Ale is a type of beer brewed from malted barley using a warm-fermentation with a strain of brewers' yeast.^[1][2] The yeast will ferment the beer quickly, giving it a sweet, full bodied and fruity taste. Most ales contain hops, which help preserve the beer and impart a bitter herbal flavour that balances the sweetness of the malt.

History of ale[link]

The former Anchor Brewhouse in Bermondsey, South London, bought by John Courage in 1787.

The term "ale" was initially used to describe a drink brewed without hops, unlike "beer."^[3] It has often now come to mean a bitter-tasting barley beverage fermented at room temperature. In some British usage, however, in homage to the original distinction, it is not now used except in compounds (such as "pale ale" (see below)) or as "real ale", a term adopted in opposition to the pressurised beers developed by industrial brewers in the 1960s, and used of a warm-fermented unpasteurised beer served from the cask (though not stout or porter).

Ale typically has bittering agent(s) to balance the sweetness of the malt and to act as a preservative. Ale was originally bittered with gruit, a mixture of herbs (sometimes spices) which was boiled in the wort prior to fermentation. Later, hops replaced the gruit blend in common usage as the sole bittering agent.

Ale, along with bread, was an important source of nutrition in the medieval world, particularly small beer, also known as table beer or mild beer, which was highly nutritious, contained just enough alcohol to act as a preservative, and provided hydration without intoxicating effects. Small beer would have been consumed daily by almost everyone in the medieval world, with higher-alcohol ales served for recreational purposes. The lower cost for proprietors combined with the lower taxes levied on small beer led to the selling of beer labeled "strong beer" that had actually been diluted with small beer.^[4]

The word 'ale' is native English, in Old English alu or ealu, but aloth, ealoth in the genitive and dative. It is believed to stem from Proto-Indo-European root *alu-, through Proto-Germanic *aluth-.^[5] This is a cognate of Old Saxon alo, Danish, Norwegian, Swedish, Icelandic and Old Norse öl/øl, Old Bulgarian olu cider, Slovenian ol, Old Prussian alu, Lithuanian alus, Latvian alus (whence, Finnish olut).^[6]

Modern ale[link]

Ale is typically fermented at temperatures between 15 and 24 °C (60 and 75°F). At temperatures above 24 °C (75 °F) the yeast can produce significant amounts of esters and other secondary flavour and aroma products, and the result is often a beer with slightly "fruity" compounds resembling but not limited to apple, pear, pineapple, banana, plum, cherry, or prune.

Varieties of ale[link]

Cask ale handpumps

Brown ale[link]

Brown ales tend to be lightly hopped, and fairly mildly flavoured, often with a nutty taste. In the south of England they are dark brown, around 3-3.5% alcohol and quite sweet; in the north they are red-brown, 4.5-5% and drier. English brown ales first appeared in the early 1900s, with Manns Brown Ale and Newcastle Brown Ale as the best-known examples. The style became popular with homebrewers in North America in the early 1980s; Pete's Wicked Ale is an example, similar to the English original but substantially hoppier.

Pale ale[link]

Pale ale was a term used for beers made from malt dried with coke. Coke had been first used for roasting malt in 1642, but it wasn't until around 1703 that the term pale ale was first used. By 1784 advertisements were appearing in the Calcutta Gazette for "light and excellent" pale ale. By 1830 onward the expressions bitter and pale ale were synonymous. Breweries would tend to designate beers as pale ale, though customers would commonly refer to the same beers as bitter. It is thought that customers used the term bitter to differentiate these pale ales from other less noticeably hopped beers such as porter and mild. By the mid to late 20th century, while brewers were still labelling bottled beers as pale ale, they had begun identifying cask beers as bitter, except those from Burton on Trent, which tend to be referred to as pale ales regardless of the method of dispatch.

Scotch ales[link]

While the full range of ales are produced in Scotland, the term "Scotch Ale" is used internationally to denote a malty, strong dark ale. The malt may be slightly caramelised to impart toffee notes; generally, Scottish beers tend to be rather sweeter than English ones.

Mild ale[link]

Mild ale originally meant unaged ale, the opposite of old ale. It can be any strength or colour, although most are dark brown and low in strength, typically between 3-3.5%. An example of a lighter coloured mild is Banks's Mild.

