This list is incomplete; you can help by expanding it.

Bollywood (Hindi) cinema
Top-grossing
1930s
1940s
1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
1950s
1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960s
1960 1961 1962 1963 1964 1965 1966 1967 1968 1969
1970s
1970 1971 1972 1973 1974 1975 1976 1977 1978 1979
1980s
1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990s
1990 1991 1992 1993 1994 1995 1996 1997 1998 1999
2000s
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2010s
2010 2011 2012

A list of films produced by the Bollywood film industry based in Mumbai in 1947:

Highest grossing[link]

The top six grossing films at the Indian Box Office in 1947:^[1]

1947[link]

References[link]

External links[link]

• Bollywood films of 1947 at the Internet Movie Database

Dilip Kumar
Dilip Kumar in 2006.
Born	Yusuf Khan (1922-12-11) December 11, 1922 (age 89) Peshawar, North-West Frontier Province, British India
Residence	Mumbai, Maharashtra, India
Other names	Dilip Sahaab
Occupation	Actor, Producer, Director, Politician
Years active	1944–1998 (retired)
Religion	Islam
Spouse	Saira Banu (1966-present)
Signature

Dilip Kumar, born Muhammad Yusuf Khan on 11 December 1922, is an Indian actor and a former Member of Parliament. He is commonly known as "Tragedy King",^[1] and is described as "the ultimate method actor" by Satyajit Ray.^[2]

Starting his career with Jwar Bhata in 1944, Kumar's career has spanned five decades and over 60 films. He is widely considered to be one of the greatest actors in the history of Hindi cinema.^[3][4][5] Kumar was the first actor to receive a Filmfare Best Actor Award and holds the record for the most number of Filmfare Awards won for that category with Shahrukh Khan; eight wins.^[6] He starred in films of a variety of genres such as the romantic Andaz (1949), the swashbuckling Aan (1952), the dramatic Devdas (1955), the comical Azaad (1955), the historical Mughal-e-Azam (1960) and the social Ganga Jamuna (1961).

In 1976, Kumar took a five-year break from film performances. In 1981, he returned with a character role in the film Kranti and continued his career playing central character roles in films such as Shakti (1982), Karma (1986) and Saudagar (1991). His last film was Qila in 1998. The Government of India honoured him with the Padma Bhushan in 1991 and the Dadasaheb Phalke Award in 1994 for his contributions towards Indian cinema. Dilip Kumar has acted with actress Vyjayanthimala the most, where they both had acted seven films together including the former's home production Gunga Jumna resulting great on-screen chemistry and alleged affair between them.^[7][8]

Early life[link]

Dilip Kumar was born as Muhammad Yusuf Khan on 11 December 1922,^[9] in Peshawar, British India (now in Pakistan). He was born to a Hindko speaking Peshawari family. His father, Lala Ghulam Sarwar, was a fruit merchant who owned orchards in Peshawar and Nashik in Maharashtra, India. The family relocated to Bombay (now Mumbai) in the late 1920s. Dilip Kumar started working as a canteen supplier in Pune circa 1940.^[10]

In 1943, actress Devika Rani, and her second husband Svetoslav Roerich spotted Khan in Aundh military canteens, Pune.^[10] and helped Khan's entry into the Bollywood film industry. Hindi author Bhagwati Charan Varma gave him the screen name Dilip Kumar and offered him the leading role in his film Jwar Bhata (1944).

Career[link]

His first film with Nisar Bhai and Hamed Bhai Jwar Bhata was released in 1944 which went unnoticed. His first major hit was the 1947 film Jugnu. He went onto appear in many hit films including Mela (1948), Andaz (1949), Deedar (1951), Devdas (1955), Yahudi (1958) and Madhumati (1958). These films established his screen image as the "Tragedy King".^[11] Together with Raj Kapoor and Dev Anand he was the biggest star in Bollywood in the 1950s. He starred alongside Raj Kapoor in Andaz (1949) and Dev Anand in Insaniyat (1955). He formed popular on-screen pairings with many of the top actresses at the time including Nargis, Kamini Kaushal, Meena Kumari, Madhubala and Vyjanthimala.

