Low-intensity lighting and haze in a concert hall allows laser effects to be visible

Daylight used at the train station Gare de l'Est Paris

Illuminated Cherry blossoms, light from the shop windows, and Japanese lantern at night in Ise, Mie, Japan

Lighting or illumination is the deliberate application of light to achieve some practical or aesthetic effect. Lighting includes the use of both artificial light sources such as lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting (using windows, skylights, or light shelves) is often used as the main source of light during daytime in buildings. This can save energy compared with artificial lighting, which represents a major component of energy consumption in buildings. Without proper design, energy can be wasted by using too much light, or using out-dated technology. Proper lighting can enhance task performance, improve the appearance of an area, and have positive psychological effects on occupants. One of the core tenets of proper lighting is uniform illumination, which is required in many applications such as projection displays, LCD backlights, medical lighting, microscopy, solid-state lighting, and general lighting.^[1]

Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscape projects.

Fixtures[link]

Lighting fixtures come in a wide variety of styles for various functions. The most important functions are as a holder for the light source, to provide directed light and to avoid visual glare. Some are very plain and functional, while some are pieces of art in themselves. Nearly any material can be used, so long as it can tolerate the excess heat and is in keeping with safety codes.

An important property of light fixtures is the luminous efficacy or wall-plug efficiency, meaning the amount of usable light emanating from the fixture per used energy, usually measured in lumen per watt. A fixture using replaceable light sources can also have its efficiency quoted as the percentage of light passed from the "bulb" to the surroundings. The more transparent the lighting fixture is, the higher efficacy. Shading the light will normally decrease efficacy but increase the directionality and the visual comfort probability.

Color temperature for white light sources also affects their use for certain applications. The color temperature of a white light source is the temperature in Kelvin of a theoretical black body emitter that most closely matches the spectral characteristics of the lamp. An incandescent bulb has a color temperature around 2800 to 3000 Kelvin; daylight is around 6400 Kelvin. Lower color temperature lamps have relatively more energy in the yellow and red part of the visible spectrum, while high color temperatures correspond to lamps with more of a blue-white appearance. For critical inspection or color matching tasks, or for retail displays of food and clothing, the color temperature of the lamps will be selected for the best overall lighting effect.

Types[link]

A demonstration of the effects of different kinds of lighting

Lighting is classified by intended use as general, accent, or task lighting, depending largely on the distribution of the light produced by the fixture.

• Task lighting is mainly functional and is usually the most concentrated, for purposes such as reading or inspection of materials. For example, reading poor-quality reproductions may require task lighting levels up to 1500 lux (150 footcandles), and some inspection tasks or surgical procedures require even higher levels.
• Accent lighting is mainly decorative, intended to highlight pictures, plants, or other elements of interior design or landscaping.
• General lighting (sometimes referred to as ambient light) fills in between the two and is intended for general illumination of an area. Indoors, this would be a basic lamp on a table or floor, or a fixture on the ceiling. Outdoors, general lighting for a parking lot may be as low as 10-20 lux (1-2 footcandles) since pedestrians and motorists already used to the dark will need little light for crossing the area.

Methods[link]

• Downlighting is most common, with fixtures on or recessed in the ceiling casting light downward. This tends to be the most used method, used in both offices and homes. Although it is easy to design it has dramatic problems with glare and excess energy consumption due to large number of fittings.^[2]

• Uplighting is less common, often used to bounce indirect light off the ceiling and back down. It is commonly used in lighting applications that require minimal glare and uniform general illuminance levels. Uplighting (indirect) uses a diffuse surface to reflect light in a space and can minimize disabling glare on computer displays and other dark glossy surfaces. It gives a more uniform presentation of the light output in operation. However indirect lighting is completely reliant upon the reflectance value of the surface. While indirect lighting can create a diffused and shadow free light effect it can be regarded as an uneconomical lighting principle.^[3][4]

• Front lighting is also quite common, but tends to make the subject look flat as its casts almost no visible shadows. Lighting from the side is the less common, as it tends to produce glare near eye level. Backlighting either around or through an object is mainly for accent.

Wall-mounted light with shadows

Forms of lighting[link]

Indoor lighting[link]

LED Lighting furniture by Manfred Kielnhofer

Forms of lighting include alcove lighting, which like most other uplighting is indirect. This is often done with fluorescent lighting (first available at the 1939 World's Fair) or rope light, or occasionally with neon lighting. It is a form of backlighting.

