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A county is a geographical region of a country used for administrative or other purposes ^[1] in certain modern nations. Its etymology derives from the Old French term, conté or cunté and could denote a jurisdiction in mainland Europe, under the sovereignty of a viscount.^[2] The modern French is comté, and its equivalents in other languages are contea, contado, comtat, condado, Grafschaft, Gau, etc.) (cf. conte, comte, conde, Graf).

When the Normans conquered England, they brought the term with them. The Saxons had already established the regions that became the Historic counties of England calling them shires.^[3] The Vikings introduced the term earl (from Old Norse, jarl) to the British Isles. Thus, "earl" and "earldom" were taken as equivalent to the continental use of "count" and "county". So, the later-imported term became a synonym for the native English word scir ([ʃir]) or, in Modern English, shire

Since a shire was an administrative division of the kingdom, the term "county" evolved to designate an administrative division of national government in most modern uses.

A county may be further subdivided into townships or other administrative jurisdictions under the county's control. The boundaries of a county usually, but not always, contain cities, villages, towns, townships or other municipal corporations. Depending on the particular nation, municipalities might or might not be subject to direct or indirect county control.

In the United Kingdom, many county names derive from the name of the county town with the word "shire" added on: for example, Gloucester, in Gloucestershire; Worcester, in Worcestershire; etc.^[4]

Outside the Anglophone community of nations, the term "county" is often used to describe sub-national jurisdictions that are structurally equivalent to counties in the relationship they have with their national government; but which may or may not be operationally equivalent to the county as that entity is known in predominantly English-speaking countries.

Australia[link]

In the eastern states of Australia, counties are lands administrative divisions.

Canada[link]

Five of the ten Canadian provinces use county as a regional subdivision. These include all four original provinces, New Brunswick, Nova Scotia, Ontario, and Quebec, and the seventh province, Prince Edward Island. In addition to counties, Ontario is also subdivided into territorial districts, district municipalities, metropolitan municipalities, and regional municipalities. In Alberta, the county used to be a type of municipal status; but this was changed to "municipal district" under the Municipal Government Act, when the County Act was repealed in the mid-1990s, at which time they were also permitted to retain the usage of county in their official names.^[5]

China[link]

The word "county" is used to translate the Chinese term xiàn (县 or 縣). On Mainland China under the People's Republic of China, counties are the third level of local government, coming under both the province level and the prefecture level.

There are 1,464 counties in mainland China out of a total of 2,862 county-level divisions. The number of counties has remained more or less constant since the Han Dynasty (206 BC–AD 220). The county remains one of the oldest levels of government in China and significantly predates the establishment of provinces in the Yuan Dynasty (1279–1368). The county government was particularly important in imperial China because this was the lowest layer at which the imperial government functioned. The head of a county during imperial times was the magistrate.

In older context, "prefecture" and "district" are alternative terms to refer to xiàn before the establishment of the Republic of China. The English nomenclature "county" was adopted following the establishment of the ROC.

Denmark[link]

Denmark was divided into counties (amter) from 1662 to 2006. On 1 January 2007 the counties were replaced by five Regions. At the same time, the number of municipalities was slashed from 271 to 98.

The counties were first introduced in 1662, replacing the 49 fiefs (len) in Denmark–Norway with the same number of counties. This number does not include the subdivisions of the Duchy of Schleswig, which was only under partial Danish control. The number of counties in Denmark (excluding Norway) had dropped to c. 20 by 1793. Following the reunification of South Jutland with Denmark in 1920, four counties replaced the Prussian Kreise. Aabenraa and Sønderborg County merged in 1932 and Skanderborg and Aarhus were separated in 1942. From 1942 to 1970, the number stayed at 22.^[6] The number was further decreased by the 1970 Danish municipal reform, leaving 14 counties plus two cities unconnected to the county structure; Copenhagen and Frederiksberg.

In 2003, Bornholm County merged with the local four municipalities, forming the Bornholm Regional Municipality. The remaining 13 counties were abolished on 1 January 2007 where they were replaced by five new regions. In the same reform, the number of municipalities was slashed from 270 to 98 and all municipalities now belong to a region.

France[link]

A comté was a territory ruled by a count (comte) in medieval France. In modern France, the rough equivalent of a "county" as used in many English-speaking countries are arrondissements, though the term is usually translated as "district".

Germany[link]

For the situation in Germany compare Kreise.

Each administrative district consists of an elected council and an executive, and whose duties are comparable to those of a county executive in the United States, supervising local government administration.

Hungary[link]

The administrative unit of Hungary is called megye (historically, they were also called vármegye, or comitatus in Latin), which can be translated with the word county. The 19 counties constitute the highest level of the administrative subdivisions of the country together with the capital city Budapest, although counties and the capital are grouped into seven statistical regions.

Counties are subdivided to municipalities, the two types of which are towns and villages, each one having their own elected mayor and council. 23 of the towns have the rights of a county although they do not form independent territorial units equal to counties. Municipalities are grouped within counties into subregions (kistérség in Hungarian), which have statistical and organizational functions only.

The vármegye was also the historic administrative unit in the Kingdom of Hungary, which included areas of present-day neighbouring countries of Hungary. Its Latin name (comitatus) is the equivalent of the French comté. Actual political and administrative role of counties changed much through history. Originally they were subdivisions of the royal administration, but from the 13th century A.D. they became self-governments of the nobles and kept this character until the 19th century when in turn they became modern local governments.

Iran[link]

Counties of Iran

The provinces of Iran are further subdivided into counties called shahrestan (Persian: شهرستان shahrestān‎), an area inside an ostan, and consisting of a city centre, a few bakhsh (Persian: بخش bakhsh‎), and many villages around them. There are usually a few cities (Persian: شهر shahr‎) and rural agglomerations (Persian: دهستان dehestān‎) in each county. Rural agglomerations are a collection of a number of villages. One of the cities of the county is appointed as the capital of the county.

Each shahrestan has a government office known as Farmandari, which coordinates different events and government offices. The Farmandar, or the head of Farmandari, is the governor of the Shahrestan.

Fars Province has the highest number of Shahrestans, with 23, while Semnān and South Khorasan have only 4 Shahrestans each; Qom uniquely has one, being coextensive with its namesake county. Iran had 324 Shahrestans in 2005.

Ireland[link]

The island of Ireland was historically divided into 32 counties, of which 26 later formed the Republic of Ireland and 6 made up Northern Ireland.

