The phrase is a reference to Vladimir Nabokov's book Lolita, in which a middle-aged man becomes sexually obsessed with a twelve-year-old girl. It was first used in Japan in the 1970s and quickly became used to describe erotic dojinshi (amateur comics) portrayals of young girls. In the 1980s, lolicon manga became widely available in a number of anthology pornographic manga magazines. In 1989, a serial killer was found to be a devoted lolicon fan, creating a moral panic and calls for regulation of manga.
Laws have been enacted in various countries, including in Japan, which regulate explicit content featuring children or child-like characters. Parent and citizens groups in Japan have organized to work toward stronger controls and stricter laws governing lolicon manga and other similar media. Critics say that the lolicon genre contributes to actual sexual abuse of children, while others say that there is no evidence for this claim. Studies of lolicon fans state that lolicon fans are attracted to an aesthetic of cuteness rather than the age of the characters, Individuals in each group respond sexually to visual images of children and young people in distinct and narrow age ranges. Lolicon manga and anime contain images and narratives involving romantic and erotic interactions between typically an adult man and a girl in the age range desired by such men.
Strictly speaking, Lolita complex in Japanese refers to the paraphilia itself, but the abbreviation lolicon can also refer to an individual who has the paraphilia. Lolicon is a widespread phenomenon in Japan, where it is a frequent subject of scholarly articles and criticism. Many general bookstores and newsstands openly offer illustrated lolicon material, but there has also been police action against lolicon manga. The school-age girl in a school uniform is also an erotic symbol in Japan. and some schoolgirls moonlight as prostitutes. Sharon Kinsella observed an increase in unsubstantiated accounts of schoolgirl prostitution in the media in the late 1990s, and speculated that these unproven reports developed in counterpoint to the increased reporting on comfort women. She speculated that, "It may be that the image of happy girls selling themselves voluntarily cancels out the other guilty image". and Comic LO (where "LO" is an abbreviation for "Lolita Only"). Common focuses of these stories include taboo relationships, such as between a teacher and student or brother and sister, while others feature sexual experimentation between children. Some lolicon manga cross over with other hentai genres, such as crossdressing and futanari. Schoolgirls accidentally showing their underwear are common characters in the lolicon genre.
Akira Akagi believes that during the 1980s, the lolicon genre changed from being tales of a young girl having sex with an older man to being about "girl-ness" and "cuteness".
Men began reading shōjo manga in the 1970s, including the works of the Year 24 Group and the "girly" works of Mutsu A-ko. The lolicon style borrows from shōjo manga designs and has also been influenced by women creating pornographic materials for men.
Female mangaka (manga authors) who draw material interpreted as lolicon include Chiho Aoshima (The red-eyed tribe billboard), Aya Takano (Universe Dream wall painting), and Kaworu Watashiya (Kodomo no Jikan), Male artists include Henmaru Machino (untitled, aka Green Caterpillar's Girl), Hitoshi Tomizawa (Alien 9, Milk Closet), and Bome (sculptures).
Frederik L. Schodt has suggested that one reason lolicon manga is popular with some fans is because the female characters portrayed are "younger, slightly softer, [and] rarely possessing an in-your-face aggressive feminism" which is often found in female characters in American comics.
There was a backlash to lolicon as a result of the murders of four young girls by Tsutomu Miyazaki by the end of the decade. In the aftermath, the Japanese non-profit organization CASPAR was founded with the goal of campaigning for regulation of lolicon. Public attention was brought to bear on this issue when Tsutomu Miyazaki kidnapped and murdered four girls between the ages of 4 and 7 in 1988 and 1989, committing acts of necrophilia with their corpses. He was found to be a "withdrawn and obsessive" otaku and in particular he enjoyed lolicon. This caused a moral panic about "harmful manga", and "sparked a crackdown by local authorities on retailers and publishers, including the larger companies, and the arrests of dojinshi creators". and he was executed by hanging for his crimes on June 17, 2008.
Public sentiment against sexual cartoon depictions of minors was revived in 2005 when a convicted sex offender, who was arrested for the murder of a seven-year-old girl in Nara, was suspected as a lolicon. He claimed, however, that he had become interested in small girls after watching an animated pornographic video as a high school student. He was sentenced to death by hanging.
Cultural critic Hiroki Azuma said that very few readers of lolicon manga commit crimes. He states that in the otaku culture, lolicon is the "most convenient [form of rebellion]" against society. Azuma says that some otaku feel so "excluded from society" that they "feel as if they are the sort of 'no good' person who should be attracted to little girls". Sarah Goode describes the accumulation of lolicon materials as being "a medium through which disaffected men may choose to express their sense of anomie and disconnection with society". When questioning the relationship of lolicon to "finding children in real life sexually attractive", Goode presents the argument of a lolicon fan "that even if I could be classified as a kind of anime lolicon, it'd NEVER translate into RL pedophilia. This is predicated on the belief that the anime lolis I like DO NOT EXIST in RL."
Setsu Shigematsu believes that lolicon manga should not be equated to photographic or adult video lolicon materials which involve real children; instead she argues that lolicon represents an artificial sexuality, turning away from "three dimensional reality" and redirecting sexual energies towards "two dimensional figures of desire". Akira Akagi writes that in lolicon manga, the girl represents cuteness, and that it is not her age which makes her attractive, which included yaoi and parodies of boys' and adult manga. This occurred as more men attended amateur manga conventions and as new boys' amateur manga genres appeared at Comiket. Kinsella distinguished between the attitudes toward gender of amateur lolicon manga and that of male fans of girls' manga. Kinsella noted dominant British and American genres and imports of animation video in the 1990s derived from lolicon manga, suggesting women, and therefore also men, in all of these countries have gone through similar social and cultural experiences.
Ito characterises otaku as having more affection towards the anime and manga world than for a realistic world, saying that to the otaku, the two-dimensional world portrayed becomes "more real". Ito views the preference for young girls as sex objects in manga and anime to be due to a change in Japanese society in the 1970s and 1980s. Ito says that at that time, boys felt that girls were "surpassing them in terms of willpower and action". However, as the boys believed girls to be the weaker sex, the boys began focussing on young girls "who were 'easy to control'". Additionally, the young girls of lolicon exist in the media, which Ito points out is a place where one can control things however they want.
A revised edition was presented in November that year to the Tokyo Metropolitan Assembly, which would require self-regulation of "'manga, anime and other images'...that 'unjustifiably glorify or emphasize' certain sexual or pseudo sexual acts"...depictions of 'sexual or pseudo sexual acts that would be illegal in real life'". However, the bill no longer uses the term "nonexistent youth" and applies to all characters and to material that is not necessarily meant to be sexually stimulating. It was approved in December and will take full effect in July 2011, however, the bill does not regulate mobile sites or downloaded content and is only intended for publications such as books and DVDs.
Industry response was swift and negative. The Association of Japanese Animations claimed the process that allowed the bill to pass violated due process. The bill is expected to have a chilling effect and multiple anime and manga companies pulled out or back from the 2011 Tokyo International Anime Fair in response to the bill's passage. In response, Japanese Prime Minister Naoto Kan made a post on his blog urging parties to work together to resolve the situation.
Category:Anime and manga terminology Category:Hentai Category:Japanese sex terms
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