Soffit or close to wall lighting can be general or a decorative wall-wash, sometimes used to bring out texture (like stucco or plaster) on a wall, though this may also show its defects as well. The effect depends heavily on the exact type of lighting source used.

Recessed lighting (often called "pot lights" in Canada, "can lights" or 'high hats" in the US) is popular, with fixtures mounted into the ceiling structure so as to appear flush with it. These downlights can use narrow beam spotlights, or wider-angle floodlights, both of which are bulbs having their own reflectors. There are also downlights with internal reflectors designed to accept common 'A' lamps (light bulbs) which are generally less costly than reflector lamps. Downlights can be incandescent, fluorescent, HID (high intensity discharge) or LED.

Track lighting, invented by Lightolier, was popular at one point because it was much easier to install than recessed lighting, and individual fixtures are decorative and can be easily aimed at a wall. It has regained some popularity recently in low-voltage tracks, which often look nothing like their predecessors because they do not have the safety issues that line-voltage systems have, and are therefore less bulky and more ornamental in themselves. A master transformer feeds all of the fixtures on the track or rod with 12 or 24 volts, instead of each light fixture having its own line-to-low voltage transformer. There are traditional spots and floods, as well as other small hanging fixtures. A modified version of this is cable lighting, where lights are hung from or clipped to bare metal cables under tension.

A sconce is a wall-mounted fixture, particularly one that shines up and sometimes down as well. A torchiere is an uplight intended for ambient lighting. It is typically a floor lamp but may be wall-mounted like a sconce.

The portable or table lamp is probably the most common fixture, found in many homes and offices. The standard lamp and shade that sits on a table is general lighting, while the desk lamp is considered task lighting. Magnifier lamps are also task lighting.

Animated fountain in Moscow's Square of Europe, lit at night.

The illuminated ceiling was once popular in the 1960s and 1970s but fell out of favor after the 1980s. This uses diffuser panels hung like a suspended ceiling below fluorescent lights, and is considered general lighting. Other forms include neon, which is not usually intended to illuminate anything else, but to actually be an artwork in itself. This would probably fall under accent lighting, though in a dark nightclub it could be considered general lighting.

In a movie theater each step in the aisles is usually marked with a row of small lights, for convenience and safety when the film has started, hence the other lights are off. Traditionally made up of small low wattage, low voltage lamps in a track or translucent tube, these are rapidly being replaced with LED based versions.

Outdoor lighting[link]

High mast lighting along Highway 401 in Ontario, Canada.

Street Lights are used to light roadways and walkways at night. Some manufacturers are designing LED and photovoltaic luminaires to provide an energy-efficient alternative to traditional street light fixtures.^[5][6][7]

Floodlights are used to illuminate outdoor playing fields or work zones during nighttime.

Floodlights can be used to illuminate outdoor playing fields or work zones during nighttime hours. The most common type of floodlights are metal halide and high pressure sodium lights.

Beacon lights are positioned at the intersection of two roads to aid in navigation.

Security lights can be used along roadways in urban areas, or behind homes or commercial facilities. These are extremely bright lights used to deter crime. Security lights may include floodlights.

Entry lights can be used outside to illuminate and signal the entrance to a property.^[8] These lights are installed for safety, security, and for decoration.

Underwater accent lighting is also used for koi ponds, fountains, swimming pools and the like.

Vehicle use[link]

Vehicles typically include headlamps and tail lights. Headlamps are white or selective yellow lights placed in the front of the vehicle, designed to illuminate the upcoming road and to make the vehicle more visible. Many manufactures are turning to LED headlights as an energy-efficient alternative to traditional headlamps.^[9] Tail and brake lights are red and emit light to the rear so as to reveal the vehicle's direction of travel to following drivers. White rear-facing reversing lamps indicate that the vehicle's transmission has been placed in the reverse gear, warning anyone behind the vehicle that it is moving backwards, or about to do so. Flashing turn signals on the front, side, and rear of the vehicle indicate an intended change of position or direction. In the late 1950s, some automakers began to use electroluminescent technology to backlight their cars' speedometers and other gauges or to draw attention to logos or other decorative elements.

