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A sequel is a narrative, documental, or other work of literature, Movie, Cinema, or song that continues the story of or expands upon issues presented in some previous work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as a previous work, usually chronologically following the events of that work.^[1]

In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear in a number of stories. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not.

Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.^[2]

In movies, sequels are common. There are many name formats for sequels. Usually, they either have unrelated titles, such as The Jewel of the Nile, the sequel to Romancing the Stone, or the same title as the original, but with a number added, as in Lethal Weapon 2, sequel to Lethal Weapon. Sometimes such titles have subtitles as well (e.g. Home Alone 2: Lost in New York). It is also common for a sequel to have a variation of the original title (such as Men of Boys Town, sequel to Boys Town). In the 1930s, many musical sequels had the year included in the title (Gold Diggers of 1933), in the style of Broadway revues such as the Ziegfeld Follies.

Chronologies[link]

There are a number of ways that subsequent works can be related to the chronology of the original. Various neologisms have been coined to describe them.

Sequel[link]

The most common approach is for the events of the second work to directly follow the events of the first, either picking up dangling plot threads or introducing a new conflict to drive the events of a second story.

Prequel[link]

A sequel that portrays events which precede those of the original work is called a "prequel." These can often avoid the plot problems associated with having to deal with the consequences of the original (e.g. the death of an important character). However, they pose the challenge of maintaining dramatic interest when the outcome is already known from the original work, so the focus is usually on the character interactions or revealing how the characters and situations of the original work developed. Examples are

• Butch and Sundance: The Early Days, recognized as one of the first film prequels, takes place before Butch Cassidy and the Sundance Kid.
• Indiana Jones and the Temple of Doom, the second film, takes place before Raiders of the Lost Ark.
• Star Wars episodes I, II and III, the "prequel trilogy". The original trilogy comprised episodes IV-VI, in a sequence that was partially planned before the release of the first film. (See also Episode IV opening crawl.)
• Castlevania III: Dracula's Curse takes place in 1476, whereas the first and second game takes place in 1691 and 1698 respectively.
• the Yoshi's Island video games, that follow the Super Mario World games (as Yoshi's Island began with Super Mario World 2: Yoshi's Island) but take place before the events of the Mario franchise, when the Mario Bros. were babies.
• Scooby-Doo! The Mystery Begins, a story of how the "Mystery Inc." met.

Interquel[link]

When there are already two or more completed works, an interquel can portray events that happened between them, bridging one story to the other.^[3] The interquel is therefore a sequel to one work and a prequel to another.

For example, the video game Metroid Prime and its sequels were released after Metroid and Metroid II, but take place between them. Another example is Banjo-Kazooie: Grunty's Revenge which took place in the middle of Banjo Kazooie and Banjo Tooie, but was released after them.

In film, the short film Rings bridges the events of The Ring and The Ring Two. This is more common in ancillary works in other media rather than works in a popular series. For example, the novel The Godfather Returns takes place between the events of the films The Godfather and The Godfather Part II, and the story of the 2008 animated film Star Wars: The Clone Wars (as well as the series) takes place between Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith.

Midquel[link]

A midquel is a sequel which can take place during a chronology gap within a single previously completed work.^{[citation needed]} For example, the Narnia book The Horse and His Boy takes place during the reign of the Pevensie children, which happens towards the end of The Lion, the Witch and the Wardrobe. Other midquels would be the films Bambi II, which starts out shortly after the death of the young deer's mother in Bambi but before the later scenes in which he is an adult. The video game Resident Evil 2 takes place during a brief interlude in its sequel Resident Evil 3: Nemesis; the video game Daxter takes place during a two-year gap in Jak II, between the moments when the character of Jak is taken prisoner and when he is rescued. The film Saw IV takes place during the events of Saw III. The game Halo 3: ODST takes place during the events of Halo 2 from an Orbital Drop Shock Trooper's perspective on Earth. In the Star Wars Expanded Universe, The Han Solo Adventures take place entirely within the events of the novel Rebel Dawn, which itself ends after the start of A New Hope. The game Kingdom Hearts 358/2 Days takes place during Kingdom Hearts, Kingdom Hearts: Chain of Memories, and, briefly, there is a scene which ends it at the start of Kingdom Hearts II. .

Parallel[link]

A Parallel can portray the events of a previously completed work from another perspective.^{[citation needed]} As with a prequel, the focus is not on the outcome, but on the characters and previously unrevealed information. For example, the novel Ender's Shadow covers the events of the previous novel Ender's Game from the point of view of a supporting character in the original. The film The Lion King 1½ is a "parallel" of The Lion King; the same story is told, only from the point of view of Timon and Pumbaa, secondary characters in the original film. Similarly, the animated short BURN-E found as a special feature on the WALL-E DVD, tells the story of a maintenance robot set during, and interacting with, the events of the feature presentation. The first three novels in author E. E. Knight's Age of Fire series all take place at the same time, yet each book is told from a different character's point of view, the first, Dragon Champion, from grey scaleless dragon Auron's; the second, Dragon Avenger, from his sister Wistala; and the third, Dragon Outcast, from his unnamed copper brother. The video game Grand Theft Auto IV's expansions, The Lost and Damned and The Ballad of Gay Tony feature events that occur concurrently with the main storyline, from the perspectives of two new protagonists, with their three respective stories intersecting at various points.

Back to the Future Part II played around with the parallel concept by having the protagonist, Marty McFly, go back in time and watch the events of the first movie from a different angle, while never actually changing the effects of what happened.

Tom Stoppard's "Rosencrantz and Guildenstern Are Dead" retells the events of Shakespeare's "Hamlet" from the point of view of what were minor characters in the original play.

American Girl's Marie-Grace and Cécile series are told from the perspectives of the two eponymous protagonists, with the books telling the story from the perspectives of either of the two.

Distant[link]

Sometimes there is a large chronological interval between the events in a completed work and its sequel. This can allow the creators additional freedom, since the characters and settings will not be expected to have as much in common. A distant sequel allows time for new conflicts to develop, and a distant prequel need not directly establish the setting for the original. Speaker for the Dead is an extreme example of this, set 3,000 years after the novel Ender's Game. Some of the sequels and prequels in the Chronicles of Narnia series are separated by centuries in the chronology of the fantasy land or decades in the chronology of the real world. The series Star Trek: The Next Generation follows the events of the original Star Trek by nearly a century. The Legend of Zelda video game series takes place over several hundred years, with many installments featuring various reincarnations of the characters Link and Zelda, who fight the antagonist Ganon, though some games are direct continuations of others. Some issues of the Tales of video game franchise, namely Tales of Symphonia immediately followed by its sequel, Dawn of the New World, and Tales of Phantasia, take place in the same location but very spaced in time. The video game Mother 3 takes place in an era very distant from Mother 2, though it is never stated exactly how long. In this example, only 2 characters return via time travel, with others only mentioned vaguely. More moderate chronological distances can result from works being set in "the present" but released years apart, such as The Terminator and its sequels, released in 1984, 1991, 2003 and 2009.

