Community journalism is locally oriented, professional news coverage that typically focuses on city neighborhoods, individual suburbs or small towns, rather than metropolitan, state, national or world news.

If it covers wider topics, community journalism concentrates on the effect they have on local readers. Community newspapers, often but not always publish weekly, and also tend to cover subjects larger news media do not. Some examples of topics are students on the honor roll at the local high school, school sports, crimes such as vandalism, zoning issues and other details of community life. Sometimes dismissed as "chicken dinner" stories, such "hyperlocal" coverage often plays a vital role in building and maintaining neighborhoods.

Leo Lerner, founder of Chicago's erstwhile Lerner Newspapers, used to say, "A fistfight on Clark Street is more important to our readers than a war in Europe."^[1]

An increasing number of community newspapers are now owned by large media organizations, although many rural papers are still "mom and pop" operations.

Community journalists are typically trained professional reporters and editors. Some specialized training programs have recently emerged at established undergraduate and graduate journalism programs. Community journalism should not be confused with the work of citizen journalists, who are often unpaid amateurs, or with civic journalism, although many community newspapers practice that.

At the Emerging Mind of Community Journalism conference, participants created a list characterizing community journalism: community journalism is intimate, caring, and personal; it reflects the community and tells its stories; and it embraces a leadership role.^[2]

Figures[link]

In the United States, about 97% of newspapers are classified as "community" newspapers, with circulations below 50,000. Their combined circulation, nearly 109 million, is triple that of the combined circulation of the country's large daily newspapers.^[3]

History[link]

Community journalism got its name from a Montana editor, Ken Byerly, while he was a professor of journalism at the University of North Carolina at Chapel Hill 1957-71. Although the term is relatively new, Community journalism has been around since the founding fathers. He gave it its name because the concept had been referred to as “Hometown Newspapers,” which didn’t fit the suburban newspapers in that time. He chose community journalism because it fit both the weeklies and small dailies of the day.^[3]

The journalism debate[link]

Not everyone agrees on the implementation of community journalism into the news system. Traditionally, journalists advocate avoiding any real or perceived conflict of interests, which can be anything from refraining from joining community groups, to not pledging money to a candidate they support. Community journalism, however, encourages the coverage of news that hits close to home, even for the journalist covering the story.

Some philosophers encourage professional journalists to remain independent, whereas others insist on committing to local and generalized communities as a prerequisite for true citizenship. Some say community involvement is fine for editors and publishers, but not for the reporters who have the ability to “shape” the news. Critics say this involvement is a risk for anyone involved in producing the news.^[4]

Clifford Christians, co-author of Good News Social Ethics and the Press, urges journalists to realize that their publics may gravitate toward self-interest, and therefore the journalists should report stories that lessen the isolationism that comes from reading wider, world-based stories.^[5] A fundamental flaw in community journalism is the stubborn resistance to change and a compulsion to shape the system to maintain community standards.

Loyalty to a community is the inevitable price of acceptance, and the fee is creating sharp conflicts with allegiance to the truth. Through community journalism, attitudes about necessary information change from the need for a broad range of information (pluralism) to a reliance on information necessary to maintain community values and fortify the status quo (reinforcement).

Sooner or later group importance could transcend the value of distributing accurate information both internally to members of the group, and externally about the community or group.^[6]

Others think the switch toward community journalism is a natural reaction to our out-of-touch mega media. J. Herbert Altschull, writer of "A Crisis of Conscience: Is Community Journalism the Answer?" sees community journalism as a natural outgrowth from concerns of the media’s slippage in credibility and influence.^[7]

Organizations[link]

The International Society of Weekly Newspaper Editors, which has 260 members in seven countries (U.S., Canada, U.K., Ireland, Japan, Australia, New Zealand), encourages and promotes independent editorial comment, news content, and leadership in community newspapers throughout the world. Its purpose is to help those involved in the community press improve standards of editorial writing and news reporting and to encourage strong, independent editorial voices.

Examples of Community Journalism[link]

Portland, ME- A publication devoted solely to state education reform was created by Maine Sunday Telegram/Portland Press Herald Editor, Lou Ureneck and Maine Council of Churches, Sarah Campbell. Their primary objective was to create study circles to dispel information to the public on the different perspectives on education:

• To prepare one for a job
• To teach lifelong learning
• To develop good citizens
• To teach the basics

This newspaper, as with many community journalism publications, has sole control over editorial content. The content itself is very important and relevant to Maine communities and revolves around “core value” choices, as determined by the community. The community journalist reporters were required to give readers a background on each perspective and to “write an expository rather than conventional he-said/she-said style.”

