Latin pop (Pop Latino, in Spanish, Italian, and Portuguese; Pop Latine in French) generally refers to pop music that has what may be perceived a Latin American influence. Geographically, it could refer to pop music from Latin America or sung by Latin Americans, generally regarded as Hispanics in the United States.^[1] Occasionally, the definition extends to Latin Europe, primarily Spain and Portugal, though Italy is often included. Latin pop music is usually sung in Spanish or other Romance languages, although English and other languages are not uncommon. In addition, many international artists from France and Italy often sing in Spanish for Spanish language audiences. Major Latin pop songwriters include Leonel García, Gian Marco, Estefano, Kike Santander, Juan Luis Guerra, Mario Domm, Rudy Pérez, and Robi Draco Rosa.^{[2][3][4][5][6]}

Popular Latin pop artists[link]

Some of the most successful artists are Fanny Lú, Anahi, Luis Miguel, Chayanne, Enrique Iglesias, Thalia, Gloria Estefan, Ricky Martin, Jennifer Lopez, Paulina Rubio, Shakira, Carlos Santana, Gloria Trevi, Marc Anthony, Juanes, Miami Sound Machine, Natalia Oreiro and Belinda.

• Shakira's particularly with the most successful songs in the twenty-first century to date, "Whenever Wherever", "Waka Waka and "Hips Don't Lie". She has won two Grammy Awards, seven Latin Grammy Awards, and has been Golden Globe-nominated. She is also the highest-selling Colombian artist of all time,and the most successful female Latin singer having sold 72 million albums worldwide, according to BMI.^[7][8] Additionally, she is the only artist from South America to reach the number-one spot on the U.S. Billboard Hot 100, Canadian Hot 100, the Australian ARIA chart, and the UK Singles Chart. She was to be given a star on the Hollywood Walk of Fame in 2009, but turned the offer down citing that she did not want to be considered a star of Hollywood.

• Enrique Iglesias is a Spanish singer, songwriter. Iglesias started his musical career with Mexican label Fonovisa, which helped turn him into one of the most popular artists in Latin America and in the Latino market in the United States, selling more Spanish language albums than any other artist in that decade. By 1999 he made a successful crossover into anglophone market signing a deal with Universal Music who released his English first single "Bailamos" which rode the front wave of the Latin Pop movement of that year, he released his first English album later in the year. His second English album Escape was his most successful and featured what would become Iglesias's signature ballad "Hero". With the release of Quizás he became the first Latin artist to reach a million spins of US radio. Iglesias would continue to release albums in both languages until 2010 when he released his first bilingual album Euphoria with a 50/50 mix of original songs which popular singles such as "I Like It" and "Tonight (I'm Lovin' You)". Iglesias has sold over 100 million records worldwide, won a Grammy and Latin Grammy and has had two Billboard Hot 100 #1s,one #3, and two #4 and holds the record for producing 22 number #1 singles on the Billboard's Hot Latin Tracks, and 9 #1s Hot Dance Club Songs. In addition he is the best selling Latin artist in the UK and the best selling international artist of all time in India.

• Selena is a Grammy Award winning Tejano singer, sang Tejano music and all sorts of Latin genres as well. After bypassing all the Tejano berriors she quickly earned the title "Queen of Tejano Music." Selena became the first Latin artist to have ever had 4 number ones in one year back in 1994. The four were Donde Quiera Que Estés, Amor Prohibido, Bidi Bidi Bom Bom and No Me Queda Mas. After her success in Spanish and even had a Grammy Award on her resume, Selena decided to work on her very first album in English but was murdered in March 1995. Selena only recorded 4 songs for her crossover album and was schedule to have 13 songs in English for her album. The crossover album titled Dreaming of You was released in the summer of 1995. It quickly became an International Success. Selena's songs Dreaming of You and I Could Fall in Love quickly became Mainstream hits and the album became among the "Top ten best-selling debuts of all time" along with being the "best-selling debuts for a female artist" and Selena became the first Latin Artist male or female to have ever debuted at No. 1.

• Luis Miguel is the best known Mexican singer of the last two decades, and the most popular Latin American singer of the 1990s. He is known in Latin America and Spain as "El Sol de México" (The Sun of Mexico). He has won four Latin Grammy Awards and five Grammy Awards. His Amarte Es Un Placer Tour had a length of 8 months and run through Mexico, USA, Argentina, Chile, Uruguay, Venezuela, Brazil and Spain between 1999 and 2000. It was the highest-grossing tour ever made by a Latin artist, as well as the most extended. These two records were broken by his 2005 Tour. Luis Miguel is praised for his extraordinary vocals and for having performed successfully several genres like Latin pop, bolero, ballads and mariachi. He has refused to crossover and records his music only in Spanish. Luis Miguel has been dubbed "The Latin Frank Sinatra".^[9][10]

Form[link]

	Shakira "Loca" noicon Shakira the song is strongly influenced by merengue music and is one of the first songs to combine merengue music with Latin pop.
Problems listening to this file? See media help.