Spin-off[link]

A variety of sequel that allows substantial creative freedom is one that is set in the same fictional universe as the original work, but with unrelated plots, and sometimes unrelated characters. One example of this is the The Cleveland Show, which is based on Family Guy. The Cleveland Show follows a different character and storyline, but are set in the same fictional universe. Many of Kevin Smith's films take place in the same continuity, commonly referred to as the View Askewniverse, after his production company, although most feature characters only loosely connected to each other, like most characters common association with characters Jay and Silent Bob and having grown up in the same town, characters also frequently reference prominent events from other movies in passing. Screenwriter David Peoples described his film Soldier as a "sidequel" to Blade Runner (which he co-wrote)^{[citation needed]}. When done with the intention of launching a new series of stories, these are often called "spin-offs."The Scorpion King is a spin-off of The Mummy Returns.

Companion piece[link]

A companion piece is a creative work that is produced as a complementary work to another stand-alone project, but storywise has nothing to do with its predecessor. While a companion piece does not necessarily need to take place within the same "universe" as the predecessor, it must follow-up on specific themes and ideas introduced in the original work. It must also be intentionally meant by its creator to be viewed alongside or within the same context as the earlier work. Examples would include Letters from Iwo Jima (Clint Eastwood's companion piece to his earlier picture, Flags of Our Fathers) which saw the same events taking place from a different perspective, the Road to... pictures starring Bing Crosby, Dorothy Lamour, and Bob Hope, and films featuring the Three Stooges, the Marx Brothers, or the Tramp. Another example is Stephanie Meyer's Midnight Sun which is a project that has been on hold. Another would be Fantasia 2000, which uses the basic ideas of and some elements from Fantasia.

Reboot[link]

A reboot is a term often used for a sequel that is not in continuity with the episode or episodes that were released before it. It is often used in media franchises; for example, the Batman film series with Batman Begins, the Spider-Man film series' upcoming 2012 film, and the Star Trek film series with the 2009 film, Star Trek. In television, the 2004 TV series Battlestar Galactica was termed a "reimagining" of the original 1978 series. It has also been used for the Spyro video game series with a reboot known as The Legend of Spyro.

Stand-alone sequels[link]

When sequels are set in the same universe but have little or no reference to their predecessors, the work is called a stand-alone sequel. This is often the case of direct-to-video films that follow up on semi-successful works, though there are some mainstream films that are stand-alone. Examples include White Noise: The Light, Son of the Mask, Shock Treatment, Boogeyman 2, Home Alone 3, Like Mike 2: Streetball, Evan Almighty, The X-Files: I Want to Believe, Another Cinderella Story, A Cinderella Story: Once Upon a Song, Grease 2, Mean Girls 2, George A. Romero's subsequent Dead sequels after Night of the Living Dead, and City of Men. Another example would be the Sherlock Holmes series by Sir Arthur Conan Doyle. Each of the original stories exist in the same universe, but are all treated as stand alone adventures and can be read in almost any order. A notable example in video games is the Quake series as well as many of the games in the Final Fantasy series, Legend of Zelda series and the Super Mario series. These works often do not require viewers to encounter the previous installments in order to understand them.

History[link]

It is impossible to say for sure when the history of the sequel begins, as the concept of the sequel in its loosest definition has presumably existed since the advent of storytelling itself. In The Afterlife of a Character, David Brewer coined the term “imaginative expansion” to describe a reader’s desire to “see more,” or to know what happens next in a narrative after it has ended.^[4] This capacity for expansive curiosity is certainly not restricted to a particular era in human history. Indeed, we can point to Homer’s ‘’Odyssey’’ as a sequel to the ‘’Iliad’’ in the sense that it expands upon plot and character elements established in the first text. That both the Odyssey and the Iliad were written in the 8th century B.C.E. and are traditionally held to represent the first extant works of western literature lends credence to the ubiquity of sequels in literary history. The Judeo-Christian Bible is also a common referent in that sense; many of the works included in the Hebrew Scriptures can be classified as sequels in that they continue and expand on a very general narrative that is pre-established by previous books in the same collection. In addition, the development of an official canon allows for the distinction between official and unofficial sequels; in this context, apocrypha might be considered an early form of informal sequel literature. Sequels, then, become an important facet of Western literature throughout history. The medieval genre of Romance, in particular, contains massive networks of prequel and sequel literature.

Sequels of the novel[link]

The origin of the sequel as we think of it today developed from the novella and romance traditions in a slow process that culminated towards the end of the 17th century (see: novel).

The substantial shift towards a rapidly growing print culture and the rise of the market system by the early 18th-century meant that an author’s merit and livelihood became increasingly linked to the number of copies of a work he or she could sell. This shift to a text-based to an author-centered reading culture^[5] led to the “professionalization” of the author— that is, the development of a “sense of identity based on a marketable skill and on supplying to a defined public a specialized service it was demanding.”^[6] In one sense, then, sequels became a means to profit further from previous work that had already obtained some measure of commercial success.^[7] As the establishment of a readership became increasingly important to the economic viability of authorship, sequels offered a means to establish a recurring economic outlet.

In addition to economic profit, the sequel was also used as a method to strengthen an author’s claim to his literary property. With weak copyright laws and unscrupulous booksellers willing to sell whatever they could, in some cases the only way to prove ownership of a text was to produce another like it. Sequels in this sense are rather limited in scope, as the authors are focused on producing “more of the same” to defend their “literary paternity.”^[8] As is true throughout history, sequels to novels provided an opportunity for authors to interact with a readership. This becomes especially important in the economy of the 18th century novel, in which an author needed to draw readers back with the promise of more of what they liked from the original in order to maintain readership. With sequels, therefore, came the implicit division of readers by authors into the categories of “desirable” and “undesirable”—that is, those that interpret the text in a way unsanctioned by the author. Only after having achieved a significant reader base would an author was free to alienate or ignore the “undesirable” readers.^[9]

This concept of “undesirable” readers extends to unofficial sequels with the 18th century novel. While in certain historical contexts unofficial sequels were actually the norm (for an example, see Arthurian literature), with the emphasis on the author function that arises in conjunction with the novel many authors began to see these kinds of unauthorized extensions as being in direct conflict with authorial authority. With Don Quixote (an early novel, perhaps better classified as a satirical romance), for example, Cervantes disapproved of Alonso Fernández de Avellaneda’s use of his characters in “Second Volume of the Ingenious Gentleman Don Quixote of La Mancha,” an unauthorized sequel. In response, he very firmly kills the protagonist at the end of the Second Part to discourage any more such creative liberties.^[10] Another example is Samuel Richardson, an 18th-century author that responded particularly strongly against the appropriation of his material by unauthorized third parties. Richardson was extremely vocal in his disapproval of the way the protagonist of his novel ‘’Pamela’’ was repeatedly incorporated into unauthorized sequels featuring particularly lewd plots. The most famous of these is Henry Fielding’s parody, entitled “Shamela.”^[11]