These counties are traditionally grouped into 4 provinces - Leinster (12), Munster (6) Connacht (5) and Ulster (9). Historically, the counties of Meath, Westmeath and small parts of surrounding counties constituted the province of Mide, which was one of the "Five Fifths" of Ireland (in the Irish language the word for province, Cuige, from Cuig, five means "a fifth"); however, these have long since become the three northernmost counties of Leinster province. In the Republic each county is administered by an elected "county council", and the old provincial divisions are merely traditional names with no political significance.

The number and boundaries of administrative counties in the Republic of Ireland were reformed in the 1990s. For example County Dublin was broken into three: Dún Laoghaire–Rathdown, Fingal, and South Dublin - the City of Dublin had existed for centuries before. In addition "County Tipperary" is actually two administrative counties, called North Tipperary and South Tipperary while the major urban centres Cork, Galway, Limerick, and Waterford have been separated from the town and rural areas of their counties. Thus, the Republic of Ireland now has thirty-four 'county-level' authorities, although the borders of the original twenty-six counties are still officially in place.^[7]

In Northern Ireland, the six county councils and the smaller town councils were abolished in 1973 and replaced by a single tier of local government. However, in the north as well as in the south, the traditional 32 counties and 4 provinces remain in common usage for many sporting, cultural and other purposes. County identity is heavily reinforced in the local culture by allegiances to county teams in Hurling and Gaelic football. Each GAA county has its own flag/colours (and often a nickname too), and county allegiances are taken quite seriously. See the counties of Ireland and the Gaelic Athletic Association.

Liberia[link]

Liberia has 15 counties, each of which elects two senators to the Liberian Senate.

Lithuania[link]

Apskritis (pl. apskritys) is the Lithuanian word for county. Since 1994 Lithuania has 10 counties; before 1950 it had 20. The only purpose with the county is an office of a state governor who shall conduct law and order in the county. See counties of Lithuania.

New Zealand[link]

After New Zealand abolished its provinces in 1876, a system of counties similar to other countries' systems was instituted, lasting until 1989. They had chairmen, not mayors as boroughs and cities had; many legislative provisions (such as burial and land subdivision control) were different for the counties.

During the second half of the 20th century, many counties received overflow population from nearby cities. The result was often a merger of the two into a "district" (e.g. Rotorua) or a change of name to "district' (e.g. Waimairi) or "city" (e.g. Manukau City).

The Local Government Act 1974 began the process of bringing urban, mixed, and rural councils into the same legislative framework. Substantial reorganisations under that Act resulted in the 1989 shake-up, which covered the country in (non-overlapping) cities and districts and abolished all the counties except for the Chatham Islands County, which survived under that name for a further 6 years but then became a "Territory" under the "Chatham Islands Council".

Norway[link]

Norway is divided into 19 counties (sing. fylke, plur. fylke/fylker) since 1972. Up to that year Bergen was a separate county, but is today a municipality in the county of Hordaland. All counties form administrative entities called county municipalities (sing. fylkeskommune, plur. fylkeskommunar/fylkeskommuner), further subdivided into municipalities, (sing. kommune, plur. kommunar/kommuner). One county, Oslo, is not divided into municipalities, rather it is equivalent to the municipality of Oslo.

Each county has its own county council (fylkesting) whose representatives are elected every four years together with representatives to the municipal councils. The counties handle matters as high schools and local roads, and until 1 January 2002 hospitals as well. This responsibility was transferred to the state-run health authorities and health trusts, and there is a debate on the future of the county municipality as an administrative entity. Some people, and parties, such as the Conservative and Progress Party, call for the abolishment of the county municipalities once and for all, while others, including the Labour Party, merely want to merge some of them into larger regions.

Poland[link]

A second-level administrative division in Poland is called a powiat. (This is a subdivision of a voivodeship, or province, and is further subdivided into gminas.) The term is often translated into English as county (or sometimes district).

Romania[link]

Romania is divided into 41 jurisdictions. A jurisdiction is called a județ.

The Romanian word for county, comitat, is not currently used for any Romanian administrative divisions.

Sweden[link]

The Swedish division into counties was established in 1634, and was based on an earlier division into Provinces. Sweden is today divided into 21 counties. At the county level there is a county administrative board led by a governor appointed by the central government of Sweden, as well as an elected county council that handles a separate set of issues, notably hospitals and public transportation for the municipalities within its borders.

The Swedish term used is län, which literally means "fief".

Republic of China (Taiwan)[link]

County is the common English translation for the character 縣 that denotes the current first level political division in Taiwan. See County (Republic of China)

United Kingdom[link]

The United Kingdom is divided into a number of metropolitan and non-metropolitan counties. There are also ceremonial counties which group small non-metropolitan counties into geographic areas broadly based on the historic counties of England. The metropolitan and non-metropolitan counties had replaced in 1974 a system of administrative counties and county boroughs which were introduced in 1889.

Most non-metropolitan counties in England are run by county councils and divided into non-metropolitan districts, each with its own council. Local authorities in the UK are usually responsible for running education, emergency services, planning, transport, social services, and a number of other functions.

In England, in the Anglo-Saxon period, Shires were established as areas used for the raising of taxes, and usually had a fortified town at their centre. These became known as the shire town or later the county town. In most cases, the shires were named after their shire town (for example Bedfordshire) however several exceptions exist, such as Cumberland, Norfolk and Suffolk. In several other cases, such as Buckinghamshire, the town which came to be accepted as the county town is different from that after which the shire is named. (See Toponymical list of counties of the United Kingdom)

The name 'county' was introduced by the Normans, and was derived from a Norman term for an area administered by a Count (lord). These Norman 'counties' were simply the Saxon shires, and kept their Saxon names. Several traditional counties, including Essex, Sussex and Kent, predate the unification of England by Alfred the Great, and originally existed as independent kingdoms.

In Northern Ireland, the six county councils, if not their counties, were abolished in 1973 and replaced by 26 local government districts. The traditional six counties remain in common everyday use for many cultural and other purposes.

The thirteen historic counties of Wales were fixed by Statute in 1539 (although counties such as Pembrokeshire date from 1138) and most of the shires of Scotland are of at least this age. In the Gaelic form, Scottish traditional county names are generally distinguished by the designation "siorramachd"- literally "sherrifdom" e.g. Siorramachd Earra-ghaidheal (County of Argyll). This term corresponding to the jurisdiction of the Sheriff in the Scottish legal system.

The county boundaries of England have changed little over time. In the mediæval period, a number of important cities were granted the status of counties in their own right, such as London, Bristol and Coventry, and numerous small exclaves such as Islandshire were created. The next major change occurred in 1844, when many of these exclaves were re-merged with their surrounding counties (for example Coventry was re-merged with Warwickshire).

