bonuses.

He seeks counsel from Orin S. Kramer, a hedge fund manager and a top donor to President Obama, who introduced him at the Viacom lunch. Another ally is William Mulrow, who is a senior managing director at Blackstone and a former candidate for state comptroller (and who once donned dingy clothes to impersonate an Occupy Wall Street protester at a private bankers’ dinner).

* * * *

NY Times January 20, 2012, 9:52 pm

A Raucous Hazing at a Wall St. Fraternity

By KEVIN ROOSE

The chandelier-filled ballroom was teeming with 200 men in tuxedos — and a smattering of women — whose daily decisions can collectively make or break the global financial markets. Most were picking over a lavish dinner that included rack of lamb and crème brûlée. Others were preparing to sing bawdy show tunes.

Kappa Beta Phi, an exclusive Wall Street fraternity whose members include big-name bankers, hedge fund billionaires and private equity titans, met at the St. Regis Hotel in Manhattan on Thursday night for its 80th annual black-tie dinner and induction ceremony.

As always, the event was held in strict secrecy, with members being told that “what happens at the St. Regis stays at the St. Regis.”

A reporter, however, was able to walk in unquestioned and observe the proceedings.

Neither a rough year in the financial markets nor the animus of the Occupy Wall Street movement was enough to dampen spirits at this year’s dinner, which was attended by members like Alan C. Greenberg, known as Ace, the former chairman of Bear Stearns; Robert H. Benmosche, the chairman of the American International Group; Meredith Whitney of the Whitney Advisory Group; and Martin Lipton, founding partner of the law firm Wachtell, Lipton, Rosen & Katz.

The Occupy movement was fodder for several after-dinner skits. In one, a documentary filmed during the protests, James Lebenthal, a bond specialist, joked with a protester whose face was appeared to be tattooed.

“Go home, wash that off your face, and get back to work,” Mr. Lebenthal told the protester.

Reached through his daughter on Friday, Mr. Lebenthal declined to comment.

In another skit, William Mulrow , a senior managing director at the Blackstone Group, put on raggedy clothes to play the part of an Occupy protester. Emil W. Henry Jr., a managing partner at Tiger Infrastructure Partners and a fellow new Kappa, joined him dressed as a wealthy baron.

“Bill, look at you! You’re pathetic, you liberal! You need a bath!” Mr. Henry said, voice full of mock indignation.

“You callow, insensitive Republican!” Mr. Mulrow said. “Don’t you know we need to create jobs?”

A Blackstone spokesman declined to comment on Mr. Mulrow’s behalf. Mr. Henry was not immediately available for comment.

Strange Bedfellows

Filed under: Syria — louisproyect @ 1:13 pm

From Rand Paul speech to Family Research Council:

In Syria, there’s an ancient Christian city called Maalula, where they still speak Aramaic, the language that Jesus spoke. They’ve been Christians since the time of Christ. They’re a small final outpost in the Middle East for Christians. The town was recently overrun by Islamic rebels. The Islamic rebels swarmed into the town, and they demanded that everyone convert to Islam, or die. Sarkis el Zakhm stood up and he answered them, and he said, I’m a Christian, and if you want to kill me because I am, do so. These were Sarkis’ last words. Sister Carmel of Damascus said of Sarkis, “His death is true martyrdom, a death in “odium fidei,” or a death in the hatred of faith. Make no mistake. This is about your religion.

Elsewhere in Syria, Islamic rebels have filmed beheadings of their captives. They’ve filmed themselves eating the heart of their enemy. Two Christian bishops have been kidnapped, and one priest was recently killed. These rebels are allies of the Islamic rebels that President Obama is now arming. We are now arming Islamic rebels who are allied with al-Qaida that attacked us on 9/11. Does that make any sense at all?

full: http://www.thecloakroomblog.com/wp-content/uploads/2013/10/1012FRC-Paul.pdf

World Socialist Website:

In a recent testimony to the US House of Representatives’ Committee on Foreign Affairs, Nina Shea, the director of the Center for Religious Freedom, said Syrian Christians “face a distinct peril so dire that their ability to survive in Syria is being seriously doubted by church leaders and independent secular observers, alike.”

According Shea, “Christians have been reportedly displaced by the regime in Tal Nasri, Um Sharshoh, and the old city of Homs. They have been reportedly displaced by the Free Syrian Army in Mesmye, Daraa, Ghassaniy, Idlib, Quseir and Rable in Homs.”