Burton Ale[link]

Burton Ale was a strong, dark, somewhat sweet ale brewed to good strength and vatted at the brewery for a year or more. Sometimes used as a 'stock ale' for blending into younger beers, these comparatively strong ales were also enjoyed on their own. Bass No.1 was a classic example of Burton Ale, and in modern times Fullers 1845 Celebration Ale is often considered by some to be a rare modern example of a Burton Ale.^[7]

Old ale[link]

In England, old ale was strong beer traditionally kept for about a year, gaining sharp, acetic flavours as it did so. The term is now applied to medium-strong dark beers, some of which are treated to resemble the traditional old ales. In Australia, the term is used even less discriminately, and is a general name for any dark beer.

Belgian ales[link]

Belgium produces a wide variety of speciality ales that elude easy classification. Virtually all Trappist beers and Abbey beers are high in alcoholic content but light in body due to the addition of large amounts of sucrose, which provides an alcohol boost with an essentially neutral flavour.

Trappist beers are brewed under direct control of the monks themselves. Of the 171 Trappist monasteries throughout the world, only seven brew beer, of which there are six in Belgium. The seventh is in the Netherlands. Abbey beer is brewed by commercial breweries in the style of a trappist beer, sometimes using the name of a monastery, often one that no longer exists or in some cases one that has licensed its name to a brewery.

See also[link]

Beer portal

• Stout
• Cask ale
• Beer style
• Lager
• Wheat beer

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2007)

Wikisource has the text of the 1911 Encyclopædia Britannica article Ale.

Alejandro Sanz
Alejandro Sanz at the Tony Bennett Birthday Gala on September 17, 2011.
Background information
Birth name	Alejandro Sánchez Pizarro
Born	(1968-12-18) December 18, 1968 (age 43)
Origin	Madrid, Spain
Genres	Latin pop
Occupations	Singer, songwriter
Instruments	Vocals, guitar, piano
Years active	1988–present
Labels	Warner Music Benelux
Associated acts	Juanes, Shakira, Alicia Keys, Calle 13
Website	AlejandroSanz.com

Alejandro Sanz (born Alejandro Sánchez Pizarro on December 18, 1968) is a Spanish singer-songwriter and musician. For his work, Sanz has won a total of fifteen Latin Grammy Awards and three Grammy Awards. He has won the Latin Grammy for Album of the Year three times, more than any other artist. Throughout his career, he has released a total of ten studio albums and six DVDs. The singer is noted for his flamenco-influenced ballads, but he has also experimented with rock, salsa, and hip hop.

Born in Madrid, Sanz began playing guitar at age seven, taking influence from his family's flamenco roots. He released his debut album at age sixteen, although he did not gain commercial success until his second release, Viviendo Deprisa. His next two records, Si Tú Me Miras and 3 also fared well commercially, but it was his 1997 breakthrough album Más that garnered international success. El Alma al Aire followed in 2000, selling more than a million copies in its first week.

In 2002, he became the first Spanish artist to record an MTV Unplugged album. His collaboration with Shakira on the single "La Tortura" reached number one on several charts worldwide. His albums No Es lo Mismo (2003) and El Tren de los Momentos (2006) showed Sanz experimenting with more diverse styles of music, while his most recent release, Paraíso Express (2009) served as a return to form for the musician. He signed to Universal Music Group in 2011 and is reported to be working on his tenth studio album.

Early life[link]

Sanz was born in Madrid, Spain, on December 18, 1968, the youngest son of María Pizarro and Jesús Sánchez.^[1] He grew up in the high-crime neighborhood of Moratalaz in eastern Madrid.^[2] Sanz recalled that "Back then, kids grew up on the street...I was a bit like the group troubadour; the one who played the guitar and sang. That kept me out of a lot of trouble."^[2] Sanz's father, a door-to-door book salesman, played guitar professionally, which inspired seven-year-old Sanz to learn to play the instrument.^[1][3] He pursued the instrument with an intensity that eventually frustrated his mother, who broke his guitar one morning after his playing kept the family from sleeping.^[3]

He was exposed to traditional flamenco music as a child while vacationing each summer in his parents' native Andalucía in southern Spain.^[3] Originally, Sanz intended to become a flamenco performer, but he found the music teachers to be overly strict. Commenting on his early experiences, Sanz explained, "Flamenco can be very hard on beginners. If you lose the rhythm, they toss you out with, 'You're no good, boy!' They're very strict and very cruel. But it's also a marvelous education, because you either learn to play or else."^[3] He felt that he could not compete with his peers, and decided to focus on creating pop music with flamenco influences, viewing flamenco to be a "lifestyle" better suited to others.^[4]