In 1965 and 1974–1975, a major re-organisation of local government created in England and Wales several new administrative counties such as Hereford and Worcester and also created several new metropolitan counties which served large urban areas as a single administrative unit. In Scotland county-sized local government was replaced by larger regions, which lasted until 1996. Modern local government in Scotland, Wales, Northern Ireland and a large part of England is based on the concept of smaller unitary authorities (a system similar to that which the Redcliffe–Maud Report proposed for most of Britain in the 1960s).

United States[link]

There are currently 3,143 counties and county-equivalents in the United States

As with the shires of Anglo-Saxon England, counties in U.S. states are administrative divisions of the state in which their boundaries are drawn. Where they exist, they are the intermediate tier of unitary state government, between the statewide tier and the immediately local government tier. Counties are used in 48 of the 50 unitary states; the other two states (Connecticut and Rhode Island) have abolished their counties as functional entities, and Massachusetts is in the process of doing so. Of these remaining 48 states, 46 use the term "county" while Alaska and Louisiana use the terms "borough" and "parish", respectively, for analogous jurisdictions.

Depending on the individual state, counties or their differently named equivalent may be administratively subdivided into townships. In these cases, the township is generally subordinate to the county, which is generally subordinate to the state. Variations in terminology are found in New York, which inverts the terms "town" and "township" (i.e., a New York "town" being what most other states call a "township"; and a New York "township" being what most other states call a "town" or "village");^{[citation needed]} and Michigan, which since 1947 has distinguished between "townships" (not self-governing) and "Charter Townships" (self-governing). In most states, municipal corporations (i.e. cities, villages or towns) file their reports to the state through the county.^{[citation needed]} In Virginia, however, all cities are independent and report directly to the commonwealth government; but notwithstanding they are not part of the county, they might operate as a county seat (e.g. the Independent City of Fairfax is the seat of Fairfax County, though it is not legally within Fairfax County). California has abolished its townships, though may general law cities continue to use the word "Town" as part of their name (e.g. "Town of Atherton" when it is, legally, the City of Atherton).^{[citation needed]}

Louisiana has entities equivalent to counties called parishes. Alaska is divided into boroughs, which typically provide fewer local services than do most U.S. counties, as the state government furnishes many services directly. Some of Alaska's boroughs have merged geographical boundaries and administrative functions with their principal (and sometimes only) cities; these are known as unified city-boroughs and result in some of Alaska's cities ranking among the geographically largest "cities" in the world. Nevertheless, Alaska considers such entities to be boroughs, not cities. Alaska is also unique in that more than half the geographic area of the state is in the "Unorganized Borough", a legal entity in which the state also functions as the local government.^{[citation needed]}

New York has a unique system where 57 of its 62 counties are independently-operated administrative divisions of the state, with normal county executive powers; while the remaining five are administrative divisions of the City of Greater New York. These five are each called borough in context of City government – Manhattan, The Bronx, Queens, Brooklyn, and Staten Island (formerly Richmond); but are still called "county" where state function is involved, e.g., "New York County Courthouse", not "Manhattan". The county names correlate to the borough names as follows: New York County = Manhattan, Bronx County = The Bronx, Queens County = Queens, Kings County = Brooklyn, and Richmond County = Staten Island.

In two states and parts of a third, county government as such does not exist, and county refers to geographic regions or districts. In Connecticut,^[8] Rhode Island^[9] and parts of Massachusetts^[10][11] counties exist only to designate boundaries for such state-level functions as park districts (Connecticut) or judicial offices (Connecticut and Massachusetts). In states where county government is nonexistent or weak (e.g., New Hampshire, Vermont), town government may provide some or all of the local government services.

Most counties have a county seat, usually a city,^{[citation needed]} where its administrative functions are centered. Exceptions include the nation's smallest county, Arlington County, Virginia, which contains no municipalities. In several instances throughout the nation, a municipality has merged with a county into one jurisdiction so the county seat is coextensive with the county. This is the case in the City and County of San Francisco, CA, and in the City and County of Philadelphia, PA. A similar arrangement is found in the "Metropolitan Government of Nashville and Davidson County" where the metropolis of Nashville has merged into the county of Davidson (but, other than Nashville, a few municipalities - such as Belle Meade - still exist with some administrative functions). Miami-Dade in south Florida is a unique example of the merger of some functionality resulting in a two tier arrangement of governmental authority and administrative responsibility. New York City is famously coextensive with five counties or boroughs: the Bronx (which is Bronx County), Brooklyn (Kings County), Manhattan (New York County), Queens (Queens County), and Staten Island (Richmond County). Some New England states use the term shire town to mean "county seat".

References[link]

Kenneth Donald "Kenny" Rogers^[1] (born August 21, 1938) is an American singer-songwriter, photographer, record producer, actor, and entrepreneur. Though he has been most successful with country audiences, he has charted more than 120 hit singles across various music genres and topping the country and pop album charts for more than 200 individual weeks in the United States alone.

Two of his albums, The Gambler and Kenny, are featured in the About.com poll of "The 200 Most Influential Country Albums Ever".^[2] He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People.^[3] He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.^[4]

Later success includes the 2006 album release, Water & Bridges, an across the board hit, that peaked at #5 in the Billboard Country Albums sales charts, also charting high in the Billboard 200. The first single from the album, "I Can't Unlove You," was also a chart hit. Remaining a popular entertainer around the world, the following year he completed a tour of the United Kingdom and Ireland, telling BBC Radio 2 DJ Steve Wright his favorite hit was "The Gambler". He has also acted in a variety of movies and television shows, most notably the title roles in Kenny Rogers as The Gambler and the MacShayne series as well as his appearance on The Muppet Show.^[5][6]

Personal life[link]

Rogers was born in Houston, Texas, in 1938, the fourth of seven children born to Lucille (née Hester; d. 1991), a nurse, and Edward Floyd Rogers (d. 1975), a carpenter.^[7] Rogers graduated from Jefferson Davis High School in Houston.

Career[link]

Early career[link]

His career began in the mid 1950s when he recorded with a doo-wop group called The Scholars, who had some success with a single called "Poor Little Doggie." Rogers was not the lead singer of the group and after two more singles they disbanded when their leader went solo.

Now on his own, Kenneth Rogers (as he was billed then) followed the breakup with his own single, a minor solo hit called "That Crazy Feeling" (1958). After sales slowed down, Rogers joined a jazz group called The Bobby Doyle Trio, who got a lot of work in clubs thanks to a reasonable fan following and also recorded for Columbia Records. The group disbanded in 1965, and a 1966 jazzy rock single Rogers recorded for Mercury Records, called "Here's That Rainy Day" failed. Rogers also worked as a producer, writer and session musician for other performers; including country artists Mickey Gilley and Eddy Arnold. In 1966 he joined The New Christy Minstrels as a singer and double bass player.

