"Quarters of the news editor", one a group of four photos in the brochure Seattle and the Orient (1900) collectively captioned "The Seattle Daily Times—Editorial Department"

Editing is the process of selecting and preparing written, visual, audible, and film media used to convey information through the processes of correction, condensation, organization, and other modifications performed with an intention of producing a correct, consistent, accurate, and complete work.^[1]

The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. As such, editing is a practice that includes creative skills, human relations, and a precise set of methods.^[2][3]

Print media[link]

There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product to its final release. The smaller the publication, the more these roles overlap.

The title of the top editor at many publications may be known as the editor in chief, executive editor, or simply the editor. A frequent and esteemed contributor to a magazine may acquire a title of editor at-large or contributing editor. Mid-level newspaper editors often manage or help manage sections, such as business, sports and features. In U.S. newspapers, the level below the top editor is usually the managing editor.

In the book publishing industry, editors may organize anthologies and other compilations, produce definitive editions of a classic author's works (scholarly editor), and organize and manage contributions to a multiauthor book (symposium editor or volume editor). Obtaining manuscripts or recruiting authors is the role of an Acquisitions Editor or a commissioning editor for a publishing house.^[4] Finding marketable ideas and presenting them to appropriate authors are the responsibility of a sponsoring editor.

Copy editors correct spelling, grammar, and align writings to house style. Changes to the publishing industry since the 1980s have resulted in nearly all copy editing of book manuscripts being outsourced to freelance copy editors.^[4]

At newspapers and wire services, copy editors write headlines and work on more substantive issues, such as ensuring accuracy, fairness, and taste. In some positions, they design pages and select news stories for inclusion. At U.K. and Australian newspapers, the term is sub-editor. They may choose the layout of the publication and communicate with the printer—a production editor. These editors may have the title of layout or design editor or (more so in the past) makeup editor.

Executive editor[link]

The top editor sometimes has the title executive editor or editor-in-chief. This person is generally responsible for the content of the publication. An exception is large newspapers, who usually have a separate editor for the editorials and opinion pages to separate news reporting and editorial content.

The executive editor sets the publication standards for performance, and motivates and develops the staff. The executive editor is also responsible for developing and maintaining the publication budget. In concert with the publisher and the operating committee, the Executive Editor is responsible for strategic and operational planning. The Executive Editor is effectively the head of the newspaper and has considerable influence on its content.

Periodicals[link]

Editors at newspapers supervise journalists and improve their work. Newspaper editing encompasses a variety of titles and functions. These include:

• Chief or supervising editors, who may be called editor in chief, executive editor, or sometimes just editor
• Managing editors and assistant or deputy managing editors (the managing editor is often second in line after the top editor)
• News editors, who oversee the news desks
• Editorial page editor who oversees the coverage on the editorial page. This editor often sits on the editorial board and assigns writing of editorials. The editorial page editor may also oversee letters to the editor or to the op-ed page. Alternately, these duties are assigned to separate letters or op-ed editors.
• Department or section editors and their assistants, such as for business, features, and sports
• Photo or picture editors
• Copy editors
• Readers' editors or public editors, sometimes known as the ombudsman, who field complaints from readers and respond to them
• Wire editors, who choose and edit articles from various international wire services, and are usually part of the copy desk

The term city editor is used differently in North America and South America, where it refers to the editor responsible for the news coverage of a newspaper's local circulation area (also sometimes called metro editor), than in the United Kingdom, where it refers to the editor responsible for coverage of business in the City of London and, by extension, coverage of business and finance in general.^[5][6]

Scholarly books and journals[link]

Editors of scholarly books and journals are of three types, each with particular responsibilities: the acquisitions editor (or commissioning editor in Britain), who contracts with the author to produce the copy, the project editor or production editor, who sees the copy through its stages from manuscript through bound book and usually assumes most of the budget and schedule responsibilities, and the copy editor or manuscript editor, who performs the tasks of readying the copy for conversion into printed form.