Lamps[link]

Commonly called 'light bulbs', lamps are the removable and replaceable part of a light fixture, which converts electrical energy into electromagnetic radiation. While lamps have traditionally been rated and marketed primarily in terms of their power consumption, expressed in watts, proliferation of lighting technology beyond the incandescent light bulb has eliminated the correspondence of wattage to the amount of light produced. For example, a 60 W incandescent light bulb produces about the same amount of light as a 13 W compact fluorescent lamp. Each of these technologies has a different efficacy in converting electrical energy to visible light. Visible light output is typically measured in lumens. This unit only quantifies the visible radiation, and excludes invisible infrared and ultraviolet light. A wax candle produces on the close order of 13 lumens, a 60 watt incandescent lamp makes around 700 lumens, and a 15-watt compact fluorescent lamp produces about 800 lumens, but actual output varies by specific design.^[10] Rating and marketing emphasis is shifting away from wattage and towards lumen output, to give the purchaser a directly applicable basis upon which to select a lamp.

Lamp types include:

• Ballast: A ballast is an auxiliary piece of equipment designed to start and properly control the flow of power to discharge light sources such as fluorescent and high intensity discharge (HID) lamps. Some lamps require the ballast to have thermal protection.
• fluorescent light: A tube coated with phosphor containing low pressure mercury vapor that produces white light.
• Halogen: High pressure incandescent lamps containing halogen gases such as iodine or bromine, increasing the efficacy of the lamp versus a plain incandescent lamp.
• Neon: A low pressure gas contained within a glass tube; the color emitted depends on the gas.
• Light emitting diodes: Light emitting diodes (LED) are solid state devices that emit light by dint of the movement of electrons in a semiconductor material.^[11]
• Compact fluorescent lamps: CFLs are designed to replace incandescent lamps in existing and new installations.^[12][13]

Design and architecture[link]

Architectural lighting design[link]

Lighting without windows: The Pantheon in the 18th century, painted by Giovanni Paolo Panini.^[14]

Lighting design as it applies to the built environment, also known as 'architectural lighting design', is both a science and an art. Lighting of structures must consider aesthetic elements as well as practical considerations of quantity of light required, occupants of the structure, energy efficiency and cost. The amount of daylight received in an internal space can be analized by undertaking a Daylight factor calculation. For simple installations, hand-calculations based on tabular data can be used to provide an acceptable lighting design. More critical or optimized designs now routinely use mathematical modeling on a computer using software such as Radiance which can allow an Architect to quickly undertake complex calculations to review the benefit of a particular design.

In some design instances, materials used on walls and furniture play a key role in the lighting effect. Dark paint tends to absorb light, making the room appear smaller and more dim than it is, whereas light paint does the opposite. In addition to paint, reflective surfaces also have an effect on lighting design. Surfaces or floors that are too reflective create unwanted glare.^[4][15]

Photometric studies[link]

Photometric studies (also sometimes referred to as "layouts" or "point by points") are often used to simulate lighting designs for projects before they are built or renovated. This enables architects, lighting designers, and engineers to determine whether a proposed lighting setup will deliverer the amount of light intended. In many cases these studies are referenced against IESNA recommended lighting practices for the type of application. Depending on the type of area, different design aspects may be emphasized by IESNA for safety or practicality (i.e. such as maintaining uniform light levels or highlighting certain areas). Specialized software is often used to create these, which typically combine the use of two-dimensional digital CAD drawings and lighting calculation software (i.e. AGi32).

On stage and set[link]

This unreferenced section requires citations to ensure verifiability.

Lighting and shadows

Lighting illuminates the performers and artists in a live theatre, dance, or musical performance, and is selected and arranged to create dramatic effects. Stage lighting uses general illumination technology in devices configured for easy adjustment of their output characteristics.^{[citation needed]} The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.

Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.

Measurement[link]

Measurement of light or photometry is generally concerned with the amount of useful light falling on a surface and the amount of light emerging from a lamp or other source, along with the colors that can be rendered by this light. The human eye responds differently to light from different parts of the visible spectrum, therefore photometric measurements must take the luminosity function into account when measuring the amount of useful light. The basic SI unit of measurment is the candela (cd), which describes the luminous intensity, all other photometric units are derived from the candela. Luminance for instance is a measure of the density of luminous intensity in a given direction. It describes the amount of light that passes through or is emitted from a particular area, and falls within a given solid angle. The SI unit for luminance is candela per square metre (cd/m²). The CGS unit of luminance is the stilb, which is equal to one candela per square centimetre or 10 kcd/m². The amount of useful light emitted from a source or the luminous flux is measured in lumen (lm).