Jean Clement Jeanbart, the Archbishop of Aleppo’s Melkite Greek Catholic Church, referred to the fears of the 2.5 million-strong Christian minority in Syria about the Islamist mercenaries.

full: http://www.wsws.org/en/articles/2013/09/06/maal-s06.html

http://www.hudson.org/shea

Director, Center for Religious Freedom
Senior Fellow
Hudson Institute, Washington, D.C. Headquarters
Biographical Highlights

An international human-rights lawyer for over thirty years, Nina Shea joined Hudson Institute as a Senior Fellow in November 2006, where she directs the Center for Religious Freedom.

New York Times reporter Judith Miller accused of “hijacking” military unit in Iraq
More on the “newspaper of record” and WMD lies
By Bill Vann
27 June 2003

Miller’s connection to these elements stems from her ties to an interlocking network of right-wing and pro-Zionist think tanks that includes the American Enterprise Institute, the Hudson Institute, the Washington Institute for Near East Policy and the Middle East Forum.

full: http://www.wsws.org/en/articles/2003/06/mill-j27.html


Nina Shea, a longtime supporter of interventionist U.S. policies dating back to the Contra wars in Nicaragua, is vice chair of the U.S. Commission on International Religious Freedom (CIRF). CIRF is a quasi-governmental body with roots in the U.S. Evangelical movement that, according to one scholar, aims to “‘remoralize’ American foreign policy” and “overturn the established—that is, liberal—order” (quoted in Stephen Kent, Marburg Journal of Religion, January 2001). The commission was formerly headed by Elliott Abrams, a convicted (and pardoned) Reagan administration official who is a special assistant to President George W. Bush on Mideast affairs. Shea also directs the Center for Religious Freedom, a research outfit long associated with the neoconservative-led Freedom House that was established in the mid-1980s under the original name of the Puebla Institute.

Although broadly focused on issues of human rights, Shea’s work has primarily focused on religion, in particular on the persecution of Christians, a theme she has repeatedly used to push for U.S. intervention. In a 2001 article for the Washington Monthly , Joshua Green relates how in the mid-1990s Shea teamed up with Michael Horowitz, a former Reagan administration official, in an effort “to put the issue of Christian persecution on the map.” Green reported: “Horowitz, a Jewish neoconservative and a senior fellow at the conservative Hudson Institute, detailed the plight of persecuted Christians in Africa and the Middle East. He concluded by calling for intervention. ‘For American Jews, who owe our very lives to the open door of the blessed land,’ he wrote, ‘silence should not be an option in the face of persecutions eerily parallel to those committed by Adolf Hitler.’” According to Green, a favorite Horowitz “sound bite” at the time was that “Christians are the Jews of the 21st century.”

In 1996, Shea and Horowitz organized a conference titled the “Global Persecution of Christians.” While earlier efforts to mobilize public opinion and elected officials around the issue had fallen flat, according to Green this conference was a watershed event, helping to bridge the divide between a number of U.S. political and religious groups. “To the surprise of many,” wrote Green, “the issue of persecuted Christians captured the concern of evangelical Protestants. For churches like Grace Bible Church, which became active in the Christian solidarity movement five years ago, it complemented their own efforts to evangelize overseas … As it spread among evangelicals, the movement also came to include conservative Jews and Catholics, Southern Baptists, and some of the more open-minded liberal activists like Rabbi David Saperstein, of the Religious Action Center of Reform Judaism. But the issue seemed particularly appealing to evangelicals for whom Reagan conservatism was primarily a moral—rather than an economic—political movement. It was the involvement of this group, whose foot soldiers had turned abortion and school choice into national political issues, that helped popularize the issue of Christian persecution.”

full: http://rightweb.irc-online.org/profile/Shea_Nina

October 11, 2013

God Loves Uganda; Cooper & Hemingway: the True Gen

Filed under: Africa,Film — louisproyect @ 9:32 pm

I’m as willing as any other socialist to declare myself okay with religion, especially when it comes to liberation theology. Also, I do understand that when Marx likened religion to opium, he did not expect his followers to declare war on it like the DEA war on drugs. He said in the 1843 “A Contribution to the Critique of Hegel’s Philosophy of Right”: “To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions.” Yet after watching “God Loves Uganda”, the documentary that opens today at the Bow Tie Chelsea Cinemas in New York today (nationwide screening information is here), I was reminded why I became an atheist if not a god-hater. “God Loves Uganda” is a scathing exposé of the evangelical missionaries who make the priests who accompanied Cortés and Pizarro look benign by comparison.