Gender and The 18th Century Sequel[link]

In “To Renew Their Former Acquaintance: Print, Gender, and Some Eighteenth Century Sequels” Betty Schellenburg theorizes that whereas for male writers in the 18th century sequels often served as “models of paternity and property,” for women writers these models were more likely to be seen as transgressive. Instead, the unique recurring readership created by sequels allowed female writers to function within the model of “familiar acquaintances reunited to enjoy the mutual pleasures of conversation,” which allowed writing to be perceived as an “activity within a private, non-economic sphere.” Ironically, of course, it was through this created perception that women writers were able to break into the economic sphere and “enhance their professional status” through authorship.^[12]

Dissociated from the motives of profit and therefore unrestrained by the need for continuity felt by male writers, Schellenburg argues that female-authored sequel fiction tended to have a much broader scope. Women writers showed an “innovative freedom” that male writers rejected in order to “protect their patrimony.” For example, Sarah Fielding Sarah Fielding’s Adventures of David Simple and its sequels Familiar Letters between the Principle Characters in David Simple and David Simple, Volume the Last are extremely innovative and cover almost the entire range of popular narrative styles of the 18th century.^[13]

Videogames[link]

Sequels in videogames started in the early 1980s (for example, games such as Super Pac-Man in 1982). As software development costs have increased,^[14][15] sequels have become increasingly important for the video game industry, as they provide a way to resell a product, reusing code and graphics.

Media franchises[link]

In some cases, the characters or setting of an original film or video game become so valuable that they develop into a media franchise. Generally a whole series of sequels is made, along with merchandising. Multiple sequels are often planned well in advance and actors and directors may sign extended contracts to ensure their participation.

This can extend into a franchise's initial production's plot in order to provide story material to develop for sequels called sequel hooks. For instance, the film Kung Fu Panda begins with Po, a giant panda, somehow having a goose for a father and the story deliberately avoids giving a definitive explanation of how that is possible. Po's quest to answer that question forms part of the plot of Kung Fu Panda 2, which in turn establishes Po and Tigress' deepening relationship and the last minute appearance of a supposedly dead species as story material for the next film.

Box office impact vs. original movie[link]

Although movie sequels do not always do as well at the box office as the original, they tend to do much better than non-sequels, according to a study in the July 2008 issue of the Journal of Business Research. The shorter the period between releases, the better the sequel will do at the box office. Sequels also show a faster drop in weekly revenues relative to non-sequels.^[16]

Media shifting[link]

Sequels are most often produced in the same medium as the previous work (e.g. a film sequel is usually a sequel to another film). Producing sequels to a work in another medium has recently become common, especially when the new medium is less costly or time-consuming to produce.

A sequel to a popular but discontinued television series may be produced in another medium, thereby bypassing whatever factors led to the series cancellation. Noteworthy examples include the Star Trek films, Serenity (based on the Firefly series), and Twin Peaks: Fire Walk with Me. The Buffy the Vampire Slayer television series was continued after ending its run in 2003 for another "season" as a comic book. The Buffy series was itself a continuation of the unsuccessful film Buffy the Vampire Slayer. The Gargoyles television series' comic book series, written by series creator, Greg Weisman, was written with a specific agenda to supplant the events of the television property's derided Goliath Chronicles phase.

Some highly popular movies and television series have inspired the production of multiple novel sequels, sometimes rivaling or even dwarfing the volume of works in the original medium. An ongoing series of novels (largely interquels) begun in the 1970s were based on the original Star Trek series, with more following with the sequel films and TV series. The novels and graphic novels in the Star Wars Expanded Universe are sequels, prequels, and interquels to the films.

Computer games are an increasingly common medium for sequels to films. The Matrix Online, Stranglehold, and Scarface: The World Is Yours are sequels to the films The Matrix, Hard Boiled, and Scarface, respectively.

Whether these alternate-medium sequels are considered canonical, varies. Bungie Studios, the developer of the Halo video games, considers the novel sequels to be canonical. The novels, comics, video games, and other media that comprise the Star Wars Expanded Universe are divided into tiers of canonicity by Lucasfilm, the films' production company, though the subject is often debated amongst fans. Likewise, novel sequels to the film Blade Runner are authorized and officially considered canonical, but the issue is also a topic of debate amongst fans.

Unofficial sequels[link]

Sometimes sequels are produced without the consent of the creator of the original work. These may be dubbed unofficial, informal, unauthorized, or illegitimate sequels. In some cases, the work is in the public domain, and there is no legal obstacle to producing sequels, for example Jean Rhys wrote Wide Sargasso Sea as a parallel to Jane Eyre. In other cases, the original creator or their heirs may assert copyrights and challenge the creators of the sequels. For example, the estate of Margaret Mitchell sued over Alice Randall's novel The Wind Done Gone, a parallel of Gone with the Wind told from the perspective of the slaves; it was successfully defended as parody. Unofficial sequels to works that are still under copyright may change the names of the characters and alter the settings in an attempt to avoid legal action.

Other examples of such unofficial sequels include:

Novels[link]

• Cosette: The Sequel To Les Misérables by Laura Kalpakian, created as a sequel to Victor Hugo's novel Les Misérables. Cosette or the Time of Illusions and Marius or The Fugitive by François Cérésa, were also created as sequels to this novel.
• Psychohistorical Crisis by Donald Kingsbury was created as a sequel to Isaac Asimov's Foundation trilogy.
• The children novels Le petit prince retrouvé (The Little Prince Returns), The Return of the Little Prince, Les nouvelles aventures du petit prince (The New Adventures of the Little Prince) and Mały Książę i Róża (The Little Prince and the Rose) were based on Antoine de Saint-Exupéry's The Little Prince.

Films[link]

• Happily Ever After was created as a sequel to Disney's Snow White and the Seven Dwarfs.
• War, Inc., has been described by John Cusack as an informal sequel to Grosse Pointe Blank, as both films are dark comedies which feature Cusack playing a hitman.
• 20th Century Fox's Beyond the Valley of the Dolls (1970), was originally conceived as an official sequel to the studio's earlier hit Valley of the Dolls (1967). The first script written for Beyond included at least two of the characters from the original. Jacqueline Susann, author of the original Valley of the Dolls novel, objected to the studio making a sequel without her involvement and subsequently sued the studio. The names of the characters were changed and the actors who were in line to portray them again were released from the project. Beyond ended up needing a disclaimer at the beginning of the film and on all posters stating it was not a sequel, though much of the spirit was in the same vein as the original, with occasional references in costumes and dialogue.
• Return to Oz was incorrectly thought to be a sequel to Victor Fleming's 1939 film, The Wizard of Oz. However, it was never intended to be assumed that way.