There are two main variants. The first one is regular pop performed in Spanish, Spanglish, Portuguese, or English for international audiences. The second one mixes pop with a wide variety of Latin American or Iberian rhythms such as salsa, samba, norteña, merengue, banda, tex-mex, flamenco, tango, reggaeton, vallenato, and reggae.^[1]

History[link]

Latin pop is usually marked by polished productions while incorporating unobtrusive Latin rhythms and instrumentation into tracks. Latin pop first reached a global audience through the work of vocalist Ritchie Valens in the late 1950s; in later decades, crooner Julio Iglesias, the versatile Gloria Estefan, and the revolving-door teen idol group Menudo carried the style forward. This genre includes Tejano -- an urbanized form of the accordion-driven, Polka-inspired style known as north Mexican Conjunto that's plugged itself in, bought a few synthesizers and electric guitars, and moved its bouncy feel into the present day. Tejano crossover musicians include the popular L.A. outfit Los Lobos, who retain the genre's basics while adorning them mightily with pop/rock stylings, and the late diva Selena, a Spanish-singing Texan who achieved pop stardom while remaining true to her Tejano roots. Since the late 1990s, Latin pop and songs with significant Latin pop influences have achieved mainstream success in the United States and worldwide.^[11]

See also[link]

Latin American music portal

• Pop music
• Latin American music
• Latin Pop Albums
• List of best-selling Latin albums in the United States
• Latin Pop Airplay
• Regional Latin pop scenes
• All-time top Latin songs
• List of honorific titles in popular music

References[link]

External links[link]

• Univision musica (Univision musica)
• RITMOSON MUSIC NEWS

Latin
Lingua latina
Latin inscription in the Colosseum
Pronunciation	[laˈtiːna]
Spoken in	Latium, Roman Monarchy, Roman Republic, Roman Empire, Medieval and Early modern Europe, Armenian Kingdom of Cilicia (as lingua franca), Vatican City
Era	Vulgar Latin developed into Romance languages, 6th to 9th centuries; the formal language continued as the scholarly lingua franca of medieval Western Europe and as the liturgical language of the Roman Catholic Church
Language family	Indo-European Italic Latino-Faliscan Latin
Writing system	Latin alphabet
Official status
Official language in	Holy See
Regulated by	In antiquity, Roman schools of grammar and rhetoric.[1] Today, Opus Fundatum Latinitas.[2]
Language codes
ISO 639-1	la
ISO 639-2	lat
ISO 639-3	lat
Linguasphere	51-AAB-a
Greatest extent of the Roman Empire, showing the area governed by Latin speakers. Many languages other than Latin were spoken there.
Range of the Romance languages in Europe, representing the area where Latin influence was the most profound and enduring.
This page contains IPA phonetic symbols in Unicode. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters.

Latin ( /ˈlætɪn/; Latin: lingua latīna; IPA: [laˈtiːna]) is an Italic language^[3] originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. It originated in the Italian peninsula. Although it is considered a dead language, many students, scholars and members of the Christian clergy speak it fluently, and it is still taught in some primary and secondary and many post-secondary educational institutions around the world: in particular, there has been some revival of interest in American schools.^[4] Latin is still used in the creation of new words in modern languages of many different families, including English, and in biological taxonomy. Latin and its daughter Romance languages are the only surviving languages of the Italic language family. Other languages of the Italic branch are attested in the inscriptions of early Italy, but were assimilated to Latin during the Roman Republic.

The extensive use of elements from vernacular speech by the earliest authors and inscriptions of the Roman Republic make it clear that the original, unwritten language of the Roman Monarchy was an only partially deducible colloquial form, the predecessor to Vulgar Latin. By the late Roman Republic, a standard, literate form had arisen from the speech of the educated, now referred to as Classical Latin. Vulgar Latin, by contrast, is the name given to the more rapidly changing colloquial language spoken throughout the empire.^[5] With the Roman conquest, Latin spread to many Mediterranean regions, and the dialects spoken in these areas, mixed to various degrees with the autochthonous languages, developed into the Romance tongues, including Aragonese, Catalan, Corsican, French, Galician, Italian, Occitan, Portuguese, Romanian, Romansh, Sardinian, Sicilian, and Spanish.^[6] Classical Latin slowly changed with the Decline of the Roman Empire, as education and wealth became ever scarcer. The consequent Medieval Latin, influenced by various Germanic and proto-Romance languages until expurgated by Renaissance scholars, was used as the language of international communication, scholarship and science until well into the 18th century, when it began to be supplanted by vernacular languages.

Latin is a highly inflected language, with three distinct genders, seven noun cases, four verb conjugations, six tenses, three persons, three moods, two voices, two aspects and two numbers. A dual number ("a pair of") is present in Archaic Latin. One of the rarer of the seven cases is the locative, only marked in proper place names and a few common nouns. Otherwise the locative function ("place where") has merged with the ablative. The vocative, a case of direct address, is marked by an ending only in words of the second declension. Otherwise the vocative has merged with the nominative, except that the particle O typically precedes any vocative, marked or not. There are only five fully productive cases; that is, in the few instances of the formation of a distinct locative or vocative, the endings are specific to those words, and cannot be placed on other stems of the declension to produce a locative or vocative. In contrast, the plural nominative ending of the first declension may be used to form any first declension plural. As a result of this case ambiguity, different authors list different numbers of cases: 5, 6 or 7, which may be confusing. Adjectives and adverbs are compared, and the former are inflected according to case, gender, and number. In view of the fact that adjectives are often used for nouns, the two are termed substantives. Although Classical Latin has demonstrative pronouns indicating different degrees of proximity ("this one here", "that one there"), it does not have articles. Later Romance language articles developed from the demonstrative pronouns; e.g., le and la^[7] from ille and illa, su and sa^[8] from ipse and ipsa.