Feeling that the Minstrels were not offering the success they wanted, Rogers and fellow members Mike Settle, Terry Williams, and Thelma Camacho left the group. They formed The First Edition in 1967 (later renamed "Kenny Rogers and The First Edition"). They chalked up a string of hits on both the pop and country charts, including "Something's Burning", "Ruby, Don't Take Your Love to Town", "Reuben James" and "Just Dropped In (To See What Condition My Condition Was In)." In his First Edition days, Rogers had something of a hippie image, sporting long brown hair, an earring, and pink sunglasses.

When the group split in 1976, Rogers launched his solo career. Rogers soon developed a more middle of the road sound, with a somewhat rough but tuneful voiced style that sold to both pop and country audiences; to date, he has charted more than 60 top 40 hit singles (including upwards of 25 #1's) and 50 of his albums have charted. His music has also been featured in top selling movie soundtracks, such as Convoy, Urban Cowboy and The Big Lebowski.^[8][9]

Solo career[link]

Rogers in 1981.

After leaving The First Edition in 1976, after almost a decade with the group, Rogers signed a solo deal with United Artists. Butler and Rogers began a partnership that would last four years.

Rogers first outing for his new label was Love Lifted Me. The album charted and two singles "Love Lifted Me" and "While the Feeling's Good" were minor hits. The song "Runaway Girl" was featured in the motion picture Trackdown. Later in 1976, Rogers issued his second album, the self-titled Kenny Rogers, whose first single "Laura (What's He Got That I Ain't Got)", was another solo hit.

The single "Lucille" (1977) was a major hit, reaching number one on the pop charts in 12 countries, selling over five million copies, and firmly establishing Rogers' post-First Edition career. On the strength of "Lucille", the album Kenny Rogers reached #1 in the Billboard Country Album Chart. More success was to follow, including the multi-million selling album The Gambler and another international Number 1 single, "Coward of the County", taken from the equally successful album, Kenny. In 1980, the Rogers/Butler partnership came to an end, though they would occasionally reunite: in 1987 on the album I Prefer the Moonlight and again in 1993 on the album If Only My Heart Had a Voice.

In the late 1970s, Rogers teamed up with close friend and country singer Dottie West for a series of albums and duets. Together the duo had three hit albums, selling out stadiums and arenas while on tour. Their hits together "Every Time Two Fools Collide", "Anyone Who Isn't Me Tonight" and "What Are We Doin' in Love" became Country standards. Of West, Rogers stated in a 1995 TNN interview "She, more than anybody else I ever worked with, sang with such emotion that you actually believed what she sang." Rogers was with West when she died after sustaining injuries in a 1991 car accident. In 1995 he starred opposite Michele Lee in the CBS biopic Big Dreams and Broken Hearts: The Dottie West Story.^{[citation needed]}

In 1980, his duet with Kim Carnes "Don't Fall in Love with a Dreamer" became a major hit. Later in 1980 came his partnership with Lionel Richie who wrote and produced Rogers' #1 hit "Lady". Richie went on to write and produce Rogers' 1981 album Share Your Love, a chart topper and commercial favorite featuring hits such as "I Don't Need You" (Pop #3), "Through the Years" (Pop #13), and "Share Your Love with Me" (Pop #14). His first Christmas album was also released that same year. In 1982, Rogers released the album Love Will Turn You Around. The Love Will Turn You Around (song) reached #13 on the Billboard Hot 100 and topped the country and AC charts. due to its exposure as the theme song of Rogers' 1982 film Six Pack. Shortly after he started working with producer David Foster in 1983 recording the smash Bob Seger cover "We've Got Tonight", a duet with Sheena Easton.

He went on to work with the Bee Gees to record and produce his 1983 hit album Eyes That See in the Dark, featuring the title track and yet another #1 hit "Islands in the Stream", a duet with Dolly Parton. The Gibbs originally wrote the song for Marvin Gaye in an R&B style, only later to change it for the Kenny Rogers album.^[10] The partnership with Bee Gees only lasted one album, which was not a surprise considering that Rogers' original intentions were to work with Barry Gibb in only one song but Barry insisted on them doing the entire album.

"Islands in the Stream", Rogers' duet with Dolly Parton, was the first single to be released from Eyes That See in the Dark in the United States, and it quickly went to #1 in the Billboard Hot 100 (it would prove to be the last country single to reach #1 on that chart until "Amazed" by Lonestar did so in 2000), as well as topping Billboard's country and adult contemporary singles charts; it was certified Platinum by the Recording Industry Association of America for shipping two million copies in the United States. Rogers would reunite with Parton in 1984 for a holiday album and TV special, Once Upon a Christmas, as well as a 1985 duet "Real Love", which also topped the U.S. country singles chart.^{[citation needed]}

Despite the "Islands in the Stream"s success, however, RCA insisted on releasing Eyes' title track as the first UK single, and the song stalled at a disappointing #61 there, although it did stay in the top 100 for several weeks (when it was eventually released in the United States, it was more successful, charting high on the Adult Contemporary chart and making the country top 30). "Islands in the Stream" was issued as a followup single in Britain and sold well, making #7. The album itself reached #1 on the country charts on both sides of the Atlantic and enjoyed multi-million sales. "Buried Treasure," "This Woman" and "Evening Star"/"Midsummer Nights" were also all successful singles from the album.

Shortly after came the album What About Me?, a hit whose title track, a trio performance with James Ingram and Kim Carnes, was nominated for a Grammy award; the single "Crazy" (not to be confused with the Willie Nelson-penned Patsy Cline hit) topped the country charts. David Foster was to work again with Rogers in his 1985 album The Heart of the Matter, although this time Foster was playing backing music rather than producing, a role given to George Martin. This album was another success, going to #1, with the title track making to the top ten category in the singles charts.