The primary difference between copy editing scholarly books and journals and other sorts of copy editing lies in applying the standards of the publisher to the copy. Most scholarly publishers have a preferred style guide, usually a combination of Merriam-Webster's Collegiate Dictionary and: (a) either the Chicago Manual of Style, the MLA Style Manual, or the APA Publication Manual in the US; or (b) the New Hart's Rules in the UK. The New Hart's Rules are based the "Hart's Rules for Compositors and Readers" published by Oxford University Press in 1893. Since scholars often have strong preferences, very often a publisher will adopt different styles for different fields. For instance, psychologists prefer the APA style, while linguists might prefer the MLA style. These guidelines offer sound advice on making cited sources complete and correct and making the presentation scholarly.

Technical editing[link]

Technical editing involves reviewing text written on a technical topic, and identifying usage errors and ensuring adherence to a style guide.

Technical editing may include the correction of grammatical mistakes, misspellings, mistyping, incorrect punctuation, inconsistencies in usages, poorly structured sentences, wrong scientific terms, wrong units and dimensions, inconsistency in significant figures, technical ambivalence, technical disambiguation, correction of statements conflicting with general scientific knowledge, correction of synopsis, content, index, headings and subheadings, correcting data and chart presentation in a research paper or report, and correcting errors in citations.

In large companies, experienced writers are dedicated to the technical editing function. In organizations that cannot afford dedicated editors, experienced writers typically peer-edit text produced by their less experienced colleagues.

It helps if the technical editor is familiar with the subject being edited, but that is not always essential. The "technical" knowledge that an editor gains over time while working on a particular product or technology does give the editor an edge over another who has just started editing content related to that product or technology. But essential general skills are attention to detail, the ability to sustain focus while working through lengthy pieces of text on complex topics, tact in dealing with writers, and excellent communication skills.

Business editing[link]

Businesses and nonprofit organizations often use editors, who may be employees, individual contractors, or contractors from a specialized copywriting agency. Working with writers inside or outside the business, such editors provide services such as proofreading, copy editing, line editing, developmental editing, editing for search engine optimization (SEO), etc.

References[link]

See also[link]

• Editor (disambiguation)
• Audio editing
• Film editing
• Society for Editors and Proofreaders (in the UK)
• Video editing

Further reading[link]

• Stephen, Leslie (1898). "The Evolution of Editors" (in English). Studies of a Biographer. 1. London: Duckworth and Co.. pp. 37-73. //en.wikisource.org/wiki/Studies_of_a_Biographer/The_Evolution_of_Editors. 

External links[link]

Look up editing in Wiktionary, the free dictionary.

• American Copy Editors Society
• Blake Morrison "Black day for the blue pencil" The Guardian, 6 August 2005
• Editorial Freelancers Association (USA)
• Society for Editors and Proofreaders (UK)
• Technical Editing special interest group (SIG) of the Society for Technical Communication (STC)
• Writer Beware of Independent Editors and Manuscript Assessment Services Science Fiction and Fantasy Writers of America, 22 July 2010

Charlie Brooker
Brooker at the 2011 Royal Television Society Awards
Born	Charlton Brooker (1971-03-03) 3 March 1971 (age 41) Reading, Berkshire, England
Nationality	British
Alma mater	Polytechnic of Central London
Occupation	Broadcaster, writer, columnist, comedian, critic
Years active	1998–present
Religion	None (Atheist)[1]
Spouse	Konnie Huq (2010–present)

Charlton "Charlie" Brooker (born 3 March 1971) is a British journalist, screenwriter and broadcaster. His style of humour is savage and profane, with surreal elements and a consistent satirical pessimism. He presents TV shows Screenwipe, Gameswipe and Newswipe, wrote a review column for The Guardian newspaper and currently writes a comment piece each Monday for The Guardian supplement G2, and is one of four creative directors of comedy production company Zeppotron. His five-part horror drama Dead Set for E4 earned him a nomination for a BAFTA. Brooker won Columnist of the Year at the 2009 British Press Awards for his column,^[2] and the Best Newcomer at the British Comedy Awards 2009. He is co-presenter of 10 O'Clock Live on Channel 4. He has also presented the documentary series How TV Ruined Your Life on BBC Two and created the Channel 4 satirical drama trilogy Black Mirror (writing and co-writing Episodes 1 and 2 respectively).

Early life and education[link]

This section requires expansion.