Legacy[link]

Latin culture has been passed down through a number of broad genres.

Inscriptions[link]

Most inscriptions have been published in an internationally agreed-upon, monumental, multi-volume series termed the Corpus Inscriptionum Latinarum (CIL). Authors and publishers vary but the format is approximately the same: volumes detailing inscriptions with a critical apparatus stating the provenance and relevant information. The reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. There are approximately 270,000 known inscriptions.

Literature[link]

The works of several hundred ancient authors who wrote in Latin have survived in whole or in part, in substantial works or in fragments to be analyzed in philology. They are in part the subject matter of the field of Classics. Their works were published in manuscript form before the invention of printing and now exist in carefully annotated printed editions such as the Loeb Classical Library, published by Harvard University Press or the Oxford Classical Texts, published by Oxford University Press.

Latin translations of modern literature such as Treasure Island, Robinson Crusoe, Paddington Bear, Winnie the Pooh, Tintin, Asterix, Harry Potter, Walter the Farting Dog, Le Petit Prince, Max und Moritz, How the Grinch Stole Christmas, and The Cat in the Hat and a book of fairy tales, "fabulae mirabiles," are intended to garner popular interest in the language. Additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissner's Latin Phrasebook.

Linguistics[link]

Latin has had a significant influence in the formation of English at all stages of its insular development, to such a degree that whether it is primarily a Germanic language is sometimes questioned, in favor of its possibly being considered a Romance language. In the medieval period, much borrowing from Latin occurred through ecclesiastical usage established by Saint Augustine of Canterbury in the 6th century, or indirectly after the Norman Conquest through the Anglo-Norman language. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words. These were dubbed "inkhorn terms", as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, but some which proved useful survived, such as imbibe and extrapolate. Many of the most common polysyllabic English words are of Latin origin, through the medium of Old French.

Due to the influence of Roman governance and Roman technology on the less developed nations under Roman dominion, those nations adopted Latin phraseology in some specialized areas, such as science, technology, medicine and law. For example, the Linnaean system of plant and animal classification was heavily influenced by Historia Naturalis, an encyclopedia of people, places, plants, animals and things published by Pliny the Elder. Roman medicine, recorded in the works of such physicians as Galen, established that today's medical terminology would be primarily derived from Latin and Greek words, the Greek being filtered through the Latin. Roman engineering had the same effect on scientific terminology as a whole. Latin law principles have survived partly in a long list of legal Latin terms.

Many international auxiliary languages have been heavily influenced by Latin. Interlingua, which lays claim to a sizeable following, is sometimes considered a simplified, modern version of the language. Latino sine Flexione, popular in the early 20th century, is Latin with its inflections stripped away, among other grammatical changes.

Education[link]

A multi-volume Latin dictionary in the University Library of Graz

Throughout European history, an education in the Classics was considered a must for those who wished to join literate circles. Instruction in Latin is an essential aspect of Classics. In today's world, a large number of Latin students in America learn from Wheelock's Latin: The Classic Introductory Latin Course, Based on Ancient Authors. This book, first published in 1956,^[9] was written by Frederic M. Wheelock, who received a PhD from Harvard University. Wheelock's Latin has become the standard text for many American introductory Latin courses.

The Living Latin movement attempts to teach Latin in the same way that living languages are taught, i.e., as a means of both spoken and written communication. It is available at the Vatican, and at some institutions in the U.S., such as the University of Kentucky and Iowa State University. The British Cambridge University Press is a major supplier of Latin textbooks for all levels, such as the Cambridge Latin Course series. It has also published a subseries of children's texts in Latin by Bell & Forte, which recount the adventures of a mouse called Minimus.

In the United Kingdom, the Classical Association encourages the study of antiquity through various means, such as publications and grants. In the United States and Canada, the American Classical League supports every effort to further the study of classics. Its subsidiaries include: the National Junior Classical League (with more than 50,000 members), which encourages high school students to pursue the study of Latin, and the National Senior Classical League, which encourages students to continue their study of the classics into college. The league also sponsors the National Latin Exam. Classicist Mary Beard wrote in The Times Literary Supplement in 2006 that the reason for learning Latin is because of what was written in it.^[10]

Latin is taught as a mandatory subject in gymnasia and other so-called classical high schools, located chiefly in Europe. Latin grammar has been taught in most Italian schools since the 18th century: for example, in the Liceo classico and Liceo scientifico, Latin is still one of the primary subjects. In the United States, although once offered nearly universally, Latin is limited to elective status in a steadily declining number of grade schools, both public and private. The ordinary student can no longer count on being able to take Latin, but there are extracurricular means. The College Board examinations, which serve as an educational tool for the admission of students into colleges, still feature one Latin examination on a voluntary basis: Advanced Placement Latin: Vergil.