The SI unit of illuminance and luminous emittance, being the luminous power per area, is measured in Lux. It is used in photometry as a measure of the intensity, as perceived by the human eye, of light that hits or passes through a surface. It is analogous to the radiometric unit watts per square metre, but with the power at each wavelength weighted according to the luminosity function, a standardized model of human visual brightness perception. In English, "lux" is used in both singular and plural.^[16]

Several measurement methods have been developed to control glare resulting from indoor lighting design. The Unified Glare Rating (UGR) athe Visual Comfort Probability, and the Daylight Glare Index are some of the most well-known methods of measurement. In addition to these new methods, four main factors influence the degree of discomfort glare; the luminance of the glare source, the solid angle of the glare source, the background luminance, and the position of the glare source in the field of view must all be taken into account.^[3][17]

Color properties[link]

To define light source color properties, the lighting industry predominantly relies on two metrics, correlated color temperature (CCT), commonly used as an indication of the apparent “warmth” or “coolness” of the light emitted by a source, and color rendering index (CRI), an indication of the light source’s ability to make objects appear natural.

However, these two metrics, developed in the last century, are facing increased challenges and criticisms as new types of light sources, particularly light emitting diodes (LEDs), become more prevalent in the market.

For example, in order to meet the expectations for good color rendering in retail applications, research^[18] suggests using the well-established CRI along with another metric called gamut area index (GAI). GAI represents the relative separation of object colors illuminated by a light source; the greater the GAI, the greater the apparent saturation or vividness of the object colors. As a result, light sources which balance both CRI and GAI are generally preferred over ones that have only high CRI or only high GAI.^[19]

Light exposure[link]

Typical measurements of light have used a Dosimeter. Dosimeters measure an individual's or an object's exposure to something in the environment, such as light dosimeters and ultraviolet dosimeters.

In order to specifically measure the amount of light entering the eye, personal circadian light meter called the Daysimeter has been developed.^[20] This is the first device created to accurately measure and characterize light (intensity, spectrum, timing, and duration) entering the eye that affects the human body's clock.

The small, head-mounted device measures an individual's daily rest and activity patterns, as well as exposure to short-wavelength light that stimulates the circadian system. The device measures activity and light together at regular time intervals and electronically stores and logs its operating temperature. The Daysimeter can gather data for up to 30 days for analysis.^[21]

Energy consumption[link]

Artificial lighting consumes a significant part of all electrical energy consumed worldwide. In homes and offices from 20 to 50 percent of total energy consumed is due to lighting.^[22] Most importantly, for some buildings over 90 percent of lighting energy consumed can be an unnecessary expense through over-illumination.^[22] The cost of that lighting can be substantial. A single 100 W light bulb used just 6 hours a day can cost over $25 per year to use (.12/kWh). According to the UN Environment Programme/Global Environment Facility en.lighten initiative, by simply replacing all incandescent lamps with energy efficient compact fluorescent lamps globally, 409 TWh per year would be saved, which is approximately 2.5% of global electricity consumption. This is equivalent to the combined yearly electricity consumption of the United Kingdom and Denmark.[1]. Thus lighting represents a critical component of energy use today, especially in large office buildings where there are many alternatives for energy usage in lighting. There are several strategies available to minimize energy requirements in any building:

• Specification of illumination requirements for each given use area.
• Analysis of lighting quality to ensure that adverse components of lighting (for example, glare or incorrect color spectrum) are not biasing the design.
• Integration of space planning and interior architecture (including choice of interior surfaces and room geometries) to lighting design.
• Design of time of day use that does not expend unnecessary energy.
• Selection of fixture and lamp types that reflect best available technology for energy conservation.
• Training of building occupants to use lighting equipment in most efficient manner.
• Maintenance of lighting systems to minimize energy wastage.
• Use of natural light - some big box stores are being built (ca 2006 on) with numerous plastic bubble skylights, in many cases completely obviating the need for interior artificial lighting for many hours of the day.
• Load shedding can help reduce the power requested by individuals to the main power supply. Load shedding can be done on an individual level, at a building level, or even at a regional level.