Recording career[link]

1989–96: First four albums[link]

As a teenager, Sanz performed in various venues in his hometown. He became acquainted with Miguel Ángel Arenas, a music industry executive who had signed several popular Spanish groups such as Mecano.^[1] Arenas helped Sanz find work, eventually leading to a record deal with the Spanish label Hispavox.^[1] In 1989, sixteen-year-old Sanz released his debut album, Los Chulos Son Pa' Cuidarlos under the name of Alejandro Magno (Spanish for "Alexander the Great").^[4] The record, which fused techno and flamenco, was met with critical and commercial indifference, and today Sanz views the record to be "insignificant".^[3] However, the album is now considered to be a collector's item.^[1] In an attempt to promote Los Chulos Son Pa' Cuidarlos, he performed at strip clubs, playing short sets between acts.^[3] This proved to be unsuccessful and Sanz took a break from music, choosing to study business administration.^[3] He also took a job at a recording studio in which he wrote material for other artists. He persuaded Arenas to send demos of his songs to record companies, which led to being signed by Warner Music Latina.^[3] At this time, he began performing under his current name.^[1]

Sanz's rise to fame began in 1991, when he released his first album from Warner, Viviendo Deprisa. The record and the songs "Pisando Fuerte" and "Se le Apagó la Luz" helped him gain a dedicated fan base in Spain.^[5] In 1993, he released Si Tú Me Miras shortly followed by a live album, titled Básico. That same year, he recorded a song entitled "Mi Primera Canción" with flamenco pioneer Paco de Lucía, whom Sanz idolized as a child.^[6] He released his third studio album, 3, in 1995. In addition to Spanish, 3 was also released in Italian and Portuguese.^[7] "La Fuerza del Corazón", the first single released from 3, was his first song to chart internationally.^[1] All three albums proved to be successful, reaching multi-platinum status in Spain.^[1]

[edit] 1997–2002: Más, El Alma al Aire, and MTV Unplugged

Sanz spent two years in Milan, Italy to work on a follow-up for 3.^[8] For the album, he wished to create a "true fusion" of many different sounds, and began studying the saxophone and piano in addition to guitar.^[8] In 1997, Sanz released his fifth studio album, Más, a record containing ballads strongly influenced by flamenco, pop, and tropical rhythms.^[9]

	Alejandro Sanz "Corazón Partío" (1997) noicon The single "Corazón Partío", from Más, draws influence from flamenco music and has been described as a "powerhouse ballad".[10][11] It is considered to be Sanz' breakthrough song, and "changed the course" of the singer's career.[1][10]
Problems listening to this file? See media help.

Driven by the singles "Corazón Partío", "Y, ¿Si Fuera Ella?", "Amiga Mía", "Aquello Que Me Diste", and "Siempre Es de Noche", Más sold more than two million copies in Spain and was certified 22× Platinum in the country, making it the best-selling album in Spanish history.^{[1][4][12][13]} The album remained on the Billboard Latin Albums chart for 74 weeks, and one year after the record's release, Sanz was granted an Ondas Award for Best Song for "Corazón Partío".^[14][15] According to David Cazares of the South Florida Sun-Sentinel, the album "made Sanz an international star on the strength of the pop-salsa hit 'Corazón Partío', a song on the lips of fans from Spain to Cuba and the United States."^[5] Following the success of the album, Sanz began touring in United States for the first time.^[4]

His fifth album, El Alma al Aire, released September 26, 2000, featured Sanz exploring diverse genres of music, including jazz, R&B, soul and tango.^[5] In Spain, the album sold more than one million copies in the first week, breaking the record of one million copies sold in four months, also set by Sanz with his previous album, Más.^[17][18] At the 2001 Latin Grammy Awards, Sanz walked away with four awards: Best Pop Male Vocal Album and Album of the Year for El Alma al Aire, and Record of the Year and Song of the Year for the title track from the album.^[19] Later that year, El Alma al Aire was released in a special edition including Sanz's duets with Irish band The Corrs. In October 2001, Sanz collaborated with Michael Jackson and various other artists on the Spanish version of the charity single "What More Can I Give", which benefited the victims of the September 11 attacks.^[17][20]

