Illustration of the Black Death from the Toggenburg Bible (1411)

The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Although there were several competing theories as to the etiology of the Black Death, it has been conclusively proven via analysis of ancient DNA from plague victims in northern and southern Europe that the pathogen responsible is the Yersinia pestis bacterium.^[1] Thought to have started in China or central Asia,^[2] it travelled along the Silk Road and reached the Crimea by 1346.

From there it was probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships. It spread throughout the Mediterranean and Europe. The Black Death is estimated to have killed 30–60 percent of Europe's population,^[3] reducing world population from an estimated 450 million to between 350 and 375 million in the 14th century. The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plaugue occasionally reoccurred in Europe until 19th century.

Overview[link]

Inspired by the Black Death, The Dance of Death, an allegory on the universality of death, is a common painting motif in the late medieval period.

There have been three major outbreaks of plague. The Plague of Justinian in the 6th and 7th centuries is the first known attack on record, and marks the first firmly recorded pattern of bubonic plague. From historical descriptions, as much as 40 percent of the population of Constantinople died from the plague. Modern estimates suggest half of Europe's population was wiped out before the plague disappeared in the 700s.^[4] After 750, major epidemic diseases did not appear again in Europe until the Black Death of the 14th century.^[5] The Third Pandemic hit China in the 1890s and devastated India but was confined to limited outbreaks in the west.^[6]

The Black Death originated in or near China and spread by way of the Silk Road or by ship.^[6] It may have reduced world population from an estimated 450 million to between 350 and 375 million in 1400.^[7]

The plague is thought to have returned at intervals with varying virulence and mortality until the 18th century.^[8] On its return in 1603, for example, the plague killed 38,000 Londoners.^[9] Other notable 17th-century outbreaks were the Italian Plague (1629–1631), the Great Plague of Seville (1647–1652), the Great Plague of London (1665–1666),^[10] and the Great Plague of Vienna (1679). There is some controversy over the identity of the disease, but in its virulent form, after the Great Plague of Marseille in 1720–1722,^[11] the Great Plague of 1738 (which hit Eastern Europe), and the Russian plague of 1770-1772, it seems to have gradually disappeared from Europe. By the early 19th century, the threat of plague had diminished, but it was quickly replaced by a new disease. The Asiatic cholera was the first of several cholera pandemics to sweep through Asia and Europe during the 19th and 20th centuries.^[12]

The 14th century eruption of the Black Death had a drastic effect on Europe's population, irrevocably changing the social structure. It was, arguably, a serious blow to the Catholic Church, and resulted in widespread persecution of minorities such as Jews, foreigners, beggars, and lepers. The uncertainty of daily survival has been seen as creating a general mood of morbidity, influencing people to "live for the moment", as illustrated by Giovanni Boccaccio in The Decameron (1353).^[13]

Naming[link]

Medieval people called the catastrophe of the 14th century either the "Great Pestilence"' or the "Great Plague".^[14] Writers contemporary to the plague referred to the event as the "Great Mortality". Swedish and Danish chronicles of the 16th century described the events as "black" for the first time, not to describe the late-stage sign of the disease, in which the sufferer's skin would blacken due to subepidermal hemorrhages and the extremities would darken with gangrene, but more likely to refer to black in the sense of glum or dreadful and to denote the terror and gloom of the events.^[15] The German physician and medical writer Justus Hecker suggested that a mistranslation of the Latin atra mors (terrible, or black, death) had occurred in Scandinavia when he described the catastrophe in 1832^[14] in his publication "Der schwarze Tod im vierzehnten Jahrhundert". The work was translated into English the following year, and with the cholera epidemic happening at that time, "The Black Death in the 14th century" gained widespread attention and the terms Schwarzer Tod and Black Death became more widely used in the German and English speaking worlds, respectively.

Migration[link]

Populations in crisis[link]

Spread of the black death in Europe (1346–53)

In Europe, the Medieval Warm Period ended some time towards the end of the 13th century, bringing the "Little Ice Age"^[16] and harsher winters with reduced harvests. In northern Europe, new technological innovations such as the heavy plough and the three-field system were not as effective in clearing new fields for harvest as they were in the Mediterranean because the north had poor clay soil,^[14] and the potato, otherwise ideal for Northern Europe, was an American crop unknown in Europe at the time. Food shortages and rapidly inflating prices were a fact of life for as much as a century before the plague. Wheat, oats, hay and consequently livestock were all in short supply. Their scarcity resulted in malnutrition, which increases susceptibility to infections due to weakened immunity. Consistently high fertility rates, at five or more children per woman throughout Europe, resulted in high population growth rates and contributed to food shortages. In the autumn of 1314, heavy rains began to fall, followed by several years of cold and wet winters.^[14] The already weak harvests of the north suffered and the seven-year famine ensued. In the years 1315 to 1317 a catastrophic famine, known as the Great Famine, struck much of northwest Europe. It was arguably the worst in European history, reducing the population by perhaps more than 10 percent.^[14]

Infection and migration[link]

The plague disease, generally thought to be caused by Yersinia pestis, is enzootic (commonly present) in populations of fleas carried by ground rodents, including marmots, in various areas including Central Asia, Kurdistan, Western Asia, Northern India and Uganda.^[17] Nestorian graves dating to 1338–9 near Lake Issyk Kul in Kyrgizstan have inscriptions referring to plague and are thought by many epidemiologists to mark the outbreak of the epidemic, from which they could easily have spread to China and India.^[18] In October 2010, medical geneticists confirmed that the plague originated in Yunnan, province in southwest China.^[6] In China, the 13th century Mongol conquest caused a decline in farming and trading. However, economic recovery had been observed in the beginning of the 14th century. In the 1330s a high frequency of natural disasters and plagues led to widespread famine starting in 1331, with a deadly plague arriving soon after.^[19] The 14th-century plague killed an estimated 25 million Chinese and other Asians during the 15 years before it entered Constantinople in 1347.^[20] However, according to George Sussman, the first obvious medical description of plague in China dates to 1644.^[21]

The disease may have travelled along the Silk Road with Mongol armies and traders or it could have come via ship.^[22] By the end of 1346 reports of plague had reached the seaports of Europe: "India was depopulated, Tartary, Mesopotamia, Syria, Armenia were covered with dead bodies".^[23]

Plague was reportedly first introduced to Europe at the trading city of Caffa in the Crimea in 1347. After a protracted siege, during which the Mongol army under Jani Beg was suffering the disease, they catapulted the infected corpses over the city walls to infect the inhabitants. The Genoese traders fled, taking the plague by ship into Sicily and the south of Europe, whence it spread north.^[24] Whether or not this hypothesis is accurate, it is clear that several existing conditions such as war, famine, and weather contributed to the severity of the Black Death.