Titles[link]

The producers of sequels have taken a variety of approaches to titling their works.

In the early years of film, sequels were generally given titles similar to the original and usually made use of the main character's name. When the William Powell-Myrna Loy mystery film The Thin Man (1934) turned out to be a hit, the studio produced several more films featuring the characters, such as After the Thin Man and The Thin Man Goes Home, even though the original "thin man" was the subject of the mystery and not the detective. After the success of A Family Affair (1937), there came a whole series of films starring Mickey Rooney reprising the Andy Hardy character in titles such as Love Finds Andy Hardy and Andy Hardy Meets Debutante.

On the other hand, early sequels in world cinema often lacked any particular naming schemes. For example, the three films in Satyajit Ray's The Apu Trilogy (1955–1959) had unrelated titles: Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu). Similarly, Akira Kurosawa's Sanjuro (1962) also had an unrelated name from its predecessor Yojimbo (The Bodyguard) (1961). Sergio Leone's Dollars Trilogy also lacked a naming scheme for its titles: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966).

The James Bond franchise stuck to the titles of Ian Fleming's novels until they ran out, then fashioned new titles with similar forms, none of which use the name "James Bond 007" or a number. The Pink Panther series started out with a different title for each (The Pink Panther, A Shot in the Dark, Inspector Clouseau) in the 1960s. When the series was later resumed, the new approach was to append phrases to The Pink Panther, many of which came from classic horror films, i.e. Son of Frankenstein, The Mummy's Curse. Even if the actual Pink Panther diamond that the series takes its name from is not involved in a given sequel, they were named The Return of the Pink Panther, The Pink Panther Strikes Again, Revenge of the Pink Panther, Trail of the Pink Panther, Curse of the Pink Panther, and Son of the Pink Panther to clearly associate them with each other.

Numbered sequels (particularly using Roman numerals) became very popular in films and video games in the 1970s and 1980s. The Godfather Part II (1974) was the first major motion picture to use Part II in the title. The success of The Godfather, Part II began the Hollywood tradition of numbered sequels; the first sequel to designate itself as such simply by using a number in the title was 1975's French Connection II, and the trend continued with films such as Rocky II, Jaws 2 and Halloween II. Occasionally, a homophonous word is substituted for the number, such as in the case of Look Who's Talking Too, the sequel to Look Who's Talking, or the upcoming film Fletch Won, which is a prequel to the film Fletch. As sequels developed a reputation of being inferior to the original works, the numbering of sequels became less common, or sometimes used for humorous effect. Naked Gun 33⅓: The Final Insult is simply the third in the Naked Gun series. Leonard Part 6 had no predecessors, while History of the World, Part I was made with no intention for a sequel. Many sequels use subtitles instead of numbers or in addition to them, such as Resident Evil: Apocalypse, Underworld: Evolution, X-Men: The Last Stand, and Star Trek II: The Wrath of Khan. In other cases, sequels use titles similar to their predecessors, such as Analyze This sequel Analyze That, Meet the Parents sequel Meet the Fockers, and Night of the Living Dead sequel Dawn of the Dead. Some such titles give a playful nod to the numbering practice, as with The Whole Nine Yards sequel The Whole Ten Yards, 101 Dalmatians sequel 102 Dalmatians, or Ocean's Eleven sequels Ocean's Twelve and Ocean's Thirteen.

Throughout this period of numbered sequels, like-named sequels remained somewhat popular, and sometimes the original film was renamed when it was released on home video to match the naming of the sequels. What was once known as Star Wars is now known as Star Wars Episode IV: A New Hope. Similarly, Raiders of the Lost Ark is known in its current video release as Indiana Jones and the Raiders of the Lost Ark to better align it with its prequel and sequel, and the DVD of Pitch Black was renamed The Chronicles of Riddick: Pitch Black to help promote it as a predecessor to its sequel The Chronicles of Riddick.

With the rise of pre-planned series such as The Lord of the Rings, filmmakers turned more to long titles that include the franchise name and the title of the film separated by a colon. Examples of these include Pirates of the Caribbean: The Curse of the Black Pearl and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.

Sequel-naming in translation varies. Following the success of Home Alone in Germany (German title: Allein zu Haus, or Alone at Home), some of Macaulay Culkin's other films were retitled to capitalize on the success (Uncle Buck became Allein mit Onkel Buck, or Alone with Uncle Buck), even though the two films were not linked in the same continuity. When Dawn of the Dead was released in Italy under the title Zombi, a similar but unrelated Italian film was in production, which was released as Zombi 2.

Numbers in the titles of sequels sometimes indicate the order in which the sequel was produced, regardless of the chronological events in the story. For example, the video game Devil May Cry 3 was the third title in the Devil May Cry series to be produced, though it is a prequel that takes place before the events of Devil May Cry and Devil May Cry 2. Devil May Cry 4 is set between the original game and Devil May Cry 2. However, while the sequel to the Japanese movie Ring was called Ring 2, the subsequent prequel was Ring 0.

Occasionally a work is designated as a sequel to an unrelated but similar work strictly for marketing purposes. After releasing the computer game Quake, developer id Software decided to name its next game Quake II, despite the fact that the two games are completely unrelated. Quake III is also unrelated to either of the previous Quake games, although Quake 4 continues the story of Quake II. A further example is Capcom's Street Fighter 2010, which had nothing to do with any of the other Street Fighter games.

In recent years, many sequels have been given the name of the title character, to imply a new beginning for a series. This is commonly known as a "Stallone," for the actor who has given such outstanding examples of this nomenclature. The sixth Rocky film was titled Rocky Balboa; the fourth Rambo movie, following on from First Blood, Rambo: First Blood Part II, and Rambo III was called Rambo in North America and John Rambo in many, but not all, international markets. Another example of a film to utilize a "Stallone" is the sixth St Trinian's film, titled St Trinian's. In a similar trend, the third sequel to The Fast and the Furious was simply named Fast & Furious, while the fourth sequel to Final Destination was named The Final Destination.

Yet another form of titling is the use of the plural version of the original work's title, as in Aliens, the sequel to Alien, and Predators, a sequel to Predator.

Though very seldom, a proper sequel, and not a reboot, may have exactly the same title as the original work, with none of the variations mentioned above. The 2009 film Star Trek, is one such case; by means of a time travel plot it is at once a prequel, sequel and reboot to the 1960's television series of exactly the same name. An even clearer example is the 2011 film The Thing, which is a prequel to the 1982 film with the exact same title.^[17] Likewise, the 2006 video game Sonic the Hedgehog is set later in the same continuity as the first game in the series, 1991's Sonic the Hedgehog. This is slightly more common in the world of music - artists as varied as Led Zeppelin, Weezer and Peter Gabriel have all followed up successful self-titled albums with another by the same name. Fans typically refer to them either by numerals (e.g., Led Zeppelin IV, Peter Gabriel 3) or by cover artwork content (e.g., The Green Album or Melt).