Brooker was born in Reading, Berkshire ^[3], growing up in the village of Brightwell-cum-Sotwell, Oxfordshire^[4]. He first worked as a writer and cartoonist for Oink!, a comic produced in the late-1980s.^[5]

After attending Wallingford School, Brooker attended the Polytechnic of Central London (which became the University of Westminster during his time there) – studying for a BA in Media Studies. He did not graduate because his dissertation was written on video games, which was not an acceptable topic.^[5][6]

Career[link]

[edit] PC Zone

Brooker wrote for PC Zone magazine in the mid-1990s. Aside from games reviews, his output included the comic strip "Cybertwats" and a column titled "Sick Notes", where Brooker would insult anyone who wrote in to the magazine and offered a £50 prize to the "best" letter.

In February 1998, one of Brooker's one-shot cartoons caused the magazine to be pulled from the shelves of many British newsagents. The cartoon was titled "Helmut Werstler's Cruelty Zoo" and professed to be an advert for a theme park created by a Teutonic psychologist for children to take out their violent impulses on animals rather than humans. It was accompanied by photoshopped pictures of children smashing the skulls of monkeys with hammers, jumping on a badger with a pitchfork, and chainsawing an orang-utan, among other things. The original joke was supposed to be at the expense of the Tomb Raider games, known at the time for the number of animals killed, but the original title, "Lara Croft's Cruelty Zoo", was changed for legal reasons.

In October 2008, Brooker and several other ex-writers were invited back to review a game for the 200th issue. Brooker reviewed Euro Truck Simulator.

SuperKaylo[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2011)

A number of Brooker's artworks were available to the public on his website. This body of work is drawn both from the commissions of his various patrons, and began as a paper comic that was sold to customers at Brooker's former workplace CeX. In addition to its counter presence, Brooker sold issues to mail order customers when they called up to place orders for games.

One aspect of the SuperKaylo site was a series of recorded phone conversations, that had originally started from a commissioned featured for PC Zone on technical support phonelines. Brooker took things further than this half serious investigation, when in 1999 he called up the then editor of Edge magazine, Jason Brookes. Pretending to be an angry father, he phoned up enraged by an advert that had appeared in a previous issue for CeX, one that Brooker himself had written and drawn.

TVGoHome[link]

From 1999 to 2003 he wrote the satirical TVGoHome website,^[7][8] a regular series of mock TV schedules published in a format similar to that of the Radio Times, consisting of a combination of savage satire and surreal humour and featured in technology newsletter Need To Know. A print adaptation of the site was published by Fourth Estate in 2001. A TV sketch show based on the site was broadcast on UK digital station E4 the same year.^[9]

Newspaper columns[link]

Brooker began writing a TV review column titled "Screen Burn" for The Guardian newspaper's Saturday entertainment supplement The Guide in 2000, a role he continued through to October 2010.

From the autumn of 2005, he wrote a regular series of columns in The Guardian supplement "G2" on Fridays called "Supposing", in which he free-associated on a set of vague what-if themes. Since late October 2006 this column has been expanded into a full-page section on Mondays, including samples from TVGoHome and Ignopedia, an occasional series of pseudo-articles on topics mostly suggested by readers. The key theme behind Ignopedia was that, while Wikipedia is written and edited by thousands of users, Ignopedia would be written by a single sub-par person with little or no awareness of the facts.^[10]

On 24 October 2004, he wrote a column on George W. Bush and the forthcoming 2004 US Presidential Election^[11] which concluded:

The Guardian withdrew the article from its website and published and endorsed an apology by Brooker.^[12] He has since commented about the remark in the column stating:

Brooker left the "Screen Burn" column in 2010. In the final column,^[14] he noted how increasingly difficult he found it to reconcile his role in mainstream media and TV production with his writing as a scabrous critic or to objectively criticise those he increasingly works and socialises with. Longtime covering contributor Grace Dent took over the column. He continues to contribute other articles to The Guardian on a regular basis.

Television[link]

From 1999 to 2000, Brooker played hooded expert 'the Pundit' in short-lived show Games Republic hosted by Trevor and Simon on BSkyB.

In 2000, Brooker was one of the writers of the Channel 4 show The Eleven O'Clock Show and a co-host (with Gia Milinovich) on BBC Knowledge's The Kit, a low-budget programme dedicated to gadgets and technology (1999–2000). In 2001, he was one of several writers on Channel 4's controversial Brass Eye special on the subject of paedophilia.