European outbreak[link]

There appear to have been several introductions into Europe. It reached Sicily in October 1347 carried by twelve Genoese galleys,^[25] where it rapidly spread all over the island. Galleys from Caffa reached Genoa and Venice in January 1348 but it was the outbreak in Pisa a few weeks later that was the entry point to northern Italy. Towards the end of January one of the galleys expelled from Italy arrived in Marseille.^[26]

From Italy the disease spread northwest across Europe, striking France, Spain, Portugal and England by June 1348, then turned and spread east through Germany and Scandinavia from 1348 to 1350. It was introduced in Norway in 1349 when a ship landed at Askøy, then spread to Bjørgvin (modern Bergen) but never reached Iceland.^[27] Finally it spread to north-western Russia in 1351. The plague spared some parts of Europe, including the Kingdom of Poland and isolated parts of Belgium and the Netherlands.^{[citation needed]}

Middle Eastern outbreak[link]

The plague struck various countries in the Middle East during the pandemic, leading to serious depopulation and permanent change in both economic and social structures. As it spread to western Europe, the disease also entered the region from southern Russia. By autumn 1347, the plague reached Alexandria in Egypt, probably through the port's trade with Constantinople, and ports on the Black Sea. During 1347, the disease travelled eastward to Gaza, and north along the eastern coast to cities in Lebanon, Syria and Palestine, including Ashkelon, Acre, Jerusalem, Sidon, Damascus, Homs, and Aleppo. In 1348–49, the disease reached Antioch. The city's residents fled to the north, most of them dying during the journey, but the infection had been spread to the people of Asia Minor.

Mecca became infected in 1349. During the same year, records show the city of Mawsil (Mosul) suffered a massive epidemic, and the city of Baghdad experienced a second round of the disease. In 1351, Yemen experienced an outbreak of the plague. This coincided with the return of King Mujahid of Yemen from imprisonment in Cairo. His party may have brought the disease with them from Egypt.

Symptoms[link]

A hand showing acral gangrene of the digits due to plague, the black appearance of the necrotized tissue which occurs in gangrene, one of the symptoms of plague.

An inguinal bubo on the upper thigh of person infected with bubonic plague. Swollen lymph glands (buboes) often occur in the neck, armpit and groin (inguinal) regions of plague victims

Contemporary accounts of the plague are often varied or imprecise. The most commonly noted symptom was the appearance of buboes (or gavocciolos) in the groin, the neck and armpits, which oozed pus and bled when opened.^[28] Boccaccio's description is graphic:

"In men and women alike it first betrayed itself by the emergence of certain tumours in the groin or armpits, some of which grew as large as a common apple, others as an egg...From the two said parts of the body this deadly gavocciolo soon began to propagate and spread itself in all directions indifferently; after which the form of the malady began to change, black spots or livid making their appearance in many cases on the arm or the thigh or elsewhere, now few and large, now minute and numerous. As the gavocciolo had been and still was an infallible token of approaching death, such also were these spots on whomsoever they showed themselves."^[29]

Ziegler comments that the only medical detail that is questionable is the infallibility of approaching death, as if the bubo discharges, recovery is possible.^[30]

This was followed by acute fever and vomiting of blood. Most victims died within two to seven days after infection. David Herlihy identifies another potential sign of the plague: freckle-like spots and rashes^[31] which could be the result of flea-bites.

Some accounts, like that of Louis Heyligen, a musician in Avignon who died of the plague in 1348, noted a distinct form of the disease which infected the lungs and led to respiratory problems^[28] and which is identified with pneumonic plague.

"It is said that the plague takes three forms. In the first people suffer an infection of the lungs, which leads to breathing difficulties. Whoever has this corruption or contamination to any extent cannot escape but will die within two days. Another form...in which boils erupt under the armpits,...a third form in which people of both sexes are attacked in the groin."^[32]

Causes[link]

Yersinia pestis (200x magnification). The bacterium which causes bubonic plague .^[33]

The Oriental rat flea (Xenopsylla cheopis) engorged with blood after a blood meal. This species of flea is the primary vector for the transmission of Yersinia pestis the organism responsible for bubonic plague in most plague epidemics. Both male and female fleas feed on blood and can transmit the infection.

Oriental rat flea (Xenopsylla cheopis) infected with the Yersinia pestis bacterium which appears as a dark mass in the gut. The foregut (proventriculus),of this flea is blocked by a Y. pestis biofilm; when the flea attempts to feed on an uninfected host Y. pestis is regurgitated into the wound, causing infection.

Medical knowledge had stagnated during the Middle Ages. The most authoritative account at the time came from the medical faculty in Paris in a report to the king of France that blamed the heavens, in the form of a conjunction of three planets in 1345 that caused a "great pestilence in the air".^[34] This report became the first and most widely circulated of a series of "plague tracts" that sought to give advice to sufferers. That the plague was caused by bad air became the most widely accepted theory. The word plague had no special significance at this time, and only the recurrence of outbreaks during the Middle Ages gave it the name that has become the medical term.

The importance of hygiene was recognised only in the nineteenth century; until then it was common that the streets were filthy, with live animals of all sorts around and human parasites abounding. A transmissible disease will spread easily in such conditions. One development as a result of the Black Death was the establishment of the idea of quarantine in Dubrovnik in 1377 after continuing outbreaks.^{[citation needed]}

The dominant explanation for the Black Death is the plague theory, which attributes the outbreak to Yersinia pestis, also responsible for an epidemic that began in southern China in 1865, eventually spreading to India. The investigation of the pathogen that caused the 19th-century plague was begun by teams of scientists who visited Hong Kong in 1894, among whom was Alexandre Yersin, after whom the pathogen was named Yersinia pestis.^[35] The mechanism by which Y. pestis was usually transmitted was established in 1898 by Paul-Louis Simond and was found to involve the bites of fleas whose midguts had become obstructed by replicating Y. pestis several days after feeding on an infected host. This blockage results in starvation and aggressive feeding behaviour by the fleas, which repeatedly attempt to clear their blockage by regurgitation, resulting in thousands of plague bacteria being flushed into the feeding site, infecting the host. The bubonic plague mechanism was also dependent on two populations of rodents: one resistant to the disease, which act as hosts, keeping the disease endemic, and a second that lack resistance. When the second population dies, the fleas move on to other hosts, including people, thus creating a human epidemic.^[35]

The historian Francis Aidan Gasquet, who had written about the 'Great Pestilence' in 1893^[36] and suggested that "it would appear to be some form of the ordinary Eastern or bubonic plague" was able to adopt the epidemiology of the bubonic plague for the Black Death for the second edition in 1908, implicating rats and fleas in the process, and his interpretation was widely accepted for other ancient and medieval epidemics, such as the Justinian plague that was prevalent in the Eastern Roman Empire from 541 to 700 AD.^[35]