In 2002, Sanz recorded MTV Unplugged at the Gusman Center for the Performing Arts in Miami, Florida.^[4] He was the first Spanish artist to record and release an MTV Unplugged album.^[21] For Sanz, the recording of the album "changed the way I do my music. It was a rediscovery of how to perform, and also how to record, music with live musicians. That was the spirit of the music in its pure form, though [it is ironic] that the more people who are playing, the more simple it is."^[4] With the MTV Unplugged, he garnered three Latin Grammy Awards (Album of the Year, Recording of the Year and Song of the Year for "Y Sólo Se Me Ocurre Amarte").^[22]

[edit] 2003–07: No Es lo Mismo and El Tren de los Momentos

On September 2, 2003, Sanz released his sixth studio album, No Es lo Mismo. On this record, Sanz took a more political approach than he had on previous releases. The song "Sandy a Orilla do Mundo" discusses oil spills on the Spanish coast, while "Labana" tells the story of people fleeing from Cuba on makeshift rafts.^[23] The album won four awards at the 2004 Latin Grammy Awards, including Album of the Year and Record of the Year.^[24] Sanz was unable to attend the event and his awards were accepted by presenters and colleagues.^[24] Also in 2004, he became the first Spanish musician to give a lecture at Harvard University, speaking about Hispanic culture at the David Rockefeller Center for Latin American Studies.^[25]

Alejandro Sanz performing in Managua, Nicaragua on November 1, 2007.

In 2005, Sanz collaborated with Shakira on her song "La Tortura". Co-written by Sanz, the song became an international hit, breaking the record for the most weeks at the number one spot on the Hot Latin Songs chart.^[26] The song exposed Sanz to a more diverse audience, and helped build anticipation for his next release.^[1] The first single from the album El Tren de los Momentos, "A la Primera Persona", became his first song to enter the Billboard Hot 100, peaking at number 100 on the chart.^[1][27] The record was also noted for its guest appearances, which featured Shakira, Juanes, Alex González of Maná, and Residente of Calle 13.^[1]

In the spring of 2007, Sanz suffered a mental breakdown and took two months off in the middle of a world tour at the request of his doctor. The breakdown was caused by several events in his personal life, including the death of his father in 2005, his separation with Mexican model and actress Jaydy Mitchel, and his announcement that he had a three-year-old son outside of his marriage with Mitchel.^[28] He commented on the situation, saying "You have to put things in perspective. It was stress, something that had never affected me, but this time, yes, it did. So I had to pay. A doctor told me to stop for a couple of months to recuperate completely."^[28] Sanz spent time in therapy, a time which "helped [him] a lot" and gave him "more power" to perform.^[28]

In a press conference in late 2007, he criticized Venezuelan president Hugo Chávez, calling him "undemocratic" in the wake of a petition made by Venezuelan citizens to prevent Chávez from running for re-election.^[5][29] Sanz further stated "If they gave me 3 million signatures to stop singing, I would stop singing immediately."^[29] Supporters of Chávez subsequently gathered 230,000 signatures in response to Sanz' comments.^[29]

[edit] 2008–present: Paraíso Express

Sanz performing on May 28, 2008.

To promote his new record, Paraíso Express, Sanz started a campaign in which fans could create a video about their definition of paradise and upload it to his YouTube channel.^[30] Artists such as Shakira, Laura Pausini and Paulina Rubio also participated.^[30] On November 10, 2009, Sanz released Paraíso Express. This record was described as a return to form for Sanz, focusing more on melody as opposed to the experimentation he pursued on his previous two albums.^[31] He commented that "On this album, I first composed the melody and then the lyrics. It is more of a rock album than my past releases, with more elegant and positive lyrics and a happier and more rhythmic spirit."^[32]

The bilingual single "Looking for Paradise" featuring Alicia Keys reached number one on the Billboard Hot Latin Songs chart.^[33] At the 2010 Latin Grammy Awards, the album was nominated Album of the Year and Best Male Pop Vocal Album, while the single "Desde Cuándo" received both Record and Song of the Year nominations.^[34] On February 15, 2011, Sanz announced that he would be signing with Universal Music Group after twenty years with Warner.^[35]

Musical style[link]

Sanz is known for his distinctive raspy vocals, which he attributes to his flamenco roots, crediting singer Camarón de la Isla as a major influence.^[36][37] His song "Sí, He Cantado Mal" (Yes, I Have Sung Badly) from No Es lo Mismo references this, with Sanz saying "I'm laughing a little at myself so that I can laugh at other things. Sometimes, I'm harder on myself than any music critic can be. I'm laughing at that."^[36] Throughout his youth, Sanz was heavily influenced by English-language heavy metal groups such as Iron Maiden and Dio, referring to himself as a "heavy metal radical".^[36] He also feels that living in the city of Cadiz had a major impact on his musical style, where "Any 7-year-old kid you find knows how to play guitar, play the cajón, knows how to sing. When the family comes together we start to sing. In a way it's not just music, it's culture."^[37]