History of Latin[link]

A number of historical phases of the language have been recognized, each distinguished by subtle differences in vocabulary, usage, spelling, morphology and syntax. There are no hard and fast rules of classification; different scholars emphasize different features. As a result, the list has variants, as well as alternative names. In addition to the historical phases, Ecclesiastical Latin refers to the styles used by the writers of the Roman Catholic Church, as well as by Protestant scholars, from Late Antiquity onward.

The generally recognized main phases under their most frequent names are introduced below.

Archaic Latin[link]

The earliest known is Archaic Latin, which was spoken from the Roman Kingdom to the middle Republican period, and is attested both in inscriptions and in some of the earliest extant literary works, such as the comedies of Plautus and Terence. During this period, the Latin alphabet was devised from the Etruscan alphabet. The writing style later changed from an initial right-to-left or boustrophedon^[11] to a left-to-right script.^[12]

Classical Latin[link]

During the late republic and into the first years of the empire, a new Classical Latin arose, a conscious creation of the orators, poets, historians and other literate men, who wrote the great works of classical literature, which were taught in grammar and rhetoric schools. Today's instructional grammars trace their roots to these schools, which served as a sort of informal language academy dedicated to maintaining and perpetuating educated speech.^[13]

Vulgar Latin[link]

Philological analysis of Archaic Latin works, such as Plautus', which contain snippets of everyday speech, indicates that a spoken language, which was in Classical Latin called Vulgar Latin (sermo vulgi by Cicero), the language of the vulgus or "commoners", existed contemporaneously with the literate Classical Latin. Since this language, by virtue of its informality, was rarely written, philologists have been left with only individual words and phrases cited by Classical authors, as well as those found as graffiti.^[14]

As vernacular Latin was free to develop on its own, there is no reason to expect that the speech was uniform either diachronically or geographically. On the contrary, Romanized European populations developed their own dialects of the language.^[15] The Migration Period, ca. 300-700 AD, brought an end to the unity of the Roman world and removed the stabilizing influence of its institutions upon the language. A post-classical phase of Latin appeared, Late Latin, which was far more influenced by the everyday parlance.

One of the tests to determine whether a Romance-language feature or usage was in Vulgar Latin is to compare it with its parallel in Classical Latin. If it was not preferred in classical Latin, then it most likely came from the invisible contemporaneous vulgar Latin. For example, Romance "horse" (cavallo/cheval/caballo/cavalo) came from Latin caballus. However, classical Latin used equus. Caballus therefore was most likely the spoken form.^[16]

Vulgar Latin began to diverge into distinct languages by the 9th century at latest, when the earliest extant Romance writings begin to appear. They were, throughout the Dark Ages, confined to everyday speech, as, subsequent to Late Latin, Medieval Latin was used for writing.

Medieval Latin[link]

Latin Bible from 1407

The term Medieval Latin refers to the written Latin in use during that portion of the post-classical period when no corresponding Latin vernacular existed. The spoken language had developed into the various incipient Romance Languages; however, in the educated and official world Latin continued without its natural spoken base. Moreover, this Latin spread into lands that had never spoken Latin, such as the Germanic and Slavic nations. It became useful as a means of international communication between the member states of the Holy Roman Empire and its allies.

Without the institutions of the Roman empire that had supported its uniformity, medieval Latin lost its linguistic cohesion; for example, in classical Latin sum and eram are used as auxiliary verbs in the perfect and pluperfect passive, which are compound tenses. Medieval Latin might use fui and fueram instead.^[17] Furthermore the meanings of many words have been changed and new vocabularies have been introduced from the vernacular. Identifiable individual styles of classically incorrect Latin prevail.^[17]

Renaissance Latin[link]

The bulk of 15th century printed books (incunabula) was in Latin, with the vernacular languages playing only a secondary role.^[18]

The Renaissance briefly reinforced the position of Latin as a spoken language, through its adoption by the Renaissance Humanists. Often led by members of the clergy, they were shocked by the accelerated dismantling of the vestiges of the classical world and the rapid loss of its literature. They strove to preserve what they could. It was they who introduced the practice of producing revised editions of the literary works that remained by comparing surviving manuscripts, and they who attempted to restore Latin to what it had been. They corrected medieval Latin out of existence no later than the 15th century and replaced it with more formally correct versions supported by the scholars of the rising universities, who attempted, through scholarship, to discover what the classical language had been.

Modern Latin[link]

The signs at Wallsend Metro station are in English and Latin as a tribute to Wallsend's role as one of the outposts of the Roman empire.