See also[link]

• Cliffhanger
• Film series
• List of video game franchises
• List of film sequels by box-office improvement
• List of the longest gaps between film sequels
• Prequel
• Spiritual successor
• Tetralogy
• Trilogy

References[link]

Further reading[link]

• Carolyn Jess-Cooke, Constantine Verevis (2010), Second takes: critical approaches to the film sequel, SUNY Press, ISBN 9781438430294 

External links[link]

Look up sequel or threequel in Wiktionary, the free dictionary.

• Slate: "The Midas Formula (How to create a billion-dollar movie franchise)"
• Box Office Mojo: Film franchise earning comparison

Jimmy Fallon
Jimmy Fallon, 2010
Birth name	James Thomas Fallon, Jr.
Born	(1974-09-19) September 19, 1974 (age 37) Brooklyn, New York, U.S.
Medium	Stand-up, music, television, film
Nationality	American
Years active	1990–present
Genres	Satire/political satire/news satire, observational comedy, musical comedy, surreal humor, awkward
Subject(s)	American culture, American politics, pop culture, current events, mass media/news media
Influences	Dana Carvey, Robin Williams
Spouse	Nancy Juvonen (2007–present)
Notable works and roles	Saturday Night Live Late Night with Jimmy Fallon (host, 2009–present)

James Thomas "Jimmy" Fallon, Jr. (born September 19, 1974) is an American actor, comedian, singer, musician and television host. He currently hosts Late Night with Jimmy Fallon, a late-night talk show that airs Monday through Friday on NBC. Prior to that he appeared in several films, and was best known as a cast member on Saturday Night Live from 1998–2004.

Early life[link]

James Thomas Fallon, Jr., was born in Brooklyn, New York. Jimmy is the son of Gloria and James Fallon, Sr.,^[1] who is a Vietnam War veteran.^[2] His family later settled in Saugerties, New York, while his father worked at IBM in nearby Kingston, New York. He is of Irish descent.^[3] As a child, he and his older sister, Gloria, would reenact the “clean parts” of Saturday Night Live that his parents had taped for him.^[4] Fallon was such a fan of Saturday Night Live that he made a weekly event of watching it in his dormitory during college. In his teens, he impressed his parents with different impersonations, the first being of James Cagney.^[5][6] He was also musically inclined, and started playing guitar at age 13. He would go on to mix comedy and music in contests and shows.^[6]

Education[link]

Fallon attended St. Mary of the Snow, a Roman Catholic parochial school, and Saugerties High School, from which he graduated in 1992. He attended The College of Saint Rose in Albany, New York. He was a Computer Science major, but switched to Communications in his senior year, dropping out a semester shy of a degree.^[7][8] "I was a Computer Science major. I got out once it got really hard. I made it up to C++. Then I couldn't do the math – it got really confusing. I switched to Communications, which is a ridiculous major – let's be honest," he recalls.^[9] On May 9, 2009, Fallon received a B.A. in Communications and^[10] an honorary doctorate degree from The College of Saint Rose after presenting college officials with his portfolio, which satisfied all requisites for his degree.^[7] In addition to receiving a BA, Fallon spoke at the school's 86th commencement. That night, on Saturday Night Live, he held up his diploma during the closing of the show. Additionally, he showed excerpts from the ceremony on his late night show May 11, 2009.

Career[link]

Stand-up[link]

Fallon gives credit to troll dolls for his big break. He was given a troll doll with a graduation cap in his senior year of high school. His mother heard about an impression contest at Bananas Comedy Club in Poughkeepsie, NY. Fallon came up with a stand-up routine that was a commercial for troll dolls. He would impersonate various celebrities auditioning to be the spokesperson. He won the contest and after college he began to do stand-up tours across the country. When he was in Los Angeles, he took improv classes with The Groundlings.^[5]

Early work[link]

Fallon appeared in the feature film The Scheme (originally entitled The Entrepreneurs). His one line in Father's Day was cut but he can still be seen in the background. In 1998 Fallon appeared briefly on the show Spin City in the second season as a man selling photographs. By late 1998, Fallon was studying at the Groundlings Theater in Los Angeles, making $7.50 a set at The Improv Theater, when he was summoned to New York to audition for the long-running late night sketch comedy show, Saturday Night Live. Fallon did his impersonations of Jerry Seinfeld,^[11] French Stewart, Pat O'Brien, Chris Rock, Hilary Swank, Gilbert Gottfried, Enrique Iglesias, Adam Sandler, Jeff Foxworthy, Eddie Murphy, Larry the Cable Guy, many of which drew laughter from producer Lorne Michaels, which is generally unheard of. Fallon also did musical impersonations of Bono of U2, Adam Duritz of Counting Crows, Alanis Morissette, and Robert Smith of The Cure.^[4]

[edit] Saturday Night Live

Fallon's impersonations helped land him on Saturday Night Live as a featured player in the 1998–1999 season,^[12] and he was promoted to full cast member in the summer of 1999.^[4] Among his signature bits were his song parodies, which he performed when Colin Quinn was doing Update and continued to showcase on special occasions after he had replaced him. He became co-anchor of Weekend Update with Tina Fey with the October 7, 2000 season premiere.^[13] Fallon left SNL in 2004 and began pursuing a film career.

Fallon returned to SNL, hosting the December 17, 2011 episode, having made several cameos in episodes in the years since his departure.^[14]

Recurring characters[link]

• Dave, a young man in the Will Ferrell/Rachel Dratch recurring sketch, "The Lovers", often used as a pawn in Roger and Virginia's matchmaking.
• Jarret (from Jarret's Room), a stoner who hosts his own Internet webcam show.
• Jeffrey's clerk, one of the clerks (the other being a male host for the show) of an upscale department store.
• Joey Mack, an obnoxious radio DJ who mocks his celebrity guests.
• Kip Bloder, brother to Chris Parnell's Wade Bloder.
• The Leather Man, an intense man who owns a shop filled with leather clothes.
• Nick Burns, a sarcastic tech support representative who helps office workers with computer problems (and is almost always exposed as not knowing as much as he should by one of the workers). He frequently used the catchphrase "Moooooove!" when ousting people from their desk so he could fix the problem.
• Pat Sullivan, nicknamed "Sully", one of the Boston Teens, boyfriend of Rachel Dratch's Denise character.
• Patrick Fitzwilliam, a surly Irishman who hosts a show called Top O' The Morning with his friend, William Fitzpatrick (played by Seth Meyers)
• Randy Goldman, from "Wake Up Wakefield", Megan's (Maya Rudolph) crush who does not know she exists.
• Rodney "The Zipper" Calzoun, the MC at the Rialto Grande
• Señor Guadalupe Ramirez, one of the guitar players on the recurring sketch, "The 'How Do You Say, Ah, Yes' Show"
• Wade, one of the members of the boy band 7 Degrees Celsius
• Barry Gibb, in the skit called "The Barry Gibb Talk Show", he hosts along with his brother Robin Gibb (played by Justin Timberlake).
• Carson Daly, whom he impersonated with the catch phrase "I am a massive tool."^[15]
• Pat O'Brien, who "doesn't breathe through his nose ever!"