Early in his career, his music generally consisted of romantic ballads. However, in the late 1990s, his collaborations with other artists greatly expanded his musical style.^[1] On No Es lo Mismo, he experimented with rock, salsa, and hip hop.^[4] While recording the album, he noted that he often entered the studio with a rough idea for a song and the guest artists would "contaminate it with their rhythms...in a good way."^[23] El Tren de los Momentos continued this pattern of musical experimentation, featuring diverse genres such as funk, jazz, and country.^[38] Despite this, Jason Birchmeier of Allmusic described his musical evolution by saying "Even as Sanz broadened his style over the years, he never ventured far from his strength: romantic songs, generally ballads, tinged with flamenco and sung wholeheartedly with his distinct voice."^[1]

Personal life[link]

Sanz with Shakira and King Juan Carlos I of Spain.

Sanz married Mexican fashion model and actress Jaydy Michel in Bali on December 30, 1999, but this marriage was never legally recognized in either of their home countries. Sanz felt that having a legally recognized marriage was unnecessary: "My wife is my wife and I am her husband. For me, that has enough validity...I am married with the heart."^[39] The couple separated in 2005.^[28] Their daughter, Manuela Sánchez Michel, was born in 2001. Sanz later had a son named Alexander with Valeria Rivera, a Puerto Rican fashion designer.^[40]

Sanz welcomed his third child in New York, a boy named Dylan (b. July 2011), the first child from his relationship with girlfriend and former assistant, Raquel Perera.^[41] Sanz chose flamenco guitarist Paco de Lucía to be the godfather to his son. Sanz and Perera are godparents to David Bisbal's daughter, Ella.^[42] On May 23, 2012, Sanz married Raquel Perera in a private ceremony in Barcelona.^[43]

In addition to music, Sanz enjoys painting, which he often does while trying to create ideas for new songs.^[44] He explains that painting "teaches you that taking risks rarely leads to failure. In fact, from the moment you assume a risk, you have succeeded."^[3]

Discography[link]

Studio albums[link]

• 1989: Los Chulos Son Pa' Cuidarlos
• 1991: Viviendo Deprisa
• 1993: Si Tú Me Miras
• 1993: Básico
• 1995: 3
• 1997: Más
• 2000: El Alma al Aire
• 2003: No Es lo Mismo
• 2006: El Tren de los Momentos
• 2009: Paraíso Express

External links[link]

Wikimedia Commons has media related to: Alejandro Sanz

• Alejandro Sanz's Official Site (Spanish)
• Alejandro Sanz's Official Red (Spanish)
• Alejandro Sanz Biography (Spanish)

References[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2012)

Jamie Cullum
Cullum performing in 2011
Background information
Born	(1979-08-20) 20 August 1979 (age 32) Rochford, Essex, England, UK
Genres	Crossover jazz, power pop, blue-eyed soul, jazz-pop
Occupations	Musician, songwriter
Instruments	Vocals, piano, keyboards, guitar, bass, drums
Labels	UCJ, Candid, Decca, Verve (US), Verve Forecast (US), Deckdisc (BR)
Website	www.jamiecullum.com

Jamie Cullum (born 20 August 1979) is a British pop and jazz-pop singer-songwriter, of Anglo-Burmese and Jewish extraction. Though he is primarily a vocalist/pianist he also accompanies himself on other instruments including guitar and drums. Since April 2010, he has been presenting a weekly jazz show on BBC Radio 2, broadcast on Tuesdays from 19:00.^[1]

Early life[link]

Cullum was born in Rochford, Essex.^[2] He was brought up in Hullavington, Wiltshire.^[3]

His mother, Yvonne, is a secretary of Anglo-Burmese origin, whose family settled in North England after Burma's independence; his father, John Cullum, worked in finance. His paternal grandfather was a British Army officer, while his paternal grandmother was a Jewish refugee from Prussia who sang in Berlin nightclubs.