More recently other forms of plague have been implicated. The modern bubonic plague has a mortality rate of 30 to 75 percent and symptoms including fever of 38–41 °C (101–105 °F), headaches, painful, aching joints, nausea and vomiting, and a general feeling of malaise. If untreated, of those that contract the bubonic plague, 80 percent die within eight days.^[37] Pneumonic plague has mortality rate of 90 to 95 percent. Symptoms include fever, cough, and blood-tinged sputum. As the disease progresses, sputum becomes free flowing and bright red. Septicemic plague is the least common of the three forms, with a mortality rate close to 100 percent. Symptoms are high fevers and purple skin patches (purpura due to disseminated intravascular coagulation). In cases of pneumonic and particularly septicemic plague the progress of the disease is so rapid that there would often be no time for the development of the enlarged lymph nodes that were noted as buboes.^[38]

"Many modern scholars accept that the lethality of the Black Death stemmed from the combination of bubonic and pneumonic plague with other diseases and warn that every historical mention of 'pest' was not necessarily bubonic plague...In her study of 15th Century outbreaks, Ann Carmichael states that worms, the pox, fevers and dysentery clearly accompanied bubonic plague."^[39]

Alternative explanations[link]

Plague victims being blessed, shown with symptoms from a late 14th century manuscript Omne Bonum by James le Palmer

This interpretation was first significantly challenged by the work of British bacteriologist J. F. D. Shrewsbury in 1970, who noted that the reported rates of mortality in rural areas during the 14th century pandemic were inconsistent with the modern bubonic plague, leading him to conclude that contemporary accounts were exaggerations.^[35] In 1984 zoologist Graham Twigg produced the first major work to challenge the bubonic plague theory directly, and his doubts about the identity of the Black Death have been taken up by a number of authors, including Samuel K. Cohn, Jr. (2002), David Herlihy (1997), and Susan Scott and Christopher Duncan (2001).^[35]

It is recognised that an epidemiological account of the plague is as important as an identification of symptoms, but researchers are hampered by the lack of reliable statistics from this period. Most work has been done on the spread of the plague in England, and even estimates of overall population at the start vary by over 100% as no census was undertaken between the Domesday Book and 1377.^[40] Estimates of plague victims are usually extrapolated from figures for the clergy.

In addition to arguing that the rat population was insufficient to account for a bubonic plague pandemic, sceptics of the bubonic plague theory point out that the symptoms of the Black Death are not unique (and arguably in some accounts may differ from bubonic plague); that transference via fleas in goods was likely to be of marginal significance and that the DNA results may be flawed and might not have been repeated elsewhere, despite extensive samples from other mass graves.^[35] Other arguments include the lack of accounts of the death of rats before outbreaks of plague between the 14th and 17th centuries; temperatures that are too cold in northern Europe for the survival of fleas; that, despite primitive transport systems, the spread of the Black Death was much faster than that of modern bubonic plague; that mortality rates of the Black Death appear to be very high; that, while modern bubonic plague is largely endemic as a rural disease, the Black Death indiscriminately struck urban and rural areas; and that the pattern of the Black Death, with major outbreaks in the same areas separated by five to fifteen years, differs from modern bubonic plague, which often becomes endemic for decades, flaring up on an annual basis.^[35]

Walløe complains that all of these authors "take it for granted that Simond's infection model, black rat → rat flea → human, which was developed to explain the spread of plague in India, is the only way an epidemic of Yersinia pestis infection could spread", whilst pointing to several other possibilities.^[41]

Anthrax skin lesion

A variety of alternatives to the Y. pestis have been put forward. Twigg suggested that the cause was a form of anthrax and N. F. Cantor (2001) thought it may have been a combination of anthrax and other pandemics. Scott and Duncan have argued that the pandemic was a form of infectious disease that characterise as hemorrhagic plague similar to Ebola. Archaeologist Barney Sloane has argued that there are insufficient evidence of the extinction of large number of rats in the archaeological record of the medieval waterfront in London and that the plague spread too quickly to support the thesis that the Y. pestis was spread from fleas on rats and argues that transmission must have been person to person.^[42][43] However, no single alternative solution has achieved widespread acceptance.^[35] Many scholars arguing for the Y. pestis as the major agent of the pandemic, suggest that its extent and symptoms can be explained by a combination of bubonic plague with other diseases, including typhus, smallpox and respiratory infections. In addition to the bubonic infection, others point to additional septicemic (a type of "blood poisoning") and pneumonic (an airborne plague that attacks the lungs before the rest of the body) forms of the plague, which lengthen the duration of outbreaks throughout the seasons and help account for its high mortality rate and additional recorded symptoms.^[28]

DNA evidence[link]

Skeletons in a mass grave from 1720–1721 in Martigues, France, yielded molecular evidence of the orientalis strain of Yersinia pestis, the organism responsible for bubonic plague. The second pandemic of bubonic plague was active in Europe from AD 1347, the beginning of the Black Death, until 1750.

In October 2010 the open-access scientific journal PLoS Pathogens published a paper by a multinational team who undertook a new investigation into the role of Yersinia pestis in the Black Death following the disputed identification by Drancourt & Raoult in 1998.^[44] Their surveys tested for DNA and protein signatures specific for Y. pestis in human skeletons from widely distributed mass graves in northern, central and southern Europe that were associated archaeologically with the Black Death and subsequent resurgences. The authors concluded that this new research, together with prior analyses from the south of France and Germany

"...ends the debate about the etiology of the Black Death, and unambiguously demonstrates that Y. pestis was the causative agent of the epidemic plague that devastated Europe during the Middle Ages."^[45]

The study also found that there were two previously unknown but related clades (genetic branches) of the Y. pestis genome associated with medieval mass graves. These clades (which are thought to be extinct) were found to be ancestral to modern isolates of the modern Y. pestis strains Orientalis and Medievalis, suggesting that the plague may have entered Europe in two waves. Surveys of plague pit remains in France and England indicate that the first variant entered Europe through the port of Marseille around November 1347 and spread through France over the next two years, eventually reaching England in the spring of 1349, where it spread through the country in three epidemics. Surveys of plague pit remains from the Dutch town of Bergen op Zoom showed that the Y. pestis genotype responsible for the pandemic that spread through the Low Countries from 1350 differed from that found in Britain and France, implying that Bergen op Zoom (and possibly other parts of the southern Netherlands) was not directly infected from England or France in 1349 and suggesting that a second wave of plague, different from those in Britain and France, may have been carried to the Low Countries from Norway, the Hanseatic cities or another site.^[45]

The results of the Haensch study have since been confirmed and amended. Based on genetic evidence derived from Black Death victims in the East Smithfield burial site in England, Schuenemann et al. in 2011 further conclude "that the Black Death in medieval Europe was caused by a variant of Y. pestis that may no longer exist."^[46] A study published in Nature in October 2011 sequenced the genome of Y. pestis from plague victims and indicated that the strain that caused the Black Death is ancestral to most modern strains of the disease.^[47]

Consequences[link]

Death toll[link]

