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- Published: 03 Mar 2007
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- Author: ArgentinianBastard
Coordinates | 28°36′36″N77°13′48″N |
---|---|
Name | Tengwar |
Type | Alternative |
Typedesc | alphasyllabary or alphabet according to the "mode" |
Time | 1930s–present |
Fam1 | Sarati |
Creator | J. R. R. Tolkien |
Languages | a number of Tolkien's constructed languages, Quenya and Sindarin, English |
Iso15924 | Teng |
The Tengwar (Quenya for "letters"; singular tengwa "letter") are an artificial script created by J. R. R. Tolkien. In his fictional universe, the tengwar were invented by the Elf Fëanor, and used first to write the Elven tongues: Quenya, Telerin, and also Valarin. Later a great number of languages of Middle-earth were written using the tengwar, including Sindarin. Tolkien used tengwar to write English: most of Tolkien's tengwar samples are actually in English.
Even closer to the tengwar is the Valmaric script, described in Parma Eldalamberon 14, which J. R. R. Tolkien used from about 1922 to 1925. It features many tengwar shapes, the inherent vowel found in some tengwar varieties, and the tables in the samples V12 and V13 show an arrangement that is very similar to one of the primary tengwar in the classical Quenya "mode".
Jim Allan (An introduction to Elvish, ISBN 0-905220-10-2) compared the tengwar with the Universal Alphabet of Francis Lodwick of 1686, both on grounds of the correspondence between shape features and sound features, and of the actual letter shapes.
The Mellonath Daeron Index of Tengwar Specimina (DTS) lists 74 known samples of tengwar by Tolkien.
There are only few known samples predating publication of The Lord of the Rings (many of them published posthumously):
A few other samples, e.g. a tengwar mode for Gothic are known to exist, but remain unpublished to date .
These principal letters are divided into four series ("témar") that correspond to the main places of articulation and into six rows ("tyeller") that correspond to the main manners of articulation. Both vary among modes.
Each series is headed by the basic signs composed of a vertical stem descending below the line, and a single bow. These basic signs represent the voiceless stop consonants for that series. For the classical Quenya mode, they are , , and , and the series are named tincotéma, parmatéma, calmatéma, and quessetéma, respectively; téma means "series" in Quenya.
In rows of the general use, there are the following correspondences between letter shapes and manners of articulation:
Here is an example from the parmatéma (the signs with a closed bow on the right side) in the general use: The basic sign, named parma, (with descending stem) represents (it happens to look much like the Latin letter P). With the bow doubled, umbar, it represents . With a raised stem, formen, it represents . With a raised stem and a doubled bow, ampa, it represents either or (depending upon the language). With a short stem and double bow, malta, it represents . With short stem and single bow, vala, it represents (or , if the symbol above is used for /mp/; in such cases, is represented by vilya in the quessetéma).
In some languages such as Quenya, which do not contain any voiced fricatives other than "v", the raised stem + doubled bow row is used for the very common nasalized stops (nt, mp). In such cases, the "w" sign in the previous paragraph is used for "v". In the mode of Beleriand, found on the door to Moria, the bottom tyelle is used for nasals (i.e., vala is used for ) and the fifth tyelle for doubled nasals (malta for ).
As Tolkien explained in the ROTK appendix, the tehtar for vowels resemble Latin diacritics: circumflex (î) /a/, acute (í) /e/, dot (i) /i/, left curl ı̔ /o/, and right curl ı̓ /u/. (Some languages without /o/, such as the Black Speech, use left curl ı̔ for /u/; other languages reverse the signs for /e/ and /i/.) A vowel occurring alone is drawn on the vowel carrier, which resembles dotless i (ı) for a short vowel or dotless j (ȷ) for a long vowel.
Some modes map the basic consonants to , , and , while others use them to represent , , and .
Ómatehtar modes can vary in that the vowel stroke can be placed either on top of the consonant preceding it, as in Quenya, or on the consonant following, as in Sindarin, English, and the notorious Black Speech inscription on the One Ring. The other main difference is in the fourth tyelle below, where those letters with raised stems and doubled bows can be either voiced fricatives, as in Sindarin, or nasalized stops, as in Quenya.
Tolkien has used multiple modes for English, including full writing and ómatehtar alphabetic modes, phonetic full modes and phonetic ómatehtar modes known from documents published after his death.
Since there are not enough places in ISO 8859-1's 191 codepoints for all the signs used in tengwar orthography, certain signs are included in a "tengwar A" font which also maps its characters on ISO 8859-1, overlapping with the first font.
For each tengwar diacritic, there are four different codepoints that are used depending on the width of the character which bears it.
Other tengwar typefaces with this encoding include Johan Winge's Tengwar Annatar, Måns Björkman's Tengwar Parmaitë, Enrique Mombello's Tengwar Élfica or Michal Nowakowski's Tengwar Formal (note that most of these differ in details).
The following sample shows the first article of the Universal Declaration of Human Rights written in English, according to the traditional English orthography. It should look similar to the picture at the top of the page, but if no tengwar font is installed, it will appear as a jumble of characters because the corresponding ISO 8859-1 characters will appear instead.
j#¸ 9t&5# w`Vb%_ 6EO w6Y5 e7`V`V 2{( zèVj# 5% 2x%51T`Û 2{( 7v%1+- 4hR 7EO 2{$yYO2 y4% 7]F85^ 2{( z5^8I`B5$I( 2{( dyYj2 zE1 1yY6E2_ 5^( 5#4^(7 5% `C 8q7T1T W w74^(692^H --Note: Internet Explorer may not display these characters properly.
Tengwar are also proposed for inclusion in the unofficial ConScript Unicode Registry, which assigns codepoints in the Private Use Area. Tengwar are mapped to the range U+E000 to U+E07F; see External links.
The following Unicode sample (which repeats the one above) is meaningful when viewed under a typeface supporting tengwar glyphs in the area defined in the ConScript tengwar proposal. Some typefaces that support this proposal are Tengwar Telcontar, Constructium, Tengwar Formal Unicode, and FreeMonoTengwar (James Kass's Code2000 and Code2001 use an older, incompatible version of the proposal).
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Another instance of this stylistic use of tengwar is the computer game ; again the tengwar are used meaninglessly. Tengwar is also used in Alone in the Dark, a comic book, as a font describing an arcane language.
Spanish footballer Fernando Torres has a tattoo on the inside of his left arm that reads "Fernando" in tengwar, as does his former Atletico Madrid team mate Sergio Agüero whose reads "Kun Agüero". (Fernando's tattoo uses ómatehtar, although inconsistently, with Sindarin mode for the first two vowels, and Quenya mode for the last "o"; and also contains both the "incorrect" "r" (rómen is used instead of óre) as well as "n+(n)d" when just "(n)d" (with a nasalisation bar) would have been sufficient.
Actors Elijah Wood, Ian McKellen, Orlando Bloom, Sean Astin, Dominic Monaghan, Billy Boyd, Viggo Mortensen, and Sean Bean have tattoos of the English word nine written in Quenya-mode tengwar. Contrary to popular belief, these tattoos do not spell out the "Elvish" (Quenya or Sindarin) word for nine (Quenya nertë or Sindarin neder) but instead simply the letters for the English word nine in tengwar. John Rhys-Davies declined the tattoo, but his dwarf body double got it in his place. They had them done after the filming of Peter Jackson's Lord of the Rings film trilogy, since the characters they played were the nine members of the Fellowship of the Ring.
Category:Abugida writing systems Category:Alphabetic writing systems Category:Middle-earth writing systems Category:Unicode proposals
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