The next few years saw Rogers scoring several top country hits on a regular basis, including "Twenty Years Ago," "Morning Desire," "Tomb of the Unknown Love", among others. On January 28, 1985 Rogers was one of the 45 artists who recorded the worldwide charity song "We Are the World" to support hunger victims in Africa. The following year he played at Giants Stadium.^{[citation needed]}

In January 1987, Rogers co-hosted the American Music Awards at the Shrine Auditorium in Los Angeles. In 1988 Rogers won a grammy "Best Country Collaboration with Vocals" with Ronnie Milsap — "Make No Mistake, She's Mine". In the 1990s Rogers continued to chart with singles such as "Crazy In Love", "If You Want To Find Love" and "The Greatest". His second Christmas album entitled "Christmas in America" was released in 1989 for Reprise Records. From 1991-94, Rogers hosted The Real West on A&E, and on The History Channel since 1995 (Reruns only on The History Channel). He visited Miller's during this time period. From 1992-95, Rogers co-owned and headlined Branson, Missouri's 4,000 seat Grand Palace Theatre. In 1994, Rogers released his "dream" album titled Timepiece on Atlantic Records. It consisted of 1930s/40s jazz standards; it was the type of music he performed in his early days with The Bobby Doyle Three in Houston.^{[citation needed]}

In 1996 he released an album Vote For Love where the public requested their favorite love songs and Rogers performed the songs (several of his own hits were in there). The album was the first for the TV shopping channel QVC's record label, onQ Music. The album, sold exclusively by QVC, was a huge success and was later issued in stores under a variety of different titles. It reached #1 in the UK country charts under the title Love Songs (a title also used for various compilations) and also crossed over into the mainstream charts.

In 1999 Rogers scored with the single "The Greatest", a song about life from a child's point of view (looked at through a baseball game). The song reached the top 40 of Billboard's Country singles chart and was a Country Music Television Number One video. It was on Rogers' album She Rides Wild Horses the following year (itself a top 10 success). In 1999, Rogers also produced a song, "We've Got It All", specifically for the series finale of the ABC show Home Improvement. Not on any album, the recording sells for a high sum at auction.^{[citation needed]}

Beyond the 1990s[link]

Kenny Rogers in 2004

In the 21st century, Rogers was back at #1 for the first time in more than a decade with the 2000 single "Buy Me a Rose". In doing so, he broke a 26-year-old record held by Hank Snow (who, in April 1974, was 59 years and 11 months old when he scored with "Hello Love"). Rogers held the record until 2003, when then 70-year-old Willie Nelson became the oldest artist to have a No. 1 on the country charts with his duet with Toby Keith, "Beer for My Horses".

Although Rogers did not record new albums for a couple of years, he continued to have success in many countries with more greatest hits packages. In 2004 42 Ultimate Hits, which was the first hits collection to span his days with the First Edition to the present, reached Number 6 on the American country charts and went gold. It also featured two new songs, "My World Is Over" with Whitney Duncan and "We Are the Same". "My World Is Over" was released as a single and was a minor hit. In 2005 The Very Best of Kenny Rogers, a double album, sold well in Europe. It was the first new solo Kenny Rogers hits album to reach the United Kingdom for over a decade, despite many compilations there that were not true hits packages.

Rogers also signed with Capitol Records and had more success with the TV advertised release 21 Number Ones in January 2006. Although this CD did contain 21 chart-toppers as the title claims (recorded between 1976 and the present day), this was not a complete collection of Rogers' #1 singles, omitting such singles as "Crazy in Love" and "What About Me?"

Much of his success was during the period from 1976 to 1983, when he was signed to United Artists and later Liberty. It is very rare for an artist of Rogers' age to be signed to a major label. Capitol followed 21 Number Ones with Rogers' new studio album, Water And Bridges, in March 2006 on the Capitol Nashville Records label. The first single from the album was "I Can't Unlove You" which peaked at # 1 7 on the country charts, after spending over 6 months on the hit list, more than 50 years after he formed his first group and 38 years after his first major hit as leader of The First Edition; the song remains in recurrent airplay on some radio stations today. "I Can't Unlove You" was followed up with the second single from the album, "The Last Ten Years (Superman)", in September 2006. The third single, "Calling Me," which features Don Henley, became popular in early 2007, and was nominated for a Grammy Award at the 2007 Grammy Awards. Also in 2007, the 1977 "Kenny Rogers" album was re-issued as a double play CD, also featuring the 1979 "Kenny" album and this once again put Rogers' name into the sales charts worldwide. The following year, another compilation album ("A Love Song Collection") also charted. He currently lives in Atlanta.

As of 2011 Rogers has recorded 65 albums and sold over 190 million records.^[11][12]

On August 26, 2008, Rogers released "50 Years"^[13] exclusively at Cracker Barrel stores. The album includes some of Rogers' greatest hits, plus 3 new songs. The release is designed to celebrate Rogers' 50th year in the music business. However, it should be noted Rogers has been in the music business for more than 50 years including his releases with The Scholars, who recorded for a local label in Houston. 1958 was the year he signed his first recording deal with a major label. In 2007 the England national rugby union team team adopted Rogers song "The Gambler" as their unofficial 2007 Rugby World Cup anthem,^[14] after hearing prop Matt Stevens playing it in the team hotel. Before the Semi-final against France and the Final against South Africa, Rogers sent video messages of support to the team in light of them choosing his song. He offered to come to England and party with the team if they won the World Cup.

In 2008 Rogers toured with his Christmas Show. He split the show up, making the first half his "best of" and the second half his Christmas songs. One such show was at Mohegan Sun Casino^[15] in Uncasville, Connecticut.

In 2009 he toured the United Kingdom. In 2009, Rogers embarked on his 50th Anniversary Tour. The tour went around the United States, Britain and Ireland.

On April 10, 2010, a TV special was taped, Kenny Rogers: The First 50 Years. Dolly Parton and Lionel Richie were among those set to perform with Kenny during a show celebrating his contribution to country, blues and pop music, It took place at the MGM Grand in Foxwoods. This special is set debut on March 8, 2011 on Great American Country.^{[dated info]}

Outside music[link]

Rogers also had success as an actor. His 1982 movie Six Pack, in which he played a race-car driver, took more than $20 million at the United States box office, while made-for-TV movies such as The Gambler, Christmas in America, and Coward of the County (based on hit songs of his) topped ratings lists.

As an entrepreneur, he collaborated with former Kentucky Fried Chicken CEO John Y. Brown, Jr. in 1991 to start up the restaurant chain Kenny Rogers Roasters. The chicken and ribs chain, which is similar to Boston Market, was famously featured in an episode of the NBC sitcom Seinfeld called "The Chicken Roaster". On the November 27, 1997, broadcast of Late Night with Conan O’Brien, Rogers could not pick his chicken out in a taste test, claiming he preferred "greasy burgers."^{[citation needed]}

Rogers and his restaurant were subjects of comedy from MADtv, especially the impersonation done by Will Sasso; the sketch of the faux-Rogers hosting Jackass became popular on the Internet.

Rogers put his name to the Gambler Chassis Co., a Sprint car racing manufacturer started by C. K. Spurlock in Hendersonville, Tennessee. The company used the name from Rogers hit song The Gambler. During the 1980s/90s, Gambler was one of the fastest and widely used Sprintcars with such drivers as Steve Kinser, Sammy Swindell and Doug Wolfgang driving the cars to victory in the World of Outlaws and the famous Knoxville Nationals. Gambler sprintcars were also successful in Australia with drivers such as Garry Rush and Steve Brazier using Gamblers to win multiple Australian Sprintcar Championships.

