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Hindu ( pronunciation (help·info); Devanagari:हिंदू) refers to an identity associated with the philosophical, religious and cultural systems that are indigenous to the Indian subcontinent. As used in the Constitution of India, the word "Hindu" is also attributed to all persons professing any Indian religion (i.e. Hinduism, Jainism, Buddhism or Sikhism).^[1] In common use today, it refers to an adherent of Hinduism.

With more than a billion adherents, Hinduism is the world's third largest religion. The vast majority of Hindus, approximately 940 million, live in India.^[2] Other countries with large Hindu populations include Nepal, Bangladesh, Sri Lanka, Mauritius, Suriname, Guyana, Trinidad & Tobago, Fiji and the island of Bali.

Etymology[link]

The swastika in the Hindu decorative form.

The word Hindu is derived from the Sanskrit word Sindhu, first mentioned in the Rig Veda,^[3] was the historic local appellation for the Indus River in the northwestern part of the Indian subcontinent.^[4]

The Brihaspati Agama says:

The usage of the word Hindu was further popularized for Arabs and further west by the Arabic term al-Hind referring to the land of the people who live across river Indus^[7] and the Persian term Hindū referring to all Indians. By the 13th century, Hindustān emerged as a popular alternative name of India, meaning the "land of Hindus".^[8]

Originally, Hindu was a secular term which was used to describe all inhabitants of the Indian subcontinent (or Hindustan) irrespective of their religious affiliation. It occurs sporadically in some 16th-18th century Bengali Gaudiya Vaishnava texts, including Chaitanya Charitamrita and Chaitanya Bhagavata, usually to contrast Hindus with Yavanas or Mlecchas.^[9] It appears in South Indian and Kashmiri texts from at least 1323 CE,^[10] and increasingly so during British rule. It was only towards the end of the 18th century that the European merchants and colonists referred collectively to the followers of Indian religions as Hindus. Eventually, it came to define a precisely religious identity that includes any person of Indian origin who neither practiced Abrahamic religions nor non-Vedic Indian religions, such as Jainism, Sikhism or Buddhism, thereby encompassing a wide range of religious beliefs and practices related to Sanātana Dharma.^[11]

The term Hinduism was formed around 1830 to denote the culture and religion of the high-caste Brahmans in contrast to other religions. It was soon appropriated by the Hindus in India themselves as they tried to establish a national, social and cultural identity opposed to European colonialism in India.^[11]

History[link]

The notion of grouping the indigenous religions of India under a single umbrella term Hindu emerges as a result of various invasions in India bringing forth non-indigenous religions such as Islam to the Indian Subcontinent^[12] Numerous Muslim invaders, such as Babur and Aurangzeb, destroyed Hindu temples and persecuted non-Muslims; some, such as Akbar, were more tolerant. Hinduism underwent profound changes, in large part due to the influence of the prominent teachers Ramanuja, Madhva and Chaitanya.^[12] Followers of the Bhakti movement moved away from the abstract concept of Brahman, which the philosopher Adi Shankara consolidated a few centuries before, with emotional, passionate devotion towards what they believed as the more accessible Avatars, especially Krishna and Rama.^[13]

The Swaminarayan sect's Akshardham Temple in Delhi, according the Guinness World Records is the World’s Largest Comprehensive Hindu Temple

Indology as an academic discipline of studying Indian culture from a European perspective was established in the 18th century by Sir William Jones and 19th century, by scholars such as Max Müller and John Woodroffe. They brought Vedic, Puranic and Tantric literature and philosophy to Europe and the United States. At the same time, societies such as the Brahmo Samaj and the Theosophical Society attempted to reconcile and fuse Abrahamic and Dharmic philosophies, endeavouring to institute societal reform. This period saw the emergence of movements which, while highly innovative, were rooted in indigenous tradition. They were based on the personalities and teachings of individuals, as with Ramakrishna and Ramana Maharshi. Prominent Hindu philosophers, including Aurobindo and Prabhupada (founder of ISKCON), translated, reformulated and presented Hinduism's foundational texts for contemporary audiences in new iterations, attracting followers and attention in India and abroad.