The largest organization that retains Latin for official and quasi-official contexts is the Catholic Church. Latin remains the language of the Roman Rite; the Tridentine Mass is celebrated in Latin, and although the Mass of Paul VI is usually celebrated in the local vernacular language, it can be and often is said in Latin, in part or whole, especially at multilingual gatherings. Latin is the official language of the Holy See, the primary language of its public journal, the Acta Apostolicae Sedis, and the working language of the Roman Rota. Vatican City is also home to the world's only ATM that gives instructions in Latin.^[19] In the Anglican Church, after the publication of the Anglican Book of Common Prayer of 1559, a 1560 Latin edition was published for use at universities such as Oxford and the leading public schools, where the liturgy was still permitted to be conducted in Latin^[20] and there have been several Latin translations since. Most recently a Latin edition of the 1979 USA Anglican Book of Common Prayer has appeared.^[21]

Some films of ancient settings, such as Sebastiane and The Passion of the Christ, have been made with dialogue in Latin for purposes of realism. Occasionally, Latin dialogue is used because of its association with religion or philosophy, in such film/TV series as The Exorcist and Lost ("Jughead"). Subtitles are usually employed for the benefit of audiences who do not understand Latin. There are also songs written with Latin lyrics.

The polyglot European Union has adopted Latin names in the logos of some of its institutions for the purpose of linguistic compromise and as a sign of the continent's heritage (e.g. the EU Council: Consilium)

Many organizations today have Latin mottos, such as "Semper paratus" (always ready), the motto of the United States Coast Guard, and "Semper fidelis" (always faithful), the motto of the United States Marine Corps. Several of the states of the United States also have Latin mottos, such as "Montani semper liberi" (Mountaineers are always free), the state motto of West Virginia; "Sic semper tyrannis" (Thus always to tyrants), that of Virginia; "Esse quam videri" (To be rather than to seem), that of North Carolina; and "Si quaeris peninsulam amoenam, circumspice" ("If you seek a pleasant peninsula, look about you") that of Michigan.

Occasionally, some media outlets broadcast in Latin, which is targeted at the audience of enthusiasts. Notable examples include Radio Bremen in Germany, YLE radio in Finland and Vatican Radio & Television, all of which broadcast news segments and other material in Latin.^[22]

There are many websites and forums maintained in Latin by enthusiasts. The Latin Wikipedia has more than 70,000 articles written in Latin.

Phonology[link]

No inherited verbal knowledge of the pronunciation of Latin exists. It must be reconstructed. Among the data used for reconstruction listed by Allen are explicit statements by ancient authors, especially grammarians, about the pronunciation of a word, puns, ancient etymologies, Latin words stated in other languages, and so on.^[23]

As is true of any language, pronunciation varied according to historical period. Standard practice in Latin education is to teach the pronunciation of classical Latin first. Every Latinist is familiar with the opening clause of De Bello Gallico, Gallia est omnis divisa in partes tres ... and knows that divisa is said as diwisa. It makes little difference whether "Oh come all ye faithful" is sung as venite, venite or "wenite, wenite", although the first is more appropriate to the period. Period differences are generally taught with the works of their authors; however, use of the classical pronunciation is always acceptable.

Consonants[link]

The main consonant phonemes of classical Latin are stated in the table hereafter.^[24] The phonemes given by no means exhaust the number of possible phonemes. For example, distinctions might be made between word-initial and word-final positions, intervocalic, post-consonantal, and so on, which are considerations of linguistic environment. Also, gemminate consonants may not be the same phonemes as singulates.

		Labial	Dental	Palatal	Velar		Glottal
					plain	labial
Plosive	voiced	/b/	/d/		/ɡ/	/ɡʷ/
	voiceless	/p/	/t/		/k/	/kʷ/
	aspirated	/pʰ/	/tʰ/		/kʰ/
Fricative	voiced		/z/
	voiceless	/f/	/s/				/h/
Nasal		/m/	/n/		/ŋ/
Rhotic			/r/
Approximant			/l/	/j/		/w/

The period graphemes representing these phonemes are only a partial match to today's English alphabet, which, except for the capital letters, dates to the Middle Ages. Latin texts are nevertheless printed in it. The inscription from the Colosseum shown at the top of the article is a good example of the appearance of native Roman graphemes. Some notes concerning the mapping of Latin phonemes to English graphemes are given below.

English grapheme	Latin phoneme	Notes
⟨c⟩	/k/	Never as in nice; without aspiration, as in Italian peccare
⟨g⟩	/ɡ/	Never as in germ
⟨g⟩	/ŋ/	Before /n/, as in dignus /dɪŋnʊs/ 'worthy'
⟨l⟩	/l/	Existed in two allophones: l exilis before /l/ and /i/, and l pinguis in all other positions. The ancients defined their pronunciation as "thin," which was forward, and "fat," which was back. The evolution of a consonant cluster containing /l/ depended on whether it was thin or fat.[25] This is an environmental consideration, omitted from the table, which lists only the general /l/.
⟨n⟩	/n/	If /n/ occurs before /c/, /g/ or /x/,[26] it is the velar nasal, /ŋ/ ("ng" as in "sing"). Otherwise, it is the alveolar nasal, /n/,[27] or before /f/ and /s/ represents a long nasal vowel, as in consul /kõːsʊl/.
⟨ph⟩	/pʰ/	Pronounced approximately like p in English point, but with more aspiration; never as in English philosopher.
⟨t⟩	/t/	Never as in English nation.
⟨th⟩	/tʰ/	Analogous to ph; never as in English thunder or the.
⟨qu⟩	/kʷ/	A labiovelar, considered one consonant.
⟨gu⟩	/ɡʷ/	A labiovelar, considered one consonant. Only occurs after a nasal or liquid, as in languidus and urgueo.
⟨u⟩	/w/	Also ⟨v⟩. These are graphic variants. They stood for both the consonant /w/ and the vowel /u/. ⟨u⟩ is /w/ at the beginning of a syllable. E.g., uehebantur /wɛheːˈbantʊr/ "they were driving", inuehebantur /inwɛheːˈbantʊr/ "they were attacking verbally", quattuor /kʷatːwɔr/ "four", which is disyllabic in verse.[28] A [w] was also pronounced, but not written, between /u/ and a vowel: duo [ˈduwo].[29]
⟨i⟩	/j/	Also ⟨j⟩. These are graphic variants. Like the previous, ⟨i⟩ stood for both consonant /j/ and vowel /i/: iucundus /juːkʊndʊs/ "pleasant", periucundus /pɛrjuːkʊndʊs/ "very pleasant".[30]
⟨x⟩	/ks/	A double consonant, considered two consonants.