Citizens of Tournai bury plague victims

Figures for the death toll vary widely by area and from source to source as new research and discoveries come to light. It killed an estimated 75 million–200 million people in the 14th century.^[48][49][50] According to medieval historian Philip Daileader in 2007:

The trend of recent research is pointing to a figure more like 45 percent to 50 percent of the European population dying during a four-year period. There is a fair amount of geographic variation. In Mediterranean Europe, areas such as Italy, the south of France and Spain, where plague ran for about four years consecutively, it was probably closer to 75 percent to 80 percent of the population. In Germany and England ... it was probably closer to 20 percent.^[51]

The most widely accepted estimate for the Middle East, including Iraq, Iran and Syria, during this time, is for a death rate of about a third.^[52] The Black Death killed about 40% of Egypt's population.^[53] Half of Paris's population of 100,000 people died. In Italy, Florence's population was reduced from 110,000 or 120,000 inhabitants in 1338 to 50,000 in 1351. At least 60 percent of Hamburg's and Bremen's population perished.^[54] Before 1350, there were about 170,000 settlements in Germany, and this was reduced by nearly 40,000 by 1450.^[55] In 1348, the plague spread so rapidly that before any physicians or government authorities had time to reflect upon its origins, about a third of the European population had already perished. In crowded cities, it was not uncommon for as much as 50 percent of the population to die. Europeans living in isolated areas suffered less, whereas monks and priests were especially hard hit since they cared for the Black Death's victims.^[56]

Persecutions[link]

Jews are burned alive during the Black Death

Because 14th century healers were at a loss to explain the cause, Europeans turned to astrological forces, earthquakes, and the poisoning of wells by Jews as possible reasons for the plague's emergence.^[14] The governments of Europe had no apparent response to the crisis because no one knew its cause or how it spread. The mechanism of infection and transmission of diseases was little understood in the 14th century; many people believed only God's anger could produce such horrific displays.

There were many attacks against Jewish communities.^[57] In August 1349, the Jewish communities of Mainz and Cologne were exterminated. In February of that same year, the citizens of Strasbourg murdered 2,000 Jews.^[57] By 1351, 60 major and 150 smaller Jewish communities were destroyed.^[58] The Brotherhood of the Flagellants, a movement said to number up to 800,000, reached its peak of popularity.^[59]

In culture[link]

Pieter Bruegel's The Triumph of Death (c. 1562) reflects the social upheaval and terror that followed the plague which devastated medieval Europe

The Black Death had a profound impact on art and literature throughout the generation that experienced it. Much of the most useful manifestations of the Black Death in literature, to historians, comes from the accounts of its chroniclers. Some of these chroniclers were famous writers, philosophers and rulers such as Boccaccio and Petrarch. Their writings, however, did not reach the majority of the European population. Petrarch's work was read mainly by wealthy nobles and merchants of Italian city-states. He wrote hundreds of letters and vernacular poetry, and passed on to later generations a revised interpretation of courtly love.^[60] There was one troubadour, writing in the lyric style long out of fashion, who was active in 1348. Peire Lunel de Montech composed the sorrowful sirventes "Meravilhar no·s devo pas las gens" during the height of the plague in Toulouse.

They died by the hundreds, both day and night, and all were thrown in ... ditches and covered with earth. And as soon as those ditches were filled, more were dug. And I, Agnolo di Tura ... buried my five children with my own hands ... And so many died that all believed it was the end of the world.

—The Plague in Siena: An Italian Chronicle^[61]

How many valiant men, how many fair ladies, breakfast with their kinfolk and the same night supped with their ancestors in the next world! The condition of the people was pitiable to behold. They sickened by the thousands daily, and died unattended and without help. Many died in the open street, others dying in their houses, made it known by the stench of their rotting bodies. Consecrated churchyards did not suffice for the burial of the vast multitude of bodies, which were heaped by the hundreds in vast trenches, like goods in a ships hold and covered with a little earth.

—Giovanni Boccaccio^[62]

Recurrence[link]

The Great Plague of London, in 1665, killed up to 100,000 people

An epidemic of plague dies out after a few months because it has no host in which the bacteria can survive. However that does not mean that there is not somewhere some surviving infection, in a rodent or flea or warm place, that acts as a reservoir so that sooner or later it breaks out again.^[63]

The plague repeatedly returned to haunt Europe and the Mediterranean throughout the 14th to 17th centuries.^[64] According to Biraben, plague was present somewhere in Europe in every year between 1346 and 1671.^[65] The Second Pandemic was particularly widespread in the following years: 1360–1363; 1374; 1400; 1438–1439; 1456–1457; 1464–1466; 1481–1485; 1500–1503; 1518–1531; 1544–1548; 1563–1566; 1573–1588; 1596–1599; 1602–1611; 1623–1640; 1644–1654; and 1664–1667.^[66] According to Geoffrey Parker, "France alone lost almost a million people to plague in the epidemic of 1628–31."^[67]

In England, in the absence of census figures, historians propose a range of pre-incident population figures from as high as 7 million to as low as 4 million in 1300,^[68] and a post-incident population figure as low as 2 million.^[69] By the end of 1350 the Black Death subsided, but it never really died out in England. Over the next few hundred years, there were further outbreaks in 1361–62, 1369, 1379–83, 1389–93, and throughout the first half of the 15th century.^[70] An outbreak in 1471 took as much as 10–15 percent of the population, while the death rate of the plague of 1479–80 could have been as high as 20 percent.^[71] The most general outbreaks in Tudor and Stuart England seem to have begun in 1498, 1535, 1543, 1563, 1589, 1603, 1625, and 1636, and ended with the Great Plague of London in 1665.^[72]

Plague Riot in Moscow in 1771. During the course of the city's plague, between 50,000 and 100,000 died (1/6 to 1/3 of its population).

In 1466, perhaps 40,000 people died of plague in Paris.^[73] During the 16th and 17th centuries, plague visited Paris for almost one year out of three.^[74] The Black Death ravaged Europe for three years before it continued on into Russia, where the disease hit somewhere once every five or six years from 1350 to 1490.^[75] Plague epidemics ravaged London in 1563, 1593, 1603, 1625, 1636, and 1665,^[76] reducing its population by 10 to 30% during those years.^[77] Over 10% of Amsterdam's population died in 1623–1625, and again in 1635–1636, 1655, and 1664.^[78] There were twenty-two outbreaks of plague in Venice between 1361 and 1528.^[79] The plague of 1576–1577 killed 50,000 in Venice, almost a third of the population.^[80] Late outbreaks in central Europe included the Italian Plague of 1629–1631, which is associated with troop movements during the Thirty Years' War, and the Great Plague of Vienna in 1679. Over 60 percent of Norway's population died from 1348 to 1350.^[81] The last plague outbreak ravaged Oslo in 1654.^[82]