The publication ran more than 100 inches of factual reporting on education in Maine, as well as op-ed pieces promoting one of the four perspectives, and summary reports on the opposing viewpoint. The newspaper was received well, and, as a result, roughly 700 community members took part in the reader roundtables.

Virginia- The Virginian Pilot is a second example of a community newspaper. This publication sought to “show how the community works or could work” and to “portray democracy in the fullest sense of the word, whether in a council chamber or a cul-de-sac.”

Known as the Public Life Team, they meet with panels of citizens regularly to “tap their thoughts and dreams for the regions’ future.” Additionally, they have changed the perception of criminal sentencing from a polarized issue to one that rehabilitation advocates were in favor of. Finally, they opened a line of communication between various community members for the Hall Place neighborhood. “The Pilot got black and white residents to talk freely about the plan.” Without the assistance of the Pilot, the community would not have come to the conclusion that it “ought to be what was good for the city as a whole.”

This publication in particular has paved way for other community journalists, mainly due to its experimental nature and eagerness to give reporters the opportunity to brainstorm ideas together. Overall, the Pilot wants to improve the tone of public discourse in the Virginian community.

London, United Kingdom. Fitzrovia News is an example from a central London neighbourhood. Residents and volunteers produce a quarterly printed newspaper delivered free to all residential addresses and local businesses in the district of Fitzrovia. The paper which also has a website and social media network covers issues of concern to residents and small businesses. Originally called The Tower it is perhaps the United Kingdom's oldest community newspaper.

Community blogging[link]

There is a growing number of community blogs coming to the surface. These local bloggers and community members (many who have no journalism background) join together to write about and advocate for their community in an online forum.^[8] These blogs serve as watchdogs to hold the public and other media outlets accountable for their actions. According to a Zogby International survey, 70% of Americans say journalism is important to maintaining community quality of life, and 67% say the traditional media are out of touch with what citizens want from their news.^[9]

Community blogs also provide a service to organizations that encourage civic engagement. It give them a birds-eye-view of the happenings of the communities they affect without interjecting themselves into any one community.^[10]

Emergence of Mobile News[link]

According to the State of the News Media: An Annual Report on American Journalism, nearly half of all American adults (47%) report that they get at least some local news and information on their cell phone or tablet computer. They are interested in obtaining news that is practical and in real time and fall under the demographic of higher socioeconomic status, younger, newer residents, reside in non-rural areas, and parent minor children.

Mobile news is important because participants “feel they can have an impact on their communities, more likely to use a variety of media platforms, feel more plugged into the media environment than they did a few years ago, and are more likely to use social media.”

Citizens can not only read news from their local community, with tablets and smart phones, they can also share and post links to stories, comment, or contribute themselves.

Survey

The Pew Research Center’s Project for Excellence in Journalism and Internet & American Life Project partnered with the Knight Foundation to conduct a national survey from January 12–25, 2011. They polled 2,251 adults over the age of 18 in both English and Spanish to “explore the role that cell phones and tablet computers play in people’s patterns of consuming and contributing to community information.

Results

84% of adult Americans own a cell phone and 47% of that population access local news and information on mobile devices, as it serves an immediate need.

However, those polled stated that topics like crime, community events, schools and education, and politics and cultural events are a fraction of topics sought after. In other words, citizens have not reached the point where they use mobile devices as a primary source to acquire community journalism-related subjects.

Purpose[link]

Community newspapers throw most of their weight behind supplying local coverage and making national and international news stories relate by finding a significant local angle. They embrace their civil role by promoting the general welfare of the community. The finest community newspapers recognize and accept this covenant with their towns: that they are key stakeholders and players in the forces that help build and celebrate their communities.^[3] Community journalism is a serious effort to return to the reputation journalism once had, and to restore the role of the press to its original purpose—that is, to serve as a breeding place for ideas and opinions.^[11]

At their best, community newspapers affirm a sense of community through their publications. It emphasizes connectedness and "us-ness." It's covering school plays across four columns with pictures of the students large enough to see their faces. It's showing the community members that they, as individuals, matter.