In 2003, Brooker wrote an episode entitled "How to Watch Television" for Channel 4's The Art Show.^[15] The episode was presented in the style of a public information film and was partly animated, and gave advice on how to view television.

Together with Brass Eye's Chris Morris, Brooker co-wrote the sitcom Nathan Barley, based on a character from one of TVGoHome's fictional programmes. The show was broadcast in 2005 and focused on the lives of a group of London media 'trendies'. The same year, he was also on the writing team of the Channel 4 sketch show Spoons, produced by Zeppotron.

In 2006, Brooker began writing and presenting his signature television series Charlie Brooker's Screenwipe on BBC Four, a TV review programme in a similar style to his Screen Burn columns in The Guardian. After an initial pilot series of three editions in April of that year, the programme returned in the autumn for a second run of four episodes plus Christmas and Review of the Year specials in December 2006. A third series followed in February 2007 with a fourth broadcast in September 2007, followed by a Review of the Year in December 2007. The fifth series started in November 2008 and was followed by another Review of the Year special. This series was also the first to be given a primetime repeat on terrestrial television (BBC Two), in January 2009.

Screenwipe's format mostly consists of two elements. The first is the playing of clips from other television shows – both mainstream and obscure – interspersed with shots of Brooker, sitting in his living room,^[16] delivering witty critiques on them. The second is where Brooker explains, again with a slice of barbed humour, the way in which a particular area of the television industry operates. Also occasionally present are animations by David Firth and guest contributions, which have included the poetry of Tim Key, and segments in which a guest explains their fascination with a certain television show or genre.

Brooker has regularly experimented with Screenwipe, with some editions focusing on a specific theme. These themes have included American television, TV news, advertising and children's programmes. (The last of these involved a segment where Brooker joined the cast of Toonattik for one week, playing the character of "Angry News Guy".) Probably the most radical departure from the norm came with an episode focused on scriptwriting, which saw several of British television's most prominent writers interviewed by Brooker.

As per the development of his career with The Guardian, a similar show called Newswipe, focusing on current affairs reportage by the international news media, began on BBC Four on 25 March 2009. A second series began on 19 January 2010. He has also written and presented the one off special Gameswipe which focused on video games and aired on BBC Four on 29 September 2009.

Brooker has appeared on three episodes and one webisode of the popular BBC current affairs news quiz Have I Got News for You. He appeared on an episode of the Channel 4 panel show 8 Out of 10 Cats, The Big Fat Quiz of the Year 2009, Never Mind the Buzzcocks and Would I Lie To You?. In December 2006 reviewed two games written by the presenters of VideoGaiden, on their show. He also made a brief appearance in the third and final instalment of the documentary series Games Britannia, discussing the rise and popularity of computer games.

Brooker wrote for the BBC Three sketch show Rush Hour.

In 2009, Brooker began hosting You Have Been Watching, a panel comedy TV quiz on Channel 4 which discusses television. A second series was broadcast the following year.

On 6 May 2010, Brooker was a co-host of the Channel 4 alternative election night, along with David Mitchell, Jimmy Carr and Lauren Laverne.^[17] The telethon was interspersed with contributions from Brooker, some live in the studio but mostly pre-recorded. Notably, an "Election Special" of You Have Been Watching and two smaller segments in an almost identical style to Screenwipe (the only noticeable difference being that Brooker was sitting in a different room). Brooker described the experience of live television as being so nerve-wracking he "did a piss" during the broadcast.^[18] A spin-off series, 10 O'Clock Live, started in January 2011 with the same four hosts.^[19]

Brooker's "2010 Wipe", a review of 2010 in the style of Screenwipe/Newswipe/Gameswipe, was broadcast on BBC2 on 27 December 2010, and a new documentary series How TV Ruined Your Life started on BBC 2 on 25 January 2011. He has co-written a feature-length spoof crime drama along with Daniel Maier for Sky1 called A Touch Of Cloth (due early 2012).^[20]

Charlie Brooker's 2011 Wipe, an hour-long review show of 2011, was broadcast on BBC Four on 30 December 2011.^[21][22] It was repeated on BBC Two on 3 January 2012.

Dead Set[link]

Brooker wrote Dead Set, a five part zombie horror thriller for E4 set in the Big Brother house.^[23] The show was broadcast in October 2008 to coincide with Halloween and was repeated on Channel 4 in January 2009 to coincide with Celebrity Big Brother, and again for Halloween later that year.^[24] It was produced by Zeppotron, which also produced Screenwipe.