In the first half of the 17th century a plague claimed some 1,730,000 victims in Italy, or about 14% of the population.^[83] In 1656 the plague killed about half of Naples' 300,000 inhabitants.^[84] More than 1,250,000 deaths resulted from the extreme incidence of plague in 17th century Spain.^[85] The plague of 1649 probably reduced the population of Seville by half.^[86] In 1709–1713, a plague epidemic that followed the Great Northern War (1700–1721, Sweden v. Russia and allies)^[87] killed about 100,000 in Sweden,^[88] and 300,000 in Prussia.^[86] The plague killed two-thirds of the inhabitants of Helsinki,^[89] and claimed a third of Stockholm's population.^[90] Europe's last major epidemic occurred in 1720 in Marseilles.^[81]

Worldwide distribution of plague-infected animals 1998

The Black Death ravaged much of the Islamic world.^[91] Plague was present in at least one location in the Islamic world virtually every year between 1500 and 1850.^[92] Plague repeatedly struck the cities of North Africa. Algiers lost 30,000–50,000 to plague in 1620–21, and again in 1654–57, 1665, 1691, and 1740–42.^[93] Plague remained a major event in Ottoman society until the second quarter of the 19th century. Between 1701 and 1750, 37 larger and smaller plague epidemics were recorded in Constantinople, and 31 between 1751 and 1800.^[94] Baghdad has suffered severely from visitations of the plague, and sometimes two-thirds of its population has been wiped out.^[95]

Third plague pandemic[link]

The Third plague pandemic (1855–1959) started in China in the middle of the 19th century, spreading plague to all inhabited continents and killing 10 million people in India alone.^[96] There were twelve plague outbreaks in Australia between 1900 and 1925 resulting in well over 1000 deaths, mainly in Sydney. This led to the establishment of a Public Health Department there which undertook some leading edge research on plague transmission from rat fleas to humans via the bacillus Yersinia pestis.^[97]

The first North American plague epidemic was the San Francisco plague of 1900–1904, followed by another outbreak in 1907–1908.^[98] From 1944 through 1993, 362 cases of human plague were reported in the United States; approximately 90 percent of these occurred in four western states; Arizona, California, Colorado, and New Mexico.^[99] Plague was confirmed in the United States from nine western states during 1995.^[100]

The plague bacterium could develop drug-resistance and again become a major health threat. The ability to resist many of the antibiotics used against plague has been found so far in only a single case of the disease in Madagascar, in 1995.^[101]

See also[link]

References[link]

Further reading[link]

• Byrne, J. P. (2004). The Black Death. London: Greenwood Publishing Group. ISBN 0-313-32492-1. http://books.google.com/books?id=yw3HmjRvVQMC&printsec=frontpage. 
• Cantor, Norman F. (2001), In the Wake of the Plague: The Black Death and the World It Made, New York, Free Press.
• Cohn, Samuel K. Jr., (2002), The Black Death Transformed: Disease and Culture in Early Renaissance Europe, London: Arnold.
• Gasquet, Francis Aidan (1893). The Great Pestilence AD 1348 to 1349: Now Commonly Known As the Black Death. ISBN 978-1-4179-7113-8. http://books.google.com/books?id=CORQjhbgW9QC&printsec=frontcover. 
• Hecker, J.F.C. (1859). B.G. Babington(trans). ed. Epidemics of the Middle Ages. London, Trübner. http://www.archive.org/stream/epidemicsofmiddl00heck. 
• Herlihy, D., (1997), The Black Death and the Transformation of the West, Cambridge, Massachusetts: Harvard University Press.
• McNeill, William H. (1976). Plagues and Peoples. Anchor/Doubleday. ISBN 0-385-11256-4. 
• Scott, S., and Duncan, C. J., (2001), Biology of Plagues: Evidence from Historical Populations, Cambridge: Cambridge University Press.
• Shrewsbury, J. F. D., (1970), A History of Bubonic Plague in the British Isles, London: Cambridge University Press
• Twigg, G., (1984), The Black Death: A Biological Reappraisal, London: Batsford.
• Ziegler, Philip (1998). The Black Death. Penguin Books. ISBN 978-0-14-027524-7.  1st editions 1969.

External links[link]

Wikibooks has a book on the topic of European History

Wikiversity has learning materials about European History

• Media related to Black Death at Wikimedia Commons
• Media related to History of Europe at Wikimedia Commons
• Black Death on In Our Time at the BBC. (listen now)
• Black Death at BBC

Gwen Stefani
Stefani at Bloomingdale's celebration for Fashion's Night Out in New York City on September 10, 2009
Background information
Birth name	Gwen Renée Stefani
Born	(1969-10-03) October 3, 1969 (age 42) Fullerton, California, United States
Genres	Pop, dance, rock, electronic, R&B
Occupations	Singer-songwriter, record producer, fashion designer, dancer
Instruments	Vocals, guitar[1]
Years active	1986–present
Labels	Interscope
Associated acts	No Doubt, Eve, The Neptunes, Sublime, Dr. Dre, Akon, Outkast
Website	www.gwenstefani.com

Gwen Renée Stefani ( /stɛˈfɑːni/; born October 3, 1969) is an American singer-songwriter and fashion designer. Stefani is the lead vocalist for the rock and ska band No Doubt. Stefani recorded Love. Angel. Music. Baby., her first solo album, in 2004. The album was inspired by music of the 1980s^[2] and was a success with sales of over seven million copies.^[3] The album's third single, "Hollaback Girl", was the first US digital download to sell one million copies.^[4] Stefani's second solo album, The Sweet Escape (2006), yielded "Wind It Up", "4 in the Morning", and the highest-selling single "The Sweet Escape". Including her work with No Doubt, Stefani has sold more than forty million albums worldwide.^[5] She won the World's Best-Selling New Female Artist at the World Music Awards 2005.

In 2003, she debuted her clothing line L.A.M.B. and expanded her collection with the 2005 Harajuku Lovers line, drawing inspiration from Japanese culture and fashion. Stefani performs and makes public appearances with four back-up dancers known as the Harajuku Girls dancers. She married British grunge musician Gavin Rossdale in 2002 and they have two sons: Kingston James McGregor Rossdale, born May 26, 2006, and Zuma Nesta Rock Rossdale, born August 20, 2008. Billboard magazine named Stefani the fifty-fourth artist and thirty-seventh Hot 100 artist of the 2000–09 decade.^[6][7]

Early life[link]

Stefani was born and raised in Fullerton, California,^[8] and grew up in a Roman Catholic household. She attended Loara High School in Anaheim, California.^[9] She was named after a stewardess in the 1968 novel Airport, and her middle name, Renée, comes from The Four Tops' 1968 cover of The Left Banke's 1966 hit song "Walk Away Renée".^[10] Her father, Dennis Stefani, is Italian American and worked as a Yamaha marketing executive.^[11] Her mother, Patti (née Flynn), is of Irish and Scottish descent and worked as an accountant before becoming a homemaker.^[11][12] Gwen's parents were fans of folk music and exposed her to music by artists like Bob Dylan and Emmylou Harris.^[9] She is the second oldest of four children: she has a younger sister, Jill Stefani, a younger brother, Todd, and an older brother, Eric.^[9][12] Eric was the keyboardist for No Doubt; he left the band to pursue a career in animation on The Simpsons on the Fox TV network.^[8]