Others, such as Vivekananda, Paramahansa Yogananda, B.K.S. Iyengar and Swami Rama, have also been instrumental in raising the profiles of Yoga and Vedanta in the West. Today modern movements, such as ISKCON and the Swaminarayan Faith, attract a large amount of followers across the world.^[14]

Definition[link]

The Bhagavad Gītā, a conversation between Lord Krishna and Arjuna before the start of the Kurukshetra war, is one of the foremost Hindu scriptures^[15] and is described as a concise guide to Hindu philosophy and beliefs.^[16]

The diverse set of religious beliefs, traditions and philosophies of the Hindus are the product of an amalgamation process that began with the decline of Buddhism in India (5th-8th Century), where traditions of Vedic Brahmanism and the mystical schools of Vedanta were combined with Shramana traditions and regional cults to give rise to the socio-religious and cultural sphere later described as "Hinduism".

Adi Shankara's commentaries on the Upanishads led to the rise of Advaita Vedanta, the most influential sub-school of Vedanta. Hinduism continues to be divided in numerous several sects and denominations, of which Vaishnavism and Shaivism are by far the most popular.^[17] Other aspects include folk and conservative Vedic Hinduism. Since the 18th century, Hinduism has accommodated a host of new religious and reform movements, with Arya Samaj being one of the most notable Hindu revivalist organizations.

Due to the wide diversity in the beliefs, practices and traditions encompassed by Hinduism, there is no universally accepted definition on who a Hindu is, or even agreement on whether the term Hinduism represents a religious, cultural or socio-political entity. In 1995, Chief Justice P. B. Gajendragadkar was quoted in an Indian Supreme Court ruling:^[18]

When we think of the Hindu religion, unlike other religions in the world, the Hindu religion does not claim any one prophet; it does not worship any one god; it does not subscribe to any one dogma; it does not believe in any one philosophic concept; it does not follow any one set of religious rites or performances; in fact, it does not appear to satisfy the narrow traditional features of any religion or creed. It may broadly be described as a way of life and nothing more.

Thus some scholars argue that the Hinduism is not a religion per se but rather a reification of a diverse set of traditions and practices by scholars who constituted a unified system and arbitrarily labeled it Hinduism.^[19] The usage may also have been necessitated by the desire to distinguish between "Hindus" and followers of other religions during the periodic census undertaken by the colonial British government in India. Other scholars, while seeing Hinduism as a 19th century construct, view Hinduism as a response to British colonialism by Indian nationalists who forged a unified tradition centered on oral and written Sanskrit texts adopted as scriptures.^[20]

While Hinduism contains both "uniting and dispersing tendencies", it also has a common central thread of philosophical concepts (including dharma, moksha and samsara), practices (puja, bhakti etc.) and cultural traditions.^[21] These common elements originating (or being codified within) the Vedic, Upanishad and Puranic scriptures and epics. Thus a Hindu could :

• follow any of the Hindu schools of philosophy, such as Advaita (non-dualism), Vishishtadvaita (non-dualism of the qualified whole), Dvaita (dualism), Dvaitadvaita (dualism with non-dualism), etc.^[22][23]
• follow a tradition centered on any particular form of the Divine, such as Shaivism, Vaishnavism, Shaktism, etc.^[24]
• practice any one of the various forms of yoga systems; including bhakti (Hindu devotional movements) in order to achieve moksha.

A young Nepali Hindu devotee during a traditional prayer ceremony at Kathmandu's Durbar Square.

The Republic of India is in the peculiar situation that the Supreme Court of India has repeatedly been called upon to define "Hinduism" because the Constitution of India, while it prohibits "discrimination of any citizen" on grounds of religion in article 15, article 30 foresees special rights for "All minorities, whether based on religion or language". As a consequence, religious groups have an interest in being recognized as distinct from the Hindu majority in order to qualify as a "religious minority". Thus, the Supreme Court was forced to consider the question whether Jainism is part of Hinduism in 2005 and 2006. In the 2006 verdict, the Supreme Court found that the "Jain Religion is indisputably not a part of the Hindu Religion".^[25] In 1995, while considering the question "who are Hindus and what are the broad features of Hindu religion", the Supreme Court of India highlighted Bal Gangadhar Tilak's formulation of Hinduism's defining features:^[18]

Acceptance of the Vedas with reverence; recognition of the fact that the means or ways to salvation are diverse; and the realization of the truth that the number of gods to be worshipped is large, that indeed is the distinguishing feature of Hindu religion.