Depressed after playing many tragic roles his psychiatrist suggested he take on ligher roles which he played in films such as Aan (1952), Azaad (1955) and Kohinoor (1960).^[12] In 1960 he portrayed Prince Salim in the historical film Mughal-e-Azam which as of 2008 was the second highest grossing film in Hindi film history.^[13]

In 1961 he produced and starred in Ganga Jamuna in which he and his real-life brother Nasir Khan played the title roles. This was the only film he produced. In 1962 British director David Lean offered him the role of Sherif Ali in his 1962 film Lawrence of Arabia, but Kumar declined the part.^[14] The role eventually went to Omar Sharif, the Egyptian actor. His next film Leader (1964) was below average at the box office.^[15] In 1967 Dilip Kumar played a dual role of twins separated at birth in the hit film Ram Aur Shyam. His career slumped in the 1970s with films like Dastaan (1970) and Bairaag (1976), the latter in which he played triple roles failing at the box office.^[16][17] He took a five year hiatus from films from 1976 to 1981.^[10]

In 1981 he returned with the multi-starrer Kranti which was the biggest hit of the year.^[18] He went onto play character roles in hit films including Shakti (1982), Vidhaata (1982), Mashaal (1984) and Karma (1986).^[18] In 1991 he starred alongside veteran actor Raaj Kumar in Saudagar which was his last successful film.^[19] In 1993 he won the Filmfare Lifetime Achievement Award. In 1996 he was attached to make his directorial debut with a film titled Kalinga but the film was shelved. In 1998 he made his last film appearance in the unsuccessful film Qila where once again he played dual roles as an evil landowner and his twin brother investigating his death. His films Mughal-e-Azam and Naya Daur were fully colorized and re-released in 2004 and 2008 respectively.

Films refused[link]

Dilip Kumar was very choosy, and turned down lead roles in many films which eventually were released to great box office success, including Lawrence of Arabia, Pyaasa, The Rains Came and Sangam.

Voices[link]

During his Bollywood career, Dilip Kumar was most often voiced by Mohammed Rafi. Others who provided his voice were:

• Talat Mahmood
• Mukesh (until 1958), who was also the main voice of Kumar's competitor Raj Kapoor.
• Kishore Kumar was chosen to playback the song "Saala Main To Saab Bangaya" for the film Sagina(1974).

Public life[link]

Kumar has been active in efforts to bring the people of India and Pakistan closer together. He has been a member of the upper house of Parliament since 2000.^[10]

He was awarded the Dadasaheb Phalke Award in 1994. In 1998 he was awarded the Nishan-e-Imtiaz, the highest civilian award conferred by the government of Pakistan. He is the second Indian to receive the award. At the time of the Kargil War, Shiv Sena chief Bal Thackeray demanded Kumar return his Nishan-e-Imtiaz, arguing that "He must return Nishan-e-Imtiaz following that country's blatant aggression on Indian soil."^[20] Kumar refused, saying:

"This award was given to me for the humane activities to which I have dedicated myself. I have worked for the poor, I have worked for many years to bridge the cultural and communal gaps between India and Pakistan. Politics and religion have created these boundaries. I have striven to bring the two people together in whatever way I could. Tell me, what does any of this have to do with the Kargil conflict?"^[21]

Personal life[link]

Kumar married actress and beauty queen Saira Banu in year 1966 when he was aged 44 and she was 22. Dilip Kumar secretly married a pakistani woman Asma in the early eighties but divorced her when Saira Banu refused to accept the marriage^[22]. His brothers are Nasir Khan, Ehsan Khan and Aslam Khan.^[23] Kumar's younger brother Nasir Khan was also an actor and appeared opposite him in Ganga Jamuna (1961) and Bairaag (1976).

Dilip Kumar on Twitter[link]

Around September 10, 2011 it surfaced that the health of Dilip Kumar is worsening. Some incredible tweets even mistakenly spread news of his death.^[24] Later Dilip Kumar's wife Saira Banu, made a public statement that the actor is good in health and in high spirits. Finally, Dilip Kumar launched his Twitter account. His first tweet was on his 89th Birthday on 11 Dec. 2011. His tweets are eloquent and inspirational.

Legacy and awards[link]

Dilip Kumar is widely considered to be one of the greatest actors in the history of Hindi cinema.^[3][4][5] Kumar holds the Guinness World Record for having won the maximum number of awards by an Indian actor.^[25] He has received many awards throughout his career, including 8 Filmfare Best Actor awards and 19 nominations.^[26] He was honoured with the Filmfare Lifetime Achievement Award in 1993.^[27] The Government of India honoured him with the Dadasaheb Phalke Award in 1994^[21] — the highest award for cinematic excellence in India. In 1980, he was appointed Sheriff of Mumbai, an honorary position. In 1991, he was awarded Padma Bhushan from the Government of India.^[28] In 1997, Kumar was awarded, Nishan-e-Imtiaz, a high civilian award conferred by the Government of Pakistan.