Education[link]

Cullum was educated at Grittleton House School, an independent school in the village of Grittleton, near the market town of Chippenham in Wiltshire, followed by the sixth form of Sheldon School, a state comprehensive school in the same county. He then rejected a place at the University of Oxford to go on to study English Literature and Film Studies at the University of Reading, where he graduated with First Class Honours.

Musical career[link]

With only £48 to produce it, Cullum released his first album, Jamie Cullum Trio—Heard it All Before, in 1999, of which 500 copies were made.^[4] Due to their rarity, original copies have sold for as much as £600 on eBay.^[5] The success of Heard it All Before resulted in Cullum being invited to appear on Geoff Gascoyne's album Songs of the Summer^{[citation needed]}.

After graduating from Reading University, Cullum released his best-selling album, Pointless Nostalgic, which stirred interest from Michael Parkinson^[6] and Melvyn Bragg.

Just after Cullum made his first television appearance, on Parkinson in April 2003, he signed a £1m contract^[7] for three albums with Universal, who beat Sony in a bidding war. Cullum's second studio album, Twentysomething, released in October 2003, went platinum and became the No. 1 selling studio album by a jazz artist in the United Kingdom. Cullum ended 2003 as the UK's biggest selling jazz artist of all time.^[7]

Although primarily a jazz musician, Cullum performs in a wide range of styles and is generally regarded as a "crossover" artist with his musical roots firmly based in jazz. Cullum draws his inspiration from many different musicians and listens to an eclectic mix of music from Miles Davis^[8] to Tom Waits and many more. Cullum has belonged to several bands, ranging from banging drums in a hip hop group to playing guitar in rock bands such as Raw Sausage and The Mystery Machine, in his teenage youth. Cullum names his elder brother, Ben Cullum, as his biggest musical influence, and the two continue to collaborate extensively.

Cullum is well known not only for his abilities on the piano, but also for his style and charisma^{[citation needed]}. One of the many things that features in Cullum's concerts is the Stomp box (not to be confused with an effect pedal for guitars), made from a small wooden block. The stompbox is used to amplify a musician's tapping foot. Cullum found this in Melbourne, Australia and uses it to enhance upbeat and fast-paced songs such as "Seven Nation Army", originally by The White Stripes and "Gold Digger", originally by Kanye West. He is also often found using a looping machine. This plays a heavy part in Cullum's versions of "Seven Nation Army" and "Teardrop" by Massive Attack. Cullum also beatboxes at most gigs.

As well as The White Stripes and Kanye West, Cullum has performed work by Massive Attack, Pharell, Rihanna, Pussycat Dolls, Radiohead, Gnarls Barkley, Elton John, Justin Timberlake, John Legend, Joy Division, Lady Gaga and many others. He has also performed with Kylie Minogue, Sugababes, Will.i.am, Burt Bacharach and The Heritage Orchestra.

Cullum never works to a set list and on average his gigs last just over two hours. The gigs are largely improvised, rooted in jazz but not solely consisting of jazz music.

Cullum has played at many large music festivals, including Glastonbury Festival (in 2004 and 2009), New Orleans Jazz & Heritage Festival (in 2005), Coachella 2005, 2006 South by Southwest, North Sea Jazz Festival, the Hollywood Bowl (performing with the Count Basie Orchestra) and the 2006 Playboy Jazz Festival. On 30 April 2006 Cullum played his biggest ever crowd on Queensday in the Netherlands.

In February 2012, Germany picked Roman Lob with "Standing Still", a composition by Cullum, along with Steve Robson, and Wayne Hector, as their entry for the Eurovision Song Contest.^[9]

[edit] Pointless Nostalgic

Pointless Nostalgic began life as a self-funded project and eventually got taken on by Candid Records, featuring a mix of standards, originals and contemporary covers. It was recorded in Spring 2001 at Clown's Pocket Studios, Bexley, by Derek Nash and co-produced by Geoff Gascoyne.

On the album, Cullum created covers of old classics with new arrangements of Warren and Burke's Devil May Care, Thelonious Monk's Well You Needn't and Gershwin's It Ain't Necessarily So.

The song as recorded by Cullum ("It Ain't Necessarily So") is also used in the film "The Anatomy Of Hate; A Dialogue To Hope " by Mike Ramsdell.

[edit] Twentysomething

Recorded at London's Mayfair Studio and released in 2004, Twentysomething contains a mix of jazz standards, contemporary tunes and ballads.