Long consonants are represented by doubled spelling: puella = /pʊˈɛlːa/ ("girl"; similar to Italian nella), littera = /ˈlɪtːɛra/ ("letter", "character"; as in Italian petto), accidere = /akːɪdɛrɛ/ ("to happen"; stress on the second syllable; as in Italian ecco), addere = /ˈadːɛrɛ/ ("to add"), pessime = /ˈpɛsːimeː/ ("very/most badly") and the like.

It is also notable that consonants at the end of syllables close these syllables clearly; that means the latter are pronounced longer: e.g. amare = /aˈmaːrɛ/ ("to love") has the quantitative structure short-long-short, whereas armare = /arˈmaːrɛ/ ("to arm") shows long-long-short. This feature of classical Latin is crucial to the understanding and retracing of Latin poetical rhythms of classical and ensuing times, which are mainly based on syllable lengths, less on the word stresses.

Vowels[link]

	Front	Central	Back
High	iː ɪ		ʊ uː
Mid	eː ɛ		ɔ oː
Low		a aː

Vowels:

• ⟨a⟩ = /a/ when short and /aː/ when long ⟨á⟩
• ⟨e⟩ = /ɛ/ (as in pet) when short and /eː/ (somewhat as in English they) when long ⟨é⟩
• ⟨i⟩ = /ɪ/ (as in pin) when short and /iː/ (as in machine) when long ⟨ꟾ⟩
• ⟨o⟩ = /ɔ/ (as in British English law) when short and /oː/ (somewhat as in holy) when long ⟨ó⟩
• ⟨u⟩ = /ʊ/ (as in put) when short and /uː/ (as in true) when long ⟨ú⟩. Also ⟨v⟩.

In inscriptions, and in upper case in handwriting, the letter u, whether as a consonant or as a vowel, was invariably written as V.

Classical Latin distinguished between long and short vowels, and the use of the apex, which indicates long vowels, was quite widespread during classical and postclassical times. In modern texts, long vowels are often indicated by a macron ⟨ā, ē, ī, ō, ū⟩, and short vowels are sometimes indicated by a breve ⟨ă, ĕ, ĭ, ŏ, ŭ⟩. The vowel-length distinction began to fade by Late Latin.

A vowel followed by an ⟨m⟩ or ⟨n⟩ (maintained later by some Romance languages), either at the end of a word (⟨m⟩ only) or before another consonant, is nasal, as in monstrum /mõːstrũː/, and in many cases the consonant is not pronounced, as in French and Portuguese.^[26]

Orthography[link]

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The Duenos Inscription, from the 6th century BC, is one of the earliest known Old Latin texts.

Latin was written using the Latin Alphabet, derived from the Old Italic alphabet, in turn drawn from the Greek and ultimately the Phoenician alphabet.^[31] This alphabet has continued to be used throughout centuries as the script for the Romance, Celtic, Germanic, Baltic, Finnic, and many Slavic languages (Polish, Slovak, Slovene, Croatian and Czech), as well as for others as Indonesian, Vietnamese, and Niger–Congo languages.

The Latin alphabet has varied in number of letters. When it was first adopted from the Etruscan alphabet, it contained only 21.^[32] Later, “G”, representing /ɡ/, formerly included under “C”, was innovated to replace “Z”, which was non-functional, as the language had no voiced alveolar fricative at the time.^[33] The letters “Y” and “Z” were later added to represent the Greek Upsilon and Zeta respectively in Greek loanwords.^[33] “W” was created in the 11th century from VV. It represented /w/ in Germanic languages, not in Latin, which still uses “V” for the purpose. “J” was distinguished from the original “I” only during the late Middle Ages along with the letter “U” from “V”.^[33] Although some dictionaries use “J” it is for the most part eschewed for Latin text as non-original, although other languages use it.

Classical Latin did not contain sentence punctuation, letter case,^[34] or interword spacing, though apices were used to distinguish length in vowels and the interpunct was used at times to separate words. So, a sentence originally written:

LV́GÉTEÓVENERÉSCVPꟾDINÉSQVE

or with interpunct as

LV́GÉTE·Ó·VENERÉS·CVPꟾDINÉSQVE

would be rendered in a modern edition as

Lugete, O Veneres Cupidinesque

or with macrons

Lūgēte, Ō Venerēs Cupīdinēsque.

and translated as

Mourn, O Venuses and Cupids.