[edit] Late Night with Jimmy Fallon

Fallon succeeded fellow Saturday Night Live alumnus Conan O'Brien as the host of NBC's Late Night after O'Brien left the show to prepare to take over The Tonight Show from Jay Leno in 2009.^[16] The deal for the long-expected succession was confirmed April 24, 2008, with an official announcement made on May 12, 2008 at NBC's upfront presentation.^[17][18] The official press conference was released on Hulu.com.^[19]

The show, titled Late Night with Jimmy Fallon, first aired on March 2, 2009 with guests Robert De Niro, Justin Timberlake, Nick Carter, and musical guest Van Morrison. Guests on the show's first week included Tina Fey, Jon Bon Jovi, Cameron Diaz, Donald Trump, and Drew Barrymore.

"Late Night with Jimmy Fallon" sometimes features parodies by Fallon impersonating various musicians, and he has been praised for his ability to pull off spot-on impressions. Fallon often changes the lyrics to honour a recent event in popular culture and videos of these performances tend to go viral. In one segment, on May 26, 2011, Fallon impersonated Neil Young, singing along with guests Graham Nash and David Crosby, of Crosby, Stills, Nash & Young. Recent victims include Fallon making parodies of Eddie Vedder and Pearl Jam performing "Jeremy (Lin)" in light of the hysteria surrounding New York Knicks shocking standout Jeremy Lin, the Doors singing the theme song to the PBS children's show "Reading Rainbow", Neil Young's version of the "Fresh Prince of Bel Air" theme song, and David Bowie's "Space Oddity" with inspiration by Denver Broncos quarterback Tim Tebow. First appearing in January 2012, and dubbing himself as "Tebowie", Fallon's impersonation of the famously-religious quarterback went viral. Due to overwhelmingly positive acclaim from the public, Fallon revived the act on March 20, 2012 after the Denver Broncos acquired superstar and future hall of fame quarterback Peyton Manning, and revealed their intentions to trade Tebow. Fallon continues to do impersonations, in some of the show's comedy segments, especially impersonations of famous singers.

To celebrate the second anniversary on March 2, 2011, Ben & Jerry's launched a personalized "Late Night Snack" ice cream. This was immediately parodied on The Colbert Report the next day and the two show hosts engaged in a brief ice cream personality war. Colbert used numerous "fecal matter" jokes to describe the flavor of the ice cream named after Jimmy Fallon.^[20]

On November 21, 2011 U.S. Representative Michele Bachmann, who was active in the Republican Presidential Primaries at the time, appeared as a guest on Late Night with Jimmy Fallon. As she walked onto the stage, the band played a funk song titled "Lyin' Ass Bitch," without any lyrics. Hours earlier, the band's drummer Questlove had sent a tweet about the song choice: “late night walkon song devotees: you love it when we snark: this next one takes the cake. ask around cause i aint tweeting title.” After a prominent Democratic Congress woman complained, Fallon made a general apology by tweet.^[21] Fallon began his tweet with the words: "I'm honored that @michelebachmann was on our show yesterday and I'm so sorry about the intro mess."^[22] Fallon also used his Twitter account to tease his Roots bandleader Ahmir "Questlove" Thompson that he was "grounded".^[22]

Fallon in April 2007

Fallon has appeared in Taxi, Anything Else, Almost Famous, Fever Pitch, Band of Brothers, Doogal, Factory Girl and Whip It. He occasionally does stand up comedy at the Comedy Club in New York City and has also performed at the House of Blues in Boston, Massachusetts on occasions.

In 2002, Fallon released the comedy album The Bathroom Wall. In a mixed review, Rolling Stone praised the album's songs, calling the album the "second-best Prince parody ever, after Beck's 'Debra'." However the magazine panned the album's comedy routines, ultimately giving it two-out-of-five stars.^[23] The album was nominated for a Grammy in 2003 for Best Spoken Comedy Album. Fallon co-hosted the 2001 MTV Movie Awards with Kirsten Dunst on June 7, 2001.^[24] Fallon has played Neo in Sex and the Matrix, a comedic two-in-one parody of Sex and the City and The Matrix.^[25] He hosted the 2002 MTV Video Music Awards alone that year.^[26] His opening number included parodies of videos by Eminem, Avril Lavigne, Nelly, The White Stripes, Dave Matthews and Enrique Iglesias.

Also in 2002, Fallon appeared in The Rutles 2: Can't Buy Me Lunch as the son of Melvin Hall, and constantly pesters his father, often stealing his mike, claiming that the film is "his documentary."^[27]

Fallon also hosted the 2005 MTV Movie Awards and played Anakin Skywalker in comedic parody of Star Wars Episode III: Revenge of the Sith's Mustafar scene, in which Anakin and Padme have their last conversation. Fallon was named one of People magazine's 50 Most Beautiful People in 2002, an honor Fallon found embarrassing.^[28]

Following the Boston Red Sox's World Series clinching game over the St. Louis Cardinals in 2004, Fallon ran onto the field at Busch Stadium with Drew Barrymore to film a scene for their movie Fever Pitch.

In 2006, Fallon starred in "Spontaneous Combustion", a Traktor-directed Pepsi television commercial with actress Parker Posey. In the ad, Fallon and Posey can be seen dancing and jumping around to the song Streamline by Newton. In October of that year, Fallon appeared on stage in The Secret Policeman's Ball, a charity gig filmed to raise awareness of Amnesty International at the Royal Albert Hall. Fallon made three appearances during the show, the first in a sketch in which he performed impressions of people such as David Bowie, Jerry Seinfeld and David Blaine in order to get past a doorman (Shaun Williamson) who claims Fallon is not on the list. The doorman finally recognizes him for his role in Taxi, but still will not let him in. He later masqueraded as Russell Brand before being led off by Williamson, and made one final appearance in a cameo role as the front of a pantomime horse in the Al Murray "pub landlord" routine. He also provided the voice of Dylan in Doogal.

In 2007, Fallon wrote the song "Car Wash for Peace" and donated all proceeds to charity. He performed the song on The Tonight Show with Jay Leno and The View and dedicated a MySpace page to the cause. Around the same time, a video circulated on various Internet sites called lonelyfallon32, in which Fallon parodied YouTube celebrity Jessica Rose (a.k.a. lonelygirl15) and later performed the song.