Specification of illumination requirements is the basic concept of deciding how much illumination is required for a given task. Clearly, much less light is required to illuminate a hallway or bathroom compared to that needed for a word processing work station. Generally speaking, the energy expended is proportional to the design illumination level. For example, a lighting level of 80 footcandles might be chosen for a work environment involving meeting rooms and conferences, whereas a level of 40 footcandles could be selected for building hallways. If the hallway standard simply emulates the conference room needs, then twice the amount of energy will be consumed as is needed for hallways. Unfortunately, most of the lighting standards even today have been specified by industrial groups who manufacture and sell lighting, so that a historical commercial bias exists in designing most building lighting, especially for office and industrial settings.

Automated lighting control[link]

Building automation and lighting control solutions are now available to help reduce energy usage and cost by eliminating over-illumination. These solutions provide centralized control of all lighting within a home or commercial building, allowing easy implementation of scheduling, occupancy control, daylight harvesting and more. Many systems also support Demand response and will automatically dim or turn off lights to take advantage of DR incentives and cost savings.

Many newer control systems are using wireless mesh open standards (such as ZigBee), which provides benefits including easier installation (no need to run control wires) and interoperability with other standards-based building control systems (e.g. security).^[23]

In response to daylighting technology, daylight-linked automated response systems have been developed to further reduce energy consumption. These technologies are helpful, but they do have their downfalls. Many times, rapid and frequent switching of the lights on and off can occur, particularly during unstable weather conditions or when daylight levels are changing around the switching illuminance. Not only does this distrub occupants, it can also reduce lamp life. A variation of this technology is the 'differential switching or dead-band' photoelectric control which has multiple illuminances it switches from so as not to disturb occupants as much.^[2][24]

Occupancy sensors to allow operation for whenever someone is within the area being scanned can control lighting. When motion can no longer be detected, the lights shut off. Passive infrared sensors react to changes in heat, such as the pattern created by a moving person. The control must have an unobstructed view of the building area being scanned. Doors, partitions, stairways, etc. will block motion detection and reduce its effectiveness. The best applications for passive infrared occupancy sensors are open spaces with a clear view of the area being scanned. Ultrasonic sensors transmit sound above the range of human hearing and monitor the time it takes for the sound waves to return. A break in the pattern caused by any motion in the area triggers the control. Ultrasonic sensors can see around obstructions and are best for areas with cabinets and shelving, restrooms, and open areas requiring 360-degree coverage. Some occupancy sensors utilize both passive infrared and ultrasonic technology, but are usually more expensive. They can be used to control one lamp, one fixture or many fixtures.^[25][26]

Daylighting[link]

Daylighting is the oldest method of interior lighting. Daylighting is simply designing a space to use as much natural light as possible. This decreases energy consumption and costs, and requires less heating and cooling from the building. Daylighting has also been proven to have positive effects on patients in hospitals as well as work and school performance. Due to a lack of information that indicate the likely energy savings, daylighting schemes are not yet popular among most buildings.^[2][27]

Health effects[link]

It is valuable to provide the correct light intensity and color spectrum for each task or environment. Otherwise, energy not only could be wasted but over-illumination can lead to adverse health and psychological effects.

Beyond the energy factors being considered, it is important not to over-design illumination, lest adverse health effects such as headache frequency, stress, and increased blood pressure be induced by the higher lighting levels. In addition, glare or excess light can decrease worker efficiency.^[28]

Analysis of lighting quality particularly emphasizes use of natural lighting, but also considers spectral content if artificial light is to be used. Not only will greater reliance on natural light reduce energy consumption, but will favorably impact human health and performance. New studies have shown that the performance of students is influenced by the time and duration of daylight in their regular schedules. Designing school facilities to incorporate the right types of light at the right time of day for the right duration may improve student performance and well-being. Similarly, designing lighting systems that maximize the right amount of light at the appropriate time of day for the elderly may help relieve symptoms of Alzheimer's Disease. The human circadian system is entrained to a 24-hour light-dark pattern that mimics the earth’s natural light/dark pattern. When those patterns are disrupted, they disrupt the natural circadian cycle. Circadian disruption may lead to numerous health problems including breast cancer, seasonal affective disorder, delayed sleep phase syndrome, and other ailments.^[29][30]

A study conducted in 1972 and 1981, documented by Robert Ulrich, surveyed 23 surgical patients assigned to rooms looking out on a natural scene. The study concluded that patients assigned to rooms with windows allowing lots of natural light had shorter postoperative hospital stays, received fewer negative evaluative comments in nurses’ notes, and took fewer potent analegesics than 23 matched patients in similar rooms with windows facing a brick wall. This study suggests that due to the nature of the scenery and daylight exposure was indeed healthier for patients as opposed to those exposed to little light from the brick wall. In addition to increased work performance, proper usage of windows and daylighting crosses the boundaries between pure aesthetics and overall health.^[27][31]