Rogers appeared in a 2004 episode of Reno 911 as himself being subjected to incompetent security provided by starstruck sheriff's deputies to comical effect.

Marriages[link]

• Wanda Miller, June 1, 1997 – present; 2 children
• Marianne Gordon, October 1, 1977 – 1993, divorced; 1 child
• Margo Anderson, October 1964 – 1976, divorced; 1 child
• Jean Rogers, October 1960 – 1963, divorced
• Janice Gordon, May 15, 1958 – April 1960, divorced; 1 child^[16]

Discography[link]

Awards/Honors[link]

Record labels[link]

The following is a list of record labels to which Rogers signed:

• Cue (1957, with the band The Scholars and also as a solo singer)
• Carlton (1958, solo deal)
• KenLee (one single, label owned by Rogers and his brother Lelan)
• Columbia (1960s, with jazz combo, The Bobby Doyle Three)
• Reprise (1967, with The First Edition, all material recorded during this time has since been acquired by Universal Music)
• Jolly Rogers (1973, with The First Edition, label was owned by Rogers)
• United Artists (1975, solo deal)
• Liberty (1980, United Artists merged into EMI/Capitol in 1980; some pressings of albums were issued on Capitol's imprint labels, EMI, EMI America, and EMI Manhattan.)
• RCA (1983, solo deal)
• Reprise (1989, solo deal)
• Giant (1993, one solo album)
• Atlantic (1994, one solo album)
• onQ Music (1996, one solo album; onQ Music was created by the QVC Network to release exclusive albums for sale only on QVC. The first onQ release was Rogers' Vote for Love, a two-disc set that would later become available in standard retail stores.)
• Magnatone (1996, solo deal)
• Dreamcatcher (1998, solo deal; Dreamcatcher was owned and run by Rogers and Jim Mazza for the purpose of releasing Rogers albums and certain reissues of Rogers' catalog. Other artists such as Marshall Dyllon and Randy Dorman were released on Dreamcatcher Records, also. The label closed in 2004)
• Capitol Nashville (2004, solo deal)

See also[link]

• Brady Hawkes

References[link]

External links[link]

	Book: Kenny Rogers
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Kenny Rogers at the Internet Movie Database
• Official website
• Delafont.com profile
• Allmusic.com profile
• CMT.com profile
• Kenny Rogers' Classic Weekend 1988
• Goldsmith, Thomas. (1998). "Kenny Rogers". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 455–6.

v t e Kenny Rogers Studio albums Love Lifted Me Kenny Rogers Daytime Friends Love or Something Like It The Gambler Kenny Gideon Share Your Love Love Will Turn You Around We've Got Tonight Eyes That See in the Dark The Heart of the Matter Love Is What We Make It They Don't Make Them Like They Used To I Prefer the Moonlight Something Inside So Strong Love Is Strange Back Home Again If Only My Heart Had a Voice Vote for Love Across My Heart She Rides Wild Horses There You Go Again Back to the Well Water & Bridges The Love of God Collaboration albums Every Time Two Fools Collide (with Dottie West) Classics (with Dottie West) What About Me? (with Kim Carnes and James Ingram) Timepiece (with David Foster) Christmas albums Christmas Once Upon a Christmas Christmas in America The Gift Christmas from the Heart Christmas with Kenny Christmas Collection Notable singles "That Crazy Feeling" "Just Dropped In (To See What Condition My Condition Was In)" "But You Know I Love You" "Ruby, Don't Take Your Love to Town" "Laura (What's He Got That I Ain't Got)" "Lucille" "Daytime Friends" "Sweet Music Man" "Every Time Two Fools Collide" (with Dottie West) "Love or Something Like It" "The Gambler" "All I Ever Need Is You" (with Dottie West) "She Believes in Me" "'Til I Can Make It on My Own" (with Dottie West) "You Decorated My Life" "Coward of the County" "Don't Fall in Love with a Dreamer" (with Kim Carnes) "Love the World Away" "Lady" "I Don't Need You" "Share Your Love with Me" "Blaze of Glory" "Through the Years" "Love Will Turn You Around" "A Love Song" "We've Got Tonight" (with Sheena Easton) "All My Life" "Scarlet Fever" "Islands in the Stream" (with Dolly Parton) "Buried Treasure" "Together Again" (with Dottie West) "What About Me?" (with Kim Carnes and James Ingram) "Crazy" "Morning Desire" "Goodbye Marie" "Tomb of the Unknown Love" "Twenty Years Ago" "Make No Mistake, She's Mine" "I Prefer the Moonlight" "The Factory" "I Don't Call Him Daddy" "Planet Texas" "The Vows Go Unbroken (Always True to You)" "Maybe" "Love Is Strange" "Crazy in Love" "If You Want to Find Love" "The Greatest" "Buy Me a Rose" (with Alison Krauss and Billy Dean) Guest singles "What Are We Doin' in Love" "Real Love" Related articles Discography The First Edition United Artists Records Liberty Records RCA Records Reprise Records Kenny Rogers Roasters Book:Kenny Rogers

Meryl Streep
Meryl Streep in Spain, 2008
Born	Mary Louise Streep (1949-06-22) June 22, 1949 (age 63) Summit, New Jersey, U.S.
Alma mater	Vassar College; Yale School of Drama
Occupation	Actress
Years active	1971–present
Spouse	Don Gummer (m. 1978–present; 4 children)
Partner	John Cazale (1975–1978, his death)
Children	4 (including Mamie Gummer and Grace Gummer)

Mary Louise "Meryl" Streep (born June 22, 1949^[1]) is an American actress who has worked in theatre, television, and film. She is widely regarded as one of the most talented actors of all time.^[2][3][4]

Streep made her professional stage debut in The Playboy of Seville (1971), before her screen debut in the television movie Deadliest Season (1977). In that same year, she made her film debut with Julia (1977). Both critical and commercial success came quickly with roles in The Deer Hunter (1978) and Kramer vs. Kramer (1979), the former giving Streep her first Academy Award nomination and the latter her first win. She later won the Academy Award for Best Actress for her performances in Sophie's Choice (1982) and The Iron Lady (2011).

Streep has received 17 Academy Award nominations, winning three, and 26 Golden Globe nominations, winning eight, more nominations than any other actor in the history of either award. Her work has also earned her two Emmy Awards, two Screen Actors Guild Awards, a Cannes Film Festival award, five New York Film Critics Circle Awards, two BAFTA awards, an Australian Film Institute Award, five Grammy Award nominations, and a Tony Award nomination, amongst others. She was awarded the AFI Life Achievement Award in 2004 and the Kennedy Center Honor in 2009 for her contribution to American culture through performing arts, the youngest actress in each award's history.