He received in 1997 the NTR National Award. He was also awarded CNN-IBN Indian of the Year - Lifetime Achievement Award in 2009. From some years large section of his fan and people in general are demanding Bharat Ratna for Kumar.

Filmography[link]

References[link]

External links[link]

• Dilip Kumar at the Internet Movie Database

Wikimedia Commons has media related to: Dilip Kumar

• Dilip Kumar Twitter Account

Noorjehan^[1][2] or Noorjehan^[3] (Punjabi, Urdu: نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 – December 23, 2000) who was a legendary singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarannum (Urdu: ملکہ ترنم, English: the queen of melody).^[2]

Born in a Punjabi family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of India and Pakistan including Urdu, Hindi, Punjabi and Sindhi languages.^[4] Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.

In 1957, Jehan was awarded the President's Award for her acting and singing capabilities.

Early life[link]

Noor Jehan was born in Kasur, Punjab, British India^[5] and was one of the eleven children of professional musicians Madad Ali and Fateh Bibi.^[4][6]

Career[link]

Wasai began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal.^[7] At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti,^[8] who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.

The family moved to Calcutta (now Kolkata) in hope of developing the movie careers of Wasai and her sisters. During their stay in Calcutta, the renowned singer Mukhtar Begum, encouraged Wasai and her two older sisters to join film companies and recommended them to various producers. She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences). It was here that Wasai received the stage name Baby Noor Jehan. Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail.^[4] Wasai would later adopt Mukhtar Begum's way of performance and sari attire.

In 1935, K.D. Mehra directed Pind di Kuri in which Jehan acted along with her sisters. She next acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer, Damodar Sharma. Baby Noor Jehan also played the child role of Heer in the film Heer-Sayyal (1937). After a few years in Calcutta, Noor Jehan returned to Lahore in 1938. In 1939, Ghulam Haider composed songs for Jehan which led to her early popularity. She then recorded her first song Shala Jawaniyan Mane for Dalsukh M. Pancholi's movie Gul Bakavli.

In 1942, she played the main lead opposite Pran in Khadaan. It was her first role as an adult, and the film was a major success. Khandaan's success saw her shifting to Bombay, with director Syed Shaukat Hussain Rizvi. She shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. She married Rizvi later the same year.^[9]

In 1945 Jehan played the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Bari Maa.

In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye". This was the first ever Qawwali recorded in female voices in South Asian films.

Noor Jehan's (Deepa govindarajan) last film in India was Mirza Sahibaan (1947) which starred Prithviraj Kapoor's brother Trilok Kapoor. Noor Jehan sang 127 songs in Indian films and the number of talking films she made from 1932 to 1947 was 69. The number of silents was 12. Fifty-five of her films were made in Bombay, eight in Calcutta, five in Lahore and one in Rangoon (now Yangon), Burma.

Acting career in Pakistan[link]

After the creation of Pakistan in 1947, Rizvi and Jehan decided to move to Pakistan. They left Bombay and settled in Karachi with their family.

Three years after settling in Pakistan, Noor Jehan starred in her first film in Pakistan, Chan wey (1951), opposite Santosh Kumar, which was also her first Punjabi film as a heroine. Shaukat and Noor Jehan directed this film together making Noor Jehan Pakistan's first female director. Noor Jehan's second film in Pakistan was Dopatta (1952) which turned out to be an even bigger success than Chan wey (1951).

In 1953-54, Jehan and Rizvi were divorced due to personal differences. She kept custody of the three children from their marriage. News of several affairs followed, including one with cricketer, Nazar Mohammad. In 1959, she married another actor, Ejaz Durrani, nine years her junior.^[9]

Durrani pressured her to give up acting,^[9] and her penultimate film as an actress/singer was Mirza Ghalib (1961). This contributed to the strengthening of her iconic stature. She gained another audience for herself. Her rendition of Faiz Ahmed Faiz's Mujh se pehli si mohabbat mere mehboob naj maang is a unique example of tarranum, reciting poetry as a song. Noor Jehan last acted in Baaji in 1963, though not in a leading role.

Noor Jehan bade farewell to acting in 1963 after a career of 33 years (1930 to 1963). The pressure of being a mother of six children and the demands of being a wife to another actor forced her to give up her career. Noor Jehan made 14 films in Pakistan, ten in Urdu, four in Punjabi.