The documentary is focused on a mega-church that operates out of Kansas City, the city of my birth, called International House of Prayer (IHOP). Like the pancake empire, this is an outfit that views Ugandans as their “market”. You see the missionaries being trained at church headquarters as if they were expected to open franchises rather than save souls. Like many of the evangelical hustlers, IHOP operates a vast electronics empire dispensing its sermons across television stations worldwide as well as the Internet. The head bible-thumper shown in the film is one Lou Engel, a bald, middle-aged father of seven who has the muscular neck and growling delivery of a professional wrestler. Engel organizes the missions to Uganda but it is up to younger acolytes to actually go over and do the dirty work. We meet Jesse and Rachelle Digges, a husband-and-wife who pepper nearly every sentence with “Jesus” or the “Lord’s work”. The smiling couple is thin as models and pretty as a picture but radiate an aura of pure toxicity worse than a puff adder’s.

In 1985 Uganda became targeted by a number of these vampire denominations, IHOP being one of the more egregious. Using their pocketbooks, they opened clinics and orphanages (an obvious need given the devastating wars that were visited on the nation) all over the country. Like such outfits from time immemorial, you had to put up with the sermon to get served. Before New York’s Bowery turned into a pricey and trendy neighborhood, missions catered to the alcoholics. You went there for a bowl of soup and put up with a sermon about going to heaven.

In Uganda, the bargain was a lot tougher. In addition to the sermons, you had put up with a sexual-political agenda that was murderous. Uganda was one of the countries in Africa hit hardest by AIDS. George W. Bush worked hand in glove with the evangelicals to make abstinence the tool of choice for preventing AIDS. Condoms were seen as the devil’s work. The net result has been a continued and costly epidemic.

Just as sickening has been a campaign of homophobia that has been endorsed by both the Church of Uganda and the government. The film shows David Kato, a father of the nation’s gay rights movement, speaking out against legislation that would make homosexual behavior punishable by death. For his efforts, he received a death sentence but one carried out by a vigilante who has never been identified.

Against the truly poisonous missionaries and their flunkies inside Uganda, a number of whom have grown wealthy from pay-offs by their American sponsors, there are a couple of men who deserve Nobel Prizes. One is Bishop Christopher Senyonjo, an elderly man who studied at Union Theological Seminary in New York. He turned to religion after a poisonous snake killed his wife. Late in life he has to deal with a new set of vipers, who have made it impossible for him to carry out his clerical duties and who would probably not stop short of martyring him given the opportunity.

A younger Anglican priest named Kapya Kaoma is also featured in the film, although in Boston rather than Uganda. His courageous stand for the LGBT community in Uganda has made it impossible for him to remain in the country.

There is always the question of what makes a documentary entertaining. For those trying to figure out whether a Saturday night is better spent by watching a powerful film on the colonial conditions of a supposedly postcolonial Uganda or a baseball game on television, I can only tell you that it is very important for Americans to get up to speed on a terrible injustice being meted out to a long-suffering people. I don’t know about you but this description from the press notes is a pretty good description of what awaits you. Entertaining may not be the right word, but compelling surely is.

Perhaps the damage that enforced “traditional” sex roles does to innocent human beings made me ill-disposed to anything with even a fleeting resemblance. It took me a while to warm up to “Cooper & Hemingway: The True Gen” that also opens today at the Quad in New York (and at the Laemmle in Los Angeles on December 3rd). The machismo of these two American icons hit me in the face like a clenched fist at first.

The documentary is a parallel biography of the two men who became best friends. Born in 1898 and 1901 respectively, Hemingway and Cooper were both products of an age in which Theodore Roosevelt was a prototypical male. With his insatiable appetite for big-game hunting and a willingness to risk all sorts of danger, Roosevelt was an obvious model for Hemingway who was into hunting and bullfights. Although too young to fight in WWI, Hemingway signed up as an ambulance driver. After being badly wounded, he told anybody who would listen that the words patriotism and sacrifice were no longer part of his vocabulary.

Cooper was also an outdoorsman but mostly as a function of working on his father’s ranch, where he became an expert horseman. When he ended up in Hollywood, he got a job as a stunt man in silent pictures. When he saw men like Tom Mix and Hoot Gibson “acting”, Cooper decided that he could do that himself. That is essentially how he became one of the biggest stars in Hollywood.