Measurement[link]

Through a qualitative and quantitative content analysis of scholarship on community and news media, community news media should (a) facilitate the process of negotiating and making meaning about community and (b) reveal or ensure understanding of community structure.^[2]

Community journalism would ideally reveal, or make individuals aware of, spaces, institutions, resources, events, and ideas that may be shared, and encourage such sharing. The practice should also facilitate the process of negotiating and making meaning about a community.^[10]

It is suggested that news media outlets do not choose to either practice community journalism exclusively or disregard it. Rather, media outlets generally engage in some degree of community journalism, as measured by the types of practices they follow and the intensity with which they follow them. A summated scale of multiple ordinal-level items would be an appropriate measure of community journalism.^[2] This is because community journalism is on a scale on which data is shown simply in order of magnitude since there is no standard of measurement of differences.

In addition, numerous studies in this analysis suggest that any scale measure of community journalism should accommodate the impact of the community’s power structure on news decisions and should address the need for inclusion of less powerful voices.

Criteria for community journalism[link]

One way to measure the degree to which news outlets reveal community structure is the following list: Media outlet content provides

• Communities with contact information for community leaders, officials, experts, and community organizations.
• Information from community leaders, officials, experts, and community organizations that is usable and relevant to community members.
• Information on community services and institutions.
• Information so that communities understand how to use services and institutions.
• Information on clubs and organizations.
• Information that helps communities understand how to get involved with local or relevant clubs and organizations.
• Information that helps communities take advantage of local or relevant events and festivities.^[12]

See also[link]

Journalism portal

• Creative nonfiction
• History of journalism
• History of American newspapers
• Journalism
• Journalism ethics and standards
• Journalism education and Journalism school
• Journalism genres
• Non-profit journalism
• Objectivity (journalism)
• Yellow journalism

Notes[link]

External links[link]

Andy Williams
Andy Williams performing at the Moon River Theater in Branson, MO late 2006
Background information
Birth name	Howard Andrew Williams
Also known as	A Voice of National Treasure The King of Hearts The Golden Voice The Emperor of Easy The Emperor of Class The Crooning King The King of Easy Listening Mr. Moon River The American Idol Mr. Christmas[citation needed]
Born	(1927-12-03) December 3, 1927 (age 84)
Origin	Wall Lake, Iowa, United States
Genres	Traditional pop Jazz Country Pop Easy Listening
Occupations	Singer Songwriter Actor Record producer
Years active	1938–present
Labels	Sony BMG/Columbia/Cadence
Website	AndyWilliams.com

Howard Andrew "Andy" Williams (born December 3, 1927) is an American singer who has recorded 18 Gold-^[1] and three Platinum-certified^[2] albums. He hosted The Andy Williams Show, a TV variety show, from 1962 to 1971, as well as numerous television specials, and owns the Moon River Theatre^[3] in Branson, Missouri named after the song "Moon River", with which he is closely identified.

Early life and career[link]

Williams was born in Wall Lake, Iowa,^[4] the son of Jay Emerson and Florence (née Finley) Williams. He first performed in a children's choir at the local Presbyterian church.^[4] Williams and his three older brothers Bob, Don, and Dick formed the Williams Brothers quartet^[4] in late 1938, and they performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati. Williams graduated from Western Hills High School in Cincinnati and his brother was engaged to Gene Ingram's car-pool partner, Peggy. The Williams Brothers appeared with Bing Crosby on the hit record "Swinging on a Star" (1944). They appeared in 4 musical films: Janie (1944), Kansas City Kitty (1944), Something in the Wind (1947) and Ladies' Man (1947). This led to a nightclub act with entertainer Kay Thompson from 1947 to 1951.^[4]

Solo career[link]

Williams' solo career began in 1953.^[4] He recorded six sides (individual songs) for RCA Victor's label "X", but none of them were popular hits.^[5]

After finally landing a spot as a regular on Steve Allen's Tonight Show in 1954,^[6] he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" reached #7 in the Top Ten in August 1956, and was soon followed by his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley) in February 1957. More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3 in February 1958), "The Village of St. Bernadette" (U.S. #7 in December 1959), "Lonely Street" (U.S. #5 in September 1959), and "I Like Your Kind Of Love" with Peggy Powers (U.S. #8 in May 1957) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2). In terms of chart popularity, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards. Two top ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love" were apparently believed to not suit Williams' later style; they were not included on a Columbia reissue of his Cadence greatest hits of/from the 1960s.