Noor Jehan as a playback singer[link]

After quitting acting she took up playback singing. She made her debut as a playback singer in 1960 with the film Salma. Her first initial playback for a Pakistani film was for Jan-e-Bahar (1958), in which she sang the song Kaisa Naseeb Layi Thi, picturised on Musarrat Nazir. She received many awards, including the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan's top civil award. She sang a large number of duets with Ahmed Rushdi, Mehdi Hassan, Masood Rana and Mujeeb Aalam.

She had a great understanding and friendship with many great singers of Asia, for example with the late great Alam Lohar and many more singers also.

In the 1990s Jehan also sang for then débutante actresses Neeli and Reema. For this very reason, Sabiha Khanum affectionately called her Sadabahar (evergreen). Her popularity was further boosted with her patriotic songs during the 1965 war between Pakistan and India.

Jehan visited India in 1982 to celebrate the Golden Jubilee of the Indian talkie movies, where she met Indian Prime Minister Indira Gandhi in New Delhi and was received by Dilip Kumar and Lata Mangeshkar in Mumbai.

Patriotic songs[link]

During the 1965 India-Pakistan war. Noor Jehan sung many patriotic songs enthusiastically, which became tremendously popular. Some of these songs are listed below:

• Ae watan kay sajeelay jawano, Mere naghmay tumharay leeyay hain
• Aeh putr hataan tay nahin wikday, Tu lubni ain wich bazar kuray
• Mereya dhol sipahia, Tenun Rub dyaan rakhhan
• O mahi chhail chhabilah, Haey neen kernail neen jarnail neen
• Yeh hawaoun kay musafir, Yeh samandaroun kay rahi, Meray sir bakaf mujahid, Meray suf shikan sipahe
• Rung laey ga shaheedoun ka lahoo, Yeh lahoo surkhee hay aazadi kay afsanay ki
• Mera sohnan shehr Qasoor neen, Hoya dunya wich mashhoor neen

Last years and death[link]

In 1986, on a tour of North America, Jehan suffered from chest pains and was diagnosed with angina pectoris after which she underwent a surgery to install a pacemaker. In 2000, Jehan was hospitalised in Karachi and suffered a heart attack. On December 23, 2000 Jehan died as a result of heart failure. Her funeral took place at Jamia Masjid Sultan, Karachi and she was buried at the Gizri Graveyard near the Saudi Consulate in Karachi.

Filmography[link]

References[link]

External links[link]

• Noor Jehan at the Internet Movie Database
• Noor Jehan Audio Collection - Bingo.com.pk
• Rich tributes paid to Noor Jehan - DAWN.com
• Noor Jehan's immortal melodies - DAWN.com
• The unforgettable queen - DAWN.com
• The Melody Queen lives on - DAWN.com
• ^ Songs by Noor Jehan. Retrieved 2005-04-02. Includes a photograph of Noor Jehan.
• Few hits of Noor Jehan
• Madam Noorjehan on Pakistan Film Magazine

Nayyara Noor (Urdu: نیرہ نور ) is a Pakistani playback singer who is also considered one of the South Asia's foremost exponents in the Ghazal genre.^[1][2]

Biography[link]

Nayyara Noor was born in 1950 in Assam. Her family was a merchant class hailing from Amritsar who had settled in Guwahati in Assam State in the North-Eastern India. Her father was an active member of the Muslim League and in 1958, the family moved to Pakistan. As a child, Nayyara is said to have been inspired by the bhajans of Kanan Devi and Kamla as well as the ghazals and thumris of Begum Akhtar.^[3]

Although Nayyara had no formal musical background nor formal training, she was discovered by Professor Israr at the Islamia College in Lahore after hearing her sing for her friends and teachers at an annual dinner at the National College of Arts in Lahore in 1968. Soon thereafter she was asked to sing for the university's Radio Pakistan programs.

In 1971, Nayyara made her public singing debut in Pakistani television serials and then beginning with films like Gharana and Tansen. She has since sung ghazals penned by the likes of Ghalib and Faiz Ahmed Faiz and has performed with legends like Mehdi Hassan and Ahmed Rushdi. She has won three gold medals in the All Pakistan Music Conference and a Nigar Award for best female singer. She has since performed at countless mehfils and mushairas having cemented a following among ghazal lovers in Pakistan and India.Her probably the most famous ghazal (a form of song in Urdu poetry) was ae jazba e dil gar mai chhon, written by Behzad Lakhnavi 1900-1974, a poet, script writer and song writer of radio Pakistan, for which she won many rewards. Behazad Lakhnavi is buried in Sakhi Hasan. This is the place which was allotted by the government for the memories of Behzad Lakhnavi. He was born in Lucknow, India.