Fallon, along with his sister Gloria, wrote I Hate This Place: The Pessimist's Guide to Life for TV Books in 1999. A second book is anticipated but has not yet been released, to be titled "I Hate This Place 2: Tokyo Drift."^[4] Fallon has also written a children's book, illustrated by Adam Stower, entitled Snowball Fight.

Fallon also appeared on Diggnation's 185th show.^[29]

On May 4, 2010, NBC announced that Fallon would host the 62nd Primetime Emmy Awards.^[30] With Fallon as host, viewership of the 2010 Emmy Awards increased by over 200,000 viewers from the year before.^[31]

On April 24, 2012, Jimmy Fallon filmed his live show in Chapel Hill, NC on the campus of the University of North Carolina. His guest was President Barack Obama, who spoke primarily about Congress potentially doubling the interest rates of student loans. His musical guest was Dave Matthews.

Personal life[link]

Fallon married Nancy Juvonen on December 22, 2007.^[32] Juvonen and Drew Barrymore own the production company Flower Films.

On February 22, 2011, Fallon was on The Dr. Oz Show. He had a mole removed from his left hand in front of a live studio audience by visiting cosmetic surgeon Arthur Perry.^[33][34]

Television[link]

• Saturday Night Live (1998–2004)
• Spin City (1998)
• Band of Brothers as 2nd Lt. George C. Rice in "Crossroads"(2001)
• 30 Rock (2009)
• Late Night with Jimmy Fallon (2009–present)
• The Electric Company (2009)
• Family Guy (2009)
• Saturday Night Live (December 17, 2011)
• Silent Library (2011)
• 30 Rock (2012) - Young Jack
• iCarly (2012) - As Himself

Filmography[link]

• Almost Famous (2000)
• The Rutles 2: Can't Buy Me Lunch (2002)
• Anything Else (2003)
• The Entrepreneurs a.k.a. The $cheme (filmed in 1998, released in 2003)
• Taxi (2004)
• Fever Pitch (2005)
• The Magic Roundabout (2006) (voice)
• Arthur and the Invisibles (2006) (voice)
• Factory Girl (2006)
• The Year of Getting to Know Us (2008)
• Whip It (2009)
• Alvin and the Chipmunks: The Squeakquel

Discography[link]

Albums[link]

• The Bathroom Wall (2002)
• Blow Your Pants Off (2012)

Singles[link]

• "Idiot Boyfriend" (2002)
• "Car Wash for Peace" (2008)
• "Drunk On Christmas (feat. John Rich)" (2010)

Further reading[link]

• Baldwin, Kristen (2002-05-10), "Update with Destiny". Entertainment Weekly. (653):26
• Thank You Notes (Jan 2012)

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2011)

Wikimedia Commons has media related to: Jimmy Fallon

Wikiquote has a collection of quotations related to: Jimmy Fallon

• Jimmy Fallon at the Internet Movie Database
• Food Bank For New York City public service announcement
• Jimmy Fallon with Popular Radio Personality Rich Stevens
• JimmyFallon.net – Bathroom Wall
• NBC's Official Late Night with Jimmy Fallon Site
• Interview of Jimmy Fallon for New Beacon Theatre Documentary

Billy Crystal
Crystal at the 2012 Tribeca Film Festival
Birth name	William Edward Crystal
Born	(1948-03-14) March 14, 1948 (age 64) New York, New York, U.S.
Nationality	American
Years active	1975–present
Spouse	Janice Goldfinger (1970–present)
Emmy Awards
Performance in Special Events 1989 The 31st Annual Grammy Awards Writing in a Variety or Music Program 1990 Midnight Train to Moscow 1991 The 63rd Annual Academy Awards 1992 The 64th Annual Academy Awards Individual Performance in a Variety or Music Program 1991 The 63rd Annual Academy Awards 1998 The 70th Annual Academy Awards
American Comedy Awards
Funniest Actor in a Motion Picture (Leading Role) 1989 When Harry Met Sally... 1991 City Slickers Funniest Male Performer in a TV Special (Leading or Supporting) Network, Cable or Syndication 1991 The 63rd Annual Academy Award 1992 The 64th Annual Academy Award 1993 The 65th Annual Academy Award 1998 The 70th Annual Academy Award Creative Achievement Award 1993

William Edward "Billy" Crystal^[1] (born March 14, 1948) is an American actor, writer, producer, comedian, and film director. He gained prominence in the 1970s for playing Jodie Dallas on the ABC sitcom Soap and became a Hollywood film star during the late 1980s and 1990s, appearing in the critical and box office successes When Harry Met Sally... and City Slickers. He has hosted the Academy Awards nine times, including the 84th Academy Awards in 2012.^[2]

Early life[link]

Crystal was born in the Doctor's Hospital in Manhattan and raised on Long Island in Long Beach, the son of Helen (née Gabler), a housewife, and Jack Crystal, a record company executive and jazz producer who also owned and operated the Commodore Record store.^[3][4] His babysitter was occasionally Billie Holiday. His uncle was musician and songwriter Milt Gabler, and his brother, Richard "Rip" Crystal, is a television producer. Crystal grew up in a Jewish family that he has described as "large" and "loving".^[5]

After graduation from Long Beach High School, Crystal attended Marshall University in Huntington, West Virginia on a baseball scholarship, having learned the game from his father, who pitched for St. John's University. Crystal never played a game at Marshall because the program was suspended during his freshman year, and because he was too busy being the Editor in Chief of The BG News from 1969–70.^[6] He did not return to Marshall as a sophomore, staying back in New York with his future wife. He instead attended Nassau Community College and later New York University, where he graduated in 1970 with a BFA from its Tisch School of the Arts.^[7]

Career[link]

Television[link]

Crystal returned to New York City and performed regularly at The Improv and Catch a Rising Star. He studied film and television direction under Martin Scorsese at New York University. In 1976, Crystal appeared on an episode of All in the Family. He was on the dais for The Dean Martin Celebrity Roast of Muhammad Ali on February 19, 1976, where he did impressions of both Ali and sportscaster Howard Cosell. He was scheduled to appear on the first episode of NBC Saturday Night (later renamed Saturday Night Live) (October 11, 1975), but his sketch was cut.^[8] He did do a stand-up bit later in that first season as Bill Crystal, on the April 17, 1976, episode; the "Can you dig it? I knew that you could." portion of which was repeatedly quoted by characters in the 1977 feature film Saturday Night Fever.

Crystal's earliest prominent role was as Jodie Dallas on Soap, one of the first unambiguously homosexual characters in the cast of an American television series. He continued in the role during the series' entire 1977–1981 run.

In 1982, Billy Crystal hosted his own variety show, The Billy Crystal Comedy Hour on NBC. It lasted five episodes.