In 1964, Williams ultimately became the owner of the Cadence master tapes, which he occasionally licensed to Columbia, including not only his own recordings, but those of his fellow Cadence-era labelmates, The Everly Brothers, Lenny Welch, The Chordettes, and Johnny Tillotson. In 1968, although he was still under contract with Columbia for his own recordings, Williams formed a separate company called Barnaby Records not only to handle reissuing of the Cadence material, especially that of The Everly Brothers (one of the first Barnaby LPs was a double LP set of the brothers long out of print Cadence hits) but new artists as well. Barnaby also had several Top 40 hits in the 70s with novelty artist Ray Stevens (who had done a summer replacement show for Williams in 1970), including Top 10s such as "Everything Is Beautiful" in 1970, and "The Streak" in 1974.

Also in 1970, Barnaby signed and released the first album by an unknown singer-songwriter named Jimmy Buffett ("Jimmy Buffett Down to Earth") produced by Travis Turk. Columbia was initially the distributor for Barnaby, but later distribution was handled first by MGM Records and then GRT. Once Barnaby ceased operating as a working record company at the end of the 1970s, Williams licensed the old Cadence material to various other labels (such as Varese & Rhino in the U.S.) after 1980.

During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra, Johnny Mathis and Elvis Presley. By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( #1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.

Williams forged an indirect collaborative relationship with Henry Mancini, although they never recorded together. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" at the 1962 Oscar Awards (where it won), and it quickly became Williams' theme song; however, because it was never released as a single, "Moon River" was never actually a chart hit for Williams.^[7] The next year Williams sang "Days of Wine and Roses" which was written by Mancini and Mercer (this song also won). Two years later, he sang Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards.

On August 5, 1966, the 14-story, 700-room Caesars Palace casino and nightclub opened in Las Vegas, Nevada, with the stage production of "Rome Swings", in which Williams starred. He performed live to a sold out crowd in the Circus Maximus showroom. He headlined for Caesars for the next twenty years.

In 1968, Columbia released a 45-rpm record of two songs Williams sang at the funeral of Robert F. Kennedy, a close friend: "Ave Maria" and "The Battle Hymn of the Republic". These were never released on a long-playing record.

Williams also competed in the teenage-oriented singles market as well and had several charting hits including "Can't Get Used to Losing You", "Happy Heart", and "Where Do I Begin", the theme song from the 1970 blockbuster film, Love Story. In addition Williams hit the Top 10 of the UK Singles Chart with "Almost There" (1965), "Can't Help Falling In Love" (1970), "Home Lovin' Man" (1970) and "Solitaire" (1973).

Both Williams and Petula Clark recorded "Happy Heart" at the same time, just prior to his guest appearance on her second NBC-TV special. Unaware that she, too, was releasing the song as a single, he asked to perform it on the show. The exposure ultimately led to his having the bigger hit with the tune. The song "Happy Heart" is played during the final scene, and throughout the end credits, of the Danny Boyle film Shallow Grave.

Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years and has been penned as Mr. Christmas.

Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through the 19th Annual Grammy Awards in 1977, totaling seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–77.

In the early 1970s, when the Nixon Administration attempted to deport John Lennon, Andy Williams was an outspoken defender of the former Beatle's right to stay in the United States.

A caricature of Andy Williams is included in the montage of caricatures displayed on the cover of Ringo Starr's 1973 album, "Ringo".

Williams also sang the national anthem at Super Bowl VII in 1973 with Little Angels of Holy Angels Church in Chicago, Illinois.

National tour success[link]

His 1967 recording of "Music to Watch Girls By" became a huge surprise UK hit to a new young TV audience in 1999, when it reached #9 after being featured in new TV ads for the Fiat Punto--and later for Diet Pepsi--beating the original peak of #33 in 1967. A new generation was reminded of Williams' recordings and a sell-out UK tour followed the success of the single, and he was given the nickname "The Emperor of Easy" in the UK.

In 2002, he re-recorded "Can't Take My Eyes Off You" as a duet with British actress and singer Denise van Outen which reached number 23 in the UK singles charts.

He completed a sold-out tour of the United Kingdom and Asia in the winter and summer of 2007, in which he performed at several major concert halls including the Royal Albert Hall, singing among other classics, Van Morrison's "Have I Told You Lately".