Brooker told MediaGuardian.co.uk it comprised a "mixture of known and less well known faces" and "Dead Set is very different to anything I've done before, and I hope the end result will surprise, entertain and appall people in equal measure." He added that he has long been a fan of horror films and that his new series "could not be described as a comedy". "I couldn't really describe what it is but it will probably surprise people," Brooker said, adding that he plans to "continue as normal" with his print journalism.

Jaime Winstone starred as a runner on the TV programme, and Big Brother presenter Davina McCall guest starred as herself.^[25] Dead Set received a BAFTA nomination for Best Drama Serial.^[26]

Black Mirror[link]

In December 2011, Brooker's Black Mirror a three-part television drama series aired on Channel 4 to largely positive reviews.^[27][28][29] As well as creating the show, Brooker wrote the first episode and co-wrote the second with his wife Konnie Huq.

The series is produced by Zeppotron for Endemol. Regarding the programme's content and structure, Brooker noted, "each episode has a different cast, a different setting, even a different reality. But they're all about the way we live now – and the way we might be living in 10 minutes' time if we're clumsy."^[30]

An Endemol press release describes the series as "a hybrid of The Twilight Zone and Tales of the Unexpected which taps into our contemporary unease about our modern world", with the stories having a "techno-paranoia" feel.^[31] Channel 4 describes the first episode as "a twisted parable for the Twitter age".^[32]

Brooker explained the series' title to The Guardian, noting: "If technology is a drug – and it does feel like a drug – then what, precisely, are the side-effects? This area – between delight and discomfort – is where Black Mirror, my new drama series, is set. The "black mirror" of the title is the one you'll find on every wall, on every desk, in the palm of every hand: the cold, shiny screen of a TV, a monitor, a smartphone."^[30]

Radio[link]

Beginning on 11 May 2010, Brooker presented a 5-part BBC Radio 4 series celebrating failure titled So Wrong It's Right, in which guests compete to pitch the worst possible ideas for new franchises and give the 'most wrong' answer to a question. Also featured are guests' recollections about their own personal life failures and their complaints about life in general in a round called 'This Putrid Modern Hell'. Guests have included David Mitchell, Lee Mack, Josie Long, Frank Skinner and Richard Herring.^[33] The second series began airing on 10 March 2011.^[34] A third series has been commissioned for broadcast in May 2012.^[35] In common with Screenwipe's use of a Grandaddy track (A.M. 180) from the album Under The Western Freeway as its theme tune, So Wrong It's Right uses another track from the same album, Summer Here Kids.

Personal life[link]

Brooker became engaged to former Blue Peter presenter Konnie Huq after dating for 9 months, having met whilst filming an episode of Screenwipe.^[36][37] They married on 26 July 2010 at the Little White Wedding Chapel in Las Vegas.^[38][39] On 23 March 2012 Huq gave birth to their first child, Covey Brooker Huq. ^[40]

Brooker is an atheist and contributed to The Atheist's Guide to Christmas.^[41]

Brooker has become an avid running enthusiast, running for up to an hour every day.^[42]

Awards[link]

Brooker won Columnist of the Year at the 2009 British Press Awards for his Guardian column, where the judges described Brooker as "edgy, entertaining and wonderfully surreal, he has the explosive writing skills that can turn your thinking upside down. A definite destination read and a jewel of a column. Acerbic, nasty, spiteful, yet clearly in love with every subject he writes about at the same time. Must read stuff".^[2] He won Best Newcomer at the British Comedy Awards 2009 and the Royal Television Society award 2010 for Best Entertainment Programme (Newswipe), beating The X Factor and Britain's Got Talent. His show (Newswipe) won Best Comedy Entertainment Show at the 2011 British Comedy Awards.