Due to the acoustic nature of the music, producer Stewart Levine chose to record and mix Twentysomething entirely on analogue tape. Since the album was recorded almost entirely "live" with no need to correct or improve performances, Levine saw no need for the infinite amount of tracks and computerised digital recording.

The album includes jazz standards "What a Diff'rence a Day Made", "Singin' in the Rain", and Cole Porter's "I Get a Kick out of You", modern takes on My Fair Lady's "I Could Have Danced All Night", Jeff Buckley’s "Lover, You Should Have Come Over", and Jimi Hendrix's "The Wind Cries Mary", as well as new tracks written by Cullum and his brother Ben, including the first single from the album All At Sea and the title track "Twentysomething".

[edit] Catching Tales

Cullum's third major label album, also produced by Stewart Levine, entitled Catching Tales, was released on 26 September 2005, in the United Kingdom and the Netherlands, and two weeks later in the United States, on 11 October. The American and French versions of Catching Tales do not include the track "Fascinating Rhythm", which appears on the European version. The first single released from the album, in the United Kingdom, was "Get Your Way", a collaboration with Dan The Automator that used a sample from the Thad Jones song "Get Out Of My Life, Woman". The second single released, in the United Kingdom and the Netherlands, was "Mind Trick", written by Cullum and his brother Ben. The third single from the album was the self-penned track "Photograph", which Cullum said was written on New Year's Day 2005 after he found a box of old photographs at his parents house.

A special edition version of Catching Tales was released in Europe, featuring a 20-minute documentary, including behind the scenes footage of Cullum recording the album and on the road footage, from across Europe. Catching Tales has also been released on double vinyl, as was the first single, "Get Your Way". A limited edition version of the "Get Your Way" single was released on red vinyl.

Cullum collaborated with Pharrell Williams. They recorded various songs together and it was thought that the track titled "Wifey" would make an appearance on Catching Tales, but this was prevented by legal and contractual problems. Cullum's vocals finally featured on Pharrell's debut solo album, on a track titled "You Can Do It Too", though Cullum is not credited as a featured artist.

Cullum performing at Colours of Ostrava, July 2009

Cullum toured in support of Catching Tales from the end of October 2005 to December 2006.

[edit] The Pursuit

On 4 June 2009, Cullum announced the title of his fourth studio album, The Pursuit. The album, which was released on 10 November 2009, is produced by Greg Wells,^[10] and the first single is "I'm All Over It", written by Deacon Blue frontman, Ricky Ross. The album was recorded at a Los Angeles studio, using songs that Cullum originally recorded at his Shepherd's Bush recording studio, Terrified Studios.^[11]

The Pursuit was recorded in a variety of places; Cullum's kitchen, a studio in L.A. and Terrified Studios (his own in Shepherd's Bush). Various musicians were also used in the recording process. Songs recorded in L.A. mostly used session musicians and sees Greg Wells and Cullum play various instrument including drums and bass. "Don't Stop The Music", the second single from the album (released as a download only in January 2010)^[12] was recorded with Chris Hill and Brad Webb.

From 2003 to 2008, Cullum played consistently with Geoff Gascoyne on bass, and Sebastiaan de Krom on drums. From 2003 until 2004 the trio was joined by Ben Castle on saxophone, John Hoare on trumpet, Barnaby Dickinson on trombone and Malcolm MacFarlane on guitar. Sam Wedgwood (guitarist, bassist and trumpeter) later joined Cullum on tour, for a little over a year. At the end of 2005 Cullum was joined by Tom Richards (saxophonist, occasional guitarist and percussion). Soon after that Sam Wedgwood left to pursue his own solo musical career. At the beginning of 2006 Rory Simmons (trumpeter and guitarist) joined the band as a replacement, bringing the total number of band members (including Cullum himself) to five.

In late 2009 Cullum replaced Geoff Gascoyne (bass) and Sebastiaan de Krom (drums) with Chris Hill (bass) and Brad Webb (drums).

Awards[link]

The British Jazz Awards first recognised Cullum's growing success by awarding him the "Rising Star" award, at the 2003 ceremony in July.^[7] At the 2004 BRIT Awards, Cullum was nominated in the "British Breakthrough Act" category. He performed live in the ceremony at Earl's Court, a duet with Katie Melua of The Cure's "The Lovecats". In the 2005 BRIT Awards, Cullum was nominated for two awards: "Best Male Artist" and "Best Live Act". In 2005 Cullum was nominated for a Grammy while taking BBC Radio 2 "Artist of the Year" honours at the BBC Jazz Awards (as voted for by listeners of Radio 2). In 2007 Cullum won the Ronnie Scotts Jazz Award for "Best British Male". He was also nominated for a Golden Globe Award for Best Original Song for his composition Gran Torino for the Clint Eastwood film Gran Torino.