Environmental issues[link]

Kerosene and whale-oil lamps

In 1849, Dr. Abraham Gesner, a Canadian geologist, devised a method where kerosene could be distilled from petroleum. Earlier coal-gas methods had been used for lighting since the 1820s, but they were expensive. Gesner's kerosene was cheap, easy to produce, could be burned in existing lamps, and did not produce an offensive odor as did most whale oil. It could be stored indefinitely, unlike whale oil, which would eventually spoil. The American petroleum boom began in the 1850s. By the end of the decade there were 30 kerosene plants operating in the United States. The cheaper, more efficient fuel began to drive whale oil out of the market. John D. Rockefeller was most responsible for the commercial success of kerosene. He set up a network of kerosene distilleries which would later become Standard Oil, thus completely abolishing the need for whale-oil lamps.^[32]

Compact fluorescent lamps

Compact fluorescent lamps (aka 'CFLs') use less power to supply the same amount of light as an incandescent lamp. Due to the ability to reduce electric consumption, many organizations have undertaken measures to encourage the adoption of CFLs. Some electric utilities and local governments have subsidized CFLs or provided them free to customers as a means of reducing electric demand. For a given light output, CFLs use between one fifth and one quarter of the power of an equivalent incandescent lamp. One of the simplest and quickest ways for a household or business to become more energy efficient is to adopt CFLs as the main lamp source, as suggested by the Alliance for Climate Protection

LED lamps

LED lamps have been advocated as the newest and best environmental lighting method.^[33] According to the Energy Saving Trust, LED lamps use only 10% power compared to a standard incandescent bulb, where compact fluorescent lamps use 20% and energy saving halogen lamps 70%. A downside is still the initial cost, which is higher than that of compact fluorescent lamps. General Electric expects to begin producing organic LEDs for architectural use by 2010.^[34]

Light pollution[link]

Light pollution is a growing problem in reaction to excess light being given off by numerous signs, houses, and buildings. Polluting light is often wasted light involving unnecessary energy costs and carbon dioxide emissions. Light pollution is described as artificial light that is excessive or intrudes where it is not wanted. Well-designed lighting sends light only where it is needed without scattering it elsewhere. Poorly designed lighting can also compromise safety. For example, glare creates safety issues around buildings by causing very sharp shadows, temporarily blinding passersby making them vulnerable to would-be assailants.^[35][36]

Military use[link]

This section requires expansion.

From a military standpoint, lighting is a critical part of the battlefield conditions.^[37] Shadows are good places to hide, while bright areas are more exposed. It is often beneficial to fight with the Sun or other light source behind you, giving your enemy disturbing visual glare and partially hiding your own movements in backlight. If natural light is not present searchlights and flares can be used. However the use of light may disclose your own hidden position and modern warfare have seen increased use of night vision through the use of infrared cameras and image intensifiers.

Flares can also be used by the military to mark positions, usually for targeting, but laser-guided and GPS weapons have eliminated this need for the most part.

Professional organizations[link]

International[link]

The International Commission on Illumination (CIE) is an international authority and standard defining organization on color and lighting. Publishing widely used standard metrics such as various CIE color spaces and the color rendering index.

The Illuminating Engineering Society of North America (IESNA), in conjunction with organizations like ANSI and ASHRAE, publishes guidelines, standards, and handbooks that allow categorization of the illumination needs of different built environments. Manufacturers of lighting equipment publish photometric data for their products, which defines the distribution of light released by a specific luminaire. This data is typically expressed in standardized form defined by the IESNA.

The International Association of Lighting Designers (IALD) is an organization which focuses on the advancement of lighting design education and the recognition of independent professional lighting designers. Those fully independent designers who meet the requirements for professional membership in the association typically append the abbreviation IALD to their name.

The Professional Lighting Designers Association (PLDA), formerly known as ELDA is an organisation focusing on the promotion of the profession of Architectural Lighting Design. They publish a monthly newsletter and organise different events throughout the world.

The National Council on Qualifications for the Lighting Professions (NCQLP) offers the Lighting Certification Examination which tests rudimentary lighting design principles. Individuals who pass this exam become ‘Lighting Certified’ and may append the abbreviation LC to their name. This certification process is one of three national (U.S.) examinations (the others are CLEP and CLMC) in the lighting industry and is open not only to designers, but to lighting equipment manufacturers, electric utility employees, etc.