Williams returned to the UK singles charts with his 1963 recording of "It's The Most Wonderful Time Of The Year" in December 2007 thanks to an advert for Marks And Spencer, reaching number 21 in its first appearance in the British charts, also reaching #108 on the EU Top 200. In 2008 he lip-synched the 45-year-old recording to welcome Santa at the end of the Macy's Thanksgiving Day Parade.

On October 3, 2009, Williams appeared live on the BBC's Strictly Come Dancing^[8] in London, singing Moon River to promote the UK edition of The Very Best of Andy Williams, which peaked at number 10 in the main pop chart.

Moon River Theatre[link]

In June 1991, Williams' brother Don invited him to the small Ozarks town of Branson, Missouri. Don Williams at the time was the manager for entertainer Ray Stevens, who had just opened a theatre in Branson. While attending Stevens' show, Williams was encouraged by numerous Branson guests to open a venue in the town.^[3] This led Williams to build his own theater in Branson in time for the 1992 season,^[9] eventually opening on May 1, 1992 as the Moon River Theatre.^[10] The name came from a song he made famous from the movie Breakfast at Tiffany's. It went on to become the first theater ever to be featured in Architectural Digest, and also won the 1992 Conservation Award from the State of Missouri.^[11]

The theater was designed to blend into the rough terrain of the Ozark Mountains. Reportedly when Williams was on his way to Big Cedar Lodge one day, he had noticed some rough rock outcroppings and said, "What about these? This could be the entrance." He had originally planned a marble style theater reminiscence of the Dorothy Chandler Pavilion in Los Angeles, but soon had a change of mind. The Larson Company of Tucson, Arizona fabricated a section of rock on Missouri's Highway 76 and the theater was soon engulfed with waterfalls, koi filled ponds, ferns and trees native to the Ozarks. The inside of the theater incorporates the outside. Trees and plants are seen throughout the theater's three lobbies. Oak floors are accompanied by African ribbon striped mahogany walls that are filled with pictures of the Andy Williams Television Show. Williams' passion for art can be seen throughout as well. From the start of his career Williams had accumulated several paintings and sculptures and decided to fill his theater with his collection. Frankenthaler, Diebenkorn, Oldenburg, Pollock, Klee and Moore are a small list of artists the Moon River Theatre represents.^[12]

The theater's auditorium can accommodate 2,054 people. The seating is stadium style seating for the best view. The seats and carpets match Williams' Navajo rug collection and are forest green, magenta, gold and blue. On display inside the auditorium are nineteen Japanese Kimonos. The stage has accommodated numerous shows and guest celebrities. On stage Williams has been joined by Glen Campbell, Ann-Margret, Petula Clark and Charo. The theater has also played host to Phyllis Diller, Pat Boone, The Osmond Family, Robert Goulet, Rich Little, Shari Lewis & Lamb Chop, David Copperfield, Pat Benatar and Broadway on Ice starring Nancy Kerrigan, Tara Lipinski and Rudy Galindo. In November and December of each year he presents his annual Andy Williams Christmas Show at the theater.

When it first opened, Williams' act was unique because it was the first non-country act to open in the then-mostly-country music town. It was said he was discouraged by many back home in California from making such a bold move, but that was what he wanted. Other non-country entertainers like Bobby Vinton, Tony Orlando, Wayne Newton and the Osmond Brothers soon followed.^[13]

Williams and his theater were featured on three episodes of the soap opera As the World Turns in July 2007. Several of the cast (Gwen, Will, Cleo, Jade, Luke, Maddie and Noah) went to Branson for a concert of Gwen Munson held in the Moon River Theatre. The Simpsons featured Williams at his Moon River Theatre in an episode titled "Bart on the Road". Nelson Muntz is an Andy Williams fan, and in the episode he forces the gang to make a detour to Branson so he could see his idol. The bully is reduced to tears as Williams performs "Moon River" during the second encore.

In the spring of 2007 Williams opened the Moon River Grill adjacent to his theater in Branson. The restaurant is decorated in photos from the Andy Williams Television Show with stars including Diana Ross, Elton John and Sammy Davis Jr. Art is center stage in the restaurant, with works by several artists including Andy Warhol and Robert Indiana.^[14]

Personal life[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2010)

Williams met French-born Claudine Longet when he pulled over to aid her on a Las Vegas road. She was a dancer at the time at the Folies Bergère. They married on December 15, 1961. The union produced three children: Noelle, Christian, and Robert within the next eight years.