A replica of the Old Roman Cursive inspired by the Vindolanda tablets

The Roman cursive script is commonly found on the many wax tablets excavated at sites such as forts, an especially extensive set having been discovered at Vindolanda on Hadrian's Wall in Britain. Curiously enough, most of the Vindolanda tablets show spaces between words, though spaces were avoided in monumental inscriptions from that era.

Grammar[link]

Latin is a synthetic, fusional language, in the terminology of linguistic typology. In more traditional terminology, it is an inflected language, although the typologists are apt to say inflecting. In essence, a word contains within it not just an objective semantic element, but also markers specifying the grammatical use of the word. This fusion of root meaning and markers produces very compact sentence elements. For example, amo, "I love," is produced from a semantic element, am-, "love," to which -o, a first-person singular marker, has been suffixed. English requires two words to express the same meaning.

The grammatical function can be changed by changing the markers according to rule. The semantic element does not change; thus it is "inflected" or altered to express different grammatical functions. Inflection utilizes affixing and infixing. Affixing is prefixing and suffixing. Inflections are never prefixed. Suffixing and infixing are the methods by which the grammatical function is changed. For example, amabit, "he or she will love", is considered formed from a semantic element, or stem, ama-, to which a future tense marker, -bi-, is infixed, and a third person marker, -t, is suffixed. There is an inherent ambiguity: -t may denote more than one grammatical category, in this case either masculine or feminine gender. For English speakers, the major task in understanding Latin phrases and clauses is to clarify the ambiguity by an analysis of context. Only a thorough knowledge of the endings is adequate to the task, and then not always. Typically Latin texts annotate ambiguities that were not able to be resolved, stating the possibilities. Only slight textual errors, such as miscopying, introduce whole new ranges of possibilites.

The inflections express gender, number, and case in adjectives, nouns, and pronouns—a process called declension. Markers are attached to fixed stems of verbs, as well, to denote person, number, tense, voice, mood, and aspect—a process called conjugation. Some words do not undergo either process. They are termed uninflected. Their meanings can only be understood by learning, never by production, or fusion. Other means must be found to identify their grammatical function in sentences.

Nouns[link]

There are seven Latin noun cases, which also apply to adjectives and pronouns. These mark a noun's syntactic role in the sentence, so word order is not as important in Latin as it is in some other languages, such as English. Words can typically be moved around in a sentence without significantly altering its meaning, although the emphasis may have been altered. The cases are:

1. Nominative - used when the noun is the subject or a predicate nominative. The thing or person acting; e.g., the girl ran: puella cucurrit, or cucurrit puella
2. Genitive - used when the noun is the possessor of an object (e.g., "the horse of the man", or "the man's horse"—in both of these instances, the word man would be in the genitive case when translated into Latin). Also indicates material of which something greater is made (e.g., "a group of people"; "a number of gifts"—people and gifts would be in the genitive case). Some nouns are genitive with special verbs and adjectives too. (e.g., The cup is full of wine. Poculum plenum vini est. The master of the slave had beaten him. Dominus servi eum verberaverat.)
3. Dative - memorised as "to or for": used when the noun is the indirect object of the sentence, with special verbs, with certain prepositions, and if used as agent, reference, or even possessor. (e.g., The merchant hands over the stola to the woman. Mercator feminae stolam tradit.)
4. Accusative - used when the noun is the direct object of the sentence/phrase, with certain prepositions, or as the subject of an infinitive. The thing or person having something done to them. (e.g., The slave woman carries the wine. Ancilla vinum portat.) In addition, there are certain constructions where the accusative can be used for the subject of a clause, one being the indirect statement.
5. Vocative - used when the noun is used in a direct address. The vocative form of a noun is the same as the nominative except for second-declension nouns ending in -us. The -us becomes an -e or if it ends in -ius (such as filius) then the ending is just -i (fili) (as distinct from the plural nominative (filii)). (e.g., "Master!" shouted the slave. "Domine!" servus clamavit.)
6. Ablative - memorised as "by, with, or from": used when the noun demonstrates separation or movement from a source, cause, agent, or instrument, or when the noun is used as the object of certain prepositions; adverbial. (e.g., You walked with the boy. tu cum puero ambulavisti.)
7. Locative, used to indicate a location and services (corresponding to the English "in" or "at"). This is far less common than the other six cases of Latin nouns and usually applies to cities, small towns, and islands smaller than the island of Rhodes, but not including Rhodes, along with a few common nouns. In the first and second declension singular, its form coincides with the genitive (Roma becomes Romae, "in Rome"). In the plural, and in the other declensions, it coincides with the dative and ablative (Athenae becomes Athenis, "at Athens"). In the case of the fourth declension word domus, the locative form, domi ("at home") differs from the standard form of all the other cases.

Latin lacks definite and indefinite articles; thus puer currit can mean either "the boy is running" or "a boy is running".