Many of the women in Stefani's family were seamstresses, and much of her clothing was made by them or her mother. As a child, Stefani's musical interests consisted of musicals such as The Sound of Music and Evita. After making a demo tape for her father, she was encouraged to take music lessons to train her "loopy, unpredictable" voice. Stefani made her onstage debut during a talent show at Loara High School, where she sang "I Have Confidence", from The Sound of Music, in a self-made tweed dress inspired by one from the film.^[1][3] Stefani was on the Loara swim team in an attempt to lose weight.^[13] She first worked at a Dairy Queen and later manned the MAC makeup counter of a department store.^[14] After graduating from high school in 1987,^[1] she began attending Fullerton College before transferring to California State University, Fullerton.^[15]

Career[link]

1986–2004: No Doubt[link]

Eric introduced Gwen to 2 Tone music by Madness and The Selecter, and in 1986 he invited her to provide vocals for No Doubt, a ska band he was forming.^[8] Finally, in 1991, the band was signed to Interscope Records. She also was a featured artist for Sublime on their song "Saw Red", notably before either No Doubt's breakthrough success in 1995 or Sublime's the following year. The band released its self-titled debut album in 1992, but its ska-pop sound was unsuccessful due to the popularity of grunge.^[16] Stefani rejected the aggressiveness of female grunge artists and cited Blondie singer Debbie Harry's combination of power and sex appeal as a major influence.^[17] No Doubt's third album, Tragic Kingdom (1995), which followed the self-released The Beacon Street Collection (1995), took more than three years to make. Soon after Stefani joined No Doubt, she and bandmate Tony Kanal began dating.^[15] Stefani stated that she was heavily invested in the relationship, commenting that "...all I ever did was look at Tony and pray that God would let me have a baby with him."^[1] During this time, the band almost split up because of the failed romantic relationship between Stefani and Kanal.^[18] Kanal ended the relationship.^[19] Their break-up inspired Stefani lyrically, and many of the album's songs, such as "Don't Speak", "Sunday Morning", and "Hey You", chronicle the ups and downs of their relationship.^[20] Five singles were released from Tragic Kingdom and "Don't Speak" led 1996's US year-end airplay chart.^[21] Stefani left college for one semester to tour for Tragic Kingdom but did not return when touring lasted two and a half years.^[9] The album sold more than sixteen million copies worldwide,^[9] and received several Grammy Award nominations.^[22]

No Doubt released the less popular Return of Saturn in 2000, which expands upon the New Wave influences of Tragic Kingdom.^[23] Most of the lyrical content focuses on Stefani's often rocky relationship with then-Bush frontman Gavin Rossdale and her overall insecurities, including indecision on settling down and having a child.^[24] The band's 2001 album, Rock Steady, explored more reggae and dancehall sounds, while maintaining the band's New Wave influences, and generally received positive reviews.^[25] The album generated career-highest singles chart positions in the United States,^[26] and "Hey Baby" and "Underneath It All" received Grammy Awards. A greatest hits collection, The Singles 1992–2003, which includes a cover of Talk Talk's "It's My Life", was released in 2003 to moderate sales. Before the mainstream success of both No Doubt and Sublime, Stefani contributed guest vocals to "Saw Red" on Sublime's 1994 album Robbin' the Hood. During the time when No Doubt was receiving mainstream success, Stefani has collaborated on the singles "South Side" and "Let Me Blow Ya Mind" with Moby and Eve, respectively. In 2002 Eve and Stefani won a Grammy Award for Best Rap/Sung Collaboration for "Let Me Blow Ya Mind".^[27] She also collaborated with The Brian Setzer Orchestra on a cover of "You're the Boss", originally performed by Elvis Presley and Ann-Margret, for its 1998 album The Dirty Boogie.

Stefani made most of the clothing that she wore on stage with No Doubt, resulting in increasingly eclectic combinations. Stylist Andrea Lieberman introduced her to haute couture clothing, which led to Stefani launching a fashion line named L.A.M.B. in 2004.^[9] The line takes influence from a variety of fashions, including Guatemalan, Japanese, and Jamaican styles.^[28] The line achieved popularity among celebrities and is worn by stars such as Teri Hatcher, Nicole Kidman, and Stefani herself.^[29][30] In June 2005, she expanded her collection with the less expensive Harajuku Lovers line, which she referred to as "a glorified merchandise line", with varied products including a camera, mobile phone charms, and undergarments.^[31][32] In late 2006, Stefani released a limited edition line of dolls called "Love. Angel. Music. Baby. Fashion dolls". The dolls are inspired by the various costumes that Stefani and the Harajuku Girls wore while touring for the album.^[33] In late summer 2007, Stefani launched a perfume, L, as a part of her L.A.M.B. collection of clothing and accessories. The perfume has high notes of sweet pea and rose.^[34] In September 2008, Stefani released a fragrance line as a part of her Harajuku Lovers product line. There are five different fragrances based on the four Harajuku Girls and Stefani herself called Love, Lil' Angel, Music, Baby and G (Gwen).^[35]

2004–06: Love. Angel. Music. Baby.[link]

Following No Doubt's hiatus, Stefani sought out her former bandmate Tony Kanal to discuss the possibility of a solo career. The idea was to make a quick dance record, but this became a large collaboration with other artists, producers and various non-ska influences. The result was two successful albums. Currently, Stefani has two solo albums, Love. Angel. Music. Baby. (2004), and The Sweet Escape (2006), with combined sales of nearly twenty million copies.^[36]

	"Hollaback Girl" (2005) noicon The song's beats and composition are based around a drum machine, piano and saxophone. It became Stefani's first US number-one single. "Cool" (2005) noicon The song features a 1980s musical-style with new wave production. It topped the Canadian Singles Chart.
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Stefani performing "Hollaback Girl" in November 2005