For reasons that are not fully explained, Hemingway became fixated on Cooper and worked on making a date with him. I should add that the film does not speak in such terms since it assumes that the “bromance” was purely based on admiration for each other’s work as a writer and an actor. While the film interviews a number of Hemingway scholars, none even begins to entertain the possibility that there was a homoerotic dimension. It is too bad that they did not broach this question with Nancy R. Comley, who was one of the co-author of “Hemingway’s Genders: Rereading the Hemingway Text” along with Robert Scholes. In a 1994 discussion of the book in the NY Times, Christopher Lehmann-Haupt wrote:

Here, in an exploration of transsexuality far more overt in the original manuscript than in the sanitized Scribner’s version — which, the authors say, “does its author a serious disservice” — Hemingway “has positioned his surrogate, David Bourne, in an intolerable double bind: the source of his creativity lies in what for him is the forbidden territory of the feminine.”

The film is a kind of joint project of the Hemingway and Cooper clans, with Patrick Hemingway—the sole surviving son—and Cooper’s daughter Maria serving as consultants and interviewees. Maria is married to Byron Janis, the acclaimed concert pianist, who wrote the film score.

The most interesting parts of the documentary dealt with two important Cooper films. The first was an adaptation of Hemingway’s “For Whom the Bell Tolls”, in which the political conservative Gary Cooper played a member of the anti-fascist resistance in the Spanish Civil War. It turns out that Hemingway had Cooper in mind when he developed the character Robert Jordan, long before the film was made.

The other was “High Noon” that was very much contested territory of the Cold War and the witch-hunt. Cooper had been a friendly witness in a HUAC investigation of Communists in Hollywood in 1947 but had not named names. This angered Martha Gellhorn, Hemingway’s wife, a lot more than it did him. Gellhorn was a famous war correspondent and very much part of the cultural front of the New Deal.

According to the film Cooper’s opposed the attempts to get Carl Foreman fired as screenwriter on “High Noon” when he was identified as a former CP’er, threatening to quit unless Foreman remained part of the team. Since Cooper’s daughter was a consultant, I am not surprised that she decided to leave out some uncomfortable details as found on the TCM website:

During production on High Noon, the House Un-American Activities Committee was creating quite a stir in Hollywood. Thousands of actors, writers, directors, and others in the film industry lost their jobs due to real or imagined affiliations – past or present – with the Communist Party. Screenwriter Carl Foreman was subpoenaed before HUAC during the making of High Noon to answer questions about his own past affiliations with the Party. As was his right, Foreman pleaded the Fifth Amendment. But after he returned to the set of High Noon, Foreman knew his days in Hollywood were numbered. Hedda Hopper and John Wayne both launched public attacks on him in the trades, trying to force him out of the industry. Even Foreman’s most loyal supporters like Fred Zinnemann were threatened because of their association with him. Just like in the film, Gary Cooper seemed to be the last man standing in supporting Carl Foreman. But once threats ensued from MGM mogul Louis B. Mayer and the powerful independent producer Walter Wanger, even Cooper had to relent, fearing an end to his acting career. When the actor called Foreman with the news, the writer sympathized. “I know. Nobody can hold up against this…not even you.”

Cooper’s character in “High Noon” never backed down but the actor turned out to be made of less sturdy material. But then again that’s what you’d expect from someone who makes a career out of pretending to be someone they are not.

Why the Ruling Class Feared Camp Kinderland

Filed under: anti-Communism,Counterpunch,Jewish question — louisproyect @ 12:31 pm
Counterpunch Weekend Edition October 11-13, 2013
Learning the Spirit of Rebellion at Commie Camp
by LOUIS PROYECT

This is a follow-up to the July 1947 PM article about my hometown titled “Utopia in the Catskills” that appeared on the September 30 CounterPunch. Like the PM article, the documentary “Commie Camp“ that showed at the Tribeca Theater in New York last June celebrates the leftist subculture of resort areas within geographical and financial reach of working class Jews in the 30s and 40s—in this instance the children’s summer camps favored typically by those working in the garment district.

Among the powerful trade unions that existed in that period, none had a more openly Communist leadership than the furrier’s union. I have vivid memories of visiting relatives in Flatbush who worked in this trade in the mid-50s when I was 10 years old or so. I innocently tuned in “Amos and Andy” on their television (we did not yet have one of our own at home) and was instructed by the man of the house, a furrier, to turn it off since it was racist. It was the first time in my life that anybody had ever acknowledged that racism existed, let alone spoke against it.

full: http://www.counterpunch.org/2013/10/11/why-the-ruling-class-feared-camp-kinderland/

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