After a lengthy separation, Williams and Longet divorced in 1975. In March 1976, however, when Longet was charged with fatally shooting her boyfriend, alpine ski racer Spider Sabich in Aspen, Williams played a public role in the subsequent events, escorting her to and from the courtroom, testifying to her character at the trial, and providing legal assistance. Longet claimed the shooting was accidental, and eventually received 30 days in jail, which was served at her convenience. Shortly thereafter, Longet vacationed in Mexico with her defense attorney Ron Austin, whom she married in June 1985. They continue to reside in the Aspen area.

Andy Williams married a second time (May 3, 1991), to the former Debbie Meyer, whom he met through a mutual friend. They make their homes at Branson, Missouri, and La Quinta, California. Williams' homes have been featured in Architectural Digest, and he is a noted collector of modern art.

Williams is an avid golfer, and hosted the PGA Tour golf tournament in San Diego from 1968-88 at Torrey Pines. Then known as the "Andy Williams San Diego Open", the tournament continues as the Farmers Insurance Open, usually played in February.

Williams' birthplace in Iowa is a tourist attraction, and is open most of the year.

On Friday, November 4, 2011, it was reported in the press that Williams has been diagnosed with bladder cancer. The singer confirmed the condition in a surprise appearance that weekend at his theater in Branson, as reported by the Branson Tri-Lakes News.^[15] He is undergoing chemotherapy treatments in Houston and will then move with his wife to a rented home in Malibu, California to be closer to cancer specialists in the Los Angeles area.^[16]

Politics[link]

Williams was close friends with Robert F. Kennedy and Ethel Kennedy, campaigning for Kennedy '68 for President. Williams was among the celebrities who were present at the Ambassador Hotel on the night Sirhan Sirhan killed RFK in June 1968. Williams solemnly sang "Battle Hymn of the Republic" at RFK's funeral, by request of widow Ethel. By August 1969, over a year after Bobby Kennedy's death, Andy and Claudine named their newborn son 'Bobby' Williams. The Williams' friendship with Ethel Kennedy has endured, with Williams even serving as escort to Ethel, during events in the 1970s. He also raised funds for George McGovern's 1972 presidential campaign, performing at benefit concerts.^[17]

While close friends with the Democratic Kennedys, Williams is a lifelong Republican.^[18] On September 29, 2009, Williams was quoted by the Daily Telegraph as accusing President Barack Obama of "following Marxist theory" and "wanting the country to fail".^[19][20] He gave Rush Limbaugh permission to use his recording of the song "Born Free" for the theme to the "Animal Rights Update" on his Limbaugh's radio show – in which a portion of the song is then followed by gunfire – saying "Hey, it's fine with me. I love what you're doing with it." The record company later blocked Limbaugh's use of the recording.^[21]

Discography[link]

Hit singles[link]

Albums[link]

Cadence Records[link]

Columbia Records[link]

Other labels[link]

Compilations[link]

• (see Cadence Records list above for 3 previous compilations)
• 16 Most Requested Songs (1990), Columbia/Legacy
• 16 Most Requested Songs: Encore! (1995), Columbia/Legacy
• I Like Your Kind Of Love, The Best of the Cadence Years (1997), Varese Sarabande
• Hits From Cadence (1999), Victor – (Japan only)^{[citation needed]}
• In The Lounge With... Andy Williams (1999), Columbia Records/Sony Music UK
• Christmas Album (1999), Columbia Records/Sony Music UK
• The Very Best Of Andy Williams (2000), Columbia Records/Sony Music UK
• Complete Columbia Chart Singles Collection (2002), Taragon
• 25 All-Time Greatest Hits 1956–1961: The Cadence Years (2002), Varese Sarabande
• Best Of The 70s (2003), Columbia
• B Sides and Rarities (2003), Collectables
• The Essential Andy Williams (June, 2002), Columbia Records/Sony Music UK
• Moon River: The Very Best Of Andy Williams (2009), Columbia Records

Filmography[link]

• Janie (1944)
• Kansas City Kitty (1944)
• Ladies' Man (1947)
• Something in the Wind (1947)
• The Man in the Moon (1960)
• I'd Rather Be Rich (1964)
• Dorival Caymmi (1999) – documentary
• Sebring (2009) – documentary

References[link]

Notes

Sources

• BBC Radio Nottingham Interview

External links[link]

• Official website
• Andy Williams at the Internet Movie Database