Publications[link]

• TV Go Home, 2001 (rescanned reprint in 2010) (ISBN 1-84115-675-2)
• Unnovations, 2002 (rescanned reprint in 2011) (ISBN 1-84115-730-9)
• Screen Burn, 2004 (ISBN 0-571-22755-4)
• Dawn of the Dumb: Dispatches from the Idiotic Frontline, 2007 (ISBN 9780571238415)
• The Hell of it All, Charlie Brooker, 2009 (ISBN 9780571229574)^[43]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Charlie Brooker

• Charlie Brooker's Official Biography Page on zeppotron.com
• Charlie Brooker's Agents and Production Company – zeppotron.com
• Charlie Brooker at the Internet Movie Database
• Charlie Brooker on Twitter
• TV Go Home
• Charlie Brooker's Guardian columns
• Shuffle's Cue & Ehh? with Charlie Brooker
• Charlie Brooker's made-up film awards
• Charlie Brooker Interview about You Have Been Watching
• Charlie Brooker's page, Conville and Walsh literary agents

Albert Brooks
Brooks at a Q&A following a screening of Drive, December 5, 2011
Born	Albert Lawrence Einstein (1947-07-22) July 22, 1947 (age 64) Beverly Hills, California, U.S.
Occupation	Actor, comedian, director, writer
Years active	1968–present
Spouse	Kimberly Shlain (1997–present)

Albert Lawrence Brooks (born Albert Lawrence Einstein; July 22, 1947) is an American actor, voice actor, writer, comedian and director. He received an Academy Award nomination in 1987^[1] for his role in Broadcast News. His voice acting credits include Marlin the clownfish in Finding Nemo, recurring guest voices for the animated television series The Simpsons, including Russ Cargill in The Simpsons Movie.

Early life[link]

Brooks was born in Beverly Hills, California, the son of Thelma Leeds (née Goodman), a singer and actress, and Harry Einstein, a radio comedian who performed on Eddie Cantor's radio program and was known as Parkyakarkus.^[2] His brothers are comedic actor Bob Einstein, better known by his stage name "Super Dave Osborne," and Cliff Einstein, a partner and longtime chief creative officer at Los Angeles advertising agency Dailey & Associates. His half-brother was Charles Einstein (1926–2007), a writer for such television programs as Playhouse 90 and Lou Grant. Brooks is Jewish;^[3] his grandparents emigrated from Austria and Russia. He grew up among show business royalty in southern California, attending Beverly Hills High School with the likes of Richard Dreyfuss and Rob Reiner.^[4]

Career[link]

Early career[link]

Brooks attended Carnegie Mellon in Pittsburgh, but dropped out after one year to focus on his comedy career. He changed his surname from Einstein (to avoid confusion with the famous physicist) and began a comedy career that quickly made him a regular on variety and talk shows during the late 1960s and early 1970s. Brooks led a new generation of self-reflective baby-boomer comics appearing on NBC's The Tonight Show with Johnny Carson. His onstage persona, that of an egotistical, narcissistic, nervous comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other '70s post-modern comedians, including Steve Martin, Martin Mull and Andy Kaufman.

After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award-nominated A Star Is Bought (1975), Brooks left the stand-up circuit to try his hand as a filmmaker; his first film, The Famous Comedians School, was a satiric short that appeared on PBS and was an early example of the mockumentary sub-genre.

In 1975, he directed six short films for the first season of NBC's Saturday Night Live:

• October 11, 1975 episode (host: Lily Tomlin) – "The Impossible Truth"
• October 18, 1975 episode (host: Paul Simon) – failed Candid Camera stunts and home movies
• October 25, 1975 episode (host: Rob Reiner) – heart surgery
• November 8, 1975 episode (host: Candice Bergen) – upcoming season
• December 13, 1975 episode (host: Richard Pryor) – sick
• January 9, 1976 episode (host: Elliott Gould) - audience test screening

In 1976 he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Brooks to improvise much of his dialogue. The role reflected Brooks's decision to move to Los Angeles to enter the film business. In an interview, Brooks mentioned a conversation he'd had with Taxi Driver screenwriter Paul Schrader, in which Schrader said that Brooks's character was the only one in the movie that he could not "understand" – a remark that Brooks found amusing, as the movie's antihero was a psychotic loner.

Brooks directed his first feature film, Real Life, in 1979. The film, in which Brooks obnoxiously films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sendup of PBS's An American Family documentary. It has also been viewed as foretelling the future emergence of reality television.^[5] Brooks also made a cameo appearance in the film Private Benjamin (1980), starring Goldie Hawn.