Early life and background[link]

Streep was born Mary Louise Streep in Summit, New Jersey.^[5] Her mother, Mary Wolf (née Wilkinson; 1915-2001), was a commercial artist and former art editor, and her father, Harry William Streep, Jr. (1910-2003), was a pharmaceutical executive.^[6][7][8] She has two brothers, Dana David and Harry William III.^[9] Her patrilineal ancestry originates in Loffenau, Germany, from where her second great-grandfather, Gottfried Streeb, emigrated to the United States, and where one of her ancestors served as mayor. Another line of her father's family was from Giswil in the canton of Obwalden, a small town in Switzerland. Her maternal ancestry originates in Pennsylvania and Rhode Island, and partly traces back to 17th century immigrants from England.^[8] Her eighth great-grandfather, Lawrence Wilkinson, was one of the first Europeans to settle Rhode Island. Streep is also a distant relative of William Penn, the founder of Pennsylvania, and records show that her family were among the first purchasers of land in the state.^[10][11][12]

She was raised a Presbyterian,^[13][14] and grew up in Bernardsville, New Jersey, where she attended Bernards High School.^[15] She had many school friends who were Catholic, and regularly attended Mass because she loved its rituals.^[16] She received her B.A., in Drama at Vassar College in 1971 (where she briefly received instruction from actress Jean Arthur), but also enrolled as an exchange student at Dartmouth College for a quarter before it became coeducational. She subsequently earned an M.F.A. from Yale School of Drama. While at Yale, she played a variety of roles onstage,^[17] from the glamorous Helena in A Midsummer Night's Dream to an eighty-year-old woman in a wheelchair in a comedy written by then-unknown playwrights Christopher Durang and Albert Innaurato.^[18][19][20]

Career[link]

Early career[link]

Streep performed in several theater productions in New York and New Jersey after graduating from Yale School of Drama,^[21] including the New York Shakespeare Festival productions of Henry V, The Taming of the Shrew with Raúl Juliá, and Measure for Measure opposite Sam Waterston and John Cazale. She started a relationship with Cazale, and was to live with him until his death three years later. She starred on Broadway in the Brecht/Weill musical Happy End, and won an Obie for her performance in the all-sung off-Broadway production of Alice at the Palace.

Streep by Jack Mitchell

Streep began auditioning for film roles, and later recalled an unsuccessful audition for Dino De Laurentiis for the leading female role in King Kong. De Laurentiis commented to his son in Italian, "She's ugly. Why did you bring me this thing?" and was shocked when Streep replied in fluent Italian.^[22] In New York City, she appeared in the 1976 Broadway double bill of Tennessee Williams' 27 Wagons Full of Cotton and Arthur Miller's A Memory of Two Mondays. For the former, she received a Tony Award nomination for Best Featured Actress in a Play. Her other early Broadway credits include Anton Chekhov's The Cherry Orchard and the Bertolt Brecht-Kurt Weill musical Happy End in which she originally appeared off-Broadway at the Chelsea Theater Center. She received Drama Desk Award nominations for both productions.

Streep's first feature film was Julia (1977), in which she played a small but pivotal role during a flashback scene. Streep was living in New York City with Cazale, who had been diagnosed with bone cancer.^[23] He was cast in The Deer Hunter (1978), and Streep was delighted to secure a small role because it allowed her to remain with Cazale for the duration of filming. She was not specifically interested in the part, commenting, "They needed a girl between the two guys and I was it."^[24]

She played a leading role in the television miniseries Holocaust (1978) as a German woman married to a Jewish artist in Nazi era Germany. She later explained that she had considered the material to be "unrelentingly noble",^[24] and had taken the role only because she had needed money.^[25] Streep travelled to Germany and Austria for filming while Cazale remained in New York. Upon her return, Streep found that Cazale's illness had progressed, and she nursed him until his death on March 12, 1978. She spoke of her grief and her hope that work would provide a diversion; she accepted a role in The Seduction of Joe Tynan (1979) with Alan Alda, later commenting that she played it on "automatic pilot",^[24] and performed the role of Katherine in The Taming of the Shrew for Shakespeare in the Park.^[26] With an estimated audience of 109 million, Holocaust brought a degree of public recognition to Streep, who was described in August 1978 as "on the verge of national visibility".^[25] She won the Primetime Emmy Award for Outstanding Lead Actress – Miniseries or a Movie^[27] for her performance.

The Deer Hunter (1978) was released a month later, and Streep was nominated for the Academy Award for Best Supporting Actress for her performance.

Streep played a supporting role in Manhattan (1979) for Woody Allen, later stating that she had not seen a complete script and was given only the six pages of her own scenes,^[28] and that she had not been permitted to improvise a word of her dialogue.^[29] Asked to comment on the script for Kramer vs. Kramer (1979), in a meeting with the producer Stan Jaffee, director Robert Benton and star Dustin Hoffman, Streep insisted that the female character was not representative of many real women who faced marriage breakdown and child custody battles, and was written as "too evil".^[24] Jaffee, Benton and Hoffman agreed with Streep, and the script was revised.^[24] In preparing for the part, Streep spoke to her own mother about her life as a mother and housewife with a career,^[30] and frequented the Upper East Side neighborhood in which the film was set.^[24] Benton allowed Streep to write her dialogue in two of her key scenes, despite some objection from Hoffman.^[31] Jaffee and Hoffman later spoke of Streep's tirelessness, with Hoffman commenting, "She's extraordinarily hardworking, to the extent that she's obsessive. I think that she thinks about nothing else but what she's doing."^[32]

Streep drew critical acclaim for her performance in each of her three films released in 1979: the romantic comedy Manhattan, the political drama The Seduction of Joe Tynan and the family drama, Kramer vs. Kramer.^[21] She was awarded the Los Angeles Film Critics Association Award for Best Supporting Actress, National Board of Review Award for Best Supporting Actress and National Society of Film Critics Award for Best Supporting Actress for her collective work in the three films. Among the awards won for Kramer vs. Kramer were the Academy Award and Golden Globe Award for Best Supporting Actress.^[21]

1980s[link]

Streep at the 61st Academy Awards, 1989

After prominent supporting roles in two of the 1970s' most successful films, the consecutive winners of the Academy Award for Best Picture, The Deer Hunter and Kramer vs. Kramer, and praise for her versatility in several supporting roles, Streep progressed to leading roles. Her first was The French Lieutenant's Woman (1981). A story within a story drama, the film paired Streep with Jeremy Irons as contemporary actors, telling their modern story as well as the Victorian era drama they were performing. A New York Magazine article commented that, while many female stars of the past had cultivated a singular identity in their films, Streep was a "chameleon", willing to play any type of role.^[33] Streep was awarded a BAFTA Award for Best Actress in a Leading Role for her work.