After hosting Saturday Night Live in 1984, he joined the regular cast.^[8] His most famous recurring sketch was his parody of Fernando Lamas, Fernando, a smarmy talk show host whose catchphrase, "You look... mahvelous!," became a media sensation.^[8] Crystal subsequently released an album of his stand-up material titled Mahvelous! in 1985, as well as the single "You Look Marvelous", which peaked at No. 58 on the Billboard Hot 100 during the same year. Also in the 1980s, Crystal starred in an episode of Shelley Duvall's Faerie Tale Theatre as the smartest of the three little pigs.

In 1996, Crystal was the guest star of the third episode of Muppets Tonight.

Billy Crystal hosted three Grammy Awards Telecasts: the 29th Grammys; the 30th Grammys; and the 31st Grammys.

Acting in film and hosting the Oscars[link]

Crystal's first film role was in Joan Rivers's 1978 film Rabbit Test. Crystal also made game show appearances such as The Hollywood Squares, All Star Secrets and The $20,000 Pyramid. He holds the record for getting his contestant partner to the top of the pyramid in winner's circle in the fastest time, 26 seconds.

Crystal appeared briefly in Rob Reiner's 1984 "rockumentary" This Is Spinal Tap as Morty The Mime, a waiter dressed as a mime at one of Spinal Tap's parties. He shared the scene with a then-unknown, non-speaking Dana Carvey. Crystal's line in the film was "Mime is money." He later starred in the action comedy Running Scared (1986). Reiner directed Crystal again in The Princess Bride (1987).

Reiner directed Crystal for a third time in the classic romantic comedy When Harry Met Sally... (1989), for which Crystal was nominated for a Golden Globe. Crystal then starred in the buddy comedy City Slickers (1991), which proved very successful both commercially and critically and for which Crystal was nominated for his second Golden Globe.

Following the success of these films, Crystal wrote, directed, and starred in Mr. Saturday Night (1992) and Forget Paris (1995). In the former, Crystal played a serious role in aging makeup, as an egotistical comedian who reflects back on his career. He directed the made-for-television movie 61* (2001) based on Roger Maris's and Mickey Mantle's race to break Babe Ruth's single-season home run record in 1961. This earned Crystal an Emmy nomination for Outstanding Directing for a Miniseries, Movie or a Special.

Crystal has continued working in film, including Analyze This (1999) and Analyze That (2002) with Robert De Niro, and in the English version of Howl's Moving Castle as the voice of Calcifer. He was originally asked to provide the voice of Buzz Lightyear in Toy Story (1995) but turned it down, a decision he later regretted due to the popularity of the series.^[8] Crystal later went on to provide the voice of Mike Wazowski in the Pixar film Monsters, Inc. (2001), which was nominated for the inaugural Best Animated Feature Oscar.

Crystal hosted the Academy Awards broadcast in 1990–1993, 1997, 1998, 2000, 2004 and 2012; and he reportedly turned down hosting the 2006 ceremony to concentrate on his one-man show, 700 Sundays. He returned as emcee for the 2012 Oscar ceremony, after Eddie Murphy backed out of hosting.^[9] His nine times as the M.C. is second only to Bob Hope's 18 in most ceremonies hosted. At the 83rd Academy Awards ceremony in 2011, he appeared as a presenter for a digitally inserted Bob Hope and before doing so was given a standing ovation. Film critic Roger Ebert said when Crystal came onstage about two hours into the show, he got the first laughs of the broadcast.^[10] Crystal's hosting gigs have regularly included an introductory video segment in which he comedically inserts himself into scenes of that year's films in addition to a song following his opening monologue.

Broadway[link]

Crystal won the 2005 Tony Award for Best Special Theatrical Event for 700 Sundays, a two-act, one-man play, which he conceived and wrote about his parents and his childhood growing up on Long Island.^[8] He toured the U.S. with the show in 2006 and Australia in 2007.

Following the initial success of the play, Crystal wrote the book 700 Sundays for Warner Books, which was published on October 31, 2005. In conjunction with the book and the play that also paid tribute to his uncle, Milt Gabler, Crystal produced two CD compilations: Billy Crystal Presents: The Milt Gabler Story, which featured his uncle's most influential recordings from Billie Holiday's "Strange Fruit" to "Rock Around the Clock" by Bill Haley & His Comets; and Billy Remembers Billie featuring Crystal's favorite Holiday recordings.

Philanthropy[link]

In 1986, Crystal started hosting Comic Relief on HBO with Robin Williams and Whoopi Goldberg.^[8] Founded by Bob Zmuda, Comic Relief raises money for homeless people in the United States.

On September 6, 2005, on The Tonight Show with Jay Leno, Crystal and Jay Leno were the first celebrities to sign a Harley-Davidson motorcycle to be auctioned off for Gulf Coast relief.^[11]

Crystal has participated in the Simon Wiesenthal Center Museum of Tolerance in Los Angeles. Portraying himself in a video, Crystal introduces museum guests to the genealogy wing of the museum.

Crystal is a Los Angeles Clippers fan.

New York baseball[link]

On March 12, 2008, Crystal signed a minor league contract, for a single day, to play with the New York Yankees, and was invited to the team's major league spring training. He wore uniform number 60, in honor of his upcoming 60th birthday.^[12] On March 13, in a spring training game against the Pittsburgh Pirates, Crystal led off as the designated hitter. He managed to make contact, fouling a fastball up the first base line, but was eventually struck out by Pirates pitcher Paul Maholm on 6 pitches and was later replaced in the batting order by Johnny Damon.^[13] He was released on March 14, his 60th birthday.^[14]

Crystal's boyhood idol was Yankee Hall of Fame legend Mickey Mantle who had signed a program for him when Crystal attended a game where Mantle had hit a homerun. Years later on The Dinah Shore Show, in one of his first television appearances, Crystal met Mantle in person and had Mantle re-sign the same program. Crystal would be good friends with Mickey Mantle until Mantle's death in 1995.

Crystal also was well known for his impressions of Yankee Hall of Famer turned broadcaster Phil Rizzuto. Rizzuto, known for his quirks calling games, did not travel to Anaheim, California in 1996 to call the game for WPIX. Instead, Crystal joined the broadcasters in the booth and pretended to be Rizzuto for a few minutes during the August 31 game.

Although a life-long Yankee fan,^[15] he is a part-owner of the Arizona Diamondbacks, even earning a World Series ring in 2001 when the Diamondbacks beat his beloved Yankees.^[16]

In the movie City Slickers, Crystal wears a New York Mets baseball cap.

Personal life[link]

Billy Crystal and his wife Janice (née: Goldfinger) married in June 1970, and have two daughters, actress Jennifer and producer Lindsay, and are now grandparents.^[17] They reside in Pacific Palisades, California.^[18]

Awards[link]

In addition to his Golden Globe Award-nominations, Emmy Awards, and Tony Award, Crystal won the Drama Desk Award for Outstanding One-Person Show for 700 Sundays and received the Mark Twain Prize for American Humor in 2007.^[19]

Filmography[link]