Projects[link]

Cullum's early music career saw him playing three or four times a week at Pizza Express's restaurants throughout London, gaining exposure and later his big break with Universal. Cullum now supports the "Pizza Express Big Audition with Jamie Cullum" competition which gives singers, song writers and musicians a platform and a chance to win a £5000 prize and a residency at the restaurant chain's Dean Street Jazz Club. In 2011, 7,500 acts entered the competition and the final was held at the Addison's Rooms in Kensington on 23 November. The final was judged by Jamie Cullum himself, Sir Michael Parkinson, M People's Heather Small and other music critics. The winning act was Offbeat South, an urban group of 18-21 year olds from Croydon. The other finalists were Andy Lewis, Elle Watson, Palms 13 and The Yesberger Band.^[13]

Personal life[link]

Cullum married British food critic and former model Sophie Dahl in a private ceremony in England on 9 January 2010.^[14] On 11 September 2010, the couple confirmed that they were expecting a child.^[15] Their daughter, Lyra, was born on 2 March 2011.^[16]

He was the subject of BBC Radio 4's Desert Island Discs on 25 March 2012.

He is a supporter of Swindon Town F.C..^{[citation needed]}

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Jamie Cullum

• Official website
• Official record label site
• Jamie Cullum at BBC Programmes

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Rodney Hylton Smith (born 1972), better known by his stage name Roots Manuva, is a British rapper from Stockwell, South London. He is currently signed to Big Dada.

Biography[link]

Smith grew up around Stockwell in South London. His parents were from a small village in Jamaica called Banana Hole where his father was a preacher and tailor. Spending much of his early years in poverty, this and his strict Pentecostal upbringing clearly had an influence on his music as can be seen in many of his tracks such as "Sinny Sin Sins" and "Colossal Insight".

A quote from Smith himself sums up his early discovery of music:^[1]

Smith made his recorded debut in 1994 as part of IQ Procedure through Suburban Base's short-lived hip hop imprint Bluntly Speaking Vinyl. He debuted as Roots Manuva the same year on Blak Twang's "Queen's Head" single, before releasing his own single, "Next Type of Motion" the following year through the same label, the hugely influential Sound of Money. 1996 saw the release of his collaborations with Skitz ("Where My Mind Is At"/"Blessed Be The Manner") on 23 Skidoo's Ronin label. The release of "Feva" on Tony Vegas' Wayward imprint followed in 1997. This was also the year that saw the first releases from Big Dada, a collaboration between Coldcut's Ninja Tune label and hip hop journalist Will Ashon.

Releasing for Coldcut's renowned experimental/hip hop label Ninja Tune in 1998, some of his music may be seen as a predecessor of grime. The following year he released his groundbreaking debut album, Brand New Second Hand. A reference to his family's modest lifestyle, the title refers to a phrase his mother used for presents he often got as a youngster that were pre-used. He had such an impact on the UK rap scene that The Times declared that "his is the voice of urban Britain, encompassing dub, ragga, funk and hip hop as it sweeps from crumbling street corners to ganja-filled dancehalls, setting gritty narratives against all manner of warped beats." Manuva was rewarded for his breakthrough with a MOBO as Best Hip Hop Act that year.

The lyrics of his songs are usually known to take a distinctly British edge, with many critics highlighting his references of eating cheese on toast and drinking bitter as examples of this. His warm and easily recognizable voice can be heard on many songs he performed with other artists such as Chali 2na (and Ozomatli), DJ Shadow, Mr Scruff, U.N.K.L.E., Nightmares on Wax, The Cinematic Orchestra, Beth Orton, The Herbaliser, Leftfield, Saian Supa Crew and most recently Coldcut. He also made an appearance on the Gorillaz album, Demon Days, on the track "All Alone".

Roots Manuva headlined the Lounge On The Farm Festival 11 July 2009^[2]

He now lives in Sheffield, South Yorkshire.

Discography[link]

Studio Albums[link]

Other Studio Albums[link]

EPs[link]

• Next Type Of Motion (1995)
• Awfully De/EP (24 October 2005)

Live albums[link]

• Live from London (iTunes) (15 August 2008)