Some thinkers have attempted to distinguish between the concept of Hinduism as a religion, and a Hindu as a member of a nationalist or socio-political class. In Hindu nationalism, the term "Hindu" combines notions of geographical unity, common culture and common race. Thus, Veer Savarkar in his influential pamphlet "Hindutva: Who is a Hindu?" defined a Hindu as a person who sees India "as his Fatherland as well as his Holy land, that is, the cradle land of his religion".^[26] This conceptualization of Hinduism, has led to establishment of Hindutva as the dominant force in Hindu nationalism over the last century.^[27]

Ethnic and cultural fabric[link]

See also: Demographics of India, History of India, and Hindutva

The Mother Temple of Besakih in Bali, Indonesia.

Hinduism, its religious doctrines, traditions and observances are very typical and inextricably linked to the culture and demographics of India. Hinduism has one of the most ethnically diverse bodies of adherents in the world. It is hard to classify Hinduism as a religion because the framework, symbols, leaders and books of reference that make up a typical religion are not uniquely identified in the case of Hinduism. Hinduism is almost 4,000 years old. Most commonly it can be seen as a "way of life" which gives rise to many other forms of religions.

Large tribes and communities indigenous to India are closely linked to the synthesis and formation of Hindu civilization. People of East Asian roots living in the states of north eastern India and Nepal were also a part of the earliest Hindu civilization. Immigration and settlement of people from Central Asia and people of Indo-Greek heritage have brought their own influence on Hindu society.

Diwali celebrations in Little India, Singapore.

The roots of Hinduism in southern India, and among tribal and indigenous communities is just as ancient and fundamentally contributive to the foundations of the religious and philosophical system.

Ancient Hindu kingdoms arose and spread the religion and traditions across Southeast Asia, particularly Thailand, Nepal, Burma, Malaysia, Indonesia, Cambodia, Laos, Philippines, and what is now central Vietnam. A form of Hinduism particularly different from Indian roots and traditions is practiced in Bali, Indonesia, where Hindus form 90% of the population. Indian migrants have taken Hinduism and Hindu culture to South Africa, Fiji, Mauritius and other countries in and around the Indian Ocean, and in the nations of the West Indies and the Caribbean.

See also[link]

• Hindu festivals
• Initiation in Hinduism
• Samskaram

Notes[link]