Her next film, the psychological thriller, Still of the Night (1982) reunited her with Robert Benton, the director of Kramer vs. Kramer, and co-starred Roy Scheider and Jessica Tandy. Vincent Canby, writing for The New York Times, noted that the film was an homage to the works of Alfred Hitchcock, but that one of its main weaknesses was a lack of chemistry between Streep and Scheider, concluding that Streep "is stunning, but she's not on screen anywhere near long enough".^[34]

As the Polish holocaust survivor in Sophie's Choice (1982), Streep's emotional dramatic performance and her apparent mastery of a Polish accent drew praise.^[21] William Styron wrote the novel with Ursula Andress in mind for the part of Sophie, but Streep was very determined to get the role. After she obtained a pirated copy of the script, she went to Alan J. Pakula and threw herself on the ground begging him to give her the part. Streep filmed the "choice" scene in one take and refused to do it again, as she found shooting the scene extremely painful and emotionally exhausting.^[35] Among several notable acting awards, Streep won the Academy Award for Best Actress for her performance. Roger Ebert said of her performance, "Streep plays the Brooklyn scenes with an enchanting Polish-American accent (she has the first accent I've ever wanted to hug), and she plays the flashbacks in subtitled German and Polish. There is hardly an emotion that Streep doesn't touch in this movie, and yet we're never aware of her straining. This is one of the most astonishing and yet one of the most unaffected and natural performances I can imagine."

She followed this success with a biographical film, Silkwood (1983), in which she played her first real-life character, the union activist Karen Silkwood. She discussed her preparation for the role in an interview with Roger Ebert and said that she had met with people close to Silkwood to learn more about her, and in doing so realized that each person saw a different aspect of Silkwood.^[36] Streep concentrated on the events of Silkwood's life and concluded, "I didn't try to turn myself into Karen. I just tried to look at what she did. I put together every piece of information I could find about her... What I finally did was look at the events in her life, and try to understand her from the inside."^[36]

Her next films were a romantic drama, Falling in Love (1984) opposite Robert De Niro, and a British drama, Plenty (1985). Roger Ebert said of Streep's performance in Plenty that she conveyed "great subtlety; it is hard to play an unbalanced, neurotic, self-destructive woman, and do it with such gentleness and charm... Streep creates a whole character around a woman who could have simply been a catalogue of symptoms."^[37]

Out of Africa (1985) starred Streep as the Danish writer Karen Blixen and co-starred Robert Redford. A significant critical success, the film received a 63% "fresh" rating from Rotten Tomatoes.^[38] Streep co-starred with Jack Nicholson in her next two films, the dramas Heartburn (1986) and Ironweed (1987), in which she sang onscreen for the first time since the television movie, Secret Service, in 1977. In A Cry in the Dark (1988), she played the biographical role of Lindy Chamberlain, an Australian woman who had been convicted of the murder of her infant daughter in which Chamberlain claimed her baby had been taken by a dingo. Filmed in Australia, Streep won the Australian Film Institute Award for Best Actress in a Leading Role, a Best Actress at the Cannes Film Festival, the New York Film Critics Circle Award for Best Actress and was nominated for several other awards for her portrayal of Chamberlain.

In She-Devil (1989), Streep played her first comedic film role, opposite Roseanne Barr. Richard Corliss, writing for Time, commented that Streep was the "one reason" to see the film and observed that it marked a departure from the type of role for which she had been known, saying, "Surprise! Inside the Greer Garson roles Streep usually plays, a vixenish Carole Lombard is screaming to be cut loose."^[39]

1990s[link]

From 1984 to 1990, Streep won six People's Choice Awards for Favorite Motion Picture Actress and, in 1990, was named World Favorite.

In the 1990s, Streep continued to choose a great variety of roles, including a drug-addicted movie actress in a screen adaptation of Carrie Fisher's novel Postcards from the Edge, with Dennis Quaid and Shirley MacLaine. Streep and Goldie Hawn had established a friendship and were interested in making a film together. After considering various projects, they decided upon Thelma and Louise, until Streep's pregnancy coincided with the filming schedule, and the producers decided to proceed with Susan Sarandon and Geena Davis.^[22] They subsequently filmed the farcical black comedy, Death Becomes Her, with Bruce Willis as their co-star. Time's Richard Corliss wrote approvingly of Streep's "wicked-witch routine" but dismissed the film as "She-Devil with a make-over".^[40]

Biographer Karen Hollinger describes this period as a downturn in the popularity of Streep's films, which reached its nadir with the failure of Death Becomes Her, attributing this partly to a critical perception that her comedies had been an attempt to convey a lighter image following several serious but commercially unsuccessful dramas, and more significantly to the lack of options available to an actress in her forties.^{[41][clarification needed]} Streep commented that she had limited her options by her preference to work in Los Angeles, close to her family,^[41] a situation that she had anticipated in a 1981 interview when she commented, "By the time an actress hits her mid-forties, no one's interested in her anymore. And if you want to fit a couple of babies into that schedule as well, you've got to pick your parts with great care."^[33]

In 1995, Streep played opposte Clint Eastwood in the love story The Bridges of Madison County (1995). Based on a best-selling novel by Robert James Waller,^[42] it relates the story of Robert Kincaid (Eastwood), a photographer working for National Geographic, who has a love affair with a middle-aged Italian farm wife in Iowa named Francesca (Streep). Streep and Eastwood got along famously during production and such was their on-screen chemistry that a number of people believed that the two were having an affair off-camera, although this was denied by both.^[43] The film was a hit at the box office and grossed $70 million in the United States.^[44] The film, unlike the novel, surprised film critics and was warmly received. Janet Maslin of The New York Times wrote that Clint had managed to create "a moving, elegiac love story at the heart of Mr. Waller's self-congratulatory overkill", while Joe Morgenstern of the The Wall Street Journal described The Bridges of Madison County as "one of the most pleasurable films in recent memory".^[44]

In 1999, Streep portrayed Roberta Guaspari, a real-life New Yorker who found passion and enlightenment teaching violin to inner-city kids in East Harlem, in the music drama Music of the Heart. A departure from director Wes Craven’s previous work on films like A Nightmare on Elm Street and the Scream series, Streep replaced singer Madonna who left the project before filming began due to creative differences with Craven. Required to perform on the violin, Streep went through two months of intense training, four to six hours a day.^[45]