The Professional Lighting And Sound Association (PLASA) is a UK-based trade organisation representing the 500+ individual and corporate members drawn from the technical services sector. Its members include manufacturers and distributors of stage and entertainment lighting, sound, rigging and similar products and services, and affiliated professionals in the area. They lobby for and represent the interests of the industry at various levels, interacting with government and regulating bodies and presenting the case for the entertainment industry. Example subjects of this representation include the ongoing review of radio frequencies (which may or may not affect the radio bands in which wireless microphones and other devices use) and engaging with the issues surrounding the introduction of the RoHS (Restriction of Hazardous Substances Directive) regulations.

National[link]

• Association de Concepteurs Eclairage (ACE) in France.
• American Lighting Association (ALA) in United States.
• Associazione Professionisti dell'Illuminazione (APIL) in Italy.
• Hellenic Illumination Committee (HIC) in Greece.
• Indian Society of Lighting Engineers (ISLE)
• Institution of Lighting Engineers (ILE) in United Kingdom.
• Schweizerische Licht Gesellschaft (SLG) in Switzerland.
• Society of Light and Lighting (SLL), part of the Chartered Institution of Building Services Engineers in United Kingdom.

See also[link]

Inventors[link]

• Joseph Swan, carbonized-thread filament incandescent lamp
• Alexander Nikolayevich Lodygin, carbon-rod filament incandescent lamp
• Nikola Tesla, fluorescent and gas-discharge lamps
• Thomas Edison, long-lasting incandescent lamp with high-resistance filament
• John Richardson Wigham, lighthouse engineer

Lists[link]

• List of environmental health hazards
• List of light sources
• Timeline of lighting technology

Footnotes[link]

Sources[link]

External links[link]

Wikimedia Commons has media related to: Lighting

• Illuminating Engineering Society of North America official Web site
• ENLIGHTER.ORG online Lighting Design magazine
• IESNA Advanced Lighting Guidelines
• Lighting Research Center @ Rensselaer Polytechnic Institute
• Shedding Light on Home Lighting Use by Lyle Tribwell (Home Energy magazine online)

This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason has been specified. Please help improve this article if you can; the talk page may contain suggestions. (October 2011)

Arthur Max (born May 1, 1946) is an American movie art director and Production Designer. He has been nominated for Academy Awards twice: once for his work on Gladiator (2000) and another for his Production Design on American Gangster (2007). In addition to his Oscar nominations, Max won several other honors for his production design on the film, including the BAFTA, the National Board of Review prize and the Broadcast Film Critics honor. He also collected the ‘Excellence in Production Design’ Award from the Art Directors Guild, the first of four nominations he received (the other three for Ridley Scott’s Black Hawk Down and Robin Hood” and David Fincher’s “Panic Room”). Max has recently completed Prometheus. The film marks Max’s eighth project for filmmaker Scott, a list of achievements which includes,” Kingdom of Heaven, Robin Hood and the aforementioned “Black Hawk Down" and "Body of Lies.” He designed Fincher’s 1994 thriller, Seven. The native New Yorker began his career as a stage lighting designer in the music industry following graduation from New York University in the late 1960s. Those assignments included work at Bill Graham’s famous music venue The Fillmore East in New York's East Village, and the historic Woodstock Festival of 1969 where he operated a spotlight for Chip Monck, a rock lighting and stage design company during the Woodstock festival in 1969. During the following decade, he designed concert lighting and festival stages for many rock and jazz artists. He was Pink Floyd's lighting designer during the bands' tours in the US and around the world in the early 70's. After studying architecture in England (earning degrees in the early ‘80s from the Polytechnic of Central London and the Royal College of Art), Max went on to do several architectural design projects in London.^[1]

He entered the British film industry as an assistant to several English production designers. First for Stuart Craig on Hugh Hudson’s “Greystoke: The Legend of Tarzan, Lord of the Apes” and “Cal” (both 1984), then for Ashetton Gorton on Hudson’s “Revolution” the following year. He commenced his own production design career in TV commercials over a period of ten years from 1985 to 1995 (for such clients as Pepsi, Nike, Jeep, Coke and Levi’s), which led to his ongoing associations with directors Scott and Fincher.

References[link]

External links[link]

• Arthur Max at the Internet Movie Database

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