Verbs[link]

A verb in Latin belongs to one four main conjugations. A conjugation is "a class of verbs with similar inflected forms."^[35] The conjugations are identified by the last letter of the verb stem, which appears in the active infinitive form if there is one, or the passive infinitive if there is not. The infinitive of the first conjugation ends in -ā-re or -ā-ri (active and passive respectively); e.g., amāre, "to love," hortārī, "to exhort"; of the second by -ē-re or -ē-rī; e.g., monēre, "to warn", verērī, "to fear;" of the third by -ere, -ī; e.g., dūcere, "to lead," ūtī, "to use"; of the fourth by -ī-re, -ī-rī; e.g., audīre, "to hear," experīrī, "to attempt". Irregular verbs may not follow the types, or may be marked in a different way. The "endings" presented above are not the suffixed infinitive markers. The first letter in each case is the last of the stem, because of which the conjugations are also called the a-conjugation, e-conjugation and i-conjugation. The fused infinitive ending is -re or -rī. Third-conjugation stems end in a consonant: the consonant conjugation. Further, there is a subset of the 3rd conjugation, the i-stems, which behave somewhat like the 4th conjugation, as they are both i-stems, one short and the other long. These stem categories descend from PIE, and can therefore be compared to similar conjugations in other IE languages.

There are six general tenses in Latin (present, imperfect, future, perfect, pluperfect, and future perfect), three grammatical moods (indicative, imperative and subjunctive, in addition to the infinitive, participle, gerund, gerundive and supine), three persons (first, second, and third), two numbers (singular and plural), two voices (active and passive), and three aspects (perfective, imperfective, and stative). Verbs are described by four principal parts:

1. The first principal part is the first person (or third person for impersonal verbs) singular, present tense, indicative mood, active voice form of the verb (or passive voice for verbs lacking an active voice).
2. The second principal part is the present infinitive active (or passive for verbs lacking an active) form.
3. The third principal part is the first person (or third person for impersonal verbs) singular, perfect indicative active (or passive when there is no active) form.
4. The fourth principal part is the supine form, or alternatively, the nominative singular, perfect passive participle form of the verb. The fourth principal part can show either one gender of the participle, or all three genders (-us for masculine, -a for feminine, and -um for neuter). It can also be the future participle when the verb cannot be made passive. Most modern Latin dictionaries, if only showing one gender, tend to show the masculine; however, many older dictionaries will instead show the neuter, as this coincides with the supine. The fourth principal part is sometimes omitted for intransitive verbs, although strictly in Latin these can be made passive if used impersonally, and the supine exists for these verbs.

There are six tenses in the Latin language: present, future, imperfect, perfect, future perfect, and pluperfect. Each tense has a set of endings corresponding to the person and number referred to. This means that subject pronouns (e.g. ego "I") tend to be included only for emphasis or contrast. The following table lists the endings for the active voice and indicative mood of each of these tenses.

Vocabulary[link]

As Latin is an Italic language, most of its vocabulary is likewise Italic, deriving ultimately from PIE. However, because of close cultural interaction, the Romans not only adapted the Etruscan alphabet to form the Latin alphabet, but also borrowed some Etruscan words into their language, including persona (mask) and histrio (actor).^[36] Latin also included vocabulary borrowed from Oscan, another Italic language.

After the Fall of Tarentum (272 BC), the Romans began hellenizing, or adopting features of Greek culture, including the borrowing of Greek words, such as camera (vaulted roof), sumbolum (symbol), and balineum (bath).^[36] This hellenization led to the addition of "Y" and "Z" to the alphabet to represent Greek sounds.^[37] Subsequently the Romans transplanted Greek art, medicine, science and philosophy to Italy, paying almost any price to entice Greek skilled and educated persons to Rome, and sending their youth to be educated in Greece. Thus, many Latin scientific and philosophical words were Greek loanwords or had their meanings expanded by association with Greek words, as ars (craft) and τέχνη.^[38]

Because of the Roman Empire’s expansion and subsequent trade with outlying European tribes, the Romans borrowed some northern and central European words, such as beber (beaver), of Germanic origin, and bracae (breeches), of Celtic origin.^[38] The specific dialects of Latin across Latin-speaking regions of the former Roman Empire after its fall were influenced by languages specific to the regions. These spoken Latins evolved into particular Romance languages.

During and after the adoption of Christianity into Roman society, Christian vocabulary became a part of the language, formed either from Greek or Hebrew borrowings, or as Latin neologisms.^[39] Continuing into the Middle Ages, Latin incorporated many more words from surrounding languages, including Old English and other Germanic languages.

Over the ages, Latin-speaking populations produced new adjectives, nouns, and verbs by affixing or compounding meaningful segments.^[40] For example, the compound adjective, omnipotens, "all-powerful," was produced from the adjectives omnis, "all", and potens, "powerful", by dropping the final s of omnis and concatenating. Often the concatenation changed the part of speech; i.e., nouns were produced from verb segments or verbs from nouns and adjectives.^[41]

See also[link]

	Ancient Rome portal
	Language portal
	Catholicism portal

Notes[link]

References[link]

External links[link]

Latin edition of Wikisource, the free library

Latin edition of Wikipedia, the free encyclopedia

Wikiquote has a collection of quotations related to: Latin proverbs

Wikibooks has a book on the topic of Latin

Look up Category:Latin appendices in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Latin language

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