1. ^ India-Constitution:Religious rights Article 25:"Explanation II: In sub-Clause (b) of clause (2), the reference to Hindus shall be construed as including a reference to persons professing the Sikh, Jaina or Buddhist religion"
2. ^ CIA World Factbook - India Demographics 80.5% of 1.166 billion Indians are Hindus
3. ^ "Rig Veda: Rig-Veda, Book 10: HYMN LXXV. The Rivers". Sacred-texts.com. http://www.sacred-texts.com/hin/rigveda/rv10075.htm. Retrieved 2012-01-21. 
4. ^ "India", Oxford English Dictionary, second edition, 2100a.d. Oxford University Press.
5. ^ "Download Attachment". Sites.google.com. http://sites.google.com/site/sarasvati95/antiquityhindu.pdf?attredirects=0. Retrieved 2012-01-21. 
6. ^ Sharma, Jai Narain (2008-01-01). Encyclopaedia of eminent thinkers. ISBN 978-81-8069-500-1. http://books.google.com/?id=Dz-5B8_jMpEC&pg=PA59&dq=%22Brihaspati+Agama%22#v=onepage&q=%22Brihaspati%20Agama%22&f=false. 
7. ^ Thapar, R. 1993. Interpreting Early India. Delhi: Oxford University Press. p. 77
8. ^ Thompson Platts, John. A dictionary of Urdu , classical Hindī, and English. W.H. Allen & Co., Oxford University 1884 
9. ^ O'Conell, Joseph T. (1973). "The Word 'Hindu' in Gauḍīya Vaiṣṇava Texts". Journal of the American Oriental Society 93 (3): pp. 340–344. 
10. ^ David Lorenzen, Who Invented Hinduism? New Delhi 2006, pp. 24-33; Rajatarangini of Yonaraja : "Hinduka"
11. ^ ^{a b} Gavin, Flood. "Hare Krishna: Hinduism, Vaisnavism, and ISKCON: Authentic Traditions or Scholarly Constructions?". Cults and Society, Vol. 1, No. 1, 2001. http://www.icsahome.com/infoserv_articles/flood_gavin_hinduismvaisismandiskcon.htm. Retrieved 2008-05-11. 
12. ^ ^{a b} Basham 1999
13. ^ J.T.F. Jordens, "Medieval Hindu Devotionalism" in & Basham 1999
14. ^ Raymond Brady Williams (2004). Williams on South Asian Religions and Immigration: Collected Works. Ashgate Publishing Ltd.. ISBN 0-7546-3856-1. http://books.google.com/?id=nkVBOfE1KkAC&dq=swaminarayan+hare+krishna p.217
15. ^ Pandit, Bansi. Explore Hinduism. p. 27
16. ^ Maharishi Mahesh Yogi; On The Bhagavad Gita; A New Translation and Commentary With Sanskrit Text Chapters 1 to 6, Preface p. 9
17. ^ "Hinduism". Adherents.com. http://www.adherents.com/adh_branches.html#Hinduism. Retrieved 2010-09-01. 
18. ^ ^{a b} Supreme Court of India, "Bramchari Sidheswar Shai and others Versus State of West Bengal", 1995.
19. ^ Frykenberg, Robert. "The emergence of modern 'Hinduism' as a concept and as an Institution: A reappraisal with special reference to South India" in Hinduism reconsidered, Manohar, Delhi, 1989. ISBN 81-7304-385-X
20. ^ Hardy, F. "A radical assessment of the Vedic heritage" in Representing Hinduism: The Construction of Religious and National Identity, Sage Publ., Delhi, 1995.
21. ^ Flood, Gavin, "Establishing the boundaries" in Flood (2003), pp. 1-17.
22. ^ Muller, F. Max. Six Systems of Indian Philosophy; Samkhya and Yoga; Naya and Vaiseshika. 1899. This classic work helped to establish the major classification systems as we know them today. Reprint edition: (Kessinger Publishing: February 2003) ISBN 978-0-7661-4296-1.
23. ^ Sarvepalli Radhakrishnan and Charles A. Moore. A Source Book in Indian Philosophy. (Princeton University Press; 1957) Princeton paperback 12th edition, 1989. ISBN 0-691-01958-4.
24. ^ Swami Tattwananda. Vaisnava Sects, Saiva Sects, Mother Worship. (Firma KLM Private Ltd.: Calcutta, 1984). This work gives an overview of many different subsets of the three main religious groups in India.
25. ^ para 25, Committee of Management Kanya Junior High School Bal Vidya Mandir, Etah, Uttar Pradesh v. Sachiv, U.P. Basic Shiksha Parishad, Allahabad, U.P. and Ors., Per Dalveer Bhandari J., Civil Appeal No. 9595 of 2003, decided On: 21.08.2006, Supreme Court of India
26. ^ Savarkar, V. K. Hindutva, Hindi Sahitya Sadan, 2003. ISBN 81-88388-25-4
27. ^ Ram-Prasad, C. "Contemporary political Hinduism" in Blackwell companion to Hinduism, Blackwell Publishing, 2003. ISBN 0-631-21535-2

References[link]

• Flood, Gavin (Editor) (2003). The Blackwell Companion to Hinduism. Malden, MA: Blackwell Publishing Ltd.. ISBN 1-4051-3251-5. 
• Radhakrishnan, S.; Moore, CA (1967). A Sourcebook in Indian Philosophy. Princeton. ISBN 0-691-01958-4. 
• Tattwananda, Swami (1984). Vaisnava Sects, Saiva Sects, Mother Worship. Calcutta: Firma KLM Private Ltd..  First revised edition.

Further reading[link]

• Dass, Baboo Ishuree (1860). Domestic manners and customs of the Hindoos of northern India, or, more strictly speaking, of the north west provinces of India.. Medical Hall Press, Benares. http://www.archive.org/stream/domesticmanners00dassgoog#page/n5/mode/2up. 