Stefani's debut solo album Love. Angel. Music. Baby. was released in November 2004. The album features a large number of collaborations with producers and other artists, including Tony Kanal, Linda Perry, André 3000, Nellee Hooper, The Neptunes and New Order. Stefani created the album to modernize the music to which she listened when in high school, and L.A.M.B. takes influence from a variety of music styles of the 1980s and early 1990s such as New Wave and electro.^[37] Stefani's decision to use her solo career as an opportunity to delve further into pop music instead of trying "to convince the world of [her] talent, depth and artistic worth" was considered unusual.^[2] As a result, reviews of the album were mixed, and it was described as "fun as hell but [...] not exactly rife with subversive social commentary."^[38] The album debuted on the US Billboard 200 albums chart at number seven, selling 309,000 copies in its first week.^[39] It sold well, reaching multi-platinum status in the United States,^[11] the United Kingdom,^[40] Australia,^[41] and Canada.^[42] At the 2005 Grammy Awards, Stefani was nominated for Best Female Pop Vocal Performance for "What You Waiting For?",^[43] and at the next year's awards, Stefani received five nominations for Record of the Year, Album of the Year, Best Female Pop Vocal Performance, Best Pop Vocal Album, and Best Rap/Sung Collaboration.^[44] The first single released from the album was "What You Waiting For?", which charted outside the US top forty,^[45] but reached the top ten on most other charts.^[46] The song served to explain why Stefani produced a solo album and discusses her fears in leaving No Doubt for a solo career^[47] as well as her desire to have a baby.^[48] "Rich Girl" was released as the album's second single. A duet with rapper Eve, and produced by Dr. Dre, it is an adaptation of a 1990s pop song by British musicians Louchie Lou & Michie One, which itself is a cover of "If I Were a Rich Man", from the musical Fiddler on the Roof. "Rich Girl" proved successful on several formats, and reached the US and UK top ten.^[45][49]

L.A.M.B.'s third single "Hollaback Girl" became Stefani's first US and second Australian number-one single; it was less successful elsewhere.^[45][50] The song was the first US digital download to sell more than one million copies legally, and its brass-driven composition remained popular throughout 2005.^[4] The fourth single "Cool" was released shortly following the popularity of its predecessor, but failed to match its chart success, reaching the top twenty in US and UK.^[45][49] The song's lyrics and its accompanying music video, filmed in Lake Como, Italy, depict Stefani's former relationship with Kanal.^[51] "Luxurious" was released as the album's fifth single, but did not perform as well as its predecessors. "Crash" was released in early 2006 as the album's sixth single in lieu of Love. Angel. Music. Baby.'s sequel, which Stefani postponed because of her pregnancy.^[52]

During mid-1995, No Doubt and rock band Goo Goo Dolls went on tour opening for alternative rock band Bush. Stefani met Bush guitarist and lead singer Gavin Rossdale.^[17] They married on September 14, 2002, with a wedding in St Paul's, Covent Garden, London. A second wedding was held in Los Angeles two weeks later.^[53] According to Stefani, it was held so that she could wear her custom-designed wedding dress by John Galliano twice.^[54] A paternity test in 2004 revealed that Rossdale had a daughter, Daisy Lowe (who was fifteen years old then), from a previous relationship with model and designer Pearl Lowe. Stefani was "devastated and infuriated" at the discovery, leading to a rocky patch in her relationship with Rossdale.^[55] Though Rossdale remains Daisy's godfather, he has severed all ties with the Lowes.^[56][57] Stefani's song "Danger Zone" was widely believed to be about the discovery and its aftermath,^[58] which has proven to be impossible because the song was written prior to the incident.^[11]

In 2004, Stefani showed interest in making film appearances and began auditioning for films such as Mr. & Mrs. Smith.^[59] She made her acting debut playing Jean Harlow in Martin Scorsese's The Aviator in 2004 and was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture the following year.^[60] Scorsese, whose daughter was a No Doubt fan, showed reciprocal interest in casting Stefani after seeing her picture from a Marilyn Monroe-inspired photo shoot for Teen Vogue in 2003.^[61][62] To prepare for the role, Stefani read two biographies and watched eighteen of Harlow's films.^[9] Shooting her part took four to five days, and Stefani had few lines.^[63] Stefani lent her voice to the title character of the 2004 video game Malice; before completion, however, the company opted not to use No Doubt band members' voices.^[64]

	"Wind It Up" (2006) noicon The lead single was critically panned, in part because of its interpolation of "The Lonely Goatherd" from The Sound of Music. "The Sweet Escape" (2007) noicon The doowop-inspired title track performed well on the charts worldwide.
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2006-08: The Sweet Escape[link]

Stefani performing "Wind It Up" in May 2007

Stefani's second solo album, The Sweet Escape, was recorded by Guy Charbonneau's Le Mobile Remote Recording Studio and released in December 2006.^[65] Stefani recollaborated with Kanal, Perry, and The Neptunes, along with Akon and Tim Rice-Oxley from English rock band Keane. The album focuses more heavily on electronic and dance music for clubs than its predecessor.^[11] Stefani commented that it differed from L.A.M.B. because "I just wasn't inspired to do another album and…I was a lot more relaxed making it."^[66] Its release coincided with the DVD release of Stefani's first tour, entitled Harajuku Lovers Live. The album received mixed reviews by critics, who found that it "has a surprisingly moody, lightly autobiographical feel... [but] Stefani isn't convincing as a dissatisfied diva"^[67] and called the album a "hasty return" that repeats Love. Angel. Music. Baby. with less energy.^[68]

"Wind It Up", the album's lead single, was panned by critics for its use of yodeling and an interpolation of The Sound of Music,^[69] but was moderately successful, reaching the top twenty in most markets.^[70] The title track was well-received. To promote The Sweet Escape, Stefani was a mentor on the sixth season of American Idol and performed the song with Akon. It became Stefani's most successful song of her solo career and earned her a Grammy Award nomination for Best Pop Collaboration with Vocals.^[71] In November 2006, the club single "Yummy" was released as a three-track maxi promo single and as a 12" vinyl single,^[72][73] both featuring a radio edit, an instrumental and an a cappella version of the song. "4 in the Morning" was released as the album's third single. The album's fourth single was a hybrid version of "Now That You Got It" which featured Damian Marley. "Early Winter" was released in February 2008 with initial success on European charts. To promote the album, Stefani embarked a worldwide tour, The Sweet Escape Tour. The tour covered North America, Europe, Asia and the Pacific and part of Latin America. In an interview with Entertainment Weekly on June 6, 2011, Stefani confirmed that she would no longer continue work as a solo artist, stating, "That was a moment in time [...] It went on a little longer than we all thought it would, because it was inspired and you have to go with wherever you're at in that time in your life... [But] everything works out how it should."^[74]

In December 2005, Stefani and Rossdale announced that they were expecting their first child together. The pregnancy was first reported by Us Weekly, and Stefani confirmed the pregnancy by shouting, "I want you to sing so loud that the baby hears it!" during a concert in Fort Lauderdale, Florida after her press agent stated that it was untrue.^[52] On May 26, 2006, their son, Kingston James McGregor Rossdale, was born via Caesarean section at the Cedars-Sinai Medical Center in Los Angeles.^[75] Kingston weighed 3.4 kg (7 lb 8 oz).^[76] In January 2008, it was confirmed by her father-in-law that Stefani would be expecting her second child.^[77]

2008–present: Return to No Doubt[link]