Related Information[link]

• Her younger son Jaffer is the lead vocalist of Kaavish, while the elder son Naad-e-Ali has started his debut as solo.^[4]

References[link]

External links[link]

• Nayyara Noor at the Internet Movie Database

This article about a Pakistani singer is a stub. You can help Wikipedia by expanding it. v t e

Vasant Desai (1912–1975) was a Indian film music composer, most remembered for his score in V. Shantaram film, like Do Aankhen Barah Haath (1953), Jhanak Jhanak Payal Baaje (1955), Vijay Bhatt's Goonj Uthi Shehnai (1959) and Hrishikesh Mukherjee's Guddi (1971) ^[1].

Early life[link]

He born in 1912 into a wealthy family in Sonwad village, Savantwadi state, ruled by the Bhonsale clan, and grew up in Kudal area, also in Konkan belt, Sindhudurg district, Maharashtra in western India.^[2]

Career[link]

He was with the famous Prabhat Film Company since it started making talkies. He acted, sang, and sometimes composed songs in Prabhat's films like Dharmatma and Sant Dnyaneshwar. After learning the craft of music composition, he stuck solely to it since 1940s.

He scored music for a majority of V. Shantaram's films when the latter broke away from Prabhat to form his own film studio. Their relations soured in late 1950s after which Vasantrao Desai never worked for his former mentor again.

He memorable songs are, Hindi Filmi Devotional song, Ae Malik Tere Bande Ham Do Aankhen Barah Haath, 1957. and launched play back singer, Vani Jairam with the song, Bole re papihara in Guddi (1971) ^[3].

^[4] In Marathi, some of his memorable songs are Sanga Mukund kuni ha pahila, Uthi Uthi Gopala from Amar Bhoopali, Ramya hi swargahuni Lanka from Swayamwar zale Seeteche, Deh devache mandir from Preetisangam, Manuskichya shatrusange yuddha amuche suru from Chota jawan

Last recording[link]

Vasant Desai went back home on 22nd December 1975 after a full day recording of a special musical programme at HMV Studios attended by high profile musicians as it was in praise of Indira Gandhi. He stepped into the elevator of his apartment building and due to some technical hitch, the lift began to move, crushing him to death.

Partial filmography[link]

• Shakuntala
• Amar Bhoopali (Marathi)
• Shyamachi Aai (Marathi)
• Molkarin (Marathi)
• Swayamwar zale Seeteche (Marathi)
• Laxmanrekha (Marathi)
• Tooch mazi rani (Marathi)
• Kanchanganga (Marathi)
• Chota jawan (Marathi)
• Dev Deenaghari Dhavala (Marathi Drama)
• Do Phool(1958)
• Jhanak Jhanak Payal Baaje (1955)
• Do Aankhen Barah Haath (1953)
• Toofan Aur Deeya (1956)
• Gunj Uthi Shehnai (1959)
• Dr. Kotnis Ki Amar Kahani (1946) ^[5]
• Yaadein (1964 film)
• Guddi(1971)
• Achanak (1973 film)

References[link]

External links[link]

• Vasant Desai at the Internet Movie Database
• Vasant Desai, Biography

v t e Bollywood (Hindi cinema) Directors · Actors · Playback singers · Music Directors · Songs · Bibliography Hindi films A–Z—Highest-grossing Films by year: 1930s · 1940 · 1941 · 1942 · 1943 · 1944 · 1945 · 1946 · 1947 · 1948 · 1949 · 1950 · 1951 · 1952 · 1953 · 1954 · 1955 · 1956 · 1957 · 1958 · 1959 · 1960 · 1961 · 1962 · 1963 · 1964 · 1965 · 1966 · 1967 · 1968 · 1969 · 1970 · 1971 · 1972 · 1973 · 1974 · 1975 · 1976 · 1977 · 1978 · 1979 · 1980 · 1981 · 1982 · 1983 · 1984 · 1985 · 1986 · 1987 · 1988 · 1989 · 1990 · 1991 · 1992 · 1993 · 1994 · 1995 · 1996 · 1997 · 1998 · 1999 · 2000 · 2001 · 2002 · 2003 · 2004 · 2005 · 2006 · 2007 · 2008 · 2009 · 2010 · 2011 · 2012