Ravi Shankar
Shankar performs in Delhi in March 2009
Background information
Birth name	Robindro Shaunkor Chowdhury
Born	(1920-04-07) 7 April 1920 (age 92) Varanasi, United Provinces, Indian Empire
Genres	Hindustani classical music
Occupations	composer, musician
Instruments	sitar
Years active	1939–present
Associated acts	Uday Shankar, Allauddin Khan, Ali Akbar Khan, Lakshmi Shankar, Yehudi Menuhin, Chatur Lal, Alla Rakha, George Harrison, Anoushka Shankar, Beatles
Website	RaviShankar.org

Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to with the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the most known contemporary Indian musician by Hans Neuhoff in Musik in Geschichte und Gegenwart.^[1]

Shankar was born in Varanasi and spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honor, the Bharat Ratna, in 1999, and received three Grammy Awards. He continues to perform in the 2000s, often with his daughter Anoushka.

Early life[link]

Shankar was born 7 April 1920 in Varanasi to a Bengali Brahmin family as the youngest of seven brothers.^[2][3][4] Shankar's Bengali birth name was Robindro Shaunkor Chowdhury.^[2] His father, Shyam Shankar, an administrator for the Maharaja of Jhalawar, used the Sanskrit spelling of the family name and removed its last part.^[2][5] Shyam was married to Shankar's mother Hemangini Devi, but later worked as a lawyer in London.^[2] There he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old.^[2] Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun".^[2]

At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.^[6][7] By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments.^[3][4] Uday's dance group toured Europe and America in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, and cinema, and became acquainted with Western customs.^[8] Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group's soloist for a tour of Europe.^[8] Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.^[8]

Career[link]

Training and work in India[link]

Shankar's parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II.^[9] Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system.^[6] Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar.^[6][10] He often studied with Khan's children Ali Akbar Khan and Annapurna Devi.^[9] Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.^[11]

Shankar completed his training in 1944.^[3] Following his training, he moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946.^[3][12] Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25.^[13][14] He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956.^[3] Shankar founded the Indian National Orchestra at AIR and composed for it; his compositions experimented with a combination of Western instruments and classical Indian instrumentation.^[15] Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.^[4][16]

International career 1956–1969[link]

Tabla player Alla Rakha, who was a frequent accompanist of Shankar, in 1988

V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.^[17] Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.^[18][19] Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead.^[19] Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.^[20]

Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.^[21] He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956.^[21] In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris.^[12] From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films.^[12] Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role.^[21] Shankar founded the Kinnara School of Music in Mumbai in 1962.^[22]

Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label.^[21] The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of The Beatles.^[23] Harrison became interested in Indian classical music, bought a sitar and used it to record the song "Norwegian Wood (This Bird Has Flown)".^[24] This led to Indian music being used by other musicians and created the raga rock trend.^[24]

Harrison met Shankar in London in 1966 and visited India for six weeks to study sitar under Shankar in Srinagar.^[14][25][26] During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971.^[27] Shankar's association with Harrison greatly increased Shankar's popularity and Ken Hunt of Allmusic would state that Shankar had become "the most famous Indian musician on the planet" by 1966.^[3][25] In 1967, he performed at the Monterey Pop Festival and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin.^[25][28] The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper's Lonely Hearts Club Band which included "Within You Without You" by Harrison, a song that was influenced by Indian classical music.^[26][28] Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, California, in May 1967, and published an autobiography, My Music, My Life, in 1968.^[12][22] He performed at the Woodstock Festival in August 1969, and found he disliked the venue.^[25] In the 1970s Shankar distanced himself from the hippie movement.^[29]

International career 1970–present[link]

George Harrison, U.S. President Gerald Ford, and Ravi Shankar in the Oval Office in December 1974

In October 1970 Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music.^[12][30][31] In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar; Concerto for Sitar and Orchestra was performed with André Previn as conductor and Shankar playing the sitar.^[4][32] Hans Neuhoff of Musik in Geschichte und Gegenwart has criticized the usage of the orchestra in this concert as "amateurish".^[1] George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated.^[25] Interest in Indian music had decreased in the early 1970s, but the concert album became one of the best-selling recordings featuring it and won Shankar a second Grammy Award.^[28][31]