1980s–1990s[link]

Through the 1980s and 1990s, Brooks co-wrote (with longtime collaborator Monica Johnson), directed and starred in a series of well-received comedies, playing variants on his standard neurotic and self-obsessed character. These include 1981's Modern Romance, where Brooks played a film editor desperate to win back his ex-girlfriend (Kathryn Harrold). The film received a limited release and ultimately grossed under $3 million domestically,^[6] but was well received by critics, with one reviewer commenting that the film was "not Brooks at his best, but still amusing".^[7] His best-received film, Lost in America (1985), featured Brooks and Julie Hagerty as a couple who leave their yuppie lifestyle and drop out of society to live in a motor home as they have always dreamed of doing. They meet comic disappointment.

Brooks's Defending Your Life (1991) placed his lead character in the afterlife, put on trial to justify his human fears and thus determine his cosmic fate. Critics responded to the offbeat premise and the surprising chemistry between Brooks and Meryl Streep as his post-death love interest. His later efforts did not find large audiences, but still retained Brooks's touch as a filmmaker. He garnered positive reviews for Mother (1996), which starred Brooks as a middle-aged writer moving back home to resolve tensions between himself and his mother (Debbie Reynolds). 1999's The Muse featured Brooks as a down-and-out Hollywood screenwriter using the services of an authentic muse (Sharon Stone) for inspiration.

Brooks has appeared as a guest voice on The Simpsons five times during its run (always under the name A. Brooks), and is described as the best guest star in the show's history by IGN, particularly for his role as supervillain Hank Scorpio in the episode "You Only Move Twice".^[8]

Brooks also acted in other writers' and directors' films during the 1980s and 1990s. He had a cameo in the opening scene of Twilight Zone: The Movie, playing a driver whose passenger (Dan Aykroyd) has a shocking secret. In James L. Brooks's hit Broadcast News (1987), Albert Brooks was nominated for an Academy Award for Best Supporting Actor as an insecure, supremely ethical network TV reporter, who offers the rhetorical question, "Wouldn't this be a great world if insecurity and desperation made us more attractive?" He also won positive notices for his role in 1998's Out of Sight, playing an untrustworthy banker and ex-convict.

2000s[link]

Brooks received positive reviews for his portrayal of a dying retail store owner who befriends disillusioned teen Leelee Sobieski in My First Mister (2001). Brooks continued his voiceover work in Disney and Pixar's Finding Nemo (2003), as the voice of "Marlin", one of the film's protagonists; Nemo is Brooks's largest grossing film to date.

In 2005, his film Looking for Comedy in the Muslim World was dropped by Sony Pictures due to their desire to change the title. Warner Independent Pictures purchased the film and gave it a limited release in January 2006; the film received mixed reviews and a low box office gross. The movie goes back to the days of Brooks's Real Life, as Brooks once again plays himself, a filmmaker commissioned by the U.S. government to see what makes the Muslim people laugh, thus sending him on a tour of India and Pakistan.

In 2006 he appeared in the documentary film Wanderlust as David Howard from "Lost in America". The documentary included many other well known people. In 2007, he continued his long term collaboration with The Simpsons by voicing Russ Cargill, the central antagonist of The Simpsons Movie.

He has played Lenny Botwin, Nancy Botwin's estranged father-in-law, on Showtime's television series Weeds.^[9] St. Martin's Press published his first novel, 2030: The Real Story of What Happens to America, on May 10, 2011.^[10]

In 2011, Brooks costarred as a vicious gangster heavy and the main antagonist in the motion picture Drive, alongside Ryan Gosling and Carey Mulligan, a role that has been given much critical praise and positive reviews, with several critics proclaiming Brooks' performance as one of the film's best aspects. After receiving awards and nominations from several film festivals and critic groups, but not an Academy Award nomination, Brooks responded humorously on Twitter, "And to the Academy: ‘You don't like me. You really don't like me’."^[11][12]

Personal life[link]

Brooks married Kimberly Shlain, an artist he met through a mutual friend. The couple have two children, Jacob Eli and Claire Elizabeth.

Filmography[link]

Films[link]

Television[link]

References[link]

External links[link]

• Official website
• Albert Brooks at the Internet Movie Database
• Albert Brooks at AllRovi
• Albert Brooks on Twitter
• Interview: Albert Brooks: Comedy And Dystopia – On Point.