Stefani during No Doubt's 2009 summer reunion tour

With Stefani promoting her second solo album, No Doubt began initial work on a new album without her^[78] and planned to complete it after Stefani's The Sweet Escape Tour was finished.^[79] In March 2008, the band started making posts concerning the progression of the album on their official fan forum. Stefani made a post on March 28, 2008 stating that songwriting had commenced but was slow on her end because she was, at the time, pregnant with her second child.^[80]

Manager Jim Guerinot said the yet-untitled album is being produced by Mark "Spike" Stent, who helped produce and mix Rock Steady. Between Stefani's pregnancy and recording, No Doubt did not tour in 2008, but Guerinot promised they plan to hit the road hard in 2009 for their first full-fledged band tour in nearly five years.^[81]

The Singles 1992–2003 became available on December 9, 2008 for the video game Rock Band 2.^[82] All members of No Doubt except for Stefani served as Scott Weiland's backing band on the album "Happy" in Galoshes. No Doubt announced on their official website they wanted to tour in 2009^[83] while finishing their upcoming album, which was set for release 2010.^[84] On November 24, 2008, it was announced that No Doubt would be headlining the Bamboozle 2009 festival in May, along with Fall Out Boy. The band completed a national tour in the summer of 2009.^[85] On August 21, 2008, Stefani gave birth via cesarean section to her second son, Zuma Nesta Rock Rossdale, weighing 3.85 kg (8 lb 8 oz). A representative for Stefani said, "Mother, baby and family are all happy and healthy."^[86]

As of January 2011, Stefani has become the spokesperson for L'Oréal Paris.^[87]

Artistry[link]

Vocal ability and influences[link]

Stefani's unusual and dynamic vocals have been noted for their "deep vibrato"^[88] and Stefani has been described as having a "unique vocal prowess".^[89] In the single "Cool", her vocal range covers close to two octaves.^[90] Kelefa Sanneh of The New York Times joked that as Stefani grew as a musician, she kicked her "addiction" to vibrato.^[91] Stefani received five nominations at the 2006 Grammy Awards, including Best Female Pop Vocal Performance and Best Pop Vocal Album.^[44]

Stefani has been influenced by and compared to pop singer Madonna. In 2007 she told Elle magazine, "A lot of my influence came from her early work, like directly, like a Xerox."^[92] However, Madonna told a reporter that Stefani was a copycat and said that "[s]he ripped me off", to which Stefani responded, "Some people say that I copy her. But show me one girl my age who was not influenced by her."^[93] She has been referred to as "the new Madonna" by publications such as The Hollywood Reporter and People.^[94] Some critics also saw the 1980s music style of Love. Angel. Music. Baby. as another way which Stefani was imitating the singer.^[94]

Image and Harajuku Girls[link]

Stefani began wearing a bindi in the mid 1990s after attending several family gatherings for Tony Kanal, who is of Indian heritage.^[95] During No Doubt's breakthrough, Stefani wore the forehead decoration in several of the band's music videos and briefly popularized the accessory in 1997.^[96] First attracting attention in the 1995 music video for "Just a Girl", Stefani is known for her midriff and frequently wears shirts that expose it.^[97] Stefani's makeup design generally includes light face powder, bright red lipstick, and arched eyebrows; she wrote about the subject in a song titled "Magic's in the Makeup" for No Doubt's Return of Saturn, asking "If the magic's in the makeup/Then who am I?".^[9]

Stefani at the 2011 Cannes Film Festival.

Stefani is a natural brunette, though her hair has not been its natural color since she was in ninth grade.^[98] Since late 1994, she has had platinum blonde hair. Stefani discussed this in the song "Platinum Blonde Life" on Rock Steady and played original blonde bombshell Jean Harlow in the 2004 biopic The Aviator.^[99] Stefani also dyed her hair blue in 1998^[96] and pink in 2000,^[100] appearing on the cover of Return of Saturn with pink hair.

In 2006, Stefani modified her image, inspired by that of Michelle Pfeiffer's character in the 1983 film Scarface.^[3] The reinvented image included a symbol consisting of two back-to-back G's, which appears on a diamond-encrusted key she wears on a necklace and which became a motif in the promotion of The Sweet Escape.^[32] Stefani raised concerns in January 2007 about her rapid weight loss following her pregnancy. She stated she lost the weight through diet and exercise but admitted to obsessing over her weight due to the size zero trend.^[101] She later stated that she had been on a diet since the sixth grade to fit in size 4 clothing, commenting, "It's an ongoing battle and it's a nightmare. But I like clothes too much, and I always wanted to wear the outfits I would make."^[102] A wax figure of Stefani was unveiled at Madame Tussauds Las Vegas at The Venetian on September 22, 2010.^[103]

Stefani performing with the Harajuku Girls, dressed as nurses, on the Harajuku Lovers Tour 2005

The release of Stefani's first solo album brought attention to her entourage of four Harajuku Girls, named for the area around the Harajuku Station of Tokyo, Japan. Stefani treats the back-up dancers, who appear in outfits influenced by Gothic Lolita fashion,^[104] as a figment of her imagination. Stefani's clothing also took influence from Japanese fashion, in a style described as a combination between Christian Dior and Japan.^[48] The dancers are featured in her music videos, press coverage, and on the album cover for Love. Angel. Music. Baby., with a song named for and dedicated to them on the album. They were also featured in, and the namesake for, Stefani's Harajuku Lovers Tour 2005.

Philanthropy[link]

Following the 2011 Tōhoku earthquake and tsunami, Stefani donated $1 million to Save the Children's Japan Earthquake–Tsunami Children in Emergency Fund.^[105] Stefani also ran an auction on eBay from April 11 to April 25, 2011, allowing participants to bid on vintage clothing items from her personal wardrobe and custom T-shirts designed and signed by her, as well as on admission to a private Harajuku-themed tea party hosted by her on June 7, 2011 at Los Angeles' first-ever Japanese-style maid café and pop art space, Royal/T, with proceeds from the auction going to Save the Children's relief effort.^[106][107] At the amfAR gala during the 2011 Cannes Film Festival, Stefani auctioned off the lacy black dress she wore at the event for charity, raising over $125,000.^[108] The dress sparked controversy after a representative for designer Michael Angel—who helped Stefani with the design and worked as a stylist—alleged that it was Angel who created the gown, not Stefani.^{[108][109][110]} In response, Angel released an statement confirming that the dress was designed by Stefani for L.A.M.B. to wear and be auctioned off at the amfAR gala, adding, "I'm disappointed that the focus has shifted away from what Gwen and I originally intended, which was to create a custom outfit for a great cause. We both were thrilled with the outcome and enjoyed the process. I have nothing but respect for her and look forward to working with her on more projects in the future."^[111]

Discography[link]

• Love. Angel. Music. Baby. (2004)
• The Sweet Escape (2006)

Tours[link]

• Harajuku Lovers Tour 2005 (2005)
• The Sweet Escape Tour (2007)

Filmography[link]