During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India.^[33] The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.^[34] In his absence, Shankar's sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra.^[34] The touring band visited the White House on invitation of John Gardner Ford, son of U.S. President Gerald Ford.^[34] Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981.^[35][36] Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams' E.T.^[37] He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.^[14][38] Shankar composed the dance drama Ghanashyam in 1989.^[22] His liberal views on musical cooperation led him to collaboration with contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.^[6]

Shankar underwent an angioplasty in 1992 due to heart problems, after which George Harrison involved himself in several of Shankar's projects.^[39] Because of the positive response to Shankar's 1996 career compilation In Celebration, Shankar wrote a second autobiography, Raga Mala, with Harrison as editor.^[39] He performed in between 25 and 40 concerts every year during the late 1990s.^[6] Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regent's Lecturer at University of California, San Diego.^[40] In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002.^[28][41] Anoushka performed a composition by Shankar for the 2002 Harrison memorial Concert for George and Shankar wrote a third concerto for sitar and orchestra for Anoushka and the Orpheus Chamber Orchestra.^[42][43] In June 2008, Shankar played what was billed as his last European concert,^[29] but his 2011 tour includes dates in the United Kingdom.^[44]

Style and contributions[link]

Shankar plays the raga Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s

Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.^[6] His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.^[6] Shankar often closes his performances with a piece inspired by the light-classical thumri genre.^[6]

Shankar has been considered one of the top sitar players of the second half of the 20th century.^[1] He popularized performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that uses quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string.^[1][6] Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles.^[45] Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages.^[1] Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music.^[1] Shankar promoted the jugalbandi duet concert style and introduced new ragas, including Tilak Shyam, Nat Bhairav and Bairagi.^[6]

Recognition[link]

Shankar won the Silver Bear Extraordinary Prize of the Jury at the 1957 Berlin International Film Festival for composing the music for the movie Kabuliwala.^[46] He was awarded the Sangeet Natak Akademi Award for 1962,^[47] and was named a Fellow of the academy for 1975.^[48] Shankar was awarded the three highest national civil honors of India: Padma Bhushan, in 1967, Padma Vibhushan, in 1981, and Bharat Ratna, in 1999.^[49] He received the music award of the UNESCO International Music Council in 1975, three Grammy Awards, and was nominated for an Academy Award.^[12][28][37] Shankar was awarded honorary degrees from universities in India and the United States.^[12] He received the Kalidas Samman from the Government of Madhya Pradesh for 1987–88, the Fukuoka Asian Culture Prize in 1991, the Ramon Magsaysay Award in 1992, and the Polar Music Prize in 1998.^{[50][51][52][53]} In 2001, Shankar was made an Honorary Knight Commander of the Order of the British Empire by Elizabeth II for his "services to music".^[54] Shankar is an honorary member of the American Academy of Arts and Letters and in 1997 received the Praemium Imperiale for music from the Japan Art Association.^[6] The American jazz saxophonist John Coltrane named his son Ravi Coltrane after Shankar.^[55]

Personal life and family[link]

Shankar in 1988

Shankar married Allauddin Khan's daughter Annapurna Devi in 1941 and a son, Shubhendra Shankar, was born in 1942.^[10] Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s.^[56] An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.^[56] In 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan, whom Shankar had known since the 1970s.^[56] After separating from Kamala Shastri in 1981, Shankar lived with Sue Jones until 1986. He married Sukanya Rajan in 1989.^[56]

Shubhendra "Shubho" Shankar often accompanied his father on tours.^[57] He could play the sitar and surbahar, but elected not to pursue a solo career and died in 1992.^[57] Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003.^[58] Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003.^[58]

Shankar is a Hindu and a vegetarian.^[59][60] He lives with Sukanya in Encinitas, California.^[61]

Discography[link]

Bibliography[link]

• Shankar, Ravi (1968). My Music, My Life. Simon & Schuster. ISBN 0-671-20113-1. 
• Shankar, Ravi (1979). Learning Indian Music: A Systematic Approach. Onomatopoeia. OCLC 21376688. 
• Shankar, Ravi (1997). Raga Mala: The Autobiography of Ravi Shankar. Genesis Publications. ISBN 0-904351-46-7. 

Notes[link]